Abode: Summer 2018 by C-VILLE Weekly

Collectorâ&#x20AC;&#x2122;s addition: A city-dweller makes space for more rooms

Inside. Outside. Home. SUMMER 2018

Lightening up IN ALBEMARLE, A NEW SITE FOR A WORTHY VIEW WHY NATIVE PLANTS ARE GOOD FOR THE BIOSPHERE

After 30 years of traditional design, two Nelson homeowners conjure a modern farmhouse

C-VILLE ABODE

Justin H. Wiley

Peter A. Wiley

434.981.5528 justin@wileyproperty.com

434.422.2090 peter@wileyproperty.com

132A East Main Street • Orange, VA 22960

503 Faulconer Drive, Suite 6 • Charlottesville, VA 22903

ESTATE PARCEL IN GREENWOOD

HUGE BLUE RIDGE VIEWS

HUNTINGFIELD FARM - Beautiful 305 acre parcel on Ortman Road in the Green-

REDCLIFFE - Private setting with panoramic Blue Ridge views, minutes to down-

wood area of Albemarle. A perfect estate parcel with numerous streams, open meadows, and wonderful mountain views. 20 minutes to town. Protected with a max of 4 division rights.

town Charlottesville. c. 1902, beautifully renovated 6,500 sqft fieldstone manor with gracious additions including a professionally designed, kitchen/family room.

MLS# 574548 • $3,995,000

MLS# 574613 • $3,795,000

Justin H. Wiley – 434.981.5528

Peter A. Wiley – 434.422.2090

FIRST TIME ON MARKET IN 50 YEARS

MOUNTAIN VIEWS 15 MINUTES TO TOWN

MICHIE FARM - 175+/- acres located in the Keswick area of Albemarle, numerous beautiful, and private building sites. The parcel also includes the circa 1750 Michie house, farm buildings, pond, existing entrance, and driveway.

TERRE ROUGE - Custom home with incredible views across a 30-acre lake to the Ragged Mountains beyond, in a completely private setting. This elegant 6 BR/6BA home offers an open floor plan with an artfully designed kitchen.

MLS# 562581 • $1,430,000

MLS# 574884 • $1,550,000

Justin H. Wiley – 434.981.5528

Peter A. Wiley – 434.422.2090

BLUE RIDGE VIEWS IN SOMERSET

EXPANSIVE MOUNTAIN VIEWS

ELIJAH CRAIG - Beautiful 113 +/- acres of mostly open meadows with stunning Blue Ridge Mountain views located in the heart of the Somerset area of Orange County. Surrounded by large estates and protected by a conservation easement. MLS# 566743 • $1,250,000

MILE END RIDGE - In a beautiful elevated setting of 114 acres with expansive mountain views, this residence is an impressive 6 BR English country manor replete with all modern conveniences. An Infinity pool, pool house/ guest apartment and 4 car detached garage complete the offering.. MLS# 573218 • $3,750,000

Justin H. Wiley – 434.981.5528

C-VILLE ABODE

W W W.W I L E Y P R O P E R T Y.C O M

Peter A. Wiley – 434.422.2090

503 Faulconer Drive Charlottesville · VA · 22903 p: 434.295.1131 f: 434.293.7377 e: homes@mcleanfaulconer.com

MCL EAN FAULCONER INC. Farm, Estate and Residential Brokers

MEADOWBROOK HILLS

Lovely Milton L.Grigg Georgian circa 1941 has the historical integrity of a classic home with a stunning addition dated 2005. 4 Bedrooms, 3.5 Baths. New addition includes open kitchen with breakfast nook, family room with fireplace, master suite, screened sleeping porch and a basement rec room. MLS #573474 $1,295,000 Steve McLean, 434-981-1863 or Marian Fife (434) 422-0298

IRISH ROAD

100k below County assessed value! Wonderfully private sanctuary in Southern Albemarle - straight out of an architect & gardener’s dream. 80+ acre farm! $650,000 MLS#574131 Will Faulconer 434-987-9455 or Tim Michel 434-960-1124

5TH STREET FLATS

Spotless 2 bedroom condo, 1065 sq/ft., cork floors, like new appliances, granite countertops, washer/ dryer and sunny southern mountain views. Between the Downtown Mall and UVA. MLS#573386 $259,000 Tim Michel 434.960.1124

KIMBROUGH CIRCLE

Charming Ivy home near Meriwether Lewis with 4 bedrooms, 3 1/2 baths, hardwood floors on 2 levels, remodeled kitchen & baths, 2 fireplaces, bookcases in family room. MLS#573608 $515,000 Betsy Swett, 249-2922

EARLYSVILLE

Ten minutes from Alb HS, first level master suite, walk out deck with spa. Complete dependency: Master bedroom/bath, full kitchen. 5 bedrooms, 4 baths 5,781 SF. MLS#573855 $733,800 Mark Mascotte, 434.825.8610

FOX RIDGE

Enjoy expansive views of nearby lake & Southwest Mountains from this 5 bedroom brick residence in the heart of Keswick on 21 acres. MLS#572756 $995,000 Charlotte Dammann 434.981.1250

UNIVERSITY AREA

Classic 1915 residence designed by Eugene Bradbury & charming cottage a few seconds to the main grounds, hospital and sports complexes. Immaculate condition and privately situated. MLS#574543 $795,000 Charlotte Dammann, 434.981.1250

THISTLE TOP FARM

18-Acre farm boasts an excellent stream and Davis Creek Frontage, southern exposure with wide mountain views, a pleasant balance of pasture and wooded land set in a private hollow. MLS#572513 $785,000 Steve McLean 434.981.1863

BELLAIR

MONTVUE

Great location off Barracks Road! This traditional 2 story brick home has just been extensively renovated and completely painted inside and out. Near end of quiet cul-de-sac on 1.48 acres. MLS#574384 $695,000 Jim Faulconer, 434.981.0076

One of the best Albemarle County locations, close to UVA and all city locations, on west side with excellent county schools. This one level brick home has been exceptionally maintained and improved, 4 bedrooms, 3.5 baths on approximately one half acre, large private rear terrace with superb fenced and landscaped back yard, great for gardening, parties and recreational activities. MLS#574468 $1,280,000 Jim Faulconer, 434.981.0076

WWW.MCLEANFAULCONER.COM

C-VILLE ABODE

IN THIS ISSUE

Addition and subtraction 38 Though the house had sat vacant for many years, its current homeowner could see it had good bones and bought it the very day she saw it. Then, she enlisted architect Enoch Snyder and interior designer Alana Woerpel to restructure and restyle it to suit her needs—including shifting the layout and creating an addition for an art studio. The final touches? Artfully displaying the homeowner’s extensive collections.

SHAWN MULLIGAN

Framing a view 49

308 E. Main St. Charlottesville, VA 22902 (434) 817-2749 n c-ville.com c-ville.com/abode C-VILLE ABODE

Though the landscape, which overlooks the Moormans River, lush fields and the Blue Ridge Mountains, offered much in the way of scenery, the owners of this Western Albemarle property felt the home was too close to the edge —to really drink in the view, they needed to take a few steps back. Architect Bob Paxton resited the house to give the verdant vista some breathing room.

ABODE, a supplement to C-VILLE Weekly, is distributed in Charlottesville, Albemarle County and the Shenandoah Valley. No part of this publication may be reproduced without the written permission of the publisher. Editor Jessica Luck. Abode Editor Caitlin White. Copy Editor Susan Sorensen. Creative Director Bill LeSueur. Graphic Designers Tracy Federico, Henry Jones, Max March, Lorena Perez. Account Executives Spencer Dole, Erica Gentile, Theressa Leak, Katie McCartney, Alex Patterson, Kyle Robinson, Cindy Simmons, Beth Wood. Production Coordinator Faith Gibson. Publisher Aimee Atteberry. Chief Financial Officer Debbie Miller. Marketing Manager Anna Harrison. Media & Outreach Coordinator Caitlin Worrell. A/R Specialist Nanci Winter. Circulation Manager Billy Dempsey. ©2018 C-VILLE Weekly.

