Stopress, CCoI Summer 2009 by Design & Crafts Council Ireland

Crafts Council of Ireland Newsletter

JACK DOHERTY EXHIBITION p. 39

SUMMER 2009

CCoI GRADUATE JEWELLERY EXHIBITION p. 40

25 Contents News and Reviews P.2

Summer Greetings from the CEO

P.4

Your Contacts at CCoI

P.5

House & Home /CCoI Awards

P.6

Winners of Future Makers Awards

P.7

Public Perception of Irish Craft

P.8

CCoI Performance Survey 2009

P.10 Showcase 2009 - A Celebration of Change P.13 Craft at Bloom 2009 P.14 New Faces at CCoI P.16 Craftmaker in Context - Martina Hamilton

Craft Community News P.19 Cork Enterprise Boards & Brown Thomas host Craft Event P.20 Craft & Criticism P.22 Celebrating Joyces Masterpiece P.23 Furniture Conference @ GMIT New Books - Green Wood Chairs

GANS News P.24 Guilds, Associations, Networks and Societies (GANS)

Opportunities P.26 Dates for your Diary P.27 Craft for Christmas Core Crafted Design P.28 Showcase 2010 - Creative Island

FUTURE MAKERS page 6 SHOWCASE 2010 - call out, page 28

P.29 Jewellery/Ceramics Short Courses Work Placement in Norway P.30 Bursary 2009 Portfolio 2009 P.31 Seminar Series & Workshops CCoI / NCAD Seminar Series

Image: ‘Zebrano Chair’ by Zbigniew Srtzebonski, Future Makers

P.32 Summer Craft in Kilkenny

Advertisements P.33 Advertisements

Exhibitions - NCG P.36 Snapshots of Constructions, RemembeRing, Organic Geometry at NCG P.38 NCG News Update P.39 Upcoming Exhibitions at NCG

SUMMER 2009

News and Reviews

Summer Greetings Dear reader, The first half of 2009 has presented significant challenges for everyone involved in the craft sector. Ireland’s economic downturn has put pressure on many craft enterprises, resulting in reduced staffing and production for some, and sadly the closure of others. While we will be experiencing the impact of the global economic turmoil for some time to come, research and trends have identified that the recession has brought some opportunities for craft to grow as consumers seek out products which they perceive to be original, authentic, long lasting and locally made. In order to sustain jobs and grow the craft sector, it is incumbent on all of us to consider what changes we can implement in our day to day activities in order to give us the greatest opportunity for success in the future. Here at the Crafts Council of Ireland we have been reviewing all of our programmes and processes in order to ensure that we work as efficiently, effectively and economically as possible in supporting the Irish craft sector. Each year we conduct a Client Program and Performance Survey as a needs analysis of the CCoI client base in order to tailor programmes and ensure they offer consistent benefits to clients of all disciplines. We have already implemented several changes based on the feedback we received in our 2008 survey to more closely align the programmes we offer with the needs of our members and clients – see key findings from the 2009 survey on pages 8 and 9. There has also been significant change across the organisation as we have put new structures in place and introduced new team members - see page 14. This has led to a delay in releasing Stopress, so in the interim we have been keeping you up to date on our activities via email. We will shortly be introducing a new ezine which will be circulated to you on a regular basis between quarterly issues of Stopress.

To date three Regional Networking Events have taken place in 2009: Listowel, Athlone and Drogheda with the next event taking place in Galway in October.

Over the past few months a hive of craft activities and events have taken place throughout the country and on the International stage involving all of our internal teams. The following is a brief overview of key highlights: Membership Services & Operations: The CCoI Regional Networking Events have been an excellent two-way forum for discussion and engagement. Recent counties visited in 2009 were Kerry, Westmeath and Louth and we will continue this trend with the next event taking place in Galway on Wednesday 21st October. At our Guilds, Associations, Networks & Societies (GANS) meeting which took place in March we received a lot of input and suggestions which we are implementing, including the introduction of a special section in Stopress that will feature a different GANS in each edition and also list upcoming events for all GANS - see pages 24 and 25. In June the CCoI held its AGM in Dublin and welcomed two new Board members; Carmel Creaner of Cork Textiles Network and Shelia Ahern of Feltmakers Ireland to the CCoI Board of Directors.Longstanding former members JP Donnelly and Ann Montgomery stepped down after many years of service and Beth Moran was re-elected. We acknowledge and thank JP and Ann for their valued contributions over the years and express our gratitude to both.

In partnership with the Irish Arts Review, the CCoI was invited to participate in a Late Late Show craft feature in Spring 09. Left: Pat Kenny, Late Late Show presenter with Ann Mulrooney, CCoI’s Exhibitions Manager & Curator .

Education, Training & Development: This spring the 2009 House and Home/CCoI Student Design Awards were announced - see page 5. CCoI also announced a number of new awards including: the Critical Writing Award in association with the Irish Arts Review and Future Makers, a new initiative to enhance, develop and support our future craftmakers. The awards ceremony for Future Makers recently took place at the National Craft Gallery with the award winning pieces being put on display - see page 6. On July 7th, Minister for Education and Science, Mr Batt O’Keeffe, T.D. launched the first ever comprehensive study into craft education and training in Ireland with a report entitled ‘Creative Pathways’ published by the CCoI. The findings and recommendations in the study will help direct the CCoI’s efforts to ensure that craft is an integral subject on our curriculum at primary and second levels, and that there will be sufficient programmes in place for third level and nationally based training opportunities to continue the professional development of current craftmakers. The full report alongwith an executive summary are available to download from the CCoI website at www.ccoi.ie.

Five of CCoI’s top craftmakers exhibited at the prestigious show COLLECT, London, in Spring 2009, represented by the National Craft Gallery. They were: Joe Hogan, Angela O’ Kelly, Liz Nilsson, Cara Murphy and Cormac Boydell. .

SUMMER 2009

News and Reviews

Market Development:The National Craft Gallery (NCG) recently hosted two international exhibitions RemembeRing and Constructions, and more recently Organic Geometry: an exploration of form in contemporary Irish craft. In the UK, European Baskets went on show as part of the NCG touring programme. A key highlight for the gallery was the invitation to the NCG to represent some of Ireland’s leading makers at the prestigious UK show COLLECT. The gallery received a very positive reaction from buyers and top international galleries at the show, all serving to strengthen and to continue international recognition of Irish craft. I am also delighted to announce that this year for the first time the Kilkenny Arts Festival in partnership with the Crafts Council of Ireland will launch a Craft Strand as part of the official festival programme. Sterling Irish – an innovative and design-led exhibition by Irish makers living and working in the UK will be on show at Castle Yard. In tandem with Sterling Irish, there are also a number of other craft events taking place in Kilkenny including a solo exhibition by celebrated ceramicist Jack Doherty; Object, which will showcase work by both craftmakers and artists side by side in the National Craft Gallery in addition to numerous craft talks and workshops and a craft trail and exhibition initiated by MADE in Kilkenny. Visit www.kilkennyartsfestival.com Showcase 2010 will be an exceptional show, attracting a host of new buyers with craft at the centre stage of this event. Our market development team are continuing the work started in 2009 to rebrand and reinvent this show to make it the key calendar event of the year. We strongly encourage all our clients who want to do business in the retail sector to participate in Showcase 2010, full details are on pages 11 and 28. Public Affairs & Communications: The Late Late Show, the official flagship television programme of RTÉ once again acknowledged and celebrated Irish craftsmanship with a feature dedicated to profiling some of Ireland’s leading makers showcasing work in ceramics, glass, silver, furniture, textiles and jewellery. Ann Mulrooney, the National Craft Gallery’s recently appointed Exhibitions Manager & Curator spoke in-depth about the techniques and processes involved in making the work, creating a greater public awareness of the role of the craftmaker and of the mastery of their work. The Public Affairs & Communications team has also been busy publicising exhibitions in the National Craft Gallery and our upcoming activities in the craft strand of the Kilkenny Arts Festival. The recent Graduate Jewellery Exhibition 2009 received significant coverage, with articles in national press, an interview for the Pat Kenny Show on RTE Radio 1 and a feature on Nationwide to be aired on RTE 1 in September.

Gerry Wycherley, CCoI Chairman (R) presents Vincent O’ Shea (former National Craft Gallery Exhibitions Manager) with a gift by woodturner Liam Flynn, March 2009.

After many years as Manager of the CCoI’s National Craft Gallery since its beginnings in 2000, Vincent O’Shea left the organisation in March 2009. Vincent was a key contributor in developing the Gallery’s national and international profile as well as planning and executing an extensive and impressive exhibitions programme over the years. The Board and staff of the CCoI thank Vincent for his invaluable contributions and wish him every success in the future. .

A key promotional event will be the launch of 2011 Year of Craft, which we are currently planning. The Crafts Council of Ireland will celebrate its 40th Anniversary in 2011 and the World Crafts Council will be hosting its annual general assembly in Ireland in June of that year. This will be a wonderful opportunity to promote the wealth of craft that Ireland has to offer and we will be encouraging both individual makers and all our GANS to become actively involved in participating in the celebrations so that there will be craft activities and events all over Ireland throughout the year. As you can see, we have had a busy programme of activities over the past few months with plenty more activity ahead. A number of other highlights, news and reviews can be read in this bumper issue of Stopress and make sure to check out the Opportunities on pages 27 to 32 and Dates for your Diary on page 26 to keep abreast of all upcoming items of interest. As always we welcome your comments and feedback on Stopress and all the supports that we have in place for our members and clients. I hope to have the opportunity to meet with many of you over the coming months, and discuss with you how we can work together in developing the craft sector and promoting the wealth of creative talent that Ireland offers both at home and abroad. I wish you all every success for the remainder of the summer.

‘Creative Pathways’- the first comprehensive report on craft education in Ireland. Published and launched in July 2009 by the CCoI, and available to download from the CCoI website at: www.ccoi.ie .

Úna Parsons CEO, Crafts Council of Ireland Kilkenny Arts Festival, in partnership with CCoI launched a new craft strand as part of the official festival programme for 2009. www.kilkennyartsfestival.com .

SUMMER 2009

News and Reviews Your Contacts and Supports at CCoI Karen Hennessey

MEMBERSHIP SERVICES & OPERATIONS

EDUCATION, TRAINING & DEVELOPMENT

Helen Murphy

Karen Hennessy: Head of Operations Contact for: Membership Services & Operations Direct Dial: T: 056 7796143 E: karen@ccoi.ie Breda English Mary Whelan

Helen Murphy: Head of Education, Training & Development Contact for: Education & Training Development Emer Ferran Direct Dial: 056 7796156 E: helen@ccoi.ie

Customer Service Breda English / Joanne Lawlor: Contact for: Customer Service & General Enquiries CCoI Direct Dial: 056 7761804 E: info@ccoi.ie NCG Direct Dial: 056 7796147 E: ncg@ccoi.ie

Emer Ferran: Enterprise Development Manager Contact for: Enterprise Training Programmes Direct Dial: 056 7796144 E: emer@ccoi.ie

Louise Allen

Louise Allen: Education & Awareness Manager Contact for: Education Development Programmes Direct Dial: 056 7796142 E: louise@ccoi.ie

Mary Whelan: Customer & Business Development Co-ordinator Mary Rhatigan Contact for: Business Enquiries Direct Dial: 056 7796131 E: maryw@ccoi.ie

Julie Jackman

Mary Rhatigan: Customer Service Assistant (Part-time) Contact for: Registration & Membership Enquiries Direct Dial: 056 7796140 E: maryr@ccoi.ie

Mary Blanchfield

Leslie Ryan

Leslie Ryan: Education & Outreach Officer Contact for: Education Outreach Programmes Direct Dial: 056 7796151 E: leslie@ccoi.ie

Gus Mabelson

CCoI’s Training Courses Gus Mabelson: Ceramics Skills Course Manager Contact for: CCoI’s Ceramics Skills Course Eimear Conyard Direct Dial: 056 7724777 E: gus@ccoi.ie

Mary Blanchfield: Finance Manager Contact for: Financial & Accounts Enquiries Direct Dial: 056 7796138 E: mary@ccoi.ie Julie Jackman: Finance Assistant Contact for: General Accounts Enquiries Direct Dial: 056 7796135 E: julie@ccoi.ie Nuala McGrath: HR & Corporate Services Manager Contact for: Human Resources & Corporate Services Direct Dial: 056 7796133 E: nuala@ccoi.ie

Nuala McGrath

Eimear Conyard: Jewellery Skills Course Manager Contact for: CCoI’s Jewellery Skills Course Direct Dial: 056 7796149 E: eimear@ccoi.ie Genevieve Murphy

Genevieve Murphy: Education & Training Assistant (maternity leave cover) Contact for: Education/Training Enquiries Direct Dial: 056 7796134 E: genevieve@ccoi.ie

Susan Brindley

PUBLIC AFFAIRS & COMMUNICATIONS

MARKET DEVELOPMENT

Brian McGee

Brian McGee: Head of Market Development Contact for: Market Development Enquiries Direct Dial: 056 7796145 E: brian@ccoi.ie Nicola Doran

Nicola Doran: Retail Programme Manager Contact for: Retail Access Programmes Direct Dial: 056 7796153 E: nicola@ccoi.ie

