2021 Crystal Lomeli Bachelors of Architecture Student Portfolio

Page 1

C R Y S T A L O M E L I BACHELORS OF ARCHITECTURE JUNIOR DESIGNER


CRYSTAL PIOTROWSKI LOMELI BACHELOR OF ARCHITECTURE, CAL POLY POMONA

EDUCATION 2014-2021

CONTACT CHINO HILLS, CA +1.559.676.7383. CRYSTALDLOMELI@GMAIL.COM

BACHELORS OF ARCHITECTURE College of Environmental Design California Polytechnic University, Pomona Awarded 05/2021

2010-2014 HIGH SCHOOL DIPLOMA Minarets High School Awarded 06/2014

EMPLOYMENT HISTORY

REFERENCES

2018-2021

LAUREN WEISS BRICKER, Ph.D. Interim Dean, College of Environmental Design Director, Environmental Design Special Collections California Polytechnic University, Pomona lwbricker@cpp.edu Deans Office: 909.869.2666, Cell: 909.241.3021

Research Assistant College of Environmental Design Special Collections California Polytechnic University, Pomona Supervisor: Professor Lauren Weiss Bricker

2018-2019 Research Assistant USFS Grant Lakeview Tract Historic Building Inventory California Polytechnic University, Pomona Supervisor: Professor Lauren Weiss Bricker 2010-2019 2

Volunteer, Regional Board Member, Secretary, Head of Merchandise, Global Finals Appraiser Destination Imagination / California Creativity Supervisors: Steve Downs and Rosemary Bognar

ROBERT ALEXANDER Assistant Professor, Architecture Department College of Environmental Design California Polytechnic University, Pomona ralexander@cpp.edu Office: 909.979.5596 Cell: 310.767.6343


EDUCATION EDUCATION 2014 2014

AWARDS

High High School School Diploma Diploma Minarets Minarets High High School School

,

2019 KNOX MELLON AWARD Bachelor of Architecture 2021 Service to Preservation 2021 For Outstanding Bachelor ofHistoric Architecture Polytechnic University, Pomona 2017 & 2014 PRESIDENT’SCalifornia GOLD VOLUNTEER SERVICE AWARD California Polytechnic University, Pomona Degree Complete 06/2021 For Achievements in Community Service Degree Complete 06/2021

CRYSTAL LOMELI B.ARCH Rhinoceros

PROGRAM SKILLS PROGRAM SKILLS PROGRAM SKILLS

Rhinoceros 5 Rhinoceros Grasshopper Grasshopper Grasshopper AutoCAD AutoCAD AutoCAD EDUCATION Sketch-Up SketchUp Sketch-Up High School Diploma 2014 Revit Revit Revit Minarets High School Illustrator Illustrator Illustrator InDesign InDesign InDesign 2021 Bachelor of Architecture Photoshop Photoshop Photoshop California Polytechnic University, Pomona Microsoft Word eli/ Microsoft Suite Complete 06/2021 Microsoft WordOfficeDegree eli/

,

HAND SKILLS PROGRAM SKILLS ANALOG SKILLS HAND SKILLS

Model Making Rhinoceros Model Making Model Making Manual Drafting Grasshopper Manual Drafting Manual Drafting Sketching AutoCAD Sketching Sketching

Sketch-Up Revit SOFTGENERAL SKILLS SKILLS GENERAL SKILLS Report Writing Illustrator Report Writing Report Writing Creative Writing InDesignWriting Creative Creative Writing Verbal Presentation Photoshop Verbal Presentation Verbal Presentation Microsoft Word Deisgn Layout Design eli/ Layout Layout Design n n Technical Drawing Technical Technical Drawing Drawing Presentation Drawing Presentation HAND SKILLSDrawing Presentation Drawing Laser Cutting Laser ModelCutting Making Laser Cutting 3DDrafting Printing Manual Sketching

3

ABOUT ABOUT ME ME


TABLE OF CONTENTS

BACHELOR OF ARCHITECTURE, STUDENT WORK

4


ADDITIONAL DWELLING UNIT FALL 2020 ADU & COMMUNITY PLAN

6

TRANS-AMERICA CENTER

12

MT. WILSON RETREAT

16

REMOTE LIFEGUARD STAND

20

LA STATE PARK ARTS CENTER

22

CATHAY BANK LIVE WORK

26

VISTA 24 WEST HOLLYWOOD

32

FORM FINDING EXPERIMENTS

38

FALL 2019 ADAPTIVE REUSE AND MASTER-PLAN

FALL 2018 SCIENTIST RESEARCH RETREAT

SPRING 2020 REMOTE FLAT PACKING DESIGN

SPRING 2018 PREFORMING ARTS COMPLEX

SPRING 2021 LIVE WORK CORPORATE OFFICE

SPRING 2019 MIXED-USE APARTMENT BUILDING

SPRING 2020 VISUAL PROGRAMING & FORM FINDING


ADDITIONAL DWELLING UNIT FALL 2020 ADU & COMMUNITY PLAN

The initial idea for this community space came from having two single parents be resources for each other and each other’s children. A shared space where both could supervise the children independent of their private residences seemed ideal, this was later expanded into a community plan. The goal of this project were to connect the community and the site to the nearby park. By Breaking the traditional property lines and allowing residents and community members to work together through various methods on different lots. For this lot, the library/study/daycare space can have one community member keeping an eye on multiple families’ children. This allows their parents to work or participate in other community activities and everyone to benefit through community collaboration.

