"ACDA Western Regional Conference Preview" program

March 3, 2024

University Singers & Guests

Robert Istad, conductor

American Choral Directors Association Western Regional Conference Preview Concert

CALIFORNIA STATE UNIVERSITY, FULLERTON CSUF SCHOOL OF MUSIC

SYLVIA A. ALVA

President, California State University, Fullerton

AMIR H. DABIRIAN

Provost and VP for Academic Affairs (Interim)

ARNOLD HOLLAND, EDD Dean, College of the Arts

DR. RANDALL GOLDBERG Director, School of Music

KIMO FURUMOTO

Assistant Director, School of Music

BONGSHIN KO

Assistant Director, School of Music

SCHOOL OF MUSIC FULL-TIME FACULTY AND STAFF

Faculty

Conducting

Kimo Furumoto – instrumental

Dr. Robert Istad – choral

Dr. Dustin Barr – instrumental

Jazz and Commercial Music

Bill Cunliffe* – jazz piano; arranging; Fullerton Jazz Orchestra, Fullerton Big Band and combo director

Rodolfo Zuñiga – jazz studies, jazz percussion, and music techology; Fullerton Chamber Jazz Ensemble director

Piano, Organ, Piano Pedagogy

Ning An – piano

Bill Cunliffe – jazz piano

Alison Edwards* – piano, piano pedagogy, class piano

Myong-Joo Lee – piano

Dr. Robert Watson – piano

Music Education, Teacher Training, and Teaching Credential

Dr. Christopher Peterson – choral

Dr. Gregory X. Whitmore* – instrumental

Music in General Education

Dr. John Koegel*

Dr. Katherine Reed

Music History and LIterature

Dr. Vivianne Asturizaga – musicology

Dr. John Koegel* – musicology

Dr. Katherine Powers – musicology

Dr. Katherine Reed – musicology

Strings

Kimo Furumoto – Director of Orchestra Studies and University Symphony Orchestra conductor

Bongshin Ko – cello

Dr. Ernest Salem* – violin

Theory and Composition

Dr. Pamela Madsen – composition, theory

Dr. Ken Walicki* – composition, theory

Vocal, Choral, and Opera

Dr. Robert Istad – Director of Choral Studies and University Singers conductor

Dr. Kerry Jennings* – Director of Opera

Dr. Christopher Peterson – CSUF Concert Choir and Singing Titans conductor

Dr. Joni Y. Prado voice, academic voice courses

Woodwinds, Brass, and Percussion

Dr. Dustin Barr – Director of Wind Band Studies, University Wind Symphony, University Band

Jean Ferrandis – flute

Sycil Mathai* – trumpet

Dr. Gregory X. Whitmore

University Symphonic Winds conductor

Staff

Michael August – Production Manager

Eric Dries – Music Librarian

William Lemley – Audio Technician

Jeff Lewis – Audio Engineer

Chris Searight – Music Instrumental Services

Paul Shirts – Administrative Assistant

Elizabeth Williams – Business Manager

* denotes Area Coordinator

Welcome to the Spring 2024 Performing Arts Season at Cal State Fullerton’s College of the Arts. Whether you are a first-time or long-time patron, a friend, or parent to one of our exceptional students, thank you for joining us. Your support makes all the difference to their success.

I am pleased to present another semester of programming powered by the incredible gifts of our Art, Dance, Music, and Theatre students. This spring, the School of Music starts the season with a trio of concerts February 16–18 by artists-in-residence Talich Quartet; faculty artist Damon Zick and his Quarteto Nuevo featuring fellow faculty artist Bill Cunliffe; and University Symphony Orchestra. In May, University Symphony Orchestra and Symphonic Chorus will close the concert season with a performance of Mozart’s emotionally charged “Requiem.” Begovich Gallery presents the Begovich Visual Arts Lecture Series with visiting artists’ talks throughout the semester, including multidisciplinary artist Hings Lim on February 22, whose work will also be exhibited at Grand Central Art Center. The Department of Theatre and Dance begins their season in March with “Marisol,” a darkly comedic fantasy where the title character must find hope in a post-apocalyptic Brooklyn where angels are taking up arms and coffee is extinct. Hilarious, multiple Tony award-winning modern musical send-up “Urinetown” closes the theatre season just as CSUF’s dancers and choreographers take to the stage for “Spring Dance Theatre.”