SUMMER SCOTT WEISS

A R C H I T E C T

ROBERT LLEWELLYN

TELEPHONE OR TEXT: 434-242-9288 EMAIL: SCOTT@WEISS_ARCH.COM WEBSITE: WWW.WEISS_ARCH.COM

BLUEPRINT SPOTLIGHT 11

Fresh start

A D.C. couple builds their dream home.

A closer look 17

In praise of the season’s most Southern bloom.

AFTER

Design seen 20

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An unexpected detail underfoot.

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Garden Green 23

Attracting pollinators to the summer garden.

Growing season 25

Why natives are a boon to the landscape.

434-990-9911 • central-virginia.pauldavis.com 6

In the garden 29

The wild and wonderful backyard of Marlene Condon.

Art+Architecture 31 Bringing the outdoors into the kitchen.

On the market 35 People in glass houses, as they say...

Events 35

The biannual SHE Design House returns, plus a farm tour, workshops and more. A ROOM OF ONE’S OWN 58

Leader boarding Herbert Hoover’s Madison County retreat.

Cover photo by Andrea Hubbell. Comments? E-mail us at abode@c-ville.com.

C-VILLE ABODE

A WARM WELCOME As a purpose-driven architecture and interior design firm, Purple Cherry Architects is incredibly touched by the warm welcome and strong support received here in Charlottesville. The firm feels blessed to be a new member of such a vibrant communityâ&#x20AC;&#x201D;one that is deeply committed toward philanthropy and embraces giving back. With nearly 30 years of crafting awe-inspiring homes, the evolution into a new city further enhances the truly diverse creative talents of this design team. What sets the firm apart from others, is the teamâ&#x20AC;&#x2122;s desire to understand not only the physical, but also the emotional relationship a client will have with a particular space and how that translates to design. Purple Cherry Architects thrives in its role as a full-service design firm, always striving to create incredible spaces that excite and reflect each and every client. Thank you Charlottesville, for making us feel right at home. purplecherry.com

701 Water Street E. Charlottesville, VA 434.245.2211

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Lovingly restored and renovated home in Fry Springs with all new EVERYTHING. 3 BD 2.5 BA, new siding, plumbing, heating and cooling, kitchen appliances. Maple floors, Alberene soapstone counters with Carrara marble tile backsplash in the kitchen, this home is a MUST SEE.

Located within the Farms of Turkey Run subdivision, a stately all brick Georgian w/over 5400 finished sq/ft, 5 bdrs, 4 full, 1 half baths, 18 mins from Charlottesville. Privately situated on over 25 acres of open & wooded land, creek & pond site. Upscale home features quartz countertops, stainless appliances, hardwoods, 1st floor master suite, whole house generator, gated security, paved drive, community walking & riding trails.

MLS 573958

MLS 495948

$424,900

1486 Ashland Drive

$925,000

220-222 W South Street

One owner, end unit townhome in Forest Lakes South in fabulous condition! This 3 DB, 2.5 BA unit features an open floor plan with eat-in kitchen, gas fireplace, first floor master, screened in porch and grilling patio.

Rare opportunity to own a downtown Charlottesville historic building that has been lovingly renovated with sustainable and high performance design features resulting in a LEED Gold Certified rating!

MLS 575034

CVCMLS 30195902

$269,00

600 Elliott Ave

$2,800,000

3 N Seminole Trail

PRICE REDUCED

Classic, charming cottage in convenient Belmont location! An easy walk to Belmont eateries, Ix Art Park and everything Downtown Charlottesville! Located on a corner lot, which offers off-street parking, this 2 bedroom, 1 bath home also has new windows, a newer heat pump for central heat, A/C, nice sized rooms and beautiful hardwood floors.

B3 zoning which allows for many uses! Frontage on rt 29 with access off of Lake Saponi Dr 3.24 acres mostly open access to water and sewer. Close to the Holiday Inn Express and Shopping center on the Albemarle/Greene County Line.

MLS 571686

$242,500

MLS

571343

$875,000

434.220.5656 | sloanmanis.com | 415 Fourth Street N.E. Charlottesville, VA 22902 8

C-VILLE ABODE

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C-VILLE ABODE

Blueprint Design in all its many forms

ANDREA HUBBELL

Farmhouse fresh C-VILLE ABODE

A couple goes minimal in Nelson County By Erika Howsare

ABODE 11

You can have it all!

The kitchen of your dreams in a townhome with the view of your dreams

For more information please contact Nancy Witte at 434.245.2238 or email at nwitte@southern-development.com southern-development.com

C-VILLE ABODE

PHOTOS: ANDREA HUBBELL

The homeowners were looking for a home that was livable on one level, with rooms for kids and grandkids upstairs. The great room —which comprises a sitting area, dining area and generous kitchen (“I like to spread out when I cook,” says Carolyn Frazier), situates near the master suite and informal den.

hree decades in one house makes some people set in their ways, but, for others, it ends with an abrupt change. Tom and Carolyn Frazier had lived in Northern Virginia in a “typical, traditional D.C. house,” says Carolyn, and when they reached retirement they were ready for something “totally different. We wanted something modern and open.” After searching unsuccessfully for an existing house in Charlottesville, they found a lot in Nellysford’s Stoney Creek development, facing the golf course and the Blue Ridge. “No matter where you look, you can see the mountains,” says CaroC-VILLE ABODE

lyn. A plan they found for a contemporary farmhouse seemed to suit the site well, and contractor Jefferson Area Builders helped modify the details to cater to the Fraziers’ needs and tastes. “We wanted to keep it simple and elegant, with clean lines,” says Carolyn. The previous house had lots of traditional detailing—chair rails and so forth—and was filled with family antiques and other traditional furniture. The couple now craved a crisp, almost minimal look. The house plan called for a great room with a very high 18-foot cathedral ceiling, and for that large main space, “Tom wanted white walls,” says

Carolyn. “It’s the simplicity,” he says, explaining why he stuck to his guns even when interior designer Alexandra Bracey suggested some gray in the space. Instead of color on the walls, then, she introduced grays and a bit of red-orange via the furniture and accessories: sofas from Theodore’s in D.C., a pair of Design Within Reach chairs and a rug from Matt Camron (also in D.C.). The fireplace is a minimalist design dwarfed by the stone chimney that extends the full height of the great room—a major architectural element in itself. Three small clerestory windows CONTINUED ON PAGE 15

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call to schedule a consultation at no charge outlawdesigncompany.com 434.996.7849 Ruth Ellen Outlaw, designing for families since 1999

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Here is the old Yancey Mill Postmasterâ&#x20AC;&#x2122;s house dating to the 19th Century, awarded Best Renovation with Energy Upgrades from LEAP in 2011. Located in Albemarleâ&#x20AC;&#x2122;s Greenwood/Afton Historic District minutes west of Crozet with convenient access to Charlottesville, this winsome home captures rare period character, mellowed woods and gracious scale with beautiful mountain views. MLS 574800. $645,000.