NORTH ELEVATION

BATHROOM FAMILY B GRANDPARENT SUITE

PRIMARY BEDROOM KIDS BEDROOM

BATHROOM

COMMUNITY PATHWAY FAMILY A LIVING ROOM

KIDS BEDROOM

Professor: Chaz Kern 6

COMMUNITY DAYCARE

FAMILY B LIVING ROOM

PRIMARY BEDROOM

BATHROOM

KIDS BEDROOM

RELATIONSHIP DIGRAM FAMILY A


STREET ELEVATION

SECTION A-A

7


ADDITIONAL DWELLING UNIT FALL 2020 ADU & COMMUNITY PLAN

The physical massing of the building was inspired by the existing single family residence. The mass was extruded backwards towards the back yard until it reached the minim allowable ADU setback of 5ft. A split was then created in the middle of this extended mass to ensure all the yard space could be used equitably by both tenants as well as maintaining visibility and access to the shared childcare space. The new ADU massing was extended towards the side yard to make room for the grandfather’s apartment and his private entrance.

WH PRODUCED BY AN AUTODESK STUDENT VERSION

Washer Dryer

WH

Washer Dryer

PRODUCED BY AN AUTODESK STUDENT VERSION

WH

WH

Washer Dryer

WH

8

EXISTING STRUCTURE(S) EXISTING STRUCTURE(S)

DEMO/ADDITION PLAN

DEMOLISHED STRUCTURE(S) DEMOLISHED STRUCTURE(S) ADDED STRUCTURE(S)

ADDED STRUCTURE(S)

N

PRODUCED BY AN AUTODESK STUDENT VERSION

Professor: Chaz Kern

WH

Washer Dryer


UDENT VERSION

WH

7

7

7

8

5

7

8

1

6 8

2

9

10

11

9

8

10

12

7 1

5

14 15

27

26

28

35

29

34 33 26 35

16

34

13

WH 17

33

12

32

11

27

10 9 8

29

14 15

32

13 16 17

30

12

8

28

11

2

30

10 9

3

31

4

31

14

FAMILY SHARED

5

4

7

COMMUNITY WALKWAY EASMENT DAYCARE SPACE

9

FAMILY B

15

13

4

COMMUNITY CHILDCARE

FAMILY A

Washer Washer Dryer Dryer

30

28

Washer Washer Dryer Dryer

3

29

WH WH

4

27

12

26

11

35

10

7

34

14 13 9

33

6

15

8

16

12

8

32

16

31

8

17

17

11

6

8

FUTURE COMMUNITY GARDEN + GREENHOUSE FUTURE SCULPTURE GARDEN + ART STUDIO + DANCE STUDIO

FAMILY B:GRANDPA N

FUTURE COMMUNITY KITCHEN + PLAYGROUND EQUIPMENT

GROUND FLOOR PLAN

N

PRODUCED BY AN AUTODESK STUDENT VERSION

COMMUNITY CHILDCARE FAMILY SHARED FAMILY A FAMILY B FAMILY B:GRANDPA

34

9

35

33

10

11

8

12

26

32

7

31

27 6

28

30

PRODUCED PRODUCED BY BY AN AN AUTODESK AUTODESK STUDENT STUDENT VERSION VERSION

1

5 4

3

2

7

6

7

6

5

8

8

5

SECTION B-B

29

sher yer

1. DAYCARE ROOM 2. PLAYGROUND 3. SHARED PATIO 4. LIVING ROOM 5. KITCHEN 6. PRIVATE COURTYARD 7. BEDROOM WH 8. BATHROOM 9. RESIDENTS ENTRY PATH

4

9

4

9

3

10

3

10

2

11

2

11

1

12

1

12

9


COMMUNITY PLAN

CONNECTING COMMUNITY THROUGH SHARED PATHWAY

FALL 2020 ADU & COMMUNITY PLAN

SHARED RESOURCE

CONNECTING COMMUNITY THROUGH SHARED PATHWAY SHARED RESOURCE

GRANDPARENT

While designing the ADU we were also challenged to work with classmates to create a community plan policy that our project’s tenants and their neighbors would benefit from. Considering part of the ADU addition was a child care space that could provide for a community need, we wanted to provide an opportunity connect in home businesses (like the childcare space) that could serve the neighborhood and connect disconnected neighbors.

GRANDPARENT

FAMILY B FAMILY B

SHARED RESOURCESINGLE REDEFINED REDEFINED SINGLE FAMILY LOT FAMILY LOT

FAMILY A

FAMILY A

These policies can be summarize by the following:

SHARED RESOURCE: SHARED RESOURCE: COMMUNITY COMMUNITY CHILDCARE

1.1 Equity Share This policy allows partial/shared ownership of a property. In the proposed ADU addition it would allow two single parents, who otherwise may not be able to afford home ownership, the opportunity to purchase and own their own home.

CHILDCARE

SHARED RESOURCE

SHARED RESOURCE

1.2 Community Equity Share This policy creates incentives for owners to move or remove fences between lots to create a pedestrian street that home based businesses could open up to. This policy also creates liability protections for homeowners who allow a pedestrian easement on their property.

SHARED RESOURCE

SHARED RESOURCE FAMILY A FAMILY B FAMILY B: GRANDPARENT UNIT

FAMILY A

SHARED COMMUNITY RESOURCES SINGLE FAMILY LOT

2.1 Mixed Use Zoning This policy would allow exceptions for business to operate on residential zoning that would otherwise restrict what businesses are allowed to operate. This exception would only apply if the business is deemed to provide a community service. For this ADU addition it would allow the childcare space to alternately serve as a library.

