The Daily Princetonian: November 21, 2019

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Founded 1876 daily since 1892 online since 1998

Thursday November 21, 2019 vol. CXLIII no. 109

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F E AT U R E S

Sitting down with Sean Ryder, police sergeant and pool god By Patrycja Pajdak Contributor

Though many students may know Community Relations Sergeant Sean Ryder by his trademark cape and sparkly pants, he sat down with The Daily Princetonian in full police uniform. Famous for his

orientation skits, Sergeant Ryder has spent 13 years at the University’s Department of Public Safety (PSAFE). When did Sergeant Ryder first dream of becoming a police officer? Growing up in the United Kingdom, Ryder’s interest was piqued by some of his

COURTESY OF SEAN RYDER

Sergeant Sean Ryder in his youth. F E AT U R E S

school friends who joined the police force. Good cop drama shows didn’t hurt either. Ryder joined the police force in England in the early 1990s, experiencing everything from inner city to rural police work. After his wife’s career obliged his family to relocate to Princeton, N.J., Ryder never thought he’d put on a uniform again. “I’d had a great ride in the U.K., and frankly I wasn’t looking to replicate that — I never could,” he explained. But in the early 2000s, when his new neighbor in Princeton encouraged him to apply for Princeton University’s police force, he thought, why not? He recalled no campus police departments existing in the U.K. The role intrigued him. Initially, Ryder was looking to connect with a group of people who shared similar experiences. He saw PSAFE as a social outlet, and he was willing to volunteer for it. By coincidence, the department was hiring and asked him to apply. Thirteen years later, he has become integral to the University community.

On a typical day, Ryder comes in at around 6:30 a.m., catches up with the overnight supervisor, gets a sense of the day ahead, and briefs the other officers, placing them across campus for effective coverage. Officers typically work eight or 12 hour rotations, 24 hours a day, 365 days a year. They report for duty on Christmas and New Year. “[The] University doesn’t suddenly disappear when the students leave,” Ryder said. Ryder described Princeton’s campus as a mini-city — whatever can happen in a city can also happen within the Orange Bubble. PSAFE officers respond to anything on campus, ranging from reports of crime (such as theft, harassment, domestic violence, and assault), motor vehicle accidents, first aid and medical emergencies, transport for community members, and so on. But Ryder far exceeds just these responsibilities. He makes continuous efforts to break down barriers between PSAFE officesr and the student body. “We have to be very

conscious that we’re dealing with a lot of different cultures on this campus. Big international student body. The police in different countries are interpreted differently, so I’m very much aware of that as well,” he noted. Whether through meals or study breaks, Ryder interacts with students as much as possible. Looking for a better get to know him? Try challenging Ryder to a game of pool. He claimed to be “open to the challenge if any readers want to lay down the gauntlet.” At the start of his time on campus, during one of his night rotations, Ryder hoped to break the ice with students at a Forbes latenight study session. He offered to play a game of pool as a study break. It led to long-lasting bonds; today, students eagerly invite him to catch up over meals and coffee. Now, Ryder is a prominent figure on campus through his involvement in the first-year orientation program. Nine years ago, Paul Ominsky, AsSee RYDER page 2

ON CAMPUS

Art in the bubble: ‘Abraham and Isaac’ Contributor

Tucked behind the University Chapel, George Segal’s perennially misunderstood “Abraham and Isaac” depicts a bearded man brandishing a knife, preparing to slay a collegeaged youth bound and on his knees. The piece’s poignancy and structural ambiguity invite double-takes and photographs. Among students and campus visitors, it has gained an unfortunate reputation. To some, it’s simply that statue. “Oh, that statue? Yeah, I know it,” said Benjy Jude ’23. Others take a more critical angle. “It does not look good from this direction,” commented a passerby. And others were less tactful. “Wait,” said Nate Moore ’22. “Are you talking about the blowjob statue?” Despite these colorful interpretations, Segal’s work is firmly rooted in historical context. The piece was originally intended for Kent State University as a memorial for the infamous Kent State shooting, which occurred there on May 4, 1970. Segal chose the biblical story of Abraham and Isaac to express, in his words, “the eternal conf lict between adherence to an abstract set of principles versus the love of your own child.” “The dynamic of what’s happening between the two figures in the ‘Abraham and Isaac’ is not always obvious,” said James Steward, Director of the Princeton University Art Museum. “I’ve heard a number of interpretations

