February 29, 2024
Advanced Vocal Workshop with guest Michael Schütze, piano
CALIFORNIA STATE UNIVERSITY, FULLERTON CSUF SCHOOL OF MUSIC
SYLVIA A. ALVA
President, California State University, Fullerton
AMIR H. DABIRIAN
Provost and VP for Academic Affairs (Interim)
ARNOLD HOLLAND, EDD Dean, College of the Arts
DR. RANDALL GOLDBERG Director, School of Music
KIMO FURUMOTO
Assistant Director, School of Music
BONGSHIN KO
Assistant Director, School of Music
SCHOOL OF MUSIC FULL-TIME FACULTY AND STAFF
Faculty
Conducting
Kimo Furumoto – instrumental
Dr. Robert Istad – choral
Dr. Dustin Barr – instrumental
Jazz and Commercial Music
Bill Cunliffe* – jazz piano; arranging; Fullerton Jazz Orchestra, Fullerton Big Band and combo director
Rodolfo Zuñiga – jazz studies, jazz percussion, and music techology; Fullerton Chamber Jazz Ensemble director
Piano, Organ, Piano Pedagogy
Ning An – piano
Bill Cunliffe – jazz piano
Alison Edwards* – piano, piano pedagogy, class piano
Myong-Joo Lee – piano
Dr. Robert Watson – piano
Music Education, Teacher Training, and Teaching Credential
Dr. Christopher Peterson – choral
Dr. Gregory X. Whitmore* – instrumental
Music in General Education
Dr. John Koegel*
Dr. Katherine Reed
Music History and LIterature
Dr. Vivianne Asturizaga – musicology
Dr. John Koegel* – musicology
Dr. Katherine Powers – musicology
Dr. Katherine Reed – musicology
Strings
Kimo Furumoto – Director of Orchestra Studies and University Symphony Orchestra conductor
Bongshin Ko – cello
Dr. Ernest Salem* – violin
Theory and Composition
Dr. Pamela Madsen – composition, theory
Dr. Ken Walicki* – composition, theory
Vocal, Choral, and Opera
Dr. Robert Istad – Director of Choral Studies and University Singers conductor
Dr. Kerry Jennings* – Director of Opera
Dr. Christopher Peterson – CSUF Concert Choir and Singing Titans conductor
Dr. Joni Y. Prado voice, academic voice courses
Woodwinds, Brass, and Percussion
Dr. Dustin Barr – Director of Wind Band Studies, University Wind Symphony, University Band
Jean Ferrandis – flute
Sycil Mathai* – trumpet
Dr. Gregory X. Whitmore
University Symphonic Winds conductor
Staff
Michael August – Production Manager
Eric Dries – Music Librarian
William Lemley – Audio Technician
Jeff Lewis – Audio Engineer
Chris Searight – Music Instrumental Services
Paul Shirts – Administrative Assistant
Elizabeth Williams – Business Manager
* denotes Area Coordinator
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Welcome to the Spring 2024 Performing Arts Season at Cal State Fullerton’s College of the Arts. Whether you are a first-time or long-time patron, a friend, or parent to one of our exceptional students, thank you for joining us. Your support makes all the difference to their success.
I am pleased to present another semester of programming powered by the incredible gifts of our Art, Dance, Music, and Theatre students. This spring, the School of Music starts the season with a trio of concerts February 16–18 by artists-in-residence Talich Quartet; faculty artist Damon Zick and his Quarteto Nuevo featuring fellow faculty artist Bill Cunliffe; and University Symphony Orchestra. In May, University Symphony Orchestra and Symphonic Chorus will close the concert season with a performance of Mozart’s emotionally charged “Requiem.” Begovich Gallery presents the Begovich Visual Arts Lecture Series with visiting artists’ talks throughout the semester, including multidisciplinary artist Hings Lim on February 22, whose work will also be exhibited at Grand Central Art Center. The Department of Theatre and Dance begins their season in March with “Marisol,” a darkly comedic fantasy where the title character must find hope in a post-apocalyptic Brooklyn where angels are taking up arms and coffee is extinct. Hilarious, multiple Tony award-winning modern musical send-up “Urinetown” closes the theatre season just as CSUF’s dancers and choreographers take to the stage for “Spring Dance Theatre.”
