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20 12 IddesIgn InterIor catalogue
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INSIDE
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HYDRO MECHANICS
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BEST OF BASELWORLD ‘12
20 ABSTRACT WONDERS
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LOOKING TO THE FUTURE
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LEGEND REBORN
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DUTCH STROKES OMANI COLORS
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LIGHTWEIGHT LUXURY
ON A SLOWBOAT IN LAOS
RAZING THE BAR
GET PRETTY
ANDROMEDA’S STARS SHINE
FINAL FANTASY XIII-2
SIMPLY MUSTS
Truly Deep
Adventure There are hideous secrets hidden in the sea and above in Clive Cussler’s ‘Devil’s Gate’. We go down to the depths to find out Script: Melanie Marian
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live Cussler, best known for his books on sea faring adventures and mysteries, remains true to his roots and brings out a wonderful novel on one of his most famous characters, Kurt Austin.
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THE ART OF DINING
The story begins with an air of mystery in the year 1951, and right from the start holds you at the edge of your seat with an exchange of bullets and a Lockheed Constellation doomed to its fate in the ocean. Soon after you are taken to the present day where a Japanese Cargo ship, peacefully making its way along the Azores, suddenly bursts into flames. Soon after, a group of mercenaries hijack the very same boat but are doomed to the similar fate just moments later. It is this sort of mystery and action that keeps you coming back for more.‘
TRULY DEEP ADVENTURE
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Devil’s Gate’ by Clive Cussler and co-author Graham Brown mainly revolves around the lives of four NUMA employees and an African dictator. Thrown into the mix are a Russian scientist, sent by her country as a spy, and the dictator’s hired hit man. The characterisation and introduction of each character is made gradually and at an easy pace so as not to confuse oneself, and to understand each character personally. The minor characters all seem to be in some sort of danger and their introduction, although gradual, leads to a climactic explanation of their existence. This keeps up the intrigue of the book. Moreover, the research on the locations; the workings of ships and planes; and pretty much every aspect of the book is rather commendable. The main character Kurt Austin, a salvager for NUMA by profession, is not introduced until the 3rd chapter. He is a commanding character that has a knack for attracting danger, but somehow manages to always get out of it. However, unlike most novels, the main character has not been depicted as super human. He has been shown to feel uselessness, pain and even fear. He often finds himself in rather difficult situations that offer him only two choices, life or death. However, the life saving ideas that Cussler brings out of his character, although overtly present, are difficult to execute. Nevertheless, Cussler executes these with finesse and perfection, making his character Kurt Austin more lifelike. Moreover, the book in itself is a rather easy read in spite of complicated explanations and other complex theories. Cussler has made sure that even these are easy on one’s mind. Through the course of the story, Kurt and his allies find themselves drawn into the horrific ambitions of the main antagonist, Djemma Garand, an African dictator who hell-bent on defying every superpower of the world. Will Kurt Austin and his friends be able to stop him? Only reading the book will help one find out. Expect the ending of a lifetime.
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CREW ABDULLAH AL TAIE EDITOR-IN-CHIEF AUSTIN D’SILVA CHIEF EXECUTIVE OFFICER
MALCOLM CRASTA PENNY DESTRO SONAL BHUJWALA ROB ARNHEM FEATURES WRITERS MADHULIKA MOHATA VAILIA FERNANDES INTERNATIONAL CORRESPONDENTS
APRIL 2012 | VOLUME 04 • ISSUE 01
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All rights reserved. No part of Crème de la Crème Arabia or any part of the contents there of may be reproduced, stored in a retrieval system or transmitted in any form without the permission of the publishers in writing. The publishers regret they cannot accept liability for errors or omissions contained in this publication, however caused. The opinions and views contained in this publication are not necessarily those of the publishers
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BEAU IDÉAL
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Muscat proudly played host to internationally acclaimed Emirati artist Abdul Qader Al Raes recently. His paintings are considered among the regions most collectable. Sonal Bhujwala shares more about the artist and his most recent collection of abstract paintings titled ‘Emerging Lights’
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The Omani capital of Muscat has steadily been creating a reputation for itself as a center for art and culture in the Gulf Cooperation Council (GCC) and internationally acclaimed artists are increasingly choosing Oman as a destination to display their art, enriching the Muscat art scene with an infusion of creative styles. The city proudly played host to the highly celebrated Emirati artist, Abdul Qader Al Raes recently. The eminent artist’s most recent series of paintings were showcased through the month of February at the Bait Muzna Gallery, through a collection of thirty five spell binding abstract works of art titled, Emerging Lights.
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each abstract painting in the latest series is an assemblage of several distinctly powerful colors that harmonize beautifully into a unified whole. Geometric ops, especially floating squares that produce multiple illusions of depth are juxtaposed with Arabic calligraphic letters to create a great visual impact. The viewer is enthralled by the elegance of form combined with the artist’s purity of expression
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Creative contributions acknowledged the world over Abdul Qader Al Raes whose name comes at the forefront of leading Middle Eastern artists, has contributed immeasurably over the last four decades toward the development of an art s c ene in t he U A E and G C C . A m ong t he fi n e s t e v e r collections of art, Abdul Qader’s work stands proudly at the British Museum, widely considered to be one of the world’s greatest museums of human history and culture. The artist’s works also adorn the walls of the Shanghai Art Museum and several other museums of repute across the globe. Being a favorite with seasoned connoisseurs of art across the Middle East and around the world, his paintings are among the personal art collections of numerous internationally distinguished personalities and royal heads-of-state of all the GCC states and many European nations too.
‘Emerging Lights’ & creating visual poetry A spiritual aura surrounds Abdul Qader Al Raes. He has a gentle smile accompanying his ever polite conversational tone. His peaceful demeanor has a calming effect on his surroundings and these very meditative qualities seem to have transcended onto the collection of his paintings titled ‘Emerging Lights’, as if in celebration of the experiences met during his everlasting search of enlightenment. The entire series is abstract and semi abstract with the medium used in each of the thirty five paintings being water color on paper. Water color having been the preferential medium for the artist in most of his works through the years, he terms it as a medium that is “challenging, with little scope for errors.” Drawing inspiration from the raw energy that colors exude and everyday learning’s from life, each abstract painting in the latest series is an assemblage of several distinctly
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“
A spiritual aura surrounds Abdul Qader Al Raes. He has a gentle smile accompanying his ever polite conversational tone. His peaceful demeanor has a calming effect on his surroundings and these very meditative qualities seem to have transcended onto the collection of his paintings titled ‘Emerging Lights’
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powerful colors that harmonize beautifully into a unified whole. Geometric ops, especially floating squares that produce multiple illusions of depth are juxtaposed with Arabic calligraphic letters to create a great visual impact. The viewer is enthralled by the elegance of form combined with the artist’s purity of expression. However, standing out in the entire series is one landscape painting. Having gained immense recognition over the years for his abstracts that entwine geometric motifs with Arabic calligraphy, features that the artist believes have lent a “uniquely Islamic character” to his works, Abdul Qader continues to work on one realistic piece of art every year just in order to keep in touch with the genre that he once started his career with.
Savoring every moment Abdul Qader’s creative genius comes forth through the magnificent quality of his works, with his art being akin to visual poetry that is best appreciated when observed with ample time and an open mind. Her Highness Susan Al Said, owner of the Bait Muzna Gallery where the artists latest series was on display says, “one does not come across this quality of art every other day, and for those who have a genuine understanding and appreciation of the subject, Abdul Qader Al Raes’s works are a rare treat. Abdul Qader lends a certain spiritual power to his works and infuses them with positive energies. To truly comprehend and appreciate his art the viewer needs to
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equipped only with self determination and a keen inclination to understand the subject, he motivated himself to carefully study the history and evolution of art through the centuries
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observe the artist’s creations in a peaceful state of mind with ample time on hand. We at Bait Muzna Gallery are truly honored to be associated with an artist of such great repute who stands as a pioneering figure in the GCC art scene and has contributed significantly by introducing art from this region to the rest of the globe. We pride ourselves in having hosted him and displaying his works at our gallery.”
Inspirational journey of artistic evolution Standing on a tall pedestal today, Abdul Qader Al Raes who was born in 1951 in Dubai has had a long passage to progress. His journey of self learning and evolution as an artist is indeed inspirational. As a young boy barely in his teens, living with his elder sister and her family in Kuwait, the young Abdul Qader had no guiding force or formal foundation in art.
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Having gained immense recognition over the years for his abstracts that entwine geometric motifs with Arabic calligraphy, features that the artist believes have lent a “uniquely Islamic character” to his works, Abdul Qader continues to work on one realistic piece of art every year just in order to keep in touch with the genre that he once started his career with.
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At a period in time, when life’s creases had yet not been smoothened out by technological advances, equipped only with self determination and a keen inclination to understand the subject, he motivated himself to carefully study the history and evolution of art through the centuries. Beginning his research from the fourteenth century, Abdul Qader committed himself to studying the works of renowned masters of art such as Michelangelo, Da Vinci and Rafael. Moving on, he meticulously analyzed the art style of Rembrandt and finally explored Pissarro and Monet. While he internalized a great deal of what he had studied and explored, his own art style was gaining shape. In the meantime the rulers of Kuwait started promoting art in a big way and budding artistes got exposed to the world of art through libraries and even received art material to encourage their talents.
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At the time the artist’s works inclined toward realism and in the year 1974, Abdul Qader held his first solo exhibition in Dubai. Thereafter, ensued a long hiatus that continued for over a decade, during which worldly responsibilities distanced the artist from his creative pursuits. However, his heart kept yearning to return to his true calling, and in the year 1987 he bounced back into the art scene when he held his second solo exhibition, once again in Dubai. Impressionism dominated Abdul Qader’s works in the years to follow. His art was greatly appreciated with prestigious awards being bestowed upon him year after year, most notably the Grand Jury Award at the Sharjah Biennial in 1993 and the Golden Palm Leaf (al saáfa al- dhahabia) at the GCC exhibition in 1999, among various other distinctions. As the saying goes, an artist never stops to evolve and by the mid to late nineties Abdul Qader reached a stage where he chose to express himself with utmost freedom. Without any boundaries inhibiting his creative expression, there was a graceful veering toward the world of the abstract.
The colors of my life Abdul Qader Al Raes has risen from humble beginnings to become one of the UAE’s most prominent artists today. Through an effort to highlight leading personalities of the art scene in the UAE, the Dubai Cultural Council has published a book on this great artist’s life and works. Titled “The colours of my life” the book contains a brilliant retrospective of Al Raes’s works. In Oman, the Bait Muzna Gallery can be contacted for a copy of the same. Contact Details: Bait Muzna Gallery, Email: art@baitmuznagallery.com, Phone: +968 24739204, Website: www.baitmuznagallery.com
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HOROLOGY
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HYDRO MECHANICS It took 3400 years to overcome the force of gravity and indicate the time with a liquid in a mechanical wristwatch; many have dreamt of it but HYT has actually done it
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he idea that led to the H1 was simple; two flexible reservoirs fixed to each end of a capillary and positioned at 06:00 on the watch. In one was an aqueous liquid filled with fluorescein, and in the other, a transparent viscous liquid. Keeping them separate was the repulsive force of the molecules in each liquid, with a meniscus to mark the boundary between the two. While the first compresses, the second expands, and the other way round, resulting in the movement of the liquid in the capillary. As the hours go by, the fluorescent liquid advances. The meniscus, in the shape of a half moon, marks the breaking point with the other fluid in the tube, indicating the time. At 18:00, the fluorescent liquid
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Script: Malcolm X Crasta
comes back to its original position, going backwards. However, when the fluorescein-loaded liquid has done a complete round the issuing pump compresses, while the bellows receiver expands, generating resistance and consequently an increased energy requirement. To fix this, Preciflex, the company responsible for the fluid operation, developed revolutionary bellows made from an extremely fine alloy and which are highly supple and resistant. They are in fact inspired by the sensors used by NASA and their design had to be adapted to watchmaking requirements. Their specially researched shape allows for the reduction of energy required for their compression, absorbs shocks and ensures rock solid waterproofing. These bellows are each driven by a piston. And this is where watchmaking comes in to activate the system. Orchestrated by Bruno Moutarlier, alongside Jean-François Mojon and his Chronode SA team, a mechanical movement is situated in the upper part of the watch, and propels a cam, which pushes the piston and activates the bellows. The main challenge lay in finding an interface between the mechanical movement and the hydro system in a closed, waterproof circuit – a task further complicated by the limited space available to house them both. They had to be assembled separately to keep them independent, and then made to operate simultaneously. This is a highly delicate modular integration, which involves other constraints, such as the installation of the dial in two parts, through the sides.