Susan Brindley: Head of Public Affairs & Communications Contact for: Public Relations & Press Enquiries Direct Dial T: 056 7796152 E: susan@ccoi.ie

Emma McGrath: Retail Executive Contact for: Retail Enquiries Direct Dial: 056 7796150 E: emmamcgrath@ccoi.ie

Caroline O’Riordan

Caroline O’Riordan: Communications & Marketing Manager Contact for: Communication Enquiries including: Stopress, Ezine, Images & Press Direct Dial: 056 7796141 E: caroline@ccoi.ie

Des Doyle: Collector & Craft Tourism Development Manager Contact for: Collector & Tourism Programmes Direct Dial: 056 7796137 E: des@ccoi.ie

Emma McGrath

Brian Byrne

CCoI’s National Craft Gallery

Emma Briscoe

Ann Mulrooney: Exhibitions Manager & Curator Contact for: Exhibition Development Enquiries Direct Dial: 056 7796132 E: ann@ccoi.ie

Ann Mulrooney

Brian Byrne - Gallery Assistant (Part-time) Contact for: Gallery and Exhibition Enquiries Direct Dial: 056 7796147 E: ncg@ccoi.ie

Úna Parsons

Emma Briscoe: Communications Assistant (Part-time) Contact for: Information/Communication Enquiries Direct Dial: 056 7796136 E: emma@ccoi.ie

CHIEF EXECUTIVE OFFICE Úna Parsons: Chief Executive Officer Contact Executive Assistant CEO’s Executive Assistant Direct Dial: 056 7796148 E:ceo@ccoi.ie

SUMMER 2009

News and Reviews “….this year really proved that imagination and creativity are in plentiful supply when it comes to home product design in Ireland. These pieces show that indigenous Irish design has an extremely bright future.” Eimear Nic an Bhaird, editor of House and Home magazine

A lightweight and easy-to-assemble flat-pack table in three pieces made from oak-veneered birch plywood scooped Jens Kosak, a second year furniture design student in GMIT Letterfrack, the prestigious title of House and Home/Crafts Council of Ireland Student Designer of the Year at an awards ceremony in Dublin’s National College of Art & Design earlier this year.

Versatile Flat-Pack Table by Jens Kosak

Scoops Top Student Design Award An adjudication panel that included furniture

of interior design in Coláiste Dhulaigh,

designer Stevan Hartung, interior designer

Coolock who produced a Helix table light

Milo Fitzgerald, Dunnes Stores homewares

made from thermal plastic honeycomb;

buyer Roisin O’Brian, Louise Allen, Education

Zbigniew Strzebonski, an apprentice

& Awareness Manager with the Crafts

furniture maker with Wedge Design, Dublin

Council of Ireland and House and Home

who designed a chair from polished stainless

magazine publisher Karen Hesse lauded the

steel, birch plywood and walnut veneer

product for its versatility and simplicity of

and Ciara O’Sullivan, a ceramics student in

design as an inexpensive piece of furniture

Limerick School of Art and Design whose

for the modern home. “This is a very

decorative set of bowls conveyed a strong

pared-back, mature design for a student.

sense of the sea.

It’s extremely well thought-out”, commented award-winning furniture

The Student Design Awards were established

designer Stevan Hartung while Dunnes

by House and Home magazine in 2004 to

Stores homeware buyer Roisin O’Brien

promote commercial design as a viable

added, “It is a good product for smaller

career choice and best practice amongst

houses and it’s extremely easy to assemble.

young Irish designers. Design students

It would translate well to an extended

around the country were invited to design

range, including occasion tables”.

and produce an interiors-related product that is contemporary, innovative, functional,

Jens, who is originally from Germany, beat

affordable, commercial and suitable for

off stiff competition from four other finalists

commercial production under this year’s

to take the top prize of a cheque for

theme of ‘Future Classics’. In a new

€1,000, a trip to a design fair most suited

departure for the five-year competition,

to his design discipline, mentoring and

the Crafts Council of Ireland partnered

support and a glass trophy designed by

with House and Home magazine as the

Michelle O’Donnell of Glasshammer

principal supporter this year of the

Designs. The other finalists were: Rory

student design initiative.

Brown, a second year furniture design, production and enterprise student from South West College, Omagh Campus, who

For more information contact:

created a chair that takes from the style and

Louise Allen, CCoI Education & Awareness

scale of a chaise longue to mimic a human

Manager T: 056 7761804 E: louise@ccoi.ie

spine; Colleen Sands, a third year student

SUMMER 2009

News and Reviews The Crafts Council of Ireland is delighted to announce the winners of the Future Makers Student Awards, Student Grants and Practitioner Grants 2009.

The Future Makers awards and grants, which have a value of over €25,000 will support those currently studying or practicing craft and represent the Crafts Council of Ireland’s commitment to supporting those who wish to pursue craft as a career. ‘Zebrano Chair’ by Zbigniew Strzebonski

‘Headpiece’ by Una Burke

Winners of Future Makers 2009 Announced Student Awards | Student Grants | Practitioner Grants The Student Awards are assessed on the basis of creativity, innovation, skill and craftsmanship and are intended to reward and benchmark excellence. The award winners are Una Burke, currently completing a Masters at the London College of Fashion, and Zbigniew Srtzebonski a 3rd year apprentice at Wedge Furniture in Dublin. Una’s work reflects her passion, skill and understanding of traditional leatherworking. Using traditional techniques she creates wearable pieces of art with a challenging contemporary twist which reflect the highest standard in form and finish. Zbigniew’s furniture designs combine the use of simple shapes with maximum adaptability. Taking his inspiration from urban architecture his pieces are reminiscient of modernist design and are excellently crafted. Student grants provide funding support to students at different stages of their study to undertake research, residencies and training programmes or to purchase specific materials to create new pieces of work. Grants were awarded to students from NCAD, Ulster University, the Crafts Council of Ireland Ceramic Skills course and Grennan College. Practitioner Grants are designed to provide assistance to crafts people who have

graduated within the past 3 years or who have recently established a craft practice or enterprise. These grants provide assistance in a range of areas including further training, research and development, studio set-up and exhibitions assistance. Successful applicants have received funding to exhibit at Origin and New Designers in the UK; to undertake specialised diamond optical training in Belgium; to attend the international summer glass academy at Domaine De Boisbuchet; and to develop bodies of work using new technologies and acquiring additional skills. The grants and awards were assessed by Audrey Whitty, Curator of Ceramics, Glass and Asian Collections at the National Museum of Ireland, Ruairí Ó Cuív, Public Art Manager, Dublin City Council, and Bernardine Hurley, Chairperson, RDS Crafts Sub-Committee. Work from the award and grant winners are on display at the National Craft Gallery, Kilkenny from Friday, July 17th - Tuesday, July 28th.

Student Awards Zbigniew Strzebonski - Furniture Apprentice, Wedge Furniture, Dublin Una Burke - MA Leatherwork, London College of Fashion Student Grants Materials

Dearbhla Ní Ailin materials - Print/Batik, Grennan College Kerstin Reuter materials - Print/Batik, Grennan College Helen Faulkner - CCoI Ceramics Skills Kate Murtagh Sheridan - CCoI Ceramics Skills Residency/Training

Fiona Byrne - NCAD, Glass Helen Moore Residency/Training - Ulster University, Ceramics Research and Development

Emma Bourke R&D - NCAD, Glass Karen Donnellan R&D - NCAD Glass Practitioner Grants Studio

Earthworks Ceramics Studio - Ceramics Rachel Swan - Jewellery

For more information contact:

Exhibitions

Louise Allen CCoI Education & Awareness Manager E: louise@ccoi.ie T: 056 7796142

Claire McAlister - Metalwork Sabrina Meyns - Metal/paper Training

Renata Pekowska - Glass Suzanne White - Gilding Thomas Riordan - Jewellery Florence Harmelin - Textiles /Weave Research and Development

Ann Nolan - Textiles Gail F Mahon - Sculptural Ceramics

‘12 Diamonds’ by Claire McAllister

‘Out of the Blue’ by Helen Moore

‘Ball Necklace’ by ‘Rachel Swan

SUMMER 2009

News and Reviews

Public Awareness, Interest and Attitudes Towards Craft In December 2008, the Crafts Council of Ireland commissioned Lansdowne Market Research to carry out a survey to assess the public’s awareness, interest and attitudes towards craft products and categories. Methodology: • •

A series of questions were included on a Lansdowne Telebus Survey. A nationally representative sample of 1000 adults aged 18+ throughout Ireland were interviewed.

Objectives of the Survey: The 3 key questions this research answered were: • What product categories do people perceive as craft? • The public’s interest in buying and owning Irish craft products. • Attitudes towards and associations with Irish craft. Findings were compared with the results of similar CCoI research undertaken in 2006.

Key Survey Findings: •

Craft has moved beyond the traditional territory of ceramics and glass to encompass a wider diversity of items: pottery and glass still are key craft items but textiles/knitwear is also spontaneously mentioned as craft for 1/3 of adults 15+ and jewellery for 1/5.

•

Women drive the association of craft with textiles and pottery.

•

Social class influences what you perceive as craft - those from comfortable social class backgrounds less likely to identify particular items as craft.

•

The good news is that significantly more people wish to buy and own craft items now compared to 2006.

•

Significant movements have been made particularly amongst males. Nevertheless 40% claim they are not very/not at all interested in owning or buying craft.

Concerns: •

The key age 25-49 year olds (represents almost 50% of population and are in the key house furnishing years) has stayed static in a period when other demographics increased in their interest to own and buy craft.

•

Comparison of perceptions of craft in 2008 versus the 2006 research reveal some worrying declines. Although strongest endorsements are for crafts authentic skills and approaches used in construction’, ‘excellent quality’ and ‘ status as pieces of art’, it is of concern that strength of agreement with the latter attitudes have fallen significantly since 2006.

•

Craft is likely to be seen as for souvenir purposes as compared with 2006 and is less likely to be seen as good value for money.

Conclusion: Looking forward the focus must be on convincing under 35’s of the value of craft as these tend to have the least positive attitudes. While there was an overall increase in the percentage of people interested in buying and owning craft between 2006 and 2008, there is still considerable work to be done in changing public perception and ensuring that interest in craft is coverted into purchases.

SUMMER 2009

News and Reviews CCoI Programme and Performance Survey 2008

In October 2008 the CCoI carried out an online survey targeted at its registered clients to help influence the development and direction of future CCoI programmes and services. The survey questionnaire was sent to everyone on the Register. Over 1200 craftspeople with an email on our files were sent a link to an online questionnaire hosted by surveymonkey.com and nearly 400 received a paper version by post. In total, there were 504 completed returns. This represents 31% of the 1,627 craftspeople registered with CCoI. Methodology: The survey respondents represent almost an exact match to the Register in the following key areas (+/- 1% variation): 1. Craft discipline, 2. Studio/workshop location (Urban, Semi-urban, Rural), 3. County, 4. Annual income gained from craft (in percent bands), 5. Gender, 6. Age Band. Therefore, in statistical terms, the Programme and Performance Survey is a ‘stratified sample’. At 31% of the Register it is well over the minimum 20% sample size used as an industry standard and can be said to reliably reflect the general views of craftspeople.

Key survey findings and highlights: Survey Data 1: Craftspeople were asked what sources they would prefer to use to hear about CCoI projects and services (figures are percentages)

Survey Data 3: Craftspeople were asked to state whether they were a member of a Guild, Association, Network, Society or other professional body: 42.3% (214) said that they were not a member of any GANS or other professional body The GANS with largest memberships recorded in the survey were: •9.1% (46) - Ceramics Ireland •5.8% (29) - County Down Crafts •4.0% (20) - Louth Craftmark Designers Network •4.0% (20) - The Glass Society of Ireland •2.8% (14) - Kilkenny Craft Network •2.8% (14) - Leitrim Design House

Survey Data 2: Craftspeople were asked if they would help develop future craftspeople and promote craft to future consumers through CCoI Education & Awareness initiatives: 52% said they wished to help CCoI initiatives The three options offered received equal support from them: • By making presentations in local primary and secondary level schools on their craft and work • By participating in the CCoI’s 'Craft in the Classroom' project for National Schools • By providing demonstrations of their craft at national events (e.g. Ploughing Championships, Bloom)

Survey Data 4: Craftspeople were asked to rate the reasons why they had registered with the CCoI which gave the following ranking:

SUMMER 2009

Survey Data 5: Craftspeople were asked to rate the CCoI’s strategic understanding, policies and staff performance which gave the following ranking:

News and Reviews Survey Data 8: Comments from craftspeople on what CCoI should improve on. The following is a selection of the 48% (240) of the survey who commented. • Support craftworkers in marketing and sales of product. There needs to be more retail outlets and less craft fairs. I feel from my experience in working at fairs that the public are tired of so many and other forms of marketing and sales are needed. • Involve more crafts people directly with building an awareness of craft in Ireland to develop future markets, growing a collector base and partnerships with industry. Help create a strategic plan to support and guide crafts people at all levels. • More outreach work and a more decentralized approach. Ye are too cosy in Kilkenny. Get rid of that awful term "makers". • Have a better understanding of the difference between art & craft. • Focus on assisting craftspeople who have decided to make craft their full source of income, assisting them to make it financially viable

Survey Data 6: Craftspeople were asked to rate CCoI’s projects and services which gave the following ranking:

and sustainable. • Get down to earth and start dealing with realities and hardships we are all experiencing trying to stay in business rather than going after the collectors market and advising craftspeople to design and outsource!

