Sept.. 29. 2005 Sept
Music, Movies and More
MUSIC USIC:: Damian ‘Jr. Gong’ M Marley arley rolls out new reggae album MOVIES: ‘ Tim Burton’s Corpse Bride Bride’’ and ‘Oliver Twist’ open in theaters MORE ORE:: New fall TV show guide guide,, plus a tribute to New Orleans-style dining
2 THE BUZZ Contents
02 The Inside Buzz 03 Fall TV Lineup Concert Calendar 04 New Movies 06 New Music Flashback Favorite 07 New Music Titan Concert Preview 08 New Orleans-inspired restaurants of O OC ON THE COVER: The Corpse Bride, voiced by Helena Bonham Carter, and Victor Van Dort, voiced by Johnny Depp, in Tim Burton’s stop-motion animated fantasy “Corpse Bride.” (Photo by Warner Bros. Studios)
THE BUZZ ENTERTAINMENT EDITOR AMANDA PENNINGTON A
ASSISTANT ENTERTAINMENT EDITOR MAHSA KHALILIFAR EXECUTIVE EDITOR NICOLE M. SMITH DIRECTOR OF ADVERTISING CAN SENGEZER ASSISTANT DIRECTOR OF ADVERTISING EMILY ALFORD PRODUCTION AMANDA PENNINGTON, MAHSA KHALILIFAR ACCOUNT EXECUTIVES LESLEY WU, DERRICK SALATNAY, VANESSA RUMBLES, RICH BOYD, KIMBERLY LEUNG, JACKIE KIMMEL The Daily Titan 714.278.3373 T The Buzz Editorial 714.278.5426 thebuzz@dailytitan.com Editorial Fax 714.278.4473 The Buzz Advertising 714.278.3373 ads@dailytitan.com Advertising Fax 714.278.2702 The Buzz , a student publication, is a supplemental insert for the Cal State Fullerton Daily Titan. It The is printed every Thursday. The Daily Titan operates independently of Associated Students, College of Communications, CSUF administration and the CSU system. The Daily Titan has functioned as a public forum since inception. Unless implied by the advertising party or otherwise stated, advertising in the Daily Titan is inserted by commercial activities or ventures identified in the advertisements themselves and not by the university. Such printing is not to be construed as written or implied sponsorship, endorsement or investigation of such commercial enterprises. Copyright ©2004 Daily Titan
THE INSIDE BUZZ By MAHSA KHALILIFAR Daily Titan Asst. Entertainment Editor
Breaking up is hard to do, well not always – just ask the celebrities hitting splitsville this week … “One Tree Hill’s” 24-year-old hottie, Chad Michael Murray and wife (fellow series co-star) of five months, 23-year-old Sophia
Bush, have separated. People reports the once seemingly happy couple has decided to split up. Another report also claims that there is no more wedding bliss for “Sopranos” Actress, 24-yearold Jamie-Lynn Discala, and 34year-old husband (and manager) AJ Discala. Married for two years, they have separated and there’s no word yet on a reconciliation … funny woman Kathy Griffin requested papers to divorce her husband of four years, Matthew Moline … on to happier news, at least for now – one of the most high-profile couples of the year have decided to get married. 42-year-old Demi Moore and 27-year-old Ashton Kutcher wed on Saturday in L.A. The small ceremony caught the media off guard and took place in the couples’ Beverly Hills home… first comes love, then comes marriage, then comes baby in a baby
carriage, at least for the Trumps. Donald Trump, 59, is going to be a dad once again, this time with beautiful wife Melania Knauss. Their spring baby will be the first for Knauss and fifth for Trump. ... Anna Nicole Smith takes her court battle to the Supreme Court to try and get a piece of her late husband’s fortune. New notable CD releases that came out Tuesday were Sheryl Crow Wildflower … Neil Young’s Prairie Wind … Sean Paul Trinity … new DVD releases this week include … Robin William’s “Robots” (Widescreen and Full Screen Edition) … “The Amazing Race - The Complete First Season” … “Family Guy Presents Stewie Griffin – The Untold Story” … Celebrity gossip of the week: Ben Affleck, future Virginia State Senator? … Stay tuned for more news and gossip on the next Inside Buzz …
MAINSTREAM
TV’s fall lineup sure to please By VALERIE SWAYNE Daily Titan Staff
Falling leaves and cool temperatures signal the official start of autumn, a season marked by football games, fun-filled holidays and the end of daylight savings. Best of all, great entertainment can be found, not just at the movie theaters or on the sports’ fields, but also on the small screen. While beloved TV series such as “Lost,” “Desperate Housewives” and others return for another season, a new crop of exciting shows are debuting on all the major networks. Here is a complete break down of some of these promising prospects to help the discerning TV viewer decide which to tune in to throughout the week. “Prison Break,” which debuted Aug. 29 on Fox, gives away the premise of the story right in the title. Lincoln Burrows (Dominic Purcell), convicted of killing the vice president’s brother, is sentenced to death. Before his execution he is locked up at Fox River State Penitentiary. His brother, Michael Scofield (Wentworth Miller), is convinced Burrows is innocent and stages a bank robbery so he’ll land in the
