Selected Architectural Design Work - Dana Graunke

DANA GRAUNKE Architecture Portfolio 2015

Fo c u on thought p and INNOVATIV to the problems th world of today and the f poverty and post-disaster and rehabilitation. Be one CHARACTER & VIRTUE and d INTENTION OF THE WHOLE only a designer but also an “ACTIV in the development process.” De beauty of drawings but unders build for function, purpose and its PEOPLES. Create architec intention to evoke EMOTION & from the built form. Learn from of the PAST & REFORM satisfied, it is the proces the architecture of is no PURE fo one that

I WILL...

Focus on thought provoking and INNOVATIVE solutions to the problems that face the world of today and the future, such as poverty and postdisaster construction and rehabilitation. Be one of strong CHARACTER & VIRTUE and design with the INTENTION OF THE WHOLE. Become not only a designer but also an “ACTIVE PARTNER in the development process.� Design not for beauty of drawings but understanding and build for function, purpose and relations to its PEOPLES. Create architecture with the intention to evoke EMOTION & MEANING from the built form. Learn from architecture of the PAST & REFORM it until I am satisfied, it is the process of finding the architecture of ME. There is no PURE form, only one that the architect saw as her IDEA of philosophy, it is of the lived and living experiences...

A R C H I T E C T U R E I S L I F E

I am active in both architecture and life!

Experience has allowed me to observe and experiment with all forms of user engagement; from the essentials of designing and detailing to the reality of the build and promotion. I love to find ways to interact with the users and understand their goals not just with the project but the roots of the decision they make.

CONCEPT

DETAILS

CONSTRUCTION

PROMOTION

EDUCATIONAL WORK 7

17 23

SOLAR DECATHLON 2015 9 - Haiku House 13- Solar Shed 15 - Indigo Pine CHARLESTON CONNECTION BREEZE

PROFESSIONAL WORK 27 29

CEADARBURG CREEKWALK JW SPEAKER

OTHER WORKS & DRAWINGS

Solar Decathlon 2015 Clemson University’s Solar Decathlon project brings together an active team of students and faculty from Architecture, Engineering, and Social Sciences, to collaborate on the design, construction and promotion of a prototypical, three bedroom, 1,000 sqft, low environmental impact, net-zero, solar house that is cost-effective in today’s market and comfortable under South Carolina’s climate.

We are focused on stitching together innovative building methods, southern personality and local products into a home for a southern family.

Sy N ste O m VE s+ M C BE om R m 20 un 1 ica 4 tio ns

N U Th AR eS Y he 20 d 14 Ac FE ce B pt RU an A ce R int Y 2 o 0 SD 14 20 A 15 M PR as IL sin 2 g S 01 tu 4 dy

JA

AU H GU aik S uH T2 ou 01 SE se 3 PT E Bi M -V B en ER tri 2 ca 01 O l 3 C Tr TO ip B to E 20 R 13 20 SD 13 N O Pr V op EM os B al E Su R bm 20 itt 13 al

From the beginning of the Solar Decathlon 2015 Proposal, Indigo Pine has made this its mission and this is just a glimpse at the path of our team... .

d uil lB A na , C Fi vine Ir ild Bu ns de C ar , S l G on ica ms an Cle

t Bo

!

AY D

TO

pg. 7

Haiku House

With no knowledge of the future linkage between this project and Clemson Universitys desire to enter into the Solar Decathlon 2015 competition, the first semester graduate studio jumped into a design project that distilled and developed the ideals of a home for a Southern family, these concepts later became the roots of the Indigo Pine home and team.

Utilizing both Haiku and Kirigami forms, simple yet descriptive and experiential in nature, the notion of family and the home was expressed to the core. All excess was removed giving a pure idea when beginning the design. The original design, located in Clemson, South Carolina, is focused on a typical expanding family of the South. The home is: 3 Bedrooms - 2 Bathrooms - 1,200 sqft

A HOUSE IS A HOME Rely on the known, still open to the unknown.

My house is my home.

EXPERIENTIAL BOUNDARY

Walls produce a boundary through mass creating a NATURAL division between the Public & Private spaces.

CROSS DIAGRAM

To move from the bedroom modules to the main gathering area, users pass through heavy set walls.

TENSION pushes users into the main space.

FLOW DIAGRAM

Users and natural ventilation flow through the public areas of the house, pairing with nature to LIVE BEYOND THE WALLS.