When our students demonstrate their talents on stage and in the studio, their creative energy is undeniable, but the sacrifice and struggle it took to get there is often less perceptible. We can’t see the hours spent creating, the days of rehearsals, and the years of practice. For many students, the sparks of innovation and artistry that drove them to pursue the arts are often diminished by the high cost of an education. The Dean’s Fund for Excellence provides support for students in need through scholarships, artist residencies, and other financial assistance, ensuring them the opportunity to thrive in the arts. If you believe in their sparks of brilliance, please consider a donation of any amount to the Dean’s Fund for Excellence.
Thank you again for joining us this season and for championing the arts in higher education. I hope to see you at one of the college’s many performances and events this spring.
Sincerely,
Arnold Holland, EdD Dean, College of the Arts
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“A Little Night Music”
I
Neue Liebe ........................................................
Felix Mendelssohn (1809-1847)
Jenna Hansen
Nacht .............................................................................
Martina Goldring
Erlkönig...................................................................
Timothy Cervenka
Nun will di Sonn’ so hell aufgeh’n ...........................
Gabriel Cazares
Alban Berg (1885-1935)
Franz Schubert (1797-1828)
Gustav Mahler (1860-1911)
O lieb, so lang du lieben kannst ....................................
Sarah Cabrera
Gretchen am Spinnrade
Sara Preston
Die Mainacht ......................................................
Jing Wang
Mondnacht .........................................................
Salma Bawardi
Franz Liszt (1811-1886)
Franz Schubert
Johannes Brahms (1833-1897)
Robert Schumann (1810-1856)
Waldseligkeit ..............................................................
Joseph Marx (1882-1964)
Katelyn Cruz
Der Tod, das ist die kühle Nacht ............................................
Nya Nulty
Allerseelen .............................................................
Gabriela Gonzalez
Johannes Brahms
Richard Strauss (1864-1949)
Der Tod und das Mädchen .........................................................
Marylin Negron
Nachtzauber ...................................................................
Frank Watnick
Franz Schubert
Hugo Wolf (1860-1903)
Nachtviolen.................................................................................
Franz Schubert
Hart Chen
Ständchen Johannes Brahms
Eileen Garrido
Die Loreley..........................................................................................
Franz Liszt
Evan Banks
Der Hölle Rache ..................................
Wolfgang Amadeus Mozart (1756-1791)
Gabriela Atkinson ***** Intermission ***** II
Selections from South Pacific, Groundhog Day, The Secret Garden, Sweeney Todd, The Medium, The Ghosts of Versailles, The Mystery of Edwin Drood, and Giuditta
Some Enchanted Evening ........................................ Rodgers and Hammerstein
Gabriel Cazares
Night Will Come...............................................................................
Timothy Cervenka
Come to My Garden .........................................................................
Katelyn Cruz and Nya Nulty
How Could I Ever Know
Martina Goldring
Tim Minchin
Lucy Simon
Lucy Simon
Moonfall .......................................................................................
Rupert Holmes
Jenna Hansen
Freunde, das Leben ist lebenswert ..................................................
Franz Léhar
Frank Watnick
For several years, it has been our pleasure to host Michael Schütze as he helps to curate a Liederabend for our students in the Advanced Vocal Workshop class, coaching each of them several times during his brief residency, which then culminates in a performance like the one you will hear tonight. “A Little Night Music” combines several popular German Lieder with songs from Musical Theatre, Opera, and Operetta, tying them together with themes of night, the fantastical, the mysterious, and the otherworldly. We hope you will enjoy tonight’s program as you discover all the mysteries that night may bring.