Survey Data 9: Comments from craftspeople on what CCoI does well. The following are a selection from the 52% (260) of those surveyed who commented: • This year there has been a marked improvement in communication and more focus in the ‘maker’ in correspondence and this has to good for craft in Ireland. • Stopress is a great magazine, with lots of information on up and coming events, well done to you all. • Communicates & promotes, both internationally, & with the artist. Builds confidence in the artworks/craft objects. The NCG provides a

Survey Data 7: The following comments are a selection made by respondents who marked projects and services as below average or poor: Photoscheme: I feel that the scheme is too expensive for what you receive. I have been using a photographer for many years and

very high quality, respected platform. • My experience with the Crafts Council is relatively recent, but in this short space of time I've found all members of staff I have met to be enthusiastic, supportive and very helpful. • The CCoI has done a fantastic job promoting Irish crafts,

receive all my prints on CD in high-res, low-res and have access to

encouraging high quality and rewarding design initiative. They have

additional services the photographer uses ie. printed material,

given crafts in Ireland a classy image.

business cards.

• Showcase is an important place to show my work. I am glad to improvements planned for this. The ease of applying and getting a

No feedback from Portfolio when unsuccessful in application. The research mission scheme is too little especially for the USA. The database is difficult to navigate; I have never had an enquiry from any clients as a result of the CCoI website. I was only at one seminar and I found the information a little basic… Personally I didn’t get anything out of it. A lot of marketing, proportionately little attention to design and innovation.

Research Mission has helped my business to improve through getting out and seeing what is going on elsewhere. Insurance scheme is very competitive and good for my business. The 2008 Programme & Performance online survey was conducted as a needs analysis of the CCoI client base in order to tailor programmes and ensure they offer consistent benefits to clients of all disciplines. CCoI has taken on board the feedback received in 2008 and has already implemented several changes in order to more closely align the programmes offered with the needs of members and clients. We would like to thank everyone who participated in this survey.

The winner of the 2008 survey prize was Werner Groll, woodworker. Congratulations Werner!

SUMMER 2009

News and Reviews

Showcase 2009 A Celebration of Change 2009 was the beginning of a 3 year programme of development and evolution for Showcase, Ireland’s longest running and largest craft, gift, fashion and interiors trade show.

Source Aisle at Showcase 2009

‘Showcase is a key route to market for craftspeople targeting the commercial sector, and during 2008 we undertook extensive research to identify ways in which we could strengthen and re-invigorate the show.’ explains Úna Parsons, Chief Executive of the Crafts Council of Ireland. ‘As with any trade show, we were aware that trading conditions were likely to be challenging and it was imperative that we prepared for the changed economic situation by offering buyers even more for their visit - more variety, more value, more market information, more inspiration.’

New Look entrance at Showcase 2009 with handcrafted chandelier by Rachel O’Neill

Anna Vahey Casey of Anna Faye receives the overall prize for Best New Product from President McAleese and Gerry Wycherley (CCoI Chairman)

New look, New feel The changes were visible before attendees even reached the front door new branding and signage outside the show reflected the fresh new image, door personnel (wearing craft) greeted buyers on arrival, and beautiful pieces of craft from Portfolio makers were exhibited at the entrance, in the registration area and in the Buyers’ Lounges. Inside the Main Hall, a stunning Velcro chandelier, created by Rachel O’Neill, inspired and excited. Three key market trends - Seriously Reflective, Traditions Revived and Romantic Nature - were depicted, using craft from the show, creating a visually inspiring display to entice buyers.

Craft ‘Hot Spots’ Craft was brought centre-stage by creating craft ‘hot spots’ on the Balcony, the SOURCE Aisle and Hall A. In all there were over 190 craft exhibitors at the show - the highest level in four years. Showcase 2009

Craft group stands (from CEB’s, LEADER companies and Invest NI), New Day New Stand exhibitors and CCoI programmes all featured strongly in Hall A which also played host to the very popular Seminar Area. Over 19 seminars on key market topics such as ‘Designing Great Retail Experiences’, ‘Good Retailing in Bad Times’ and ‘Get Your Website Working For You; Top Ten Tips’, took place over the 4 days of the show.

Telling the story of craft Screens around the show played a series of craft Mini Movies entitled ‘Stories in the Making’ focusing on the person and the inspiration behind craft and the skills and processes that go into making each piece. Networking and fostering more opportunities to do business was key to Showcase 2009 and for the first time ever there was a social event open to both buyers and exhibitors in Café on Seine in Dublin City Centre - and over 380 people attended. President Mary McAleese officially opened the show, touring the stands and announcing the winners of the New Product Awards, the Essence of Ireland Awards and the CCoI Craftsmanship Award.

Award Winners Mark Hanvey, woodworker, won the Craftsmanship Award. Anna Vahey Casey, of Anna Faye leather handbags, won the overall prize for Best Product at Showcase for her innovative hand crafted leather handbags - she also won the Fashion, Knitwear and Accessories category.

SUMMER 2009

11 Mark Hanvey also won the Best Product in the Craft and Gift category. Jerpoint Glass Studio, won Best Product in the Tabletop & Interiors category and Martina Hamilton won Best Product in the Jewellery category. For the first time in the history of Showcase, 10 Essence of Ireland products were awarded by a panel of experts for depicting through their design, production methods and presentation that which is unique about Ireland. The Essence of Ireland selection was awarded to individual craft products by the following designers: Saba Jewellery, Jerpoint Glass Studio, Elizabeth Burgess Ceramics, Glenn Lucas Woodturning, Anne O’Leary Silks, Inti Leathers, Hand-woven by Liz Christy, Cel Design Jewellery, Celtic Roots Studio and Martha Cashman Sculptural Ceramics. "The range of exhibits, the sheer excellence of our award winners even in these tough times, lifts our hearts and make us proud", said the President of Ireland, Mary McAleese during her visit to Showcase.

News and Reviews Opportunities - Showcase 2010 Stage 2 in the 3 year plan for Showcase is now well underway – with many additional improvements planned. Central to the new developments for Showcase 2010 is the creation of the Creative Island – a key area for selected craft, situated at the front of Main Hall. This area, which will have upgraded shell scheme and a design based on best practice in retail layout, will play host to between 80 and 100 craft businesses and there will be a strong emphasis on new products. In tough times making sales and watching costs are equally critical and its the bottom line that matters. So to help control costs we have rolled the price of stands back to 2007 levels – and the Creative Island area is at a preferential rate of € 600 for approx 3.1m (including shell). For more details on how to apply see page 28 in ‘Opportunities’. The key to more sales is more buyers – and with this in mind we are working with Enterprise Ireland and our exhibitors, investing significantly in marketing to buyers from Northern Ireland, the UK, the US, Europe and encouraging new buyers from the home market. The message for buyers is that if you are looking for new and exciting Irish product, Showcase is the place to do business. For exhibitors the message is simple - you can’t afford to miss it!

Comments from exhibitors.... ‘Expectations were low coming in to the event, but actual sales and contacts have been very good’. Anna Nielson ‘The overall look of the show this year has dramatically improved. It looked brighter and fresher and the atmosphere was friendly.’ Noreen Foley ‘Showcase is an enormous opportunity and an indispensible tool in taking my business forward.’ Pat Mulcahy ‘We found Showcase 2009 to be our busiest Showcase ever. Not withstanding the tough economic circumstances, we were up more than 25% on sales compared to Showcase 2008. The various changes in layout certainly helped.’ Mark Van den Bergh

Top 10 Reasons to Exhibit at Showcase 2010 1. MEET over 5,600 buyers from over 16 countries 2. SAVE with new pricing incentives for qualifying craft exhibitors 3. GAIN valuable market information 4. COMPETE in New Product Awards 5. BE a part of the new ‘Creative Island’ in Main Hall – for craft only 6. NETWORK with buyers and other exhibitors 7. PUBLICISE your craft enterprise to buyers - let them know you are ready and open for business! 8. DISCOVER trend and market information 9. PROMOTE your products year round to over 8000 visitors to the Showcase website 10. MAXIMISE your sales with information on “Making Sales at Showcase”

SUMMER 2009

News and Reviews

Research confirms Showcase is the best way to meet buyers 94% of buyers felt that their visit to Showcase 2009 was ‘worthwhile’ or ‘very worthwhile’.

72% said they would order at the show. Encouragingly, 49% of buyers said they ordered either the same amount or more than in 2008 - despite the economic slowdown.

Reactions to the new changes at the show were very positive, with comments like ‘very impressive’ and ‘professional’. AREA

EXCELLENT

GOOD

Stories in the making

81%

19%

Show entrance

76%

24%

CEB Group stands

73%

18%

Product Awards

68%

19%

Website

61%

27%

Emerging markers

57%

39%

Seminars

37%

39%

Showcase 2009

Exhibitors Confirm Showcase is Key Route to Market 80% of exhibitors felt that their participation at Showcase 2009 was ‘worthwhile’ or ‘very worthwhile’

71% of exhibitors said that their customer base had increased as a result of Showcase 2009.

SUMMER 2009

News and Reviews

Craft at Bloom 2009 Craft at Bloom in the Park 2009 offered visitors the chance to see the very best of Irish craft in all its forms. For the second year running, the Crafts Council of Ireland brought a wonderful mix of craft experiences to Bloom with over 60 of Ireland’s leading craftspeople being represented at the event. Bloom took place over the June bank holiday weekend and attracted over 55,000 visitors, with the craft element proving extremely popular. In addition to a CCoI information stand providing details to the public on everything from craft products and makers to exhibitions, courses and events, CCoI’s involvement included four key areas as follows:

CRAFT RETAIL SHOPPING AREA Situated within the Grand Pavilion, 30 craft stands showcased an exciting range of quality crafted design pieces from selected makers where visitors could shop and browse through a superb collection of Irish craft including ceramics, tableware, jewellery, fashion, accessories and gift items.

CRAFT IN ACTION - Craft Demonstrations The Irish Craft Guilds hosted daily craft demonstrations and visitors were delighted to have the opportunity to learn more about the craft processes and techniques of the many different craft disciplines. Craft in Action participants included Ceramics Ireland, Feltmakers Ireland, Irish Artist’s Blacksmiths Association, Irish Basketmakers Association, Irish Guild of Weavers, Spinners & Dyers, Irish Patchwork Society, Irish Woodturners Guild, Lettercarvers Guild of Ireland and Peannairí.

SCULPTURAL CRAFT CCoI put on display a number of outdoor sculptural pieces celebrating and inspired by nature. Work included a stylish contemporary take on the garden swing by Garvan de Bruir, flower-inspired works by ceramicists Adele Stanley and Michelle Moore, and glass artist Catherine Keenan, Louis Mulcahy’s dramatic oversized urns, Gus Mabelson’s elegant ceramic bird tables and a selection of Liam O’Neill’s large wood-turned pieces. Note: Sculptural Craft pieces from Bloom 2009 will be on display again in Castle Yard, Kilkenny, for the duration of the Kilkenny Arts Festival (7th - 16th August, 2009). For more information see: www.kilkennyartsfestival.com

ENGAGING CRAFT There was a great reaction to the daily interactive children’s craft classes at Bloom this year run as part of CCoI’s Education Programme, with full bookings for each of the classes on offer. The craft classes included paper making with Tunde Toth, candle-making with Steph Atkins and 3D crochet with Liadain Butler.

SUMMER 2009

News and Reviews New Faces at the Crafts Council of Ireland

In Spring 2008, a review of the Crafts Council of Ireland’s organisation structure was conducted in order to see how CCoI could best support and develop the craft industry, deliver on its strategic objectives and work more efficiently and economically. This review identified that a lack of in-house resources was putting delivery of the Strategic Plan 2007 – 09 under pressure. The CCoI board decided to reorganise the staffing structure and recruit a number of new positions. Recruitment started last autumn and the new positions started to be filled from the beginning of 2009.We are delighted that all positions have now been filled. We welcome these experienced professionals to the team and are ready now to deliver additional supports to our members and clients.

Karen Hennessy - Head of Operations

Brian McGee - CCoI Head of Market Development

Karen is a Chartered Accountant with an MBA from Michael Smurfit Graduate School of Business. Karen

Brian has a degree in Industrial Design from the NCAD,

previously had her own financial services and business

and a MBA from the University of Limerick. Most

consultancy. The financial service element of the business catered for residential and commercial clients. The business

recently Brian worked with Waterford Crystal where he had responsibility for Sales and Marketing of the Waterford Brand

consultancy element offered advice on strategy, budgeting, business

outside the USA. During Brian’s tenure the brand enjoyed export

planning and other financial accounting related aspects to companies

growth in UK, Australia, Russia and the Middle East, driven by product

ranging from SMEs to multi-national companies. Prior to this Karen was

innovation and strong PR activity. Before this Brian was Marketing

the Head of Corporate Development for Glanbia Nutritionals. It was her

Manager for the well-known US brand, Anchor Hocking, based in Ohio,

responsibility to grow the nutritional business through acquisitions and

USA. In this role Brian successfully introduced two new product ranges

strategic alliances. She gained extensive experience in due diligence,

to the market that capitalized on the hundred-year-old heritage of the

business planning, legals, deal negotiation and deal closure.