The watch itself was developed to conform to a strict set of watchmaking specifications. These included the unique colour, homogenous texture, resistant to vibrations, shocks and temperature changes, no alteration in the long term and fool -proof water resistance. These needs required the development of a number of innovations and as a result seven patents have been registered for the technology and one for the design. This was a steep plunge into the unknown, which led to technical watchmaking feats bordering on nanotechnology. In fact, during
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the entire development process, alongside the engineering, the amounts of liquid were the focus of great attention. Every microliter counts and the total volume in the closed circuit are extremely precise, as the system has to have a nanotechnology-worthy level of water resistance. Furthermore, due to the unusual link between the crown and the liquid, a special time-setting system was designed in order to avoid the liquid moving around too fast and damaging the meniscus. For the final touch, HYT employed an aggressive design by Sébastien Perretto to showcase the intricate workings of the H1. A completely non-standard construction, the three-dimensional architecture can be viewed just as well from the front as from the side or three-quarters through a sculptural 5mm sapphire crystal, carved from a single block, itself topped by a dome at 6 o’clock imposing its own rules. Particles of fluorescein spring from it, like sparks flying off the passing hours. The industrious pistons and bellows converge toward it. The apparently unstructured upper part of the watch dictates a geometric design composed of strata and reliefs. In the centre sits the minute regulator, overlapped by a spectacular small seconds display resembling a water wheel. At 02.30, a 65-hour powerreserve hand indicates the remaining energy available across three arcs of a circle. And meanwhile, the fluids follow their course around the case. This ‘monster’ measuring 48.8 mm in diameter and 17.9 mm thick nonetheless sits impressively lightly and well on the wrist. The notches in its caseband visually extend the applied baignoire-type hour-markers, while the crown dovetails at 02:30, as is thrust against the case by its sturdy crown guard.Without a doubt, the HYT H1 will go down in history as a true masterpiece of watchmaking for its ground-breaking mechanics and its stunning good looks.
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Best of Basel ‘12 Baselworld 2012 closed its doors on March 15 after eight highly successful days of showcasing some of the most impressive timepieces the world has ever seen
With 104,300 professional visitors, including a record breaking number of 3,320 journalists, from all the different continents, the show recorded a top-notch result once again. With a sprawling surface area of 160,000m2, Baselworld 2012 is the biggest exhibition staged in Switzerland. The innovations and trends presented at Baselworld confirmed its position as the globally leading show for the watch and jewellery industry. A total of 1,815 exhibitors from the watch and jewellery sector, representing 41 different countries, showcased their latest models and collections at the topmost level. The presence of the Minister of Economic Affairs, Johann Schneider-Ammann, underlined the importance of this Watch and Jewellery Show for the Swiss watch industry. In 2011, Switzerland’s watch industry increased its exports to CHF19.3bn, as the third most important industrial sector in the country. The Swiss exhibitors represented in Basel account for more than 90 per cent of this export volume. This year too, therefore, Baselworld marks the unique highlight for Switzerland’s watch industry and associated supplier industries. Despite the recent end of the 40th World Watch and Jewellery Show, the Exhibitors’ Committee is already hard at work in preparation for the next show. Thanks to the new hall infrastructure, new stands and a new concept, Baselworld 2013 will be heralding in a new era for this specialist show and is scheduled to open its doors on April 25, 2013.
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JaquetDroz Petite Heure Minute Relief Dragon Celebrating one of the most venerable of all Asian legends, JaquetDroz has endowed the Petite Heure Minute Relief Dragon with sumptuous materials, realistic decorative motifs, great powers of evocation and virtuoso technical features. The company has chosen to start the Year of the Dragon in style with the motif of the dragon. Delicately engraved in gold and mounted on the dial, the Dragon is depicted performing an aquatic maneuver with great majesty. He seems to be surfacing from an ocean of black mother-of-pearl, sculpted to bring out the vital energy of each wave. One more detail makes a reference to the fabulous animal: a dragon tail is engraved on the oscillating weight, made of black onyx and visible through the back of the case. The mythical beast seems to be going right through the watch. This spectacular model will be issued in a limited edition of only 88 pieces.
Bell & Ross Vintage WW1 HeureSautante Bell & Ross creates Haute Horlogerie for men for whom time is not only a tool but also a genuine passion. In its quest for the essential, Bell & Ross has created a grand complication with an original display and perfect legibility: the Vintage WW1 HeureSautante. To produce the Vintage WW1 HeureSautante, Bell & Ross called on the ingenuity of Vincent Calabrese. This complication is unusual in that it displays the hours in the form of numerals viewed through a large fixed aperture. The hour hand is replaced by a rotating disc on which the hours are printed. The digits jump instantly when the hour changes. The window, located at 12 o’clock, is perfectly aligned with the single central minute hand and the power reserve indicator at 6 o’clock, arranging the information by order of importance. The cases of the two complications are adorned with two prestigious materials: pink gold and platinum.The movement and its immaculate finishes, the blue-steel screws, circular-grained mainplate, oscillating weight and bridges decorated with ‘Côtes de Genève’ are viewed through the sapphire crystal on the caseback. In its platinum version, the Vintage WW1 HeureSautante features a second window for the power reserve indicator while in the pink gold version reserve indicator is displayed discretely and in perfect harmony with the dial. These two timepieces embody Bell & Ross’s expertise in watch-making. They brilliantly combine the complexity of a mechanical movement with the simplicity of a completely new reading system. Bell & Ross therefore perfectly succeeds in its original mission of harnessing technology to promote legibility.
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ChopardImperialeTourbillon Full Set Endowed with an impressive interior to match its equally dazzling exterior, the new Imperiale Tourbillon Full Set embodies a concentrated blend of watchmaking and jewellery expertise – Chopard’s twin domains of excellence. Its chronometer-certified tourbillon calibre bearing the Poinçon de Genève quality hallmark is housed within an 18-carat case and dial entirely set with diamonds.The breathtaking gem-setting work is a virtuoso demonstration of jewellery-making skills; while the L.UC. 02-14-L (4T2I) movement entirely designed, developed and crafted in hand is equipped with a tourbillon, a complication rarely seen on ladies’ models. The overall result is a blend of Haute Joaillerie and Haute Horlogerie that sets a new benchmark in the field of complicated feminine watches. The 18-carat white gold is set using the snow setting technique, which is particularly hard to master because it combines brilliant-cut diamonds of varying diameters. It is also adorned with a row of baguette-cut diamonds and a power-reserve indicator set with amethysts. The white gold crown features baguette- and briolette-cut diamonds, while oval-cut cabochons and baguette-cut diamonds adorn the bezel, lugs and bracelet. Finally, at 6 o’clock, surrounded by amethysts set amid an ocean of white lights, the tourbillon bridge reflecting the distinctive motif of the Imperiale collection is held in place by four screws with amethyst-set heads – a refined detail representing yet another unique characteristic.The case-back is fitted with a sapphire crystal and engraved with the inscriptions “Imperiale”, “Tourbillon” and “Chopard” – all representing exclusive hallmarks of a truly exceptional timepiece.
Seiko Astron At last, the search for totally precise time, everywhere on the planet, is over. By developing their own, patented, low-energy-consumption GPS receiver, Seiko has been able to create a watch that can receive GPS signals and identify time zone, time and date data using the global network of GPS satellites. It recognizes all the 39 time zones on earth. This breakthrough timepiece is called Seiko Astron. Once a day, Seiko Astron receives the time signal automatically and, on demand, connects to four or more of the GPS satellites that orbit the earth, thus pinpointing its position and identifying the time zone and the exact time. The hands adjust automatically to the correct local time with Atomic Clock precision. Furthermore, the Astron is solar powered, so never needs a battery change, and it also has a perpetual calendar, so the date will always be as accurate as the time. This is, quite simply, a frequent flyer’s dream watch.
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Rolex Oyster Perpetual Sky-Dweller The Oyster Perpetual Sky-Dweller is the latest addition to the Oyster collection. With 14 patents – five of which are new – the Sky-Dweller provides the information global travellers need to easily keep track of time: a dual time zone, with local time read via centre hands and a reference time display in 24-hour format read via a rotating off-centre disc visible on the dial; a particularly innovative annual calendar named Saros – in tribute to the astronomical phenomenon which inspired it – that requires only one date adjustment a year, when the month changes from February to March; and a month display by means of 12 discreet apertures around the circumference of the dial.Available in 18ct white, yellow or Everose gold cast by Rolex in its own foundry, this advanced wristwatch features the fluted bezel that symbolizes the codes of the brand. With its stately 42mm Oyster case, Rolex once again demonstrates its wealth of ingenuity by designing and manufacturing a watch that perpetuates the Oyster’s legendary excellence.
De Bethune DB28 “Aiguille d’Or” In November 2011, the DB28 model by De Bethune was awarded the Aiguille d’Or (Golden Hand), the supreme distinction in the Geneva Watchmaking Grand Prix. The manufacturer is now revisiting its award-winning creation by issuing it in a 50-piece limited edition. The characteristic aesthetic of the DB28 “Aiguille d’Or” is enriched with a pink gold baguette set into the minutes hand. The specific pocket watch-inspired shape of the titanium case, accentuated by the spherical moon and the silicon/palladium balance, features an exhibition back revealing a finely decorated movement. This exceptional timepiece radiates a pure, understated style based on taut lines, delicate hand-crafted finishes and a slender case, skilfully associated with technical innovations to provide a contemporary expression of the watchmaking art according to De Bethune.
Maitres Du Temps Chapter Three The perfect watch for the well-heeled globetrotter might feature the following: time, date, moon phase, and a second time zone and day/night indicator - to avoid calling home at 3a.m. instead of 3p.m. However, while all of these indications are useful, they are not all necessary all the time. Idependent Master Watchmakers Kari Voutilainen and Andreas Strehler have created a stunningly elegant timepiece that displays hours, minutes, seconds, date, and phase of the moon, all set on a sumptuous blue guilloche dial. But that’s not all, they have also kept a couple of intimate secrets in reserve, to be revealed, and perhaps even shared, at the owner’s pleasure. A pusher set into the crown lowers two invisible panels in the dial to reveal two more hitherto hidden indications: a second time zone indicator and a day/night indicator; both displayed on Maîtres du Temps’ signature rollers. 42
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Aerowatch Renaissance Black Tornado With its statement looks and the imposing diameter of its black PVD steel case, the Renaissance Black Tornado - even this finely skeletonised - doesn’t go unnoticed. The architecture is modern, with fine circular chasing on the black NAC-coated movement. The dial has been removed to reveal the mainspring’s fascinating coils, and the rotation of the different wheels as they mesh. Technical, elegant and contemporary, this new creation from Aerowatch appeals as much to aficionados of authentic mechanisms as to fans of finely-crafted Swiss watches at an attractive price.
Antoine Preziuso GTS Grand Tourbillon Sport For several years now, Antoine Preziuso has made his Haute Horlogerie “Art of Tourbillon” collection a showcase for numerous unique creations that take this prestigious complication, a favourite for the independent watchmaker, as their focus. The Grand Tourbillon Sport is, without doubt, the most sporting timepiece to join this exclusive line. Its aerodynamic form suggests the contours of racing cars while its dazzling red javelin-shaped hands suggest speedometers. Its case, measuring 52 x 45mm, is crafted from ChromeCobalt (Co-Cr), an exceptionally resistant, high-tech alloy. It contains the APG/28T tourbillon calibre. Antoine Preziuso further innovates with an original sales concept: his watches are only available from the brand in Geneva. You don’t live in Switzerland? Not to worry: your flight in business class and two nights in a luxury hotel will be reserved for you when you purchase your watch.
Breguet Tradition Breguet 7047 Tourbillon Fusée Or Rose Breguet’s emblematic “Tradition” collection is enriched this year with a model in 18-carat rose gold. This Grande Complication timepiece with fusee-type tourbillon and Breguet balance-spring in silicon joins the existing yellow gold and platinum models. Inspired by the legendary “souscription” watches created by A.L. Breguet, this objet d’art symbolises both a return to roots and a resolutely future-oriented brand vision. It’s pure, modern aesthetic sets the stage for the tourbillon and the fusee-and-chain transmission positioned on the top of the plate. This sculptural model highlights the contrasts and depth effects, thereby giving life to each component. Four patents protect these technical accomplishments and symbolise Breguet’s watchmaking excellence.
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Breitling Transocean Chronograph Unitime Breitling reasserts its watchmaking mastery with a new in-house “universal time” chronograph movement entirely developed and produced in its own workshops. Thanks to its double disc, the Transocean Chronograph Unitime simultaneously and constantly indicates the time in all 24 time zones. To change time zone, simply pulling out the crown and turning it in one-hour increments is enough to adjust in one smooth move the hour hand, city disc and the 24-hour disc, including the calendar. Moreover, none of these operations disturbs either the time or any timekeeping operations in progress. Featuring a blend of technical innovation and stylish aesthetics, this watch also offers a wealth of subtle details such as its dial with a globe motif and its red gold case. First-class travel on the wrist!
Christophe Claret Baccara Christophe Claret’s fascination with gaming knows no limits! Introducing Baccara, whose exclusive movement incorporates its own miniature casino. Place your bets at baccarat, roulette or craps, all with visual and sound effects. Blow on the sapphire crystal and a mystery Chinese ideogram appears. Christophe Claret has produced an exciting piece of horological art, proposed in several combinations, each limited to nine pieces.
