"A Chorus Line" program

Nov. 9–Dec. 2, 2023 • Little Theatre

Sylvia A. Alva, President, California State University, Fullerton Amir H. Dabirian, Provost and Vice President for Academic Affairs (Interim) Alexander Porter, Vice President, Administration and Finance/CFO David Forgues, Vice President, Human Resources, Diversity & Inclusion Rommel Hidalgo, Vice President, Information Technology Tonantzin Oseguera, Vice President, Student Affairs Gregory J. Saks, Vice President, University Advancement

Arnold Holland, EdD, Dean Dave Mickey, Associate Dean Christopher Johnson, Budget Coordinator Jade Jewett, Visual Arts Special Projects Michael Sanchez, IT Learning Experience Designer Heather Guzman, Assistant to the Deans Dr. Randall Goldberg, Director, School of Music Michelle Murillo, Chair, Department of Visual Arts Kathryn Wilson, Chair, Department of Theatre & Dance Jennifer Frias, Director, Nicholas & Lee Begovich Gallery John Spiak, Director, Grand Central Art Center - Santa Ana Dominic Mumolo, Senior Director of Development Ann Steichen, Director of Development Julie Bussell, Director, Marketing & Patron Services Stephanie Tancredi, Box Office Manager Heather Richards-Siddons Marketing & Communications Specialist Alvin Chiu, Graphic Designer Jason Pano, Social Media Strategist

Welcome to the College of the Arts fall 2023 performing and visual arts season. I am so proud of the collaborative efforts our faculty, staff, and students have undertaken to produce such a wide array of programming across four disciplines. It takes months, sometimes years, of work to create what you are about to enjoy – a commitment matched only by our collective passion for the arts.

Each year, the college presents a wide variety of programming that reflects our diverse perspectives. In Theatre, the season begins with a stage adaptation of the hauntingly emotional novel and film “Let the Right One In,” which reveals both the darkest impulses of humanity and our universal desire for connection. Acclaimed 1975 hit musical “A Chorus Line” gets a fresh update by Marty Austin Lamar and Courtney Ozovek that will immerse audiences in the audition process of a Broadway show. In the School of Music, the Fullerton Jazz Orchestra and University Symphony Orchestra perform together in the first ever “Fullerton Pops!” Also in November, Begovich Gallery explores the midcentury architecture and aesthetics of our original Visual Arts Complex in the exhibition “PAST FORWARD.” While Begovich Gallery looks back at our historical beginnings, we continue to push toward the future as the Visual Arts Modernization Project (VA MOD) rapidly transforms the campus.

Our complex’s two new buildings are fully framed, architectural details have been installed, and extensive interior renovations on two existing buildings are nearing completion. These changes bring years of dreaming and planning into sharp focus, but there is so much work yet to be done. From exterior paint to integrate our past and present buildings, to restoring the beloved “Water Wall” sculpture, to new software that will power the next generation of digital artists, there are many ways you can make a difference. Visit the VA MOD web page for more details (art.fullerton.edu/va-mod).

The ways in which our students will benefit from the modernization project are as limitless as their imaginations, and as assured as our commitment to their success. In the College of the Arts, we measure student achievement in creativity, artistic integrity, and dedication, not in data points or statistics. We know you support our students because they give to you through their artistry – it’s something you feel, something that moves you. By strengthening this powerful bond, you empower students to thrive by supporting their creative and academic success.

If you share in the belief that the arts matter, please consider a donation of any amount to the Dean’s Fund for Excellence (arts.fullerton.edu/giving).

Whether this is your first theatre production or your twenty-first concert, know that you are an appreciated member of our Titan community. Thank you for joining us today and I look forward to seeing you again soon.