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C-VILLE ABODE

Designer Alexandra Bracey convinced the couple to take a few design risks: In the master bedroom, a midcentury modern dresser was refinished, its drawers painted a light gray. In a powder room, tree-patterned paper covers the walls. CONTINUED FROM PAGE 13

C-VILLE ABODE

layered over a sisal rug. Tom’s collection of antique maps fills one wall. Some of Bracey’s design recommendations were bold: A powder room features tree-patterned wallpaper and a very modern bare-bulb light fixture from Lambert et Fils hangs in the

PHOTOS: ANDREA HUBBELL

also emphasize the room’s lofty height, as do the exposed beams near the shiplap ceiling. The seating arrangement sits between two facing rows of French doors, an invitation to natural light and an homage to the view. In the kitchen, white and gray granite countertops provide very generous workspace; there’s even a lower, table-height section of countertop tucked into a windowed nook. “I like to spread out when I cook,” says Carolyn—yet the ample storage in this kitchen means that when she’s not cooking, there is virtually no clutter on the counters. A dining table custom-made by Shenandoah Furniture Gallery overlooks the golf course; pantry, broom closet and mudroom are found down a short hallway, nearly out of sight. “We were looking for something livable on one level,” says Carolyn, “that could accommodate our kids and grandkids upstairs.” Besides the great room, the other main living spaces for the Fraziers—master suite and den—are nearby on the first floor. The den is an appealing space, with a sliding barn door, blue walls and a second fireplace. Bracey sourced a teak root coffee table from Jayson Home and suggested a cowhide rug

stairwell. In the master bedroom, a midcentury modern dresser was refinished, its drawers painted light gray, by Martha Leone Design in D.C. The rug was created, in a custom smoke-blue color, by Timothy Paul Home. Upstairs, the three bedrooms and two baths each have their own wall color, but the hues are compatible: Together, they form a palette of soft grays, blues and sage green. “The rooms work cohesively,” says Bracey. “I am a big fan of softer, soothing colors—colors without a lot of yellow,” fortunately also the one shade that did not interest Carolyn. Very few pieces of furniture traveled with the Fraziers from their previous home—a small writing desk that’s now in the grandsons’ bedroom and a white canopy bed that’s unfussy enough to fit perfectly into this contemporary house. They’re joined by new pieces including iron twin bedsteads for the kids, tall glass cylinder lamps from Arteriors and custom patterned window treatments. Planning and outfitting the house was a yearlong project for the Fraziers, but Carolyn says the pleasure of living in a totally fresh environment was well worth it: “We got what we wanted.” 15

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C-VILLE ABODE

BLUEPRINT n A CLOSER LOOK

“Lady Marmalade (Patti LaBelle)” Mixed-media collage by artist Judy McLeod

Southern showstoppers “T

he pleasantest smell in the world,” wrote natural historian Robert Beverly of the Sweetbay magnolia in 1705, and its large, creamy white flowers are just as striking. Associated with nobility and perseverance, the more than 200 species of magnolia vie with dogwood, crepe myrtle, azaleas and camellias for the American South’s favorite plant. Thomas Jefferson was an early proponent, sending seeds to friends and planting trees at his home. “Jefferson grew the deciduous Sweetbay and Umbrella varieties,” says Peggy Cornett, curator of plants at Monticello, “the latter in rows in the upper grove.” On UVA’s Grounds, a spreading, pinkish-purple Saucer MagC-VILLE ABODE

nolia stands to the left of Jefferson’s statue in front of the Rotunda, which itself was flanked by seven evergreen Southern magnolias until they were removed in 2014. “The Southern variety is beautiful and reliably evergreen, but they grow so fast that they tend to get out of scale to the building and take over the architecture,” says Cornett. Nonetheless, the appeal of the magnolia endures. Its bark possesses medicinal properties, its cone-like fruit produces slender red seeds that are favorites of birds and small mammals and its graceful, cup-shaped flowers and shiny, dark green leaves make an elegant cutting for a Southern table. “Spectacular,” says Cornett.—Lisa Martin 17

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3199 Cold Spring Rd | Charlottesville

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1702 Burnley Ave | Charlottesville

Luxury family home off Bloomfield Rd in Ivy! 5 BR, 4.5 BA home on 21+ acres, built by Shelter Associates & renovated in 2018. Formal spaces, high ceilings, crown molding, open concept kitchen, family room. Total privacy with mountain, wood & pastoral views.

Beautiful custom designed home privately tucked away on nearly 6 acres with water frontage & views down to Mallard Lake. Open floorplan allows for one-level living with a gracious MBR suite & updated kitchen. Vaulted ceiling & FP in great room.

Located off Rugby Road & loaded with charm & character, this classic 4 BR city home has recently enjoyed a comprehensive, high-quality restoration. Antique fir floors, two working FPs, well appointed baths, & luxurious kitchen. A rare opportunity.

$1,350,000 montaguemiller.com/mls=574732 Anita Dunbar | 434.981.1421

$639,000 montaguemiller.com/mls=574808 McCauley Bailey Team | 434.227.4449

$1,350,000 montaguemiller.com/mls=571917 Carter Montague | 434.962.3419

1470 Cedarwood Ct | Charlottesville

1560 Old Ballard Rd | Charlottesville

765 Yorkshire Rd | Earlysville

5BR, 3.5BA Redfields home with plenty of space for entertaining. Open floor plan, +4000 sqft of fin. living space, gracious kitchen, fin. basement, decks & patios. 2 car garage. 3/4 acre lot with privacy.

Ideal location in the heart of Ivy. 4BR, 3BA home with over 3000 sq ft of living space, on level 2 acre lot. 3 fireplaces, 4 season sunroom, landscaped yard. Western Albemarle schools.

Beautiful flowing floor plan & elegant DR, spacious LR & wonderful family room with FP off of the kitchen & breakfast area. MBR suite with walk-in closet, double vanities, tile shower & whirlpool tub.

$524,900 montaguemiller.com/mls=572234 McCauley Bailey Team | 434.227.4449

$595,000 montaguemiller.com/mls=573396 Carter Montague | 434.962.3419

$549,900 montaguemiller.com/mls=571959 Mike Gaffney | 434.760.2160

BLUEPRINT n DESIGN SEEN

Floor fashions 20

VIRGINIA HAMRICK

C-VILLE ABODE

Paint: It isn’t just for walls anymore By Caite White

hough they’ve been around since the 18th century, painted floors (when done right) can be nostalgic, practical and surprisingly modern, says designer Franny Hurt. Back then, they were used in everything from modest farmhouses to Victorian mansions, helping to protect hardwoods before modern sealant was developed. Now they’re more multipurpose, used as a temporary (and cost-effective) solution to refinishing or replacing old floors; to ease a transition between one room to the next; or to provide visual interest in a character-less room. “I believe that any time is a good time to experiment with paint,” Hurt says. “It’s an inexpensive, nonpermanent treatment that can be applied to virtually any surface.” And the Washington, D.C., transplant practices what she preaches: She transformed the kitchen of her own 1930s Shaker-style house just by applying a checkerboard pattern to the floor. “Painting the kitchen floor was a referential and relevant solution,” Hurt says. “Changing up the color, scale and pattern made it feel decidedly modern and fresh.” But what should you know before applying this technique in your own home? Choose a durable paint (Hurt says Farrow & Ball and Benjamin Moore are both good options) and think hard about the scale of the pattern: “Large spaces with small-scaled patterns can quickly look too busy and small spaces with too large of a pattern can feel cramped.” And, while it might not bother you, keep in mind that high-traffic or high-moisture areas will need touch-ups more often. “However,” says Hurt, “the patina enhances the look of painted floors, so have fun and paint away.”

In her own home on Locust Avenue, designer Franny Hurt decided painting the kitchen floor was the best solution to ease the transition from newly installed to old maple floors.

“Large spaces with small-scaled patterns can quickly look too busy and small spaces with too large of a pattern can feel cramped.” HOW TO Use these guidelines to get started in your house. First, figure out how the pattern will lay in the space, using scaled drawings, trace paper or a computer drafting program. Next, clean the surface and lightly stencil the pattern on the floor. Tape off the lines using painter’s tape (Hurt recommends FrogTape Multi-surface), then lightly sand and clean areas that will receive the paint. Apply the paint using a brush or roller (depending on your desired effect), then seal it with a topcoat.