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Christophe Claret X-TREM-1 The concept certainly lives up to its name, expressing Christophe Claret’s determination to continue pushing the boundaries of mechanical watchmaking. X-TREM-1, the first model in this new generation of timepiece, represents a technical and aesthetic feat. A flying tourbillon inclined at 30°, fitted on a three-dimensional curvex titanium mainplate, and bearing a retrograde hours and minutes display system radically different from existing watchmaking conventions. Two small steel spheres, hollowed and encased within two sapphire tubes placed to the right and left of the caseband, and with no mechanical connection with the movement, appear to be mysteriously floating through the air thanks to magnetic fields. This incredible feat of mechanical excellence will be limited to just eight pieces.
De GrisogonoTondo Tourbillon Gioiello The brand’s latest creation, the Tondo Tourbillon Gioiello clothes in diamonds its new exclusive mechanical movement equipped with an offset tourbillon at 8 o’clock, reinterpreting this Grande Complication for the first time in a model dedicated to women. Available in white gold and distinguished by its oval shape, the Tondo XL case sparkles with the over five carats of white diamonds, running from the case sides over the horns and bracelet attachments. 33 larger-sized diamonds rim the bezel, giving it a dazzling glow. Its daring architecture and its exclusive calibre once again embody the creative vivacity of de Grisogono. A gem of Fine Watchmaking, the Tondo Tourbillon Gioiello offers a refined association between the precious jewellery spirit and highly sophisticated technical watchmaking.
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Dewitt Twenty-8-Eight Skeleton Presenting the third rendition of the Tourbillon Twenty8-Eight. DeWitt showcases its independence and farreaching expertise with its first manufacture movement, the DW8028 calibre, a marvel in steel and yellow gold. Comprising 185 parts and fully skeletonised, this delicate jewel is solidly attached to a generous, sculpted case. A white gold bezel set with 36 baguette-cut diamonds crowns a deep flange, made equally precious by its diamond hourmarkers that plunges towards the transparency of the movement, coupled with the tourbillon. A triple feat of a skeleton manufacture movement, masterful aesthetics and the architecture as a whole. The entire composition is revealed by a 43mm white gold case and bears the hallmark of the watchmaker that built it.
Haldimann H2 Resonance With the H2 Resonance, creative watchmaker Beat Haldimann has entirely rethought the watch as an objet d’art first, and a measuring instrument second. The heart of this masterpiece lies in the central flying tourbillon with its three barrels characterising the expertise of this brilliant watchmaker, and entirely developed and handassembled in his Thun workshops. The dial speaks for itself: to the delight of passionate enthusiasts, technical mastery meets aesthetic virtuosity inside a beautiful resonance carriage featuring two balances and two constant-force escapements. The platinum case is hand-crafted in harmony with the family tradition cultivated since 1642.
Hamilton Khaki Navy Pioneer Limited Edition As the brand embarks on its 120th year, Hamilton revives its naval past with the Khaki Navy Pioneer. A contemporary interpretation of the brand’s 1940s marine chronometers, this model transforms from wristwatch to table clock at will. Each of the 1,892 pieces in the limited series – in reference to the year Hamilton was established – comes in a hevea wood presentation box. The case, which houses a hand-wound Swiss mechanical movement, is inscribed with a unique engraving to commemorate this 120th year. Blued hands, the silvered dial with velvet highlights, and a top-stitched brown leather strap accentuate the watch’s sophisticated allure. An anniversary reissue that blends past and present in a stylish and versatile creation, whether on the wrist or inside its unique presentation box.
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Laurent Ferrier Galet Classic The star model in the Laurent Ferrier collection, the Galet Classic reveals a contemporary and sophisticated face in this genuinely renewed variation on this double-hairspring tourbillon. Its slate grey dial is lit up by 11 applied red gold Roman numerals and a hollowed seconds counter at 6 o’clock. It is powered by the famous exclusive Manufacture movement, FNB 916.01, developed, assembled and adjusted by Laurent Ferrier. Inspired by the great 19th century chronometry models, the hand-wound system does without the modern setting-lever spring, which is replaced by a “long-blade” type ratchet pawl, and is graced with finishing testifying to the watchmaker’s exceptional expertise. The exquisite finesse of this craftsmanship confirms Laurent Ferrier’s preference for subtlety and discretion, in order to find its way through successive decades and generations.
L’EPEE Le Duel Perpétuel The two crossed swords are the signature and emblem of the L’Epée brand. This famous duel is now welcoming a noble perpetual calendar model. Three jumping discs at the lower end of the clock indicate the day, date, month and year. The power reserve corresponds as ever to the two swords which change angle according to the remaining level of autonomy. A second duel takes place at 12 o’clock and offers a fabulous spectacle of two swords following the rhythm of the seconds and clashing every 20 seconds. This stunning timepiece is limited to just 12 pieces.
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Longines Column-Wheel Single Push-Piece Chronograph 180th Anniversary Limited Edition Longines is celebrating its 180th anniversary in 2012. The company based in St. Imier is taking this opportunity to present several limited-edition commemorative models representing worthy heirs to its horological expertise. Timeless elegance is in the spotlight with the Longines Column-Wheel Single Push-Piece Chronograph 180th Anniversary Limited Edition, a tribute to the first wrist chronograph developed by Longines in 1913. Its exclusive column-wheel chronograph movement, controlled by its single push-piece, considerably facilitates counting off the seconds and minutes. The subtle balanced visual appeal of its white dial with its red-painted 12 o’clock numeral is a nod to the vintage Agassiz dial, while the mobile bracelet loops are also in line with its prestigious heritage. This pink gold model is issued in a limited, numbered edition of 180.
Longines Agassiz 180th Anniversary Limited Edition Also in commemoration with its 180th anniversary, Longines presents another anniversary model clad in gold and diamonds. The Agassiz 180th Anniversary Limited Edition updates the collection launched in 1982, in tribute to the company founder Auguste Agassiz. This timeless creation appears in an ultra-thin pink gold 25.50mm-diameter case, delicately set with 180 diamonds. The white mother-of-pearl dial and its 12 diamond hourmarkers set a graceful finishing touch to this exceptional piece, also issued in a 180-piece limited edition. To perfect this harmonious picture and enhance the radiance of the model and its subtle proportions, a black alligator strap with a dainty buckle will gently encircle slender feminine wrists.
New Art Aventurine Bowl This year New Art presented its striking Aventurine Bowl. Two proudly prancing and entirely silver-gilded thoroughbred stallions, adorned with striking red and green enamel saddle-blankets, support a magnificent aventurine bowl. At the centre sits a Swiss Made mechanical clock indicating the hours and minutes. The equally remarkable base features a layer of aventurine surrounded by hand-engraved silver-gilt. A breath-taking 50-centimetre objet d’art.
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Revelation R01 Double Complication The R01 Double Complication is the debut launch from Revelation. The movement of this Haute Horlogerie timepiece mysteriously appears thanks to an ingenious patented system. A secret catch within the case releases the bezel which triggers the first of the two complications: the Revelation System. Unique in watchmaking, this mechanism comprises two polarised crystal discs that connect with a double differential to gradually reveal the second complication, the Tourbillon Manège. This authentic “manufacture” movement is entirely hand-finished. Form meets function for the exceptionally distinctive case which interacts perfectly with the two complications. Each metal is proposed as a 15-piece limited series.
TF EST 1968 “Tourbillon” Cufflinks TF Est. 1968 shows up on men’s shirtsleeves. Enlivening overly strict suits, drawing all eyes and celebrating their difference, “Tourbillon” cufflinks proclaim their watchmaking inspiration. At the heart of a steel cage coated with carbon motifs, a mechanical movement beats to the rhythm of the wearer’s every move. Through a transparent glass similar to that on watches, one succumbs to the temptation of admiring the watch manufacturing expertise on show. In design terms, the curved stem serves to lock the cufflink in place and prevent it from pivoting. A clever, direct and precise spring clasp system holds it firmly in place on the shirt. These particularly robust accessories are also watertight and shock-resistant.
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Zenith El Primero Chronomaster 1969 The new El PrimeroChronomaster 1969 Chronograph is pure Zenith. For the first time, the original colours combine with the opening in the dial, now a signature feature, to offer a glimpse of the perfectly synchronised beating heart and the magic of the wheels in motion. Indeed, the two chronograph counters – 30-minute at 3 o’clock, 12-hour at 6 o’clock – borrow the midnight blue and anthracite grey of the 1969 model. Again with aesthetics in mind, Zenith’s master watchmakers have gone as far as to rethink the movement construction, and move the regulating organ, vibrating ten times a second, to the edge of the movement. This new automatic chrono calibre the El Primero 4061, designed, developed and made by Zenith - completes this contemporary, classic timepiece.
Harry Winston Opus 12 Opus 12 defies the conventional rules of watchmaking, giving birth to the most improbable mechanical concept. This exceptional timepiece deliberately overturns the perception of time by drawing its inspiration from the Copernican revolution according to which the earth rotates around the sun and around itself. Time no longer reads via a pair of hands positioned in the centre of the dial, but by the peripheral drive of 12 pairs of hands going from the circumference to the centre. The hands, pointed towards the interior draw attention to the centre of time. A retrograde hand, synchronised with the main minutes hand, advances along a five-minute sector. At the end of its travel it flies back to its initial position while the long five-minutes hand pivots and sets itself still. The Opus 12, which reinterprets time, is a real innovation in watchmaking. Nothing like this has been done before. The idea has sprung from the mind of its creator, Emmanuel Bouchet, who developed this remarkable work in close cooperation with the designer, Augustin Nussbaum, and the House of Harry Winston.
HWM The Firmamentum The Firmamentum is a unique measurement and navigation instrument. Fully in the tradition of the historic watches used for observation, it not only measures the earth’s rotation, thus giving the classic measurement of time, but with the aid of the hour angle it permits measuring the movement of the sun and planets in our solar system as well as that of the stars. The hour angle based on the sun — the solar hour angle — can be simultaneously read off two displays. A unique mechanism with a variable-speed of gear train has permitted the second display to be designed such that it can immediately be changed over to display the hour angle based on the stars — the sidereal hour angle — by a pushbutton located at the 2 o’clock position. Firmamentum therefore not only permits the simultaneous observation of two heavenly bodies within our solar system, but also the observation of the sun or a planet in our solar system as well as a star external to it. Both displays have been designed such that they not only show angular degrees directly, but also the solar and sidereal hours and minutes as used by astronomers.
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Hublot Classic Fusion extra-thin skeleton Something completely new for the Hublot brand: an extra-thin skeleton watch, a Classic Fusion whose design has been refined, while retaining the dynamic and modern codes immediately recognisable as Hublot.With a 45mm diameter, this watch is equipped with a new movement just 2.90mm thick, developed by Hublot. It comes in a fully skeleton worked version, made to a resolutely graphic design, which enables expert eyes to admire the watch’s regulating part, the balance and the escapement. The dial side features the small seconds at 7 o’clock and the hands that match the design of the very first Hublot watches, as a nice nod to the brand’s history. With a 90-hour power reserve and 50-metre water resistance, this piece is available in two versions, one in titanium, limited to 1000 pieces, and the other in 18K King Gold, with just 500 pieces.
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Hublot Big Bang Inlaid with more 1,282 diamonds, of which six stones weigh more than three carats each, this USD5mn wrist watch was the star of this year’s show. This incredible timepiece showcases a completely different approach to watchmaking. Unlike an Haute Joaillerie piece, where the design and technical construction are created to emphasise and serve stones which have already been selected, the exact opposite approach was adopted. The diamond cutters started with a design and then found the diamonds which best matched the complex construction of the case, dial and bracelet. Cutters and setters then employed all of their expertise to resize them to ensure a perfect fit. It took over a year for every stone to be collected, all of which were individually selected to ensure that all were of a consistent quality and colour. They then had to be resized to make them a perfect fit for the watch. A renowned master cutter from New York with over 40 years’ experience was responsible for single-handedly cutting the largest GIA-certified stones to ensure they all had the same cut signature. It took 14 months of work and a total of 1282 diamonds, more than 100 carats of baguette diamonds, to complete this dazzling expression of art.This is the most precious watch ever created by Hublot and its long-standing partner, Atelier Bunter in Geneva and is by far the most expensive watch to ever go on sale.
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FORTUNE
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Looking to the future With the SerionE60 yacht project, the Motion Code: Blue shows its competence in research and development (R&D) and wants to set a clear statement for future yacht design
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uxury yachts, no matter how small or large, are always a sight to behold when gracefully sailing the oceans. They are also an ever evolving breed with nearly every new model being ever so slightly better than the last. But what can expect to see in a few years’ time? That is exactly the question the Austrian design studio Motion Code: Blue set out to answer. And this is the design concept that they came up with – the stunning Serion Explorer E60 yacht, which is a reinterpretation of long range passage maker yachts for the next generation of yacht owners. The yacht concept is based on a research of trends in yacht design and upcoming value shifts within the next 15 to 20 years. The aim of Serion E60 yacht is to broaden the developing picture of future motor yachts within 60ft by elaborating changing megatrends, markets, and consumer behaviours but also focusing on unconventional functions and features within this class. This concept highlights areas of possible improvement and redefines the overall character of classic passage makers.The E60 yacht concept focuses on the ability of long range journeys, autarkic traveling and maximum living spaces at all climate or weather conditions.