same prison. Outside of Fox River, Scofield worked as an architect and helped design the entire prison. When he lands inside he uses an extensive map of the prison’s blueprints tattooed on his arms and torso to help Lincoln break out. Meanwhile, his friend and lawyer Veronica Donovan (Robin Tunney) investigates the details behind Lincoln’s conviction and discovers a government conspiracy. All of the characters are connected and involved in the escape, whether it’s Scofield’s fellow inmates or the mystery woman who orders government agents to thwart his allies. It’s not too late to get hooked on this tense, action-packed drama on Mondays at 9 p.m. In lighter fare, “My Name is Earl” premiered Sept. 20 on NBC. The 30-minute series is a wacky comedy about Earl (Jason Lee), a loser who is hit by a car after winning the lottery. Recovering in the hospital, he sees Carson Daly on TV talking about karma. Earl reflects on his life and believes his near-death experience is the result of his bad deeds and bad attitude. Accompanied by his slacker brother Randy (Ethan Suplee) and sexy friend Catalina (Nadine Velazquez), he ditches his trailertrash ex-wife Joy (Jaime Pressly) and her boyfriend Darnell (Eddie Steeples) and sets out with his winnings to right all his wrongs. The first recipient on his list
of wrongdoings is Kenny (guest star Gregg Binkley), a victim of Earl’s school bullying. Earl helps Kenny find happiness at a gay bar. Underneath its zany antics, “My Name is Earl” shows a lot of heart without being sappy. Catch Earl and friends Tuesdays at 9 p.m. “Invasion” debuted Sept. 21 on ABC with a warning to viewers to use discretion while watching because some of the scenes were similar to recent real-life events. In the pilot, a hurricane alters the lives of residents of a small Florida town after causing a military plane to crash. Park ranger Russell Varon (Eddie Cibrian) is stranded after reuniting with his lost daughter, Rose (Ariel Gade), who sees mysterious lights in the water. His ex-wife, Dr. Mariel Underlay (Kari Matchett), missing during the storm, is found nude and disoriented at the sight of the lights. His brother-in-law, Dave (Tyler Labine), discovers a mysterious skeleton and offers it as proof of his conspiracy theory - that the hurricane was “a smokescreen cooked up by the government” to cover up an alien invasion. The show’s ominous tone is aided by strategic music during tense moments, such as Rose saying her mom “smells different” and Sheriff Tom Underlay (William Fitchner) whispering secretly to storm survivors. This show will invade your TV Wednesdays at 10 p.m. “Everybody Hates Chris,”
launched Sept. 22 on UPN, is a 30-minute comedy about the childhood of stand-up comedian Chris Rock. With an executive producer credit, Rock narrates the show while Tyler James Williams acts out Rock’s teenage life growing up in Brooklyn in 1982. As the “emergency adult”, Rock was responsible for his younger brother Drew (Tequan Richmond) and bratty sister Tonya (Imani Hakim), who often got him in trouble with his hard-working dad, Julius (Terry Crews), and tough-loving mom, Rochelle (Tichina Arnold). They move out of the projects to a house in Bedsty, a place nicknamed “do or die” because of its reputation for an abundance of violence and drugs. His mom sends him to Brooklyn Beach High School, which was two bus rides away from the racist bullies who picked on him. Despite the mean intentions of siblings and classmates, “Everybody Hates Chris” is not likely to conjure up any ill will. Everyone can hate or love the show Thursdays at 8 p.m. “Ghost Whisperer,” a new show on CBS, marked a dramatic close to the week on Friday. The lead character, Melinda Gordon, (Jennifer Love Hewitt), inherited her grandmother’s ability to see ghosts as a little girl. Newly married to paramedic Jim Clancy (David Conrad), she runs an antique store with pal Andrea Moreno (Aisha Tyler) while helping wayward spirits find peace and cross over to “the light.” In the pilot episode, the ghost of an MIA Vietnam soldier (guest star Wentworth Miller) appears to Gordon begging for her help to go home. She learns the details of his last moments and shares them with his son (guest star Balthazar Getty), who first reacts with disdain but then accepts her gift. When the soldier’s remains are found and laid to rest in a proper military funeral, the soldier’s ghost can move on into “the light.” “Ghost Whisperer” is a touching must-see on Fridays at 8 p.m.
