Founded 1876 daily since 1892 online since 1998
Monday December 2, 2019 vol. CXLIII no. 113
Twitter: @princetonian Facebook: The Daily Princetonian YouTube: The Daily Princetonian Instagram: @dailyprincetonian
{ www.dailyprincetonian.com }
ON CAMPUS
Art Museum holds Day With(out) Art to commemorate the contribution of artists who died from AIDS
STUDENT LIFE
USG announces candidates for 2019 election, candidates run unopposed in four of nine positions
By Marissa Michaels staff writer
On Sunday, Dec. 1, the Princeton University Art Museum commemorated Day With(out) Art with an event that shined light on the works of artists whose lives have been affected or cut short by AIDS. This year marked the 30th anniversary of the first Day With(out) Art, an annual event held to commemorate the contributions of artists who have died from AIDS and to spur positive action in response to the AIDS crisis. On the first Day With(out) Art in 1989, hundreds of museums closed or removed certain works from view. Today, museums have introduced programming to bring awareness to contemporary AIDS challenges. Dec. 1 is also World AIDS Day, conceived of by the World Health Organization’s global program on AIDS in 1987, and is dedicated to raising awareness about the AIDS pandemic. About 37.9 million people around the world live with HIV today. Caroline Harris, Associate Director of Education at the University’s museum, curated a talk about the AIDS epidemic and the artists affected by it. During the talk, Harris emphasized that within the United States, AIDS disproportionately affects African-Americans and poor Americans. She explained that globally, Sub-
Saharan Africans account for 66 percent of all new HIV infections. Open to community members, the talk focused on works made in the first decade of the AIDS crisis by Mary Berridge, Marcus Leatherdale, and David Wojnarowicz. “Wojnarowicz’[s] art … even before the advent of the AIDS crisis, his work focused on depicting people and stories that he felt were silenced by homogenic and heteronormative society,” Harris said. According to Harris, Day With(out) Art seeks to remember the artistic work of those who passed away from AIDS. “It’s banal to say today, but you can’t help but wonder, like when you go to see his retrospective, what he might have done with the last 25 years,” Harris said. Harris has planned the World Aids Day programs at the art museum for over a decade. Each year, the museum curates a different exhibition to honor lives lost to AIDS and raise awareness at the University. “What younger people don’t realize is what a human and civil rights issue this was in this country,” Harris explained. “The fact that the government was not responding quickly to the epidemic, the fact that because the epidemic had first See ART page 2
BRAD SPICHER / THE DAILY PRINCETONIAN
Rachel Hazan ’21, who is running for the position of USG Treasurer, raises her hand
By Zack Shevin
Assistant News Editor
On Nov. 29, the Undergraduate Student Government (USG) announced candidates for 2019 Winter Elections in an email to the student body. Out of nine positions up for election this winter, four will be attained without opposition. Voting will open on Dec. 9 at noon. There are six candidates for the Class of 2023 senator position and two for each of the other contested positions: President, Vice President, Academics Chair, and Undergraduate Life Chair.