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Reasonable changes within future lifestyles prove that influences of extreme urbanisation will cause an increasing demand for deceleration. It is highly expectable that the aspect of wellbeing and experiencing as well as independent and autarkic traveling will come to the fore, and the picture of fast looking dynamic yacht designs will slowly start to fade away. Furthermore, the growing trend for passage makers is clearly visible in the super yacht segment, where not only the idea of long range journeys, but also the unmistakable look and feel of a moving luxury environment on any ocean ends up being the main purchasing reasons. Comparing the growing interest for long range vessels in smaller classes and the current variety of the 60 ftmarket, there is a clear gap regarding future consumers’ expectations in terms of design and product identification. At its core and as the name implies, The Serion E60 It is a 60 foot explorer yacht with a length of 19 metres, a beam of 6.8 metre and a displacement of 63 tonnes. But to make up for the missing luxury appeal in many passage makers within 60ft, high emphasis was put on aesthetic and emotional, yet practicable treatment of lines, forms, and proportions across the entire hull-and superstructure-
design.This visual, functional and emotional fusion of motor yacht and sailing yacht-characteristics communicate the spirit of joyful long distance traveling. Merging an emotional luxury approach with the idea of a rough ocean-going explorer vessel, design concept fits more into to the aesthetics of luxury yachts, than to conventional trawlers and passage makers of its class. The most striking feature of the concept is the way in which the main deck is stretched to the bow, where it connects to the main superstructure and to the hull shape. Furthermore the intricate detail of the wide and open stern section perfectly complements the impressive and functional fore deck and bow section. Besides its new and unconventional overall appearance, the yacht offers several exterior features such as two extended balconies, one on each side of the greenhouse, atender garageand a tilting bathing platform to create a huge beach club while the bow loggia guarantees maximum privacy for the owner and guests.The wide flybridge stretches itself above the whole main deck and the wheelhouse provides shade and safety. And as an added bonus, there is a huge skylight underneath the sun bed that allow for a light-flooded main deck.
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Depending on its temporary habitation and local climate conditions, large units of the insulation glass can be converted if needed. Then there are the retractable panoramic windows which can transform the main deck to an open loft whenever desired. The rear sliding door opens up completely, the external bar and internal kitchen unit seem to entirely merge together.There are even sliding windows within the sky-cabin, which is located behind the wheelhouse on the fly bridge, which allow for relaxing open air nights right underneath the stars. The overall unconventional appearance of the yacht comes from the idea of obtaining the maximum possible living space, especially on the main deck.With an unconventional division of spaces and a layout concept that is based on reduction and special utility areas, each deck on board the Serion E60 offers super yacht- inspired advantages in terms of a spaciousand light flooded atmosphere.The functional design approach of the main deck enables the experience of fusing interior and exterior spaces, creating a generous feeling of space at any spot on board. Likewise, a boundless view across the entire length of the main deck subconsciously suggests a living space far bigger than 60 feet. Taking typical trawlers and passage makers to another level of sophistication, the Serion Explorer E60 yacht concept expands the horizon of imagination towards future 60ft displacement yachts.
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Take pride in your possession! The Porsche Club Oman has something to offer all its members whether their interests lie in competition, performance & excellence in cars, socializing or simply enjoying the club's magazines & website. Members can enjoy unlimited beneďŹ ts that are in store for them! Join the crème of the club to be part of a celebration of a different kind!
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AUTOMOBILIA
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LIGHTWEIGHT
LUXURY
The North American International Auto Show, that took place in January, was the first of many we will see over the course of the year, and Mercedes-Benz kicked off the show in style with the launch of its 2013 SL Script: Malcolm X Crasta
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ith 60 years of heritage riding on its shoulders, the letters ‘SL’ have become synonymous with the brand for a car that offers a near perfect blend of sport, style, comfort and ground-breaking innovation. This is also the first time since its inception that the model truly takes the meaning of the letters "SL" – sporty, lightweight – quite literally.Weight reduction across the board is one of the most outstanding design characteristics of the new SL, as was the case for its name sake, the original SL of 1952 with its lightweight tubular frame. For the first time, MercedesBenz has implemented an all-aluminium bodyshell in a series-production model. Very few components are made from other materials. The designers used even lighter
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magnesium for the cover panel behind the fuel tank and roof. High-strength steel tubing is integrated into the A-pillars for added safety. This new bodyshell weighs around 242 pounds less than it would with the use of the steel technology of its predecessor. In terms of rigidity, safety and comfort, the aluminium structure is superior to the previous model’s steel construction in almost every way. One contributing factor is its intelligent lightweight construction with components optimised for their specific task. As a result, diverse processes are used to make different kinds of aluminium depending on component use. This ensures high rigidity
and excellent safety combined with low resonance and vibrations. Furthermore, the new SL is even more comfortable and has more assistance systems on-board than its predecessor, sacrificing some of the weight saved through the aluminium bodyshell as a result. Nevertheless, the scales show some astonishing readings – the 2013 SL550 weighs around 275 pounds less than its predecessor. This is due to a host of other intelligent details that Mercedes-Benz has also implemented in the new SL in addition to the new bodyshell. The designers have brought the latest generation of the SL to life with a firm foundation in tradition, but with new perspectives and visions. The long hood gives way to a compact passenger compartment that is set well back. A wide, powerful rear end with a strong racing character provides the finishing touch. Just a few carefully drawn lines define the powerfully sculpted, yet calm surfaces along the flanks. An upright classic sports car radiator grille clearly identifies the new SL as a prestigious member of the current Mercedes-Benz sports car line up. The centrally positioned star is a contemporary reinterpretation of the
famous trademark, and now extends into the centre section with its organically flowing contours. But despite all the subtle changes the iconic silhouette of the SL is evidently visible regardless of the perspective it is looked upon. However the most striking of all the design changes is, without a doubt, the dynamically slanting headlamps. These are set well to the outside of the striking front end and giving the roadster its own unmistakable face. The Bi-xenon headlamps come with active curve illumination and corner illuminating lamps as a standard feature, as well as Adaptive Highbeam Assist. With different lighting functions tailored to typical driving and weather conditions and activated in accordance with the driving situation, they offer the driver a much better illuminated field of vision. The final touches come courtesy of the stunning LED sidelights and the horizontal line of the daytime running lamps in the far ends of the bumper. Compared with its predecessor, the new-generation SL is also much longer (1.97 inches) and wider (2.24 inches), providing more room for greater comfort in the interior, too.
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Shoulder room (1.46 inches) and elbow room (1.10 inches) have been increased, exceeding the norm for this class of vehicle. Despite its increased dimensions the new SL also boasts outstanding aerodynamic characteristics, giving the roadster top marks in its segment in three crucial areas: the lowest wind noise, virtually on par with a closed sedan; the best comfort during open-air driving, meaning the roof can stay down even at high speed; and virtually no accumulation of dirt on the side windows.
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Like its predecessor, the sixth generation SL also offers a retractable hard top. It is operated using a spacesaving electrohydraulic mechanism, converting the SL from coupe to roadster and back again in less than 20 seconds. In contrast to its predecessor, the new SL offers two versions of the retractable hard top – glass or the unique panoramic roof with ‘Magic Sky Control’ which enables the transparent roof to switch between light and dark at the push of a button. In the light setting
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it is virtually transparent, offering an open-air experience even in cold weather. In its dark state the roof provides welcome shade and prevents the interior from heating up in bright sunlight. The frame of both versions is made from magnesium, reducing weight by around 13 pounds compared with the outgoing model, lowering the vehicle’s centre of gravity and delivering greater agility. Inside, the clear lines create a coherent look and feel in this comfortable interior. A generous sweep of fine wood trim extends from the centre console across the dashboard into the doors, creating a pleasant wrap-around effect. Perfectly in tune with the roadster’s character, the interior combines the unpretentious atmosphere of a high-performance sports car with the comfortable, stylish ambience that one has come to expect from the luxurious touring car. Taking centre stage in the cabin is the high-resolution
7-inch TFT colour display of the ‘Comand’ system, positioned next to the instrument clusterto avoid driver distraction. It forms the central hub of the SL’s infotainment system that includes Internet access capabilities and a DVD changer as standard equipment. It provides Web browsing while the vehicle is stationary, along with access to Mercedes-Benz Apps. There are also the options to send individual routes to the vehicle from Google Maps and destinations from Apple and Android phones using the Mercedes-Benz mbrace Mobile App. But despite the luxury and swagger, the true beast in the SL lies under the bonnet. In the case of the flagship SL550, it is a new V8 that develops 429hp from its displacement of 4663 cc, which is around 12 per cent more than its predecessor despite some 0.8 litres less displacement. Fuel consumption
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has been reduced while the torque has increased from 391lb-ft to 516lb-ft – a gain of 32 per cent. The engine also features an ECO stop/start function as standard equipment, while the 7-Speed Driver-Adaptive automatic transmission has been optimised for fuel consumption and comfort. However, the fuel economy of the direct injection engine does not detract in any way from the roadster’s sporty character. Quite the opposite in fact – it takes just 4.5 seconds from 0 to 96kmph – eight tenths less than the
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previous SL550. The SL550 also boasts a fine suspension that is both sporty and comfortable, and also features intelligent lightweight construction. The steering knuckles and suspension arms on the front axle, for instance, are also made from aluminium to reduce the unsprung masses. The same applies to virtually all the suspension components on the rear axle. The standard SL is available with two different suspension systems – with the Agility Control Suspension as standard equipment. The ABC
(Active Body Control) suspension system is available as an option. Both suspension variants are combined with a new electromechanical Direct-Steer system featuring speed-sensitive power steering and a ratio that can be varied in accordance with steering wheel angle. This provides excellent directional stability and safety when traveling at highway speeds, and adds to the SL’s agility. It also reduces the amount of steering effort required when parking and manoeuvring. Suffice to say, the new SL will
offer outstanding acceleration and comfort while at the same time remain perfectly nimble on twisting mountain roads. Despite our impatience to test out the vehicle first hand, the first of the SLs won’t see their owners in the US till spring. Hopefully, it will make its appearance in the region soon thereafter.
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EGEND LEGEND The Honda NSX rewrote all the supercar rulebooks when it was introduced in 1991 and it is destined to do so once again in 2015 Script: Malcolm X Crasta
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ntil the late 1980s supercars were considered to be unreliable, hard to drive, extremely fast and utterly dangerous toys that could only be used on special occasions. Then in the early 1990s came a car that rewrote the rule books and showed the world that supercars could indeed be comfortable, easy to drive and reliable. So much so, that it was soon
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branded the ‘world’s first everyday supercar’. This was none other than the legendary Honda NSX or, as it was more commonly known, the Acura NSX (Acura being the luxury vehicle division of Honda Motor Company). The story of the NSX started way back in 1984 when Honda commissioned Pininfarina, the Italian car designer responsible for almost every Ferrari ever
REBOR REBORN
A NSX released, to design the HP-X (Honda Pininfarina Xperimental), which had a mid-mounted V6 configuration. At the time Honda had already been showing significant progress in F1, where they were considered to be one of the most technologically advanced car maker in the world (especially for their powertrain technology). However they didn’t have any
car to bridge the gap between their F1 technology and their everyday Accords and Civics. Furthermore, being a Japanese car maker, Honda had yet to gain the respect of the western world. As a result, Honda decided to pursue the HP-X project into production with one clear goal in mind – the new car would have to be as good as anything coming from Italy and Germany.
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19 89 In February 1989, at the Chicago Auto Show, Acura unveiled the new NS-X (New Sportscare Xperimental) high-performance, mid-engine sportscar prototype. It officially became the first supercar from Japan. The prototype and eventual production car were designed by a team led by Chief Designer Nicholas Zander and Executive Chief Engineer Shigeru Uehara, who subsequently would be placed in charge of the S2000 project. The Benchmark used for the production car was the Ferrari 328. Honda intended the NS-X to meet or exceed the performance of the Ferrari, while offering Honda’s own reliability standards and a lower price point. For this reason, the initially planned 2.0L V6 was abandoned and replaced with a more powerful 3.0L VTEC V6 engine. The bodywork design had been specifically researched by studying the 360 degree visibility inside an F-16 fighter jet cockpit and the car itself showcased several of Honda’s best automotive technologies, many derived directly from its F1 program. For starters, the NS-X was the first production road car to use titanium con-rods which was a major contributor of the engine’s high specific output (horsepower per litre). It was also the first production car to feature an all-aluminium monocoque body, incorporating a revolutionary extruded aluminium alloy frame and suspension. The use of aluminium in the body alone saved nearly 200kg in weight over the steel equivalent while the aluminium suspension saved an additional 20kg. Other notable features included an independent, 4-channel anti-lock brake system; an electric power steering system; Honda's proprietary VTEC variable valve timing system and, in 1995, the first electronic throttle control fitted to a Honda.
