CVSW August 2013

AUGUST Issue

FREE

THE Custom Lifestyle Magazine for Car, Motorcycle, and Music Enthusiasts

Muscle Car of the Month!

Gary Allen opens up about being a tribute band, working with the families of AiC, and the memory that powers his soul.

P. 20

COVER STORY: Dirty Pair-A-Dice Spend a little quality time with the metal gods of Vegas, try and keep up, and just let the interview be the interview. CV SW speaks to the gang from DP. P. 4

3

Drumiture

10

Drums the Pros Use

14

Guitars the Pros Use

15

Orange Crush Muscle Car

16

Raiding the Rock Vault

18

Mystic Photography in Concert

26

Butcher Babies Interview

32

Las Vegas Nightlife

34

CV Southwest Magazine

News You Can Use

CV SW gives you six “sneaky” tricks use by car salespeople to maximize their profit at your expense.

CV SW offers advice on how to best prepare for your summer motorcycle road trip to make it safe and enjoyable.

P. 12

P. 28

Mystic Photography Concert Series

Table of Contents Rock Calendar

News You Can Use

Locally Owned / Nationally Known

Spend time viewing the Vegas concert scene through the lens of Sherry Keith of Mystic Photography.

Her eye for detail and knack for getting ―the shot‖ gives you an up close and personal view into the show.

This month…

Raiding the Rock Vault Great White White Wizard

Contact Us - Info@cvworldwidemagazine.com

CV SOUTHWEST MAGAZINE © 2012-13 is published monthly and NO reproduction of content is permitted without Publisher’s prior approval. Publisher assumes no financial responsibility for the errors in ads beyond the cost of space occupied by error; a correction will be printed. Publisher is not liable for: any slandering of an individual, or group as we mean no malice or individual criticism at any time; nor are we responsible for the opinions or comments of our columnists; and promises, coupons, or lack of fulfillment from advertisers who are solely responsible for the content of their ads. Publisher is also to be held harmless from: failure to produce any issue as scheduled due to reasons beyond control; all suits, claims or loss of expenses; this includes but is not limited to, suits for libel, plagiarism, copyright infringement and unauthorized use of a persons name or photograph.

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the Solid Sons Acoustic Arena Heavy Honey Dirty Pair-A-Dice Grind Outta the Black Project 11 Project Eleven the Solid Sons Roxx Outta the Black Vile Child Brazen Vile Child Brazen Dirty Pair-A-Dice Prophets of Addiction Vile Child Vinyl Tattoo Outta the Black Vile Child Vile Child Grind Acoustic Arena Grind Doc's Angels Arena Tribute Arena Tribute Arena Tribute

Beauty Bar Fiesta Henderson House of Blues Hard Rock CafĂŠ Club LA Vamp'd Vamp'd Vamp'd Bar702 Vamp'd Vamp'd Cheyenne Saloon House of Blues American Legion Hall Vamp'd Viper Room LVCS Jasper's Bar & Grill Vamp'd Vamp'd the Empire Lounge Cheyenne Saloon Ripper's Rock House Shakespeare's Grille St Andrew's Hall Fremont St Main St Stage Fremont St Main St Stage Fremont St Main St Stage Fremont St Main St Stage

Las Vegas, NV Henderson, NV Las Vegas, NV Las Vegas, NV Destin, FL Las Vegas, NV Las Vegas, NV Las Vegas, NV Las Vegas, NV Las Vegas, NV Las Vegas, NV Las Vegas, NV Las Vegas, NV Baldwin Park, CA Las Vegas, NV Los Angeles, CA Las Vegas, NV Santa Ana, CA Las Vegas, NV Las Vegas, NV Ontario, CA Las Vegas, NV Akron, OH Las Vegas, NV Detroit, MI Las Vegas, NV Las Vegas, NV Las Vegas, NV Las Vegas, NV

The bad boys of Vegas are here, and like it or not, they are here to stay. The gang from Dirty Pairadice has been bringing down the house all over Sin City, even now branching out to the City of Angels. From Dallas’ vocals to Dylan’s insane guitar shredding, to Ruzz’ pounding bass, and Donny’s thumping beats, DP has been kicking ass and taking names since 2010 with their infectious blend of blues rock, grunge pop, and glam metal.

But at the core of the their infectious sound and their trademark live shows that can be described as nothing short of a sonic and aesthetic spectacle, are four talented musicians just “rolling those bones.”

CVSW got to spend some quality time with a band on the rise...

<CV SW> Who formed the band in 2010? What were he/they looking for in music when they got it together?

DP was formed in 2010 as a three piece act; current member Dallas played bass and handled vocals, Ruzz was on guitar along with their original drummer. Shortly after forming, the original drummer left, and Dylan & Donnie came in while Ruzz moved over to Bass.

of all the time we spend practicing together, all the sweat we put into being a complete band. We have become brothers, both on and off the stage.

<CV SW> Where did the name come from, any cool story about how “Dirty Pairadice” came about?

We have to give credit to Ruzz & Dallas for that. The band name was thought up by Ruzz as <CV SW> The current lineup gels Dirty Pairadice and Dallas changed on stage, where do you guys get it to Pair-A-Dice. He thinks it gives sort of a Vegas feel to it…we all such genuine chemistry?

This line-up has really come agree. together and meshed well because <CV SW> Your stage presence is

just powerful, do you guys rehearse the show antics or go where the wind blows, so to speak?

We don‘t rehearse the antics we perform on stage. We like each show to be different and go with the feel so that it never gets stale; each show is different, whatever vibe moves us is just where we end up. <CV SW> Did you guys dabble in anything else growing up, or was it all music all the time?

We all feel like this is what we‘ve wanted to do our entire lives, other general stuff interested

rock band in every sense of the word. There isn‘t anything fake about DP, what you see is what you get from this band, for better or for worse. We‘re real. We‘re on stage kicking ass. We know people appreciate this musical honesty, and it shows with the connection between DP and our fans.

us along the way, but music is where we all wanted to be.

Dylan, in particular, even attended MI, Musicians Institute, up in San Francisco. While he was studying there he even got to appear in a Foo Fighters video with other MI students; it‘s all we‘ve ever wanted to do. <CV SW> You guys headlined the main stage of Freemont St for months, how do you feel that validated DP as a band?

