K e l ly Fa r l e y c e r a m i c a rt i st
exclusively at
Each day in his Pope Valley studio, ceramicist Kelly Farley challenges himself to create work that represents the beauty of the individual, but also the collective consciousness that links individuals together. His one of a kind, large scale suspended sculptures are a product of that challenge. Farley’s intensive and ritualistic process begins with the clay he sources, which can come from the foot hills of the sierras, a mine halfway across the country, and anywhere in between. The clay is combined, molded, and glazed with his unique techniques and recipes. Then the spheres go through an elaborate firing process, where Farley’s technique and craftsmanship really come alive. Ceramicists from all over the country journey to Pope Valley just to be a part of it, working around the clock to tend to the firing for 10 straight days. Using an ancient Japanese style kiln, called an Anagama, and the unconventional fuel source of wood, Farley enables ash and other elements that cannot be controlled to serendipitously affect the variety of surface and patina that makes each sphere unique. Once the firing process is completed, the spheres are assembled according to Farley’s vision of how they interact with their space. To create a piece, Farley embarks on the ambitious, entirely hand done process only two to three times a year. It is after understanding this process that you realize his challenge is brought to life not only in his physical work, but also the entire journey.
Silicon Carbide
19” W x 17” D x 142” H
No. 9
120” W 16” D 172” H
Fluid
26” W x 16” D x 144” H
Custom Commission INTERIOR DESIGN BY FLETCHER RHODES