CVNW February 2014

JANUARY Issue

THE Custom Lifestyle Magazine for Car, Motorcycle, and Music Enthusiasts

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Contents...

NAMM Coverage NAMM Press Release CV WorldWide Equipment Review Schedule Equipment Review: LEGATOR Guitars NAMM: Through the Eyes of Sherry Keith YAMAHA Products Gear the Pros Use: Chris Sanders (LONDON, Knight Fury) New Youse Can Use: MORE Motorcycle Safety Nashville Artist Profile: Masses Beware News U Can Use: A Trucker’s Guide to Winter Driving Order in the Chaos Blog: Copyrighting your Music CVNW Brew Crew: Super Bowl Party Advice Special Guest Photographer: Alan Birdsell: Pamela Moore with guest Ronny Munroe Cover Photo by Lani Linton, SM Photography

CV Northwest Magazine

Locally Owned / Nationally Known

10 12 14 16 20 24 26 28 36 38 40 42

Jamie Paullus, another of our roving photographers at NAMM, brings us the first in his series of NAMM concerts: this month, the NAMM Metal Jam. Page 22

Sherry brings CV WorldWide her unique view into local shows: this month, in Vegas, we look at Lita Ford & the Michael Schenker Band.

Page 34

Contact Us: Info@cvworldwidemagazine.com

CV NORTHWEST MAGAZINE © 2012-14 is published monthly and NO reproduction of content is permitted without Publisher’s prior approval. Publisher assumes no financial responsibility for the errors in ads beyond the cost of space occupied by error. Publisher is not liable for: any slandering of an individual, or group as we mean no malice or individual criticism at any time; nor are we responsible for the opinions or comments of our columnists; and promises, coupons, or lack of fulfillment from advertisers who are solely responsible for the content of their ads.

Publisher is also to be held harmless from: failure to produce any issue as scheduled due to reasons beyond control; all suits, claims or loss of expenses; this includes but is not limited to, suits for libel, plagiarism, copyright infringement and unauthorized use of a person’s name or photograph.

Feb 1 Feb 1 Feb 7 Feb 7 Feb 7 Feb 8 Feb 8 Feb 14 Feb 21 Feb 22 Feb 22 Feb 27 Mar 07 Mar 08 Mar 15 Mar 22

Prophets of Addiction She's Not Dead Maiden NW Prophets of Addiction She's Not Dead Prophets of Addiction She's Not Dead Stolen Rose She's Not Dead Prophets of Addiction She's Not Dead One Gun Shy She's Not Dead She's Not Dead She's Not Dead She's Not Dead

Cabin Tavern Culpepper's the Hawthorne Theatre the Hub Bar & Grill Lucky Eagle Casino the 4th Ave Tavern Lucky Eagle Casino the 45th Street Pub Spot Bar Waldo's Spot Bar 88 Keys Merlin's Bar Merlin's Bar Mac's Place Roadhouse 101

Bellingham, WA Graham, WA Portland, OR Centralia, WA Rochester, WA Olympia, WA Rochester, WA Portland, OR Vancouver, WA Lynnwood, WA Vancouver, WA Seattle, WA Lebanon, OR Lebanon, OR Silverton, OR Lincoln City, OR

Formed in Seattle, WA, Stillstand is an eclectic foursome dedicated to writing and performing passionate, inspiring and honest rock music. They have created a reputation as a captivating live band with an energy you can feel and a sound that you can't ignore. Their philosophy is simple..."We like to play rock n roll". Who can argue with that?

Spend some time with the boys in the band... <CV NW> Let’s get the first question out of the way...tell our readers who's in the band and their role Vocals: Daniel Clark Drums: Anthony Sablan Guitar: Kevin Stiles Bass: Brian Sablan <CV NW> I see 2 "Sablan" names in there, correct to assume you 2 are related?

Yes, Anthony and Brian Sablan are brothers and hold down the rhythm section. <CV NW> Who founded the band originally?

We all put Stillstand together after a long hiatus. We were all involved in different projects and life pursuits at the time and realized that we missed playing mu-

sic together. So, in early 2012 we decided to form a band together once again. That‘s the very short story of how Stillstand was formed. <CV NW> What were your initial thoughts on creating a band, how did you think you'd fare in a pretty high quality Seattle music market?

We didn‘t have to think much about putting Stillstand together.

As mentioned before, Stillstand is the end result of a lot of different musical pursuits. I think we all realized that we loved writing and playing music together and that is what this band is about.

Seattle‘s music scene is definitely legendary, and there is still a lot of great music to be found in the scene on any given night. Our fo-

cus has always been writing and performing the music we want to play and all we can hope for is that people in the Seattle scene somehow tune in to the wavelengths we are putting out there. <CV NW> Tell us about the name, where did it come from?

There‘s no underlying significance to the name Stillstand. I think we wanted to create a simple band name that couldn‘t be defined under any certain style of music. <CV NW> How did you guys get into music, did you have any other interests growing up?

Kevin: At a young age I started getting really into all the ―legendary‖ guitar players and

bands. My dad has always been a huge music fan and he turned me on to artists and bands like Jimi Hendrix, Stevie Ray Vaughan, The Beatles, Zeppelin, and a ton of others. Once I picked up a guitar and watched live footage of the artists I was into, music just became a part of my life. And as soon as I got into my first band music became my life.

Anthony: My brother and my Mom were the two people I grew up around who listened to music, so I would say they influenced my passion for good tunes.

Brian: I always enjoyed music since I was a young child. I was mostly exposed to hip hop and R&B because that is what my Mom listened to. When I was 10 years old my best friend introduced me to rock and that was it from there. The first rock album I ever bought was ―Razorblade Suitcase‖ by Bush and ever since I‘ve been exploring many different sub genres of rock music.

Daniel: Once I saw Oliver Stone's movie "The Doors" it was pretty much all over for me. Both of my parents were into music, mostly classic rock, so I was exposed to a lot of different rock and roll pretty early in life. Later on I found more of my own identity in bands like Incubus, Finch and Taproot, joined my first band in 7th grade, and, apart from a few unscheduled detours that life threw at me, this is all I've ever done.

a long break from anything music and just jammed. Everything just felt right and after a few more sessions we decided that we wanted to put Stillstand together and focus on writing new music and putting ourselves back out in the scene seriously.

<CV NW> Talk to us about the journey to find the right combination of musicians.

Finding the right combination of musicians is not an easy task and the word ―journey‖ is an understatement. What it comes down to for Stillstand is playing with like-minded people who enjoy each other‘s musical contributions and are willing to try anything musically and not be afraid of making a ―mistake‖. We‘ve also all been friends for years and Kevin and Anthony have been playing in bands together since 2001. We may not always agree on everything, but that‘s a <CV NW> Tell us about THIS healthy and crucial aspect of any group - it this the original line up? band.

Yes this is the original line up of Stillstand. We had all been in <CV NW> What is it about THIS bands together and even in differ- quartet that you think works so ent formations of this group. We well? all got together in late 2011 after As mentioned before, we enjoy

the music we create together and the process of doing so. We‘ve all been friends for quite some time, but ultimately what works well is that collectively we have all committed to this group and believe in the music we make. <CV NW> You talk about your music as "familiar but refreshing" tell us what that means to you.

We all bring a different sound and array of different musical influences to the band. It might be easy at times to hear the different influences within our sound, but because we have such a diverse array across each member, we end up with a sound that attempts to blend it all together and the result is refreshing. We don‘t worry about staying particular to one musical style, if we all dig it and it sounds good then we are going to do it. We‘ve written a ton of songs together and I think collectively, our musical touch stays true to our own sound. <CV NW> Who are your music influences?

Kevin: Incubus, Karnivool, Hendrix, Zeppelin, the Beatles, Joe Pass, STP, the Mars Volta, and

chance to play a show and people come out, old fans and new ones, it makes it a favorite place.

The Deftones.

Brian: Incubus, Karnivool, Deftones, Taproot, Dance Gavin Dance, and Circa Survive Anthony: Deftones, Underoath, Alexisonfire, Glassjaw, Alien Ant Farm, Closure in Moscow, Dance Gavin Dance, and The Used (only the early material) Daniel: The Stooges!!! Incubus, T-Rex, Mother Love Bone, The B.J.M., Finch, Jane's Addiction, At the Drive in, and a few thousand other bands <CV NW> Why do you think your many fans like your music, what is it that they see or feel?