ABOUT THE GUEST ARTIST
Michael Schütze
Michael Schütze is a much sought-after pianist and collaborative artist across Europe and United States. In his professional career he has appeared as accompanist for international stars such as renowned baritones Olaf Baer and Andreas Schmidt, most recently for René Pape as well as for singers of the younger generation such as mezzosoprano Kathrin Goering (Opera Leipzig), tenor Timothy Oliver, baritone Christoph Pohl and Bass Georg Zeppenfeld of the Semperoper Dresden and tenor Manuel Günther from Bayrische Staatsoper Munich. He has regularly played for master classes given by Dietrich Fischer-Dieskau, Andreas Scholl, Peter Schreier, Brigitte Fassbaender, Edith Mathis and Norman Shetler and cellist Peter Bruns. Schütze studied piano performance and vocal accompaniment in Dresden, where he graduated with honors in 2001. As a soloist he performed with several orchestras in Germany. In 2001 and 2002 he was a vocal piano fellow at the Tanglewood Music Center. Playing for the National Polish Singing Competition in Duszninki Zdroj in 2002 was the beginning of regular invitations to serve as official accompanist at international competitions such as the Robert Schumann Competition, La Voce (Bavarian Radio), Competizione dellopera, DEBUT (Weikersheim) and the NATS (Los Angeles).
Schütze has played in concerts throughout Germany, Poland, France, Italy, Czech Republic and the U.S. as well as at Moscow’s New Opera. His appearances at festivals include the Festival Mitte Europa, Sommerfestival Schloss Gauting, Dresdner Musikfestspiele and Schleswig-Holstein-Musikfestival. On a regular base he is playing with orchestras such as Elblandphilharmonie and Sächsische
Schütze makes his home in Dresden and since 1999 has served on the faculty of the Dresden Hochschule für Musik teaching piano and vocal accompaniment. In 2011 he received a professorship. In addition, he became a faculty member at Dresden’s University for Church Musicians and of Kreismusikschule Dreiländereck where he teaches piano.
Schütze frequently teaches master classes in the United States at California State University Fullerton, the University of Delaware, Brigham Young University (Utah), Azusa Pacific University, the Cincinnati Conservatory of Music, and Vanguard University (California). In February of 2014, he held a DAAD guest professor position at the University of New Mexico in Albuquerque. He also held an ERASMUS scholarship which took him to teach Masterclasses at Ionia University of Corfu.
In 2016 Schütze collaborated with alto Henriette Gödde when she won 1st prize at the International Robert Schumann Competition. Radio recordings of his work can be heard on the major German public stations MDR and RBB. A CD with Korean art songs performed in collaboration with soprano Yoora Lee-Hoff was released in 2018 on the GENUIN label.
Kerry Jennings
Kerry Jennings is an Associate Professor of Music and Director of Opera at Cal State Fullerton. His stage direction has recently been recognized with 1st and 2nd Place Awards in the National Opera Association’s Collegiate Opera Scenes Competition with scenes from The Ballad of Baby Doe (2021) and Der Rosenkavalier (2020), as well as being named a national finalist for The American Prize in Collegiate Opera Direction for his production of Massenet’s Cendrillon. This year, scenes under his direction and featuring students from the CSUF Opera Program were chosen as national finalists in both the undergraduate and graduate divisions, as students performed scenes from La Rondine and Don Pasquale at the NOA national convention in Houston, TX. Additional directorial credits encompass works from Monteverdi to composers of the 21st Century and include highlights such as L’Incoronazione di Poppea, Dido and Aeneas, Cosí fan tutte, Hänsel und Gretel, La bella dormente nel bosco, Suor Angelica and Gianni Schicchi, Amahl and the Night Visitors, The Old Maid and the Thief, Three Sisters Who Are Not Sisters, Sorry, Wrong Number, and The Cows of Apollo
Jennings joined the faculty of the International Lyric Academy in Vicenza, Italy where he directed The Old Maid and the Thief. He returned the next year to ILA to direct Le nozze di Figaro in Charlotte, NC and Vicenza. Previously, he directed Mozart’s Die Zauberflöte for the Austrian American Vocal Academy at the Kleines Theater in Salzburg.