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Honda spent a great deal of time and money developing the NS-X. It also made great use of its F1 resources to tune and hone the NS-X to perfection. Respected Japanese Formula One driver Satoru Nakajima, for example, was involved with Honda in the NS-X's early on track development at Suzuka race circuit, where he performed many endurance distance duties related to chassis tuning. Brazilian Formula One World Champion Ayrton Senna, for whom Honda had powered all three of his world championship-winning Formula One race cars before his death in 1994, was considered Honda's main innovator in convincing the company to stiffen the NSX chassis further after testing the car at Suzuka circuit.
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The production car made its first public appearances as the NS-X at the Chicago Auto Show in February 1989, and at the Tokyo Motor Show in October 1989. The cars name was revised to NSX and went on sale in August 1990 as a 1991 model. The final car was powered by 3.0-liter, DOHC, 24-valve, V-6 engine mated to a 5-speed manual transmission, good for 270hp, 210lbft of torque and a 0-60mph time of under six seconds. Furthermore, each car was hand-assembled by a special team of technicians at a dedicated factory in Tochigi. Production of the NSX was a maximum of 25 vehicles per day. Priced at USD65,000 the NSX, at the time, was the most expensive Japanese car in history.
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While it graced the covers of every major magazine worldwide it wasn’t as well accepted by European journalists in comparison to their American counterparts. Most criticism was about its lack of character; Japanese exterior styling; the interior's lack of a sense of occasion; and that its V6 did not sound as distinctive as a Porsche or as exciting as a Ferrari. Regardless, in its first year, the NSX garnered an impressive list of accolades, including - "Top Ten Performance Cars", Motor Trend; "Ten Best Cars in the World", Road & Track; "Automobile of the Year" and "Design of the Year", Automobile; "Best of What's New", Popular Science; "Design and Engineering Award", Popular Mechanics. In 1991, Honda posted a first year unit sales of 1,940 vehicles, a truly impressive number at the time. It was in the same year that the NSX made its mark in the Motorsport world. The Comptech Racing Acura-Spice
GTP Lights race car, powered by a modified Acura NSX engine, carried driver Parker Johnstone to the Manufacturer's and Driver's Championships in the prestigious International Motor Sports Association (IMSA) GTP Lights series. This result was repeated two more times in 1992 and 1993 proving once and for all that the NSX was a force to be reckoned with on and off the racetrack. The NSX was an ever evolving machine with consistent upgrades over the years. The next big change took place in 1995 with the introduction of the NSX-T. It featured a removable roof panel, and was the first Acura to offer an optional Formula One-inspired Sequential SportShift automatic transmission. Regardless, the most significant change to the model didn’t take place until 1997. It was in this year that the NSX/NSX-T took a giant step forward in performance with several
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major enhancements, most notably a larger, more powerful 3.2litre DOHC, 24-valve V6 engine mated to a 6-speed manual transmission, producing 290hp and 224lb-ft of torque.In the following years minor upgrades continued to be added to the NSX in the form of an exterior refresh in 2002, which included new front and rear fascias including HID Xenon fixed-mount headlights and revised taillights. In addition, the NSX also received a revised suspension and larger wheels and tires. And finally, 2004 saw the introduction of a trunk-mounted CD changer and a keyless entry system. By 2005, NSX unit sales amounted to a few hundred vehicles per year worldwide. It was deemed that the
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continuation of the NSX was not economically viable, considering the very high cost of manufacturing along with the company's growing interest in producing a new model with a V10 engine and performance on par with the most modern high performance sports cars. And as a result, in June 2005, the curtains were closed on the technological marvel that was the NSX. While Honda was serious about its plans to introduce a V10 successor to the NSX by 2010, It was announced in December 2008 that due to poor economic conditions, all plans for a next-generation NSX had been cancelled. In March 2010, the Acura NSX project changed name to Honda HSV-010 GT and was entered in the Japanese SuperGT Championship instead.
20 12 However, at this year’s North American Auto Show, Honda showed the world that the NSX project was back on track and is back to its V6 roots, albeit with a little twist. The company showcased a dynamically-styled NSX Concept and gave us an indication of the next great performance vehicle from the Acura brand. Making use of lightweight materials and a mid-mounted V6 engine, this new NSX Concept employs several new technologies for Acura, including application of Acura's innovative new Sport Hybrid SH-AWD (Super Handling All Wheel Drive) hybrid system. Utilising a unique '2 Electric Motor Drive Unit' with a bilateral torque adjustable control system, the all-new hybrid all-wheel-drive system can instantly generate negative or positive torque to the front wheels during,
cornering. This new system is expected to deliver handling performance unmatched by previous AWD systems. In addition to the handling benefits of the new system a powerful next-generation VTEC V6 engine with direct-injection will work in conjunction with a dual clutch transmission with a built-in electric motor to create supercar acceleration while offering outstanding efficiency. This new Acura supercar is expected to debut in the next three years and will be developed by an engineering team led by Honda R&D Americas and manufactured in Ohio, at a yet to be named facility. Regardless, this is one car we just can’t wait to see in the flesh. And if the concept is any indication of what the final production car will look like, it is destined to be a sure-fire stunner.
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DUTCH STROKES OMANI COLORS Amsterdam based Dutch artist, Tonny Holsbergen shares a soul connection with Oman. Her recent art exhibition held in Muscat led the viewer on an enthralling visual journey through Omani life in all its diverse beauty. Sonal Bhujwala delves into her art to know more
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Tonny Holsbergen, an established Dutch artist based in Amsterdam recently displayed her art at an exhibition titled, A Day in Oman at the Bait Muzna Gallery in Muscat. The month long exhibit showcased hundred and three pieces of artworks in all, among which were seventy eight ink drawings, pastels, watercolors and oil paintings, with the rest being exquisitely crafted handmade glass-fusion creations. Each piece of art was a unique depiction of Omani life in its purest essence.
The first visit to Oman, and never looking back there after… Holsbergen, who studied art for seven years at the Gerrit Rietveld Academie and Government Academie for Fine Arts in Amsterdam, has an art repertoire spanning over three decades, with a specialization in painting portraits. Over the years the artist travelled extensively across Europe to explore different art styles, there by adding value to her own creative pursuits. It was about ten years ago that she decided to take a leap forward and explore the art and culture of Arabia. Holsbergen admits candidly, about having been clueless as to where to start this journey from, as the only familiarity she had with the region was through the famous Arabian night’s tales she had read years ago, which had long since left a yearning within her to unravel the mysteries of Arabia! A friend suggested she visit Oman due to its friendly people, charismatic natural beauty and safety. Before she knew, Holsbergen and her husband found themselves camping in the midst of the Sharqiya desert enjoying the warm hospitality of the local Bedouins. She reciprocated by drawing sketches of her hosts, to which they enthusiastically responded by asking for more! Recounting her days spent in the company of the desert people, she says “it was a life altering experience for me. The Bedouins live their entire lives in exceptionally harsh conditions, yet I was amazed to see the grace with which they
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carry themselves in spite of the difficulties. This greatly inspired me. Though, we didn’t share a common language, communication was simple as it was straight from the heart. The women wearing golden masks and colorful attire left indelible memories, coaxing me to return many more times over the next decade.” After a highly inspiring first trip to Oman, Holsbergen returned to Amsterdam to create an entire series of paintings that encapsulated her experience. In the meantime, the artist received an invitation from the Omani Society of Fine Arts to showcase this series at the Salalah Festival in 2002, which she graciously accepted. Upon her return from the festival, she decided to stop over in Muscat for a few days, when during a chance meeting with HH Susan Al Said, owner of Bait Muzna Gallery, the artists work was highly appreciated and she was suggested to showcase her work at the gallery. Thereafter, begun a long association between Holsbergen and Bait Muzna Gallery, which has lasted a decade during which the artist has put up brilliant display of her art through seven exhibitions.
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Holsbergen’s recent month long exhibition, consisted mainly of ink drawings, pastels, watercolors and oil paintings. The viewer was taken through a comprehensive visual journey that summarized Omani life in all its myriad hues
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A fantastic depiction of Omani life in all its myriad hues… Holsbergen’s recent month long exhibition which commenced in early December, consisted mainly of ink drawings, pastels, watercolors and oil paintings. The viewer was taken through a comprehensive visual journey that summarized Omani life in all its myriad hues. The display covered a wide array of subject matter, ranging from the famous camel races of Saham & Adam to
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bustling souq scenarios straight out of the Nizwa souq. The buzz of early morning fishing activity depicted in another set of paintings was almost palpable. These, Holsbergen had sketched on the spot, during her last visit to Oman when she spent time exploring tiny fishing hamlets that dot the Sur coastline. An interesting series of paintings were dedicated to the handsome horses of the Oman Royal Cavalry. Particularly outstanding due to their unique theme were the drawings of the Jewel of Muscat, among which one contained a true to life portrait of the captain with the ship in the background. Holsbergen was highly impressed by this extraordinary voyage and decided to pay tribute to the historic
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the highlight of the exhibition was a stunning portrait of His Majesty Sultan Qaboos Bin Said, in respect of whom the artist has previously compiled a magnificent art book titled ‘Faces of Oman’ which was published in 2006.
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I like my art to depict motion and so all the art in the series reflects a sense of movement. In some paintings, I have created a visual effect akin to having left some parts of the painting unfinished, and in doing so have encouraged the viewer to complete it visually, by himself. Another aspect I have highlighted in this series is the effect of contrasting luminescence on the desert landscape
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journey undertaken by the captain and crew of the ship, which has been inspired by a ninth century Arab sailing vessel. However, the highlight of the exhibition was a stunning portrait of His Majesty Sultan Qaboos Bin Said, in respect of whom the artist has previously compiled a magnificent art book titled ‘Faces of Oman’ which was published in 2006. Elaborating on the finer details that contributed toward putting together her latest series of paintings, Holsbergen explained “this series is mostly a collection of ink drawings with washings and highlights of water colors. However, there are oil paintings and pastels too. I like my art to depict motion and so all the art in the series reflects a sense of movement. In some paintings, I have created a visual effect akin to having left some parts of the painting unfinished, and in doing so have encouraged the viewer to complete
it visually, by himself. Another aspect I have highlighted in this series is the effect of contrasting luminescence on the desert landscape. The ink used in my drawings is similar to what the famous Dutch artist Rembrandt used during the seventeenth century. Real gold paint has also been used in some of the paintings. As a base for the art, I have used an assortment of papers that lend color and texture. Most of them were imported from France but as a novel concept in this series, I have used some very special papers which are handmade in Nepal. Some of these papers have pressed flower petals embedded within them and the others have tiny chips of silver and mica that produce the effect of a subtle shimmer, which somehow reminds me of desert nights spent under clear skies bejeweled with stars. The idea behind using differently textured papers is to offer the viewer a dynamic visual effect.”
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Handcrafted glass-fusion art Along with the brilliant display of drawings and paintings, a dazzling array of glass-fusion art was also showcased at the exhibition. Handcrafted by Holsbergen at her studio which also houses a furnace that treats the glass at 850째 C, the most striking of the pieces were the brightly colored Omani khanjars and traditional masks worn by Omani women. The glass art was a riot of color, with tightly packed intricate designs ingrained inside. Among the fusion art, the most spectacular were a series of oil paintings where the center of the painting was cut out to create space for a beautiful piece of glass art which was fitted within.
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Plans in place for next art exhibition
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Through the combined efforts of artists, galleries, museums and the governments thrust to promote art and culture, the Muscat art scene is gaining a unique vibrancy and character of its own
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Further to the success of her recent exhibition, Holsbergen already has plans in place for her next visit to Oman. She says “I have been fortunate enough to have established a niche clientele for my art in Oman. Consisting of avid collectors of art, these patrons have encouraged me to return with a new theme every time. Each trip made to showcase my art doubles up as an opportunity to collect material for my next exhibit too. Without the support of my husband Evert Holtzer, who is a professional photographer, these projects would be difficult. This year I will be visiting the camel races in Saham and Adam, as the theme of my forthcoming exhibition will be centered around, camel races with robot jockeys. Following international condemnation, the use of human jockeys has been banned across the gulf in favor of robot jockeys. It will be interesting to depict this novel theme.” Through the combined efforts of artists, galleries, museums and the governments thrust to promote art and culture, the Muscat art scene is gaining a unique vibrancy and character of its own. An exchange of creativity between international and local artists enriches the art environment along with adding a touch of diversity. Muscat looks forward to having many more visits from accomplished international artists such as Tonny Holsbergen, who would contribute significantly in creating a dynamic art scene in the city.
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AMBROSIA
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l co tiona n , a Fr erna able e t T r ltu or in t of u C r f Ar t & inne The es r A of wn d ent, ienc s r v res it-do e e xpe d h e a s ss ts a e. T mic a mb hos ranc rono A t , , F on aris e in t gas r T P ur ne, hom nes p Nu dien s at the fi In est of gu one is
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t’s 4 pm and I am already running late. I have just finished my new haute couture Bijoux collection for Christmas that I am going to present Le Bon Marche, my flagship store. The first skecthes are looking good and I am quite excited to see how the products will turn out. But this article is about today evening. It’s an evening of exclusive gastronomy and art de table hosted by me for some of the best names in the world of French luxury. Christoffle, Baccarat, Pierre Frey, Diptyque, Moet&Chandon are some of my special partners who are coming together to organise this very special evening.