3
Concert Calendar Fri, 09/30/05 7:30 p.m. My Chemical Romance Los Angeles Sports Arena Los Angeles Fri, 9/30/05 7:30 p.m. Plea for Peace Tour Chain Reaction Anaheim Fri, 09/30/05 8 p.m. Less Than Jake Roxy Theatre Hollywood Fri, 09/30/05 8 p.m. Neil Diamond STAPLES Center Los Angeles Fri, 09/30/05 10 p.m. DJ Quik Canyon Dinner Theater Agoura Hills Sat, 10/01/05 7 p.m. Nine Inch Nails Hollywood Bowl Hollywood Sat, 10/01/05 8 p.m. Robert Plant The Wiltern LG Los Angeles Sat, 10/01/05 7 p.m. CSUF Jazz Ensemble I Brea Jazz Festival Brea Wed, 10/05/05 8 p.m. Sigur Rose Hollywood Bowl Hollywood Thurs, 10/06/05 8 p.m. The Killers Long Beach Arena Long Beach Thurs, 10/06/05 7 p.m. OC Supertones Farewell Show Biola University Gym La Mirada
4 MOVIE
REVIEWS
Movie flies above the rest By ISAAC FABELA
the audience in from the opening scenes and doesn’t let go until the credits roll at the end of the film. “Flight Plan” is an intense film Foster has plenty of emotionally that will keep audiences on the riveting scenes where she desperedge of their seats. Airplane thrillately pleads for aid in finding her ers can often be an entertaining daughter. Being the seasoned pro movie ploy and this movie is noththat she is, Foster does an admiing short of quality entertainment. rable job that many Hollywood acThe suspense begins in Gertresses might not have been able to many as Kyle Pratt (Jodie Foster) pull off so convincingly. It’s hard plans to transport to upstage an Academy her recently deceased Award winning actress husband back to the and it’s not something United States for buridone very often, but al. Her daughter Julia Bean succeeds in this (Marlene Lawston) almost impossible feat. who is having trouble The British actor, who’s dealing with the unexknown in the United pected loss - joins her States for playing Boairplane engineer mom romir in the “Lord of aboard the plane that the Rings.” Based on his Pratt helped design. performance in “Flight Her knowledge of the Plan,” audiences can world’s biggest paslook forward to seeing senger plane proves to him in larger roles soon. be useful later as her His intense calmness Touchstone Pictures daughter disappears dominates every scene Kyle Pratt, played by Jodie Foster, tries desperately to only three hours into and he gives the feeling the flight. This is where find her daughter aboard the huge aircraft. that everything will be the film gets interestalright. For every film ing. At 30,000 feet Kyle organizes commodate Foster as she requests like “Flight Plan” there are a dozen an in depth search of the plane with to search every inch of the airplane, films like “Turbulence 2.” But it’s all the crew and passengers looking even the most hidden parts. refreshing when a film comes to for her missing daughter. The only The film is directed by relative rescue a genre that has been poorly problem is that nobody - including newcomer Robert Schwentke, handled over the past couple years. the crew, passenger manifest and whose only previous work was a While we may not see a sequel, other passengers - has any record little-known 2003 release called hopefully it will remind filmmakor memory of Julia being on the “Tattoo.” Despite his small body ers how much fun can be had while plane. Kyle refuses to accept that of work, Schwentke easily draws flying high above the Earth.
Daily Titan Staff
TRISTAR PICTURES
Oliver Twist, played by Barney Clark, runs away in Roman Polanski’s “Oliver Twist” based on Charles Dickens’ novel by the same name.
Polanski delivers classic twist on Dickens’ ‘Oliver’ By ERIC SANDERS Daily Titan Staff
Oscar-winner Roman Polanski’s adaptation of the Charles Dickens classic, “Oliver Twist,” is a brilliant cinematic experience to be enjoyed by all. Polanski’s version of the novel – the first attempt by anyone in over 35 years – brings the world of Oliver Twist to life, as if peeling the most intricate details of the characters off the pages and transplanting them onto film. Shot in Prague, Polanski utilizes the beautiful country landscape as a backdrop to tell the story of an orphan living in Victorian England, and seeking happiness that always seems to be out of his reach. The accurate representation of 19th century England is one of the best aspects of the movie, specifically the London Street scenes, which are like a meticulous timewarp and include everything, even muddy roads filled with rats, scandalous hookers and drunken thieves. The realistic reflection of the time period was obviously an issue of great importance to Polanski, pulling the audience in even deeper to the world of the lost orphan, Oliver Twist. We are introduced to Twist (Barney Clark) as one of the many members of orphans who make up the Parish Work House, learning “a useful trade” such as breaking apart rope and putting it back together again. The living conditions the orphans suffer are wretched, with one boy proclaiming he’s so hungry he can’t even sleep. Oliver finds himself in trouble when, after drawing the short
rope, he is the one chosen by the boys to go up and ask for more gruel. This indignation is not tolerated by the gruel dispenser, who ends up switching Twist violently, and causes the Parish to put him up for auction. This leads to a series of offers that eventually has him sold to an undertaker. As a result he runs off with nothing but a bag tied to a stick – hobo style – and finds himself with nowhere to go except down the 70-mile path that leads to London. Once in London, Twist pals up with Artful Dodger (Harry Eden) and a band of boy pick-pockets lead by the sinister Fagin (Ben Kingsley). The group of pick-pockets adds a childhood playfulness to the movie and a comical character in Dodger, who is a quick witted, drinking, smoking child criminal. Taken in by Fagin’s pseudoaffection, Twist settles into London’s underworld, but quickly discovers the dangers that lurk in a life full of petty theft and shady characters. The climax of the film comes when Twist finds that he is the focus of ill intent by the notorious Bill Sykes (Jamie Foreman) and the intimidating pit-bull that accompanies him. “Oliver Twist” is true to its literary roots with lengthy character development and storytelling. During a time when Hollywood studios are rehashing old television sitcoms due to lack of content, “Oliver Twist” is a refreshing new spin on something old that will leave fans of good storytelling and directing thoroughly satisfied.