I think any fan of our music can see that we really enjoy ourselves and the music we are putting out there. At the end of the day we are just four dudes in a small practice space writing the music we all love and want to play. <CV NW> You have described yourselves as “eclectic” – now, I’m not sure what that means, but its sounds like an important word… why are you eclectic?

When we describe ourselves as ―eclectic‖ we are mostly referring

to our sound, consisting of a wide array of musical influences. As mentioned before we all bring something different to the table and we think that results with an eclectic sound. <CV NW> People have talked about your live show being "captivating"...what about the concert draws people so far into the music?

I think people connect with our energy. There‘s something about performing live that is extremely unique and organic and I think people identify with that. It‘s amazing to bring a song to the stage that you‘ve worked on for months and played a hundred times in your rehearsal space; it is always a remarkable experience.

We just try to bring our passion and energy for music to a live setting and we love keeping people on their toes. <CV NW> Do you guys have a favorite place to play?

There are so many amazing places to play in Seattle that it would be too hard to pin down a favorite place. Anytime we get the

<CV NW> Have you had any particularly memorable shows to date?

Why was it memorable; good OR bad?

The most memorable shows are, unfortunately, usually the bad ones – and it‘s not always directly related to how we played that night. There was a show we played in Pioneer Square where we had to stop mid set and were asked to move our cars because the garbage guys were coming through the alley. Nothing kills the energy more than everyone having to rush off stage to re-park their vehicles and then coming back to finish a set. We‘ve had some amazing shows all over the Northwest, but the ones that resonate the most are when our awesome friends, fans and family come out and support us. When people show up and give you their time like that, it really means something. <CV NW> If you could tour with one act, who would it be?

Kevin: I would have loved to tour with Led Zeppelin back in the day.

Anthony: Alexisonfire! Best live show I have ever seen.

Brian: I would love to tour with Taproot. They were my favorite band in High School and they still hold a place in my heart because they were so nice and awesome when I met them at age 16.

As a young fan, it meant a lot!

I‘ve talked to Taproot‘s guitarist, Mike Dewolf, several times on Twitter and let them know to check us out if they need an opening act. He said he‘d get

it all musically, but I think what we‘ve learned most from him is that you‘ve got to bring your best songs into the studio; always. He doesn‘t sugar coat anything and if he thinks something sucks he‘ll tell you about it and why. We respect his musical opinion on things and have changed songs and parts for the better because of his influence. We‘ve connected with a lot of awesome bands as well through his connections and bands he‘s worked with.

back to me. Mike, the offer still stands! ;) Daniel: I won't lie, if Incubus picked us up for a tour I could die happy.

<CV NW> How do you feel the EP has done after its release?

It‘s done well for us. We‘ve gotten an awesome response from people and it feels great to have something out that we were all excited to share with the world.

sic. The song ―A Theory in Motion‖ was the first song we wrote together as a band and it was one of those songs that we couldn‘t seem to stop playing. We felt like titling the EP after the song be<CV NW> Michele Kang labeled cause we felt it represented us <CV NW> Describe that feeling as Stillstand as a band to "keep an eye and our ―theory‖ put into mo- you hold your own EP in your own hands... out for" in 2013, do you think that tion.

For musicians, there is nothing the year lived up to her expecta<CV NW> You guys hooked up like holding a physical copy of tions? What about your own?

2013 was a great year for us. We with local heavyweight Dylan Fant, your own music. We all know how hard we worked to write the met a lot of amazing bands and tell us how that happened... have made some great relation- We‘ve known and worked with songs and to release the music. ships. We even got a chance to Dylan for quite some time. 1 It‘s was a big rite of passage for take our music across state lines Shot Studios has always been a to a packed venue in Portland, comfortable place for us and OR where we had an amazing we‘ve always worked extremely show. We released our first EP well with Dylan because there is and have gotten some really posi- a mutual trust. When you find an tive feedback from it. Not sure engineer who believes in your what Michele Kang from Dlist music, especially someone with magazine‘s expectations were for Dylan‘s reputation, it really inus but we are all happy with 2013 spires us to bring our A game. and are even more excited for <CV NW> What did you learn 2014. from someone with the experience of <CV NW> Your EP "A Theory in Dylan Fant?

Motion" - tell us why that name, He has helped us out in a lot of ways. Not only is he a super talwhat was the inspiration?

When we reunited in 2012 we ented producer and engineer, but were playing a lot of our older he‘s also an amazing musician. stuff and trying to write new mu- He‘s a great mentor and has done

us because this is the first release proud of the music on ―A Theory we ever put together. in Motion‖ and it represents where we were at that time. We <CV NW> Was making the EP don‘t think much about changing harder or easier than you expected? anything. Once the music is reWe went in with no expectations. leased, a part of it is not ours anyWe just wanted to put something more and it‘s all about enjoying it out we could be proud of and we for what it is and looking forward hoped people would dig it. It to writing the next group of songs came together pretty seamlessly that will inspire us even more. and since we chose to do a 6 song EP, we were able to select a <CV NW> Any of the songs on group of songs that we were com- your EP really speak to you personpletely proud of. ally?

Kevin: All the songs speak to me <CV NW> As you listen to the mu- personally in different ways. I resic, do you see things you could ally enjoy ―Nameless Faceless‖. have done better now, or just smile The whole ending of the song came from just experimenting and enjoy?

There are always things you with different paths musically might hear after the fact that and it all came together at the maybe we wished we had done end with us just rocking out and differently, but we can‘t look at it jamming on things until it felt that way. We were all totally right. Every time we play that

song I look back at how we wrote it and it really sums up Stillstand‘s musical style for me.

Daniel: These songs are my guts spilled on the floor. Every song is autobiographical. I think anyone paying close attention could learn a lot about me as a person, but I tried to keep the lyrics vague enough so hopefully whoever might be listening can relate to them.

Anthony: “A Theory in Motion‖ is my hands down favorite, it is the main reason Stillstand decided to take music seriously again.

That song gave new life to the group.

Brian: The title track ―A Theory in Motion,‖ speaks to me the most. It came together very quickly and it was the first song written for the EP. It just feels natural every time I play it or lis-

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ten to it. I feel like it set the tone for the rest of the songs on the album. <CV NW> Tell us your thoughts about the Seattle music scene Seattle‘s music scene is pretty booming right now with many different genres of music. There may not be as many straight forward rock bands, but the scene is always supportive of talent and persistence. If you are a good band and are willing to put in the work, there are tons of clubs that will support you. We‘ve had the pleasure to become part of the scene and we couldn‘t be happier. We look forward to diving further into it in 2014! <CV NW> Do you have any ideas how it could be better?

The scene is only as good as the bands and artists who are in it.

As long as everyone is talented and supportive of each other, a solid music scene is created.

Sometimes people complain that no one is coming out to rock clubs anymore, and while some of that may be true it really comes down to the bands that are playing the clubs. If bands are putting out great music and working hard to put on a good show, people will notice and come out to support.

an opportunity to listen and tune into the music that they like rather than some of the limited choices the radio offers. <CV NW> You guys are still pretty young as a band, tell us some of the best advice you've received to date I think what we‘ve really learned from the amazing bands we respect and had the chance to play with is that you have to have fun.

Play in a band because you want to, write the songs that you want to hear and the rest will just fall into place. <CV NW> Where do you feel you are in the "journey of Stillstand"?

We‘re still on the beginning of this ride, but proud of what we‘ve accomplished thus far. It comes down to enjoying yourself and realizing what you really want from it. We‘d still be writing and playing music together if we were selling out arenas or just playing to 5 people at a bar. We enjoy each other and are excited about this ―journey‖ we are all on.

<CV NW> You guys are somewhat active on social media, maybe a few posts a week or so, do you see it as a savvy publicity tool or necessary evil?

We see social media as another avenue to get our music out there and reach people who may have never heard of us. It is an amazing tool for anyone trying to be <CV NW> Well, 2013 is in the heard, and I think it gives people books, with plenty of solid shows,

an EP – tell us what 2014 holds for you, and what we can expect from Stillstand in the immediate future.

2014 is going to be another busy and awesome year for Stillstand.

We are currently in the studio working on our next release. In 2014 you can expect new music, music videos and plenty of shows around the Northwest! We can‘t wait!

LIKE US!

Global Music Product Industry’s Passion Reflected at 2014 NAMM Show The four-day annual event proves once again that the music community knows how to have a great time while still taking care of business.