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BLUEPRINT n GARDEN GREEN

Summer’s song This season, the garden calls for pollinators By Cathy Clary

C-VILLE ABODE

Rain gardens are swaths of grasses, shrubs and perennials in low spots that absorb runoff from streets, parking areas and roofs, i.e. impermeable surfaces. Check out the Virginia Conservation Assistance Program at Thomas Jefferson Soil & Water Conservation District for cost-share programs. Rain gardens hold and filter excess water while providing space for flowering shrubs and perennials to feed the insect world. They are not neat and tidy and have a meadowish look. They generally get cut down once a year in early spring and are not heavy feeders. The best of public plantings teach us ways to improve our landscapes. Our city is full of rain gardens when you start looking for them. From the parking lot at Region Ten on Preston Avenue

to the ones at Boar’s Head by the pond and at the bottom of the County Office Building on McIntire Road, you can study efforts to hold and clean stormwater instead of dumping it in the bay. Our shining jewel is the University of Virginia’s Dell, which daylighted part of Meadow Creek and tamed its flow into a pond (with resident egret). Plantings along its run up to the old cemeteries reflect Virginia’s different ecological regions, from waterside to foothills. A meandering path with excellent signage leads through river birch, switch grass, bayberry, fringetree, Joe Pye weed, cardinal flower, sweet fern and more. Walk right in and immerse yourself in the songs and smells of summer.

A feather in the University of Virginia’s landscaping cap, The Dell contains plantings that reflect Virginia’s various ecosystems, from waterside to foothills.

JACK LOONEY

ach season has its sounds and smells. In the quiet of late winter stinky skunk cabbage entices winged insects hungry for carrion. Spring brings birdsong and sweeter breezes although nature continues the rotting meat theme with the lurid purple hue of pawpaw flowers. As we approach the equinox of June 21, the legendary longest day when everywhere day and night are the same length, the fragrant heady buzz of summer reigns supreme. The peepers’ song (our little native chorus frogs) was the opening act for bees, butterflies, moths, wasps and flies that fill the air with their whirrings. From now until the first killing frost, rich odors and bright flowers with protruding stamens and landing pads of petals lure myriad flying things to pollinate vegetables, fruits, trees, shrubs and each other. In turn they provide food for toads, turtles and birds on up the food chain. Cicadas and crickets in late August and the tang of nasturtiums will foretell summer’s end. So what does this have to do with city gardeners or even suburban and country folk who are just trying to keep everything in check and have something pretty to look at or eat? Summer’s prime directives are to feed the hungry (fertilize roses, tomatoes, annuals), water the thirsty (transplants, containers, drought-stressed shrubs and trees) and try to keep weeds from taking over (mulch with newspaper, cardboard, wood chips, and compost). Attracting pollinators and keeping water on your property are two of the most important things you can do to achieve the first two of these ends (weeds can become a losing battle at any time). Unless you’re going to get out there with a cotton swab, all those tomatoes and cucumbers and squash, not to mention the fruit trees, depend on bees and flies and wasps, even bats, to move pollen from one plant to another. Plant flowers, give shelter, and they will come. Spray pesticides and you will kill them. A variety of native flowers like black-eyed Susan, coneflower, beebalm, phlox and butterfly weed is best, but even the much-derided Asian butterfly bush has abundant nectar and gives a twiggy home. When you capture runoff with rain barrels, rain gardens and permeable surfaces (avoid asphalt and concrete and look to pavers or stones set in soil or sand), it’s a win-win for your landscape and the Chesapeake Bay, which does not need any more yard waste. Barrels and rooftop catchment store water for outdoor use.

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Native gardens are a boon to the environment By Erika Howsare

In a world of widespread development by humans, “There’s a huge difference in the amount of wild places for wild critters—a lot less space for them to live and less food for them to eat,” says Hummingbird Hill Native Plant Nursery co-owner Tim SanJule. Native plants are the basis of the food chain.

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here are as many ways to garden as there are ways to cook. Some folks plant neat rows of vegetables; others create geometric arrangements of herbs. Traditional ornamental gardens in our part of the world might feature forsythia, crepe myrtle and daffodils—plants that originate in Asia, Europe and other faraway places. But for gardeners sensitive to the larger systems that surround our gardens, there are compelling reasons to choose native plants: those that evolved here in our region, in concert with other native species. One of the reasons is simple practicality. “Native plants, once established, are tougher than your average garden plant,” says Tim SanJule. He and his wife, Wanda, opened Hummingbird Hill Native Plant Nursery, north of Crozet, in 2016. Because natives are evolved to thrive in our local soil and climate, they generally demand less coddling than exotic plants. At the Quarry Gardens— a new 40-acre native botanical garden in Schuyler—gardeners from the Center for Urban Habitats have planted thousands of plants in the last two years, but have done little watering. The bluebells, blue-eyed grass, birdsfoot violet and many other species growing there are, in the right spots with the right conditions, well-equipped to thrive. But the greater significance of native plants is the key role they play in the abundant biodiversity of our locale. In a world undergoing widespread development by humans, says SanJule, “There’s a huge difference in the amount of wild places for wild critters—a lot less space for them to live and less food for them to eat. Native plants are the base of the food chain.” Birds and butterflies are some of the more obvious creatures who get their food from native plants, but so do a host of other species, including many fungi and invertebrates. Mary Jane Epps, a biologist at Mary Baldwin University and a member of the Virginia Native Plant Society who sometimes leads plant walks at Ivy Creek Natural Area, points out that while threatened honeybees have been rightly getting a lot of press, they themselves are not native—and there are many species of native bees that are in even worse trouble. “A surprisingly high proportion of bees are specialized,” she says. “You’ll only see them on particular native plants.” Willows, for example, can support eight to 11 species of native bees. If the opposite of native is exotic, it’s important to understand that not all plants originating on other continents are invasive—that is, prone to uncontrolled spreading that crowds out native species in the garden and beyond. Many species introduced to our region for one practical purpose or another have escaped their intended boundaries; some of the most notorious are honeysuckle, kudzu, Chinese privet and Japanese stiltgrass. Yet even in a time of increasing awareness about invasives, some are still offered for sale in

The Quarry Gardens, in Schuyler, are planted to model ecosystems. Aesthetic considerations are secondary to combining plants with others that grow in their natural communities.

Native plant resources Hummingbird Hill Native Plant Nursery The retail nursery is open on weekends or by appointment. 964-1034, humming birdhillnatives.com Farfields Farm Mostly a wholesale nursery, the facility does have occasional times when the public can buy plants on-site. Upcoming events at the farm are on May 6 and May 27. The nursery will also be part of a Nelson County Master Gardeners plant sale at Devils Backbone Brewing Company on May 6. 326-2157, facebook.com/ farfieldsfarm

the garden trade. “A lot of places advertise garnet autumn olive,” says Epps. “It sounds great on paper—really hard to kill, nothing eats it, produces tons of berries…” But these are exactly the qualities that make it invasive. Other plants can directly harm native wildlife—like lesser celandine, whose pollen is toxic to bees. The more you learn about native plants, the more the subject deepens. In his work with CUH, Devin Floyd aims for as narrow a definition of “native” as possible. A species may grow in many eastern states, but seed gathered from that plant in Pennsylvania is not genetically identical to that collected from the same species in Virginia, he explains. The geographical definition of “native” gets more circumscribed the more rigorously you consider environmental factors like geology, soil type, elevation and exposure. Ideally, Floyd tries to source seed from within a 15-mile radius of where the plant will be sited. That said, planting natives doesn’t need to be an intimidating affair. CUH is partnering with two area native plant nurseries—Hummingbird Hill and Farfields Farm—to produce plant specimens with as local a genotype as possible. These could become important resources for gardeners around here who otherwise may have trouble sourcing some native plants at all, much less from local seed. Start small by adding a few plants to your landscape that are known to benefit wildlife. One of Hummingbird Hill’s bestsellers, says Wanda SanJule, is mountain mint. “It’s a pollinator magnet,” she says. “It blooms like crazy, it’s pretty easy to grow, and it doesn’t spread like peppermint.” She says native milkweeds, asters, goldenrods and sunflowers are also popular, as is medicinal elderberry. The nursery sells herbaceous plants as well as flowering shrubs, small trees, ferns, vines, grasses and sedges. Another strategy that can be fairly simple is to choose a section of your lawn to leave unmowed. “You can mow around it and make it look intentional,” says Epps. Scatter native seeds and let the plants stand uncut through the winter. “When you do mow it, do it in March after the nesting bees do their thing and before the next growing season is upon us.” Observing the pollinators and birds who interact with your native garden is one of the most rewarding aspects of growing these plants. “This is a way that anybody with access to a garden can help restore the environment,” says Tim SanJule. 27