The Freemont Street concerts last summer were big because it helped get the word out on DP, not only locally, but through the millions of tourists that came through Freemont during that stretch of time. We recently played the Viper Room in L.A. and had fans come to the show because they saw the band on Freemont while in Vegas. It‘s cool to hear that people actually traveled a distance just to see us play. <CV SW> What do you guys think is behind the appeal of DP? Our appeal stems from the fact that we are a tried and true

<CV SW> What goes through your minds during a show, when the crowd is going insane, the venue is vibrating, and it’s just electric?

According to Dylan...we play for the fans, whether one or a thousand. Each and every show excites the band because they are doing what they love to do; it‘s hard to put into words how that feels, we‘re just up there rocking out, going with the flow. <CV SW> Any particularly memorable shows come to mind?

Well, of course the Viper Room show was a huge highlight for us, but we love to play at Count‘s Vamp‘d because it almost feels like home now for the band.

Everyone at the Vamp‘d shows feels like family each time we play there; the staff, venue, people, everything there is just top notch, it‘s a great place to play. <CV SW> You played that Viper Room in LA with Future Villians, tell us what you take away from a non-local show with a band like that.

Yeah, that Viper Room show was an incredible experience. It was huge for us to gain attention outside the Vegas market; playing in LA is a great step for a

rock band trying to make it, especially at a legendary club like the Viper Room. One of our main goals is to do more LA shows because it creates an opportunity for the band to gain recognition; you never know who is going to come out to see the band and notice us, so there‘s potential when you play there. Our number one goal in 2013 is to get signed by a major record label, and expanding our reach and popularity to LA will hopefully help make that a reality. As you all know, it only takes one right person to attend a show, hear the band, and then things come from there.

We opened for Blacklist Union earlier this year in Vegas, and part of our management team has been working with the BU management team to ―exchange‖ shows; bringing BU to Vegas and DP to Los Angeles; it‘s a beneficial, cooperative relationship. <CV SW> What is the craziest thing you’ve seen at a DP show?

Probably Dylan playing with blood streaming down his face during a show.

<CV SW> What do you think is your greatest accomplishment to date?

Probably the awards we won early on. That made us hungry to be recognized even more, but also finishing the EP. It took a lot of hard work and dedication from everyone involved to make it happen.

<CV SW> Yeah, we were wonder about that pic of Dylan playing with blood streaming down his face, what the heck happened there?

The now (in)famous picture of Dylan bleeding on stage comes from the Viper Room show. Dylan went to hop on the speakers and a nearby table at the side of the stage. He hit his head on a speaker hanging down from the ceiling. Almost no one saw Dylan hit his head, but he gashed it pretty bad.

When he returned to the stage to everyone‘s surprise, blood is streaming down his face. Dylan gave the famous quote to the Viper Room crowd “it isn’t a rock

show until someone is bleeding.” This also has to be the strangest thing the band has seen on stage. The crowd loved it, they went wild.

<CV SW> Let’s talk about those awards.

2011...VRMA’s…DP is chosen as “Best Hard Rock Band”…after only really a year out and about! Followed up with “Best Metal Band” by REF Entertainment in 2012… tell us about those accomplishments, what keeps you guys motivated after awards like that?

The awards by REF and Vegas Rocks are some of our greatest accomplishments to date. We have a great relationship with both of those promotions, as well as Rock Over America based in Vegas.

Those awards early in our career kind of validated what we were trying to accomplish as a band. It was nice to be recognized by those wonderful outlets so early in our career and it made people stand up and take note. <CV SW> Who does the most song writing, and how do songs evolve in your writing process?

Do you start with riffs, or lyrics, or either?

We are a full team when it comes to song writing. Other than ―The River‖ which Dallas wrote, the whole band likes to be involved in the complete songwriting process. This is different from a lot of bands out there, but we feel it helps each of us take ownership of the

songs and is part of what keeps the band so close. <CV SW> What is your inspiration when you sit to write a song?

Inspiration can come from anywhere. ―Concrete Jungle‖, for example, is a song written about being locked in jail – enough said on that subject! <CV SW> Who are your musical (or other) influences?

Our influences have to be modern rock acts with everything from Foo Fighters, Guns n Roses, and Avenged Sevenfold. <CV SW> Any songs really speak to you on a personal level?

Dallas weighed in on this and he stated that for him, the ballad ―The River‖ really has a personal connection to him because of his roots. Dallas grew up in Memphis, Tennessee near the Mississippi River where things just had a much different feel and vibe than anywhere else in the country. He tried to capture that mood and feeling when he wrote that song.

<CV SW> Some pretty big names like Dave Navarro & Gilby Clarke are fans and have sat in on a show…what do you guys learn from them about music and showmanship?

With people like Dave Navarro coming to our shows, we feel it only can help get the word out on the band and they appreciate any advice from people who have ―been there done that‖. Recently Michael Lardie and Mark Kendall from Great White had some nice things to say after the show, and Dylan recently got to spend some time with Jeff LeBar of Cinderella when they opened for his new band media – how do you think it’s Cheap Thrill. changed the music scene in Vegas? How has it benefitted DP? <CV SW> Speaking of Vegas, People have to make a what are your impressions of choice in Vegas where they are gothe local music scene? ing to spend their leisure time. That The local Vegas music sce- is why we are so active on social ne can be tough; there are a lot of media (Ruzz handles the social megreat local acts competing for time dia outreach for the band). It helps at different venues. But it‘s a great you reach out to as many fans as music scene, and the fans are really possible to keep them updated on the ones who benefit. things like show dates. You build your fan base one fan at a time, a <CV SW> You guys have been social media helps you reach out to pretty active on FB and social these fans on a group level.

It has really changed the music scene in Vegas because previously bands had to go out and hand out fliers and things like that one at a time to reach people. Now you can reach your fan base quicker and easier through social media. <CV SW> In SMASH magazine, you guys said “let’s let a show be a show”…tell our readers what that means to you.