Anchor brand. Brian’s first job in the USA was with Bucilla, a household name in needlecrafts that was founded in 1867. Brian pioneered the development of Silk Ribbon Embroidery, which became a huge

Susan Brindley - Head of Public Affairs & Communications

success for the company. Before moving to the US, Brian worked in Ireland as a designer for Krups, and in Paris, as a designer for IP design.

Susan started out her marketing career promoting Irish design and craft with the Blarney Woollen Mills Group

Helen Murphy - Head of Education

where she was responsible for the Kilkenny brand

Training & Development

which later became a separate company. Over the last 10 years she has held senior marketing and communications positions within the software industry in Ireland. Most recently Susan worked with CUSP Point Software where she held the position of Chief Marketing Officer, managing press and analyst relations, and all marketing activities to support the company’s world-wide Value Added Reseller program. Susan previously worked with CAPE Technologies in the role of Marketing Director and with Corvil Ltd as Marketing Communications Manager. Prior to that Susan spent over 4 years at Baltimore Technologies where her roles included Channel Program Manager and subsequently Partner Marketing Manager where she devised jointmarketing plans with international channel partners. Susan holds a B.A. in Economics from University College Cork.

Helen has spent the past 15 years working across a number of sectors within Education, Training and Management. Helen’s most recent position was with Waterford Institute of Technology (WIT) where her role involved the design, development and delivery of nationally recognised programmes, contribution to policy, research and the management of partnerships with national stakeholders. Prior to joining WIT, Helen worked with the Irish Management Institute as Open Learning Manager and Management Specialist; which involved the development of accredited and customised education and training programmes across a broad spectrum of industries in Ireland. The role also entailed working with national and international accrediting bodies and stakeholders. Helen spent the early part of her career working in consulting with OMT Consulting Group and international marketing with An Bord Bia in Paris. Helen holds a B.A. in European Studies (Law), University of Limerick (1991) and an MBA from UCD Michael Smurfit Graduate Business School (2002).

SUMMER 2009

News and Reviews Ann Mulrooney - Exhibitions Manager & Curator

Leslie Ryan - Education & Outreach Officer

Ann Mulrooney studied sculpture at the Crawford

A native of Cork City, Leslie graduated with a BA in

College of Art and Design in Cork before training as a

English Literature and Italian from University College

bronze chaser/metalworker in Pangolin Editions in

Cork in 1994. She started her career in the cultural

Gloucestershire. She went on to complete an MA in

sector with the Cork Music Resource Centre and later

sculpture in the Royal College of Art, London (2001-2003) and studied at

joined Tigh Filí (the poets house) as project manger. In this role Leslie

the PlaCe Research Centre, University of Western England, Bristol

was responsible for the design, development and implementation of

(2006/07). She has exhibited widely as an artist in Ireland and the UK

new artistic and educational programmes. She also oversaw a number

and has won numerous awards for her work, including the Cicilitira Prize

of special projects including ‘Biscuit People’, an international partnership

for Sculpture, RCA, UK 2002 and the Deutsche Bank Pyramid Award for

programme promoting integration through arts education for children.

Fine Art, UK 2003. Her work is held in numerous public and private

Leslie more recently completed a European Diploma in cultural project

collections. Since 2003, she has worked as a freelance curator with a

management with the Foundation Marcel Hicter, Brussels. She is an

number of institutions including Deutsche Bank UK, Strata (a large-scale

active member of ORACLE, a network of European cultural managers

site-specific exhibition in Ireland and Wales), Galway Arts Centre, Cavan

involved in international cultural cooperation and partnership

Arts Office and the Belltable/LCAG. She is a contributor to a number of

programmes and is a contributor to European cultural policy debates.

arts publications.

Des Doyle - CCoI Collector and Craft Tourism Development Manager Des is a graduate of the first Crafts Council of Ireland’s Jewellery Skills course (1993 - 1994) and was a student at the University of Ulster, Belfast, where he was awarded a Degree in Fine & Applied Craft Design. He was also a participant on the Crafts Council of Ireland’s Business Skills Course from 1998 - 1999. He established Ova Design, an independent jewellery design studio specialising in limited edition jewellery in precious metals in 1999 and participated in many Irish and international craft exhibitions. He gained industry experience with the Kilkenny Group, Ireland’s largest retailer of craft products and with Nicholas Mosse Pottery, where he worked in a Business Development role for five years. His most recent position was with Kilkenny County Enterprise Board in a business supports capacity specialising in the identification of training needs for the SME enterprise sector. He was awarded a Masters in Management (M.Sc, Business Management) from Trinity College Dublin in 2008.

Piece by Veronica Roden from the CCoI Graduate Jewellery Exhibiton, NCG, July 2009

CCoI welcomes two new Board Members CCoI’s recent AGM held in Dublin saw two new Board members being apointed, Shelia Ahern and Carmel Creaner and former Board Member Beth Moran, re-elected. The Board and staff of CCoI welcome our two new Board members, and express their thanks to the long standing and dedicated work by outgoing Board Members JP Donnelly and Ann Montgomery.

Sheila Ahern

Carmel Creaner

Sheila has been Secretary and Project Manager with

Carmel has been Chairperson for Cork Textiles

Feltmakers Ireland for the past four years and over

Network since 2005. Carmel has a wide range of

that time has developed a great interest and passion

experience in the textile field as a maker, teacher

for textiles and craft in Ireland. After graduating

and event organizer. She is particularly interested

from UCD with an MA in 1984 she worked in RTÉ for 13 years and

in the areas of education and training and has provided several

continues to work as a freelance researcher in TV and radio.

classes in schools and libraries.

SUMMER 2009

News and Reviews This is a series of articles where the work of a craftperson registered with the Crafts Council of Ireland will be featured along with the Guild that supports them and a retail outlet that carries their work. If you would like to be considered for selection in future issues of Stopress, please email: stopress@ccoi.ie

Craftmaker in Context by Cornelia McCarthy

If clothes maketh the man, does material maketh the craftsman? President Mary McAlesse awards Mar tina Hamilton - Jeweller, with a New Product Award at Showcase 2009.

Martina Hamilton - Jeweller A well-known craftswoman said to me that the personality of a maker is like the material they work with. Potters are earthy and have immediacy about them. Knitters are cosy and patiently produce row by row. Those working with wood are solid, practical and have a smooth finish. So what about metal? Cold and rigid is certainly what the material is like, before

With a sparkle in her eyes, Martina Hamilton is one of the most gentle and softly spoken people I have ever met. Couple this with a steely determination, a finely honed business sense and agility to move with changing times. If you saw her interview by Michael Ryan for Nationwide in February 2008, then you can see why she is an award winning creative designer of jewellery, an incurable optimist and a businesswoman with lots of mettle.

Martina is a great listener. On the shop floor, exhibiting or buying at events in Ireland, she sees, first hand, her customers react to fresh ideas or dismiss work they feel is unfashionable. With confidence she edits and cuts back ranges regularly. She approaches shops with new work and sends samples followed up by calls to get feedback on new pieces. She attends trade and gift fairs as an exhibitor and a buyer. Clearly she can re-act to the needs of the market quickly and makes work or orders work, to meet the buying trends she sees emerging in her public - local and visitors.

The entrepreneurial streak was bubbling away in the young and artistic Martina (then Gillan) when she was studying Fine Art Sculpture in Sligo in 1986. On graduating she worked with a local Mayo jeweller, the late John Anderson until 1987, and she set up on her own in 1988. Running her own business making work, she saw a niche in the market and opened ‘The Cat and the Moon’. This ‘institution’

Martina is frequently asked to work to commission and make special pieces, at home and abroad, often for the ‘happy couple’ and their party. With such personal contact with her customers, she never forgets that a piece of jewellery is for wearing. It is always going to be special to the wearer and on their body. In time it will be passed down to the next generation.

the maker transforms it with precision to become precious, full of individuality.

Images (T - B): Mar tina Hamilton, Jewellery designer Silver necklace from the Mar tina Hamilton Series entitled ‘Chamaeleon’

to quote Michael Ryan, is shop, art gallery, on-line store and workshop in downtown Sligo, a place associated with one of her heroes, WB Yeats. From here she has been selling a selection of contemporary work by Irish craftspeople and artists, alongside designing and selling her own ranges, for almost two decades.

‘This savvy approach to developing ‘The Cat and the Moon’ business into 3 distinct brands [Spirit of Ireland, The Cat and the Moon Collection and The Martina Hamilton Collection] has come about through long experience’…

SUMMER 2009

News and Reviews

‘Success is not easily won in the US highly competitive giftware market. Martina’s work has been doing well there for 12 years because she is committed to this market.’ Priority in 2009 is to communicate the three brands that have emerged in response to her customer base over recent years. All designed by Martina and made in Sligo, the ranges are called the Spirit of Ireland, The Cat and the Moon and the recently launched Martina Hamilton Collection. Irish heritage, celtic symbolism and spiritual motifs are the hallmark of the Spirit of Ireland range. This is a very popular ‘bread and butter’ selection of ranges that is supported well by retailers in Ireland and in the US. The Cat and the Moon collection also uses motifs that date from pre Christian times as well as looking closely at Irish flora. Affordable, feminine and very popular as bridal wear, this range appeals to the domestic buyer and to the younger tourist who wants something contemporary and Irish. Both these ranges have recently been rebranded alongside a new collection under her married name. The Martina Hamilton Collection, launched in November 2008 is aimed at a high-end buyer looking for striking modern work. This current work brings her to a dramatic new phase in her career as recent motherhood has brought her to a new phase in her life. The first pieces of the ‘Martina Hamilton Collection’ are designs based on cosmic events and have titles such as Nova, Nebula, Aurora and Chamaeleon. Flowers and plants have also always been a strong source of inspiration to Martina and she has always been fascinated with how

plants are constructed, each element joined to a central core. In her new collection, gone is any sense of the floral. Instead you see strong minimalist stamen, leafless frozen stalks and crisp stems, earthly echoes of starbusts light-years above. Martina explains ‘our team of goldsmiths are in free fall with the cosmic designs and we are enjoying every minute of it! I feel this is the beginning of an exciting and creative journey.’ Savoring the very positive reaction to this stunning collection really helps her continual design process for the other two brands. This savvy approach to developing ‘The Cat and the Moon’ business into 3 distinct brands has come about through long experience. ‘As a creative person involved in making, sometimes its hard to be objective about the work and how others see it. You can become immersed in a situation and not see the work the way others do. In my shop people understand ‘The Cat and the Moon’ because they know the shop. However, in a trade show in Chicago or New Jersey, cat and moon references sounds like the occult. I have to use all means to communicate accurately and clearly. Calling a range the Spirit of Ireland gives the buyer confidence in the meaning of the work and where it has come from.’ Some of her celtic jewellery and delicate Irish floral inspired ranges have made their way into Irish specialist outlets in North America and are very popular in the celtic bridal market. Success

is not easily won in the US highly competitive giftware market. Martina’s work has been doing well there for 12 years because she is committed to this market. Always there to talk to her buyers with fresh new products to complement the well-developed ranges, she works very hard to meets their needs. They respect her as an Irish company who holds true to her values, designing and making an authentic Irish product. Yeats poem ‘The Cat and the Moon’ is full of Irish lyricism, mysticism and whimsy and this appealed to Martina when looking for a name for her business almost 20 years ago. It also provides a clue to the balance in Martina’s personality. She is able to dance with the ‘changing moon’, she is the cat, ‘important and wise’. Martina Hamilton, The Cat and the Moon, 4 Castle Street, Sligo T: 071 9143686 F: 071 9140365 E: info@thecatandthemoon.com W: www.thecatandthemoon.com W: wwwmartinahamilton.ie

Article by Cornelia McCarthy, a consultant and project manager who works with creative businesses.

North American Celtic Trade Association The North American Celtic Trade Association (NACTA) is the trade association for the Celtic market in North America. Its membership represents retailers, vendors, manufacturers, distributors and others involved in this dynamic niche market. This network is a valuable resource for Irish producers like Martina Hamilton, who has been involved with the association for many years. She benefits from membership in a number of ways. The networking opportunities that it presents to her to meet and develop relationships with retailers from the US is the most important. Martina and her staff meet with NACTA retailer members at Showcase and at various shows in the US at which she exhibits. NACTA’s Celtic Marketplace Trade Show which takes place in Chicago each September offers producers like Martina a unique opportunity to connect with her customer base and showcase new products. The shop owners are always looking for something new and have respect and support for authentic work, made in Ireland.

NACTA's mission is to facilitate communication among businesses involved in the Celtic market in the USA and Canada and to develop and implement programs of value to its members. North American Celtic Trade Association (NACTA) 27 Addison Avenue, Rutherford, NJ 07070, USA T: 1 201 842 9922 E: info@celticbuyers.com W: wwww.celticbuyers.com

SUMMER 2009

News and Reviews Continued from previous page...