Sincerely,

Arnold Holland, Ed.D Dean, College of the Arts

Kathryn Wilson Chair, Department of Theatre & Dance Alvin Rangel-Alvarado,* Vice Chair, Department of Theatre & Dance

FULL-TIME FACULTY | Theatre Acting Maria Cominis Svetlana Efremova* Eve Himmelheber John Short Jim Taulli

FULL-TIME STAFF Department of Theatre & Dance Administration Denean Dyson Technical and Production Staff Michael August, Production Manager

Design and Technical Production Scott Bolman Hyun Sook Kim*^ Fred Kinney JR Luker Bill Meyer Carolyn Mraz* Omar Ramos Kathryn Wilson Directing Mark Ramont*

Lois Bryan, Master Electrician Matt Connelly, Amanda Horak Staff Scenic Lab Forepersons Heidi Enzlin Cole, Charge Scenic Artist Jen Frauenzimmer Business/ Production Coordinator Terri Nista, Costume Lab Manager Lori Koontz, Costume Lab Techncian

Musical Theatre Josh Grisetti* Marty Austin Lamar

Megan Gonzalez, TV Studio Technician Jeff Lewis, Production Sound Engineer

Theatre Studies Dr. Heather Denyer* Amanda Rose Villarreal, PhD

William Lemley, Audio Technician

Voice and Movement Anne James David Nevell*

Brigitte Bellavoine, Jennifer Schniepp & Ben Rempel, Accompanists

FULL-TIME FACULTY | Dance Muriel Joyce Lisa D. Long Debra Noble Alvin Rangel-Alvarado*

Bob West, Properties Master

Stephanie Tancredi Box Office Manager & Safety Coordinator

*denotes area head ^denotes graduate coordinator

www.facebook.com/CSUFTheatre Instagram | @csuftheatre

The Department of Theatre & Dance at California State University, Fullerton is fully and continuously accredited by the National Association of Schools of Theatre (1974) and the National Association of Schools of Dance (1982)

Associate Choreographer Amber Dupuy Production Stage Manager Tiffany Joy May Scenic Designer Liz Doubrovsky Student Prop Master Sarai Ortiz

Technical Director Harold Kast Costume Designer Gwen Sloan Lighting Designer Alex Bennett Makeup/Hair Designer Gillian Hollie^ Sound Designer Constandina J. Dross^ Accompanist Jennifer Schniepp*

*Faculty/Staff ^Guest Artist

Cast ALAN DELUCA…..………………………………………………………………Nathen McLaurin BEBE BENZENHEIMER…..………………………………………………..………Winnie Felton ROBERT CHARLES JOSEPH HENRY MILLS III..……….………….……….Micah Nicholson CASSIE FERGUSON……………….………………..…………………………...Kellie Petrosian U/S……………………………………………………………..……………………….Bella Hamm CONNIE WONG…………………………………….…………………..………….Anne Atanacio U/S…………………………………………….……………………………...………….Caitlyn Ilar DIANA MORALES…………………………………………………………………….Gaby Garcia U/S…………………………………………………………….….....………….Alanna Hernandez DON KERR…..…………………………...…………………………………..Joshua J. Chapman GREG GARDNER..………………………………………………………….………...Quinn Sonis JUDY TURNER..…………………..…………………………………………………..Bella Hamm KRISTINE EVELYN URICH…………………………………………..………Anakarina Gallardo U/S……………………………………………………………………………………...Kaitlyn Cruz MAGGIE WINSLOW…..…………………………………………………….....……Abby Rariden MARK ANTHONY……………………..……………….………………………….Anthony Huang MIKE COSTA………..…………………………………………………………………Ethan Davis PAUL SAN MARCO………………………………………………………...………Erick Sanchez RICHIE WALTERS……………………………………………………………………..Aaron Lister SHEILA BRYANT………………………………………………………………….Emmaleigh Irish U/S………………………………………………………………..…………….Anakarina Gallardo VALERIE CLARK…………………………………………………………………Cossette Asenjo ZACH………………………………………………………………………………..Spencer Sharp U/S…………………………………………………………………………….…..Jordan Simpson LARRY………………………………………………………………..……………..Hailey Thomas BUTCH………………………………………..……………………….………….Jordan Simpson FRANK (GIRL IN HEADBAND)………………………………….……………………Kaitlyn Cruz TOM………………………………………………………………….……………..Garrett Sulliven TRICIA………………………………………...……………………………………….Rachel Stein VICKIE……………………………………………………………………………...……Anika Goel FEMALE SWING……………………………………………………………...………Olivia Amigo