Carlsbad, CA, January 27, 2014—The music product industry returns to businesses in every corner of the globe with a renewed confidence following the 2014 NAMM Show held in Anaheim, Calif., January 23-26. Promising signs of revitalization brought together more than 5,000 brands from around the world looking to reach the global buying audience found at the NAMM Show. Expanding product categories such as technology-driven music products and emerging brands pushed the show to its one of its largest and most diverse editions ever. ―As the global platform for the music products industry, the NAMM Show is an annual checkup for what is happening in the music marketplace worldwide,‖ said Joe Lamond, president and CEO of NAMM. ―A focus on doing business reflected confidence among buyers and manufacturers alike. Fortified with NAMM U education, networking and fun opportunities that only occur at the NAMM Show, NAMM Members expressed to me a renewed spirit for the year ahead. I believe that the stage is set for growth in 2014.‖

In total, 96,129 members of the music product industry registered for the 2014 NAMM Show.

Exhibitors noted that crowds arrived eager for new products and ready to get down to business. "I don't know what's going on, but this year is phenomenal; we have been slammed! The buyers are buying!‖ said Ari Baron, vice president of marketing for Eastman Music Company. Dave Smith of his eponymous instrument brand also saw a lot of traffic, "NAMM is the only trade show we attend. This is it -- the hub of our outreach, our PR, our marketing. We meet with our current dealers, sign up new dealers, and show artists our new instruments so they can play them and hear how they perform. We've been incredibly busy the whole show!"

Emerging brands, growth in pro audio and the music technology category, and an increase in international exhibitors, converged for the second highest exhibiting company number ever. In total there were 1,533 exhibiting companies representing 5,010 Brands. Meeting those brands was a 2% increase in buyers over 2013. Buyers arrived in AnaRetailers large and small return to their busiheim focused on rebuilding inventory after a strong school music season, and on building up categories nesses with new product lines and categories that currently experiencing strong consumer demand. will hit shelves in a matter of months. ―I‘m most

focused on meeting up with major suppliers that I‘ve done business with or do business with and seeing what they‘ve got––new products in particular,‖ said Richard Ash, CEO of Sam Ash Music. ―We are also looking for new companies that come out of the woodwork and have a product that will break through to the marketplace. If you‘re a musician, it‘s the ultimate kid in a candy store thing.‖ up more than one-third of the total exhibiting companies. These companies come from 49 different In addition to products, retailers search for countries to unveil their brands‘ new products at valuable ideas gleaned from five full days of educa- the show. tional offerings. ―I come for inspiration and I always find it,‖ said Rob Kittle of Kittle‘s Music in About NAMM The National Association of Music MerNorth Platte, NE. ―I find products I never knew were out there. The buying I do and the things I chants (NAMM) is the not-for-profit association see at the NAMM Show definitely influence my with a mission to strengthen the $17 billion music products industry and promote the pleasures and business for the year.‖ benefits of making music. NAMM's activities and New entrepreneurs and categories entering programs are designed to promote music making the music market brought 303 new exhibiting com- to people of all ages. NAMM is comprised of appanies to the show. NAMM Membership and in proximately 9,000 Member companies located in turn the NAMM Show is increasingly global, as more than 87 countries. For more information reflected in the 6% increase in international at- about NAMM or the proven benefits of making tendees. The global scope of the NAMM Show is music, interested parties can visit www.namm.org, most clear walking the show floor. This year 636 call 800.767.NAMM (6266) or follow the organiexhibitors from outside of the United States made zation on Facebook, Twitter and YouTube.

Bringing the Goods to YOU from NAMM CV WorldWide Team

The National Association of Music Merchants convention (or NAMM to those ―in the know‖), held in Anaheim at the Convention Center January 24th - 26th, is an annual get together for companies in the music industry to show off their latest products to buyers and sellers of musical equipment. Everything from guitars and drums to turntables and microphones were on display in the Anaheim Convention Center all weekend. CV WorldWide again had the opportunity to attend this years convention and get a glimpse into some amazing products coming in 2014. Jason Constantine, our in house music equpment reviewer, will be showing us some products over the next few months that are new to the market.

Below is a small sample of what is to come in the next few issues.

Our FIRST Review, in this issue Legator Guitars - Helio 400C Single cut LP style guitar Upcoming Equipment Reviews Mojo Hand FX - DMBL Distortion / Overdrive Pedal Mojo Hand FX - Dewdrop Spring Reverb Mojo Hand FX - Speakeasy EP Preamp Dean Guitars - JCV C450F ―Jacky Vincent‖ Signature Guitar Ibanez Guitars - Universe UV70P 7 String Guitar Ibanez Guitars - ARZIR20 FB the latest Ibanez single cut style guitar Revolution Amplification - Newly designed heads by famed amp designer Tony Krank Rhodes Amplification - Orthos Lang Amplification - Lang Flagship 2x12 Combo amplifier We will have photos and we will have some video features as well on our new YouTube Page. So be sure to check those out as well.

Date Doors Open Bands 2/1 9:30 pm LAYZIE BONE with Mo Thugs 2/5 9:00 pm Walk Off Wednesdays

Cover Ages $15 21+ $5 21+

2/6 2/7 2/8 2/9 2/13 2/14 2/15 2/20 2/21

ALL HAIL THE YETI with Revolve, Before the Mourning Lionize COMEDY NIGHT: Brandon “Gooch” Hahn MOTOGRATER with AriettA, Ill Patientz, From 6 To Midnight RESSURECTION with Water Landing IRV the PHENOM with Rough House End, Wasted Myndz TEAM JAXSON CHARITY DRIVE DROP TANK with Tosom Kantation, War Within, Vile Child

$8 $10 $5 $7 $5 $5 $5 $5 $5

21+ 21+ 21+ 21+ 21+ 21+ 21+ 21+ 21+

REHAB with Angel’s Cut PENTAGRAM with Radio Moscow, Kings Destroy

$10 $20

21+ 21+

9:30 pm 7:30 pm 8:30pm 9:30 pm 8:30 pm 8:00 pm 8:30 pm 8:30 pm 9:30 pm

2/23 8:30 pm 2/26 8:30 pm

Hand Crafted Wearable Art

Gear Review: Legator Guitars from CV WorldWide Equipment Consultant Jason Constantine

Legator is a fairly new company to the market, offering many different styles and options of guitars. Anything you can imagine is offered from Legator; 6, 7, 8 and 9 string guitars, S style, T style, LP style, Dual Cut, Acoustics and Basses are all available.

Legator Guitars was established in 2012 with one goal; to create the finest music instruments in the universe! This is a bold statement to be making, especially in a market where it seems everyone and their cousin is making guitars. Legator offers many instruments at various price points. They offer Korean imports and USA Hand made guitars so anyone can afford to play a Legator. Our resident reviewer Jason Constantine stopped at the Legator booth at NAMM 2014 to really put these guitars through their paces and see if they are truly some of the ―finest musical instruments in the universe‖.

Helio - HSC 400-LE: This single cut LP style guitar is part of Legator‘s USA line. This guitar features all of the adornments of a typical LP style guitar with some refinements that truly makes it all Legator.

The HSC 400-LE Offers:         

African Mahogany Body w/ Maple Top Mahogany Neck Ebony Fingerboard 22 Medium Frets 24 ½ Inch Scale Length Seymour Duncan Antiquity JB and Jazz Model Pickups 2 Vol / 2 Tone Control configuration w/ 3 way switch Graphtech Bridge Hipshot Locking Tuners

MSRP: $2499.99 So what‘s the verdict? These guitars played amazingly well. The sculpted neck heel gives you fiull access to the upper frets with no restrictions, unlike other LP style guitars. The 22 Medium Jumbo frets were

polished and trimmed to perfection. The ebony fingerboard was evenly colored and showed no signs of being a cheap piece of wood. After playing this guitar for about 5 minutes it felt like an old friend.

Chords and notes sung with sustain, string bends were easy and the pleasant C neck profile was very comfortable. The guitar sounded excellent running through one of the soon to be released Legator Tube Amplifiers, and even with extreme gain settings I was able to roll back the volume and clean up the tone nicely. The finish on this guitar was flawless, and the quilt top was deep and lush. The burst was even, and the binding was finished perfectly. You could not tell the difference between the clear coat and the binding.