she only imagined boarding the plane with her daughter and basically holds the plane hostage as she desperately looks for her. While the rest of the crew and passengers grow restless and frustrated with the drama ensuing on board, Kyle manages to gain two allies in her search for Julia. Carson, an undercover air marshal (Peter Sarsgaard) and Captain Rich (Sean Bean) ac-
Capote captivates By BRYAN BARNETT Daily Titan Staff
In November 1959, four shotgun blasts shattered the silence of a Kansas prairie. A family of four was dead and their murderers vanished into the night. The horrific scene beckoned Truman Capote towards the idea for a simple magazine article that later evolved into his greatest work of non-fiction, “In Cold Blood.” In Philip Seymour Hoffman’s latest film “Capote,” Hoffman captures all the eminence and personality of the legendary Truman Capote flawlessly. His booming presence captivates party guests on every occasion – and there are plenty of occasions. Author of “Breakfast at Tiffany’s,” Capote won great fame and respect across the country and the world for his ample production of bestselling books. This film tracks Capote’s sixyear struggle to gather viewpoints from both sides of a brutal massacre in order to create the great novel, “In Cold Blood.” He travels to Kansas to inter-
view Alvin Dewey, played by Oscar-winnwe Chris Cooper, an agent heading the investigation of the murders. While at first the townsfolk are reluctant to give him any help on the story, Capote uses his masterful interviewing skills to connect with just about everyone on a deep, personal level. “It’s as if Perry and I grew up in the same house,” Capote tells his friend and author of “To Kill a Mockingbird,” Harper Lee (Catherine Keener). “One day he stood up and went out the back door while I went out the front.” Perry is one of the two killers found guilty of the slaying and sentenced to death by hanging. Most of the film is devoted to Capote’s relationship with Perry as the author tries to gather insight on what happened that fateful night. When this starts it all feels dreadfully reminiscent of the film “Dead Man Walking,” in which Susan Sarandon plays the part of understanding counselor looking to provide solace for a stray soul, Sean Penn. There are other strong parallels, but divulg-
ing them would be giving too much away. The most phenomenal thing about “Capote” is Hoffman’s acting. It gives the film two legs to stand on when the storyline itself might be tired and predictable. It’s easy to watch as such a complex 1960s icon comes to terms with his feelings about either hating or loving a cold-blooded killer. It nearly tears Capote apart. Most of the time he pumps the life into the parties he frequents, but as he realizes the scope of his novel and the lives entangled within, he mopes about finding comfort only in his gin and tonic. Capote’s dramatic highs and lows are enthralling. While the story ends with predictable certainty, the legend himself remains a mystery. Capote is as unpredictable as they come. Imagine a famous carefree partier thrown into a situation of unforeseen profundity - in this case writing a book that sympathizes with both the loved ones and the killers of a family of four - the effect is fascinating and sincere. And it’s all true.
MOVIE
REVIEWS
5
Bow Wow, Nick Cannon discuss ‘Roll Bounce’ By CARMELLIA MUNGUIA Daily Titan Staff
ed to be a part of it. As a kid he spent weekends at the skating rink having a good time and thought it would be a good quality film based on the players and the theme of the movie. The film crew didn’t know Bernard would be a crazy character with a flair for color. “The yellow and blue stirrups I fought all the way. When I first saw those pants, there was no way I was fitting into those pants, and then I was mad that I did,” Cannon said. Bernard appears in a few scenes and contributes his raw and sly wisdom to Naps (Rick Gonzalez). “[Bernard] thinks he is giving you all the world, but it doesn’t make sense,” Cannon said. “He is like the Yoda.” Only a bus ride away, the boys are reminded of their place in society amongst local Sweetwater Roller Rink regulars. The group faces the challenge of finding themselves
Wearing a white gold diamond necklace and a largefaced diamond-studded watch with a black alligator band, rapper Bow Wow enters the suite at the Four Seasons in Beverly Hills with attitude. His happy gaze expresses fulfillment. At 18 years old, Bow Wow is the youngest solo rapper to hit No. 1 and he’s not stopping there. He said his hard work and commitment to being an entertainer has paid off – whatever he puts his mind to, he accomplishes. “I was born to do this. I knew I was destined to do what I do,” Bow Wow said. “I did everything, talent shows, commercials, [even Disney].” “Roll Bounce” glances into Chicago during the late 1970s. Roller skating jams are a staple like bell-bottom jeans. Bow Wow departs from his rapper persona and becomes Xavier Smith, X to his friends. He plays a wholesome paperboy who lost his mother to cancer. X and his friends face losing the local roller skating rink where they spend their downtime. This role tranTwentieth Century Fox sitions Bow Wow from music and Bow Wow, Brandon T. Jackson, Marcus T. comedic roles into Paulk, Rick Gonzalez and Khleo Thomas a more serious skate up a storm in “Roll Bounce.” movie. “This was going to be the movie to show my and winning the respect of skills,” Bow Wow said. their adversaries. The director, He performed all his own Malcolm D. Lee and writer stunts except for the jumping Norman Vance Jr., take viewand spinning moves and said ers on a journey of friendskating comes naturally to ship, family, love and a young him. hero’s journey from childhood “I don’t like anyone to do into manhood. anything for me,” Bow Wow Wearing four-inch gold said. “I wanted to come out hoops with “Good” etched in authentic.” the middle, Meagan Good, 24, Bernard was an easy charac- who plays Naomi, Xavier’s ter for actor and hip-hop artist sweetheart, had to convince Nick Cannon, who starred in Lee that her pretty face could “Drumline,” to play. play an innocent, insecure After hearing about the teenager. roller-skating theme, reading “I am used to being that girl the “well written script” and with the big teeth and the gap,” learning of the strong cast and Good said. “I was short and filmmakers associated with super skinny. It was a reality I “Roll Bounce,” Cannon want- had known.”