SHARED COMMUNI

SINGLE FAMILY LOT

PRODUCED BY AN AUTODESK STUDENT VERSION

10

FAMILY B

FAMILY B: GRANDP

PRODUCED BY AN AUTODESK STUDENT VERSION

Professor: Chaz Kern

SHARED RESOURCE

COMMUNITY PLAN RELATIONSHIP DIGRAM


PRODUCED BY AN AUTODESK STUDENT VERSION

JESSE OWENS PARK

PRODUCED BY AN AUTODESK STUDENT VERSION

PRODUCED BY AN AUTODESK STUDENT VERSION

COMMUNITY WALKWAY EASMENT DAYCARE SPACE FUTURE COMMUNITY GARDEN + GREENHOUSE FUTURE SCULPTURE GARDEN + ART STUDIO + DANCE STUDIO FUTURE COMMUNITY KITCHEN + PLAYGROUND EQUIPMENT

N

COMMUNITY WALKWAY EASMENT

PRODUCED BY AN AUTODESK STUDENT VERSION

DAYCARE SPACE FUTURE COMMUNITY GARDEN + GREENHOUSE FUTURE SCULPTURE GARDEN + ART STUDIO + DANCE STUDIO

COMMUNITY PLAN

FUTURE COMMUNITY KITCHEN + PLAYGROUND EQUIPMENT

N

COMMUNITY WALKWAY EASMENT

DAYCARE SPACE

11

FUTURE COMMUNITY GARDEN + GREENHOU

FUTURE SCULPTURE GARDEN + ART STUDIO

PRODUCED BY AN AUTODESK STUDENT VERSION


TRANS-AMERICA CENTER

FALL 2019 ADAPTIVE REUSE AND MASTER-PLAN

The development of William Pereira’s historic Trans America Center is rooted in the city incentives provided in the adaptive reuse ordinance. This ordinance incentivised the development of historic buildings in downtown LA. This design took careful consideration of the existing historic building and added to the historic building without interrupting its historic integrity. Meeting the Secretary of the Interiors Standards for Historic Preservation with these main points: I. Using and Maintaining existing characteristics, by only interrupting less than 10% of the historic façade. II. Clearly defines new from old, by using a completely different façade system as well as a completely different architectural form the historic structures. III. Does not visually overwhelm, by maintaining a lower height than the historic tower we allow the historic building to maintain its prominence on the block as it was designed.

Group Project Completed with Rick Lomeli Professor : Luis Hoyos 12


13


TRANS-AMERICA CENTER

FALL 2019 ADAPTIVE REUSE AND MASTER-PLAN

14


SITE PLAN

LEVEL 2

15


MT. WILSON RETREAT

FALL 2018 SCIENTIST RESEARCH RETREAT 8

9

7

6

10 11

5

12

4 3 2 1

10

11

12 1

5 2

FORCES DIAGRAM

3

SITE PLAN

4

16

8 7

6

I. Using and Maintaining existing characteristics, by only interrupting less than 10% of the historic façade. II. Clearly defines new from old, by using a completely different façade system as well as a completely different architectural form the historic structures. III. Does not visually overwhelm, by maintaining a lower height than the historic tower we allow the historic building to maintain its prominence on the block as it was designed. Group Project Completed with Rick Lomeli Professor : Luis Hoyos

9

The development of William Pereira’s historic Trans America Center is rooted in the city incentives provided in the adaptive reuse ordinance. This ordinance incentivised the development of historic buildings in downtown LA. This design took careful consideration of the existing historic building and added to the historic building without interrupting its historic integrity. Meeting the Secretary of the Interiors Standards for Historic Preservation with these main points:


ELEVATION 1/4" = 1'

BUILDING ELEVATION

SECTION 1/4" = 1'

BUILDING SECTION A

17


FIXED TIMBER LOUVERS

WATERPROOF MEMBRANE PLYWOOD INSULATION VAPOR BARRIER 16 GAUGE STEEL DECKING STEEL BEAM

STEEL CONNECTOR

WHITE PAINT

PLYWOOD

GLASS MULLION

GLASS PLYWOOD BATT INSULATION

STEEL CONNECTOR

PLYWOOD

WELD

LOUVER HANGER WOOD LOUVER GLASS MULLION DOUBLE PANE GLASS W/MILD UV TINT

HOT DIP GALVANIZED STEEL MECHANICAL FIXING CONNECTOR FIXING TO FRAME FIXED TIMBER SOLAR SHADING LOUVERS (WESTERN RED CEDAR) MECHANICALLY CONTROLLED GLAZED LOUVER VENTILATOR GLASS MULLION FULL HEIGHT GLAZING OF 34" TOUGHENED GLASS WITH CAVITY WALL WITH 21" LAMINATED SAFETY GLASS WITH

BATT INSULATION

PINNED CONNECTION

STEEL BEAM

GLASS MULLION FIBER CEMENT PLYWOOD ALUMINUM WALL STUD STUD TRACK

GLASS VENTILATOR LOUVER

STEEL JOIST

WOOD STUD

STEEL FIXING

18

ENLARGED DETAIL

DETAILED SECTION

DETAILED ELEVATION


BASEMENT 30 4

3

4

29 5

2

5 6

1

28 6

3

2 1

27

31

7

32 433

5

9

3 34

10

14

15

26

2 12 35 1

11

5

7

12 9

10

11

9

3

2 12

11

10

6

1

7

10

12

8

9

9

8

8

4

8

13

7

8

16

12 11

17

17

11 10

9 8

19 6

14

13

12

16

15

10

11

LEVEL 2 30 16

4

3

4

29

14

15

13

2

28 1

5

5 6

27

17

26

8

33

34 9

35

12

11

10

3

3

2

2

1

1

7

10

12

8

9

9

8

8

4

6

7

32 7

5

12 11

31 6

LEVEL 3 LEVEL 1 910

11 10

12

11


REMOTE LIFEGUARD STAND SPRING 2020 REMOTE FLAT PACKING DESIGN

This project began with the challenge of selecting a remote location, and a program that could exist in a remote location, and creating a project that could be flat packed and assembled on site within reasonable means. To meet this challenge a cliff site at the Faeroe Islands, a cluster of islands in the middle of the Atlantic Ocean that hosts a medium size fishing community and a small tourist industry. Although this lifeguard stand was imagined for this location it was intended to be reproducible for many different locations. For assembly the elements would be completely prefabricated into a kit of parts prior to being shipped by container ship to the Faeroe Islands. Once the parts arrived the frame could be assembled off site while climbers attached the anchor ties in the rock. Once assembled it could be moved by helicopter to its location and attached to the anchors by rock climbers. This would require limited resources at the site. The floor plan contains three levels. The lowest holds the actual lifeguard stand, a ladder, a pulley to bring up injured swimmers, and a slide for diving into the water quickly. This lower level also holds a small hospital bed for caring for injured swimmers in the even a storm would prevent intimidate rescue. The second level holds a small dining and living space with a composting toilet. The upper loft level holds just enough room for two bunks so that two people could share this space.