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The first skecthes are looking good and I am quite excited to see how the products will turn out. But this article is about today evening
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The guest list includes a veritable crowd of global cultural czars, fashionistas, artists, Hollywood film makers, Bollywood stars and diplomats
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Art de table is an interesting art form to showcase the art of table and receiving in France. For the interesting evening, I tried on various outfits from House of Dior, Louis Vuitton, and John Galliano, before settling on Galliano - a true genius in dressing women! The clock is ticking and I have started the tandoor oven. Oh, by the way, I have a real tandoor from India. All in clay, it is my treasure for making my dinner parties the talk of the town! It’s time to get the chicken I marinated the previous day into the tandoor for a delcious chicken tikka platter which i will serve with salad rockette as first course complemented Rose 2000 from Moet&Chandon. This will be followed by five courses.
The guest list includes a veritable crowd of global cultural czars, fashionistas, artists, Hollywood film makers, Bollywood stars and diplomats. It’s hard to shorten the list to 12 and choose who will be sitting next to whom! But in the end it all turns out well! I love hosting these dinners as I put all my passion and love in receiving as well as trying new dishes enveloped with everyone’s curosity as to what will be the new culinary experiments. Although what I love the most is seeing the satisfaction of friends enjoying a good meal. After all, if we take care of our senses we tend to view the world differently, in a pleasant manner.
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T H E April 2012
J O U R N E Y !
GLOBETROTTER
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L
ast year was “Visit Laos Year”, and that’s just what I did. So easy, too. I was in Chiangmai in northern Thailand and discovered that all you needed to cross the Mekong river into what used to be the Kingdom of a Million Elephants was a $30 visa and a mild spirit of adventure. A fun local bus ride to Chiang Kong and a quick boat trip across to its poorer Laotian twin Huay Xai, and you were in another time. Curious Hmong hill folk quietly took in the huddle of strange long-nosed westerners. Pink Chinese champagne was on sale on rickety street stalls, and, more upmarket, a shop bristling with heavy arms – a relic from the not so distant past. I liked the place immediately. No tourist touts at your elbow! No hard sell. This was laid-back Laos.
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A group of North Americans invited me to join them on a two-day cruise downstream to the old capital of Luang Prabang. Their boat was an open-sided oriental version of a Mississippi paddle steamer, and there was room for another. You can zoom down in three hours in a noisy long-tailed boat too, if you want to be deafened and fancy wearing a crash helmet, or take a really slow barge. My companions were getting on a bit, and were with a group called Eldertreks, but hell, I felt like a nice slow pace too at this stage. Other travelling companions boarded. A couple I christened Helga and Hagar the Horrible stomped on, in full leather. They were bikers from Berlin. I needn’t have worried. On board, everyone seemed to slide into Laotian mode. This easy acceptance of everything is captured
ON A SLOWBOAT IN
LAOS in three useful words : baw pen nyang – ‘never mind’. I idly thought of that old 60’s song and gave it some new lyrics: Laos to the left of me, Thailand on the right, stuck in the middle with you…We drifted past bushveld hills just like the Zambesi escarpment, spattered with the scarlet of erythrina, through rocks polished like gunmetal, and curling eddies. Good Lao beer was served on board, and then we saw pink buffaloes, but they were only albinos! Drifts of egrets dipped alongside, and felled teak logs scarred the hillsides on their way down to the river. It was January, and the smell of winter veld fires made me homesick for Africa. The local people are often desperately poor and eke a living subsistence farming by slash-and-burn farming or panning for gold. Most men are
migrant labourers. In one village, the temple bells were made of broken bottles and empty shell cases - tragic reminders of poverty and conflict – but the little monks were still smiling... The boat moors for visits to the odd temple, Hmong villages, famed for their embroidery, shebeen-like stills to sample the potent local rice whisky, or to visit cave shrines such as the one at Pak Ou. Here the Mekong is joined by another river, and the views from the cave mouth are worth the climb. Inside the gloom, hundreds of statues of Buddha smile enigmatically in the candle light, silent witnesses to supplicants’ prayers. Late afternoon, and it’s time to stop over at the new Pakbeng Lodge, all bamboo and teak, to be April 2012
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welcomed by the charming Mr Southep Phoochana. I got a whispered invitation after dinner to join the staff for some Lao light entertainment. A crowd of chaps of all ages (I recognized the smiling kid who helped the pilot) and a few shy girls with faces plastered with white powder and flowers tucked behind their ears sat around a rickety table. In the centre was a covered plastic dish. Invited to uncover it, my stomach sank. A boiled chicken head lay there. Was I expected to eat this local delicacy as the honoured guest? Would I be impaled on bamboo if I refused? Baw pen nyang. It was only the Lao version of spin-the-bottle. If the beak points at you, you had to drink down the brimming glass which suddenly appears in front of you. A genial old fellow siphoned lao lao, the local witblits, into it, and away we went. It tasted of vodka and pineapple, I thought. I can just remember being escorted to my bungalow on stilts by two smiling little waiters, and waking with a head as clear 100
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as a temple bell at dawn. A little swag-bellied black pig and some bantams were scuffling about below, and a cold veil of mist hung over the river as the sun rose. Another lazy day caressed by river breezes, and arrival at Luang Prabang, a city of temples, the golden spires just aflame in the last rays of the sun, and colonial elegance at a hotel that was once a palace – all wicker-chaired verandahs, bamboo blinds and orchids in the gardens. This is a place to spend a few days. It’s a World Heritage site, and mercifully un-“developed”. The faded French colonial presence lives on in good low-key restaurants and blue-shuttered windows and the early morning smell of fresh baguettes – and cynics would say that was the only good thing the often brutal French occupation bequeathed Laos. Footwork, hiring a bicycle or taking a thip-tuk is ideal. Wander around the many temples, and be
generous with your time when approached by young monklets in their robes. They aren’t begging or bugging you, but love to practise their English. The royal temple complex of Wat Xien Thong is a must, blazing with gilt and mosaics, but feel free to wander around the dozens of others. Being decently covered is good for the skin and public goodwill too. At the ‘Watermelon’ temple, Wat Makmo, don’t miss the lurid wall paintings to shudder at what awaits sinners in the Buddhist hell. After a 329step climb for the sunset view from Mount Phousi, the Sala Kheme Khan at the foot of the hill is a real find. Its restaurant overlooks a quiet backwater, where you can drink in the ambience over good river shrimps, or experiment with spicy Lao cuisine. Try hotfire morning glory, or yam mou nu – a delicious ‘pork salad’ of thinly sliced ham on a bed of glass noodles, with grated green pawpaw, ginger and carrots. That is, if you don’t feel like April 2012
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the chicken and basil, a gno sandwich, or a humbareur. The last turned out to be a Frenchified hamburger! You’ll need another watering hole and lengthy pause to savour the superb raw silk traditional scarves bought on your excursion to the nearby weaving village of Ban Phanom. You should get a dawn call one morning, if the temple drums don’t wake you first, to see the processions of monks of all ages to the wats, all waiting for the offerings of food from the pious who line up to feed them. As in Thailand, this is the Buddhist equivalent of national service. Buddha’s message of peace, so tragically ignored for so long, is once getting through. Poor Laos’s long violent legacy has given rise to a form of Buddha particularly poignant here – he stands with both palms out in front of him, saying “No more fighting!” Considering Laos’s long sad history of occupations by powerful neighbours and then by the French, and the fact that the US dropped 500 million tons of bombs on it for ten years in the so-called ‘secret war’, the Laotians are forgiving and welcoming. They’ve got a quiet impassive dignity and have had to live on reserves of stoic cheerfulness. Remarkable too, after also having suffered a Communist government which drove a fifth of them into exile. If the young age of people behind desks in banks, hotels and offices strikes you, it’s because a whole generation of educated older citizens were “re-educated”, fled the country, or worse. The country is only now beginning to emerge from the timewarp it was in. The new government has slowly liberalized, although the country is still socialist in name. After Luang Prabang, the capital, Vientiane, is larger and faster and not as attractive a place, but worth a couple of days. Surveying street life along the dusty Fa Ngum
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riverside boulevard recovering from the gentle rigours of watitis (what you get from seeing too many wats) is eminently restful, especially at sunset with the rays suffusing your cold beer, or while you enjoy an icecream from the Pornthip Parlour. The pace of life is changing, and now dollars, Thai bahts and the quaintly named Lao kip all circulate freely. It’s much slower than Thailand, so take your time too. The French view of the Laotian pace of life was: In Vietnam, they grow rice, in Cambodia, they watch rice growing, but in Laos, they listen to it growing. It’s not quite credit card country yet, so take travellers’ cheques. Laos is only now, rather sadly, being drawn into the world of consumer-driven materialism. It’s not a designer holiday
either, dolls, but more than worth it all for the welcome difference. And you’ll be back, to visit the mysterious Plain of Jars, or go further down the Mekong, or to see the New Year festivities in April, when Luang Prabang goes wet and wild. And try to buy a nip of lao lao to comfort you. But, whatever you do, spend your last afternoon in Vientiane at the gilt masterpiece whose spires rise over its treasured holy relic - a splinter of Buddha’s breastbone. The French insisted on restoring the That Luang their way, but its incomparable pile, once plated in solid gold, still shimmers gloriously at sunset. Just don’t be tempted to smuggle out any genuine antique relics, or you could end up as one!
TRAVELLER’S TIPS: Fly to Bangkok, and get a visa at the Laotian border if not entering by air. It’s best to go downriver from Luang Prabang to Vientiane, and there are quick flights to both cities. Local travel agents in Thailand will also arrange things for you - at higher cost, naturally. Cambodia (next stop!) is also quite accessible now. November to February is pleasant, in fact quite chilly in the highlands at night. The heat builds up in April and the rains teem down after that. Make sure you’ve got good travel and medical insurance, and be sympathetic about a developing country’s sensibilities. Be patient, and never raise your voice in anger – it makes you lose face and solves no problems! Baw pen nyang! You’re on holiday, remember, and if you can’t stand the pace, you shouldn’t be in Laos! Try to get Dervla Murphy’s latest book on Laos, and visit the web at info@asiahorizons.com.
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Truly Dee
Adventure
There are hideou secrets hidden in the sea and above in Clive Cussler’s ‘Devil’s Gate’. We go down to the depths to find ou Script: Melanie Marian
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live Cussler, best known for his books on faring adventures and mysteries, remains tr his roots and brings out a wonderful nov one of his most famous characters, Kurt Austin.
The story begins with an air of mystery in the 1951, and right from the start holds you at the ed your seat with an exchange of bullets and a Lock Constellation doomed to its fate in the ocean. after you are taken to the present day whe Japanese Cargo ship, peacefully making its way a the Azores, suddenly bursts into flames. Soon af group of mercenaries hijack the very same boat bu doomed to the similar fate just moments later. It is sort of mystery and action that keeps you coming for more.‘
ENTERTECHMENT
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January/February 2012
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RAZER’S NEW PROJECT FIONA PC GAMING TABLET MAKES FULLFLEDGED PC GAMING TRULY PORTABLE Script: Malcolm X Crasta
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he Consumer Electronics Show that took place on January 12 in Las Vegas was home to some truly unique innovations in almost every field of consumer electronics, right from the most basic of alarm clocks to the full-blown tech-wizardry that we can expect in cars of the future. However, most attention at the show was paid to the on-going trend of tablet PCs and ultraportables, with a huge number of new and conceptual launches in each of the two categories. That said, one concept in particular stood out from the rest; primarily due its wacky good looks and also for its sheer ground-breaking performance. This was Razer’s Project Fiona PC Gaming Tablet. Unlike other tablets designed for general use and casual gaming, Project Fiona is a tablet concept designed to play the most popular PC games of today with an intuitive control setup for a phenomenal on-the-go gaming experience.
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What makes this tablet truly unique is its performance. Razer worked closely with Intel to harness the power of its third generation Intel Core i7 processor in Project Fiona. As a result, the tablet is more akin to a fully functioning PC; and yet in a form factor and platform highly familiar to everybody. Instead of relying on developers to work on a suite of brand new applications for the tablet, many PC games today run natively on the tablet concept without the need to be ported, optimised, or developed from scratch. Because Project Fiona will feature one of the most powerful processors integrated in a tablet form factor, it will run full-fledged PC games that have never run on a tablet form factor before. This is a far cry from the casual and mobile-only games that run on most regular tablets on the market today.