Cast MALE SWING…………………………………………………………...…………Garrett Sulliven CUT DANCERS SWING…………………………………..……………………….Axelle Thurber MOVEMENT ENSEMBLE….…………………...........Abby Shannon, Aja Jett, Allie Jensen, Audrey Omidi, Aurora Villareal, Grace Gremel, Jules Barlow, Keira Lopez-Ward, Mackenzie Haar, Mia Gibson Riley Blackwell

Musical Numbers “I Hope I Get It”………………..……………..………………………………………….Company “I Can Do That”……………………………………...…………………………………………Mike “And…”………….……………………………………………………….Bobby, Richie, Val, Judy “At the Ballet”…………………..…………………………………………..Sheila, Bebe, Maggie “Sing!”…..………………………..……………………………………………………...Kristine, Al “Hello Twelve, Hello Thirteen, Hello Love”……………………………………….…...Company Nothing………………………………………………………………………...………………Diana Dance: Ten; Looks: Three……………………………………………………………………….Val The Music and the Mirror…………………..………………………………………………Cassie One………………………………………..……………………………………………….Company The Tap Combination.……………………………..…………………………………….Company What I Did For Love…………………………………………………..…….Diana and Company One: Reprise…………………………………………………………………...…………Company

A Chorus Line Program Notes A Chorus Line debuted on Broadway at the Shubert theatre in 1975. The original musical collaborators included a book by James Kirkwood Jr. and Nicholas Dante, music by Marvin Hamlisch and lyrics by Edward Kleban with Michael Bennett as director and choreographer. It was the first Broadway musical to focus on the chorus of dancers and their personal lives revealing a side of “show business” heretofore deemed not interesting enough for subject matter for an American musical even though the dance chorus is vital to a musical’s success. The multitude of dancers auditioning and making the chorus were thought to be expendable, unimportant because the emphasis was on the major roles and the promotion of and interest in its casting of individual actors and their unique talent. The musical went on to win the 1976 Tony for Best Musical (beating Bob Fosse’s Chicago) among several awards spread amongst collaborators. A Chorus Line was awarded the Pulitzer Prize for Drama in 1976 as well. In 1983, A Chorus Line celebrated being the longest-running musical on Broadway.

ABOUT THE DIRECTORS Marty Austin Lamar Associate Professor Marty Austin Lamar (Co-Director), is an accomplished multi-hyphenate artist. Marty previously served as the coordinator of BFA Musical Theatre program at the esteemed Howard University, Washington, DC. Off Broadway Credits: “Miss Evers Boys” (Hofmann); Selected Regional Credits: “Ragtime” (Attorney), “SPUNK” (Man 2), “Dreamgirls” (James “Thunder” Early), “Hamlet” (King’s Ghost), “Don’t Bother Me, I Can’t Cope” (Preacher, Ensemble), “La Traviata” (Barone); “A Funny Thing...

Forum” (Miles Gloriosus), “Five Guys Named Moe” (Big Moe), “Little Shop of Horrors” (Audrey II; Helen Hayes Award). Television/Film: “Law and Order SVU,” “The Corner,” “The Silent Dove.” Musical Director Credits: “Merrily We Roll Along,” “The Lightning Thief: Percy Jackson Musical,” “Black Nativity,” “Kennedy Center’s Millennium Stage presents: To Serve This Present Age,” “Urinetown,” Handel’s “Messiah”, “Ain’t Misbehavin.’ ” God is good!