Professor : Marc Schulitz 20


Level 3

CONCEPT MASSING DEVELOPMENT

LEVEL 3

Level 3

Level 3

LEVEL 2

Level 2 Level 2

Level 2

ASSEMBLY DETAIL

LEVEL 1 West Elevation

Level 1

SECTION A Section 1

21


LA STATE PARK ARTS CENTER SPRING 2018 PREFORMING ARTS COMPLEX

et

ke

y wa d a

N

Ba

o Br

et

N

r Sp

g

in

re St

NM

22

tre rS

t tee S n ai


DN

DN

DN

DN

DN DN DN

DN

DN

DN

DN

DN

DN

DN

DN

DN

DN

DN

DN

DN

DN

DN

DN

DN

DN

DN

DN

DN

DN

DN

DN

DN

DN

DN

DN DN DN

LEVEL 3 LEVEL 2 LEVEL 1

DN

DN

DN

DN

DN DN

DN DN

DN DN

23 DN


LA STATE PARK ARTS CENTER SPRING 2018 PREFORMING ARTS COMPLEX et

e Str ing

Professor : Melissa Frost 24

Los Angeles River

Los Angeles River

The program and site informed how the Spaced Shapes Fine Arts pr et NS tre S Center wouldinreceive its visitors. The first consideration was for those g pr S who already N use the park, this line of thought concluded that the element the park lacked was shade. From there the user experience was largely influential. The circular pavilion has the circulation following the curve for every building. The classical promenade to the theater was considered for the large theater so that from the interior of the volume an all glass wall allows the viewer to be seen and see everything in the pavilion as the ascend the stairs. The smallest of the building clusters is given back to the public by creating this open air theater that can double as a concert stage that engages the pavilion with some temporary platforms. The final moment given to the public is a roof garden that can be accessed by the large theater. The decision to make these walls so high that the skyline could be seen was based on Park identity. Parks have a unique identity that allows the user to step away from the city but upon visiting the site the main focus seemed to be the skyline. It seemed like the way to force the user to find a separate identity in the park is to give them a space to contemplate it without its context.


25


CATHAY BANK LIVE WORK SPRING 2021 LIVE WORK CORPORATE OFFICE

This project seeks to reconnect Cathay Bank’s corporate functions with its historic roots by relocating the corporate offices to the site adjacent to the 1960’s Historic Cathay Bank building in downtown Chinatown. Designing a corporate office amid the pandemic gave an opportunity to question what our experiences in the pandemic mean for the future of the office building. Prior to the pandemic we had already observed a move away from the traditional office towards the creative office, but now we have moved away from the office entirely by working from home. To do this I looked at the typical single-family subdivision and its relationship to a typical office building. Where each building is assigned a “lot” within a subdivision. Instead of blocking the office into one large lot, I broke up the corporate office into smaller “lots” for each department. By doing this I can also retain one of the main benefits of working from home, removing the long commute while also increasing productivity by bringing co-workers back together in a central office. Providing employees housing as an employment benefit attempts to mitigate the gentrifying effect of new construction by not contributing to raising the residential costs in DTLA. This design is conscious of the potential future needs of residents by providing flexible spaces so the residential units can grow with an employee’s family needs. While ensuring there is an abundance of private and shared greenspace for healthy living in post-pandemic world.

Professor : Emma Price 26


PRODUCED BY AN AUTODESK STUDENT VERSION

RO

ST

TE R

IUM

PL

EZ

AV

CH

AY

D

AR

RN

BE

BE

RN

D ST

INE

V

RA

ST

NA

WA

HIL

L

GE

AD

LLE

ING

ST

NO

RT

HS

PR

NO

POT

RT

HB

ST

RO

CO

Y

YA

LE

DE

AD OB ES T

A

UE RO

FIG

P

A AS

E

AV

HS

T

PRODUCED BY AN AUTODESK STUDENT VERSION

ST

HIG

ALP EV ELA

NE W

ND

INE ST

ST

CL

AVE

BR

BARTLETT ST ALP

ST

A

ST

UN

INE

O ST

PL

DW D

AV

RT

H

MA

IN

ALAMED

A

TH

NE

OR

32'

ST

EZ

'-0"

CH

/16"

=1

E

NO

R

NO R

SA

WH

NO R

HILL

CE

IGH

TH

BR OA

D

ST

HIL

L

D

SP RIN G

OR

AY

ST

ST

ST

YA LE

ST

GR AN

AV

8'

Sca

16'

le 1

E

4'

SITE PLAN

0'

KE R H I L L

AR

ST

ST

FR

STAD

W EE

ST

WA

NEL

E

YL

DO

Y

CO

NORTH

CESAR E CHAVEZ

AVE

27


PRODUCED BY AN AUTODESK STUDENT VERSIONPRODUCED BY AN AUTODESK STUDENT VERSION

CATHAY BANK LIVE WORK SPRING 2021 LIVE WORK CORPORATE OFFICE

PRODUCED BY AN AUTODESK STUDENT VERSION PRODUCED BY AN AUTODESK STUDENT VERSION PRODUCED BY AN AUTODESK STUDENT VERSION

Roof 245' - 0"

Roof Roof 245' - 0"245' - 0"

Level 17Roof 245' - 0" 230' - 0"

Roof Level 17 Level 17 245' - 0" 230' - 0"230' - 0" Level 17 Level 16 Level 16 230' - 0" 215' - 0"215' - 0" Level 16 Level 15 Level 15 215' - 0" 200' - 0"200' - 0"