Rachel Hazan ’21, Christal Angel Ng ’22, Sophie Torres ’21, and Turquoise Brewington ’22 ran unopposed for the positions of Treasurer, Campus and Community Affairs Chair, Social Chair, and Class of 2022 Senator respectively. Two candidates, David Esterlit ’21 and Chitra Parikh ’21 are seeking the position of USG President. Parikh, an architecture concentrator, previously served as USG Executive Secretary and Vice President, which her platform notes “prepared [her] to take on this role with both passion and
dedication.” If elected, Parikh’s platform notes that she will “develop channels to easily access information not already available” including preceptor-specific course reviews, “advocate for more inclusive initiatives” including “meal exchange for independent students and subsidized airport transportation,” and “create opportunities for students to engage with administrators.” Esterlit’s platform notes that “Most Princeton students are apathetic about USG,” demonstrated by “embarrassingly low” turnout for past elections. He believes this apathy is well deserved, writing that USG “is more ‘government club’ than Undergraduate Student Government” and is not designed to represent students’ concerns when they do not align with what University administration wants. “While USG spends around half of its budget on party planning and movie nights, students and their families are suffering from real economic stress,” he wrote. “The USG of today has abdicated its responsibility, and, on election day, with your help, I mean to restore it.” Last winter, three sophomores ran for Class Senator, a position that Brewington will assume without opposition. Six first year students are running for Class of 2023 Senator, compared to the 15 Class of 2022 senate candiSee USG page 2
BEYOND THE BUBBLE
Q&A with artist, jazz aficionado H. Alonzo Jennings GS ‘72 Contributor
On Sunday, Oct. 20, H. Alonzo Jennings GS ’72 was awarded the Expression Award for Radio at the third annual Cammy Awards, which commended his program, “Jazz from an Eclectic Mind.” The ceremony recognized several television and radio producers at PhillyCAM, a non-profit community media center in Philadelphia. The Daily Princetonian spoke with Jennings about the award, his show, and his passion for jazz.
PHOTO COURTESY OF BRIANNA SPAUSE / PHILLYCAM
H. Alonzo Jennings GS ’72 accepts his award at the Cammy’s on Sunday, Oct. 20.
In Opinion
Senior columnist Leora Eisenberg encourages students to form relationships with their professors, while guest contributor Tali Shemma encourages the University to divest from the fossil fuel industry.
PAGE 6
The Daily Princetonian: Tell me about your love story with jazz. When did it start? H. Alonzo Jennings: I have been in love with jazz, I think sometimes, as long as I can remember. I grew up with a single mom and spent time with my grandparents down in Georgia, and my uncle had a gospel group, and my mother loved gospel. She loved the blues ... in Georgia, back in the ’40s and the ’50s, you really didn’t hear jazz. About the only time you could hear it was at night from, I guess they would call it a superstation right now, broadcast out of Chicago, and they would play jazz tunes throughout the South.
There [were] no local radio stations that broadcast jazz music … When I came north … that’s sort of when my love affair with jazz really began, when we came back north, and I was inundated with Count Basie and Duke Ellington … And I started buying records. As soon as I could, you know, I mean, I would pass up lunch to buy a jazz album, and we shared them. There were a couple of friends of mine who were more knowledgeable. I didn’t play, but they played, a lot of them played ... So that’s where my, my love came from. And it’s only grown the older I’ve gotten. [I] appreciate that I was alive, you know, when Coltrane was alive and Clifford Brown was alive, you know, and all or some of the greats who have passed like Art Blakey and so forth, to have heard them ... So, it’s been a long affair. DP: It sounds like you grew up in a few different places, but how would you describe the community that you grew up in? HAJ: I guess that would be Patterson. Patterson, New Jersey … My mom took me south, I guess, when I was about three or four, and I stayed there until I think
Today on Campus 12:15 p.m.: Dr. Robert Lehman of Wilfrid Laurier University will discuss global migration and climate change. Wallace Hall, Room 300
the second grade. But when I was in Patterson, well, two things happened when I came north from the south. They automatically would take black folks and put them back a year. So I was, I came at the midterms, I was put back almost two years … The assumption was that the schools were inferior; there was no testing or anything like that. You just, you know, you just [were] put back. And Patterson was a great environment because I was surrounded by thousands of people [who] had migrated in the late ’40s and early ’50s … The neighborhood that I grew up in Patterson, it was a poor neighborhood, but it was an integrated neighborhood … and the thing that we all had in common is we didn’t have anything. We were all poor. If you lived in this building, if you lived in that neighborhood, you were poor, but we had libraries. And I lived across the street from a school … and my mother only had a third grade education, but she knew that I needed more, and she did everything she could to make sure that I got a good education, that I got good grades, See JAZZ page 4
WEATHER
By Allie Mangel
HIGH
39˚
LOW
31˚
Rain and Snow chance of rain:
100 percent