However, performance is one thing but a properly useable and intuitive user interface is a different story altogether. It is a known fact that, while multi-touch screens have become the de facto user interface for tablets, they are not the right interface for serious PC gaming. Thankfully, Razer’s multi-award winning user interface and ergonomics team have developed an allnew hybrid user interface scheme for Project Fiona. Featuring integrated dual game controllers with precise analogue sticks, Fiona runs gamepad-enabled PC games right out of the box. Along with the game controllers, the system is also designed with precise accelerometers and a highly sensitive multi-touch screen. This provides game developers with new game experiential opportunities to develop around the hybrid game control experience offered by the Project. It also ensures current-generation PC games run on the tablet concept, as well as any existing games optimised for the touchscreen interface of a tablet. And if that wasn’t enough, to further intensify the gaming experience with Fiona, Razer’s integrated dual controllers deliver full force feedback, so every explosion or gun recoil can be felt in the gamer’s hands.
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Future games developed for Fiona are expected to take advantage of not just the integrated gamepad controls but also integrate core game functionality controls for the touchscreen and accelerometerbased controls. This new user interface allows all existing PC games to be played right out of the box and also provides game developers new opportunities as they develop next-gen games on a highly-intuitive platform. That said, Project Fiona will be a great alternative to any PC gaming enthusiast on the go when it is finally released. And if the former Switchblade concept and its follow-up, the Razer Blade, are anything to go by; it won’t be long before eager gamers can get their hands on the Tablet in some form or another.
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FINAL FANTASY XIII-2 While Final Fantasy XIII-2 may not be the best in the series, it is a definite improvement over its predecessor and is a touching tale that is well worth your time
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inal Fantasy XIII was quite a good game when it came out just under two years ago but it was not without its faults. The one that stood out the most was its linearity. While this may be fine in some RPGs, it is a far cry from the freedom available to you with the older titles in the franchise. With Final Fantasy XIII-2, the developers have done best to address this issue, among others, and add a little more to the mix to improve the replay value. And for the most part they have succeeded. For the better part of the first game Lightning, along with a great cast of companions, was trying to rescue her sister, Serah, from a terrible fate and in turn also save the world from a disastrous end. In the second game the roles have been reversed and it is Serah’s turn to fill in the hero’s shoes. While she may not be as domineering as her sister, she has her own charms and fits well into the tone of the story. If anything she offers the perfect balance between Lightning’s strong personality and the cheerful exuberance of Vanille. Right from the start she is accompanied by Noel, a boy with a mysterious past, and Mog, her trusty gift from her ‘big sis’, who also doubles as her weapon in the game. The story itself is short by Japanese RPG standards, clocking in at about 25 hours on a regular play through. But those few hours are jam-packed with great action, stunning locals and an engaging story; topped off by a few truly impressive CG cinematics. For lack of a better explanation it is just as impressive as the first game, if not more. But as good as the story is, it is not without its faults. For starters, the game’s antagonist, Caius, and Lightning are some of the better characters to grace the series so far and definitely deserved more screen time
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than they received in the game. Furthermore, the fast paced story occasionally grinds to a crawl thanks to some pointless puzzles. That said, the game’s biggest fault is the ridiculous platforming sequence right before the game’s end. This is the time when you expect the game to truly pick up the pace but instead the game once again grinds to a crawl, forcing you to navigate constantly moving platforms. Thankfully these instances are few and far between and even the last sequence is short enough so as to not hinder the experience too much. The game itself is a lot more open-ended this time around with lots of places to explore. Furthermore, because the game is based around time travel you will visit these places more than once and in different eras. And each time there will be something new waiting for you. This system is extremely well executed and keeps the game from being repetitive. Furthermore, this approach along with the vast majority of optional areas keeps the game from feeling linear. Better still,the stunning visuals and impressive environments make it fun to visit each location at a different point in the timeline just to see what has changed.
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Combat for the most part has remained the same. You still work with the same battle system and the same roles. However, since there are only two characters, the third spot is filled in with monsters you capture on your journey. Every monster you capture is of a certain role that cannot be changed. To compensate for this you are allowed to switch between any three monsters at will and every single one you capture can be levelled up at the Crystarium, the game’s levelling up system. In fact, collecting monsters is an immensely addictive mini-game all on its own. Don’t be surprised if you see it eat up countless of your gaming hours.
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Aside from the monster collection and hidden locations, the game has a tonne of collectables to keep completionists busy and that is before you include the large number of optional boss fights, optional minigames and alternative endings that you can unlock. In short, the game has some truly impressive replay value. On a whole, the developers have to be commended for listening to the fans of the franchise and truly trying to improve on an already impressive game. While Final Fantasy XIII-2 does have its faults, it is still a significant improvement on its predecessor and we can’t wait to see where this on-going tale will lead to next.
NEW PUBLICATION RO 10/only
Saud bin Ahmed Al Busaidi recounts a life that mirrors the history of Zanzibar from 1914 to the Zanzibar Revolution of 1964. Like many other Omanis who were government officials, he was imprisoned during the Revolution and feared for his life. One of the lucky ones, Saud bin Ahmed was released and soon fled, eventually settling in Libya where he lived in exile for seven long years.
Memoirs of
An Omani Gentleman from Zanzibar
An unexpected turning point came with the rise to power of HM Sultan Qaboos bin Said. Mr Al Busaidi’s recalls how he felt on that momentous day, “a day that was destined to become the most significant in the modern history of the Sultanate”. This is no ordinary historical account. Saud Al Busaidi tells a gripping, action-packed story that begins by catapulting the reader into the violent outbreak of the Revolution and then flashes back to the idyllic days of his childhood and youth among the royalty of Zanzibar.
SAUD BIN AHMED AL BUSAIDI WITH JANE JAFFER
A master story-teller in the great Omani oral tradition, Mr Al Busaidi speaks openly in a language of natural elegance. The unfolding story shows the author to be a reflective person with a deep love of family and passion for the heritage and future of his country. This is a book that is as informative and fascinating as it is heart-warming and inspiring. – Dr Patricia Groves
AL ROYA PRESS & PUBLISHING HOUSE
Available now from all good bookshops or direct from AL ROYA
Sponsored by :
Ramesh Khimji Group of Companies
Historical Association of Oman
Published by:
AL ROYA PRESS & PUBLISHING HOUSE
Fascinating, Educational, Exciting Bound to be a best seller!
P.O. Box 343, Postal Code 118, Al Harthy Complex, Sultanate of Oman Tel : +968 24479888 (8 Lines), Fax: +968 24479889, E-mail: alroya@alroya.net
For corporate rates contact : anne@alroya.net January/February 2012
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Truly Deep
Adventure There are hideous secrets hidden in the sea and above in Clive Cussler’s ‘Devil’s Gate’. We go down to the depths to find out Script: Melanie Marian
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live Cussler, best known for his books on sea faring adventures and mysteries, remains true to his roots and brings out a wonderful novel on one of his most famous characters, Kurt Austin. The story begins with an air of mystery in the year 1951, and right from the start holds you at the edge of your seat with an exchange of bullets and a Lockheed Constellation doomed to its fate in the ocean. Soon after you are taken to the present day where a Japanese Cargo ship, peacefully making its way along the Azores, suddenly bursts into flames. Soon after, a group of mercenaries hijack the very same boat but are doomed to the similar fate just moments later. It is this sort of mystery and action that keeps you coming back for more.‘
Devil’s Gate’ by Clive Cussler and co-author Graham Brown mainly revolves around the lives of four NUMA employees and an African dictator. Thrown into the mix are a Russian scientist, sent by her country as a spy, and the dictator’s hired hit man. The characterisation and introduction of each character is made gradually and at an easy pace so as not to confuse oneself, and to understand each character personally. The minor characters all seem to be in some sort of danger and their introduction, although gradual, leads to a climactic explanation of their existence. This keeps up the intrigue of the book. Moreover, the research on the locations; the workings of ships and planes; and pretty much every aspect of the book is rather commendable. The main character Kurt Austin, a salvager for NUMA by profession, is not introduced until the 3rd chapter. He is a commanding character that has a knack for attracting danger, but somehow manages to always get out of it. However, unlike most novels, the main character has not been depicted as super human. He has been shown to feel uselessness, pain and even fear. He often finds himself in rather difficult situations that offer him only two choices, life or death. However, the life saving ideas that Cussler brings out of his character, although overtly present, are difficult to execute. Nevertheless, Cussler executes these with finesse and perfection, making his character Kurt Austin more lifelike. Moreover, the book in itself is a rather easy read in spite of complicated explanations and other complex theories. Cussler has made sure that even these are easy on one’s mind. Through the course of the story, Kurt and his allies find themselves drawn into the horrific ambitions of the main antagonist, Djemma Garand, an African dictator who hell-bent on defying every superpower of the world. Will Kurt Austin and his friends be able to stop him? Only reading the book will help one find out. Expect the ending of a lifetime.
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GET Saharz Beauty Center, a recently opened beauty cum wellness center in Muscat may well be termed a ‘beauty hub’. An exhaustive list of the latest and most innovative beauty services are on offer at this swanky cum uber luxurious new set up Script: Sonal Bhujwala
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anity, beauty, style and glamour have all of late moved to a new destination! Located in the posh Madinat Qaboos area of Muscat, the recently opened Saharz Beauty Center may well be Oman’s largest and most luxurious beauty hub. Named after the charming and business savvy proprietor of the set up, the deluxe beauty cum wellness center is the brainchild of Oman’s leading makeup artist cum famous television personality, Sahar Sadiq Al Azawi. Housed within a large three storied twin villa, the center boasts of separate sections for makeup services, hair styling, body treatments and even a nail salon. A short ride up the indoor elevator takes one to the top most level where a spacious and abundantly luxurious spa is located. The spa includes individual cabins for everything from relaxing massage therapies to Moroccan, Turkish, Swedish baths to a body wrap parlor and even a tanning booth that happens to be the very first in Oman! To ensure that customers are well taken care of, each floor has its own reception area, too. Swanky interiors await, and take you by surprise as you make your way through the nondescript entrance of the beauty center. Upon entering, one finds herself straight at the reception that is handled by friendly and welcoming staff. Shades of purple, black and silver dominate throughout with purple furniture lending a touch of glamour. Speaking of glamour, things just get grander as you move on.
Adorning the length and breadth of the center are Swarovski chandeliers, the best of Italian marble, wall papers from France and an endless list of handpicked accessories created by globally renowned designers and companies. Most of the technical equipment such as salon furniture and gadgets has been imported from Europe and the United States through companies that specialize in producing top quality salon merchandise.
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“my passion has always been cosmetics and colors”
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Small beginnings and the journey to success Elaborating on how the place conceptualized, the very charming and confident Sahar, who presided as judge at the recently held Max Factor Makeup Artist Hunt 2012, lends a peek into her background and informs “since as long as I can remember, my passion has always been cosmetics and colors. In fact, during my years in school I was always the one asked by friends and cousins to deck them up when they had a special occasion to attend. By the time I reached university, along with focusing on my Bachelor’s degree in Business Administration and Information Management at Muscat College, I was already working out of a small room in my house which I had turned into a salon. Further to graduating, I decided to gain formal experience in the beauty industry and so took up a full time job as a manager with a well known beauty salon. During the four years I spent on the job, I was fortunate enough to learn every bit of practical knowledge that is required for running a successful beauty center. I also travelled intensely to learn the latest international trends in beauty and makeup, and attended courses on Theatre, Catwalk, Television and Bridal makeup from reputed global institutions. Simultaneously, I was working as a TV show host and presenter for Oman TV, and had earned immense recognition for the super successful Arabic show ‘Hawaa’, which was on air for four years and focused on the life of the contemporary Omani woman. These years were very exciting, and packed with a lot of hard work. Both my jobs were interconnected in several ways and lent me a huge sense of satisfaction and achievement. In the meantime, I started Oman’s first registered Modeling agency too. By the year 2009, I realized I had gained enough practical experience in the beauty, glamour and fashion industries to be in a position to set up my own establishment. That’s when the idea of Saharz Beauty Center was born and it took almost a year and a half to actually establish the set up from scratch. The concept was very clear; I did not want to set up a Salon. Instead, it was to be a beauty center that would encompass beauty and wellness services on a level that catered to every single requirement of a woman’s desire to feel and look beautiful. An all-in-one set up that would be recognized for being on par with reputed international beauty centers owing to its professional services, high quality of products and superbly affluent yet calming cum relaxing ambience.”
Getting pampered, the grand way Launched in November 2011, Saharz Beauty Center has already gained a reputation of being a trendsetter in a short span of time. On offer is an extensive array of the latest and most innovative beauty and wellness services, provided by professional staff from eight different nationalities. Hair styling services are taken to new heights as experienced stylists skillfully blend the perfect shade of hair color to suit your look, at the swanky color mixing bar. Over and above,
one is spoilt for choice if looking for some extra special pampering! The sumptuous spa treatments are superbly indulgent and offer the ultimate wellness experience. The Kerastasse Chamber that accommodates one special client at a time is another indulgent option on offer. While your tresses are carefully attended to with a range of quality products from the international hair care brand Kerastase, you enjoy soothing music while relaxing into a special reclining chair and look up to a ceiling that’s bedecked with a hundred gently twinkling, color changing lights that are meant to be a treat just for your eyes! All the pampering can quickly soothe tired nerves and it’s easy to transcend into a woozy seventh heaven kind of feel. However, for those who prefer to keep in touch with earthly realities, the entire center is equipped with free Wi-Fi. And if being treated like a queen is what you are used to anyway, then it won’t take you long to settle into the VIP room that’s got quite a Victorian elegance to it. Elaborating on the design of the VIP room, Sahar says “the finest details have been carefully taken care of to give the privileged occupant a feeling of being oh- so special! Apart from being serviced like a VIP, rich silk upholstery pinned down with mother of pearl buttons, pure silver knobs on cupboards and doors and handmade Italian marble stands used for resting objects are just some of the features of this room that add to the sense of being pampered regally, which also happens to be the perfect place for a bride to be to begin her matrimonial journey on a royal note and further more take advantage of the splendid decor for a pre-wedding photo shoot too!”