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Walk on the wild side In the weeds with Marlene Condon By Lisa Martin

garden’s appearance depends on its purpose, says Marlene Condon, and sometimes messier is better. “Aesthetics for me are secondary,” she says. “The most important thing is the quality of the habitat for wildlife.” Condon is a Virginia-based nature writer and photographer who has penned columns for the Daily Progress and Crozet Gazette, written for C-VILLE Weekly, edited a birding and gardening magazine and published a 2006 book on cultiC-VILLE ABODE

vating nature-friendly gardens. She has spent decades advocating for the practice of landscaping for wildlife—a looser, more freeform gardening style that prioritizes the planet over the plan. “There is the misperception that you don’t have to do anything at all, but that’s not it,” says Condon. “Landscaping with wildlife in mind uses a traditional three-level structure—flowers close to the house, then shrubs and low trees, then taller trees in back—but it also includes things like brush piles, dead leaves and even a few flowering weeds.” The idea is for gardeners to give up their compulsion for neatness and to embrace what grows naturally in their area instead. The result is less orderly but more purposeful. “Dead leaves break down and become natural fertilizer, and when all the plants come up you don’t even see them anymore,” says Condon. “Brush piles are incredibly useful. You can keep them 30 feet from the house for safety, and they become a place where birds can hide from hawks or make their nests, and lizards lay their eggs in there. You’ll be shocked by how fast they decompose.” Condon reserves special scorn for wide swaths of unused lawn. “The problem is, there’s not a lot of habitat potential in a lawn,” she says. “It’s wasting a resource, and the insecticides and her-

bicides [used on lawns] kill so many animals that are important to the food chain,” particularly creatures with absorbent skin, like salamanders and other amphibians. “Slugs and snails are your recyclers and are feeding your plants,” says Condon, “and the whole world collapses without insects.” A more natural landscape also means weeding is less of a chore. “Really, the more plants you grow the better, and the fewer weeds you’ll see.” Condon stresses that protecting the natural ecosystem of the plants, birds, bugs and animals is vital to the future of mankind. “I’m terrified for the future,” she admits. “The whole point of existence is to perpetuate life, and we are losing so many organisms. We absolutely cannot survive without wildlife.” Even in times of discouragement, however, Condon’s source of solace and joy is her garden, a habitat certified by the National Wildlife Federation. She hopes it can serve as an example of a sustainable, low-impact way for people to coexist with wildlife. “Listen to the birds, the wood frogs,” she enthuses, gesturing widely. “Part of the beauty is hearing all this life. It means the creatures are saying, ‘This is a healthy place for me to live.’” 29

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he house that Stacey Evans and John Grant share has been his home for 35 years; hers, for 10. It’s a pleasant, unpretentious place with a private backyard where the couple enjoys growing flowers and watching birds. For a long time they’d been living with a small, traditional kitchen that, while it overlooked the gardens, didn’t exactly make it easy to see outdoors. “We had these old-style windows with mullions and storm windows,” says Grant. “You couldn’t raise them easily, you couldn’t clean them easily. The storms were kind of stuck.” In short, they didn’t function well and, even if they had, their many divisions would have made it hard to see the view. What’s more, the kitchen sink was positioned facing into a wall rather than a window, and one window was partially covered by an extra countertop that Grant had added a while back to gain workspace. “It was cozy, and it was workable,” says Grant of the former layout, “but it wasn’t very functional.” With the old kitchen showing serious wear and tear, he and Evans decided it was time to update. One of the first moves was to relocate the sink under a new, better window. “We wanted a big picture window and one small casement window that could open,” says Evans, “not to have the view broken by so much wood.” The wall between kitchen and dining room came down, meaning that another large new window, near the dining table, also adds light and views to the kitchen space. With this change, the room gained a bar and barstools—an obvious improvement considering guests used to crowd into the kitchen as Evans and Grant tried to cook. The couple hired Todd LeBack of Vaneri Studio to build cabinets, and he helped hone the layout to maximize storage, workspace and circulation. Little things make a difference—like the counter-depth refrigerator that leaves a few more inches of free floor space. Evans and Grant, both artists and photographers, wanted to design a kitchen that wouldn’t go off trend within a few years and wouldn’t upstage their art collection. To that end, they created a neutral color scheme and a limited materials palette, starting with the floor. “The kitchen had linoleum; it was really ugly,” says Grant, who admits he was the one who installed it decades ago. The rest of the house had hardwood floors, and the couple decided to unify all the rooms by adding new hardwood in the kitchen/dining room, then giving all the floors a common finish. “I knew I wanted slab cabinet doors,” Evans says—plain-front cabinets for ease of cleaning and a minimalist look. LeBack built S-shaped shelves that swivel out from corner cabinets for easy access, and extended all cabinets to the ceilC-VILLE ABODE

A neutral color scheme allows the stained-glass panel behind the stove, created by local glass artist Vee Osvalds, to act as a centerpiece.

ing for extra storage. The cabinets are finished in Benjamin Moore’s “Pelican Gray,” a choice that Grant says was hard-won, given the tendency of grays to change appearance in different lights. He and Evans examined multiple samples at various times of day before making the decision. Walls are also gray, with one dining room wall accented in a darker shade behind a large abstract painting that Grant has owned for years. Dark-gray quartz countertops complete the neutral scheme, but the couple had no intention of shunning color altogether. They asked local glass artist Vee Osvalds to create a stained-

glass panel to be installed above the stove. Illuminated by LED backlighting, it adds warmth and color to an area that Grant had worried would otherwise feel dark. “It gives a pleasant homey atmosphere,” he says. “It substitutes for a backsplash.” Completed last September, the kitchen brought ease to cooking and entertaining and allows the backyard view to become part of the room, like another artwork that’s ever-changing. For the most part, these improvements hinge on quiet, rather than splashy, choices. “It’s a modest house,” says Grant. “We didn’t want to overbuild.” 33

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EVENTS Historic landscape tour First Saturdays (May-September) Tour the grounds of James Madison’s Montpelier to see how, over 250 years, it became a trove of champion trees and unique planting. Free. 1pm. David M. Rubenstein Visitor Center, 931 Thomas Jefferson Pkwy. montpelier.org

2018 Design House Saturday, May 5, to Sunday, May 20 Every two years, a group of brave designers takes on a local listing to benefit the Shelter for Help in Emergency, a nonprofit dedicated to helping and empowering survivors of domestic violence through counseling, court advocacy, educational programs and more. This year, 14 interior designers will converge on Wind River, a five-bedroom, five-bathroom home in the Meriwether Lewis district. Its more than 6,000 square feet will be fair game—from the front entry to the back porch —and open for public tours. $25-45. Parking at Olivet Presbyterian Church, 2575 Garth Rd. cvilledesignhouse.com