Courtney Ozovek Professor of dance Courtney Ozovek (Co-Director, Choreographer) is a dance artist, choreographer, and educator rooted in the Los Angeles and Orange County area. She has been the founding member of BARE Dance Company, RhetOracle Dance Company, and Solevita Dance Company. Courtney’s elaborate works have been featured in California, Arizona, Alaska, and Guantanamo Bay, as well as in shows at Universal Studios, Disneyland, and private corporate events. Courtney earned her MFA in Dance from California State University, Long Beach. Courtney has collaborated with a number of notable dance artists to include Keith Johnson, Andrew Vaca, Rebecca Lemme, Rebecca Bryant, Colleen Thomas, Gladys Kares, Debra Noble, and Macarena Gandarillas.

ABOUT THE MUSICAL DIRECTOR Dr. Michelle Do Dr. Michelle Do is a graduate of the University of

Southern California, where she received her D.M.A. She received her M.M. from Indiana University and B.M.

California State University, Fullerton. She has been a laureate of competitions such as the Gail Newby

Concerto Competition, and Latin American Recording Competition. She is a National Guild artist and has earned the Paderewski medal for her achievements.

Michelle has given concerts in several venues nationwide and appeared at

Carnegie Hall in 2014, playing a solo program in Weill Recital Hall. Michelle completed a concert tour in 2010 entitled “Music for Peace” as part of the International Music Institute and Festival. She has appeared as a soloist with

the La Mirada Symphony Orchestra, the Southern California Philharmonic, and the Indiana University Philharmonic.

Michelle has music directed several productions, including “In the Heights,” “The Spitfire Grill,” “Beauty and the Beast,” and the world premiere of Rogue

Machine’s new musical, “Come Get Maggie.” She is on faculty at Pierce College, and has worked with several other colleges and universities such as Fullerton College and Chapman University.

Director’s Note: Marty Austin Lamar Long before I witnessed A Chorus Line on stage, I was aware of its heart. I was aware of its message of passion and sacrifice. I was aware of its musical score and stories shared through the choreography and the music. Beyond all of this I was aware of its transformative power that reminds all of us to persevere, stay focused, and silence the noise that often keeps us from our best selves.

A Chorus Line is not a period piece. It is an iconic work of art that illuminates the plight of dreamers. A work as rich as this cannot be confined to a year. Micheal Bennet’s vision and Marvin Hamlish’s score are a clarion call reminding us to hold fast to dreams and maintain the unwavering belief in self. Be it on a Broadway stage, a board room, or a classroom, any measure of success is equally defined by great triumph and great tribulation. At its core, A Chorus Line celebrates that journey. This work celebrates the courage needed to put yourself on the line in pursuit of your dreams.

Some regard A Chorus Line as a dance show. I completely agree. This timeless work dances through movement, song, and text synthesized with heartbreak, humor, loss, and memory. The dance that you will witness is grounded in the truth of an industry that leaves so many out. It is my hope that one day this industry will address the systemic inequalities of race, sex, gender, and opportunity. All should be welcomed to the dance.

The cast of artists featured on the Little Theatre’s stage have overcome and silenced any noise that suggests that they don’t possess the grit, talent, or fortitude to tell this iconic story. I continue to be inspired by their advocacy, determination, and immense effort during this process.

Just as Michael Bennet used community and collaboration to empower storytelling, my esteemed colleague and I desired to do the same. Our vision was considered risky by some but the community of designers, faculty mentors, technical experts, and departmental leadership sojourned with us. I honor each of you for your support and sharing of your gifts and immense skills.

During this process I have faced much. There have been moments of great joy. There have been moments of great distress. Through it all God has provided wisdom, restraint, and clarity of purpose. To my supportive family, community of friends, James, and the great cloud of ancestors that surround me, I am forever grateful for your prayers and heartfelt love.

To my dear friend and co-director, Courtney Ozovek, thank you for your genius, laughter, advocacy, and kindness. You approached every moment with fresh eyes and completely new choreography. I celebrate you and I look forward to all that God has in store for you.