Along those lines, our philosophy is that you do not have to be choreographed or have every single thing planned out going into a rock show. Once things start you make that connection with the crowd and then just let things happen as they may. That is all part of being real out there; start the music and see where you end up. <CV SW> Your common slogan is “this is how we do the night life”…tell us where that came from and what it means? ―That‘s how we live in the Nightlife‖ has become a slogan from the band and it comes from a lyric in the hit song ―Night Life‖ available on I-Tunes. It speaks of a

way of life that DP tries to emulate; as Dallas explained, ―the party does not get started in Vegas until the sun goes down, and does not always end until the sun comes up.‖ We are currently discussing a video for Night Life, and Dylan is scheming about doing a theme that has never been done before. Stay Tuned! <CV SW> Tell us about the CD release this year…

The EP is titled ―Loaded‖, and has six songs on it. It was produced at Desert Moon productions down at Danny Koker‘s studio. It is being released this month, but we decided to not do a mass release or a huge CD release party, because we want to release it to

greater our upward mobility becomes, the greater our opportunity to make it on the national stage. It is all about showing people what you got and what you are made of. <CV SW> It’s July 2013, what’s in store for the rest of the year for DP? For the rest of 2013 playing with a band like the Future Villians inside the Viper Room was a great start. DP will be back at the Viper Room on Aug 23rd. We sincerely hope that this is just the first step to signing with a national label.

Hopefully someone out there with a label sees one of these big shows and then the dream becomes realifans at each show little by little, ty, and the sky‘s the limit then. maybe to tease people a bit, but to once again make that personal connection with the fans, introducing them to the songs over time. <CV SW> What new markets are you guys looking to break into, after playing the Viper Room… what does that mean to you in terms of upward mobility of the band?

We are always looking to break into more markets to reach a more mass appeal. We are hoping to do a few more LA shows this year in order to broaden our fan base, to make DP a household name in more than just Vegas. The more markets we can reach the

Turning old instruments

into art!

Instrument Art is something Terry at Guinner Graphix has been doing for years for many people that have a love for instruments. Terry has found, since being back in California, that local music stores have a endless source of instruments to bring back to life. He will personalize your drums, guitars, and any instrument you

have. He is currently working on a Mandolin Jewelry Box, a custom base for a member of the all-female band Zepparella, a commemorative CV WorldWide guitar, and somebody even asked him to do something with their piano! He can make a piece of furniture out of an unusable or unwanted instruments, he does it all.

To contact Terry, visit:

www.Drumiture.com

Terry has now expanded his repertoire to include different instruments, everything from mandolins to guitars of all kinds, making custom pic guards and head stock art. He is constantly on the go, working with different vendors and personalities to generate great art pieces, many for charities.

Terry is also the nicest guy in the room, always willing to help people out

Terry‘s hope has always been to work with many wonderful people in many creative and unique ways, and in accomplishing that he is living his dream. He loves to save vintage or valuable drums in any way, using them to make individual, personal, one-of-akind pieces, his skill and perfection borne of his love of drums and art. Saving drums, meeting great people, helping those in need, and creating some very unique drum furniture is, to Terry, his life‘s calling, and one can see the passion and skill in his work.

In Terry‘s words; ―to be able to save these drums and unwanted instruments or cherished mementos and see the appreciative faces of the people for whom I have made them is what truly makes me happy. I‘m excited to say that Drumiture has many new clients contacting me daily, and the donations of numerous unwanted instruments, which I see as ‗unfinished art‘, is helping me make my dream come true.‖

So You Want to Buy a Car, eh?

CV WorldWide offers some MORE information on automobile purchasing...

Watch for 6 Car Sales Strategies Most car dealers are wired to make sales.

Even if it‘s a buyer's market, there's no reason to let your guard down in the showroom. Experienced salespeople have one goal in mind: to put you in a new car today. And it's their job to get as much profit out of every sale as possible.

While most car salespeople are honest and forthright, others may be looking to take you for a ride. So before you set foot on the lot, be aware of sales tactics that could bait you into paying hundreds or thousands more than you should.

The Four Square A salesman puts four numbers in front of you: the new vehicle price, your trade-in value, your down payment, and the monthly payment.

He's looking for your "hot button." When you focus on one of the numbers (say you demand more for your trade-in) he knows he can hook you by meeting your terms on that part of the deal. Problem is, the other three numbers are already inflated to favor the dealer.

The Waiting Game

"Let me go talk to my manager and see what I can do," says the salesman. It's a classic technique. After what seems like ages, the salesDealers start with numbers already geared man returns, ostensibly exhausted from negotiatfor maximum profit. They want to identify which ing on your behalf. "My boss is willing to come factor matters most to you, so they can appear to down — this is the best deal we've given anyone "come down" to your terms. on this car." Don't bite. The dealer's betting that the longer you sit, the more anxious you'll be to reach an agreement.

Foiling the “Four Square” Tactic

The Turnover House Sometimes the sales manager comes to talk to you himself. Now that you're talking to the boss, the thinking goes, you'll know you're getting the best possible deal. The truth is, the "boss" is a professional closer, brought in to win you over when the first string can't. It's not uncommon to go through three layers of sales people before you reach the dealer's true best offer.

The Sympathy Play "Hey, I need to make a little money on this deal, too," he says, citing the struggling economy or, worse, four kids to feed. It's only fair for the dealer to make a reasonable profit, but don't be

guilted into paying too much. Rest assured th dealer won't knowingly lose money just to earn your business.

The Now-or-Never "This deal is only good for today." Or, "There's another buyer interested in this car."

Whatever the salesman's story, some dealers rely on fear tactics to rush you into a sale. You know better.

The Free Extras To sweeten the pot, your salesperson might throw in pinstriping, rust-proofing or fabric protection at no extra cost. But unbiased experts agree that these add-ons aren't worth much, despite what the dealer usually charges for them.

Your best bet is to ignore them.

Being street-smart about sly sales techniques is one thing; sticking to your guns and actually getting a good deal is another. So how can you tilt the odds back in your favor? The answer is simple: research, research, research.

The Internet has helped level the playing field for consumers. And thanks to sites such as Edmunds.com and member-based resources such as USAA's Car Buying Service , you can enter the dealership armed with more information than the salesman himself.

Not only can you research your preferred Š Cars.com, reprinted with permission

vehicle and every available bell and whistle, you can find out the dealer's invoice (also known as dealer's cost) and uncover special incentives and rebates.