Interior of Kilkenny Shop, Dublin

OUTLET - Kilkenny

She was delighted that the very first order for her 'just launched'

Ideally located running the length of the south end of Trinity

Martina Hamilton Collection went to Kilkenny shop in

College is the Kilkenny shop. Irish designed contemporary gifts

November 2008.

have been synonymous with this address for over 30 years. The shop and restaurant consisting of two floors, carries a wide

Kilkenny, 6 Nassau Street,

selection of crystal, pottery and ceramics, ladies contemporary

Dublin 2

fashions, accessories and jewellery.

T: 01 6777066 E: info@kilkennygroup.com

Martina Hamilton has been showing with the Kilkenny shop

W: www.kilkennyshop.com

for 10 years and values this very important outlet and her relationship with the buyers there.

The Cat & the Moon Goldsmiths, Irish Craft Boutique and Art Gallery

Look to Recruit New Talent We are looking to expand our product range of craft. Our craft boutique features a luxurious selection of jewellery, glass, ceramics, textiles, furniture and handcrafts exclusively made in Ireland. To apply If you are interested in submitting product for consideration please send the following to Martina Hamilton at Email: info@catandthemoon.com • images of your work • pricing information • brochure or point of sale material

Silver necklace from the Mar tina Hamilton Series entitled ‘Nova’

SUMMER 2009

Craft Community News

Not only were the artists given a golden opportunity to show and sell their work in a prime retail outlet, Brown Thomas were delighted with the customer response and level of sales generated by the exhibition.

Cork Enterprise Boards and Brown Thomas Cork have designs on Cork Craft The inaugural Cork Design Week which was launched on May 14th and ran until Sunday May 24th at the Brown Thomas Department Store in Cork City has been an unprecedented success for all concerned. This unique collaborative celebration of crafted design in Cork County & City was co-hosted by Brown Thomas and the Cork County & City Enterprise Boards.

The aim of this exciting exhibition was to present and promote the wealth of design craftsmanship that exists in Cork County and City and to stimulate interest around the country in the work of these accomplished craftsmen and women. According to Project Co-ordinator Meabh Ring it “achieved all of that and more”. “Not only were the artists given a golden opportunity to show and sell their work in a prime retail outlet, Brown Thomas were delighted with the customer response and level of sales generated by the exhibition.’ Meabh adds that “without a number of supporting initiatives such as the Craft/Gift Development Programme created by the City & County Enterprise Boards an exhibition of this calibre just wouldn’t have been possible.” This was the first time that so many designers from Cork have collectively presented their work in one retail space. The 15 designers represented the fields of ceramics, glass, wood sculpture and furniture design include: Adrian Wistriech, Aiveen Daly, Audrey Shallow, David Seeger, Eoin Turner, Hilary Nunan, Jim Turner, Joan Masson, Julian Smith, Kieran Higgins, Martha Cashman, Mary Neeson, Paddy McCormack, Sara Flynn and Thomas Murphy.

Minister for Foreign Affairs Mr Micheál Martin TD with Sara Flynn, Ceramicist

The opening evening on May 14th was attended by a host of special guests including Lord Mayor of Cork Cllr Brian Birmingham, Chairman of the Crafts Council of Ireland Mr Gerry Wycherley, Designer Louise Kennedy and Brown Thomas and Cork County and City Enterprise Board executives. Minister for Foreign Affairs Mr Micheál Martin TD performed the official opening honours and was heartfelt in his praise for all involved. Paul O’Connor, Buying Director, Brown Thomas spoke on behalf of the group saying that ’In co-operation with our partners, Cork County & City Enterprise Boards, we are delighted that Brown Thomas Cork Design Week has spotlighted the importance of design in the culture of Cork. Crafted design is evidently an important facet of life in Cork where it certainly seems to flourish. We are proud to have presented the work of those crafts people from Cork whose work easily sits on an international design stage’.

Michael Hanley - CEO, West Cork Enterprise Board, Lord Mayor of Cork - Cllr Brian Birmingham, Eamon O'Donovan - Assistant MD BT Cork, and Gerry Wycherely (CCoI Chairman). Ceramic angels by Mary Neeson

… in these times of economic uncertainty, collaborations like this one take on an added importance.” Michael Hanley CEO, West Cork Enterprise Board commented that “the Cork County & City Enterprise Boards are delighted to have worked with Brown Thomas Cork in platforming micro enterprises working in the Craft and Design sector. This is part of our ongoing commitment to the sector and in these times of economic uncertainty, collaborations like this one take on an added importance.” Mr Hanley thanked Gerry Wycherley and the Crafts Council of Ireland for their on-going help and support with their initiatives for Cork craftspeople. He also thanked all concerned for their foresight in making this particular event happen and expressed hope that it would become an annual event.

Eamon O'Donovan - Assistant MD BT Cork, Lord Mayor of Cork Cllr Brian Birmingham with Jim Turner, Ceramicist

By Méabh Ring, Project Co-ordinator, Cork Enterprise Board

SUMMER 2009

Craft Community Forum

Through the ‘Craft Community’ section of Stopress, the Crafts Council of Ireland is happy to facilitate a FORUM AREA for constructive debate amongst craft enthusiasts. The views in this forum are therefore the views of individuals and are not necessarily the views of the Crafts Council of Ireland.

A New Dialogue

Opinion/Analysis/Criticism

Craft & Criticism: A New Dialogue began in the July/August issue, Stopress 16, 2007. Silversmith, Seamus Gill introduced the forum with a lecture he heard delivered by Bruce Metcalf on ‘Critical Writing on Crafts; Who Benefits?’ at SOFA (Sculpture, Objects & Functional Art), Chicago, 2006. Since then there has been a great response to this forum from the wider craft community, including craftspeople, writers and academics. Below is the latest contribution and

Michael Moore

response to the ‘Craft & Criticism’ forum.

Critical Writing on Crafts Subject: Craft & Criticism Response by: Michael Moore, Reader in Fine and Applied Art, Ceramics, University of Ulster

‘Is the silence or reluctance to talk about practice in some way connected to a long tradition of not writing about craft?’ Dear Craft Forum, I would like to contribute this ongoing and important dialogue. I do consider it important as in my experience over the years Craft and Criticism are often uneasy bed fellows. It seems there is a real push to write about the crafts now and certainly the conference on Writing about Ceramics at the International Ceramics Studio in Keskemet 2007 and the writing seminar on Ceramics held by the University of Bath Spa 2005 are testament to this. The University of East Anglia funded a series of research fellowships that led to such publications as referred to by Dr McAllister in the CCoI Nov. 07 Newsletter. Much of the focus of these papers has been about the reluctance to write about Craft and I would like to put forward this quote: ‘Is the silence or reluctance to talk about practice in some way connected to a long tradition of not writing about craft? Historically Craft knowledge was not written down, but guarded and protected in guilds and handed down through the apprentice system. However in today’s fast moving culture, and a craft community now dependent to some extent on public funding, it seems impertinent to expect others to talk intelligently about crafts if those within the field are not prepared to do so’.(1) Why do we want to write or talk about craft? Could this be due to funding opportunities to do so? Do we want to improve the standard of Craft in Ireland? Do we want to widen the appreciation of Irish Craft nationally and internationally? Or perhaps we are trying to accurately preserve a history and actively seeking to advance the quality and criticality of Irish Craft?

So please consider the words of UK Potter Julian Stair as he pushes for the maker to write about the made: ‘So if makers are not going to get involved in writing the definitive history of their own past, not only are we going to have inaccuracies about our work in a contemporary sense, but also have inaccurate versions of the history of our own discipline written for us. So I think it is imperative that makers get involved in writing in a contemporary vein as well as on the historical developments in our field’. (2) It was very much due to reading this that I embarked on an MA at NCAD to write about Irish Studio Ceramics in 1999. I did not set out to write a ‘who’s who’ of Irish Ceramics but to reference a spectrum of activity in Irish Studio Ceramics from 1950. Stairs comments were very much in my mind when I heard the sad news of Sarah Ryans’ passing only months after we held an interview in her Cashel Studio. Now I believe there is a real reason to write about Irish Craft. If it is neglected, histories and careers will be lost forever. However I feel that cannot be the only reason, as historical documentation and critical writing can be two different things. Returning to Julian Stair’s comments, it does neglect one thing: not every maker finds it easy to write and I believe writers and critics and historians need to heed that. For many makers, time writing is time out of the studio and time outside their area of expertise. I teach in the University of Ulster when I am not making Ceramics and work with students on their Studio Practice and their Writing and Research. And I find that as the years go by I receive more and more requests to write things. I try my best, confess to enjoy it, but find it far more exhaustive than making Ceramics.

SUMMER 2009

I believe the Crafts Council of Ireland is to be applauded for encouraging critical debate in the Crafts and creating this forum in their newsletter. It is an opportunity to recognise and promote critical debate about Irish Craft. I would like to conclude with an impartial suggestion as I have no connection with the following institution. Newsletter readers may like to click on the University of Wales Institute Cardiff ‘Interpreting Ceramics’ website. (3). Academics such as Dr. Jeffrey Jones and Dr. Mathew Partington along with others from University of Wales, Bath Spa and West of England made serious contributions to writing about contemporary craft practice. Michael Moore Reader in Fine and Applied Art, Ceramics University of Ulster.

Craft Community Forum

All contributions are very welcome to this debate. To submit your contribution to the Craft & Criticism debate email: stopress@ccoi.ie Editor’s Note:

In Spring 2009, the Crafts Council of Ireland launched a Critical Writing in Craft Award, in association with the Irish Arts Review. This is already underway and the winners will be announced over the coming weeks. Visit our website at: www.ccoi.ie

References: 1.

Johnson, Pamela, Ideas in the Making, London 1998, p.10.

Stair, Julian, in Bernard, Rob, ‘Rob Bernard interviews Julian Stair and Edmund

www.uwic.ac.uk/ICRC/archives.htm

incised form III - frances lambe. photography: gerry morgan

De Waal’ Ceramics Art and Perception, Sydney, Issue 38, 1999, p.44

SUMMER 2009

Craft Community News

‘As a piece of craftwork it celebrates Ulysses, the creative act of writing but also the characters of Dublin and marriage of technical skills and the fertile imagination of a craft worker...’

Aidan Breen, Silversmith - Celebrating Joyce’s Masterpiece On December 6, 1933, Judge Woolsey delivered his opinion on United States v. One Book Called Ulysses:

"I hold that Ulysses is a sincere and honest book, and I think that the criticisms of it are entirely disposed by its rationale . . . The words which are criticized as dirty are old Saxon words known to almost all men, and, I venture, to many women, and are such words as would be naturally and habitually used, I believe, by the types of folk whose life, physical and mental, Joyce is seeking to describe. In respect of the recurrent emergence of the theme of sex in the minds of his characters, it must always be remembered that his locale was Celtic and his season spring . . .”

This judgment is used by Aidan Breen - the Dublin based silversmith to introduce his engagement with Joyce’s masterpiece Ulysses. For many years Aidan has been fascinated with this most important Irish book and in 2005 he got the opportunity to use the book as a theme for one of his most important commissions. Commissioned by Dublin Assay Office to make a ‘masterpiece’ for their collection Aidan was delighted to have the time and resources to explore the themes and characters of Ulysses - one of his favourite books. The result is a sterling silver tower made in the Moorish style depicting many of the main characters and scenes of Ulysses. Each panel is constructed by hand using traditional silversmithing techniques such as repousse, and chasing for which Aidan is well known and also features a significant amount of hand filing, fabrication, soldering, finishing and polishing.

Silver Tower by Aidan Breen

Detail of Silver Tower

Article by: Des Doyle CCoI Collector and Craft Tourism Development Manager

In 196, at the age of sixteen Aidan started upon a traditional seven-year apprenticeship in a silversmithing workshop specialising in chasing and repousse. He set up his own workshop in 1978. In the beginning he began to make celtic inspired jewellery but pursued chasing and repousse work as much as possible. His career has continued over the past number of years with his expertise in chasing and repousse becoming well developed and known. When approached by the Assay Office to produce a ‘special‘ piece he immediately decided to make a work inspired by Ulysses. Ulysses has as its main characters: Leopold Bloom, his wife Molly Bloom, Blazes Boylan (with whom Molly plans to commit adultery), Stephen Dedalus, artist, writer and poet - all living in the city and county of Dublin. The book spans roughly twenty-six hours in the life of these figures plus a host of other memorable characters. It is set in Dublin on the 16th of June 1904, a day that is celebrated each year both in Dublin and also worldwide and now known as ‘Bloomsday’. When researching the piece Aidan came across the idea of using a Moorish tower as the structure on which to place depictions of some of the elements of the book. He used

the idea of a Moorish tower because a Moorish wall is described in the book and this provided him with a significant starting point for the structure of the piece. Around the main tower are 18 panels or blocks, one for each episode of Ulysses, the episodes spiral around the tower from the bottom up to the top. Each panel features an interpretation on a particular episode from the book. On the base are the flowers mentioned in Ulysses; indeed the piece is a veritable treasure trove of botanical art and the significance of some of the flowers to both the book and to national identity is not lost on Breen who skillfully executes silver lilies and poppies together with a selection of sunflowers, daisies and wild Irish roses and others. For Molly there is a Cactus blossoming from Gibraltar and Blazes Boylan’s carnation also features. In a charming twist, the top of the tower is topped off with a silver potato similar to the one Bloom carried in his pocket for luck. Each panel is a work of exceptional beauty showing the depth and breadth of Aidan’s exceptional skill. The techniques used; repousse and chasing both rely on the ‘punching’ of patterns or figures into a sheet of precious metal that is held in a bed of soft pitch using a tiny hammer and punch - all in ‘reverse’- the scale of the work suggests a significant attention to detail and attainment of a high degree of skill and dexterity all of which significantly add to the viewers appreciation of the piece. After four full years of work the piece is now finished and polished and will shortly be on permanent display in the Dublin Assay Office, located at Dublin Castle. It represents the final chapter in a very interesting interpretation of one of Joyce’s best-known works. As a piece of craftwork it celebrates Ulysses, the creative act of writing but also the characters of Dublin and marriage of technical skills and the fertile imagination of a craft worker resulting in a memorable piece of silverware which can be enjoyed by many for years to come.