Wine and Roses Open House Saturday, May 19 This four-hour tour of the garden, hosted by Monticello’s curator of plants, Peggy Cornett, explores the history of one of Jefferson’s favorite flowers. At noon, taste wines from the vineyard of Gabriele Rausse, the “father of Virginia wine.” Free. 10am2pm. Jefferson’s Tufton Farm, 1293 Tufton Farm. monticello.org

Festival of the Home Saturday, June 2 Blue Ridge Home Builders Association hosts this annual C-VILLE ABODE

event that gives homeowners access to builders, plumbers, internet providers, mortgage companies, tile retailers and more. It’s a one-stop shop for everything related to your home. Plus, sample food from local food trucks and beverage vendors, and participate in DIY workshops. Proceeds benefit Albemarle Housing Improvement Program. Free. 10am5pm. IX Art Park, 522 Second St. SE. brhba.org

Grace Church Historic Farm Tour Saturday, June 9 Grace Church welcomes visitors for an old-school country fair—with food, children’s activities and various vendors— on its Keswick grounds, as well as provides visitors with exclusive access to some of the county’s most beautiful historic farms. $15 in advance, $20 day-of. 10am-4pm. 5607 Gordonsville Rd. (Keswick). gracefarmtour.org

South Wing Opening Weekend Saturday, June 16, and Sunday, June 17 The conclusion of the Mountaintop Project will reveal exhibitions and new restored spaces, such as the South Wing and Sally Hemings’ quarters. 9am-5pm. Monticello, 931 Thomas Jefferson Pkwy. monticello.org

Insider’s Tour with the Fruit Gardener Thursday, July 26 Join Jessica Bryars, Monticello’s fruit gardener, for an indepth tour and discussion of peaches, apples, pears, cherries, grapes, figs and more bounty from Jefferson’s orchard. Sturdy shoes recommended. $18. 9:30-11am. David M. Rubenstein Visitor Center, 931 Thomas Jefferson Pkwy. monticello.org

Architecture Tours at Montpelier Saturdays, June 23 and August 25 A four-part series that began in March continues on the grounds of James Madison’s home. In June, learn about the construction of the property’s buildings and how they were used by the enslaved community. In August, hear about James Dinsmore’s renovation and expansion of the house. $4 for kids 6-14, $10 for adults. 1-2pm. Montpelier, 11350 Constitution Hwy. (Montpelier Station). montpelier.org 35

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he first time she saw her house, no one lived there and the doors were not even locked. For years, its previous owner had held onto it, not yet ready to sell. But in a stroke of good timing, just when the current owner got interested, the house became available—something of a rarity in this coveted, leafy city neighborhood. She made contact with the seller and “bought it that day,” she says. That was seven years ago. The lucky buyer was coming from a farm in Greene County where she’d collaborated with design/build contractor Enoch Snyder on renovations. The new house, built in 1930, had “good bones,” she says, but its layout was “wonky” and she knew she would need to make changes. Snyder reorganized the

floor plan and designed a rear addition including an art studio. Snyder’s approach with additions is to make the new portion “blend as seamlessly as possible, making you wonder just exactly where the original house stops and the addition starts.” He carried materials and detailing from the old house into the addition, and, he says, “lowered the roof lines so that the mass of the addition didn’t overwhelm the main house.” On the exterior, field stone walls tie various areas, which lie at different elevations, together. Early on, the owner called interior designer Alana Woerpel, whom she’d known for a decade. “I said, ‘You’re going to be my beacon in the storm,’” she laughs.

Moving was an opportunity to start fresh. “I wanted to change my living vibe to calm, empty and edited,” says the owner. Woerpel understood it would be a big change. “The farmhouse was warm, layered, textured,” she remembers. “This is much more serene.”

Edit and revise The first basic task was to get rid of, the owner estimates, 60 percent of her things. “I looked at everything she had, measured, catalogued and decided what would make the cut,” Woerpel says. Possessions included not only furniture but the owner’s collections—vintage wallpapers, salvaged light fixtures, artwork and more. There CONTINUED ON PAGE 43

Though the look is indeed very serene, it isn’t minimal—there is lots to see here—and it isn’t generic.

The house has a pleasant old-fashioned vibe throughout, with floral fabrics on Laura Ashley chairs, antique furniture and vintage collections mixed in.

Salvaged objects lend character and help marry the old portion of the house with the additions, as in the studio, where recycled windows illuminate the space with its built-in bookshelves and long farm table, or a powder room, where vintage wallpaper mingles with a custom vanity cabinet.

Like many pieces in the home, the kitchen island is salvaged. Once an antique counter and cabinet from a fabric shop, it is the centerpiece of the room. “The whole kitchen was built around it,” says the client.

“Serenity doesn’t mean ‘not textured.’ When you add sisal, raw wood and matchstick blinds”—as she did in the upstairs nook—“you’re adding the texture back in.” ALANA WOERPEL CONTINUED FROM PAGE 41

was a need to pare down, but no urge to dump possessions wholesale. Instead, Woerpel, Snyder and their client thought in terms of reusing and refreshing familiar objects. Woerpel says she appreciated the contrast with what she calls “our throwaway culture.” One major strategy was to simply repaint many pieces of furniture. Woerpel refers in shorthand to the new house as “white,” but few elements are stark white. Instead, it showcases many warm, subtle shades of cream, buff, distressed and antique whites and other neutrals. David Currier, a local painter, refinished a number of pieces for the owner in whites that appear to have the patina of time. Though the look is indeed very serene, it isn’t minimal—there is lots to see here—and it isn’t generic. The home clearly communicates the owner’s unique sensibility through quiet patterns and recurring motifs. For example, moons and stars show up in many artworks and objects throughout the home, from a small framed print facing the side door, to a rug in an upstairs reading nook. Salvaged objects lend character and help Snyder’s addition marry with the old portion of the house. “We searched salvage dealers throughout Virginia and beyond,” says Snyder. “We found transoms, doors, hardware, sinks, you name it. It’s all meant to blur the lines between old and new.”

Unified look In the studio, salvaged windows illuminate the space with its built-in bookshelves and long farm C-VILLE ABODE

table, repainted in white. A tiny vintage sink fits into a corner, relocated from a powder room that used to be off the original house’s hallway— so small that, says the owner, “a lady could not sit down in it.” The new powder room, near the studio, is more accommodating. Vintage wallpaper from the owner’s collection is a perfect match for a blue closet door sourced from Caravati’s in Richmond. A salvaged sink was given a custom vanity cabinet by Snyder, and antique curtain holdbacks flank the window. In the kitchen, the island is an antique counter and cabinet repurposed from a fabric shop. “The whole kitchen was built around it,” says the client. It anchors a room filled with subtle color and texture: green vintage tile, stained-glass windows used as cabinet doors and a restored 1950s stove exactly like the one the owner grew up with. Snyder added a wide doorway between kitchen and dining room, where strangely there’d been no opening previously. Woerpel and her client gave the dining room the quietest palette of any room in the house: a sisal rug, white paint on the round metal table and sideboard, linen drapes in a color called “beach.” A collection of antique candlesticks fills the fireplace mantel. There’s a pleasant old-fashioned vibe throughout, with floral fabrics on Laura Ashley chairs, shutters repurposed as closet doors and a suite of fairy and nymph artworks on the piano room’s long wall. Yet, as Snyder puts it, “It’s not a collection of shabby-chic junk, but a seamless project filled with great details that back up

the design. Even when we had to buy new materials, [the owner] pushed me to find the real deal. We found a source for authentic reproduction subway tiles on the West Coast. She then scoured the internet and found some Art Deco accent tiles that we were able to mix in.” Woerpel’s custom-made furniture and window treatments, and her understanding of the design’s many layers, were key to achieving a unified effect—calm, but detailed. “Serenity doesn’t mean ‘not textured,’” she says. “When you add sisal, raw wood and matchstick blinds” —as she did in the upstairs nook—“you’re adding the texture back in.” The owner’s unique tastes are, through the shared vision of the team, able to find just the right expression here. Perhaps her quirkiest collection is a group of “stairways to heaven”—a type of woodworking project once popular in high school shop classes. Sharing certain stock elements, including the moon and star motifs found elsewhere in the house, yet individually customized by their many amateur creators, they are a kind of folk-art form—and, of course, the stairwell is the perfect place to hang them. Though the owner once possessed 150 of them, she displays here about two dozen of her favorites. The house asks for the kind of appreciation that can only unfold over time—a collage of objects, eras and histories. “The credit goes to [our client] for her years of collecting,” says Woerpel. “She was able to take so much of what she had and yet end up with a drastically different house than she had before.” 43

SOLD! $1.1 Million

JUST LISTED!