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The road ahead Soon to be added to the delightful list of services available at the center is a designer bridal gown boutique, photo studio for complete make over’s, mini gym and even a café. Having established a beauty hub that’s clearly one of its kind in Oman, seems to be the culmination of a long cherished dream for Sahar Al Azawi. Yet, it’s only paved the way for the realization of larger aspirations. A very positive and determined Sahar says “a lot of highly creative young people in Oman would like to have professional careers in the beauty industry but are clueless about where to start from. An academy that nurtures young talent and turns them into professionals who are qualified enough to play important roles in various branches of the beauty industry is definitely a plan for the future. Also, on the anvil is an FM show that will discuss beauty and its various aspects in detail. The ultimate goal is to create awareness about the beauty industry along with guiding and encouraging young people who would like to opt for careers in this industry.” Sahar Al Azawi is a dynamic young woman who holds immense potential to rise in her field of work and make Oman proud of her achievements. We look forward to tracking her success in the future!
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April 2012 www.iddesignoman.com
MELANGE
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Andromeda’s stars shine on Marrakech Les Palais Namaskar enlightened: bringing the tradition into an exotic dimension
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enice, 2012–Andromeda custom designed and hand made the lighting fixture for Les Palais Namaskar Luxury Hotel, in Marrakech. Decorated by Paris based architect Imaad Rahmouni, Les Palais Namaskar offers the idyllic mix of oriental architecture and contemporary developments. The inspiration behind the lighting design and project was to conceptualised a magical place, both to live in and share with people who want something unique to disconnect from the world and be very exclusive. The result is a sophisticated and elegant interpretation of Venetian classical style, reinterpreted with modern taste and sensitivity. It is a unique mix of exquisite tradition and oriental infusions, confirming Andromeda's ability to explore new territories, using the secular hand-made Murano glass tradition as a tool for contemporary research.
Andromeda Andromeda is one of the world’s leading brands in luxury custom, hand-made glass lighting design. Set up in Murano in 1972, Andromeda brings a sense of modernity through its original interpretation of aesthetic concepts. Since the 90’s, CEO Gianluca Vecchi starts a series of collaborations involving custom projects with some of the most influential and recognisable names in architecture design. In 2005, Vecchi sets a new and unprecedented standard in the Italian industry and offers Andromeda’s creative direction to Artist Michela Vianello. On October 2, 2008, the Eurispes research centre placed Andromeda amongst Italy's 100 most innovative companies, including it in the third report on Italian Excellence.
Les Palais Namaskar The Palais Namaskar luxury Hotel and Spa in Marrakech spreads across 40,000 square metres of scented and manicured Balinese-inspired gardens. The luxury property boasts 41 uniquely-designed Villas and Suites, including a host of palaces such as the pool palace, mountain palace and water palace. There is a delectable choice of gastronomic experience at its two restaurants and bar lounge. Les Palais Namaskar is part of the Oetker Collection Group luxury hotels.
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SIMPLY MUSTS
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Remembering a legend
Fusing the material of the Titanic recovered from the depths of the Atlantic with the finest watchmaking expertise, the Chrono Tourbillon is as much an object of art as a temporal compass; and it is the new flagship model of the Titanic-DNA Collection by RJ-Romain Jerome. The secrets of its motorisation are revealed through the openworked dial: each tooth and each intricate component of the chronograph and tourbillon are immediately visible. Each of the three steel, black PVD or red gold versions of the Chrono Tourbillon is issued in a nine-piece limited edition.
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The latest in Dell’s PC gaming portfolio, the Alienware X51 is smallest gaming desktop. It features 2nd generation Intel Core i processors, NVIDIA GeForce GT or optional GTX class graphics cards for intense gaming performance, Wireless-N technology for easy Internet access, HDMI 1.4 for connecting to 3D TVs and watching 3D Blu-ray movies, two USB 3.0 ports for fast data transfer, High-Definition 7.1 Performance Audio and GDDR5 graphics memory. At its entry-level configuration with a Core i3 processor, 4GB memory , 1GB NVIDIA GeForce GT 545 graphics, and a 1TB 7,200rpm hard drive, the raw power of the X51 yields an average 34 frames per second in Battlefield 3 at high settings and a resolution of 1080p, starting at USD699.
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Simply perfect
Designed by Danish designer, Cecilie Manz, Beolit 12 follows a design language that is a direct reflection of its use: convenient, robust and casual. Beolit 12 follows the success of the BeoSound 8 sound system for iPad/iPod/iPhone docking, with a combination of excellent sound performance, distinct design and craftsmanship, and portable wireless operation. It features Apple’s AirPlay technology allowing you to play music wirelessly from your iPod, iPhone, iPad, Mac or PC when connected to your wireless network. It is designed to be portable and has a built-in power supply and a rechargeable battery. The power cord packs neatly away inside the system when not in use. The rechargeable battery has the capacity to charge an iPhone or other connected device and play back music for up to eight hours at normal sound levels.
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Earth, Wind & Fire
The cutting edge Monster Gratitude in-ear headphones are specifically engineered and tuned to faithfully reproduce the true harmonics of live music and the sonic details of each instrument, resulting in a more natural, immersive and vibrant listening experience. They feature an eye-catching rose gold finish and were designed and personally tuned by members of Earth, Wind & Fire and “Head Monster” Noel Lee. They even boast a specially engineered noise isolation architecture that results in superior audiophile sound, with the ability to reproduce detailed harmonic soundscapes. Furthermore, Monster’s innovative design allows the earpiece to rest more comfortably and deeper within the wearer’s ear canal, enabling a perfect fit, superior isolation and the ultimate in performance.
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Strikingly Nostalgic The new Johnny Marr signature Jaguar guitar from Fender puts the inventive ringing sounds and highly distinctive design mods of one of the U.K.’s greatest modernera guitarists into a truly unique variation on a classic Fender guitar model. It is a fantastically non-standard version of the model that is as distinctive as the sounds Marr wrings from it, with a wealth of highly specialised features including a custom-wound Bare Knuckle Johnny Marr single-coil neck and bridge pickups; custom-shaped maple neck based on Marr’s 1965 Jaguar, with vintage-style truss rod, lacquer finish and Marr’s signature on the front of the headstock; four-position blade-style pickup switch mounted to the lower-horn chrome plate; Two upper-horn slide switches; and a Jaguar bridge with Mustang saddles including nylon bridge post inserts for improved stability.
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Tech start-up BryteWerkshas showcased a product line poised to establish a new category of intelligent, hybrid media centres based on an advanced highdefinition digital projector platform. The Model One line delivers exhibition-quality 16:10 widescreen 1920x1200 resolution (within 5% of professional 2K cinema systems), through a LCD Native WUXGA panel. The projectors also feature an ultra-high brightness of 6,000 - 11,000 lumens, a 1000:1 True Contrast Ratio, and a 1:1 throw of 1 foot to 50 feet, making them the very best, all-purpose digital projectors in their class. Internally, the device features (depending upon model configuration), a fully-integrated Intel Core i3 to i7 HTPC CPU, a fullfeatured, slot-loaded Blu-ray player, up to two terabytes of internal storage, including a 500 gigabyte Solid State Drive, unrivalled connectivity options, and a custom version of XBMC, an open source media organisation and playback application, making the Model One a revolutionary and unsurpassed media centre. The Model One projectors will be available factory-direct through http://www.brytewerks.com, which launches on February 13, 2012.
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After the recent debut of its 2012 Sunglasses Collection, Lanvin is now presenting its first eyewear optical collection in partnership with the De Rigo Group, under the creative guidance of the imaginative Alber Elbaz. Perfectly in line with the Lanvin style, the new exclusive glasses for men and women successfully interpret the tradition of this French Maison, which is given a modern twist with a mixture of both retro and contemporary details. The models reveal the brand's special attention to materials research and its extreme eye for detail. Jewel details along with screws, nails and small studs are the exclusive features that turn each Lanvin model into a unique and inimitable accessory. The colour palette is rich in natural beige and brown nuances, though also ocean blue hues, which embellish even the classic and timeless black and havana with innovative colour combinations.
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Quest for perfection
Vertu recently launched the Constellation Quest Ferrari, a mobile phone that combines the Vertu principles of pioneering design, modern technology and luxury services with specially curated Ferrari content and unique Ferrari experiences. These dedicated services will be exclusively available to the handset owners.The design of the handset takes inspiration from the Ferrari 458 Italia. The most striking feature of the product is the iconic CavallinoRampante, intrinsically crafted from polished stainless steel and embedded in the titanium battery cover. The Ferrari logo is embossed in the leather on the front of the handset. Furthermore, the new analogue clock is inspired by the distinctive rev-counter on the 458 Italia. A new set of ringtones was obtained from live recordings of a Ferrari 458 Italia on a test circuit and is available exclusively to this handset.
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An Icon Reborn The iconic Lange 1 was introduced at the beginning of the new Lange era in 1994, and has since become A. Lange &Söhne’s most revered timepiece. The patented outsize date and the off-centre dial configuration are characteristic features of the Lange 1, blending traditional expertise with pioneering style and setting benchmarks in the realm of precision watchmaking. The power-reserve indicator provides information on the state of wind of the twin mainspring barrels which,when fully wound, offers a power reserve of three days. Perfectly combining legendary quality and trail-blazing innovations, the Lange 1 is today a symbol and icon among aficionados of fine mechanical timepieces.
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Fascination driven Technology and character are matters of design. Colour and style are matters of taste. Bring them together and you get a match made in heaven. This is exactly the case with the latest skis from Volant. The current range features three options for finish and design. That would include the Silver R, The Copper, and the Loop models. The most technical of the lot is the Silver R. The front end has been given a tip, which helps during the landing and manoeuvring on uneven surfaces. The Copper edition is a special model which can guarantee the similar level of comfort and handling for all kinds of skiers. The Loop series on the other hand, has been uniquely targeted at the ladies, who might find it hard to wear the other two varieties.
////////////////////////////////// ///////////////////////////////////////////////////////////////// Director’s tool Alfred Hitchcock is considered by many to be one of the most influential filmmakers of all time and a true cultural icon. Honouring his outstanding contribution to the art of filmmaking, Montblanc has created the Alfred Hitchcock Limited Edition 80 pen in 750 white gold and limited to just 80 pieces. Featuring the dramatic swirling vertigo effect in black lacquer enhanced with red reminiscent of the blood-stained crime scenes of his films. In addition, the “Psycho” knife clip is enriched with diamonds. Further symbolising the craft that Hitchcock devoted his life to mastering and re-inventing. The cap rings of the Limited Edition 80 are encircled by a stylised roll of celluloid film – a director’s ultimate tool.
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The new classic Using the quintessence of luxurious materials cut in generous, functional shapes, the new ‘Bowling Lanvin JL’ bag reinvents the classic proportions of the weekend bag for daytime. Assembled by hand in the finest tradition of luxury leather manufacture, it comes in three supple and comfortable sizes that make it the indispensable accessory for a weekend getaway or a long-haul journey. Engraved with couture details, the brass JL initials that give the bag its name are also embroidered across its luxurious leather faces and make it the perfect accessory for an elegant day wardrobe, especially with its outstanding finishing touches.
Offer a dream Dreams are a priceless patrimony, dedicated to nourish our most joyful andromantic soul. For sure, a simple flower is enough to offer emotion, when it is full of meanings and given with love, but if you want to offer a dream, than you need a jewel. A jewel encloses in itself the delicacy of flowers, the preciousness of Nature and the complex magic of art and feelings.The Dragon collection from Roberto Coin Jewellery fits this description perfectly.
FéeCéleste Mira’s first ladies' collection tells a true love story. Once upon a time, a swan was floating on a mother-of-pearl and black aventurine lake, waiting for its companion. The incarnation of fidelity, the eternal bird invests this elegant and timeless piece with deep significance. And as it is dedicated to women, it sparkles with a setting of no fewer than 166 diamonds. Combined with pink gold and mother-of-pearl, these accentuate the beauty and purity of the FéeCéleste’s plumage, which seems to skim over the passing time, symbolised here by the off-centre hours at 12 o’clock and the retrograde minutes at 6 o’clock. A delicate combination of imagery and imagination on the path to dreams.
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For reservations call +968 2 3268245 mhrs.sllms.reservations@marriott.com L ift a finge r. G o to m arriotts alalahre s ort.c om
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