WARNER BROS. PICTURES
The Corpse Bride, voiced by Helena Bonham Carter, hauntingly twirls in “Tim Burton’s Corpse Bride.”
‘Corpse Bride’ beautiful, not quite ‘Nightmare’ By KELLI FADROSKI Daily Titan Staff
the score for the film is excellent. Taking cues from “Nightmare,” “Corpse Bride” is also a musical. With numerous musical numbers, the most colorful scene takes place in the land of the dead where Bonejangles (Elfman) and his skeleton crew fill Van Dort in about the story of his new bride. When the skeletons sing and dance it’s reminiscent of Alice falling down the rabbit hole in “Alice in Wonderland.” The whirl of colors and quick-switching scenes along with a jazzy jingle leave the audience wide-eyed. Unfortunately, this is about the only scene in the movie that warranted any real response. Visiting Elder Gutknecht, the wise skeleton of the land of the dead, Van Dort tricks his corpse bride into having Gutknecht cast a spell that will return them to the land of the living. In the course of singing, dancing and marrying a corpse, he suddenly
falls in love with his arranged bride, Everglot, and vows to return home to her. Of course, the plot thickens as back in the land of the living, her greedy parents demand that she marry a scandalous gentlemen whose suave demeanor, in Victor’s absence, sweeps the Everglots off their feet. This is where the story gets a little thick. There’s nothing pure about Van Dort and Everglot’s love – it’s no Jack and Sally romance, that’s for sure. Plagued with darkness, “Corpse Bride” has its lagging scenes and moments of confusion. The “Corpse Bride” story is just so boring and far reaching. Burton stretches for more and strings the audience along with him, using a maggot to chime in from time to time to remind the audience to smile. It’s really a shame because the cinematography and music used throughout the film is flawless.
The set up may appear to be the same, but the story behind creative mastermind Tim Burton’s newest animated release, is a far cry from the witty Halloween-takes-overChristmas plot of 1993’s “The Nightmare Before Christmas.” “Tim Burton’s Corpse Bride” is defiantly a darker film in comparison. The characters in the film seem to be forced upon each other rather than having any real connection. Johnny Depp lends his hi-pitched pubescent voice to the awkward Victor Van Dort. His parents pawn him off on the seemingly wealthy Victoria Everglot, a young woman whom he has never met, yet is forced to marry. Van Dort’s bumbling leads into an intense scene filled with embarrassing moments as he attempts to recall his vows and slips the wedding band onto the finger of a woman whom he just met. His lanky limbs give him nothing but trouble as he tries desperately to impress his future in-laws. Although the movie has a dark premise, Burton doesn’t forget to add in a few moments of comic relief. The film is shot beautifully using clay-animation and computer graphics. In Van Dort’s land of the living, the characters and scenery are mostly dark blue, green and black – the lack of color portraying his rather dull and moody life. Once Van Dort accidentally slips his wedding band on the finger of the corpse bride, his world suddenly turns WARNER BROS. PICTURES colorful and even the music beVictor Van Dort, voiced by Burton-veteran Johnny Depp, receives a helping comes light. Produced by Danny Elfman, hand in “Tim Burton’s Corpse Bride” released Friday.
