El Henry Company Bios

Page 1

A WITHOUT WALLS PRODUCTION

in association with

June 14 -June 29

COMPANY BIOS Parnia Ayari, Smokie/La Mayan/Ensemble La Jolla Playhouse: Debut. San Diego Rep: Assistant Director/ Understudy Dede/Patria for In The Time of the Butterflies, Bertha in Zoot Suit and Minister/Ensemble in The Who’s Tommy. Other credits include: Woman 2 in Songs For A New World (International City Theater), Demeter in Homer in Cyberspace (UCLA Little Theater) and choreographer for Seussical the Musical (CSUSM). Education: BA in Musical Theater from UCLA. Leandro Cano, Sir Blunt/Ensemble La Jolla Playhouse: Debut. 30-year veteran actor in stage, film and television. Theater credits include: Motherf***er With the Hat and Jesus Hopped the ‘A’ Train (barebones productions, Pittsburgh, PA), Stories and Romeo & Juliet (Denver Center Theater), American Buffalo and Don Juan (Perseverance Theater, Juneau, AK), Of Mice and Men (Tangential Theatre Co.) and Oedipus El Rey (Theater @ Boston Court). Film credits include Jim Jones in Jonestown (Pavilion Pictures), In the Death Room (MaraVinny Productions) and Fugue (LightsOut Productions). TV credits include appearances on Huge, CSI: Miami, Castle, Boston Legal, Days of Our Lives and General Hospital. Roxane Carrasco, Mayor Villa Allegre/Chiqui La Jolla Playhouse: Figaro Gets a Divorce and The Who’s Tommy. Broadway: Velma Kelly in Chicago. Pre-Broadway Workshops/ Productions: The Mambo Kings (Golden Gate Theatre), Like Water for Chocolate (Sundance Theatre Lab), The Poet Matador (Broadway Workshop). International/National Tours: Chicago, West Side Story and A Chorus Line. Regional: Luz in Sunsets and Margaritas (Theatreworks), Anita in West Side Story (Northshore Music Theatre), Camila in In the Heights, Rosali in Real Women Have Curves, & The Women (San Diego REP). TV: As the World Turns (recurring role), Law & Order: SVU. Education: MFA in Musical Theatre from San Diego State University. Victor C. Contreras, Police Chief/El Tomas/Ensemble La Jolla Playhouse: Debut. Regional: Last Angry Brown Hat (Nosotros; Centro Cultural de la Raza), March (Old Globe/ Bowery Theater), Over Easy (Old Globe /Teatro Meta), Frida Kahlo: Self Portrait of Pain (Sinergia Theater), Allende (Words Across Cultures), Los Vendidos (Words Across Cultures), Godman (Baseheart Playhouse) and historical reenactments (Old Town San Diego). Other acting credits include movie roles, appearances on television shows (including Golden Girls, Simon and Simon and General Hospital, among others) and commercials.

William Thomas Hodgson, Young Thug/El Johnny/ Ensemble La Jolla Playhouse: Debut. Regional: Brujon in Les Miserables, Puck u/s in A Midsummer Night’s Dream (PCPA Theaterfest); The Cat in the Hat in Seussical the Musical, Aladdin in Aladdin (Berkeley Playhouse); Eugene in Yellowman (Ubuntu Theatre Project); Truffaldino in Truffaldino Says No (Shotgun Players). Education: PCPA Conservatory class of 2009; B.A. in Theatre from Santa Fe University of Art and Design, M.F.A. candidate in Acting from UC San Diego (2014). Jyl Haruye Kaneshiro, Lil’ Gus/Ensemble La Jolla Playhouse: The Car Plays (2013 WoW Festival) as Kim in Immaculate. Grace in San Diego I Love You 2.0, Dee Demolition in Derbywise (Circle Circle dot dot), Suzy in Wait Until Dark (North Coast Repertory Theatre), May in Fool for Love (Fritz Theatre), Luan in Golden Child (Chinese Pirate Productions), Cheryl in Bronze (Sledgehammer), Himiko in Tea (AART). Co-Founder of AART. Salomon Maya, Navarro/El Mago/Ensemble La Jolla Playhouse: Debut. Regional: In the Time of the Butterflies (San Diego REPertory Theatre), Federal Jazz Project (San Diego REPertory Theatre), Splitting Adam (Teatro Punto y Coma), The Show Across the Street (Teatro Punto y Coma), West Side Story (Southwestern College) and The Proposal (Southwestern College). Salomon thanks: Alanna for her love and Kingston. Pa, Ma, Beto and Isra for their unending encouragement. Friends for celebrating Wilbur. Mari Pili for her faith. The entire EH cast and crew especially Sam Woodhouse and Herbert Siguenza for this life-changing experience. Amigos Del REP – Sangre! Twitter: @salomaya Robert J. Milz, Tixoc/Locos R Us/Mexiclop/Ensemble La Jolla Playhouse: Debut. Other regional credits include: Much Ado About Nothing (Independent Shakespeare Co.); The Quality of Mercy, Iphigenia at Aulis (The Antaeus Acad. Co.); Othello, The Birds (Santa Clarita Rep). Education: Circle in the Square Theatre School, The Del Arte School and Chekhov Studio International. M.F..A. candidate, CSU/Cal Rep Long Beach.