TUDENT VERSION PRODUCED BY AN AUTODESK STUDENT VERSION

Level 15215' - 0" 200' - 0"

Level 12 Level 11 Level 11 165' - 0" 150' - 0"150' - 0" Level 11 Level 10 Level 10 150' - 0" 135' - 0"135' - 0"

Level 15 Level 14200' - 0"

Level 10 9 Level Level 9 135' - 0" 120' - 0"120' - 0"

195' - 0"

Level 9 8 Level Level 8 120' - 0" 105' - 0"105' - 0" Level 8 7 Level Level 7 105' - 0" 90' - 0"90' - 0"

Level 14 Level 13195' - 0" Level 7 6 Level Level 690' - 0" 75' - 0"75' - 0"

180' - 0"

Level 6 75' - 0"

Level 13 180' - 0"

5 Level Level 5 53' - 0"53' - 0" Level 5 4 Level Level 453' - 0" 36' - 0"36' - 0"

Level 12 165' - 0"

Level 3 Level Level 3 4 24' -- 0" 0" 24' - 0"36'

Level 12 165' - 0"

Level 2 Level Level 2 3 12' - 0"12' 24' -- 0" 0" Level 1 Level Level 1 2 0' - -0"0" 0' - 0"12'

Level 11 150' - 0"

B1 B1 -12' - 1 0" Level -12' - 0" 0' - 0" B2 B1 -24' - 0" -12' - 0" B3 -36' - 0"

Level 11 150' - 0"

Level 10 135' - 0"

SECTION B-B

Level 10

PRODUCED BY AN AUTODESK STUDENT VERSION PRODUCED BY AN AUTODESK STUDENT VERSION

28

Level 16

Level 13 Level 12 Level 12 180' - 0" 165' - 0"165' - 0"

PRODUCED BY AN AUTODESK STUDENT VERSION

SECTION A-A

Level 14 Level 13 Level 13 195' - 0" 180' - 0"180' - 0"

PRODUCED PRODUCED BY AN BYAUTODESK AN AUTODESK STUDENT PRODUCED STUDENT VERSION VERSION BY AN AUTO

Level 17

Level 16230' - 0" 215' - 0"

Level 15 Level 14 Level 14 200' - 0" 195' - 0"195' - 0"


B PRODUCED BY AN AUTODESK STUDENT VERSION CONVENIENCE STORE STORAGE

CAFE STORAGE

CAFE

OFFICE LOBBY

B

A

B

B

A COURTYARD

PRODUCED BY AN AUTODESK STUDENT VERSION

RESIDENTIAL LOBBY

A

A

A

A

A

HISTORIC CATHAY BANK

B

4'

8'

16'

Scale 1/16" = 1'-0"

B

32'

A

8'

16'

32'

GROUND LEVEL

H

4'

Scale 1/16" = 1'-0"

H

RT

NO

RT

0'

B 9 Level

NO

H

RT

NO

Level 8

Scale 1/16" = 1'-0"

0'

0'

4'

8'

16'

32'

CONVENIENCE STORE

0'

4'

8'

16'

32'

29


B B

ESK STUDENT VERSION

A

A

PRODUCED BY AN AUTODESK STUDENT VERSION

B

A

A

A

32' 16' 8' 4' 0' H

RT

B

Scale 1/16" = 1'-0"

H

RT

NO

NO

TYPICAL RESIDENTIAL LEVEL TYPE A

Scale 1/16" = 1'-0"

PRODUCED BY AN AUTODESK STUDENT VERSION

B

LOFT UNIT TYPE A

LOFT UNIT TYPE B

The question became, how can we take things we have come to enjoy while working from home(like no commute taking breaks and eating lunch at home) and combing them with the benefits of the physical office (like increased productivity and worker collaboration).

subdivision. This model was then applied it to a vertical tower by creating a three dimensional grid and assigning threedimensional lots to each residence. Instead of blocking the offices into one larger lot the corporate office was broken into smaller lots for each department. By doing this it retains one of he main enefits

PRODUCED BY AN AUTODESK STUDENT VERSION

A

TYPICAL LOFT UNIT TYPE A INTERIOR

B Level 9

30

PRODUCED BY AN AUTODESK STUDENT VERSION

0'

4'

8'

16'

32'

PRODUCED BY AN AUTODESK STUDENT VERSION

A

PRODUCEDPRODUCED BY AN AUTODESK BY AN AUTODESK STUDENT VERSION STUDENT VERSION

PRODUCED BY AN AUTODESK STUDENT VERSION

B

This was done by looking at the singlefamily subdivision and its relationship to a typical office building. Where each building is assigned a “lot” within a


Level 6

B

16'

32'

A

A

A

B

A

A

A

B

B Scale 1/16" = 1'-0"

PRODUCED BY AN AUTODESK STUDENT VERSION

0'

16' 4'

8'

16'

32'

8'

16'

32'

0'

Scale 1/16" = 1'-0" H

RT

NO

32'

A

Level 9

B

B Level 9

In order to accommodate the residents changing needs each of the unit types would have a “base” design that provides one or two Bedrooms while allowing the opportunity to expand in case of household growth.The loft unit type base has double height space on both the outdoor space and the living room. Each

B

. As each resident would ideally be living here as an employee for an extended time, their space needs over time will inevitably change. Whether it is due to having children or having a parent live with them,

A

PRODUCED BY AN AUTODESK STUDENT VERSION

A more additional bedrooms may become important than added outdoor space.

PRODUCED BY AN AUTODESK STUDENT VERSION

A from home; keeping all the of working amenities of home within a few steps.