6 MUSIC REVIEWS Another revolutionary Marley By ERIC SANDERS Daily Titan Staff
If ever there was an omen in the coming of an iconoclastic son, it would be no clearer than in the return of Damian “Jr. Gong” Marley, with his fourth album, Welcome to Jamrock. After winning a Grammy in 2001 for best reggae album, the new release brings Damian Marley back to the forefront of the music world. Welcome to Jamrock promises to follow the same path, debuting at No. 7 on The Billboard Top 200 Albums Chart, making it the biggest opening week for a reggae artist. Damian is the youngest seed of the royal-reggae-family-tree called Marley, but if people expect a modern day polished up version of his father, they will be sadly mistaken. Damian Marley’s music is a mixture between the classic island sounds
of his Jamaican homeland, and the hardcore street poetry of hip-hop – which is seen in his militantminded lyricism, sharp enough to test the most gifted of emcees. His heavy Jamaican flow weaves his words seamlessly throughout the album with unpredictable styles of hip-hop, reggae and dancehall, effortlessly and can only be described as a gift to his listeners. Damian and his brother, Stephan Marley, produced all but two songs the album. The well arranged tracks show off the diverse musical talents of the duo, with songs ranging from melodic easy-skanking-reggae-riffs to hard-pounding, neck-breaking rebel-beats. The guest list of artists stays true to the hip-hop and reggae theme, with names like Nas, Black Thought, Eek-A-Mouse and Bounty Killer, to keep both sides of the spectrum happy. Also featured is a
rare musical appearance by Bobby Brown, who dusted off his mike to throw down some vocals on a saxlaced love ballad. The album opens up with the track “Confrontation,” which is less like a song, and more like a call to arms. With a war-like drumbeat interlaced with sound bites of Marcus Garvey’s emphatic plea for action, the energy of the song makes one feel as if marching with thousands of irie rebels ready to clash at the first sign of authority seeking to oppress them. The title track and first single, “Welcome to Jamrock,” is a description of the Jamaican street culture and youth, which displays the conscious lyrical skills of Damian Marley. “Come on let’s face it / A ghetto education’s basic / And most of the youths them waste it / And when them waste it, that’s when them take the guns replace
it / Then them don’t stand a chance at all!” A more dramatic song, titled “Pimpa’s Paradise,” features Stephen Marley and Black Thought of the Roots. Stephen Marley sings the chorus in a raspy elegance reminiscent of his dad, while Damian and Black Thought paint a deep poetic portrait of a girl who falls into a dark TUFF GONG INTERNATIONAL despair of drug addiction. The highlight of the album Marley remains unique in his new album. is in the calm and peaceful track named “Road to Zion.” This album is a testament to the The song guest stars Nas, who power that music can have in our adds his own introspective flow to culture. With his sentimental melothe collaboration. dies and political content, Damian The soothing humming of a fe- Marley is the prodigal son who will male vocalist mixed with the sounds make all who listen nod their heads, of whaling winds, soft piano strides pump their fists and praise Jah for and gentle guitar plucks, take the the revolutionary bloodline that is listener on a journey. Marley.
Flashback Favorite
No doubts about band’s legacy By ASHLEY MAJESKI Daily Titan Staff
October 10, 1995: It was a day of intense emotion for a band from Anaheim. No Doubt released its third album that day, and half expected it to fail like their previous two albums did in the midst of a grunge revolution. However, the flannel shirts and greasy hair of grunge were waning, making room for a sunny, fun ska-punk album that would go on to become one of the best selling records of the 1990s. It’s hard to believe that it’s been ten years since Tragic Kingdom was released. The songs ranged from girl-power anthems such as “Just a Girl” and “Sunday Morning” to break up ballads like “Don’t Speak,” (which still in-
spires bad karaoke renditions). I can still remember my first sighting of Gwen Stefani. I was in 7th grade and mesmerized by the “Just a Girl” video as she jumped around in her midriff-baring top, blond bangs and Dr. Martens. Surrounded by guys, Gwen was tough, but still glamorous. As the band’s popularity grew, every girl in junior high wanted to be Gwen. At every talent show, the sounds of “Spiderwebs” or “Excuse Me Mister” were accompanied by a badly choreographed dance with equally bad “Gwenabe” costumes. Girls could relate to not only her lyrics about breakups and her frustrations with being a girl, but also her funky fashion sense. Tragic Kingdom went on to sell over 10 million albums world-
wide and could be heard blaring out of every pre-teen’s bedroom window from the years of 1995 to 1998. No Doubt went on to release three more albums after Tragic Kingdom, but none matched its commercial success. The band is still in the spotlight today, having released a greatest hits album last year. Gwen has also launched a successful solo career, with her first album going certified platinum. The songs on Tragic Kingdom are still great tunes to listen to while getting ready to go out, or when you just want to be transformed to the carefree days of 1995, before Gwen was a “Hollaback Girl” and stick-on bindis weren’t available in malls across America.
MUSIC
Reggae star makes ‘Clothes Drop’ By MAHSA KHALILIFAR Daily Titan Asst. Entertainment Editor
Shaggy, also known as Mr. Bombastic is back once again to give some more music and loving to his fans. Shaggy, whose real name is Orville Richard Burrell, releases his sixth album, Clothes Drop, where he is once again dropping beats and songs that have brought the Grammy AwardWinner where he is today. Last time we heard from this singer, we were repeating the lyrics to “It Wasn’t Me,” and swooning over “Angel.” Now the reggae star is back with a similar sound but different style. Collaborating with various artists from famed groups such as The Black-Eyed Peas and the PussyCat Dolls, this 17-track al-
bum brings a new flavor to the Jamaican-inspired music. Singing about love and sexual innuendos is the usual mantra for the self-proclaimed Mr. Lover; this time though, the songs are even more lyrically conscience and the beats have slowed down, leaving the listener room to pay closer attention to his unique voice. The first single off the album, “Wild 2nite,” features the vocals of G-Unit’s very own Olivia. The song has a good tone and although a remix of the song might be necessary for the clubs, the song is still one to bump up while driving. The track to put on repeat: “Would You Be” showcases famed reggae artist Brian Gold. The beats make this ballad one of Shaggy’s best songs yet.