Wall of tradition, roof all about protection.

My house is my home.

Privacy desired, a community needed.

My house is my home.

Meaning of a house, description of a person.

This house is my home.

Site Plan

FRONT ENTRY BI-VENTRICAL

pg. 9

Approaching the home, one is greeted by a water feature supplied by the rain water collection systems and stored for future use. This allows users to see the home’s strategies in use.

As a modern version of the dogtrot home, the main corridor stretching though the center of the home is focused on creating a comfortable environment that is sensitive to the community at large as well as the family within. This gathering space opens to the outdoors, extending the home out to the community and providing relief to occupants during warm southern summers through natural ventilation.

Light from collective, ventricles of family.

Reflection of self.

Two hearts of the home emerge within the kitchen and living rooms as families gather around to hear about the day with dinner on the stove; spending some quality time during cool evenings surrounding the fire.

Mech.

Room

Footing & Joist Laundry

Subflooring & Access

Core Wall

Master Suite

Finished with Stacked Stone by Eldorado stone with mesh backing and plaster adhesive.

Children’s Rooms

Kitchen

SIP Panel Installation

Finished with sealant and rainscreen.

See Climate-Shield Rain Screen Wall Detail.

Children’s Rooms

Dining Room

Rafters

Steel rafters supported on W section beam set within wall. Top Flange supports main corridor roof while lower flange supports Master Bedroom roof.

Living Room

Concrete Footing Detail Fireplace

Roofing

Inset gutter system to allow for invisible removal and water pooling prevention. See roof Detail description.

FLOOR PLAN

With heavy stone walls dividing the public to the private, users are focused on the use of main corridors.

Flanking the public areas, the two wings of the house contain bedrooms, bathrooms and utility areas.

pg. 11

STRUCTURAL SEQUENCE

The Solar Shed

Collaboration: Indigo Pine Family & Volunteers As a participatory precedent for Solar Decathlon 2015, the vertical “Solar D� studio focused first on the transformation of a simple shed model into a transportable structure that accommodates the users in an educational and experiential capacity. In the end, this project becomes more than a space; it becomes a destination.

This participatory precedent allowed for learning by experience; focusing us on the issues that we were to face in construction and development of the solar home, as well as opening our eyes to areas of potential innovation.

SOUTHERN CHARM

To create a usable, community friendly destination, we saw both educational and southern elements as integral aspects to the design. To promote continual use, five versatile elements were added to the design: planters, counter top, bench, chalkboards as well as a porch swing all designed to interact with the users.

CONSTRUCTION DOCUMENTS

At the start of the construction documents, the shed design was stripped down to the framing and broken into manageable piece to allow for prefabrication at the build site, then transportation to the final site. The modules were determined by size, weight and final height locations. The southern elements were built as modules as well and added after the framing installation at the site.

pg. 13

http://clemsonsolardteam.wix.com/theshed

Indigo Pine

Collaboration: Indigo Pine Family & Clemson University As an ongoing project that challenges students and faculty to corroboratively develop a small home design from conceptual to the built environment, the Solar Decathlon provides a wide range of experiences.

As designers of Indigo Pine, we design for the southern family using already existing networks and readily available materials to produce an environmental and cost conscious home. To do this, we have developed a puzzle like structural system, Sim[PLY], that can be produced anywhere one can find a CNC machine.

SOCIAL MEDIA & OUTREACH Beyond just the design of the home, Indigo Pine is focused on reaching and teaching about living sustainably as well as our homes design and strategies. We drive to have visitors imagine what life would be like in our home. Through several media outlets, we are working on connecting elements of our home, design and knowledge of sustainability to things the users can easily relate to.

FLOORPLAN

Website: www.IndigoPine.com Social Media Accounts: Facebook, Instagram + Twitter Clemson University Solar Decathlon @ClemsonSolarD

FLOOR PLAN & CABINETRY

EXTERIOR MODEL

Designed and built to be taken apart, this model showed all of the layers that go into the building of Indigo Pine. The backside of the model shows into the interior of the home as well as the ZIP panel system and Sim[PLY] structural system.

pg. 15

With the Sim[PLY] structural system as the shell of the home, the interior is left open with no structural partitions. The highlighted orange elements above represent the cabinetry system that, like the structure, is produced with cut files and a CNC machine. These elements of the home are pre-fabricated into manageable modules and reassembled within the home for the competition. The bathroom in the home is built into the design as a contained cabinet section to provide privacy.