In Opinion

posited, especially viewed from certain angles, which again is why I think in that case in particular it is important to note the context of what the backstory of the narrative happens to be to sort of discredit some of these superficial interpretations.” In Segal’s own time, his work wasn’t without controversy. Kent State rejected the sculpture, questioning both its apparently violent imagery and questionable subject matter. The work was then donated to the University, where Segal taught sculpture from 1968-69. It now stands beneath the University Chapel, where it was first installed in 1974, along with a weathered label and the text of Genesis 22, which relays Abraham’s near-sacrifice of his son at God’s command. “I was also a student here, so I used to walk by it all the time,” said Moulie Vidas GS ’09, a professor of Judaic studies. “It’s very evocative.” Even to those on whom the piece’s historical associations are lost, the sculpture serves as an enigmatic landmark. Many alumni, faculty, and students find the piece provocative for thought, conducive to new interpretations — and, yes, a great spot for photos. Across campus, the subject matter of art installations varies in intelligibility. Take the stern John Witherspoon, who scolds passersby from an alcove high on East Pyne Hall. The Witherspoon statue yields itself more easily to interpretation than the abstract “Oval With Points,” See ART page 3

Contributing Columnist Kate Lee advocates for an in-person replacement to Tiger Confessions, while columnist Jae-Kyung Sim encourages students to practice journaling. PAGE 4

JON ORT / THE DAILY PRINCETONIAN

Professor Eddie Glaude (left) and Yusef Salaam, a member of the exonerated “Central Park Five,” in conversation.

Yusef Salaam of Central Park 5 talks wrongful imprisonment and faith By Uchechi Ihenacho Contributor

Yusef Salaam, one of the exonerated “Central Park Five,” was only 15 years old when he was falsely accused and convicted for the assault and rape of jogger Trisha Meili, who was found nearly dead in Central Park on April 20, 1989. Salaam spent more than six years incarcerated. On Wednesday night, more than 20 years after his release, Salaam sat before a packed audience in McCosh 10, as he recounted his story of survival and perseverance. Salaam was joined by Eddie Glaude GS ’97, Chair of the Department of African American Studies and current president of the American Academy of Religion. The two discussed how Salaam’s faith in Islam guided him through his racially unjust incarceration and empowered him to work towards change after his liberation. In recent months, the 2019 Netflix series “When They See Us,” which has garnered over 23 million viewers worldwide and became the United States’ most-watched series after its release, has renewed interest in the unjust trial and incarceration of the Central Park Five, who were demonized as predators ravenous for their white victim. Short on seats for the overflow-

ing crowd, attendees squeezed into aisles, sat on the stairs leading to the balcony, and stood on any available floor space for the chance to hear Salaam speak. The audience ranged widely in age, from University students to staff and faculty members, as well as many older visitors who had lived through the sensational media coverage of the case. Salaam began by addressing the many faces staring up at him. He said, “I’ve never been in a place that has been filled to capacity in this particular way,” which the audience answered with hearty laughter and applause. Glaude dove into the discussion by addressing Salaam’s enduring faith in Islam during his time behind bars, asking him what he thought God was doing with him. “Muslims are only servants to God,” Salaam said. “There is a truth and a power to that, because when you are not looking to serve anything but the Creator, you’re free. What I couldn’t reconcile with while I was on trial was what caused them to look at me with such anger and hatred in their eyes ... I couldn’t understand what they were looking at.” On the 13th Amendment, which abolished slavery, Salaam spoke about how the loophole clause al-

Today on Campus 12:00 p.m.: After Noon Concert Series Princeton Chapel

lowing slavery and servitude as a punishment for convicted crimes gave rise to a prison industrial complex that disproportionately targets people of color, acknowledging the “slave labor that is continuing to be allowed to be a part of the criminal system of injustice.” “This was a part of a process, a systemic issue which has been a part of the founding fiber of our country — it’s right in the 13th Amendment … They can take you and turn you back into a slave,” Salaam said. At one point, Salaam pulled out a copy of the 1989 full-page ad that U.S. President Donald Trump, then a business tycoon, ran in all four of New York City’s leading newspapers. In the personally signed letter, Trump called for New York to reinstate the death penalty, specifically in response to Meili’s rape. In reference to Trump, Salaam said, “for every story to be truly great, you’ve got to have good villain.” Salaam also recalled former White House aide Pat Buchanan’s statement suggesting that Korey Wise, the eldest of the accused, should be hung from a tree. Salaam noted the ways in which racial prejudice influenced his case, identifying the notion “when you see See SALAAM page 2

WEATHER

By Daniel Burgess

HIGH

52˚

LOW

36˚

Mostly Sunny chance of rain:

10 percent


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