Although the album does not have too many standout hit singles, the tracks are still enticing, especially for hardcore Shaggy fans. The album does not allow first-time Shaggy listeners a way to get to fully understand his intentions but it is pure Shaggy: sexy and unusual – just the way he seems to like it. Always provocative, Shaggy’s album is not for innocent ears. Sexuality exhumes Shaggy and his music. In “Ahead In Life,” the singer blatantly gives his penis a pep talk, which you cannot help but laugh at. Topics vary, but they mostly revolve around the subject of sex. On a more serious note, the singer speaks about what seems to be a young woman being
ASI presents The Acidic Front to CSUF students By HENRY TRUC Daily Titan Copy Editor
ASI Productions is bringing another free concert to Cal State Fullerton. On Sept. 28, The Acidic Front is going to play at the Becker Amphitheater at noon. The indie rock band from Chino plays music that is influenced by big-name bands like Jimmy Eat World and lesser-known bands like Texas is the Reason, Sunny Day Real Estate and The Early November. The Acidic Front consists of Nick De Partee on vocals and guitar, Jeremy Sohl also on vocals and guitar, Kevin Hedges on bass and Raul Martinez on drums. With emotional lyrics, The Acidic Front visits venues on their mission to be signed by a label.
For the most part, the band has been playing at churches, which is fitting because of the band’s purpose. “We are still a rock band playing to show people God’s love and his endless grace and mercy. We hope that is evident in our lyrics, shows, and lives,” De Partee stated on the band’s Web log. The band’s music is easy to listen to and at times even gets a little edgy, but it’s definitely not as upbeat as the other bands that have visited CSUF in the previous weeks. Titans can most likely expect the band to plays songs off of their newly released EP entitled “The Fall To Love.” The songs “Procession” and “Today is a Passing Trend” are available for listening www.purev-
olume.com/theacidicfront. There is also a track entitled “The White in the Iris,” which is probably the strongest track of the three. For more information, Titans can visit the band’s myspace at myspace.com/theacidicfront.
abused in “Gone With Angels” and a heartfelt message to his own children in “Letter to My Kids.” Of course, what Shaggy album would be complete without the booty-shaking dance tracks? Although most of the songs have beats one can move to, tracks like “Ready Fi Di Ride,” “Supa Hypnotic,” “Don’t Ask Her That” and “Road Block” are ones you might hear in the hiphop clubs. Overall, the album gives Shaggy fans a mix of old and new flavors of his more original music, this time with more guest artists and even more seductive lyrics. The only warning is that after hearing the tunes, clothes may just drop, which is exactly what Shaggy may have been aiming for. Goal accomplished.
Celebrity quote of the week “I went to Europe for a month on tour and we kinda dated by Blackberry.” – Sheryl Crow to Entertainment Weekly, on how she and Lance Armstrong started dating.
REVIEWS
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Brit band still jams By EDUARDO VASCONCELLOS Daily Titan Staff
In 1993, this talented British band broke out onto the scene, paying tribute to the disco trend two decades prior. In 1996, the charttopper “Virtual Insanity” put them on the map and people started to recognize the name Jamiroquai. That album Travelling Without Moving, proved to the world that they were more than a mere one hit wonder. They have had two great albums since then and almost 10 years later have put out one – Dynamite. Maintaining the funky sound similar to the house beats of Groove Armada, Jamiroquai’s music is an experience worth listening to. Don’t be surprised if in the near future, this album is used to keep parties going in clubs across the globe. Dynamite starts off with the low-tempo Feels Just Like It Should,” which starts out a bit jerky, quickly turns into one of the band’s trademark funk tracks, without getting to be too abrasive. After that, it takes off with the spacy “Dynamite,” with Kay’s soprano crooning, a great beat and a fun guitar riff, it’s definitely one of the better tracks on the record. Next up is a track that matches its name, “Seven Days In Sunny June.” It’s not quite a track for the clubs, but it is enjoyable and catchy. “Electric Mistress” rounds up the first bit, and offers an electronic sound that reminds me of something from an old-school 8-bit Nintendo game. The latter half of the album is less memorable than the first. It’s saving grace, however, happens to be the best track on the entire album, “(Don’t) Give Hate a Chance.” It’s everything anybody could ask of Jamiroquai. It’s totally overproduced, but in a good way, like Radiohead’s Karma Police, with every note played on a grand scale. The bass keeps the beat as well as any percussion instrument would while the string and wind come in and are so resounding, it’s hard not to get caught up in the song. This is the one track that will move copies out of stores. The rest of the album is a treat to the auditory senses and each track keeps the interest level peaked even if there is a slow patch in the middle. Dynamite is certainly