It's also smart to know the fair value of your trade-in by visiting sites such as Kelly Blue Book, get a quote for insurance on the new vehicle and get pre-approved for auto financing. Lining up these numbers in advance simplifies your negotiation in the sales office. Still, be sure to set aside plenty of time for your visit to the dealership, and avoid distractions while you focus on getting the best deal.

An even simpler approach to consider is having the price negotiated for you before you step foot on the car lot. Taking advantage of carbuying programs that offer these special member prices and services can save you time, money and the hassles of negotiation.

With solid knowledge about what you want and how much it should cost, you'll know how to spot a good deal. And all the slick salesmen in the world won't be able to change your mind.

Gear the Pros Use! Kate Roxwell is the original drummer for the punk band, KLONDIKE KATE! out of Tacoma, Washington. She‘s played over 100 shows and festivals in the band, with punk bands such as Angry Samoans, Left for Dead, Graceland Five, Neutral Boy and many more.

Roxwell incorporates many styles of rock, punk, and tribal beats into her drumming.

Roxwell was schooled by punk legends including Bob Bulgrien of Seaweed, AMQA and Alphabet Swill, John Purkey of Subvert, Act of Sabotage and Sleeper Cell, and Matt Shuttle also of Subvert, Portrait of Poverty and 13 Scars. ―Living in the Seattle/Tacoma area, I‘m lucky to jam with great musicians who play many styles of music. I‘m into it to learn, jam, and have fun.‖ ―I play on two sets of Pearl drums. My practice (and recording) drums are an amazing set of Pearl Pro DLX Series drums. They feature 7 ply shells of birch, mahogany, and lamin. The set includes a 24-inch bass drum, which is hard to haul around to gigs, so I purchased a smaller set to travel with. On the road, I play on a Pearl Vision, goldflecked set with birch shells. I use Remo pinstriped heads on all my drums.‖

Practice Set: Pearl Pro SLX Series - Burgundy lacquered finish, Birch, Mahogany and Lamin Shells 24 inch Bass 16 inch floor tom 14 inch rack tom 12 inch rack toms Gigging Set: Gold fleck Pearl Vision SST Birch Ply Shells 20 inch Bass 16 inch floor tom 12 inch rack tom 10 inch rack toms Snare: Pearl Sensitone 5x14 inch Steel Snare Cymbals: Zildjan ZBT 20 inch Rock Ride Sabian B8 18 inch Medium Crash Hardware: PDP Stands Tama 7000 Pedal PDP Stool Hickory 5A or 7A sticks

Gear the Pros Use! Since I first heard the metal riffs of Motley Crue at the age of 8 I was turned on to this lifestyle of fast cars, fast women and loud guitars!

I began playing at the age of 15 when I bought my first guitar and from there the path of finding my style and sound has been a fun ride, similar to being in an X-Rated Disneyland®...

Guitars: 2011 Tiger stripe LTD GL-200 Lynch model with screamin‘ demon pickups for that ripping sound that splits ear drums and send shivers up the spine.

It has a black and yellow tiger paintjob and a bolt on neck. The body is basswood with a maple neck and fingerboard with 22 extra jumbo frets. The neck is not super thin like say an Ibanez wizard neck, but it is quite thin and thinner than most ESP/LTD models.

The hardware includes a Floyd Rose special tremolo system and ESP tuners in black nickel.

It comes standard with one ESP bridge pick up.

Back up guitar Jackson Fusion 1992 model in a black cherry finish, Floyd Rose and dual humbucker pickups.

Both guitars have the Floyd Rose tremolo.

Marshall Amplification: DSL 100 This 2 channel monster delivers everything I need for a good clean bright tones to heavy ripping metal tones.

The head has EL-34 and 12ax-7 Groove Tubes replacing the factory ones.

The cabinet is Vintage 30-loaded 4x12 cab, the DSL100's clean channel is brash and punchy, in keeping with Marshall clean channels of yesteryear, with a powerful treble and a peaky, aggressive midrange that's mostly tamed by the tone-shift button.

At the other end of the gain spectrum, the super-saturated Lead 2 sound provides practically endless sustain and a heavy overdrive that's more effective for single notes than power chords.

The two voicings in between - the Crunch and Lead 1 options - are far more versatile and pleasing to use, the crunch voice is great for blues and classic rock with a Strat or Les Paul, while the Lead 1 voice sings and responds very musically, with all the right Marshall ingredients.

Boss GT-100 effects pedal 200 user defined effect slots for you to play with, allows me to have any tones or effect I need or want. I can go from Panama to Stairway to heaven in the push of a pedal which is great for what we do in the band spanning all bands from the 80‘s I‘m able to play the songs in the right tone of the originators.

It‘s also super easy to hook up for recording on my Mac as well.

Strings: Ernie Ball super slinkys Cables: MONSTER! Picks: Dunlop heavy!

Orange Crush

Owner - John & Sharma Schlecht Year/Make/Model - 1970 Dodge Challenger Dyno says...650 HP!

Vitamin C Orange Paint 500 cubic inch stroker motor Edlebrock performer rpm aluminum heads 727 torqueflight transmission 4200 dynamic stall torque convertor, back halved and tubed Four link rear suspension with coil overs Narrowed 8他 inch rear end with spool 488 gears with 41 spline Dutchman axles Front tires 15x5 centerline rear 15x16 with 33x16 inch slicks 12 point cage 10 gal fuel cell.

From the ashes of loss, rising like a phoenix, GRIND has spent the years mesmerizing audiences with their show, their talent, and the energetic performance of front man Gary Allen GRIND, the haunting tribute to Alice in Chains, continues to earn international support and recognition through their chilling resemblance musically and visually to the classic and tragic original lineup of AiC. Formed in Lexington, South Carolina in 2010, its mission is solely to pay tribute to the late Layne Staley, Mike Starr and the memory of his own departed son, Aaron. “Grind is a great surrogacy for fans that miss Layne or never had the pleasure of experiencing him live. For fans of AiC, and anyone else, they are a must see.”

CV WorldWide had the honor of speaking to Gary about the band, the tragedy of AiC, and the memory of a son that moves his soul. <CV WW> Give us the lowdown on who’s in the band.