Finally, James Baldwin states, “Not everything that is faced can be changed. But nothing can be changed until it is faced.” It is my sincere hope that each of us will continue to demand change in the theatre industry, theatre education, and the hiring of theatre artists.

Join me as we stand on the line with these essential workers tasked with telling the story of humanity.

Thank you for supporting Theatre at CSUF and enjoy the show!

Marty Austin Lamar

Director’s Note: Courtney Ozovek One. Singular. Sensation. When a hard-working cohort of collaborative artists join to experience and share in that one, singular sensation, what is revealed is the culmination of commitment, time, energy, blood, sweat, and tears that it takes to pour into the magnitude of what is A Chorus Line.

As a mover, I have always been intrigued by the weight of this show. We all have a movement journey full of complex history, intimacy, passion, and knowledge. These journeys capsule the stories of our lives, our triumphs, and our challenges. We hope that our journey culminates in self-discovery and yields a movement language that is uniquely our own.

As a choreographer, I was not interested in restaging the genius choreography of Michael Bennett. Just as he created the movement from his kinesthetic history, I wanted to create from my lifelong experiences and knowledge accumulated over the course of my movement journey. I wanted to support the cast’s desire to push beyond their assumed limits and challenge the expectations they have for themselves.

The journey to create, adjust, and develop a language in the show was truly a gift and I have enjoyed sharing this movement journey with this specific cast at CSU Fullerton.

Thank you to the cast for trusting me and for trusting us throughout this process. I am so deeply proud of you all.

There are no words to express my sincerest appreciation to my Associate Choreographer, Amber Dupuy. Our collaborations throughout many years have always brought joy and light to each process. Your time, energy, and professionalism were integral to this process. Thank you for always going above and beyond. I could not have done this without you.

To my co-director, collaborative partner, and friend, Marty, I cannot express the level of gratitude I have for your continued willingness to support my vision for the show and together take risks in creating our interpretation to this work. Your artistic voice and encouragement of the students is something that I will never forget. There are no doubts that you were brought into my life for several reasons, and I am excited to see where our future collaborations take us. We have been the true definition of team, and it was an honor to create with you.

Thank you all for joining us and I hope that you enjoy the experience of our One. Singular.

Sensation.

Courtney Ozovek “Those who cannot change their minds cannot change anything.” — George Bernard Shaw

Student Production Staff Assistant Director Payton Homer Assistant Stage Manager Christina Infranca, Emily Baeza Assistant Lighting Designer Samera Abdelrhman Assistant Technical Director Chris Powers Scenic/Prop Crew Ariana Dolan, Joshua Penrod, Kristie Nasejje Assistant Costume Designer Hannah Creighton, Percilla Lawson Lighting Board Operator Taylor Strom Projections Board Operator Ashley Aleian Followspot Operators Kiandokht Kamali, Kaylee Stephanian LX Programmer Miranda Carpenter Audio Engineer Jordan Benitez Sound Crew Diego Izeta, Will Collins, Sequoia Brown Costume Crew Ziggy Bozigian, Leo Van Bindsbergen, Irma Aguilar Costume Maintenance Alyssa Musquez, Abigail Valdivia, Kallia Taylor

Makeup Crew Julia Gee, Cash Wheeler Lead Scenic Artists: Diego Banda, Zoe Agpaoa, Abby Rariden, Mio Okada, Cecilia Esquivel Scenic Artists Mickey Narez, Evelyn Flynn, Sarah Perrico, Kristen Pereyra, Yanira Leora, Michelle Dalirifar, Anne Lopez, Amaya Gray, Elin Ruden Costume Lab Student Assistants Greer Gardner, Gwen Sloan, Ryn Heier, Makayla Finn, Haven Hanson, Maggie Hammond, Quinn O’Sonis, Julianna Barlow, Alyssa Gauss, Grace McArthur, Caroline Lovett, Savannah Haislip, Hannah Creighton Scenic Lab Carpenters Nicole Maldonado, George Diaz Mejia, Blythe Ryther, Katherine Brauer, Liz Doubrovsky, Sarai Ortiz, Anela Brown, Mak Steward, Isaiah Huntsinger, Henry Passo, Ryan Marroquin, Chris Suarez, Nyeli Rubio, Jeamil Haboud, and lab students from Theatre 276, 372, and 476 Production Office Assistants Emily Mattson, Madeline Lindbeck, Anthony Osborn Box Office Staff Avery Ackerman, Madison Dabalos, Charlie Duval, Emily Mattson, Sarai Ortiz, Josiah Sanchez House Managers Madison Dabalos, Josiah Sanchez