B

16'

A

8'

PRODUCED BY AN AUTODESK STUDENT VERSION

4'

PRODUCED BY AN AUTODESK STUDENT VERSION

0'

BAR UNIT TYPE B

A

4'

TYPICAL OFFICE LEVEL

BAR UNIT TYPE A

A

0'

B

Level 9

B

32'

H

8'

RT

H

4'

Scale 1/16" = 1'-0"

H

RT

NO

NO

RT

H

0'

TYPICAL RESIDENTIAL LEVEL TYPE B B

Level 9 B

NO

RT

NO

Level 8 9 BLevel

PRODUCED BY AN AUTODESK STUDENT VERSION

0'

Scale 1/16" Scale = 1'-0" 1/16" = 1'-0"

H

RT

NO

A

4'

4'

8'

16'

Scale 1/16" = 1'-0"

32'

A

B

A

PRODUCED BY AN AUTODESK STUDENT VERSION

A

A

A

A

32'

8' 0'

4'

B

PRODUCED BY AN AUTODESK STUDENT VERSION

Level 7

16'

8'

16'

4'

8'

H RT

0'

31

PRODUCED BY AN AUTODESK STUDENT VERSION


VISTA 24 WEST HOLLYWOOD SPRING 2019 MIXED-USE APARTMENT BUILDING

60'-5 1/2"

14'-9"

15'-0"

14'-5 1/2"

35'-7"

1

5'-9 1/2"

1'-3"

A2.2

Cry 61 Ch (55 Cry

Ma (90 mb

1

32'-6 1/2"

A2.3

Mic (90 mic

--

DN

30'-4 1/2"

--

UP

63'-0"

TO PARKING BELOW

125'-0"

DN

No.

W

115'-4"

1 A2.4

SITE PLAN 1

Project Date

Drawn b

Checke

Site Plan

0'

4'

8'

16'

32' Scale

Professor : Marta Perlas 32

AREA MAP Vicinity Map

NORTH


L

CRY

7450 SANTA MONICA BLVD WEST HOLLYWOOD VISTA 24

33


BLOCKING FASCIA CAP FASCIA BOARD WATERPROOF MEMBRANE RIDGED INSULATION

FASCIA CAP END BLOCKING GLASS CONNECTION

GLASS RAIL HANDRAIL

SLIDING GLAZING MULLION GLAZING

WHITE PAINT FINISH GYPSUM BOARD WATERPROOF MEMBRANE PLYWOOD SHEETING WOOD CEILING PANELING FINISH WOOD PANELING TRACT SYSTEM WALL

34


1

BUILDING PERIMITER CONCRETE SIDEWALK CONCRETE WALKWAY BALCONY DRAIN GRANULAR FILL SOIL

SLIDING GLAZING MULLION WOOD FLOORING PLYWOOD CONCRETE FLOOR

Wall Section

WEST HOLLY VISTA 2 WALL SECT DETAIL

Project number

Date

Drawn by Checked by

Scale

A2.2

WALL SECTION DETAIL

No. Description

35

Se

2

North Elevation


14'-5 1/2"

ARC

14'-11 1/2"

C

B

30'-0"

8'-1"

14'-4"

1'-4"

4'-3 1/2"

8'-3"

Michael Fox (909)869-6904 michaelfox@cp

--

4

9'-0 1/2"

4'-4"

10'-0"

9'-0"

11'-4"

30'-3"

9'-0"

18'-0"

UP

45'-0"@ 20% Grade

3

DN

3

17 15' - 0"

24'-0"

25'-9"

TO PARKING BELOW

22

30'-3"

21

19

15' - 3 1/4"

54'-0 1/2"

18

33'-8 1/2"

9

10

26

3'-8"

2'-4"

No.

Description

1'-6 1/2"

Date

9'-0"

9'-0"

9'-0"

1'-5 1/2"

No.

2 27

24

28

25

29

SB

23

2

0'-8"

15'-10" 5'-5"

10'-0 1/2"

5'-2 1/2"

27'-6 1/2"

1

3'-10 1/2"

6'-0"

VISTA 24 3-5 FLOOR PLAN BASEMENT PARKING FLOORPLAN

20'-1 1/2"

53'-8"

Drawn by

Checked by

8'

16'

32'

Scale

L

2

30'-0"

30'-3 3/4"

14'-4 3/16"

15'-3 9/16"

V GRO Project number

1

Date

GROUND LEVEL RETAIL A1.3 A1.0

Date

1

A2.4

4'

WEST

30'-0"

5 05.10.2019 04.11.2019 Author Crystal Lomeli Ground Level Checker 1

Project number

A2.4

Levels 3-5 1 Basement

0'

1

WEST HOLLYWOOD

18'-11"

BASEMENT PARKING 29'-11 23/32"

32'-0"

SB SB SB

1

16'-4"

115'-6 1/2" 3'-7 1/2" 4'-9 1/2"

SB SB

3'-6"

32'-2"

SB

18'-0"

8.8

See Graphic Graphic Scale Scale See

A2.4

Drawn by Checked by

5/10/201912:17:41 1:30:00 PM 5/6/2019

10

13'-4 1/2"

28'-7"

32'-0"

SB

SB

24'-1"

SB

20

11

18'-0"

24'-6 1/2"

--

--

--

11' - 5 9/16"

35'-2"

COMMERCIAL SPACE 1350 SQFT

UP

Marta Perlas (909)869-4130 mbperlas@cpp.