Myself, David Corbett on drums, Billy Price on Bass and Manguss on Guitar.

<CV WW> Did you gather your bandmates with AIC in mind from the start, or did it evolve?

With this particular project, yes. I was completely focused on a serious Alice in Chains Tribute. So Tell me about the process of put- the process was always about pickting together the band. ing the right people who believed It continues, it‘s always a in and fit into that niche. process of perfecting the pieces!

It's no secret, it's tough to assemble <CV WW> Why a tribute band? four guys who believe in your misI had learned a lot from a sion and can physically do what it former tribute project and made a takes to succeed in a really tough decision to go forward with somemarket. I think we have our strong- thing more in honor of those who est foundation since early 2011 we've all lost. right now and the stability is much <CV WW> Ok, why Alice in needed.

Chains though – was it just be-

very high standard and the band share it. A fly on our wall would see that we work very hard on small details for a better overall experience. So yes, I hope people are freaked out (in a good way) and relive their own Alice in Chains experiences with us and through us.

cause of the people they had lost along the way? Did you particularly admire them? Had you been a diehard fan for years? Cuz you know there are a bunch of bands you could have chosen.

The story of Alice in Chains merely still existing today in my humble opinion is remarkable. Of course the saddest of stories also lies within their history. I think I connect with these losses as a father who has suffered the same grief and to Layne and Mike's families, especially their Mom's and siblings. I also admire Jerry Cantrell so much as an artist, and for his contribution to the history of heavy music. Above all, his willingness and that of Sean, Mike and William to continue to express themselves publicly for all of us to enjoy, is an inspiration. <CV WW> You guys really do sound like AiC, does that freak fans out sometimes?

Thank you. I hope we have an impact on our fans. I have a

bution to the signature style of Alice in Chains are not to be overlooked. He was a brutally powerful bassist and his energy onstage was infectious. There is no mistaking his tone when you hear it to this day. Finally, I hope that people, especially kids learn from the tragic losses of these amazing people and live a positive life in their hon<CV WW> Why did you choose or. the name “Grind”?

I chose the name Grind be- <CV WW> How do you feel this cause I knew that's what I was in lineup meshes so well on stage, for. what works so well about Grind? <CV WW> A tribute band is I try and listen to my friends much different than a cover and just stay aware onstage. I can band…how much harder do you tell you these guys are focused and feel you have to work to get no- realize the value in what is happening for Grind, making my job a litticed & accepted?

That's a loaded question. tle easier in the process. Most imThere are a lot of cover bands portantly we're all Alice in Chains wearing the tribute band label and fans; camaraderie of purpose and I'm no person to judge, that's just focus help us greatly. not what Grind is about. Authenticity is critical in light of the loss of <CV WW> Tell us about how two founding members of the band you’ve succeeded in a tough we portray. We have built a stage, place being a tribute band, what production, characters and scenes do you think is your key to sucthat amount to our total musical experience, all with a hopeful message. As far as acceptance I feel really fortunate for any level of it but this is for me, and I accept it. <CV WW> You say “we have built a stage, production, characters, and scenes that make up to our experience, all with a message”…what message is that?

A hopeful one. I prefer to disregard the negative element and focus on remembering what an amazing talent Layne Staley was and that he left so many positive, beautiful things for us all. And Mike Starr, his memory and contri-

cess? You guys are NATIONAL, tell us about the road to that sort of fame.

Well, first of all, thank you for that compliment. Being respected in a national touring sense is very fulfilling. The road started with a little 90 minute show in a tshirt and shades for a beautiful group of about 150 in Hartsville, SC at a little honky-tonk called Gardner's. At the end of that night, I had some personal moments that lead me to our conversation today and I'm just as determined as that night. I'm proud to have established Grind without the ongoing or honest support of any major agency or management and of the relationships with venues, buyers and promoters worldwide I have been blessed with. <CV WW> You talk about being able to do this without any major agency or management team…do you think that adding that to your world would significantly change your path or your options?

You’ve carved your niche already, do you think that might increase your

“ceiling” as a band?

Without a shadow of a doubt I believe it could take us to a next level. I have expressed openly my hope for an experienced and honest industry professional to join our team. I have a lot of hopes for our show that even include a musical of sorts with some scenes and more elaborate production. Where we are right now, I really am doing as much as I can on my own but my resources are very limited in comparison to a major management group. I'm sure there is some taboo to it all and I totally understand that but, I also feel there is room for Grind in the worldwide touring arena and the right people could do us a great service, in trib- really cool memories but they are brief. ute to Alice in Chains. <CV WW> When you’re on stage, what are you thinking…do you feel you’re channeling someone like Layne Staley?

Not really. Our show and performing in general is a very emotional thing for me so I have to try and focus on my role and not get too caught up. There are times when I let myself go and they are

<CV WW> You are recognized publicly by the families of Layne Staley & Mike Starr – tell us about meeting them, and how that came about.

Thank you. I have not met Layne's mother. Obviously I would be humbled to. We have communicated though, and while I'll keep that private I will say she has a heart of gold and I wish we did not share the sad bond that we have.

With the help of Mike Starr community leader Shanna Torp, I accepted an invitation to meet some of the Starr family and perform for them. They are a wonderful group of loving people who share their lives with the people who loved Layne and Mike. <CV WW> You performed at a Seattle show in honor of Mike Starr; what was that show like?

It was a real challenge just to get there at first. Just the honor of meeting family and friends of this amazing man was enough. We

also got to play, how great is that?

My goal was to personally ask for a moment to offer my gratitude which I was afforded. The night was incredible, with Mike's

you are coming. I actually think we could do tons more in that arena but I am only one guy and it takes a lot of time. I hope to have someone take that to another level for

was that a tribute band as well?

Yes and it featured current Grind members David Corbett and Billy Price. They have been with me for a lot of this. <CV WW> With those projects essentially leading up to Grind, have you decided to focus solely on the AiC tribute?

Right now Grind and writing are all what I am focused on but I do want to make myself available to artists who want a serious professional amongst them. I certainly would like to have a real shot on tour with a band before hanging it up. I've been putting my name in some hats hoping the right situation will present itself.

family in attendance, Steve Unger of Metal Church joining us onstage, Randy Piper playing, I met members of SATO, Xana La Fuente and many awesome Burien Villagers. All of that was just as special, but the personal things were my bounty. I'll admit it left me hungry to return as well.

me one day. <CV WW> How do you think social media has changed music?