When our students demonstrate their talents on stage and in the studio, their creative energy is undeniable, but the sacrifice and struggle it took to get there is often less perceptible. We can’t see the hours spent creating, the days of rehearsals, and the years of practice. For many students, the sparks of innovation and artistry that drove them to pursue the arts are often diminished by the high cost of an education. The Dean’s Fund for Excellence provides support for students in need through scholarships, artist residencies, and other financial assistance, ensuring them the opportunity to thrive in the arts. If you believe in their sparks of brilliance, please consider a donation of any amount to the Dean’s Fund for Excellence.

Thank you again for joining us this season and for championing the arts in higher education. I hope to see you at one of the college’s many performances and events this spring.

Sincerely,

Arnold Holland, EdD Dean, College of the Arts

SCAN THIS QR DONATE TODAY TO THE DEAN’S FUND FOR EXCELLENCE

Program

Tesoro High School Vocal Ensemble

DIRECTOR | Keith Hancock

ASSISTANT DIRECTOR | Mikayla Feldman

I. South America

Samba-lelê Brazilian Folk Song arr. Daniel R. Afonso, Jr. (b. 1968)

II. Europe

Come esser puote Amore (U.S. Premiere) ............. Maddalena Casulana de Merzari (1544-1590) ed. Laurie Stras

III. North America

The Sun Never Says Dan Forrest (b. 1978)

IV. Africa

Tshela Moya / Ke nna yo Morena Traditional Sesotho arr. Michael Barrett (b. 1983)

V. Australia

Stabat Mater (World Premiere) ....................................................... Daniel Brinsmead (b. 1988)

VI. Asia

Kruhay ...................................................................................... Benny Fruto Castillon

Mater Dei High School Chamber Singers

DIRECTOR | Dr. Jodi Reed

Through Love to Light (2019)

Regina Caeli Laetare a 8

PIANO | Jacob Reed

Elaine Hagenberg

Tomás Luis de Victoria (c. 1548-1611)

Modimo (2015) ................................................................................

Soweto Gospel Choir

SOLOIST | Aliana White

PERCUSSION | Maxwell Beckman

Only Light (2023) .............................................................................................

Soon I Will Be Done (2015) .......................................................................

SOLOIST | Grace Evans

Hope is the Things with Feathers (2018) ..................................................

SOLOIST | Bella Reed

Darita Seth

Stacey V. Gibbs

Christopher Tin

ASL INTERPRETERS | Samantha Wurts, Rachel Sim, Reagan Sim

Program

Lean on Me ....................................................................

Words and Music by Bill Withers arr. Adam Anders & Tim Davis, adapted Roger Emerson

SOLOISTS | Marvelle Figueroa, Timmy McKeever, and Aliana White

PIANO | Jacob Reed

University Singers

CONDUCTOR | Dr. Robert Istad

GRADUATE ASSISTANT CONDUCTOR | Zachary Lindquist

ACCOMPANIST | David Bergstedt

I am the World ..............................................................................................

Lauren Biggs

Text by Dora Sigerson Shorter (1866-1918) (b. 2002)

Winner of the WACDA Emerging Composer Competition

Amber Napoli, soloist

Calling .............................................................................................................

Paul Fowler (b. 1978)

SOLOISTS | Joy Dorko and Elizabeth Provencio

Verum Corpus Saunder Choi

Text by Amir Rabiyah (b. 1988)

I. How Did You Know Me So Quickly?

II. You Are No Son of Mine

III. Ave Verum Corpus (I Became a Swan)

IV. In the Trial of Death

VI. Whole

DANCERS

Professor Lisa D. Longer, choreographer

Erik Jaimes, principal

Madison Dabalos, understudy/associate choreographer

Yasmina Devos, Randy Gardner, Emmalee Idler, Emily Kelley

CSUF

UNIVERSITY STRING QUARTET

Professor Kimo Furumoto, director

Jieming Tang, violin • Margaret Wu, violin

Taichiroh Kanauchi, viola • Evan Heidebrink, cello

Love ....................................................................................................