Before turning to a concentration in directing, Jennings’ performance highlights included over forty lead and supporting roles comprised of early, standard, and contemporary repertoire, recently singing the role of Ernesto in Don Pasquale in Sankt Anton, Austria. As a concert soloist, he has been heard in works by J.S. Bach, Beethoven, Händel, Haydn, Mozart, Puccini, Saint-Saëns, Rachmaninoff, Vaughan Williams, Britten, Fonseco, Orff, Rorem, and others.
Noted for his “beautiful voice, great diction, and uncanny sense of style and phrasing,” Jennings recording In My Memory: American Songs and Song Cycles on Centaur Records was met with acclaim from both the composers and critics alike and features works by Libby Larsen, Tom Cipullo, Lori Laitman, and Richard Pearson Thomas. Libby Larsen has called Kerry’s recording of her cycle My Àntonia “the definitive reference performance for future performances.” He is also featured on David Arbury’s CD Alchemy and as tenor soloist on the Houston Camerata’s recording of Fonseca’s Missa Afro-Brasileira. He is currently working on his second solo disc of American Song Cycles. Jennings was a District Winner and Regional Finalist in the Metropolitan Opera National Council Auditions.
Jennings is a member of several music organizations, including NATS, Opera America, The Recording Academy, The College Music Society, and NOA, where he is on his third cycle as a member of the Dominick Argento Chamber Opera Competition Committee.
ABOUT THE DIRECTOR
Talich Quartet
February 16 • Meng Concert Hall
Quarteto Nuevo
February 17 • Meng Concert Hall
University Symphony Orchestra with Talich Quartet
February 18 • Meng Concert Hall
Brightwork Newmusic
February 22 • Meng Concert Hall
University Symphony Orchestra feat. Joseph Loi, flute
February 25 • Meng Concert Hall
loadbang*
February 27 • Meng Concert Hall
Advanced Vocal Workshop feat. Michael Schütze, piano
February 29 • Recital Hall
Fabian Ziegler, percussion
March 6 • Meng Concert Hall
Enrico Elisi, piano
March 7 • Meng Concert Hall
Marisol
March 8– 23 • Little Theatre
Fullerton Jazz Orchestra & Fullerton Jazz Chamber Ensemble
March 8 • Meng Concert Hall
Füreya Ünal, piano
March 9 • Meng Concert Hall
Enrico Elisi & Mengyang Pan, duo piano
March 10 • Meng Concert Hall
Alumni Piano Recital
March 14 • Meng Concert Hall
17th Annual Collage Concert
March 16 • Meng Concert Hall
Accidentally on Purpose
March 22– April 13 • Hallberg Theatre
University Singers & Concert Choir
March 24 • Meng Concert Hall
Brightwork Newmusic*
March 26 • Meng Concert Hall
Minsoo Sohn, piano
March 27 • Meng Concert Hall
Ernest Salem & Hasse Borup,violins
March 28 • Meng Concert Hall
Nicholas Isherwood, bass/baritone*
April 9 • Meng Concert Hall
Gabriel Bianco, guitar
April 10 • Meng Concert Hall
Urinetown the Musical
April 12– 27 • Young Theatre
High School Honor Band & CSUF Wind Chamber Ensembles
April 13 • Meng Concert Hall
CSUF New Music Ensemble & Contemporary Chamber Ensemble
April 17 • Meng Concert Hall
Monteverdi’s The Coronation of Poppea
April 18–21 • Recital Hall
CSUF Symphonic Winds
April 21 • Meng Concert Hall
Fullerton Jazz Chamber Ensemble & Fullerton Latin Ensemble
April 23 • Meng Concert Hall
University Band
May 1 • Meng Concert Hall
Spring Dance Theatre
May 2–11 • Little Theatre
Fullerton Jazz Orchestra
May 3 • Meng Concert Hall
University Wind Symphony
May 4 • Meng Concert Hall
Jazz Singers
May 6 • Meng Concert Hall
Titan Voices & Singing Titans
May 8 • Meng Concert Hall
Symphony Orchestra & Symphonic Chorus Mozart’s “Requiem”
May 11 • Meng Concert Hall
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