Ratings: Overall Value: 9 - Slightly above the price you would pay for a LP style guitar of similar quality.

Finish: 10 - Flawless perfect mirror finish and gorgeous deep rich color Tone: 10 - Deep rich lows, clear crisp highs, notes sustained for days Playability: 10 - Fast neck, not too fat, but not too thin, a perfect balance of modern and classic Overall Score: 9.75 Final thoughts: Legator Guitars is truly out there to cover the market. Their range of guitars and quality puts them immediately in the ranks of some of the finest instruments around. Their list of endorsees is nothing short of a whoâ&#x20AC;&#x2DC;s who of the current trends of the music industry (and includes Jake E Lee, Jon Donais of ANTHRAX, Greg Tribbett of HELLYEAH, and many others). Their popularity is growing and I can see why. These instruments are finely crafted instruments with every attention to every detail.

http://legatorguitars.com/

Sights Around NAMM Through the Eyes of Sherry K

Sights Around NAMM Through the Eyes of Sherry K

Presidential PHOTO BOMBS! (yes, I do look like a dork!)

Chris Holmes from WASP - damm he’s TALL! Nadir D’Priest & Chris Sanders from LONDON

Mike Orlando from Adrenaline Mob

THE Steve Stevens…’nuff said

NAMM Vendor Spotlight!

At Yamaha, we will continue to create 'KANDO' and enrich culture with technology and passion born of sound and music, together with people all over the world.

Yamaha is featuring the TRBX Series, a full line of electric basses, at the 2014 NAMM Show. Combining advanced design, precision engineering and timehonored craftsmanship, these new instruments offer easy playability, comfortable body shapes and road-ready durability.

The four-string TRBX304 and TRBX504, along with the five-string TRBX305 and TRBX505, include new EQ and pickup innovations. All four models feature a five-piece Maple/ Mahogany neck for outstanding stability and excellent tone, along with finely crafted solid Mahogany bodies that are perfectly balanced and lightweight.

The 500-level basses are equipped with a 3-band Active EQ Control that can also be turned off for passive play. An Active/Passive switch lets players move between the two modes without losing any gain, ensuring the instrument’s versatility during live settings. The 500 Series also includes new H5 dual-coil pickups that deliver clear, punchy sound and a Battery Alert LED. On the 300-level models, a Performance EQ Switch offers five performance-tuned full-spectrum EQ curves, which lets players switch between styles and sounds on the fly, including Slap, Pick, Flat, Finger and Solo settings, plus 2-band active EQ controls. The newly designed M5 hum-bucking pickups also feature built-in thumb rests.

“For years, loyal Yamaha bass players clamored for instruments in this price range and these new models will make players across the musical spectrum very happy,” said Armando Vega, product manager, Yamaha Guitars, Yamaha Corporation of America. “The EQ options offer unparalleled tone-shaping possibilities and the new pickups sound like nothing else on the market today.”

Yamaha today introduced the redesigned Stage Custom Birch drum set at the 2014 NAMM Show. Already considered to be pound-for-pound among the best drum sets in its class, the new generation Stage Custom Birch has received several significant upgrades.

Many of the changes are subtle, yet substantial.

Yamaha upgraded the shells with the same thicker ply concept used on Live Custom and rounded the bearing edges for more head to shell contact, which provides a fatter sound. The Absolute style lug, which attaches to the shell using a single screw, requires fewer holes in the shell and less metal inside the drum, allowing the drums to resonate more fully. Die-cast claws and new spurs now adorn the bass drum and the snare drum now includes ten lugs for more precise tuning.

Stage Custom Birch kits also come in new sizes.

Tom and floor tom sizes are now available at traditional depths and diameters, offering wider tuning and dynamic ranges. The floor toms, trimmed down to be under square, provide a better tone to attack balance. The drum sets also offer excellent finishes, high-end specs and superior hardware at a great value.

“The Stage Custom Birch has been a very successful drum set due to its incredible value,” said Dave Jewell, marketing manager, Yamaha Drums, Yamaha Corporation of America. “We listened to dealers and consumers and improved our number one selling drum set in many ways. From pro finishes to the new Absolute lug casing, the Stage Custom Birch drum kit will continue to set the standard for the industry.”

Yamaha is featuring the portable and affordable MOXF Series at the 2014 NAMM Show.

MOXF compatibility with the Voices and Library of the MOTIF XF, MOTIF XS and the MOX Series data ensures the immediate availability of a large collection of sound and sample libraries and optional software. The 88-key Graded Hammer Standard MOXF8 and 61-key semi-weighted action MOXF6 come with 741 MB Wave ROM, 3,977 waveforms and 128-note polyphony, with up to 1 GB of Flash board sample expansion. In addition to a 16-track Song and Pattern Sequencer with real time loop remix, MOXF Series synths come with built-in, four channel USB audio/MIDI interfacing and extensive DAW/ VST controls.

Performance Mode enhances creativity by allowing players to combine multiple voices together and play them on one MIDI channel and with the interactive Arp engine, playing simple chords or even single notes provides complete musical performances to inspire creativity. The MOXF also features 256 preset performances in a wide variety of music styles. For music production, a built-in sequencer lets musicians produce high-quality tracks recorded in real-time without the need to plug into a computer or other external devices. The keyboards come with incredible presets, from pristine grand pianos to vintage keyboards, enhanced by advanced Virtual Circuit Modeling effects, which provide the textures of vintage analog compressors, EQ and stomp-boxes, down to their component transistors and resistors.

For producers who prefer to use the latest DAW and VST technology, the MOXF serves as the center of a professional-grade music production studio. Bundled software includes the MOXF Editor for detailed editing of Voice and mixing parameters along with MOXF Remote Editor for controlling VST templates and Remote Tools, which simplifies integration with Cubase. Audio and MIDI hook ups require a single cable for recording to a variety of DAW options and a special remote mode and AI knob makes it easier than ever to control recording functions automatically. MOXF keyboards come with Steinberg Prologue VST, a rich-sounding virtual analog synthesizer with a wide variety of textures that includes sounds ranging from lush, detailed pads to bright, acerbic leads.

“The MOXF Series is expandable, portable, affordable and compatible with a wide range of other products,” said Athan Billias, marketing manager, Pro Audio & Combo Division, Yamaha Corporation of America.

“These new synths bring MOTIF music production power to a whole new generation of musicians and producers.”

Yamaha today introduced the new generation of MG Mixer Series at the 2014 NAMM Show.

All MG models come with Yamaha state-of-the-art discrete Class-A D-PRE microphone preamps. By using an inverted Darlington circuit topography, these studio-grade preamps feature multiple circuitry elements designed to provide more power, deliver lower impedance and supply an impressively wide frequency range that can handle signal from any source without coloration while faithfully retaining the original sound.

With varying input/output and processing capabilities, the new MG Series includes four XU models that feature an upgraded version of the renowned Yamaha SPX effects processor, including a comprehensive suite of 24 different effects that add professional polish to any mix (upgraded from the 16-effect version in the previous MG series). A favorite of sound engineers since their introduction more than 20 years ago, SPX processors have become the industry standard for both recording and sound reinforcement applications. The MG06X also comes with six non-editable SPX effects (but does not include USB integration, found on the XU models). Five Standard models range from six to twenty channels.

New XU models offer digital connectivity and software that streamlines the recording process, including Steinberg Cubase AI. A USB 2.0 audio interface capable of 24-bit/192kHz sound quality allows for playback of digital content from a PC and recording of the mixer output using DAW software. USB Audio Class 2.0 is also supported so that compliant tablets and other devices can be used without installing drivers. All models in the XU line are compatible with Apple’s Camera Connection Kit or Lighting-to-USB Camera Adapter for seamless recording and playback of digital audio content to and from an iPad or iPhone.

The MG mixers also feature 3-band channel EQ and high pass filters; models with more than 10 inputs are equipped with newly-upgraded, 1-knob compressors that add optimized compression to a wide variety of input sources with the touch of a single control.

The entire MG line has been redesigned with an emphasis on durability to withstand the rigors of the road or rough handling. A powder-coated steel chassis provides improved structural strength, while the placement of the knobs above the chassis surface protects internal components by absorbing any impact or pressure on the knobs themselves.

NAMM Metal Jam 2014

Gear the Pros Use!

Chris Sanders - Guitarist for LONDON & Knight Fury "As I stood watching Chris and his technique, I was reminded of another young guitarist I once had the pleasure of seeing many years ago at The Starwood. The band was called Quiet Riot. The guitarist was none other than Randy Rhoads."