Accessibility. If you had to turn on a radio or go to the record shop for the next Metallica album, we wouldn't even be addressing this. I hope bands will go back to asking kids to wait for a song and buy it in a store to enjoy for the first time. It's all merchandise and tours otherwise, because people just won't buy what they can download.

<CV WW> How did you ever determine that the voice of AiC was in you like it is? When did you discover this, tell us about that process.

Honestly, my connection to the songs makes me comfortable, <CV WW> Do you have any parand I hope that comes across well ticularly memorable shows?

They all mean a lot but the when I sing them. ones with kids connecting to what <CV WW> I’ve seen you pretty is going on and with my family on active on social media…how rare occasions, those are really spehave you leveraged it in the cial. band’s life?

Well if you want to see the <CV WW> In 2005 you formed world, you'll need them to know ReAlign, a salute to Godsmack…

<CV WW> We don’t want to pry, but you say Grind is also a tribute to your son, Aaron. Anything you’d like to share on that front?

I'm glad you asked. I want the world to know about him and I so appreciate this forum to express it. When he died, I survived through music and performing, and

continue to do so today. I think we all cope with tragic things in our own way. This is mine. In reality everything I do starts and ends with Aaron.

You said you want the world to know about him, do you think it might be important to expand Aaron’s story a bit for our readers? My readers are only a minute part of our world, but you can feel free to tell the whole story if you’d like.

Well I'd only say that I wouldn't wish the loss of a child on anyone and I'm certain I will never face a more tragic event. It's most important to express, especially to those I love the most, that I'm doing the only thing I know...to deal.

I see Aaron's face every day, and I feel an obligation to find something good from such a really horrible thing. Again, we all deal with things in our own way and are affected in different ways. Gary Allen is dealing with holding his son as he took his last assisted breath through singing songs that helped him cope with the darkest day a young man could ever possibly imagine. I'm so totally thankful that

I'm being embraced for doing so.

Nutshell…

Tell us about the support of your family; life on the road can be difficult, how do they strengthen your resolve and emotional well -being?

Well I wish I had a fairy tale but I don't. My choices have taken their toll on many of my relationships mostly in part to a lack of understanding. I regret this, but I also know who I am and I'm comfortable in my skin. I'm thankful for the love and support of my love Sarah and many of my family and friends as well as so many fans of Alice in Chains, and I intend to continue respectfully in their honor.

How do you feel the kids connect to AiC, what do you see that moves you in that process?

I think parents are making the initial connection by bringing them out to the shows. I work hard with venues to make our events are all ages and for the most part the friends attending are really just having a togetherness, a kind of cool evening at the shows and it isn't all crazy like, say, a Pantera

gig. I think the staging and myth might draw them in a bit too, but I hope that the songs and our performance keep them coming back. Also, we try to make a show out of the night. We have some little production elements that put some key points across in a respectful way and I think our friends are enjoying it. As far as what I see that is moving, I mean that starts with just anyone at all attending a show. That means everything. I don't take it lightly and I want them to get away with me for 2 hours. It's always amazing to have kids up front and to see the stars in their eyes. I hope the ones in my own still shine like that. When the crowds of our friends sing, or we embrace the night, the show, the music, that is very special. I'm quick to remember that this is someone else's legacy though and I hope the way I honor it is acceptable.

It’s halfway through 2013, what’s in store for Grind fans and the band for this year and beyond?

Well first off I couldn‘t be

happier about what we've accomplished already this year. Grind is already booked well into 2014, so we'll be around a while and I hope to further develop our production to enhance the experience for our friends.

We have not been in the Northeast so we will focus some attention there and try to get up to New York, New Jersey and other states in that region. I think that's a realistic outlook.

There's so much more I want to do and so many more places I'd love to take our show. Hopefully someone will come along who believes in this like we do and offer some support that puts us in more places. If I couldn't sing tomorrow it would be okay and I would be very proud of this and all it is about but, I still think I have a lot to say, I'm still very hungry and I would love to be heard.

Gary Allen

Systemec turning on the Modern Rock Metal Industrialized Blender Since 2009! september 1 st LVCS 9:00 pM With

Alien ant farm

Planning a Great Road Trip

aka

“Motorcycle Touring 101”

It‘s AUGUST, and time for ROAD TRIPS (not that you haven‘t been doing any riding already)! But motorcycle trips demand far more planning than the equivalent journey in a car.

Though riding provides an inherent sense of freedom, practical limitations require motorcyclists to think ahead when choosing to hit the open road.

For starters, most motorcycles are limited in their storage capacity. Though all-out touring bikes such as the Honda Gold Wing and the BMW K1200LT offer numerous hard cases for the storage of extra clothes and gear, long distance riders are often forced to make tough decisions about the details of their trips, and how much of what items they need to pack.

The first questions you'll want to ask yourself when planning a trip pertain to how long you plan on being gone, where you intend to go, and what you have in mind for lodging.

First on your list of "must pack" items is a safety and repair kit, in case something goes wrong; contents as follows: Most bikes come with toolkits, but you'll want to make sure you're equipped with pliers, wire cutters, and various wrenches (including allen wrenches.) A small, all-inone Leatherman®-style tool can be a handy complement to a traditional toolkit, and is easily accessible for quick repairs or adjustments.

Bringing along extra fuses, bulbs, spark plugs, and chain oil can make the difference between traveling securely and limping to the next service station.

Ever been caught in the dark? A flashlight will save you the hassle of trying to use your cell phone for illumination.

Blowouts are an all-too-common occurrence, and a flat kit which includes C02 cartridges for tire inflation will get you on the road again.

If it's good enough for astronauts, it should be good enough for you. Unexpected mechanical failures or breaks can sometimes be held together with duct tape, providing a low-tech solution for potentially crippling problems.

A first aid kit is something you never want to be without - whether its poison ivy or an ankle burn from an exhaust pipe, the cliché about an ounce of prevention being a pound of cure is absolutely true. Rather than assembling your own supplies, an easier and more thorough solution is to purchase a pre -assembled kit, which will ensure that key items are not missing.