1776 FRAYS RIDGE CROSSING | FRAYS GRANT

3211 SANDOWN PARK ROAD | GLENMORE

Beautiful French Country Stone & Stucco, 4 beds/3.5 baths, stunning Blue Ridge Views from every room, covered porch, patio, gourmet kitchen, two fireplaces, 21 acres, board fencing, run in shed with garage.

Just Listed! Solid brick two story with 5 beds/4.5 baths, hardwood floors throughout main level, finished terrace level, large back deck, over half acre fenced. Offered at $659,500.

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2018 Because peace on earth begins at home!

MAY 5 - MAY 20

Open Everyday 10am to 4pm â&#x20AC;&#x201D; Extended Hours on Wednesday and Thursday 10am to 7pm

Wind River Design House features over 14 local designers and their artists and suppliers. Lectures, Special Events, Design House CafĂŠ and Boutique. Also available for private and corporate events.

Admission Price $20 one-time visit | $45 multiple visits Parking at Olivet Presbyterian Church, 2575 Garth Road, Charlottesville, VA 22901

For detailed information and tickets visit

www.CvilleDesignHouse.com Tickets available at the door starting May 5. Proceeds support the services and programs of the Shelter for Help in Emergency.

Hunter Smith Family Foundation C-VILLE ABODE

EntrancE FoyEr

Franny Hurt

333 Second Street SE, #204 • Charlottesville, VA 22902 franny@frannyhurtdesign.com 571.296.1165 • frannyhurtdesign.com

GuEst suitE

Design House 2018 • Wind River Presented by the Shelter for Help in Emergency

www.cvilledesignhouse.com • May 5-20 scrEEnEd PorcH

MastEr BEdrooM suitE

carolinE Minsky

cHEryl Jarvis soutHwortH

218 West Market Street Charlottesville, VA 22902 434-970-1900 • www.lodgerva.com

Charlottesville, VA cheryl@designsbycherylinteriors.com 804-690-8906 • designsbycherylinteriors.com

Join us for a variety of seminars and special events. For dates and times, and a full list of events, visit www.cvilledesignhouse.com

the presentation to answer any questions on any design related topic.

Update your Project using Sherwin Williams ColorSnap Digital Color Tools Come and learn how to use the new ColorSnap Digital Color Tools by Sherwin Williams. Visualize paint colors in the snap of a finger. Paint your won spaces instantly on the iPad. Create inspiration from your own images and Pinterest boards.

Wine Tasting and Book Reading: Virginia Wine: Four Centuries of Change Join us to sample selected wines while Andrew Painter speaks about his book, Virginia Wine: Four Centuries of Change, which presents a comprehensive and authoritative record of the Virginia wine industry. Andrew will give an overview of how the industry has changed from its earliest Spanish accounts in 1570 through its rebirth in the modern era, as we pair a wine tasting with each era.

Skimp vs. Splurge: Ask the Designer Where do you need to invest design-wise, and where is it not as important? Join Andrea Gibson, ASID of Gibson Design Group for a presentation on what is worth the money and what is not. A Q&A will be held after

Cellaring and Serving Beer: An Evening with Devils Backbone Brewing Company and Prince Michel Vineyard and Winery Interested in setting up a draft system in your home, or learning how to cellar beer? Join us to enjoy some of Devils

MoyannE HardinG 107 13th Sttreet Lynchburg, VA 24504 moyanne@moyanne.com 434-384-6844 • moyanne.com

in-law suitE

cHristoPHEr coGGins 325 W Main Street Charlottesville, VA 22903 cogginscd@aol.com 434-529-6617 • lindenlaneinteriors.com

Backbone beers and Prince Michel wines during a conversation about at-home wine and beer storage. Presented by Erik Filep, Brewer & Head Cellerman, Devils Backbone Brewing Company and Prince Michel Vineyard and Winery.

Please also enjoy: Design House Art Gallery Local artists will show & sell their work. Design House Cafe Relax and enjoy refreshments at the Design House Cafe Design House Boutique Browse through the fabulous boutique offering unique home accessories, art and gift items from many area artisans. Proceeds benefit the Shelter for Help in Emergency C-VILLE ABODE

woMan’s HoME oFFicE

livinG & dininG rooM

attic oFFicE

andrEa GiBson

cHloE Ball

cHad BattEn

6255 Indian Ridge Drive Earlysville, VA 22936 andrea@gibsondesigngroup.net 434-296-7161 • gibsondesigngroup.net

Ivy Square Shopping Center 2125 Ivy Road • Charlottesville, VA 22903 kba@kennyballantiques.com 434 293 1361 • www.kennyballantiques.com

1801 Seminole Trail Charlottesville, VA cbatten@grandhomefurnishings.com 434-974-6480 • www.grandhomefurnishings.com

GuEst walk-in closEts

FaMily rooM

dEn

nina crawFord

aMy sMitH

peggy.woodall@closetfactory.com 434-409-8588 • www.closetfactory.com

Charlottesville, VA 22911 nccraw01@gmail.com 434-296-3400 • www.mssdesigns.net

Charlottesville, VA 22911 amy@organizeddesignva.com 434-806-9737

woMan’s study

cHild’s BEdrooM

PotaGEr GardEn

EllEn BEard

sHEilaH MicHaEls

1112 E High Street Charlottesville, VA 22902 434-984-2266

Charlottesville, VA 22911 sheilahmichaels@aol.com 434-964-7628 • www.sheilahmichaels.com

PEGGy woodall

HEatHEr P. williaMs wllmsphill@aol.com 434-249-1399

2018 SPONSORS

All proceeds from Design House 2018 are used to help the Shelter for Help in Emergency‘s mission to end domestic violence in our community. The Shelter for Help in Emergency appreciates the support of our contributors to Design House 2018.

