Volume 103 Issue 47
The Student Voice of California State University, Fullerton
Monday May 7, 2018
University planning physical revamp Three candidates campaign to be CAPS director Position hopefuls held separate on-campus forums to gauge CSUF community. LAUREN DIAZ
Asst. Opinion Editor
The Cal State Fullerton Counseling and Psychological Services (CAPS) department held separate open forums over the past two weeks for three candidates applying to become the new CAPS director. The candidates are Brad Meier, counseling director and staff psychologist at University of Southern California, Carolyn O’Keefe, senior staff psychologist at University of California, Irvine, and Jaime Sheehan, the current interim director of CAPS. Sheehan said CSUF is ranked fifth in the nation for its diversity, but all the candidates expressed a shared passion and concern for the well-being of diversity among students, and maintaining leadership and partnership between CAPS staff. The candidates also emphasized the need to build stronger university relationships with better counseling programs, more online resources for students and outreach techniques that would reach the different needs of students. Meier mainly focused his talk on hypothetical outreach programs that serve specific student areas, as well as being welcoming to everybody. SEE SEARCH
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GABE GANDARA / DAILY TITAN
The CSUF community shared its campus planning input in the form of sticky notes at the Clayes Performing Arts Center.
Final draft of the Cal State Fullerton physical master plan expected to be completed in two years. CAITLIN BARTUSICK Asst. Copy Editor
The planning process for the Cal State Fullerton campus physical master plan is currently underway with the final draft expected to be completed by 2020. Some key issues the plan may address include parking, outdated buildings and campus amenities. The physical master plan will provide the university with a guideline of needed improvements to campus framework. Mandated
by the California State University system, the plan allows the university to accommodate a growing student body and meet the academic needs of students, faculty and staff. Architects, engineers, consultants and planners held a public forum at the Clayes Performing Arts Center on Thursday to ask the campus community about their visions for the master plan. Planners encouraged visitors to take an online survey, write personalized Post-it notes or place stickers on informational poster signs to express specific concerns and proposals. “We are at the early stages of this project. We are listening, asking good questions about what works on campus and what doesn’t work on campus,” said John Gibbs, principal
at Wallace Roberts & Todd, a planning and design firm in San Francisco. “We’re trying to make sense of all that, and that’s where we need feedback from the campus community.” The last time a master plan was completed for the university was in 2003. Since then, the full-time equivalent student enrollment number has increased by about 8,000. Campus environment Most guests at the forum indicated with stickers that 24/7 access to healthy and affordable food options and other campus amenities would keep them on campus longer. SEE UPGRADES
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Spring Dance Theatre showcases Titan artistry
The student production, which includes eight different dances depicting a variety of emotions, will continue through May 13 in the Little Theatre. TREVA FLORES Staff Writer
KATIE ALBERTSON / DAILY TITAN FILE PHOTO
Pitcher Andrew Quezada threw his second complete game shutout in his last three starts Sunday.
Baseball wins sixth straight CSUF defeated UC Davis 5-0 on Sunday to move to 12-3 in the Big West conference. KAILA CRUZ
Asst. Sports Editor
Pitcher Andrew Quezada threw a complete game shutout for the second time in three starts as Cal State Fullerton baseball completed its sweep of UC Davis with a 5-0 win on the road Sunday.
“The attitude today was to take game three and complete the sweep. I think that’s back-toback sweeps for us so we’re happy. This eight-hour drive home is going to be a good one,” Quezada told CSUF Sports Media. Quezada struck out three batters while allowing four hits against the Aggies (15-27 overall, 7-11 in conference). The Titans improved to 12-3 in the Big West conference, maintaining their first-place seed. “I trusted the defense. I think
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I only had two or three strikeouts and they put a lot of balls in play. Early on in the series, we knew that they were aggressive so I tried pounding the zone for them to get themselves out,” Quezada told CSUF Sports Media. Titans Head Coach Rick Vanderhook said Quezada was “excellent on the mound today” and credited his team for closing out the series strong. SEE SWEEP
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Dancers leaped to new heights and reached hearts during Cal State Fullerton’s Spring Dance Theatre at the Little Theatre on Saturday. The night had eight choreographed routines that represented emotions like fear, sadness, romance, anger, passion and joy. The opening routine was titled “Tumultus.” As the room went pitch black and filled with eerie music, nothing could be seen until dancers strapped with white lights to their heads emerged from the darkness. The dancers swarmed around bodies that looked lifeless until suddenly their flashlights were turned on too, revealing a red light. What started off as the unknown turned into fear as the red-lighted dancers chased the white-lighted dancers around the stage. As the music intensified the red dancers took over the stage until every white light vanished into darkness. It was a terrifying way to open up a show, but was a good hook for a series of incredible dances. “Like Bread…” was a routine dedicated to choreographer Taylor-Anne Murray’s grandparents. Inside the playbill reads, “Love is like bread – it has to be remade all the time, over and over.” There were only two dancers, Brandy Factory and Chandler Davids, who did a wonderful job at portraying love. The set took the stage as a house decorated with a couch by a window. The dancers’ costumes looked like vintage attire from the ‘40s or ‘50s. The two dancers moved beautifully together through a series of lifts and twirls, and the opening felt like the honeymoon phase of a relationship. Toward the end, their movements felt more sad as they rolled around on the floor. The routine ended with Factory sitting on the couch reaching out to the audience as Davids rolled to the floor. SEE STEP
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