Unless you're riding a fully fledged touring motorcycle, you'll probably need to invest in some type of storage bags; backpacks don't count.

Options include saddlebags (which rest straddle the seat and rest on either side of the rear wheel, and are also known as panniers,) and tank bags, which sit directly atop the fuel tank (and often have handy clear plastic windows for displaying maps.) While hard bags offer more weather protection than soft bags, they are also costlier, add more weight, and require more involved installation. Centrally positioned tail bags are another option if you need even more storage.

While more detailed inspection and maintenance practices can be found in our motorcycle maintenance section, the Motorcycle Safety Foundation's T-CLOCS method is an efficient way to inspect your bike before traveling: T: Tires.Make sure both tires are properly inflated, using an air pressure monitor that you bring with you on rides. Don't risk riding on tires that might need replacement; if suspect a tire will not last long enough for a ride, have it replaced. C: Controls.Are your cables (clutch and brakes) and controls intact and working? L: Lights.Make sure your headlights (high & low beam), turn signals, and brake lights work. O: Oils & fluids.Check everything from engine oil and coolant to brake fluid. C: Chassis.Ensure that the frame, suspension, chain, and fasteners are all secure and intact. S: Stands.Make sure the center stand and/or side stand isn't cracked or bent, and that springs properly hold the assembly away from the pavement when stowed.

For a more detailed, downloadable inspection checklist, go to the Motorcycle Safety Foundation's website.

Packing for a long distance motorcycle ride is a delicate balance between bringing enough items to ensure comfort, and not overloading

yourself with unnecessary weight and bulk. After you've planned your route, you'll want to check the weather forecast and get an idea of what to expect in terms the elements.

A good touring suit is an excellent investment, and when choosing your clothes, consider packing several thin layers of clothing, rather than a few thick ones. Flexibility is the key to staying comfortable; it's far better to have the option to stop and shed or add layers as necessary, than to shiver or sweat your way through what would otherwise be an enjoyable, scenic route.

Be sure to bring energy bars or trail mix and water; if hunger or thirst strikes while you're far from convenience stores or gas stations, the nourishment will come in handy and keep your riding skills sharp.

When loading up your bike, always put heavier, more solid items on the bottom and sides closer to the bike (to centralize weight.) Lighter items should go on top. If you don't have saddlebags or tank bags, you should consider using bungee nets to secure loose items. If you must travel with items secured by a bungee net, ensure that they are snug and will not get loosened by winds or g-forces. Again, placing heavier , wider, and more stable items at the bottom will provide an anchor for looser, floppier pieces (like sleeping pads or pillows.)

Finally, equip yourself well. Always wear a full-face helmet for maximum protection - not only against accidents, but also from the elements.

Full-face helmets can provide a shield from rain and cold winds, and if constructed with ventilation, can also provide a certain level of comfort in warm weather. It may feel constricting in heat, but the overall benefits of choosing safety over style are vast when considering your long-term health and well being.

Though it's tempting to hit the open road and simply follow your nose, don't forget that you're more vulnerable to the elements, fatigue, and potentially serious injury on a motorcycle.

Prepare yourself with clothing appropriate for the weather. Plan a route and, if you don't have a portable GPS system, do whatever it takes not to get lost - even if it means taping directions to the top of your fuel tank. Err in the direction of filling up with gas too frequently; because of their relatively low cruising range, most bikes will barely make it across some of the North American stretches of highway that are sparsely populated.

When in doubt, fill up.

Pace your travels realistically. Don't try to ride so many hours in a day that it might affect

your reflexes or decision making ability; after all, most of the fun is in the journey, not simply in reaching a destination. While riding, be sure to stop whenever necessary - whether for a snack, a stretch, or a nap. The simple act of taking a breather will make the ride all the more enjoyable.

Once you've prepared sufficiently, enjoy the possibility of the unexpected. Riding requires a certain amount of discipline and logistical planning, but part of the joy of the journey is the process. Be open to re-writing your plans when necessary, and you'll have a blast no matter where you end up.

By Basem Wasef, About.com Guide

Real. Loud. Aggressive. Metal.

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Our maple is considered to be the best in the business and our hickory from the southern USA is known the world over as the top choice for stick manufacturing. We also use red hickory which comes from the heart of the tree, making it stronger and more durable for those who need a bit "more" from their sticks.

We use only the finest grades of wood. Every dowel is hand inspected to ensure that the grain is straight and free from any defects. Only then does it go to our lathes to be turned into a LOS CABOS DRUMSTICK. When you purchase a pair of our sticks, you are investing in quality craftsmanship. With nearly two dozen models to choose from, Los Cabos Drumsticks offers something for every drummer.

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"PREPARING YOU FOR GREATNESS"

Faster than you can say heavy f**king metal, the Butcher Babies have clawed their way to the top of the Hollywood music scene to become the undisputed darlings of the Sunset Strip.

The Butcher Babies are everywhere, they have had a mountain of press, but they have only now released their debut full length? Why have they made such huge waves? Their sinister presence, undeniably talented and heavy music and the fact that their two singers are insanely hot females with massive talent, that’s why. During a recent stop on the Metal Mayhem tour Heidi Shepherd and Chris Warner took a few minutes to talk about the massive dirge that is their debut record, Goliath.

An interview with Heidi Shepherd and Chris Warner of Butcher Babies.

By Jeffrey Easton

Metal Exiles: You guys are out all summer on the Metal Mayhem Tour. What is your plan of attack to make the fans remember you?

Heidi Shepherd: Just being ourselves on stage and we are known for being a bunch of party animals so we have a sick time on stage. As long as we are having fun on stage everybody else will too.

Metal Exiles: How were you able to put two volatile singers in the same line up and make it work?

Heidi: That‘s simple because you could not as for a better combination that Carla and myself. We are like the Spice Girls on crack and having us fronting the band has

helped our progression and also the publicity that the band has drawn because of it has been through the roof.

Metal Exiles: You‘re about to drop your Century Media full length review but you guys have had a massive amount of press already. Do you think having two females up front is the reason?

Heidi: I do not think that is the reason, I think it‘s because it is something they haven‘t really seen before. I cannot recall a dual female fronted metal band before us. We are touching new ground here which people wanted to be a part of and we are more than welcoming to that.