John Padilla, El Hank/Officer Velasquez is a veteran San Diego actor is making his La Jolla Playhouse debut. His credits include References To Salvador Dali Make Me Hot (Moxie Theater); Zoot Suit, Water & Power, Burning Patience, Marriage Is Forever, Bandido (San Diego REPertory Theater); La Gaviota; Elliot, a Soldier’s Fugue (Ion Theater); Night of the Iguana, Comedy of Errors, White Linen (The Old Globe); The Last Angry Brown Hat, Ay Compadre (The Latino Ensemble of San Diego). His musical performances include Man Of La Mancha, Pirates Of Penzance, Oklahoma, The Fantastiks, Nine and Evita. Dave Rivas, Duke of Earl/Ojo/Ensemble La Jolla Playhouse: The Car Plays and Detained in the Desert. San Diego REPertory Theatre: Detroit, Zoot Suit, The Who’s Tommy, Superior Donuts, The Seafarer and Water & Power. Lyceum Theatre: La Pastorela. Old Globe Theatre: Celebrity Sonnets. Coronado Playhouse: The Importance of Being Ernest, Lend me a Tenor, Taming of the Shrew and California Suite. Onstage Playhouse: Lend me a Tenor. PowPAC: Company, Harvey, Touch & Go and One Flew Over the Cuckoo’s Nest. Scripps Ranch Theatre: Once Upon a Mattress, Arsenic & Old Lace and How to Succeed in Business Without Really Trying. Film: La Sierva and Katakiuchi. Animated Features: Zap Squad and the Sands of Time and Atlantis: The Last Days of Kaptara. Dave is also a Board Member of Teatro Máscara Mágica and a core member of Amigos del REP, a volunteer community council that promotes Latino/Hispanic/Chicano arts and education through performance and events at The San Diego REP. He is also a voice over recording artist who has voiced hundreds of video games and commercials for T.V. & Radio. Dave is also a sound designer and private voice over-acting coach at his studio, DaveyBoy Productions. Jorge Rodriguez, Mexiclop/Soto/Mr. V/Ensemble La Jolla Playhouse: Sideways, A Willow Grows Aslant. Other credits include reasons to be pretty, Julia (Ion); Much Ado About Nothing (New Village Arts); References to Salvador Dali Make Me Hot and the upcoming Discourse on the Wonders of the Invisible World (Moxie).TV: Terriers and numerous independent films. Member of SAG/AFTRA. Has studied with world-renowned Master Teacher Larry Moss. Bianca Sanchez, La Gata/Preciosa/Ensemble La Jolla Playhouse: Debut. Broadway: Havana (workshop). Regional: Zoot Suit (San Diego Rep). Ms. Sanchez is thrilled to have been a part of El Henry from its first reading two years ago. She kicked off this year as an actor for Lamb’s Players Theatre’s Educational Outreach, starring in BASH! She will be participating in Enterprise Theatre’s production of The 146 Point Flame at the 2014 San Diego Fringe Festival. In addition to San Diego Theatre, Ms. Sanchez is a certified SAT and ACT private tutor serving the Point Loma and La Jolla area. Herbert Siguenza, Playwright/Fausto is a founding member of Culture Clash, the country’s most prominent Chicano/Latino performance troupe. The group’s work has been produced by the nation’s leading regional theaters, including La Jolla Playhouse, Mark Taper Forum, Lincoln Center, Kennedy Center and Goodman Theatre in Chicago, among others. Along with partners Richard Montoya and Ric Salinas, Siguenza has performed and/or co-written: American Night: The Ballad of Juan José, The Mission, A Bowl of Beings, S.O.S.-Comedy for These Urgent Times, Unplugged, Capra Clash, Radio Mambo: Culture Clash Invades Miami, Bordertown, The Birds, Nuyorican Stories, Anthology, Mission Magic Mystery Tour, Anthems: Culture Clash in the District, Chavez Ravine, Senor Discretion Himself, Culture Clash in AmeriCCa, Zorro in Hell, Water & Power, Peace and Palestine, New Mexico. In 2003, Siguenza wrote and starred in Cantinflas! He is currently touring his one man show A Weekend with Pablo Picasso, which was developed at the San Diego Rep. He recently performed Big Daddy in Cat on Hot Tin Roof at the Perseverance Theatre in Alaska.