2'-10 1/2"

4'-5 1/2"0'-7" 4'-2 1/2"

UP

8

COMMERCIAL SPACE 3150 SQFT 3'-1 1/2"

9'-10 1/2"

30'-3"

26'-0 1/2"

16

7

A2.3

DN

15

27'-1 1/2"

Crystal Piotrows 6156 Woodbridg Chino Hills CA 9 (559)676-7383 CrystaldLomeli@

13'-6"

5'-9 1/2"

30'-11" 4

5

Michael Fox (909)869-6904 michaelfox@cpp.edu

5'-9"

6

1

mbperlas@cpp.edu

0'-6 1/2"

14

5'-3 1/2"

0'-4" 1

Marta Perlas (909)869-4130

DN

UP

44'-10"@ 20% Grade

9'-0" 0'-10 1/2"

26'-8 1/2"

5

22'-0"

12'-2 1/2"

7'-10 1/2"

9'-1 1/4"

13

10'-0"@ 10% Grade

12

4

26'-5"

3

30'-0"

8'-1"

L

A

30'-0"

A2.2

Crystal Piotrowski Lomeli 6156 Woodbridge St Chino Hills CA 91709 (559)676-7383 CrystaldLomeli@gmail.com

11'-7 1/2"

18'-0"

10'-7"

9'-0"

9'-0"

0'-10 1/2"

9'-5"

DN

20'-10"

5'-4 1/2" 5'-0" 6'-0" 4'-7"

UP

UP

D 30'-0"

35'-4"

31'-11 1/2"

A2.3

1 A2.2

TO ALLEY ABOVE

2

1

30'-3"

9'-0"

9'-0" 3'-0"

7'-10 1/2"

A2.3

12" Concrete

L

E

2

3'-10"

5 18'-0"

9'-0"

32'-9"

1

5'-9 1/2"

1

30'-0"

30'-11"

30'-3"

29'-11 1/2"

30'-0"

30'-11"

30'-0"

A

11'-6"

30'-0"

B

9'-0"

14'-11 1/2"

C

18'-9"

D

10'-0" @ 10% Grade

E

0'

4'

8'

16'

A

32' Scale

L

ARC

20'-1 1/32"

29'-11 1/2"

1

30'-0"

30'-3"

1

14'-5 1/2"

A2.2

35'-4"

A2.2

5'-9 1/2"

5'-9 1/2"

Michael Fox (909)869-6904 michaelfox@cpp.edu

UP

12'-2 1/2"

1 A2.3

1 A2.3

UP

9'-1 1/4"

Michael Fox (909)869-69 michaelfox@

DN

31'-11 1/2"

31'-9 1/8"

DN --

Crystal Piotr 6156 Woodb Chino Hills C (559)676-73 CrystaldLom

Marta Perlas (909)869-41 mbperlas@c

--

9'-1 1/4"

12'-2 1/2"

Marta Perlas (909)869-4130 mbperlas@cpp.edu

--

9'-10 1/2"

5'-9 1/4"

5'-9 9/32"

Crystal Piotrowski Lomeli 6156 Woodbridge St Chino Hills CA 91709 (559)676-7383 CrystaldLomeli@gmail.com

--

27'-1 1/2" 5'-9"

DN

10'-7"

20'-10"

20'-9 25/32"

DN

UP

20'-1 11/32"

UP

54'-0 1/2"

SWIMMING POOL Description

Date 35'-2"

98'-10"

No.

13'-4 1/2"

17'-1 3/4"

14'-9 1/2"

No.

32'-2"

WALK IN BEACH ENTRY TO POOL

15'-10"

15'-6 1/4"

WEST HOLLYWOOD VISTA 24 SECOND FLOOR PLAN Checked by

LEVEL 2 - POOL DECK 1

36

Drawn by

83'-7 5/8"

Level 2 0'

4'

8'

16'

32'

A1.2

3-5

5 05.10.2019 Crystal Lomeli Checker

3'-7 1/2" 4'-9 1/2" 5/10/2019 1:30:00 PM

Project number Date

27'-6 1/2"

1

5'-5"

10'-0 1/2"

5'-2 1/2"

27'-6 1/2"

3'-10 1/2"

6'-0"

1

See Graphic Scale

53'-8"

20'-1 1/2"

Project number Date

1

Drawn by

A2.4

Checked by

Levels 3-5

TYPICAL RESIDENTIAL LEVEL Scale

WEST

0'

4'

8'

16'

32' Scale


1'-11"

1'-10 1/2"

9'-0"

2'-2"

3'-0"

7'-1" 3'-0"

2

3'-0"

3'-1"

3'-0"

3'-1"

1'-10 1/2"

7'-1"

1'-11"

15'-0 1/2"

1'-10"

1

Kitchen E

1

Kitchen S

3'-0"

2

A2.2

9'-0"

A

DRAWING NAME

3'-0"

4'-1"

1

3'-0"

1

Kitchen E

7'-1"

3'-1"

2'-2"

7'-1"

1'-11"1'-11"

4'-1"

2'-2 1/2" 1'-10 1'-11" 1/2"

7'-1"

2'-2 1/2" 3'-0" 1'-11"

7'-1"

3'-1"

SYMBOL LEGEND

Kitchen S

Kitchen W

1'-10 1/2"

NORTH 8'-11 1/2"

3'-10"

Ref

8'-11 1/2"

6'-10"

7'-0"

8'-11 1/2"

Bathroom E

3'-10"

6 SHEET NUMBER

3'-10"

7'-0" 6'-0"

1

INTERIOR ELEVATION DESIGNATION 7'-0"

7'-0"

A101 1

Bathrooom N

5

8'-11 1/2"

3'-10"

1 6'-10 1/2"

Ref

6'-0"

7'-0"

6'-10 1/2"

1

Kitchen N

6'-10"

4

Ref

7'-0"

Kitchen W

3

7'-1"

STRUCTURAL GRIDS

Kitchen N 3'-0"

4

3'-0"

3

7'-1"

8'-11 1/2"

BUILDING SECTION 7'-1"

7'-1"

7'-1"

8'-11 1/2"

3'-0"

3'-0"

7'-1"

3'-0"

1/2" SHEET NUMBER

7'-1"

3'-0"

3'-0"

7'-1"

1'-10"

15'-0

3'-0"

Ref Bathrooom N

6

Bathroom E

2'-4"

Bathrooom Toilet W 1

1'-9"

3'-0"

3'-0"

1'-7" 2'-6"

7'-9"

1'

2'

3'-1"

3'-0"

7'-1"

7'-1"

8'-11 1/2" 7'-1"

3'-0"

3

2

Kitchen W

4

4

3 A2.0 1 A2.0

1

3'-0"

7'-1"

3'-0"

2'-0"

