Barometer The Summer
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WEDNESDAY, JULY 24, 2013 • OREGON STATE UNIVERSITY CORVALLIS, OREGON 97331
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Scott Weaver discusses life as a crane operator working 150 feet from the ground all day
66 to 78 hours a week. “It’s a very demanding and stressful job,” said Mark Reusser, superintendent to construction for Andersen Construction Co., a general contractor with offices in Oregon, Washington By Alyssa Johnson and Idaho. The SUMMER Barometer The tinted windows and air-conWalking down Jefferson Way in front of the Austin Hall construction site, ditioned cab make the job bearable. students by the in-progress building But as a tower crane operator working with a union, these aspects might not and look up. Above them, Scott Weaver sits 150 always be a guarantee. “People treat the crane operator like feet in the air operating the tower crane, holding everyone’s safety a machine — not like there’s a guy sitting up there that beneath the hook. needs to pee and Weaver, known as poo just like the “Scotty” by most of the I pee in a jug, rest of us,” said crew, begins his day at Reusser. 2:45 a.m. He drinks a cup and you’ve According of coffee, showers and to Weaver, the just got to train then drives an hour from crane is the most his brother’s home in yourself not to efficient way to Dallas to arrive at work erect a buildby 5 a.m. do the other. ing. When there He stays with his brothis a short super to cut his drive down Scott Weaver ply of operators, from three hours to one. Tower crane operator that can have its At the site Weaver drawbacks. takes a few minutes to “You don’t get get settled, then makes the climb up the ladder inside the to call in sick, to have a cold or the flu tower, without the help of a cable. or pneumonia,” said Reusser. “The Taking only his keys with him, Weaver whole job stops if you’re not in the won’t leave the cab for anything until seat.” After describing Weaver with a few quitting time. Weaver described a day of work profanities, Reusser chuckled and as the equivalent of driving to Boise, said, “He’s a good guy.” The two have been working togethIdaho, without stopping. “I pee in a jug, and you’ve just got er since 1989. Weaver has done a fair amount of to train yourself not to do the other,” Weaver said. “Lunch comes up on a trades in construction, including concreter, carpenter and laborer, a posirope.” Weaver spends 10 to 14 hours a day See CRANE | page 3 in the operating chair, which is about
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| THE SUMMER BAROMETER
Scott Weaver stands on the Austin Hall construction site after a day of working in the 150 foot tower crane on campus. Weaver spends 10 to 14 hours in the crane a day.
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Da Vinci Days blends art, science to draw public interest n
Kinetic sculpture, community art attracts Corvallis residents By Emma-Kate Schaake The SUMMER Barometer
Participants and spectators of all ages flocked to Corvallis for the 25th annual da Vinci Days festival to celebrate art, science and community. The festival touts the importance of creativity through its full schedule of events, ranging from art displays and live music to the film festival and the increasingly popular kinetic sculpture races. The Graand Kinetic Challenge hosts pageantry awards, a parade and races — on land, mud, sand and water — for these entirely human-powered art creations. Marilyn Kurka and her team “Y-Knot,” from Port Townsend, Wash., created “Toon Taxi.” The “Toon Taxi” is
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a yellow taxicab that blares music and looks out at the crowd through long eyelashes. This creation was inspired by Kurka’s and her team’s participation in Port Townsend’s board of kinetic sculptures. Kurka has raced her creations at various events for 18 years. She said she finds the most fulfillment from events like this that showcase how art and science can be combined. “It’s a culture of art and science,” Kurka said. “I am a computer person, and I love how things work, and I am an artist.” Steve Van Bergen, an Oregon State University graduate from the class of 1985, used his engineering background to participate for the fifth consecutive year, with a vehicle he built with his family. This year, the Van Bergen family created a kingfisher racing bird that wore a helmet and racing goggles, pre-
pared to move on land or water during the weekend’s races. “I appreciate it as an engineer,” said Van Bergen. Participation in an event that closely ties art and science together offers an opportunity to learn more than the basic technical aspects and is a perpetual learning process, he said. The kinetic sculpture events were kicked off on Saturday with a parade, as fans snapped pictures and asked questions. Brian “Wyde Herb” Slayton of Humbolt Kinetic Works in California said he loves the atmosphere of the festival. He and his team were all decked out in furry red flames, ten-gallon foam hats and toy guns, selling the Western theme of their fiery stagecoach, “Hell on Wheels.” Slayton says they enjoy the race but other aspects of the festival, like food, fans and live music, are really
why they come back year after year. “This is an amazing festival,” Slayton said. “They run the race well, and the fans are awesome.” Another creation from California was “Athlete’s Foot,” a giant bare foot complete with tufts of hair, long toenails and bugs. Jen Weiss and the “Athlete’s Foot” team have participated in many events and won awards including the ACE Award, the highest honor for a racing team, at the Kinetic Grand Championship in Eureka, Calif. “Corvallis is awesome,” said Weiss. “We love the race and the fans and the whole kinetic family.” The other pilot and artist of the project, Billy Pinnix, said he also enjoys the atmosphere da Vinci Days brings in Corvallis. See DA VINCI | page 8
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| THE SUMMER BAROMETER
Left: Angelica Garcia and Marilyn Kurka bike their creation “Toon Taxi” before the parade on Saturday. Right: Lexie Lundgreen, 11 fills in the details on her minion from the movie “Despicable Me” with the help of her father, Drew, during the sidewalk chalk drawing Saturday morning.
Inmates move, install furniture n
Oregon Corrections Enterprises provides job experience for state inmates By Kaitlyn Kohlenberg The SUMMER Barometer
Workers from the Oregon Corrections Enterprises program are working to move and install furniture into Weatherford Hall as a part of their furniture production service. As described by the state’s official website, Oregon Corrections Enterprises (OCE) is designed to give inmates vocational counseling, training and job experience. The program’s roots stem from a 1995 state constitutional amendment requiring correctional facilities to offer either full-time work or active job training to inmates. Numbers from the state website show that inmates who have participated in vocational training are 24 percent less likely to return to criminal behavior and 14 percent more likely to become quickly employed. As for OCE’s relationship with Oregon State University, the program has provided basic furnishings as well as laundering services to the university for 13 years. Jennifer Viña, who is the assistant director for marketing assessment and communications for UHDS, and Patrick Robinson, the assistant director for operations and facilities, both feel that the relationship between the university and OCE has been nothing but positive. “We manage and inventory over 4,500 beds, and logistically managing furnishings like that is challenging,” Robinson said. “To have one vendor who can maintain and reproduce the same furnishings repeatedly in a reliable standard with quality results is really what we’re looking for.” Robinson feels that OCE has provided the consistency and quality that UHDS looks for in a vendor, and the 13 year relationship between Oregon State University and OCE attests to his sentiment. The OCE program doesn’t solely provide furnishings to universities like Oregon State University. According to the OCE business website, the program offers printing services, mail fulfillment and document scanning in addition to the laundering services that the university makes use of. The program also runs production of heavy equipment for transportation, structures for parks and recreational areas, signs for traffic and informative purposes and even clothing and embroidery. The program is constitutionally required to maintain self-sufficiency, so as to not rely on taxpayer dollars. With slightly more than 1,000 inmates working in OCE production shops throughout Oregon prisons, the program brings in enough revenue to sustain itself as well as providing pay for the workers. The Oregon state website notes that these earnings can go “toward meeting their obligations for child support, state and federal taxes, court-imposed fines and victim assistance as applicable.” The website also adds that many inmates send a portion of their earnings home to assist their families. This kind of work, according to the website, helps “hold inmates accountable for their actions and See INMATES | page 2