Charleston Connection Collaboration: Kaylee Ross

Castle Pinckney, located on Shutes’ Folly Island in South Carolina, is named on the National Registry of Historic Places. Despite this, it has been under recognized as a historic landmark and has seen little development and preservation since its erection in the 1800’s.

Designed to develop a connection to the past as well as a beacon for the future of Charleston, the Charleston Connection is for individuals and small groups interested in learning and experiencing the ecology present on land and within the surrounding waters.

WELCOME PAVILION

Welcoming visitors to the site, the pavilion is located offshore in response to the fragility of the site and core ideas formed from knowledge of preservation and sustainability.

pg. 17

The delicate island has been continuously faced with the trouble of erosion, pushing the design to focus on developing a light presence on the site during construction and future visitations.

1800’s

1980’s

2013

EROSION DIAGRAM

To protect the delicate ecosystem on the site, the buildings and platforms are raised up to advance educational experiences without disruption of the surroundings.

(1) Viewing Platform (2) Outdoor Gallery (3) Indoor Gallery (4) Bathrooms (5) Conference Room (6) Utility Room

To Castle

(3)

(1)

(6)

(2)

(4)

(5)

To Dock

FLOOR PLAN

WELCOME PAVILION FINAL MODEL

From the end of the dock one walks towards the castle passing through the welcome pavilion, surrounded by local artwork. On the left you see school children overlooking the city of Charleston as others pass by to experience the rich history and beautiful ecosystem the island has to offer.

pg. 19

With minimal impact on the site being a key concern, the structures are designed to be self sustaining with on site production of electricity, water collection and waste processing.

To accommodate the needs of electricity, water and waste, the design started with focusing on the roof of the welcome pavilion that funnels water to a enclosed basin for later use. Spheral solar panels produce the needed electricity while dually acting as a shading devices for users of the board walk. These solar panels allow for maximum sun intake throughout the day as compared to traditional solar panels. The MullToa 60 compost toilet by EthoEtic processes waste with minimal energy and maintenance.

WATER COLLECTION DIAGRAM

Railing Detail

Glulam Connection

Wall Detail

Dark wood rain screen Rain screen clip Protective membrane SIP panel Gypsum Board

BOARDWALK SHADING & SOLAR CELLS

The screens along the boardwalk path play an important role not only in energy production, but in making connections back to the city of Charleston. While walking along the boardwalk from the dock to the belvedere, people’s views are forced in certain directions by the transitions of materials; opaque plexiglass to solar collecting screens. Spheral solar technology allows for mostly transparent solar panels while gaining a greater sun input than traditional solar panels.

CONSTRUCTION DETAIL RENDER

Breeze

Collaboration: Lauren Kenner With advanced technologies becoming more readily accessible, digitally manufactured designs have become one of experimentation and exploration. Though many different processes of digital manufacturing exist, our experimentation utilized the additive process of 3-D printing in the development of a curtain system as a decorative light filter. With the wide range of current materials and the single step process, wastes of production, materials and time were minimized. Although each individual element in the system is very rigid, the connection of pieces is soft and flexible in appearance.

The design of the form is dependent on the decisions made in respect to: Organic vs. Flat Printed Design &

CUBE PRO 3-D

Single Piece vs. Sliding Link

32” If using the whole bed of the printer for a 68” long curtain, the print will fold over itself a minimum of 6 times.

9.56”

68”

10.6”

9.56”

With the personal sized 3-D printers having only minimal space to produce a product, the curtain panels are feasible on a small scale only through the use of expansion. This alleviates the need for post printing assembly.

The expansion of this example occurs not only in the way of unfolding but also by sliding links that took the width of the panel from 9.6” to 18”.

9.5”

18”

3-D PRINTING IN

pg. 23

While small scale printers are readily available for personal use, they often come with sizable limits. Advancing technologies have brought about larger and more powerful systems, minimizing those limits and allowing for a greater variance in the designs.

These printers are more effective with the use of material than those of the personal 3-D computers by eliminating the multiple layers of support material and reducing the layers that the design must stack by spreading out on a single plane.

With a width around 5 times larger than a personal sized printers such as the Cube Pro, Big Rep One 3-D printer has a printing dimension around 43” x 42” x 42”.

By utilizing this larger print bed, one does not need to utilize the folding method within the design to get the full length of a traditional curtain panel. Through the expansion methods, one can print the entire curtain without folding.