2

Sheet List Sheet Number

Kitchen N

4'-10 1/2"

3'-10" 5

2'-8 1/2"

Bathrooom N

2'

4'

8'

7

A1.5

7'-0"

6'-9"

7'-0"

9 A2.0 7 A2.0 8

8

TYP UNIT REFLECTED CEILING PLAN Bathrooom Toilet E

8

See Graphic Scale Reflected Ceiling Plan 1 Reflected Ceiling Plan

Scale

1

7

COVER PAGE A0.0 PROJECT A0.1 INFORMATION GENERAL NOTES A0.2 LIGHT LEGEND LIGHT LEGEND SITE PLAN A0.3 EXTERNAL LIGHT BASEMENT PARKING A1.0 EXTERNAL LIGHT RECESSED DOWNLIGHTER FLOORPLAN RECESSED DOWNLIGHTER LIGHT A1.1 GROUND FLOORWALLWALL LIGHT FLUORESCENT STRIP LIGHT - PENDANT HOLDER SECOND FLOORFLUORESCENT PLAN A1.2 STRIP LIGHT - PENDANT HOLDER 3-5 FLOOR PLAN A1.3 ROOF PLAN A1.4 HVAC LEGEND HVAC LEGEND STANDARD UNIT PLAN A1.5 REFLECTED CEILING A1.6 AIR RETURN CEILING MOUNTED CEILING MOUNTED AIR RETURN STANDARD UNIT UNIT INTERIOR A2.0 CEILING MOUNTED AIR DIFFUSER CEILING MOUNTED AIR DIFFUSER ELEVATIONS BUILDING ELEVATION A2.1 WALL MOUNTED AIR DIFFUSER WALL MOUNTED AIR DIFFUSER WALL SECTION DETAIL A2.2 WALL MOUNTED AIR RETURN WALL MOUNTED AIR RETURN BUILDING SECTION A2.3 BUILDING SECTION A2.4

2'-4"

5 05.07.2019 Crystal Lomeli Checker

5/10/2019 1:30:00 PM

1'

6'-9"

5'-0"

Drawn by Checked by

0'

9

2'-0"

Date

2'-4"

Project number

3'-9"

2'-0"

11'-3"

VISTA 24 STANDARD UNIT PLAN

7'-0"

1'-6"

1

TYP UNIT PLAN

6

WEST HOLLYWOOD NORTH

5'-10" 15'-0"

5 A2.0 6

Bathroom E

7

A2.0 8

VicinityStandard MapUnit Plan

6

5'-9"

5'-8 1/2"

A2.0

5

8'-11 1/2"

6'-10"

7'-0"

7'-0" 3'-10"

6'-0"

4'-2"

6

8'-11 1/2"

Date

6'-10 1/2"

Description

7'-0"

9'-1 1/2"

5

9

8'

1'-10 1/2"

1'-10"

17'-9 1/2"

3'-0"

No.

2'-6 1/2"

4'

LINEWORK 15'-0 1/2"

Sheet Name

9'-9"

8'

3'-0"

Kitchen S

--

3

A2.0

4'

--

1

2'-4 1/2"

0'

A2.2

2 WALL SECTION

2

1'-9 1/2"

2'

7'-1"

1'-11"

1 A2.2

4

2'-5 1/2"

1'

DIMENSION LINE

3'-7 29/32"

9 7'-1"

Kitchen E

4

6'-1"

7'-0"

6'-9" 1'-11"

0'

PROPERTY LINE

2'-2"

A2.2

Michael Fox (909)869-6904 michaelfox@cpp.edu

A2.0

BREAK LINE

Bathrooom Toilet W

Marta Perlas (909)869-4130 mbperlas@cpp.edu

2'-0"

3

7'-0"

6'-9" 2'-4"

7'-0" 7'-0"

NORTH ARROW

3'-1"

Bathrooom Toilet S

Crystal Piotrowski Lomeli 6156 Woodbridge St Chino Hills CA 91709 (559)676-7383 CrystaldLomeli@gmail.com

1

12'-4"

6'-9"

5'-0"

1 8

9

3'-0"

5'-0 1/4"

1'-7"

Bathrooom Toilet E

3'-0"

8'-4 1/2"

ARC

Bathrooom Toilet S

1'-11"

7'-1"

7

8

4'-1"

2'-2 1/2"

1 A2.2

2 2'-4"

Bathrooom Toilet E

2'-0"

L

7'-0"

7

1'-10 1/2"

14'-11 3/4"

2'-0"

14'-3 1/2"

2'-0"

2'-0"

2'-4"

5'-0"

7'-0"

TYPICAL UNIT

6'-9"

INTERIOR ELEVATION

9'-0"

5

Bathrooom Toilet S

9

Bathrooom Toilet W

0'

1'

2' 0'

4' 0'

1'

1'

2'

8' 2'

4'

4'

37 8'

8'


FORM FINDING EXPERIMENTS SPRING 2020 VISUAL PROGRAMING & FORM FINDING

In this class we explored many visual programing strategies. Here you can see some of the experiments with form finding and how to imitate the material properties of paper with grasshopper programing.

B6.2GRASSHOPPER KANGAROO B6.2 KANGAROO KANGAROO

Professor : Marc Schulitz 38

KANGAROO 2 KANGAROO KANGAROO 2

KANGAROO 2

PROGRAMING

Crystal Piotrowski Crystal Piotrowski


KANGAROO 2

KANGAROO 2

B5

KANGAROO 2

REPLICATING A PAPER FOLD KANGAROO 2 B5

B5

B5 Crystal Piotrowski

Crystal Piotrowski

Crystal Piotrowski

Crystal Piotrowski

B5.2

ELASTIC EXPERIMENTS IN KANGAROO

39


CRYSTAL LOMELI CHINO HILLS, CA +1.559.676.7383. CRYSTALDLOMELI@GMAIL.COM


Turn static files into dynamic content formats.

Create a flipbook
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.