Michael Engelhardt (b. 1974)

DESCANT | Angel Hudak Hawkins and Erika Jackson

SMALL ENSEMBLE | Kenson Gomez, Jenna Hansen, Bekka Knauer, Zachary Lindquist, Ahlitney Lucas-Krebs, Rose Taylor

Program Notes

CALLING | Paul Fowler

American composer Paul Fowler describes his composition Calling as “wordless, exploring how we call to each other across distances and up close: and how the inherent overtones of our vowels and voices may also be calling us to awakenment.” Overtone singing is an acoustical phenomenon in which the human voice manipulates the vocal tract to sound two or more pitches at one time. As the performers carefully morph from vowel to vowel, high-pitches overtones shimmer in the harmonic lattice of the concert hall. Many humans find the singing and perceiving of overtone as a highly spiritual experience. Fowler specifies the overtone pitches in his score with very detailed instructions for the vowel shape that will produce the precise pitch. Calling begins as two soloists sing out to one another from across the chorus. Their voices inspire others to join in, layering motive on motive and overtone upon overtone. The acoustic tension grows to a homophonic climax. Fowler’s Calling transcends its sound pardigm to reflect an extraordinary sense of human unity found in exploring ourselves.

VERUM CORPUS | Saunder Choi

When we first met. We used no words. Only the language of eyes.

How did you know me so quickly?

I thought you too beautiful for me, But you cooed I see you, I want, I need you are my world and that was everything...

You caressed the scars on my chest, the ones my father left Soon, I told you: how he raised his sword and plunged it into mehow he screamed “You’re no son of mine,”

Hail, true body

Whose pierced side

Flowed with water and blood

I became a swan, flew into the heavens. Dropped down and found you.

May it be for us a taste of things to come

Once I was yours, I became what you willed.

You wanted a horse, I became your steed. I shrank. I thanked. I’d plead. And thanked.

Who knew the toil this war would take?

The violence began again. An eruption. Broken plates. Bruises. Int he trial of death, you left me.

Strangers, coming home found me

Strangers sang my spirit back to me—they fed my light

Hail true body, which having truly suffered

Hail the body which returns to its truest state

In dying, I returned. In dying, I created myself whole.

Verum Corpus is a multimovement work for chorus and string quartet by Saunder Choi, a Los Angeles-based Filipino composer. From the Composer: “Verum Corpus is a multi-movement work for choir and string quartet, and sets the text of Amir Rabiyah on the story of transofrmation, completion, and attainment of the true body. The text

Program Notes

is inspired by the story of Caeneus, a mythological hero from Ovid’s Metamorphosis. Caeneus was born as Caenis, a woman, who was abducted and raped by Poseidon. Caenis was so distraught, she demanded to be transofrmed into a man so that she may never be wronged again. Poseidon granted this wish, and gave Caeneus impenetrable skin. He went on to become one of the fiercest warriors in this mytholoy. In a battle with centaurs, Caeneus was struck down and crushed by tree trunks. He then transformed into a golden-winged bird and flew away.

Many of the characters experience trauma in Ovid’s Metamorphosis. Amir wanted this to be a poem that addressed that, drawing parallels to the experience of queer and transgender survivors of abuse and marginalization. More importantly, Amir wanted this to also be about how our chosen families love us, and how love can lead us to loving ourselves, and finding freedom.

While collaborating with Amir on this piece, I had asked them if they could incorporate the text of Ave Verum Corpus into the story. Given the conflict beweten the Christian religion and the LGBTQ+ perspective, I felt that weaving this traditional Eucharistic text into the story would be a poignant reclamation of the trans narrative and a recontextualization of the words “Hail, true body, whose pierced side flowed with water and blood” — offering a different commentary on these seemingly parallel narratives.”

LOVE | Michael Engelhardt

Michael Engelhardt composed his effervescent work Love by setting one single word: “love.” Engelhardt’s piece reveals the many implications of the word. Love can be grounding, meditative, cathartic, hopeful, melancholic, and nostalgic. Love can fill us with joy and belonging but can also lead to feelings of separation and grieft. Engelhardt expresses all these connotations in a beautiful score steeped in jazz harmonies and rhythms. The bubbling exuberance of the opening section gives way to a quiet moment of reflection before the enthusiastic finale. Engelhardt’s setting reveals the ways love can transform us to embody gratefulness and hope. We believe the message of Engelhardt’s Love serves as the perfect postlude to Saunder Choi’s devastatingly emotional Verum Corpus.

