Tocar y Luchar for orchestra by Dai Fujikura

To car y Luchar for orchestra

(2010, corrected 12 th Sept. 2012)

D a i

F u j i k u r a

Co-commissioned by the Friends of El Sistema, Japan and the Suntory Foundation for Arts World premiere given by Simon Bolivar Youth Orchestra of Venezuela Conducted by Gustavo Dudamel in February 2011 at the Social Action Center for Music in Caracas. Japanese premiere performed by New Japan Philharmonic, conducted by Takeshi Ooi at Suntory Hall on 28 August 2011

Inst rum ent atio n: 1 Picc olo (I) 1 Flu te dou bling Piccolo (II) 1 Alt o Flu te in G dou bling Pi ccolo (III) 2 O boe s (I & II) 1 Cor A nglai s in F do u bling O boe (III) 1 Clarin et in E-flat 1 Clarin et (I) in B-fla t 1 Ba ss Clarin et in B-flat do u bling Clarin et (II) in B-fl at 3 Ba ssoon s (I, II & III) 4 1 2 3

Hor ns in F (I, II, III & IV) tr u mpet I in C – Ne eds Har mo n Mut e Tru m pe t s (II & III) in B-fla t – bo th N ee d H ar mon Mute s Tro m bon es (I, II & III) – AL L N ee d H ar mon Mu te s

1 Tu ba 1 Ti m pani pla yer 3 Pe rcu ssion pla yer s

• The score is in C

ST RIN G S

---- --- --- --- --- --- --- --- --- --- --- --- --- --- --- --- --- ---- --- ---- --- --- --- --- --- --- --- --- --- --- --- --- --Percussion 2: (needs a bow) Percussion 1: (needs a bow) Percussion 3: (needs a bow) 1 Vibraphone (I)

1 Marimba

1 Vibraphone (II)

1 Large Bass Drum

1 Tamtam

4 Bongos

1 medium Bass Drum 1 Sizzle Cymbal 6 Crotales (Sounds 2 octaves higher)

1 Smaller Bass Drum

5 Large Tomtoms

G en e ral P oint:

Accident als (i ncludi ng g race notes) onl y af fe ct the pit ch t o whi ch t he y di re ctly ref e r, not ot her o ct av es , f or t he d urati on of t he b ar i n w hi ch the accid ental is w ritten. Do NOT use vibrato on gliss. or port.

STRINGS: S.P.= sul pont. P.O.= position ordinary Make a difference between Gliss. and Port. Gliss. = start to shift the pitch immediately (and travel during the full length of the note duration). Port. = shift the pitch just before you go to next note.

Dedicated to Gustavo Dudamel and JosĂŠ Antonio Abreu

to Gustavo Dudamel!and José Antonio Abreu

"Accidentals (including grace notes) only affect the pitch to which they directly refer, not other octaves, for the duration of the bar in which the accidental is written. All grace notes must be played before the beat."

" q = 52 "

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Alto Flute

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Double Bass: all pitches sound an octave lower than written (including the harmonics) Copyright 2010 by G. Ricordi & Co Bühnen- und Musikverlag GmbH München

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(2010, corrected 12/09/2012)

Conductor: molto espressivo, a full, juicier sound, think of this passage as one arc of melody.

& %

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$

Bass Clarinet in Bb

Bassoon II

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Tocar y Luchar for orchestra # q = 52 " " "

(q = 104) Meno mosso

molto accel. (extreme accel.)

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Picc. I

$

Picc. II

$

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$

Ob. I

Ob. II

C. A.

sub. ff

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/

/

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/

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& 6

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2

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mp

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0

0'

molto trem. molto S.P. (scratchy, heavy bow pressure on "fff")

0

0

0

2

sub. molto trem. p molto S.P. (scratchy, heavy bow pressure on "fff")

fff no dim.

(fff)

& 0'

& 2

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(fff)

& 2

12

12

12

12

2 2

$

molto trem. molto S.P. (scratchy, heavy bow pressure on "fff")

0

2 ((

& 2 ((

2 (( > ' 4 7B $ ffff

2

2

2 2 >' 4

0

10

sub. p

& 2 ((

10

2 (( > ' 4 7B $ ffff

sub. p molto trem. molto S.P. (scratchy, heavy bow pressure on "fff")

Sy. 4097/08

12

2

sub. molto trem. p molto S.P. (scratchy, heavy bow pressure on "fff")

sub. (fff) molto trem. p molto S.P. (scratchy, heavy bow pressure on "fff")

sub. p

sub. molto trem. p molto S.P. (scratchy, heavy bow pressure on "fff")

$ ffff

sub. p molto trem. molto S.P. (scratchy, heavy bow pressure on "fff")

2

0

10

(fff)

0

/

82

2

(fff)

& 2

& 2

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/

(fff)

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with normal vib. & 10 '

%

(fff)

& 2

(fff)

with normal vib. & 10 '

4

p

molto accel. (extreme accel.)

& 2

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fff no dim.

gliss

& /

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gliss

pp

& /

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& 0'

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%

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with normal vib.

2 ( >' (7B ppp 2 >' ((7 B ppp

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sub. p P.O. non-vib.

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fff no dim.

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6

p

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0

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0

0

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0

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fff no dim.

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with normal vib.

0

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/

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Grace notes are always played rapidly with (subito) accents. molto espress.*5 2/

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Bb Cl. II

2' 7

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Grace notes are always played rapidly with (subito) accents. molto espress. * 2/5

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Ob. III

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1

f

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4

** / 8282

p

4

p

%

! "$

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2 1'2

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4

4

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f

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Bsn. II

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5 82'

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p

/

p

$

Bb Cl. II

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4'

p

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4

f

f

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p

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5 2

$

Eb Cl.

f

f

$

C. A.

p

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** / 1212

p

9 2'

$

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4'

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$

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%

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>

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%

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4

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f

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%

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11*22

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% Sy. 4097/08

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112C '' mp

(P.O.) arco

112C '' mp

%

/

arco

%

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*2 2

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5 2' *2 '

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& %

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82

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mp

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, 112C

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$

pp

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p

6

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p

f

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2

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%

f

p

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%

mf

p

f

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)

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& )1*)1*C0 ''

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& )1*)1*C0 ''

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%

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f

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$

p

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/

4

>

4

/

4

>

p

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f

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4

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f

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4

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82 3

4

$

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f

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2

4

p

p

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p

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4

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4

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4

12

2 12

p

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& * 1'2

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f

4

$

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f

2'

82

4

p

p

%

Vc.

"

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%

:2 3

f

4 'C ' 2' 3 mf

C'2'' 3 mf

' > .127 mf

2' 3