Lucky, SugarBuzz Magazine

Guitars My first guitar ever was a Gibson Les Paul Studio. I still have it and occasionally tour with it. I used it for some of the rhythm tracks on the Knight Fury ―Time to Rock‖ album where I blended it with Jackson Guitars. Jacksons are my real work horse. Every solo I ever record was done on a Jackson RR1.

Only thing that varied was the color of the guitar. On the road I have been known to also use Jackson RR3‘s.

Pickups Seymour Duncan does it for me. sh2, tb4 and tb10 Pedals I don‘t use analog pedals anymore. It‘s the old way of doing things. I suppose if you are on a limited budget and only want a few added tones it‘s all right in the home. On the road I don‘t want to deal with changing batteries or power adapters.

I have a vary colored sound and every effect I use is processed through rack gear. From EQ and a noise gate to chorus, delay and reverb. I even use a pitch shift to add an additional pitch 7 cents above signal. Having total control over these effects is essential. Knowing when to have what on and to switch tones at a moments notice for solo‘s to rhythm to clean can only be achieved through a ROCKTRON ALL ACCESS midi controller. This controller also controls my amp so I have total control over effects and channel switching.

Amps I have used many over the years and have blown them all up. The first thing I do is put an antinuator on them. This allows me to have great tone from an amp that is cranked to 10, without the volume associated from a cranked amp. Speakers also sound the best at lower volumes. The Rocktron Vendetta 100 watt tube head is what I have used on every USA tour since 2008. EL34 and 12ax7 tubes are used.

Speakers I use Wizard speakers from Eminence. They are the best speakers I have heard and I stand behind them 100%. I still have the original 16 speakers they sent me to reload my cabinets with. I have not been able to blow these speakers up. I love the efficiency (sensitivity) of them. Serious db and sound pressure levels.

Strings I tried them all. Most are crap. Around 1995 I started using GHS strings and have never looked back. They continued to be the best string. I toured their factory in Battle Creek MI a few years ago and was very impressed with what I saw.

Great company, product and people.

Tuned to standard I use 8-38, Eb 9-42, and tuned to D 9-46 Picks They are purple and have turtles on them. Delron 500 1.5mm are what I tour and record with.. 2 hours a day I practice with Stylus picks. They have a diamond shaped head and are great for training and economy of movement.

Cables Monster cables for tour and studio.

More from Chris: CVWW: Have you done any specific mods to the guitars, or are they straight out of the box with the pickups & strings you mentioned?

No. Everything is the way it comes. If it isn‘t right out of the box, I‘m not gonna mess with it.

CVWW: Tell us a little about how you got started playing guitar, how often you practice, and a little about your advice & philosophy on guitar…

A steady practice routine is a daily requirement in my life. Usually starts about 7am or 2 hours after my workout begins. Testosterone is higher in the morning and allows to push harder. I do split guitar training.

2 hours in the morning and 2 hours in the afternoon.

I warm up. Go over a mental inventory in my mind of what I will be doing. There is always a focus on technique, old repertoire, new music, ear training, harmony's and posing in the mirror.

Be conscious of your body's movements when so when you are playing live you get the best pictures. :)

more...Motorcycle Riding Tips We all have enough "In memory of…" patches on our vest and do not wish to add any more. So here are 11 motorcycle riding tips to remind us of the things that can keep us in one piece and out of the hospital. Recently we‘ve heard of TOO MANY fatal motorcycle accidents, especially in my SouthWest market (Vegas & LA)...CVWW is sorry to beat this drum again, but you can NEVER get enough tips on riding motorcycles safely...

If you are a novice, sign up for and attend a Motorcycle Safety Foundation course. Not only will this course teach you lots of the things that will help keep you safe but your motorcycle insurance will probably be slightly lower as well – and who doesn't want to save on insurance, especially when riding in states with Helmet Optional laws that require large bodily injury coverage to enjoy the right for those who ride to decide.

Remind yourself where your suicide or kill switch is located. This switch, if you realize you are going to have to drop the bike, can save you from having your own motorcycle run over you causing injury.

If you are just learning to ride and live in a highly populated area, have an experienced rider take you and your bike into an area with little or no traffic.

A parking lot of a closed business works very well.

Neighborhood streets can cause the residents to complain. Ride in this controlled environment until you feel completely in control of the vehicle.

Learn how to stop and start easily and smoothly.

Learn how long it takes to stop safely – it isn't the same as stopping a car.

First-time street riders should choose a time of day when the traffic is at a low. Jumping into rush hour traffic can easily lead to an accident on your very first outing. Select a route that takes you into very low traffic zones such as through neighborhoods, scenic routes and avoid at all cost getting on a freeway until you gain quite a lot of experience.

Never, ever become aggressive toward a car or truck driver. Those cars win every single time in a road rage situation. They are bigger, heavier and have a lot more power. If someone tailgates you, tap your brake lights a few times and if they don't back off, change lanes or give them the road by pulling off to the side We all know black is the only cool biker color, right? Well, if you are going to be riding at night in a poorly light area, it is much more important to be seen than to be cool, no matter what your friends say! Be sure your lights are bright and clean for maximum visibility but also consider placing reflective tape on the back of your helmet (if you use one) and maybe a glow in the dark patch on your back.

Never trust cages. Car drivers somehow, no matter how loud or how rowdy bikers can be, manage to simply not see us! The blind spot in most cars is sufficiently large for a motorcycle to be completely hidden from view. But other cage drivers simply don't seem to look for us. Unless, of course, they son, daughter, husband or wife happens to ride; unfortunately, we can't tell who those people are and have to be doubly aware of other vehicles than when driving a car.

Never assume that just because there is no turn signal on that car that it isn't going to turn right in front of you. No matter how many other drivers don't use turn signals, ALWAYS use yours and, if you have a passenger during daylight, hand signals can be an extra preventative measure.

You know those trucker bumper stickers that say "If you can't see my mirrors, I can't see you"? Well, use this same common sense when riding. If you can't see the driver's face in the rear view mirror of the vehicle in front of you, chances are they can't see you at all. Stay out of blind spots at all times.

DONâ&#x20AC;&#x2122;T let this be you! Ride Safely! out from between your legs at low speed, you will experience much less road rash than allowing momentum to take you with the motorcycle.

Novice riders should never carry passengers. That comes later with more road experience. The movements of a rider can cause a situation where you Once you become an experienced rider, when ridcan easily lose control, especially at very low ing on city streets, always allow room for other speeds. people's errors. An added safety tip is that you should remain aware of where you would choose Above all, plan for safety so you will come home to put the scoot down if the need arose. If you get safely to ride again another day. Be defensive and in trouble and have any time at all, select where to be aware to avoid losing your bike â&#x20AC;&#x201C; or worse, your lay the motorcycle instead of allowing traffic or the life. bike to determine that for you. If you can elect to place the bike on the ground, allowing it to move (reprinted from www.whybike.com)

Led by the Giancana siblings, originally from North Carolina, the guys in Masses Beware threw caution to the wind and relocated to the music city, Nashville, TN, to pursue their future as a band.

Despite being a hard rock band in a country music city, Masses Beware has held their own in the music scene, playing local venues, expanding their fan base & notoriety with every new show. For these guys, it’s all in on their music careers, and based on their success so far, it’s a solid bet!

CV WorldWide had a chance to squeeze some quality time from their busy schedule... <CV WorldWide> Alright, CVWW Interview 101, tell us who is in the band and his role.

Casey Self - Vox Brandon Giancana - Drums Nick Giancana - Guitars and Keyboard Bryant Giancana - Bass and Live Background Vox Sam Deyton - Guitar and Background Vox

lated? songs, or even put money up to <Bryant> We are 3 brothers from record in a studio. So we kind of teamed up and said ―do you want the same motha. to start a full project together, <CV WW> Who started the band and put our money into the pot initially, was it the brothers? What and record, do videos, and make were the goals back then? the initiative to make it a full <Brandon> The band started time job?‖ So that‘s what we did with me, Bryant, and Nick. We and so far it is working great! The really started a band because we goals back then was really to start had worked with other bands in the project and see how far it the past and no one really had big would go; kind of a trial and er<CV WW> I see 3 “Giancana” goals other than just jamming ror situation and see if brothers names in that list, is this an incredi- and wanting to play local bars. could work in a band, and live ble coincidence or are you guys re- No one wanted to finish writing together at the same time.

like I was before he moved to Nashville. My reply was ―absolutely‖. I have had to come back and forth from NC to TN to get to the studio, because I don't live there yet. But I make these guys my priority and I really enjoy working with them.