About the Conductor

Robert Istad

GRAMMY award winning conductor

Dr. Robert Istad, who “fashions fluent and sumptuous readings” (Voice of OC) with his “phenomenal” artistry (Los Angeles TImes), is Professor of Music and Director of Choral Studies at California State University, Fullerton. He conducts the University Singers and manages a large graduate conducting program, in addition to teaching courses on conducting and performance practice. He was appointed Pacific Chorale’s Artistic Director in 2017. Under his leadership, the chorus continues to expand its reputation for excellence for delivering fresh, thought-provoking interpretations of beloved masterworks, rarely performed gems and newly commissioned pieces.

His artistic impact can be heard on two recent recordings featuring Pacific Chorale: the Grammy Award-winning “Mahler’s Eighth Symphony” with the Los Angeles Philharmonic Orchestra conduted by Gustavo Dudamel on Deutsche Grammophone (2021), for which he prepared the chorus, and “All Things Common: The Music of Tarik O’Regan,” which he conducted, on Yarlung Records (2020). He has also prepared choruses for such renowned conductors as EsaPekka Salonen, John Williams, John Mauceri, Keith Lockhart, Nicholas McGegan, Vasilly Sinaisky, Sir Andrew Davis, Bramwell Tovey, Carl St. Clair, Eugene Kohn, Giancarlo Guerrero, Marin Alsop, George Fenton, and Robert Moody. He regularly conducts and collaborates with Pacific Symphony, Musica Angelica Baroque Orchestra, Sony Classical Records, Yarlung Records, Berkshire Choral International, and Long Beach Symphony Orchestra.

An estemmed educator, Istad was recognized as CSUF’s 2016 Outstanding Professor of the Year. istad, who is on the Executive Board of Directors of Chorus America and serves as Dean of Chorus America’s Conducting Academy, is in demand as guest conductor, lecturer, and clinician.

University Singers Personnel

CONDUCTOR | Dr. Robert Istad

GRADUATE ASSISTANT CONDUCTOR | Zachary Lindquist

ACCOMPANIST | David Bergstedt

STRING QUARTET DIRECTOR | Kimo Furumoto

CHOREOGRAPHER | Lisa D. Long

SOPRANO

Alliah Anid

Martina Goldring

Jenna Hansen

Angel Hudak Hawkins

Erika Jackson*

Amber Napoli

Nya Nulty

Rose Taylor*

ALTO

Katelyn Cruz

Joy Dorko

Bekka Knauer*

Ahlitney Lucas-Krebs

Elizabeth Provencio*

Jessica Salsgiver

Savana Thomas

Melanie Whiter

TENOR

Michael Judge Ferrer

Kenson Gomez

Jacob Gonzalez

Ryan Guidotti

Zachary Lindquist*

Alexei Rehorn

Jaime Reza

Bryce Rivera

BASS

Adam Daruvala

Daniel Freeman

Ashton Hackwith

Bryson Huang

Emilio Lopez Felix

Fernando Muñoz*

Adrian Rangel-Sanchez*

Mitchell Sampang

STRING QUARTET

Jieming Tang, violin

Margaret Wu, violin

Taichiroh Kanauchi, viola

Evan Heidebrink, cello

DANCERS

Erik Jaimes, principal

Madison Dabalos, associate choreographer

Yasmina Devos

Emmalee Idler

Emily Kelley

Randy Gardner

* Section Leader

University Singers

As one of the nation’s premiere collegiate choral ensembles, Cal State Fullerton’s University Singers have epitomized excellence for more than 50 years. Under the baton of Dr. Robert Istad, the University Singers are internationally acclaimed for their exuisite musicianship and have performed with renowned orhestras in prestigiou venues at home and abroad, touring more than a dozen countries since 2007. Continuing to build upon this remarkable legacy, Istad and the University Singers regularly collaborate with professional orchestras such as the Los Angeles Philharmonic, the Pacific Symphony, the Hollywood Bowl Orchestra, and the Boston Pops Esplanade Orchestra. They have earned praise for their professionalism and expressive musicality from conductors they have worked with including Carl St.Clair, John Mauceri, John Williams, Eugene Kohn, Sir Neville Marriner, James Conlon, and Keith Lockhart.