Kinan Valdez, El Bravo is a neo-fusionist theatre artist combining elements of mythic storytelling, physical movement, popular music and visual pageantry to create theatrical spectacles for the 21st century. A theatre director and playwright by trade, he is a 20-year ensemble member of the world-renowned theatre company El Teatro Campesino and currently serves as the Producing Artistic Director. During his tenure, he has focused on the creation of a new works laboratory dedicated to the research and development of epic theatre spectacles premised on the dynamic fusion of popular performance forms, indigenous rituals and site-specific pageants. Aside from working in the theatre as a director and playwright, Kinan is an actor, an awarding-winning filmmaker and an educator at the University of California Santa Cruz. Lakin Valdez, El Henry is an actor, writer, and director. Born and raised in the extended family of El Teatro Campesino, he served as the company’s Associate Artistic Director from 2000-2005. Since 2004, Lakin has written, directed and performed in over a dozen plays, culminating in work that reflects the rich history and vibrant culture of the Latino/Chicano community. He is the recipient of two NPN Creation Fund awards, a Zellerbach award, and an NEA Access to Excellence award for his generative work. As a stage actor, Lakin has performed with Campo Santo, San Jose Rep, San Diego REP, Goodman Theatre, Marin Theatre Company, Magic Theatre, L.A. Theatre Works and El Teatro Campesino. Film and television credits include: The Narc, Ballad of a Soldier, Fort Figueroa (CBS); The Cisco Kid (TNT); La Pastorela (PBS); Crisis (NBC). Lakin would like to express his immense gratitude for the opportunity to work on Herbert Siguenza’s El Henry in San Diego. Sam Woodhouse, Director co-founded San Diego REPertory Theatre with D.W. Jacobs in 1976, and has since served as its Producing and Artistic Director. He has worked as a director, producer or actor on more than 250 REP productions. Mr. Woodhouse has performed as an actor on The REP stages in The Seafarer, in the title role of King Lear, Proof, Hamlet and with the San Diego Symphony Orchestra in the title role of Stravinsky’s L’Histoire du Soldat. His most recent directorial work with The REP includes: Detroit, Venus in Fur, In the Heights, Federal Jazz Project, Clybourne Park, The Who’s TOMMY, In the Next Room or The Vibrator Play, Superior Donuts, Hairspray, boom, The Threepenny Opera and Water & Power. In 2011 he directed American Night: The Ballad of Juan José for the Denver Center Theatre Company. In 2003, he was awarded the Patté Shiley Award for Lifetime Achievement by KPBS and the prestigious Alonzo Award by the Downtown San Diego Partnership. Mr. Woodhouse is the founder of The REP’s Calafia Initiative, a multi-disciplinary artistic initiative that brings together unlikely partners to create new works that speak to the future of our bi-national region. In 2006, he and Jacobs were honored with the Craig Noel Award by the San Diego Theatre Critics Circle for 30 years of artistic dedication to downtown and diversity. Ian Wallace, Scenic/Projection Design La Jolla Playhouse: Our Town (WoW Festival), Recipe for Disaster and Frida Libre (Pop Tour). San Diego REP: Great American Trailer Park Musical, Tortilla Curtain and In the Time of the Butterflies. International: Ruins True (Romania, Budapest, Avignon), Death of a Salesman (Romania), Drums on the Dam (London) and The Elaborate Entrance of Chad Deity (San Jose Stage and Capital Stage). Previously set designed for Guiding Light (CBS). USA829 member. Education: B.F.A. in Theater from NYU; M.F.A. in Design from UC San Diego. Assistant Professor of Theatre Arts at Folsom Lake College.