<CV WW> Any cool stories how the name Masses Beware came about? <Nick> We started the project as my old band's name that I made with my nephew Erik - ―The Mask We Wear‖. We showed up to a gig about 2 and half years ago and the sound man announced us by misstating the name as ―Masses Beware‖. He did not hear us correctly, but we thought that is a good name, we searched it no one had that name, so we changed the name to Masses Beware. <CV WW> Did you have any other interest growing up, or were you focused on music early? <Sam> I was focused on music from the time I was 14, which is when I started to learn the play guitar on my own with no instruction. I would play Metallica, Pantera, Dire Straits and some heavier tracks, then started to form lead riffs. Casey started to play Bass in Orchestra, and started to back up sing in a band we were in together in High School.

Bryant, Brandon, and Nick all played through High School

band, and started small garage bands as early as 8th grade. So we were all focused on music very early; it is our passion. <CV WW> You state “Our Goal is to play music as our only option” was that and has that been the ultimate goal when you started this. <Casey> Yes I think that was our main goal, since we have all been doing music about our whole life. I made the move the Nashville to play downtown at places like Tootsies and just hit the cover country music scene as a bass player, and make good money doing that as my job.

When Bryant, Brandon, and Nick asked me to join with Masses Beware I got excited, because I love Country Music but my passion is to sing in a rock band. <CV WW> Tell us about the Journey in putting this line up together.

Casey is fairly new (August of this year?), what about Sam? <Sam> I came into the mix of Masses Beware at the beginning of September 2013. Casey called me up one day and asked if I was still serious about making music

<CV WW> Let’s break out a couple of quotes from your bio…

A: “We all came from different backgrounds of music”; alright tell us your different influences? <Casey> Shinedown, Seether, and Nickleback. <Brandon> Asking Alexandria, Ice Nine Kills, and some punk like Blink 182 <Bryant> Mudvayne, Korn, and Peter Gabriel <Nick> U2, Killswitch Engage, and Taking Back Sunday <Sam> Eric Johnson, Dire Straits, even some country guys like Brad Paisley B: “Each of us brings a uniqueness to the band”; explain what uniqueness each of you brings? <Bryant> We all add our uniqueness to the band in that we all get together and will tell everyone different things to do to compliment the song. Nick and Sam play every instrument so they will say try this here and see if it works, Casey plays bass too so he will say why don't we try this on bass, sometimes the parts fit sometimes they don't. But we all help each other to make it the best possible. <CV WW> What do you think it is about the lineup that works so well. <Casey> We are like a band of brothers, we click well, we get up all the time, to not only write songs, but go bowling about eve-

ry Thursday, and play games like are many places to play. The Call of Duty. So we are not band Rutledge, 12th and Porter, The mates, we are also good friends. Basement, and The Foobar are great places to play, and they <CV WW> You are a rock band have great sound as well. There based in Nashville, a county band are some rock bands out here, the scene is alive but more undercity-why Nashville? <Brandon> Well, it is not only a ground, and it is hard to get peocountry band city, but also the ple to come to the events. So it is music capital of the world. They rough, but if you get up with a have the best studios with mil- few bands, you can get a decent lions of dollars‘ worth of equip- show; but there is barely any pay. ment. They have these studios all So you have to love rock music in a block where you can hit plac- to play here locally. es like Quad, Oceanway, Ben Folds studio, and the tracking <CV WW> Have you ever thought room just to name a few within about moving to another city, one walking distance. There are the that might be more rock friendly? big labels like Warner Brothers <Casey> Nashville is our home Nashville, Sony Nashville, Word for now. There are many places Records, Razor and Tie, and like New York, and California many others not even 1000 feet that would be easier to live in for from where we hang out every the rock scene, but we really day on Music Row. You could don't know yet. We all think throw a stone and hit them right Nashville might be the place to out the front door where we hang stay because it is the musical capout that is how close they are. ital of the world.

The best producers, tens of thousands of songwriters, this is why <CV WW> On FB it says you Nashville is the music capital of have been involved in many #1 the world. It is so amazing to live Parties, which is an honor to all of here, and walk the streets, and run into big name people all the time. <CV WW> Does being a rock band in that city make it any harder or easier for you, tell us about the hard rock scene in Nashville. <Nick> It is harder because in all the places you can play for easy exposure like downtown Broadway, rock bands are not allowed to be there. It is for cover country music only, there is one rock bar but you can only play covers. So that makes it harder. Rock bands have to play away from downtown but the good news is there

us; what is a #1 Party? <Brandon> A #1 Party is a party that is thrown by BMI, ASCAP, or SESAC to show thanks for not only the artist but the songwriters in Nashville as well. When we first moved here in January 2013, our friend Dale invited us out to the Carrie Underwood #1 Party for her song ―Blown Away‖. He wanted us to see how Nashville is different by honoring the songwriter as well as the artist; it‘s really about the entire team here.

We got to shake hands with her, and the song writers, meet people at her label, heads of BMI, and ASCAP, so it was a great experience. He invited us out to many others later like Jason Aldean, Florida Georgia Line, Justin Moore, Randy Howser, and The Band Perry. The biggest honor was getting to meet Mr. Scott Borchetta of Big Machine Records, not once but twice. He is a person Bryant, Nick and I kind of idolize; he started the independent label, and made it to the top with hard work. So that was a big achievement for us.

other than Nashville. He worked fast and we had to keep up, and also made us follow the grid or click to the songs. It was a great learning experience and a crash course on professional recording 101, which we needed badly.

<CV WW> You released the album in Nov. 2013 how has that gone so far? <Bryant> It has gone great, we have 2 videos from the album out as well, we have had nothing but good comments on the album so far. With our videos out we just won a Beat 100 contest for ―Burn The Past‖ we got 2nd place on their world charts in the UK, which helped land us a Press Release to many papers, magazines, and online blogs to get the name out in the UK, and opened some doors for us, which was very helpful. Many radio stations are p la y in g t h e n e w s o n g s . ―Kingmaker‖; cross your fingers, it should be on a Movie soundtrack soon. So since November we have had a lot of success with the album. <CV WW> Produced with Warren Peterson - quite a name - what did you learn from working with a heavy weight like this? <Brandon> Yes we learned a lot.

He co-produced My Little Psycho, Craving The Hunt, and helped engineer the tracking for a few other songs not released yet.

He taught us professionalism in the studio. We had to learn fast how to chart the music for the Producer and Engineer which many people do not do in places

<CV WW> Even working with such a professional, was a full length album easier or harder to complete than you thought? <Bryant> Both easy and harder; it was easy working with Warren for 2 songs, he kept us paced, on time, and ran the session at a full professional level. For the other songs Brandon had to track and engineer the rest. I had to learn the patch bay, and get all the microphones patched in correctly, and we had to go back and forth between members recording, and punching in on mistakes. So that is when the hard part started to show up. We had an assistant Engineer help with some vocals, and some punching in on a few songs, so a big thanks to JP Sells for that. We took a few weeks to finish up everything, but we learned for the next album we will have qualified Engineers like

JP Sells to work with us the whole time. <CV WW> Try to describe the feeling of holding your own CD in your hands? <Sam> To me, having a full length album in its completed entirety not only gave me a huge sense of accomplishment, but also excites me that I have a finished project that I can share with the world, which is really cool. <CV WW> Have you heard your own songs on the radio? When you’re with friends and say “that’s our song” what do they think? <Nick> Yes I actually recorded our first big radio interview and they played 5 of our songs from the old EP before the album. It is really something special when you hear your own song played in another state, and others are listening. Most of our friends are musicians, so they would all call up after the show and say sounds great, or I never heard that one. It is just a big accomplishment. <CV WW> Any particularly memorable shows, why were they memo-

rable? <Brandon> Actually the most memorable show I think we had with Masses Beware was the first show in Nashville. Our friend Kevin aka ―Spaz‖ actually got hot sauce with a mix of pineapple sauce from the wings in his eyes.

He is allergic to pineapple so he started seizing after the show and had to go immediately to the hospital in Murfreesboro. So we were an hour away from home, in a town we don't know, and stayed with him ‗til they rinsed his eyes out, and epi penned him.