Faculty Production Mentors Costumes Mentor Hyun Sook Kim Lighting Design Mentor Scott Bolman Props/Scenic Mentor Carolyn Mraz Stage Management Mentor Jamie Tucker Technical Direction Mentor JR Luker

Department Notes & Policies Proceeding Safely: Clayes Performing Arts Center will match all current COVID-19 recommendations and guidelines provided by local health agencies and outlined by CSUF’s Directive 22. When purchasing a ticket to a Clayes Performing Arts Center event, you agree to adhere to all COVID-19 safety entry requirements in effect at the time of the event.

Commitment to Diversity: The Department of Theatre & Dance affirms its commitment to inclusiveness in student learning and success in all areas of theatre based on merit and achievement, and will not discriminate on the basis of race, color, ethnic origin, national origin, creed, religion, political belief, gender, gender identity, sexual orientation, physical appearance, mental or physical disability, marital status or age.

Cell Phones & Electronic Devices: Cellphones and other electronic devices must be turned off prior to the start of the performance and at the beginning of the second half to minimize disruptions in the theater and ensure the enjoyment of all patrons in attendance.

The video and/or audio recording of this performance by any means whatsoever is strictly prohibited, and any recordings will be asked to be deleted.

Food & Drink Policy: Food and drink is not allowed in the venue, with the exception of bottled water.

If you do not follow these guidelines, you may be asked to leave.

Professional Artist Unions Faculty, Staff and Guest Artists of the Department of Theatre & Dance are specialists in their respective disciplines. Within these groups, the following professional artist unions are represented: AEA (Actors’ Equity Association) AGMA (American Guild of Musical Artists)

SAG-AFTRA (Screen Actors Guild/American Federation of Radio and Television Artists)

AGVA (American Guild of Variety Artists)

SDC (Stage Directors and Choreographers Society)

IATSE (International Alliance of Theatrical Stage Employees)

USA (United Scenic Artists)

The Kennedy Center American College Theater Festival, part of the Rubenstein Arts Access Program, is generously funded by David M. Rubenstein.

Special thanks to The Harold and Mimi Steinberg Charitable Trust for supporting the John F. Kennedy Center for the Performing Arts’ Kennedy Center American College Theater Festival.

Additional support is provided by The Honorable Stuart Bernstein and Wilma E. Bernstein; and the Dr. Gerald and Paula McNichols Foundation.

Kennedy Center education and related artistic programming is made possible through the generosity of the National Committee for the Performing Arts.

This production is entered in the Kennedy Center American College Theater Festival (KCACTF). The aims of this national theater education program are to identify and promote quality in college-level theater production. To this end, each production entered is eligible for a response by a regional KCACTF representative, and selected students and faculty are invited to participate in KCACTF programs involving scholarships, internships, grants and awards for actors, directors, dramaturgs, playwrights, designers, stage managers and critics at both the regional and national levels.

Productions entered on the Participating level are eligible for invitation to the KCACTF regional festival and may also be considered for national awards recognizing outstanding achievement in production, design, direction and performance.

Last year more than 1,500 productions were entered in the KCACTF involving more than 200,000 students nationwide. By entering this production, our theater department is sharing in the KCACTF goals to recognize, reward, and celebrate the exemplary work produced in college and university theaters across the nation.