SUMMER 2009

Craft Community News New Books

Green Wood Chairs Chairs and chairmakers of Ireland, by Alison Ospina Paperback, Price: €20 +P&P ISBN: 978-0-85442-151-0

Furniture Design Conference at GMIT Letterfrack 22 - 23 October 2009 T he Presence o f the Past: Influences o n Contempo rar y Irish Furniture Design The two-day conference will explore how designs and ideas from the past have influenced and inspired modern designers of furniture in Ireland. It will bring together furniture designers, academics, architects, students and anyone with an interest in Irish design.

Green Wood Chairs is both an inspirational and practical book featuring the author's naturally graceful work and projects. The book projects, inspired by Shaker design and the magic of the West Cork landscape, range from stools and small tables to a full size rocking chair, using natural branch wood and stems, which you can gather yourself and make using basic tools. The book also includes a gallery showcasing the stylish work of an array of Irish chairmakers. Green Wood Chairs will appeal to chairmakers, amateur and professional woodworkers, DIY enthusiasts, craftspeople, schools and colleges. Contact:

Alison Ospina, Green Wood Chairs, The Wooden House, Rossnagoose, Skibbereen, West Cork, Ireland T: +353 (0)28 21890 E: alison@greenwoodchairs.com

GMIT (Galway Mayo Institute of Technology) Letterfrack students and graduates have contributed significantly to the Irish furniture design and the furniture industry, winning prestigious awards and accolades including, most recently, the Wood Marketing Federation Awards and the House and Home / Crafts Council of Ireland Student Designer of the Year in 2009. Conference co-ordinator, Dr. Susan Rogers, says: “We are delighted to host this event, the first of its kind at GMIT Letterfrack. It will provide an opportunity for delegates to discuss issues relating to Irish furniture design, while enjoying a couple of days in the beautiful environs of north-west Connemara.”

For further information

Contact Susan Rogers, Conference Co-ordinator, E: susan.rogers@gmit.ie T: 087-2857281. To register online and for further details including special accommodation rates see: www.gmitletterfrackconference.ie

Pond Life by Monica O’ Brien, piece from an exhibition entitled ‘Reflections of the Southeast’ recently held by Jerpoint Glass, Kilkenny in association with the Irish Patchwork Society

The Irish Patchwork Society was founded in 1981 and has over 500 members. The Society's main aim is to promote the art and practice of patchwork and it has elevated the craft beyond just the practical to an expression of artistry. For Information on the art of patchwork and joining the Irish Patchwork Society please contact: www.irishpatchwork.ie

or email: smips@gmail.com

SUMMER 2009

GANS News

Guilds, Associations, Networks and Societies (GANS) This section of Stopress will feature a different member each issue, and also a diary of upcoming GANS events. The GANS represent the backbone of the Crafts Council of Ireland’s clients and craft in Ireland. Throughout the year representatives from each of the GANS are invited to attend network and information sharing events in Kilkenny. The Crafts Council of Ireland currently have over 55 GANS members across a variety of craft disciplines. To enquire about membership contact: Mary Whelan T: 056 7796131 E: mary@ccoi.ie

THIS MONTH’S FEATURED NETWORK: Cork Textiles Network

www.corktextiles.com

Textiles by Lynn Kenny

Founded in 1998 the Cork Textiles Network embraces all enthusiasts both traditional and non-traditional. The common thread linking this dynamic group is their love of colour, texture and tactile qualities of their materials. Today there are over eighty members based in all parts of the country some living in London and New York. The group has many aims and objectives one of which is to promote and raise the profile of textiles as an art form. CTN has an annual exhibition at St.Fin Barre’s cathedral in Cork city where all members have an opportunity to exhibit new work. This year’s exhibition, entitled “Elemental”, was on show from 3rd - 19th June. During that time 3400 people viewed the work and all the work was for sale. In November and December 2008 the network exhibited at the Cork School of Music and will do so again in 2009. This year the theme of Music will be explored, with the title of the exhibition being ‘The Long Note’. This is a very different gallery style setting and also a more local audience (estimate 5000). These exhibitions are a celebration of the work carried out on a constant basis by dedicated practitioners. The next step for the network is to have a juried show. The network is actively looking for a suitable venue and will keep all posted via CCoI’s newsletter and from their website: www.corktextiles.com Despite the fact that the full group meets only twice a year, it has events organised

on a monthly basis. “Monthly gatherings” take place at the Bishopstown Library where members can work with other like minded artists. The network is also forging links with expert textile artists in Poland, skills exchange meetings occur regularly, and Master classes, the Knit and Stitch and Summer Arts Festivals are constantly in their diary. The Network’s recent Conference at Colaiste Stiofain Naofa was a great success. Each year’s conference is informed by the valuable feedback given to it by attendees. Next year’s conference entitled “Colour and Form in Textiles” will be a 2 day event on 6th and 7th March 2010. There is a fantastic line up of lecturers and workshop presenters. The event details are on the CTN web site - so please book early to avoid disappointment. Cork Textile Network’s next meeting will be Saturday 10th October 2009 in Bishopstown Library, Cork - if you are interested in the Network’s events and activities you would be most welcome to come along. By Carmel Creaner, textile maker and Board Member of CCoI (as of June 2009)

CCoI GANS members For more information on CCoI GANS members see also the CCoI’s 2008 Annual Report, published on the publications section of the CCoI website at: www.ccoi.ie

GANS Upcoming Diary Dates Name of Network: Offaly Crafty We welcome new members who wish to join us. Event: Exhibition @ Birr Vintage and Arts Festival Members of Offaly Crafty will hold an exhibition of their work during the festival as part of the Arts Trail, an integral part of this successful festival now in its 41st year. Date: 14 - 21 August Time: 1.30 - 6pm Location: Old Hospital For further information: Name of Contact: Cyril Stanley, Hazel Greenemm Phone no: 087 2889616 Email: info@bramberstudio.com Website: www.offalyartsandcrafts.com

SUMMER 2009

25 Name of Network: The Design Tower Event: Exhibition - An exhibition of work by the craftspeople of the Design Tower, inspired by the Bender collection of oriental objects Date: 2nd to 14th November Time: 9.30 to 5.30pm Location: National Museum of Ireland, Decorative Arts & History, Collins Barracks, Grand Canal Quay, Dublin. For further information: Name of Contact: Pat McBride Email: letmeknow@dacapo.ie Website: www.thedesigntower.com

Name of Network: Ceramics Ireland Event: Jack Doherty Workshop Working with fine porcelain, which is soda-fired in a gas kiln. His work has been exhibited extensively over the last 30 years; he has also published several articles and books. This exciting workshop will include demonstrations and a slide presentation. The Exhibition celebrating Jack Doherty's extensive career opens at The National Craft Gallery on August 8th and Runs until October 27th 2009 Date: Friday August 7th, 2009 Time: 9.30am - 5.30pm Location: The Pottery Skills and Design School, Thomastown, Co. Kilkenny For further information: Name of Contact: Elaine Riordan / Tina Byrne Phone no: 087 9510765 (Elaine) / 085 7190912 (Tina) Email: ceramicsireland@yahoo.com Website: www.ceramicsireland.org

Name of Network: Cork Textiles Network Event 1: The Long Note” an exhibition of textiles inspired by Music (Opening Event 25th November 2009, Time 6pm) Date: 23rd November - 18th December 2009 Time: Mon - Fri 10am-7pm, Sat 10am - 5pm Location: Cork School of Music, Union Quay, Cork Event 2: AGM - New members welcome Date: October 10th 2009 Time: please see website www.corktextiles.com Location: Bishopstown Library, Cork, Event 3: Colour and Form in Textiles- A 2 day festival of textiles Lectures and workshops from Ireland’s and Britain’s leading contemporary textile artists. Early booking ensures a place in your chosen workshop. Download a registration from www.corktextiles.com.

Date: 6th & 7th March 2010 Time: Sat 6th: 8.30am-5.30pm, Sun 7th: 10am-4pm Location: Colaiste Stiofain Naofa,Cork For further information: Name of Contact: Carmel Phone no: 086 6095656 Email: ctn@oceanfree.net Website: www.corktextiles.com

Name of Network: Irish Artist Blacksmiths Association Event: Forge-in (will be held in 2009 - dates not confirmed at time of print contact Edward) Date: To be advised Time: To be advised Location: To be advised For further information Name of Contact: Edward Bisgood Phone no: 01 4622788 Email: edward@bushyparkironworks.com

GANS News Name of Network: Fire Station Artists' Studios Event: Mary B White - Master class Mary Bayard White is co-head of the Crucible Art Center Glass Department in Oakland, California. During this intensive five-day class Mary will demonstrate her beliefs to link art making with environmental issues; Using slumping, fusing, casting, and glass cold working techniques, students will be asked to focus on concepts and ideas in their work, as well as learn new glass skills. Date: 21st - 27th September (12 places / €250) Time: 10.00am to 5.00pm Location: 9-11 Lower Buckingham Street Dublin 1, Ireland For further information: Name of Contact: Jessica Cunningham Phone no:+353 1 8069010 Email artadmin@firestation.ie Website: www.firestation.ie NB: Please note there is only limited availability on this 5 day course

Name of Network: Irish Patchwork Society Event 1: National AGM & Conference Irish Patchwork Society AGM for members will be 3rd October hosted by the South Western Branch followed by workshops on Sunday 4th & Monday 5th given by Yvonne Brown. (www.yvonnebrown.co.uk) Membership of the society will be open at all branches at their September meetings - see website for dates and venues of branch meetings. Date: 3rd to 5th October Time: see website Location: Manor West Hotel, Tralee, Co. Kerry Event 2: Purple in the Park - an exhibition of Contemporary Textile Art by '04 Textile Group (This is a group of City and Guild graduates of 2004 mainly from Eastern Branch of the Irish Patchwork Society). Date: 6th July to 30th July 2009 Time: Mon - Sun 10am - 5pm. Location: Visitors' Centre in Phoenix Park, Dublin For further information: Contact: Breege Watson, Chairperson, Irish Patchwork Society Phone no: 087 8382411 Email: admin@irishpatchwork.ie Website: www.irishpatchwork.ie

Name of Network: South Western Branch of Patchwork Society Event: Exhibition of local Textile Art and Patchwork Date: Summer 2009 (see website for details) Time: (see website for details) Location: Phoenix, Shanahill, East Keel, Co. Kerry. For further information: Contact: Nikki Foley, Chairperson, South Western Branch Phone no: 087 9924002 Email: admin@irishpatchwork.ie Website: www.irishpatchwork.ie Other Events that would be of interest to members of Patchwork Society:

Tinahely Show - Family day out on 3rd August where previously an excellent patchwork and quilting competitions have been held – for details see www.tinahelyshow.ie/ or email tinahelyshow@eircom.net Mary Byrne, Show Secretary (0402) 34922 Lakeland Quilt Fair - two weeks of workshops hosted at the Cavan County Musuem in Ballyjamesduff from 4th - 24th September. Further information from them on: 049 8544070 Website: www.cavanmuseum.ie

To submit a GANS upcoming event to Stopress: Contact Mary Whelan, CCoI, T: 056 7796131 E: mary@ccoi.ie or email information direct to storpess@ccoi.ie

SUMMER 2009

Opportunities

Dates for your Diary *Please note: The Autumn issue of Stopress will be published on 15th October 2009. Please forward all submissions by September 1st.