Whether performing under the baton of John Williams or Gustavo Dudamel at the Hollywood Bowl; backing the vocals of Andrea Bocelli; or featured at Carnegie Hall, Chartres Cathedral, or Cal State Fullerton’s own Meng Concert Hall, the University Singers never fail to deliver the unmistakable sound synonymous with their reputation. In 2017, they recorded an album with Sony Classical under the baton of John Williams in a recording of music he composed for Steven Spielberg. Also in 2017, Istad and the University Singers released a commerical recording with Yarlung Records entitled “Nostos: The Homecoming of Music”—eleven vocal works sung and recorded in one take, without sheet music or editing. Not content to merely excel in the classial realm, the University Singers have also performed with Juanes, M83, Beck, Beach House, and Sean Lennon and can be seen in the PBS production, “The Legend of Zelda; Symphony of the Goddesses.”

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$25,000 - $99,999

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Sallie Mitchell Revocable Trust

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The Andy Warhol Foundation for the Visual Arts

$10,000-$24,999

Apple Inc.

Drs. Joseph and Voiza Arnold

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EMC Associates, Ltd

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J. P. Morgan Charitable Giving Fund

Marianne R. Kreter

Eleanore & James Monroe

Lucina L. Moses & John Brennan

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Dr. Kristin K. Stang & Dr.Gordon P. Capp

Jeffrey A. Stang & Lisa McDaniel Stang

$5,000-$9,999

Boeing North American Fitness Inc.

Steven Caulk

Continuing Life LLC

Morningside of Fullerton

Fidelity Charitable Gift Fund

Anonymous

Friends of Jazz, Inc

Leslie Garman

Dr. Margaret Faulwell Gordon

MaryLouise & Edward Hlavac

DONOR APPLAUSE

Jill Kurti Norman

Norma L. Morris

Bettina Murphy

Dwight Richard Odle Foundation

Orange County Community Foundation

Stephen Rochford, DMA

Schwab Charitable Fund

Barbara Thompson

$1,000-$4,999

John A. Alexander

Judy Atwell

Dorothy & Nick Batinich

Dr. & Mrs. Keith O. Boyum

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Broadway Arts Studio

Marion Brockett

California Community Foundation

Katherine Calkins

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Charities Aid Foundation of America

CMC

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CSUF Auxiliary Services Corporation

Jeannie Denholm

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Fullerton Families & Friends Foundation

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Ernie Sweet

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Verne D. Wagner

Tina L. Walker

Patrick Young

Ruth & Wayne P. Zemke

Very special care has been given to the preparation of this donor listing. Please contact Ann Steichen at (657) 278-7124 with questions or concerns.

ONTIVEROS SOCIETY

The Ontiveros Society includes individuals who have provided a gift for Cal State Fullerton through their estate plan. We extend our deep appreciation to the following Ontiveros Society members, whose gifts will benefit the students and mission of the College of the Arts:

ANONYMOUS

JOHN ALEXANDER

LEE & DR. NICHOLAS A.* BEGOVICH

GAIL & MICHAEL COCHRAN

MARC R. DICKEY

JOANN DRIGGERS

BETTY EVERETT

CAROL J. GEISBAUER & JOHN* GEISBAUER

SOPHIA & CHARLES GRAY

MARYLOUISE & ED HLAVAC

GRETCHEN KANNE

DR. BURTON L. KARSON

ANNE L. KRUZIC*

LOREEN & JOHN LOFTUS

ALAN A. MANNASON*

WILLIAM J. MCGARVEY*

DR. SALLIE MITCHELL*

ELEANORE P. & JAMES L. MONROE

LYNN & ROBERT MYERS

DWIGHT RICHARD ODLE*

SHERRY & DR. GORDON PAINE

DR. JUNE POLLAK & MR. GEORGE POLLAK*

DR. STEPHEN M. ROCHFORD

MARY K. & WILLIAM SAMPSON

LORENA SIKORSKI

DOUGLAS G. STEWART

ANDREA J. & JEFFREY E. SWARD

RICHARD J. TAYLOR

VERNE WAGNER

RICHARD WULFF

DR. JAMES D. & DOTTIE YOUNG*

*deceased

The College of the Arts Proudly Recognizes the 300+ Members of Our VOLUNTEER SUPPORT GROUPS

ART ALLIANCE: Art Alliance promotes excellence and enjoyment in the visual arts, and their fundraising efforts contribute to student scholarship, gallery exhibitions, opening receptions and sculpture acquisition on campus.