GOLD SPONSOR

Hunter SmitH Family Foundation BRONZE SPONSORS

TOUR SPONSORS

C-VILLE ABODE

Moyanne Harding Interior Designer moyanne@moyanne.com

C-VILLE ABODE

Framing a view Having already decided to replace the house on their Western Albemarle property, the homeowners then set their sights— and siting—on the scenery, a wideopen expanse of countryside and rolling river. By ERIKA HOWSARE Photography by SHAWN MULLIGAN C-VILLE ABODE

C-VILLE ABODE

W Outdoor living spaces include a screened porch that opens onto a bluestone patio and pool. The area is defined by a black metal fence on which clematis and other climbing vines grow.

hen your property overlooks the Moorman’s River, miles of verdant fields and finally the Blue Ridge Mountains, it seems obvious that the view is a primary attraction. Yet when one couple bought a Western Albemarle house in 2000, its siting and design didn’t do as much as they could have to connect occupants to the vista. “It was really close to the edge,” says architect Bob Paxton, referring to the spot where the land drops off sharply toward the river. The new owners knew they would replace the house, which was a small International-style structure with a flat roof. Having worked with Paxton’s firm Dalgliesh Gilpin Paxton twice before, they also knew that Paxton and partner Roger Birle would be their go-to design team. Landscape architect Rusty Lilly collaborated to create a seamless marriage between inside and out. “Setting the house back gives you a foreground,” says Lilly, explaining how the siting of the new house, some distance back from where the old one stood, improves on the experience of looking west. Now, a flat expanse of lawn anchors the viewer in a human-scaled outdoor “room,” with the bigger spaces beckoning from beyond. The house is traditionally styled with an exterior of painted brick and a shake shingle roof. It’s designed along a long horizontal axis to allow many of the rooms to take in the view. “[The clients] liked classical architecture,” says Paxton. “We kept the main block very symmetrical, and then as we moved away from that, we let it meander and get more playful.” The relationship between house and land is meant to be informal. “They didn’t want a house that appeared grand and imposing,” says Paxton. He and Burrell designed the structure so that the second floor is de-emphasized within the façade, and the team made sure that guests would feel a sense of welcome. The parking court sits close to the front door, and guests’ approach up the driveway is softened by the large trees that the design team worked to save. Allowing the house to conform to the existing grade of the site meant that more big trees could remain undisturbed. Outdoor living spaces include a pool, screened porch and uncovered rear porch. Bluestone ties all these together along with paths through the lawns and the treads of the steps leading up to the screened porch. One advantage of bluestone, Paxton says, is that it can be sourced in large pieces, resulting in fewer joints and a quieter look. “They really wanted a screened porch,” Paxton says. “We tried to put it to one side so from the main rooms, you’re not looking through the screen.” Similar logic placed the pool to the side as well, considering that in colder months pools CONTINUED ON PAGE 53

C-VILLE ABODE

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The clients didn’t want the house to seem grand and imposing, so while it is classical in style, the architects de-emphasized the second story within the symmetrical façade. CONTINUED FROM PAGE 51

are not especially attractive. So a “summer area” developed to one side—screened porch, with dining table, opening onto swimming pool. In season, the owner, an avid gardener, adds many containers of flowers to this area, which is defined by a black metal fence on which clematis and other vines grow. That allows the lawn adjacent to the main, symmetrical volume of the house to be a separate and somewhat more formal space. “The lawn creates a visual green edge,” says Lilly, pointing out that as one exits the house through the main rear door, the spaces become progressively more open: from interior, to pergolacovered porch, to tree-framed lawn, to the sweeping view beyond. The pergola is semicircular, its white supporting columns dividing the vista cleanly into seg-

ments. Because this porch faces west rather than south, Paxton says, it did not need a solid roof to protect it from the sun. Two cutleaf Japanese maples flank the porch —they were moved to their present locations from elsewhere on the property, and Lilly can vouch for their age since she remembers them being planted when she herself, coincidentally, lived in a rental cottage on this property for several years in the late 1960s. They stand within a symmetrical composition of plantings that Lilly designed to complement the balanced architecture of this portion of the house. Crepe myrtles, boxwoods and andromeda set a palette dominated by green and white. Boxwood and slender deutzia define the perimeter of the lawn, while fragrant sumac populates the slope below it. “The way Rusty picks and locates the plant palette, as it comes out of the

natural woods and moves into lawn, it’s seamless,” says Paxton. The sumac is low to the ground in winter, its less appealing season, but visible to those strolling the lawn in summer, when it’s more attractive. A pair of white-blooming spirea bushes signal the entrance to a path around the side of the house, where Kousa dogwoods, hydrangea and more andromeda and spirea await. Lilly prefers a limited group of plants, with species planted in masses for a cleaner, less spotty look. Yet this property is extensive enough to allow room for various islands of ornamentals: forsythia along the driveway, camellia in a protected spot near the house, hellebores and daffodils near the parking court. The landscape here is primary, both outside and inside. “We’re always trying to bring the landscape indoors,” says Paxton. Inevitably, this landscape must also invite people out.

A flat expanse of lawn anchors the viewer in a human-scaled outdoor “room,” with the bigger spaces beckoning from beyond. C-VILLE ABODE

House House Hunt with a with Charlottesville Charlottesville Native Native

Courtney Sargeant Courtney

Sargeant

Selling Charlottesville Again & Again

office: 434.293.4319 Selling Charlottesville text: 434.962.3100 Again & Again

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Suzanne Crane Fine Stoneware

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Prices, offers, financing and availability subject to change without notice. See a Sales and Marketing Representative for details. NVR Mortgage Finance, Inc. is licensed by the Virginia State Corporation Commission as a mortgage lender and broker, MC-528.

C-VILLE ABODE

A Room of One’s Own

PHOTOS: NATIONAL PARK SERVICE

Summer camp Herbert Hoover found relief in Madison County By Erin O’Hare

hen Herbert Hoover bought 164 acres of land in Madison County near the Rapidan River just before he was inaugurated as our 31st president in 1929, there’s no way he could have anticipated how much of a respite the place’s trout-filled streams, mountainous landscape and fresh air would offer him a few months later. The son of a Quaker blacksmith, Hoover was orphaned at age 9 and sent to live with relatives in Oregon. He became a mining engineer and rose to political prominence during and after World War I for leading hunger-relief efforts throughout war-torn Europe; he won the 1928 presidential election by a landslide. Just months after Hoover’s inauguration, the U.S. stock market crashed. It was a pivotal event in the advent of the Great Depression, and while Hoover’s predecessors’ policies contributed to the crash, the American people blamed their sitting president. Hoover’s physicians recommended regular retreats to Rapidan Camp to help cope with the stress of leading a country increasingly plagued by unemployment, debt, poverty and hunger.

While Hoover and his wife, Lou Henry, paid for the land with their own money, the U.S. Marine Corps built the camp as part of their training regimen (Hoover caught flack for that, too), building out roads, utilities and bridges and constructing 13 one-story, gabled-roof frame cabins, including the president’s, dubbed the

“Brown House.” The Hoovers hosted family, friends and many high-profile guests at Rapidan Camp, among them Charles Lindbergh and British Prime Minister Ramsay MacDonald, and Hoover conducted quite a bit of government business there as well. “I have discovered that even the work of the government can be improved by leisurely discussions out under the trees,” said Hoover. In 1932, the year before he left office, Hoover donated Rapidan Camp to the Commonwealth of Virginia for use as a summer retreat for subsequent presidents, and it officially became part of Shenandoah National Park in 1935. The Boy Scouts of America leased the camp for a time, and in 1959 the National Park Service tore down all but three of the original structures, including the “Brown House.” The three remaining cabins were restored in 2004. Though Rapidan Camp is no longer used as a presidential retreat, many of the trails and bridges survive, the streams are still chock-full of trout, and the place is still welcoming to leisurely discussions out under the trees.

MICHAEL RIGGS Stroke recovery

60 55

FROM BATTLING A STROKE TO BACK ON THE WATER Rehabilitation care that made sure he didn’t miss the boat. Look out, fish!

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C-VILLE ABODE

www.CharlottesvilleRehab.com

LIVE TIMELESS The location, the style, the feeling you get when you walk through the door â&#x20AC;&#x201C; every aspect of your home should be a reflection of who you are, where you've been, and the life you aspire to live. Your best life begins with a home that inspires you.

frankhardy.com Charlottesville, VA | MLS 573462 ÂŠ MMXVII Sotheby's International Realty Affiliates LLC. All Rights Reserved. Sotheby's International Realty Affiliates LLC fully supports the principles of the Fair Housing Act and the Equal Opportunity Act. Each Office is Independently Owned and Operated. Sotheby's International Realty and the Sotheby's International Realty logo are registered (or unregistered) service marks licensed to Sotheby's International Realty Affiliates LLC.