Metal Exiles: Shock Rock has had many faces so what can you add to that to make your fans stand on edge?

Heidi: People say that we are but sometimes I do not see us that way.

I think people are just shocked at a couple of girls acting the way that we do, I think that‘s what‘s mostly shocking. Besides Wendy O Williams, I haven‘t seen a female do anything shocking in music in a long time. This is really who we are but with the blood, the theatrics and the horror, those are things that we love, it‘s what we are about. It‘s part of our character, it is who we are when we jump

Heidi: Goliath is something that we have held inside us for a long time. I have a green binder that I have all of my writing in and I have had it since I was 12 so anything I have ever experienced in my life is in there and that‘s where we pulled a lot of the material from. A lot of things on this record are things that most people go through and we just turned a negative into a positive. on stage so it‘s not for shock, it‘s Metal Exiles: Explain Magnolia Blvd. just how we feel.

Heidi: It‘s about people moving to Metal Exiles: How do you feel Los Angeles with a dream and the when you are on stage beating the city swallowing them whole. Peoshit out of your drums? ple lose their focus in life and it Chris Warner: I am having the can happen to anybody that goes time of my life and being with four there and gets wrapped up in the best friends on stage is all I need. scene.

Heidi: The best thing about Chris is that he has been in bands his Metal Exiles: What stands out on whole life and he has done great the album that‘s really personal to things but to have him in our band you? is huge for us because he is an Heidi: There is a lot of personal stuff from the whole band on the amazing drummer. record but Chris started The Mirror Metal Exiles: There have been Never Lies. some pics floating around of you Chris: That song is pissed off, guys performing topless with elec- when you are looking at yourself in trical tape covering you. Are you the mirror and you are questioning ever concerned that people will see things you did, it is just inner turthose and judge you before they moil and you just get frustrated hear a single note? with yourself.

Heidi: We haven‘t done that for a Heidi: In Denial is very personal to few years and it was an ode to me and you can really hear it on Wendy O Williams. She left us the record. I wrote it about a reearly and we wanted to continue cent experience in my life and what she started because she was while we were in the studio I was the first female in metal to do what the f**k she wanted to do because she did not care. It‘s funny that those are the pics to surface but it doesn‘t matter, people are going to think what they want to think.

Metal Exiles: Goliath is an angry, pissed off record. Who pissed you off enough to write this?

sitting on my knees screaming into the microphone and I just started crying. It was such a release for me and all of those emotions I was carrying from that experience just came pouring out when I was singing it.

Metal Exiles: I Smell A Massacre?

Heidi: That is a song that we wrote after the Sandy Hook incident. There are so many things in the press these days about these massacres being caused by gun control or mental illness. I believe it starts in the home with how the parents are raising their kids. Parents are raising their kids to be bullies, raising them very shitty, neglecting them, that is where it stems from. That is what is what Goliath is about in general but I Smell A Massacre is in the mindset of that incident. Goliath is about that villain in your life and you can make the decision to become that bully or you can change and not turn into Goliath.

Metal Exiles: You talk about the frustrations in your life but you beat the shit out of the drums. How can you be frustrated?

Chris: That‘s what helps me, beating the shit out of the drums. There were situations in my life but Heidi and I ended up getting together, we(and the band) wrote them out and I just got it out of my system. I had these feelings in my system but with writing and beating the drums I got it out of me.

Heidi: Playing live shows with all of us going nuts on stage, we are all so much nicer because we get to do that. I think this has saved me from chopping up many people and going to jail.

The Vegas hot spot for Live Music did it again. This time bringing together two of the hottest bands in Vegas, Smashing Alice & Outta The Black. This was the first time these two bands have played together and the turnout showed. They blew the roof off the place with both bands bringing performances that will be hardpressed to be outdone. OTB brought a duo of original songs to the Vegas fans and Smashing Alice turned it up a notch with a new Deftones cover, then brought up Guitarist Jason Constantine for some Pantera that blew the crowd away. Be on the lookout for bigger things from both of these bands.

Vamp'd also hosted one of the best Rob Zombie Tribute Bands, if not THE best, that Sin City has ever seen. Not being a big Zombie fan in the past, 'House of Zombie' definitely changed that. Fast, loud, aggressive and balls to the wall stage presence brought a full house packed into the main room to witness a fantastic spectacle. You don't normally see amazingly attractive women in a band like this, but a powerhouse of a bass player in Shannon Bizzy drove the crowd and yours truly crazy with a show of fire & energy not seen in a long time. Based in LA, House of Zombie, would be welcomed back, I have a feeling, without a doubt.

It seems the old and closed Golden Palm has recently been purchased and reopened offering Live Music. A monster in the Vegas local music scene and hugely talented drumming machine, Danny Robert has yet another project in 'Mumbo Jumbo' and took the stage at the resurrected venue. Once they get the place cleaned up and fully functional, we may have another decent local music venue.

The Stoney Curtis Band took a drive back down to Club Fortune Casino to rock out to a full room, as usual. Some of the best rockin‘ blues that you'll hear anywhere in the valley; heck, anywhere period.

Every Wednesday Night at Vamp'd, the John Zito Band takes the stage for a midweek jam for those that can‘t wait for the weekend. This show is a Dirty Pair-A-Dice continues rocking Sin City must see as different musicians from all over the valand Hollywood, recently tearing up the stage at ley come out and things tend to get really loud.

Vamp'd and the Whiskey out in LA. They have shows Another Local Legend, from the Sin City Sincoming up in August at the Hard Rock Cafe and the ners‘ Todd Kerns, came back to Sin City in his new House of Blues in Vegas and the Viper Room out in role of conspirator with Slash & Myles Kennedy. The Hollywood. Be sure to check them out, you wont be House of Blues was wall-to-wall people taking in the disappointed.

Show-of-the-Week when Slash and the boys brought the house down and showed Vegas why they are one Alice Cooper Guitarist Kerri Kelli owns a popof the hottest acts anywhere in the country. ular craft beer bar in Vegas that celebrated their 4 year anniversary, with a Beer Party, of course. With the 'Inner Circle Family' in tow, we had to partake in the festivities, just to make sure it was up to par with the Vegas scene. HaHa.