CCoI OPPORTUNITY DIARY DATES

BY/ON/CURRENTLY

Craft for Christmas Submissions Applications for Creative Island Stands at Showcase 2010 The Landscape of Aesthetics and Design - Expressions of interest Bursary 2009 Portfolio 2009 Craft Skills Work Placement in Norway CCoI / NCAD Seminar Series

by by by by

24th August 2009 ASAP ASAP 25th September2009 25th September2009 24th August 2009 24th August 2009

on on

10th September 2009 22nd October 2009

on on on on

22nd September 2009 15th October 2009 19th November 2009 26th November 2009

on on on on on

8th August-27th October 2009 8th August-27th October 2009 8th August-27th October 2009 31st October-10th January 2010 16th January-3rd April 2010

on on

24th to the 26th August 2009 19th and 20th September 2009

CCoI SEMINARS Emerging Themes in Craft Education & Training, Kilkenny Business Awareness for Makers, Dublin

WORKSHOPS Innovation & New Product Development, Dublin What do Today’s Customers Want?, Kilkenny The Role of Branding in Building Craft Sales, Kilkenny Costing & Pricing your Craft Product Effectively, Kilkenny

NATIONAL CRAFT GALLERY (NCG) EXHIBITIONS 2009/10 Sterling Irish - Kilkenny Arts Festival Jack Doherty Object Emerging Makers On the Edge For NCG Touring Exhibitions visit www.ccoi.ie

FOR CRAFT TALKS & EDUCATIONAL EVENTS For information on Craft Talks & Educational Events see page 32

CCOI JEWELLERY & CERAMICS SHORT COURSES 2009 Diamond Setting / Pavé Test Kiln Building Workshop

SUMMER 2009

Opportunities

Craft for Christmas A CCoI Promotional cam paign t o inc rease Ch rist mas c raft sales Closing date for submissions is: Monday 24th August 2009 Following the success of last year’s ‘Craft for Christmas’, the Crafts Council of Ireland plan to run a similar promotional initiative in 2009 throughout the Christmas Shopping season. Whilst last year’s campaign focused on retailers within Dublin who were already stockists of Irish Craft, this year we aim to promote stockists nationwide as well as transactional websites that feature Craft. The CCoI Retail Programme Team would now like to hear from craft enterprises who fulfill the following criteria: Have product that..

p Images (T - B): Promotional press image for ‘Craft for Christmas 2008’, featuring Colm de Ris Pottery. Silver Christmas decorations by Garrett Mallon, jeweller.

• has a Christmas Theme or alternatively be suitable as a Christmas gift

• that is available to buy in an Irish Store or through an online transactional website

• Have images of the work with recommended retail and whole sale prices. Please note, high resolution images are not necessary, low resolution jpeg images will also do.

To apply:

Please forward name and company details along with product information and images by e-mail with the subject titled ‘Craft for Christmas’ by the closing date (above) to: Emma McGrath, CCoI Retail Executive at emmamcgrath@ccoi.ie

Core Crafted Design Look to Recruit New Talent Core Crafted Design, in Ballinahown, are looking to expand their product range of craft. To apply If you are interested in submitting product for consideration please send the following to Aileen Duffy at aileen@corecrafteddesign.com • images of your work, • pricing information, • brochure or point of sale material For more information contact: Core Crafted Design on T: 090 6430222 E: aileen@corecrafteddesign.com

SUMMER 2009

Opportunities Showcase 2010 Calling all potential Showcase exhibitors Showcase 2010 will feature more positive change than ever before, with the launch of the ‘Creative Island’ - a focal point for craft in the Main Hall. This exciting development will bring a new dynamism to the Main Hall, showcasing craft products and Irish brands. The Showcase team is committed to making all of the changes necessary to attract the type and quality of buyer that will make Showcase the key route to market for your business.

So, if you are wholesaling, exporting, looking to increase sales or are thinking of breaking into the retail market to grow your business, you can’t afford to miss out on Showcase..

Who to contact for Craft at Showcase: For information or advice on exhibiting or returning to Showcase, or for further information on Creative Island contact Emma McGrath at T: 056 7796150 or E: emmamcgrath@ccoi.ie

Who to contact to Book / Reserve a Stand Contact John Hick T: 01 2958185 or E: John.Hick@expo-events.com

‘Creative Island’…..Craft will take centre stage at SHOWCASE 2010 with more dedicated areas for Irish craft than ever before.

‘Creative Island’ Craft will take centre stage at the show, with more dedicated areas for Irish craft than ever before. At the heart of all of this will be the ‘Creative Island’ - the exciting new area, for selected craft, at the front of Main Hall. This area will include prerequisites in terms of stand display and design, as well as product quality- and will offer new pricing incentives to qualifying craft exhibitors.

New Products New products are top of every buyers’ agenda and so they will also play a central role in the show. We are launching a Showcase Product Development Award which will be open to all craftspeople developing new products or ranges for the retail market. Do you have new products that will be ready to launch at Showcase 2010, and which is new to market since Showcase 2009?

Details of this new area, the criteria and the application procedure are availableonline at www.ccoi.ie or contact: Emma McGrath, CCoI (see contact details above).

What Buyers Want

Looking After Your Bottom Line

We know from research that buyers are looking for:

In tough economic times it can be difficult to prioritise spend on trade shows but it is exactly the time when businesses need to be very proactive and positive about identifying and securing new buyers. Showcase is the best place to do this.

• • • • •

New and unique products Good value Business friendly environment Networking opportunities Information on trends

So in 2010 Showcase are continuing the investment in Showcase to make it a premier destination for buyers who are looking for Irish designed and made crafts.

And to help you control costs we are rolling back prices to 2007 levels. So make sure you reserve your stand immediately.

SUMMER 2009

Opportunities

Crafts Council of Ireland

JEWELLERY & CERAMICS SHORT COURSES 2009

Photoscheme Update Based on the substantial feedback received in the 2008 Programme and Performance Survey on previous Photoschemes run by CCoI (see page 8), similar collective schemes are not included in CCoI’s plans for 2009. Many clients who participated in previous schemes were unhappy with the following:

Diamond Setting/Pavé Dates: August 24th - 26th (3 Day Course) Test Kiln Building Workshop Date: Sept 19th & 20th (2 Day Course) The Crafts Council of Ireland's summer 2009 SHORTCOURSES Brochure and application form is available to download from www.ccoi.ie For more information If you are currently working in a different discipline and wish to take one of these courses or require further information please contact: Eimear Conyard, Jewellery Course Co-ordinator at: T: 056 776 1804 E: eimear@ccoi.ie or for advice. To book a course Download an application form from the Opportunities section of the CCoI website at: www.ccoi.ie or contact Geni Murphy, CCoI Education Assistant on: T: 056 7796134 E: genevieve@ccoi.ie All courses listed will be held in the Jewellery Skills Training Workshop, Castle Yard, Kilkenny, or in the Grennan Mill Ceramics Workshop, Thomastown, Kilkenny.

their inability to provide input into the photo styling and the resulting photos the inconvenience of sending/personally delivering products to a central location the overall cost as they felt using a local photographer would have been cheaper and produced better results. CCoI is committed to exploring alternative avenues to assist makers in arranging convenient and cost effective photo shoots. To this end, a directory of recommended photographers will be featured on the CCoI website. The CCoI is therefore seeking your recommendations on photographers you have successfully worked with in the past: please send information including full contact details to Emma Briscoe at E: emma@ccoi.ie.

Other plans for the future include the production of a document of guidelines for photographing craft products in order to ensure maximum usability of the resulting photos and hosting a training course for registered CCoI clients on how to get the most out of a photo shoot.

Applications Open for Craft Skills Work Placement Programme in Norway The Crafts Council of Ireland in partnership with Norske Kunsthåndverkere are seeking expressions of interest from craftspeople to participate in a 2 week work placement in Norway in Autumn 2009. The placement will provide the opportunity to work with a craftsperson or enterprise in Norway to acquire knowledge and skills of European work practices.

To apply If you are interested in applying for this opportunity please email a copy of the following: • A Current C.V. • A brief outline of the type of work placement you feel would benefit your practice • 4 x digital images of your work not exceeding 500kb

The placement is fully funded under Leonardo Da Vinci Mobility 2009. The programme is open to craft graduates and those engaged in craft enterprise. The selection procedure for applicants will adhere to EU guidelines under the Leonardo Programme.

And send to: Louise Allen, CCoI Education and Awareness Manager Email: louise@ccoi.ie Closing date 24th August 2009

SUMMER 2009

The Crafts Council of Ireland’s

Bursary 2009 Call for Expressions of Interest Closing date: September 25th 2009 The CcoI Bursary 2009 offers a prize fund of €15,000 awarded to a craftworker who demonstrates a commitment to producing craftwork that illustrates the attainment of the highest level of technical and design skill.

Kevin O’Dwyer, Silversmith, Bursary 2007 Winner

The objective of the bursary is to give one craftworker the opportunity to develop a body of work that they would otherwise not have the time or resources to develop. Expressions of interest are welcomed from craftworkers who feel this prize would be of benefit to the development of their work. Closing date for completed applications is Friday, September 25th, with jurying taking place in October. The announcement of the winner will be made in November. For further details contact: Des Doyle, CCoI Collector and Craft Tourism Develpment Manager T: 056 77 96137 E: des@ccoi.ie

PORTFOLIO 2009 Expressions of Interest Sought Closing date: September 25th 2009 PORTFOLIO was established to ‘promote the work of individuals showing excellence in craftsmanship at an international level’. Since its establishment PORTFOLIO has represented the work of an increasing number of craftspeople who aim to produce high quality limited edition and one off craftwork for the commissioning and gallery market. There are currently over forty craftspeople represented by the initiative. The PORTFOLIO publication is used by many corporate and private clients to assess and identify work for collection or commission, in addition, craftwork for many external, international exhibitions is selected from PORTFOLIO makers. Many of the pieces collected as part of the Crafts Council of Ireland joint collecting initiatives with the Department of Foreign Affairs and the National Museum of Ireland are from PORTFOLIO makers. In 2008 a review was carried out of PORTFOLIO and we are now in a position to request expressions of interest from craftworkers who would like to submit images and work for consideration for the 2009/2010 programme.

Erika Marks, Jeweller

Previous Bursary Winners: Liam Flynn - Woodturner, Denis Brown - Caligrapher and Joe Hogan - Basketmaker

Opportunities

All makers currently featured in PORTFOLIO will also be required to apply with new work and images for jury consideration. A full timetable for the PORTFOLIO initiative will be announced in July 2009. For further details please contact: Des Doyle Collector & Craft Tourism Development Manager T: 056 77 96137 E: des@ccoi.ie Closing date for completed applications is Friday, September 25th, with announcement of successful applicants made in December.

SUMMER 2009

Opportunities

Building your Craft Enterprise in Challenging Times CCoI Autumn Seminar and Workshop Series The CCoI has put together a series of upcoming seminars and workshops specifically designed to meet the needs of makers and practitioners in the craft industry.

Opportunity to participate in a CCoI / NCAD Seminar Series Expressions of Interest Sought to participate in a series of Seminars, from September - May 2010

Closing date: 24th August 2009

Seminars Seminars will cater for groups of up to 75 participants. To facilitate our clients, events will take place in Kilkenny and Dublin.

Emerging Themes in Craft Education & Training 10th September, Kilkenny

Business Awareness for Makers 22nd October, Dublin

Workshops Workshops will cater for a group of up to 20 participants and involve facilitator input, interactive activity and group discussion and presentations.

Innovation & New Product Development for Craft Enterprise 22nd September, Dublin

What do Today’s Customers Want? 15th October, Kilkenny

The Role of Branding in Building Craft Sales 19th November, Kilkenny

Costing & Pricing your Craft Product Effectively 26th November, Kilkenny

To book and for further information contact: Genevieve Murphy Education & Training Assistant T: 056 7796134 E: genevieve@ccoi.ie For more detailed information visit the Opportunities section of our website at: www.ccoi.ie

The Crafts Council of Ireland, the National College of Art and Design and Fulbright have joined forces to develop an academic seminar series for Crafts Council of Ireland registered makers and craft based students undertaking an MA at NCAD. This seminar series offers makers the opportunity to engage in a creative cluster in order to: • explore their work process and practice • develop critical thinking and writing skills • investigate concepts of aesthetics The seminar series entitled ‘The Landscape of Aesthetics and Design’ will be facilitated by Fulbright Scholar Mary Bayard White* and will take place one day per week in NCAD, Dublin for the academic year, September 2009 May 2010. The Crafts Council of Ireland are now seeking expressions of interest from makers who would like to find out more about participating in this seminar series. Participants are expected to actively engage in this process culminating in an exhibition and two-day conference in 2010. For further information and to apply:

Please forward your contact details along with a current c.v. by email Louise Allen, Education and Awareness Manager Crafts Council of Ireland, Castle Yard, Kilkenny T: 056 7796142 to: E: louise@ccoi.ie *Mary Bayard White is an artist/educator visiting NCAD on a Fulbright Award 2009-2010. From 1985-2005, she was head of the San Jose State University Glass Program and taught Spatial Arts in the School of Art and Design and a Creativity Seminar in the Creative Arts Department. From 2005 to the present she has been co-head of the Glass Department and glass instructor at the Crucible Fire Arts in Oakland, CA, (www.thecrucible.org). She currently serves on the board of the Women Environmental Art Directory (WEAD). Mary has BFA in Ceramics 1970, and MFA 1980-83 in Glass and Painting from California College of the Arts, in Oakland, CA. 1971-1979 she taught photography, graphics, drawings, painting and screen-printing in Oakland, California inner city high school, and has continued to work with at-risk-youth throughout her career.