By sending out the design to production facilities with large print volume and faster printing speeds, the curtain panels can utilize the same expansion method with greater design flexibility.

WHAT WAS THIS... CAN NOW BE THIS...

Through the use of large scale printing, the need for folding within the print bed is eliminated. By doing this, the designs can be more flexible.

LARGE SCALE PRINT RENDERING

Ceadarburg Creekwalk Summer Internship -The Kubala Washatko Architects Under construction

Three consecutive summers were focused on developing a creekwalk along the main streets of downtown Cedarburg, Wisconsin. The first summer I focused on the revitalization and development of city site plans, looking at the addition and adjustment of new and renovated structures near the creek way. From the new site plan the 3-D model began to evolve. The second and third summers consisted of design work focused on creating a design proposal for the middle section of the creekwalk. The design includes several types of spaces focusing on a variety of users, promoting use of the spaces while maintaining an environment that is consistent with the feel of the community. The main desire is to develope a secondary “Main Street� to accommodate visitors during the festival season.

SITE PLAN

HISTORIC MILL MODEL The historic mill and Columbia Rd. bridge were the first of the surrounding structures to be modeled along with the addition of the creakwalk form. This section of the creekwalk is complete and the other sections are under development.

pg. 27

J.W. Speaker Internship

Working at J.W. Speaker led me to a deep understanding of the delicate balance between safety, workflow, costs and space efficiency. Being a factory setting, these key concepts were consistently woven through all projects and processes.

Initially, I spearheaded documentation of existing layout and work station light levels; to develop a thorough understanding of how to improve upon the work environment. The use of problem solving skills was at the heart of each project that I took part in and every solution had to be reviewed at both a macro and a micro scale to check for continuity at the factory and cellular level.

PRODUCTION DIAGRAMS

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MATERIAL VENDING MACHINE

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Many times the documentation provided to the line workers in a factory is relatively complicated and directly from the Engineer’s desk. Diagrams such as those below were created to demonstrate the production process of a set of parts clearly so they could be quickly understood enhancing productivity.

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With a goal of freeing up 20% of grey space within the Whitney facility for future growth, cell designs were re-arranged to free up a center aisle from which materials would be dropped off at the back of the cell, minimizing the impact of deliveries on the productivity and interference in workflow. By arranging the cells with a common flow, they became more condensed, utilizing only the needed space for that particular job. Above is an electrical drop plan with gray spaces highlighted in orange.

It was important to facilitate collaboration with other teams within the company to achieve the best workable solutions.

Many times the teams knew little on design and had difficulties visualizing spacial areas; we developed tools that made it easier for them to visualize allowing for effective collaboration.

Shelf

COLLABORATION

SPACE SAVINGS

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SAMPLES OF OTHERS - BUBBLES WITH DESCRIPTION

pg. 31

Additional Works

NIGHTLIFE | 2012

TOP ARCHITECTURE | 2014

DRAWING GROUP | 2012

Charrette graphics are focused on creating a mood through quick sketchy drawings and layers of trace for a final quick rendering that focuses on the environment and experience instead of details. This is a charrette of a restaurant design in Indiana.

Water color is very expressive form of sketching that can represent loosely an environment or design with elegance. This is a water color drawing of the roof structure of Lee III on Clemson University’s Campus.

Drawing buildings is important for architecture, but understanding how to sketch a person challenges us to express a living thing, one that changes, fluctuates, even as we are sketching. This was a quick sketch of our drawing group on Clemson University in the Quad.

Markers & Colored Pencils

Pencil Sketch & Watercolor

Charcoal Pencil

A SITE | 2012

LAWTON AVE. DEVELOPMENT | 2015

Ide[ALE] | 2014

Charrette graphics are focused on creating a mood Another charrette graphics drawing based in Indiana, was based off an existing aerial image. The drawing was quickly produced to represent the possibilities of the site without hour and hours of drawing.

Built from a set of construction documents, this digital model was created for promotional purposes of the upcoming residential project. These provided viewers with the ability to imagine the site and provide evidence of community beinifit with the revitalization of the site.

Ide[ALE] looks at re-purposing wine and beer bottles through design to create elegant, clean and simple lighting fixtures that not only see the bottle as a part but integral to the design with endless design opportunities.

Pens, Markers & Colored Pencils

SketchUp

Pecan Wood & Recycled Wine and Beer Bottles

pg. 33