SPECIAL SUPPORT AND EVENT UNDERWRITING

Fay Colmar

John DeLoof

Joann Driggers & Steve Collier

Loraine Walkington

ALLIANCE FOR THE PERFORMING ARTS: The Alliance for the Performing Arts (formerly MAMM) benefits performing arts students through underwriting visiting artists; special theatre, dance, and music performances; and other unique experiences for members.

SPECIAL SUPPORT AND EVENT UNDERWRITING

Judy Atwell

Drs. Voiza & Joe Arnold

Dr. Margaret Faulwell Gordon

Susan Hallman

Norma Morris

Richard Odle Estate

Kerry & John Phelps

Jeanie Stockwell

Verne Wagner

MUSIC ASSOCIATES: Music Associates maintains a tradition of active involvement and community support, and raises scholarship funds for School of Music students through annual fundraising events and membership dues.

SPECIAL SUPPORT AND EVENT UNDERWRITING

Marilyn Carlson

Evelyn K. Francuz

Sandy & Norm Johnson

Marti & Bill Kurschat

Karen & George Mast

Thelma & Earl Mellott

Bettina Murphy

Grace & Ujinobu Niwa

Kerry & John Phelps

Mary & Jerry Reinhart

Ann & Thad Sandford

Dodo V. Standring

Carolyn & Tom Toby

John Van Wey

Talich Quartet

February 16 • Meng Concert Hall

Quarteto Nuevo

February 17 • Meng Concert Hall

University Symphony Orchestra with Talich Quartet

February 18 • Meng Concert Hall

Brightwork Newmusic

February 22 • Meng Concert Hall

University Symphony Orchestra feat. Joseph Loi, flute

February 25 • Meng Concert Hall

loadbang*

February 27 • Meng Concert Hall

Advanced Vocal Workshop feat. Michael Schütze, piano

February 29 • Recital Hall

Fabian Ziegler, percussion

March 6 • Meng Concert Hall

Enrico Elisi, piano

March 7 • Meng Concert Hall

Marisol

March 8– 23 • Little Theatre

Fullerton Jazz Orchestra & Fullerton Jazz Chamber Ensemble

March 8 • Meng Concert Hall

Füreya Ünal, piano

March 9 • Meng Concert Hall

Enrico Elisi & Mengyang Pan, duo piano

March 10 • Meng Concert Hall

Alumni Piano Recital

March 14 • Meng Concert Hall

17th Annual Collage Concert

March 16 • Meng Concert Hall

Accidentally on Purpose

March 22– April 13 • Hallberg Theatre

University Singers & Concert Choir

March 24 • Meng Concert Hall

Brightwork Newmusic*

March 26 • Meng Concert Hall

Minsoo Sohn, piano

March 27 • Meng Concert Hall

Ernest Salem & Hasse Borup,violins

March 28 • Meng Concert Hall

Nicholas Isherwood, bass/baritone*

April 9 • Meng Concert Hall

Gabriel Bianco, guitar

April 10 • Meng Concert Hall

Urinetown the Musical

April 12– 27 • Young Theatre

High School Honor Band & CSUF Wind Chamber Ensembles

April 13 • Meng Concert Hall

CSUF New Music Ensemble & Contemporary Chamber Ensemble

April 17 • Meng Concert Hall

Monteverdi’s The Coronation of Poppea

April 18–21 • Recital Hall

CSUF Symphonic Winds

April 21 • Meng Concert Hall

Fullerton Jazz Chamber Ensemble & Fullerton Latin Ensemble

April 23 • Meng Concert Hall

University Band

May 1 • Meng Concert Hall

Spring Dance Theatre

May 2–11 • Little Theatre

Fullerton Jazz Orchestra

May 3 • Meng Concert Hall

University Wind Symphony

May 4 • Meng Concert Hall

Jazz Singers

May 6 • Meng Concert Hall

Titan Voices & Singing Titans

May 8 • Meng Concert Hall

Symphony Orchestra & Symphonic Chorus Mozart’s “Requiem”

May 11 • Meng Concert Hall