SUMMER 2009

Opportunities

Summer Craft in Kilkenny Upcoming Events & Exhibitions STERLING IRISH - KILKENNY ARTS FESTIVAL Castle Yard, Kilkenny 8 August – 27 October 2009 Running as part of the official craft strand programme of the Kilkenny Arts Festival 2009. An exhibition by 11 leading contemporary Irish designer makers who are currently based in the UK and rarely exhibit in Ireland.

National Craft Gallery Exhibitons JACK DOHERTY National Craft Gallery 8 August - 27 October 2009 The renowned Derry-born potter who has established himself as a leading UK studio potter with his distinctive soda fired porcelain.

Brooch by Grainne Morton, Sterling Irish

OBJECT National Craft Gallery 8 August - 27 October 2009 An exhibition juxtaposing leading, internationally recognised abstract artists from the Arts Council Collection with contemporary Irish craft, linked by shared interests in line, form, texture and colour. Curated by Brian Kennedy, the exhibition includes work by Siobhán Hapaska, Fergus Martin, Michael Moore and Frances Lambe. For more information on the exhibitions go to P. 39

Lidded Pot by Jack Doherty

National Craft Gallery Daily Talks (Daily Tours, Mon-Fri) Throughout the festival Leslie Ryan, CCoI Education and Outreach Officer talks about the exhibitions. National Craft Gallery, Castle Yard, Kilkenny 11am to 12 noon

Children’s Workshops Daily craft workshops for children aged 5 to 12 Tuesdays, Wednesdays and Thursdays 2 – 4pm, Castle Yard, Kilkenny For more information, on the above talks and events and other craft related activities taking place throughout the duration of the Kilkenny Arts Festival, visit the CCoI website at: www.ccoi.ie or contact Leslie Ryan, CCoI Education and Outreach Officer T: 056 7796151 E:leslie@ccoi.ie

Or visit www.kilkennyartsfestival.com

Bottle Forms by John ffrench

SUMMER 2009

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Blackrock Market Craft Gallery - expressions of interest to Conleth Boothman c/oBlackrock market 19a Main Street,Blackrock Co.Dublin T: 01 2833522

This supportive environment would

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SUMMER 2009

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cises and develop your skills with a project. €355 - lunch, refreshments, tools and materials provided.

Woodturning classes with

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MULRANNY Co. Mayo COST; €490. Includes 2 nights B&B, one dinner. Lunches/snacks/teas. Materials. Suitable for those with basic / advanced sewing skills. For more information contact Lina E: linasteinhats@eircom.net T: 098 28449

SUMMER 2009

GLASS BEADMAKING COURSES AT CADENZA GLASS STUDIO Advanced Workshop with internationally acclaimed artist CLAUDIA PAGEL - Saturday/Sunday 22nd/23rd August 2009 (Only 1 place left) For Further Information See W: www.glasting.com (5 students per class).

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SUMMER 2009

Exhibition Snapshots - NCG

CONSTRUCTIONS AND REMEMBERING

AT THE NATIONAL CRAFT GALLERY

Ray Power, ceramicist and Sally Leadbetter, Jerpoint Glass at Constructions. Piece by Liv Blavarp

Constructions Opening: L-R: Norwegian Ambassador, His Excellency Mr. Øyvind Nordsletten, Úna Parsons (CEO of CCoI) Vincent O’Shea (CCoI Exhibition Programme Manager up to March 2009), Mette Michelsen (Norwegian Ministry of Foreign Affairs) and Gerry Wycherley (Chairman of CCoI).

L-R: Melissa Curry with Mar tha Haveman (Curator) at RemembeRing

Angela O’Kelly, Jewellery Designer at RemembeRing

Odhran O’Shea with a piece by Erlend H. Leirdal at Constructions

L- R: Eimear Conyard (CCoI Jewellery Skills Course Manager) with Susan Brindley (CCoI Head of Public Affairs & Communications) and Michelle O’Connell (of Red Aesthetic, Kilkenny)

L- R: Mar tha Haveman and Karel Betman (Curators) with Úna Parsons (CEO of CCoI) at RemembeRing

Exhibition of rings by the CCoI Jewellery Skills Course students in Gallery 2, coinciding with RemembeRing

SUMMER 2009

Exhibition Snapshots - NCG

ORGANIC GEOMETRY AT THE NATIONAL CRAFT GALLERY

Alison Kay (Ceramicist)

L - R: Cliona Geraghty (Ceramicist) with Oonagh Anderson of Ear thworks Ceramics, Thomatown, Kilkenny ,

Raymond Keane (Actor/Director)speaking at the opening of Organic Geometry

Terry Dunne (Weaver)

Mark Hanvey (woodturner) and son

Deirdre Rogers (Glassmaker) and Peter Scroope (Ceramicist)

John Lee (Furniture maker) with his family

Kathleen McCormick (Basketmaker)

Michael Ray (Glassmaker)

SUMMER 2009

National Craft Gallery - News News Highlights

Ann Mulrooney

It has been a busy few months here at the National Craft Gallery. March 2009 saw the opening of Constructions, an exhibition of contemporary Norwegian craft.

The exhibition was opened by the

Following Constructions, the NCG exhibited

Bloom 2009, gallery talks, lectures and

Norwegian Ambassador, His Excellency

Organic Geometry (May 2nd - July 12th),

workshops, and the Kilkenny Arts Festival

Mr. Øyvind Nordslette, and was followed

an exhibition of 30 emerging and established

inaugural Craft Strand, featuring Sterling

by a farewell dinner for the outgoing

Irish makers who draw on naturally-occurring

Irish, an exhibition of Irish makers based in

Exhibitions Programme Manager, Vincent

geometry, growth patterns and structures in

the UK, curated by Angela O’Kelly. I look

O’Shea. Vincent has been with the gallery

their work, using these sources to produce

forward to seeing you there!

since its beginning in 2001, and has over-

some exquisite contemporary forms.

seen some wonderful exhibitions over the years. All at CCOI wish him equal success in

In May the National Craft Gallery also

his freelance career.

attended Collect at the Saatchi Galleries in

Ann Mulrooney National Craft Gallery Exhibitions Manager

this important European collector’s event

the National Craft Gallery since March, and

and we got an immensely positive reaction

it has now broadened to encompass curation

to our exhibition stand, from collectors,

as well as management, to ensure that

dealers, gallerists and the public alike. As

long-term exhibition programming is

well as generating sales, commissions and

cohesive and aligned with the wider

opportunities for our featured makers, we

education, training and market-development

also made some very valuable connections

programmes of the Crafts Council of

on which to build future relationships for

Ireland. My own background is as a maker

Irish makers.

‘Organic Geometry: ‘Winter’ by Eileen Singleton

London. This was our first time showing at I have taken on the management role of

and I have worked as an artist and freelance curator in Ireland and the UK, before taking

As I write, plans are currently going ahead

up my current position. Another new face

for a very busy August. In the gallery we

has also appeared - our gallery assistant

will be featuring two exhibitions - a solo

Brian Byrne has now been joined by

show by acclaimed ceramicist Jack Doherty,

Education and Outreach Officer, Leslie

Director of Ceramic Review and the Craft

Ryan, who will be engaging new and larger

Potter’s Association in the UK; and Object,

audiences with the work in the gallery,

curated by Brian Kennedy, which juxtaposes

educating both potential future makers of

work from the Arts Council’s collection of

craft and future consumers - an important

abstract art with contemporary Irish craft.

part of ensuring a vibrant industry.

Alongside that will be outdoor work from

Organic Geometry: Vogue Virus’ by Gina Faustino

Constructions: Piece by Lilian Dable

Constructions: ‘Shir t Collars’ by Marit Helen Akslen

SUMMER 2009

National Craft Gallery - News

UPCOMING EXHIBITIONS - AUGUST 2009 A fantastic showcase of the creativity, innovation and quality of contemporary work being produced by Irish makers today will be on show in Kilkenny over the coming weeks. Opening during the Kilkenny Arts Festival will be two National Craft Gallery exhibitions, Jack Doherty and Object, in addition to Sterling Irish, which forms part of the official craft strand at this year’s festival and which is supported by the Crafts Council of Ireland. See also www.kilkennyartsfestival.com Alongside these exhibitions, there will be a number of special talks and events taking place in Kilkenny throughout the festival, including a special workshop with renowned ceramicist Jack Doherty and a Pecha Kucha Night* evening in the National Craft Gallery. Kilkenny will also play host to a number of other craft exhibitions and events, confirming Kilkenny’s status as a centre of craft excellence in Ireland. For more information on these events see P. 31 of the Opportunities pages. *Pecha Kucha (which is Japanese for the sound of conversation) was conceived in 2003 as a place for young creatives to meet, network, and show their work in public.

Jack Doherty 8 August - 27 October 2009, National Craft Gallery, Kilkenny A solo exhibition celebrating the work of this internationally reknowned and celebrated UK based potter from Derry, who was resident at the Kilkenny Design Workshops in the 1960’s. The exhibition features a new body of his distinctive soda fired porcelain, reflecting his sensitivity and expertise with this most difficult of materials and is his first solo exhibition in Ireland. ‘Bowl’ by Jack Doher ty

Object 8 August - 27 October 2009, National Craft Gallery, Kilkenny A exhibition juxtaposing leading, internationally recognised abstract artists from the Arts Council Collection with contemporary Irish craft, linked by shared interests in line, form, texture and colour. Curated by Brian Kennedy, the exhibition includes work by Siobhán Hapaska, Fergus Martin, Michael Moore and Frances Lambe. Object seeks to explore common ground between leading and internationally recognised abstract artists and contemporary craft to create a better public understanding and dialogue between collectible fine art and collectible high-end craft.

National Craft Gallery: New Opening Times Monday - Saturday: 10am - 5.30pm Sunday: 11am - 5.30pm

‘Last Column’ by Michael Moore

For more information visit: www.ccoi.ie

Sterling Irish, Kilkenny Arts Weeks Festival 8 August - 27 October 2009, Castle Yard, Kilkenny Running as part of the official craft strand programme of the Kilkenny Arts Festival 2009 and In collaboration with the Crafts Council of Ireland, Sterling Irish is an exhibition by 11 leading contemporary Irish makers with international reputations currently based in the UK. They rarely exhibit in Ireland, and their exciting, innovative work will include contemporary jewellery, silversmithing, glass, ceramics and textiles. The exhibition has been curated by Angela O’Kelly, another leading figure in Irish and international craft. See also www.kilkennyartsfestival.com Glass Lampshade by Victoria Rothschild

SUMMER 2009

‘Straw Cubes’ by Sasha Sykes

Upcoming Exhibitions - National Craft Gallery

‘Round Bowl’ by Jack Doher ty Photographer : Rebecca Peters

Object

8 August - 27 October 2009

National Craft Gallery, Kilkenny

National Craft Gallery, Kilkenny design: dynamite, kilkenny

Jack Doherty

For more detailed information on these exhibitions, see page 39

Graduate Jewellery Exhibition The graduates of the Craft Council of Ireland’s acclaimed Jewellery & Goldsmithing Skills & Design Course recently put on their final year work at the National Craft Gallery in Kilkenny. Pieces on display include a stunning display of 18ct gold rings set with coloured gemstones, a hand-carved teapot with legs in the form of a lions head, a range of hair combs in silver and gold, beautiful silver brooches in flowing shapes with inlaid gold and channel-set diamonds, and contemporary salt and pepper sets in solid silver. A review of this exhibition will be covered in the next issue of Stopress. For more information see visit www.ccoi.ie Ring by Cathal Barber

FOR NATIONAL CRAFT GALLERY NEWS TURN TO PAGES 36 - 40

About the Crafts Council of Ireland The Crafts Council of Ireland (CcoI) is the main champion of the craft industry in Ireland, fostering its growth and commercial strength, communicating its unique identity and stimulating quality, design, innovation and competitiveness. CCoI’s activities are funded by the Department of Enterprise, Trade and Employment via Enterprise Ireland.

All notices and advertisements are published in Stopress for general information purposes only, at the risk of the advertiser and at the discretion of the Crafts Council of Ireland (CCoI). CCoI make no representations or warranties about any of the information contained in any notice or advertisement and accept no responsibility for the accuracy of any information contained in a notice or advertisement. Advertisements in Stopress do not indicate endorsement by CCoI. It is the responsibility of the reader to check that goods and services are described fully and accurately. CCoI expressly excludes liability for direct or indirect consequential loss

or damage which may arise in respect of Stopress or purchase of the goods and services. CCoI does not accept any responsibility for or necessarily endorse the views expressed by third party contributors to Stopress. All copyright, database rights, trade mark design rights and any other intellectual property rights whatsoever in Stopress are, owned by and the property of CCoI. Crafts Council of Ireland, Castle Yard, Kilkenny t: 353 56 7761804 f: 353 56 7763754 e: info@ccoi.ie www.ccoi.ie

The copydate for the next issue of Stopress is 2009. Publication date is October 15th 2009. Please submit copy by 1st September 2009.

Advertising in STOpRESS is free and is welcomed. Submissions for articles from craftspeople and those interested in craft are also always welcome. please contact: STOpRESS, Crafts Council of Ireland t: 056 7761804 e: stopress@ccoi.ie While every care has been taken in the compilation of this Stopress, the publisher cannot take responsibility for errors or ommisions.