KCACTF.ORG

California State University, Fullerton • College of the Arts

DONOR APPLAUSE The College of the Arts extends its heartfelt gratitude to the following patrons who have supported our students and programs this past year through a generous gift of $1,000 or more to the College, the School of Music, Department of Theatre & Dance, and/or the Department of Visual Arts.**

$1,000,000 + Anonymous $100,000+ Darryl Curran Shawna & Gregory Ellis Stan Mark Ryan Shirley & David Sepel William Wagner $25,000+ Alliance for the Performing Arts The Andy Warhol Foundation Johnny Carson Foundation Leo Freedman Foundation Robin & Steve Kalota Music Associates Frank & John Olsen Donna & Ernie Schroeder $10,000+ Art Alliance Affordable Housing Access Inc. Lee Begovich The Blackbaud Giving Fund Marilyn D. Carlson Robin De la Llata Amie Dwight Richard Odle Foundation Fidelity Charitable Gift Fund J.P. Morgan Charitable Giving Fund Ellen & Bill Groves Marianne Kreter Kathleen Hein Eleanore & James L. Monroe Lucina Moses & John Brennan Bob & Terri Niccum Dr. Katherine S. Powers & Håkan O. Rosengren Dana Praitis Raymond James Charitable Endowment Fund Kristin K. Stang & Gordon Capp Jeffrey A. Stang & Lisa McDaniel Stang Sue & Dr. Edward A. Sullivan

$5,000+ Robin de la Llata Aime & Jack Aime Drs. Voiza & Joseph Arnold Dana M. Carrera* Steven Caulk Dr. Marc R. Dickey Susan & Richard Dolnick Desiree Engel Friends of Jazz Leslie & Greg Garman MaryLouise & Ed Hlavac Morningside of Fullerton Norma Morris Betty Murphy Jill Kurti Norman Orange County Community Foundation $1,000+ Judy L. Atwell Betsy & Eric Azariah Dottie & Nick Batinich Lucina & John Brennan Janet & Allen Bridgford Irene Chinn Stephen W. Collier & Joann Driggers William S. Cornyn CEC Artslink D. Barry Schmitt Revocable Trust Lucetta A. Dunn Dr. Anne Fingal Evelyn K. Francuz Fullerton Families and Friends Marsha Gallavan Jacquelyn Garrabrant Annette L. & Leon J. Gilbert Renee & John Gillespie Susan-Ellen Gilmont Dr. Mark J. Goodrich Dr. Margaret F. Gordon Theresa Harvey James L. Henriques Frank Hinojoz Dr. Robert Istad Michelle Jordan

Gladys M. Kares Gwendolyn & Carlos C. Leija Jason Lomeda Juliette Lunger John M. Martelli & Paul Coluzzi Karen & George Mast Thelma & Earl Mellott Sylvia Megerdichian Mary E. Moore Patricia & Carl Miller Ann & Douglas Myles David Navarro Yoshino & Ujinobu Niwa Debra L. Noble L. Palin Kerry & John Phelps The Presser Foundation Deanna & Arie Passchier Jim Plamondon Sheila Pinkle Sharon & Dr. Anil K. Puri Mary & Jerry R. Reinhart Renaissance Charitable Foundation Nancy & Robert Rennie Christine Rhoades David Rhone Dr. Stephen M. Rochford Ronald L. Katz Family Foundation Ann & Thad Sandford D. Barry Schmitt Louise P. Shamblen Martha Shaver Ingrid R. Shutkin Lorena L. Sikorski Carol Smith Sparkman Janet L. Smith Roberta & Robert Sperry Dodo V. Standring Thomas Statler Robert Van Sternberg Douglas Stewart Verne Wagner Dr. Sean E. Walker Debra Winters Richard Wulff YourCause, LLC *deceased

Very special care has been given to the preparation of this donor listing.