8 RESTAURANT REVIEWS Big Easy dining jazzes up Downtown Disney By CHRISTINA SCHROETER Daily Titan Staff
At a time when New Orleans seems inaccessible, Ralph Brennan’s Jazz Kitchen brings the tastes of the Big Easy to Orange County. Bringing cooks and managers in from Louisiana, Brennan created a mock-up of the French Quarters. From the wrought iron railings to the live jazz, the Jazz Kitchen is a fun way to escape the monotony of ordinary restaurants. The restaurant boasts classic courtyard seating, balconies and a variety of indoor dining rooms. An assortment of parasols hang from the dining room ceiling in the jazz club and a fourpiece jazz band plays vivaciously on weekends and a pianist plays on weeknights. Mardi Gras photos hang on the walls and chandeliers on the ceiling in the posh Queen’s Room. For a classy, historical dinner, the Parlor Room is embellished with antiques and old photographs. Although elegant, the Jazz Kitchen always welcomes casual dress. The eatery also imitates New Orleans’ signature cuisine. Although
the N’Awlins Cheesesteak Po‘ Boy ($10.75). Thinly sliced filet mignon, caramelized onions, bell peppers and provolone on French bread create a mouthwatering sandwich. It’s served with deep fried, seasoned dill pickle chips making it a unique and flavorful afternoon meal. Aside from bringing in Louisiana natives, the restaurant also imports ingredients from New Orleans, like red fish, shrimp and oysters. A favorite with regulars is the Pasta Jambalaya ($19.75) with Gulf shrimp, andouille sausage and roasted chicken tossed with spinach fettuccine and Creole seasonings. CHRISTINA SCHROETER/Daily Titan The Jazz Kitchen also speThe Jazz Kitchen playfully replicates cializes in unusual flavored socourtyards of the French Quarter. das and exotic cocktails. On Sundays, there is a Zydeco diners may be tempted to order Jazz brunch from 11 a.m. to 4 gumbo, a customary dish, instead p.m. While listening to the jazz that indulge in a bowl of Creole Onion melds Cajun dance music, R&B Soup ($7.25). Caramelized on- and African blues, guests feast on ions are drenched in savory soup entrees like the Southern Omelet with Creole seasonings and gar- ($12.50) or Banana Fosters French nished with croutons and Parmesan Toast ($12.75). cheese. At lunch, save room for The only flaw is the outdoor patio facing Downtown Disney’s boardwalk. The Big Easy experience is squashed when, instead of hearing the sounds of New Orleans’ jazz, the Disney speakers blast child-safe top-40. Despite this, wonderful service, delectable dishes, incredible entertainment and the Big Easy-inspired setting tempt patrons to return for a good time at this exciting home away from home. The Jazz Kitchen is located at 1590 South Disneyland Drive. For more info call (714) 776-5200 or log on at www.rbjazzkitchen.com.
CHRISTINA SCHROETER/Daily Titan
Memphis welcomes guests to its modern atmosphere to lounge, sip cocktails and enjoy a high-class meal all at a reasonable price.
Soul food in OC
By CHRISTINA SCHROETER Daily Titan Staff
Mellow, mod and full of soul, Memphis is unlike any other restaurant in Orange County. An intimate atmosphere and modern soul food create a hip, yet poised, dining experience. The aroma of home cookin’ saturates the air of the café, inviting all who pass to come in and savor the one-of-a-kind delicacies. Within a minute of being seated, cornbread appears on the table, which sets the mood flavor for the entire meal - good Southern cuisine. The menu, swamped with colorful appetizers and entrees, features an array of dishes foreign to much of OC. The smoked chicken and Brie quesadilla, served with watercress, corn salsa and avocado ($9), is a fantastic starter to share. The chicken and shrimp gumbo ($7.50) is a tasty way to plunge into the soulful ambiance.
Made with okra and chicken-andouille sausage, it’s served with dirty rice and cornbread. Before filling up on the delicious appetizers, save room for a main course. The pan-roasted chicken breast ($14.75), tender white meat drenched in lemon thyme sauce, is presented with silky collard greens, barbequed corn and mashed potato pancakes, creating an upscale dinner, without the aristocratic attitude or price. Memphis also provides a full bar and dessert menu. With chic mid-century style décor, and an outdoor patio, guests dine in a stylish atmosphere. Funky soul tunes delicately flood the dining room, creating a comforting Southern aura. The friendly staff and the close-knit tables provide a family-like experience. Memphis morphs into a club Wednesday through Saturday nights and fashionable twentysomethings trickle into the dimly lit bar. With an eclectic array of music and a dance floor packed with inebriated hipsters, Memphis is the answer to every OC cliché. Memphis is located at 2920 Bristol Street in Costa Mesa, just a few steps from The Lab. For more info, call (714) 432-7685.