The worst part is we all got the flu a few days later. So I guess it and curse bad, so we stopped the was very ―memorable‖. show to check on him, then he started seizing. So the whole <CV WW> Pineapple sauce AND show stopped after that, a nurse hot sauce?! Do I even want to ask? in the audience called 911, and <Brandon> Haha! Spaz is bit of started to give pre-care by getting a messy eater, especially with everyone away from him, checkwings so he ended up rubbing his ing his vitals, and trying to find eyes somehow, probably not wip- out what the ingredients in the ing his hands off with a napkin food were. A few minutes later 2 first; even though he did, he ambulances and 3 fire trucks wanted to stay the rest of the show up, the whole street looked show. The bad part was he was like a massacre happened, people the lead guitar player for the band outside in the dorms near the colat the time; during the show he lege were coming over, it was a started to yell during the 3rd song total clusterf**k. He started to tell everyone he was allergic to pineapple when he awoke which was in the hot wing sauce. At the hospital they gave him a epi pen to control the allergic reaction. But the part of the story I left out was the nurse in the ER could not control him washing his eyes out, so they made me help hold him down and keep his eyes open.

Then a few days later

we all got the flu. <CV WW> Ahh, the life of a musician, good times. <Brandon> Yeah… <CV WW> Any of your songs speak deeply on a personal level to you guys? <Sam> The songs on the new album defiantly speak to me on a personal level. I am the type of person, that I don't necessarily need lyrics for a song to hit me in the heart. I put a lot of time, sweat, effort, and achy fingers into this project and hearing the lead riffs, rhythm parts, and other sections where we added my ideas in the songs speak to me. <CV WW> I see you use Social media some, but not overly too much - how do you see social media; necessary evil or savvy marketing tool? <Casey> It is very savvy, I don't know where we would be without it. It is a great way to branch out and hit new fans in other states, and even countries, without even touring there.

Rush, and newer bands like 30 Seconds to Mars, Creed, and Shinedown. <CV WW> What is one of the best pieces of advice someone has given such a young band? <Nick> ―Play with a Metronome or Click‖, and ―don't get married‖.

<CV WW> How has signing with Endless Beat Management taken the pressure off you guys to do the heavy lifting of the management? <Bryant> It really helped a lot.

Not only do they help line us up with the right people for the job like music videos, they help promote us every day, and get major contacts to check us out. That is where we got ―Kingmaker‖ on the soundtrack for the preproduction of the movie. Plus they helped cut some budgets by working our deals with other professionals to help keep costs like the studio down and affordable.

for touring. We are talking with many other booking agents who are lining us up some small tours for the end of this coming spring though.

<CV WW> Did you just finish up a mini tour, did I see that right?

Tell us about how that went for you guys. <Brandon> Well, we had 2 tours lined up with 2 different bands from Victory Records a few months ago. We were really excited about it, got new gear, and put down some money for renting a decent van. But one of the bands broke up a month before the tour started, and the other band had to cancel the other tour for some reason, so it was a no go

<CV WW> How did you guys feel before your first show, where you nervous, wanting to head on stage? <Casey> Not at all. We are all performers; I personally love to get on stage, it is the one thing I look forward to every time I play a gig.

<CV WW> In a “country city” what is it about Masses Beware that appeals to the hard rock fans? <Nick> We put on a great show, but mostly I think it is the music that speaks to them. We have always picked up a few new fans every time we played, so we are very grateful we have good support of fans for always showing up.

<CV WW> If you had one Band to open for during a show who would it be?

(All) There are so many good bands, we wanted to add a few Led Zeppelin, KISS, Van Halen,

<CV WW> Where do you guys feel you are in the musical journey of Masses Beware? Where do you see yourselves in 3 to 5 years? <Bryant> I think we are established enough to really make Masses Beware a go right now.

We have the right members, we have the right attitude, and we all have the same goals. Hopefully in 3 to 5 years we will be with an independent label, moving towards a major label record deal, we are reaching for the stars and our dreams, and we think it can be accomplished. <CV WW> 2013 has come and gone; more popularity, a full length album out, what is in store for Masses Beware in 2014? <Brandon> Well. we are working on some spring and summer touring, we have a few more songs we might be cutting soon to start the next album, and get them tracked and ready to go.

New radio stations playing our songs overseas in the UK, Germany, and the Netherlands, and a big concept music video coming soon it is in the works. It is going to be a busy year, but we can't wait for it.

A Truckerâ&#x20AC;&#x2122;s Guide on Winter Driving In eight years as a truck driver, Alan Wrobel has driven 810,000 miles (accident-free) in 45 states and Ontario. Here's his advice on how to handle yourself when the snow starts falling: When you face a nasty winter storm, use your best judgment. Don't go out unless you have to, and always make sure you have an emergency kit, warm blankets, and rations in the car. Now, here are some tips, basic and advanced, to help ensure you won't need to use that emergency kit.

Relax: Breathe and stay calm. Panic causes people to overreact. You need to focus.

Slow Down: Drive only as fast as your abilities and the capabilities of the vehicle permit for the road conditions. If you're out of practice on snow and ice, slow down.

If your tires are bad, slow down. If your car has a low ride height, it won't handle accumulating snow well. Again, just slow down.

Be Smooth: Your actions need to be controlled and deliberate.

Hard acceleration, hard braking, and sharp curves all decrease traction. Maintain a consistent speed, open up the distance between you and the car ahead, and be easy on the brakes. Steer gently, and remember that inertia will be a factor.

for turns before you start slowing down.

If you're going significantly slower than the traffic around you, turn on your four-way hazards, take the rightmost lane, and just let everyone pass you.

The hazards let other drivers know you're going slower than they are, and this can help prevent a pileup.

Observe Tire Spray: Pay attention to the water coming off of other vehicles' tires. If there's a lot of spray, the roads are wet. If there's less spray and the road's look wet, take extra caution; the roadway is starting to freeze. If the road looks wet with little or no spray, you're on black ice. Be extremely cautious.

Let There Be Light: In inclement weather, turn on your headlights. Watch the Truckers: This is so other drivers can see you. Your taillights When the weather goes south, if the big trucks are will be brighter too. slowing down, you should too. If they're pulling off, perhaps you'd better take a break as well. By Use Your Signals: Here's a trucker's rule of thumb for lane change: no means do I recommend keeping pace with Dry or rainy (not freezing) weather: three blinks, them. (We're kind of a crazy breed with the adthen move over for three blinks. Winter weather: vantage of more weight, higher road clearance, four or five blinks, then move over slowly. Signal more tires, and bigger tires.)

Do Not Stop: If visibility is zero (i.e., you can't see beyond your hood), do not stop where you are! You WILL be hit. Creep along until you can safely get your vehicle off and away from the road.

freezer. My bet is it practically sticks to your fingers for a bit.

The same principle applies to driving. The ice is almost sticky in more extreme cold. But during heavy and slower traffic, more heat is applied to its surface, and traction will be commensurately reWaiting it Out: Exit ramps are typically plowed after the main duced. highways. Rest areas are cleared after that. If you need to get off the road, wait it out in the parking Ultimately, you're responsible for exercising your lot of a gas station, 24-hour restaurant, or hotel. best judgment. If the weather is bad, stay put and You stand a better chance of not being snowed in. let road crews do their jobs.

Traction is Everything: Loss of traction in snowy/icy conditions doesn't happen because you're on ice. It means you're hydroplaning on an almost microscopic film of fluid water (in a transitional state) between the ice and the surface of your tires. The lack of cohesion in the fluid gravely reduces friction, which results in less traction.

Make sure you have snow tires or all-weather radials with wide and deep tread valleys. Siping (small cuts that look like squiggly lines) on the tread studs Be safe out there. will help with grip on packed snow and ice.

When is Cold-Weather Driving Riskiest?

You face the greatest risk of losing traction on snowy, wet roads when temperatures are between 22 and 35 degrees Fahrenheit. At colder temperatures (10 to 20 degrees or less) snow-covered and icy roads afford more traction than at those warmer (22 to 35 degree) temperatures.

Don't believe it? Try this: Take two ice cubes.