Please contact Ann Steichen at (657) 278-7124 with questions or concerns. **Gifts received from July 1, 2022 through August 2023

ONTIVEROS SOCIETY The Ontiveros Society includes individuals who have provided a gift for Cal State Fullerton through their estate plan. Our deep appreciation is extended to the following Ontiveros Society members, whose gifts will benefit the students and mission of the College of the Arts: ANONYMOUS JOHN ALEXANDER LEE & DR. NICHOLAS A.* BEGOVICH GAIL & MICHAEL COCHRAN MARC R. DICKEY JOANN DRIGGERS BETTY EVERETT CAROL J. GEISBAUER & JOHN* GEISBAUER SOPHIA & CHARLES GRAY MARYLOUISE & ED HLAVAC GRETCHEN KANNE

DR. BURTON L. KARSON ANNE L. KRUZIC* LOREEN & JOHN LOFTUS ALAN A. MANNASON* WILLIAM J. MCGARVEY* DR. SALLIE MITCHELL* ELEANORE P. & JAMES L. MONROE LYNN & ROBERT MYERS DWIGHT RICHARD ODLE* SHERRY & DR. GORDON PAINE DR. JUNE POLLAK & MR. GEORGE POLLAK*

DR. STEPHEN M. ROCHFORD MARY K. & WILLIAM SAMPSON LORENA SIKORSKI DOUGLAS G. STEWART ANDREA J. & JEFFREY E. SWARD RICHARD J. TAYLOR VERNE WAGNER RICHARD WULFF DR. JAMES D. & DOTTIE YOUNG*

*deceased

The College of the Arts Proudly Recognizes the 300+ Members of Our

VOLUNTEER SUPPORT GROUPS ART ALLIANCE: Art Alliance promotes excellence and enjoyment in the visual arts, and their fundraising efforts contribute to student scholarship, gallery exhibitions, opening receptions and sculpture acquisition on campus.

SPECIAL SUPPORT AND EVENT UNDERWRITING Fay Colmar John DeLoof

Joann Driggers & Steve Collier Loraine Walkington

ALLIANCE FOR THE PERFORMING ARTS: The Alliance for the Performing Arts (formerly MAMM) benefits performing arts students through underwriting visiting artists; special theatre, dance, and music performances; and other unique experiences for members.

SPECIAL SUPPORT AND EVENT UNDERWRITING Judy Atwell Drs. Voiza & Joe Arnold Dr. Margaret Faulwell Gordon

Susan Hallman Norma Morris Richard Odle Estate

Kerry & John Phelps Jeanie Stockwell Verne Wagner

MUSIC ASSOCIATES: Music Associates maintains a tradition of active involvement and community support, and raises scholarship funds for School of Music students through annual fundraising events and membership dues.

SPECIAL SUPPORT AND EVENT UNDERWRITING Marilyn Carlson Evelyn K. Francuz Sandy & Norm Johnson Marti & Bill Kurschat Karen & George Mast

Thelma & Earl Mellott Bettina Murphy Grace & Ujinobu Niwa Kerry & John Phelps Mary & Jerry Reinhart

Ann & Thad Sandford Dodo V. Standring Carolyn & Tom Toby John Van Wey

MORE INFORMATION: Ann Steichen • 657-278-7124 There are many ways to support the College of the Arts, the School of Music, Department of Theatre and Dance, and Department of Visual Arts

GET INVOLVED GIVING.FULLERTON.EDU

theatre.fullerton.edu

The views and opinions expressed in this production and program are those of the author(s) and do not necessarily reflect the views or positions of any entities at Cal State Fullerton or the California State University system.

Land Acknowledgement The Department of Theatre and Dance acknowledges our presence on the traditional, ancestral and unceeded territory of the Gabrielino/Tongva Nation. We pay our respects to the Indigenous land caretakers past, present, and emerging. For more information please visit the Gabrielino-Tongva Tribe website.

Resources https://native-land.ca/ • https://gabrielinotribe.org/ http://nahc.ca.gov/cp/tribal-atlas-pages/gabrielino-tongva-nation/