Place one in a deep freezer for 30 minutes. Drop the other in a glass of water. Try picking it in up with your fingertips. Notice how slippery it is? After 30 minutes, get the other ice cube from the

By Alan Wrobel (originally published in Road & Track)

Order in the Chaos Why independent songwriters should register the copyright for their music [Article by special guest contributor Anthony Ceseri]

Please Note: This article discusses opinions on copyrighting your music and should not be considered legal advice. If you’re unsure about how the copyright laws in your country will affect you, please contact a lawyer before proceeding.

can submit your music for copyright online, which makes submitting even easier.

When it comes time to copyrighting your music, there are two forms you can use as a songwriter. They are Form SR and Form PA. Technically, there are three forms, if you consider the fact that there‘s also a short-form version of the PA form.

But that offers the same protection as the PA form. SR stands for Sound Recording, while PA stands for Performing Arts. So how do you know which one to use? The following is from the Copyright Office‘s website and will answer that for you:

When you submit a song for copyright you‘re simply proving the date of submission of your work. The fine folks of the copyright office don‘t sit around listening to every submission to see if they‘ve heard it before. That would be an impossible task. When you write or record your song, technically, you‘ve created it — and thus you own the copyright to it. By submitting a song to the copyright office, you’re protecting your music simply by acknowledging the date of its creation. When to Use Form SR (Sound Recordings) Use Form SR for registration of published or unpublished It’s also important to note that certain aspects of sound recordings, that is, for registration of the particular your song are not protected even if you’ve regis- sounds or recorded performance.

Form SR must also be used if you wish to make one regtered the copyright. These include: istration for both the sound recording and the underlying * chord progressions work (the musical composition, dramatic, or literary * the overall idea or concept of your song work). You may make a single registration only if the * and a title or short phrase Just think about how many songs have used cliche copyright claimant is the same for both the sound recordideas like ―I wish you were here,‖ or ―What ing and the underlying work. In this case, the authorship doesn‘t kill you makes you stronger.‖ Also, imag- statement in Space 2 should specify that the claim covers ine how many copyright infringements there would both works. be if the I – V – vi – IV chord progression could be Form SR is also the appropriate form for registration of a copyrighted. On the other hand, melodies and the multimedia kit that combines two or more kinds of auactual lyrics are very much covered under copy- thorship including a sound recording (such as a kit containing a book and an right protection. audiocassette).

Beginning the copyright registration process

When to Use Form PA The website for submitting your song for copy- (Performing Arts) For registration purposright in the United States is es, musical compositions and dramatic works http://www.copyright.gov/. that are recorded on On this website, you‘ll be able to print forms for disks or cassettes are mailing in the music you want to copyright, or you works of the performing

arts and should be registered on Form PA or Short Form PA. Therefore, if you wish to register only the underlying work that is a musical composition or dramatic work, use Form PA even though you may send a disk or cassette.

Examples of the Proper Use of Forms PA and SR Jane Smith composes words and music, which she entitles “Blowing in the Breeze.” Even though she records it, she is not interested in registering the particular recording but only in registering the composition itself. If she decides to submit “Blowing in the Breeze” for copyright registration, she should use Form PA. Emily Tree performs and records Jane Smith’s “Blowing in the Breeze” after complying with permissions and license procedures. If Emily decides to submit her recording for copyright registration, she should use Form SR. The same principles apply to literary and dramatic works. A recorded performance of an actor speaking lines from “Hamlet” could be registered on Form SR as a All I can say about these kinds of alternatives is sound recording. The claimant in the sound recording, of — DON’T DO THEM! Their ideas may make course, has no copyright in the underlying work, sense to you, but if it ever came down to a court “Hamlet.” battle, you would absolutely want your music properly registered with the copyright office. EspeCopyright registration costs…

There is a cost associated with each application, cially considering the fact that it‘s really not that whether it‘s a Form PA or From SR. Check the expensive if you submit a whole collection of songs Copyright Office‘s website for the most up-to-date at once. Taking the proper means to protect your fees. The good news is, if you’re copyrighting music is something all artists should do as they your own music, you can submit multiple songs move forward with their music careers. under one application for one application fee. So Now that you have a background on how to get if you‘re copyrighting an album of ten songs, as opyour music copyrighted, move forward with the posed to copyrighting them one by one, you‘ll save process so you can get your music out to the massa few hundred bucks when protecting your work. es and get heard!

Plus it saves you the paperwork of copyrighting all of your songs separately.

For a lot more songwriting information, grab your FREE EBook here: Poor-Man’s Copyright, and Other No-No’s It‘s also worth mentioning that there are a couple makeshift copyright alternatives that songwriters http://successforyoursongs.com/freeoffer/ occasionally like to talk about. I don‘t recommend doing these. The most popular is called the ―Poor Man‘s Copyright.‖ This is when you physically mail a recording of your song to yourself via certified mail and keep it sealed. Supposedly the postmark on the envelope will date your music and therefore protect you if someone comes along after that and steals your song. A newer version of this idea is simply putting your song on YouTube or another time-stamped social media outlet. The idea is that your music is dated and therefore protected by the time stamp on the social media site.

Hosting the PROPER Super Bowl Party...

Vincent Carnera, Tracy Cadwell and Zack Merryfield one who has over indulged. As soon as someone walks in the door at our gathering, the keys to their vehicle goes into the key collection bucket to be returned at the end of the gathering or when it is deemed they are sober.

Typical beers that are served at Super Bowl parties across the country are Coors, PBR and Budweiser. It is certain that we will be serving those, but have also chosen three others to bring this year to go along with the large variety of food that is always served. This year we have chosen Full Sail Session Lager; a little floral, slightly lemony and the stylish crowd loves it. While we do really like this beer we did select this one for the ladies. We have also chose New Belgium Shift Pale Lager, it is delicate and subtle, with a bit of citrus and hay in the nose; this is an easy drinking beer that goes great with bratwursts. For the final selection, Bellâ&#x20AC;&#x2DC;s Lager, it is clean and crystal clear and pairs well with most foods.

The Seattle Seahawks are going to the Super Bowl this year and this will make for a very interesting day to say the least. For the past six years or so a large group of us have gotten together to eat, drink beer (if old enough) and enjoy the game.

Over the years it has become more like a holiday for us; we all make sure we have the day off and some the day after!

There are a lot of sports bars and other establishments that we could go to but have found it best just to have it at someoneâ&#x20AC;&#x2DC;s home rather than worrying about having to get a cab home for any-

So, on the menu this year, as in years past, our very good friend Ty along with his lovely wife Anniva and their son Raven will be hosting our gathering and with that comes their excellent pulled pork, deer and or elk. This is like the turkey at Thanksgiving. The day would not be the same without it; the center piece of the event. They start it well in advance as I am told it takes at least twelve hours to cook when done correctly. Along with the main dish everyone that attends brings something to add to the party. In general the attendeesâ&#x20AC;&#x2DC; are the usual suspects and so the side dishes and other items are generally the same that each person brings every year; grilled burgers, sub sandwiches, chips and dips to cheese and crackers and

a variety of salsa. Of course we have to have hot dogs and we cannot forget the Beer Butt Chicken.

Not everyone that attends is a beer drinker and so on hand are Jell-O shots, whiskey sours and 7 & 7‘s. Of course it really isn‘t a good idea to mix different alcohols, but someone at some point usually does, it never fails!

If you choose not to have your own Super Bowl party and would like to go out to a local establishment there are a lot of places that are hosting parties, prices vary widely, so it is best to check around before making a decision on where to go; unless you consider this a holiday like our group of friend do and price is no option! A few that we have heard that are really good and have great viewing are Big Al‘s in Vancouver, Washington.

And Buffalo Wild Wings, (multiple locations around Oregon and Washington). There are lots of good local places also, so check your local listings.

We came up with a Pros and Cons list. We hope that this helps in your decision on whether to go out, have your own gathering or just stay home.

Going out Pros: Drink and food specials, Giant TV‘s, more fans, a larger variety of foods.

Cons: You need a designated drive or you will need a cab, you have to get there early to get a good spot, you won‘t know everyone there, no playbacks to settle those little disagreements.

Having your own party or attending one at a friend’s place...

Pros: Probably won‘t cost as much, you get to pick which friends get to come, easier to stay focused on the game.

Cons: You have to clean (and hopefully not the carpet), you might have to help your friend clean up, no prizes or raffle tickets, no giveaways, you supply some or all of the food and drink.

We hope you have a happy and safe Super Bowl! the CVNW

BREW CREW

CV NorthWest AT THE SHOW!

by Guest Photographer Alan Birdsell