Jennifer Brawn Gittings, Costume Design La Jolla Playhouse: Honey Bo and the Gold Mine. San Diego REP: Venus in Fur, Clybourne Park, The Who’s Tommy, In the Next Room or The Vibrator Play, Boom!, The Seafarer, The Threepenny Opera, The Princess and the Black-eyed Pea, The Good Body, The Clean House, Don Quixote, Miss Witherspoon, Intimate Apparel, The Goat and Crowns. Regional: Knowing Cairo (The Old Globe); Phaedra, The Tempest, Othello, Picnic (A Noise Within); As You Like It (Shakespeare Theatre New Jersey); Ali (Crossroads Theatre). Design Ambassador and Resident Costume Designer, MOXIE Theatre. Recipient of three Craig Noel Awards, a Patté Award, and the NAACP Theatre Award. www.icostumedesign.com, www.leoduo.com Jennifer Setlow, Lighting Design Regionally: Berkeley Rep, La Jolla Playhouse, The Old Globe, San Diego REP, Syracuse Stage, Arizona Theatre Company, Indiana Rep, Childsplay and Merrimack Rep. Locally: East West Players, Malashock Dance, Diversionary Theatre, Sledgehammer and many others. Ms. Setlow is the head of the lighting program at Arizona State University. Bruno Louchouarn, Original Music/Sound Design Theater, dance, and film credits include the futuristic cantina music in the film Total Recall; A Weekend with Pablo Picasso (San Diego Rep, Alley Theatre, LATC, Centre Rep Walnut Creek, Denver Center); Motherf***er with a Hat, Eurydice (South Coast Rep); Surf Orpheus, the Musical (UCSD, Getty Villa); Rain After Ash, immersive multimedia work (AxS Festival, Pasadena); Night Falls (ODC, San Francisco); A Hammer, a Bell, and a Song to Sing (San Diego Rep); Café Vida (Cornerstone Theater); The Road Weeps, The Well Runs Dry (LATC); Wrestling Jerusalem (Intersection for the Arts, SF); Voces en el Polvo, an Opera (Boston Court). Edgar Landa, Fight Director La Jolla Playhouse: Debut. In addition to performing and directing, Edgar creates fights and violence for theatres large and small. Recent mayhem: The Reunion and The Motherf***er With The Hat (South Coast Repertory); The Steward of Christendom (CTG/Mark Taper Forum); Parfumerie (Annenberg Center for the Performing Arts); The Nether (CTG/Kirk Douglas Theatre). Mr. Landa serves on the faculty of the USC School of Dramatic Arts and is a proud member of Son of Semele Ensemble and Shakespeare & Company (Lenox, MA). He is also a Death Racer (youmaydie.com) – you can follow his adventure racing exploits on his blog: www.mymuddyshoes.com Javier Velasco, Choreographer La Jolla Playhouse: Most Wanted and Unpublished Works of Billy The Kid. San Diego Rep: Director of SUDS, Cabaret, A Christmas Carol; Choreographer of In The Heights, Hairspray, Tommy, Zoot Suit, Corridos Re-mix and many others. Off-Broadway: original choreography and musical staging of SUDS and Back to Bacharach and David. Artistic Director of the San Diego Ballet, having created over 90 original pieces for the company since its inception; wrote and directed The Toughest Girl Alive, which had a successful run at the New York International Fringe Festival. Mr. Velasco was recently awarded a Creative Catalyst Fellowship by the San Diego Foundation to create new work. Laura Zingle, Stage Manager La Jolla Playhouse: Kamchatka (WoW Festival), His Girl Friday and Hands on a Hardbody. San Diego Rep: Detroit. Regional: workshop of different words for the same thing (Center Theatre Group). Other credits: AFI Film Fest 2013, Spoleto Festival USA; Opera NEO, Palomar College Dance, Production Manager & Stage Manager of San Diego Gay Men’s Chorus. MFA in Stage Management, UC San Diego. Member of AEA.

Christopher Ashley, La Jolla Playhouse Artistic Director has served as La Jolla Playhouse’s Artistic Director since October, 2007. During his tenure, he has helmed the Playhouse’s productions of His Girl Friday, Glengarry Glen Ross, A Dram of Drummhicit, A Midsummer Night’s Dream, Restoration and the acclaimed musicals Xanadu and Memphis, which won four 2010 Tony Awards including Best Musical. He also spearheaded the Playhouse’s Without Walls (WoW) series and the Resident Theater program. Prior to joining the Playhouse, he directed the Broadway productions of Xanadu (Drama Desk nomination), All Shook Up and The Rocky Horror Show (Tony, Drama Desk and Outer Critics Circle Award nominations), as well as the Kennedy Center Sondheim Celebration productions of Sweeney Todd and Merrily We Roll Along. Other New York credits include: Blown Sideways Through Life, Jeffrey (Lucille Lortel and Obie Awards), The Most Fabulous Story Ever Told, Valhalla, Regrets Only, Wonder of the World, Communicating Doors, Bunny Bunny, The Night Hank Williams Died, Fires in the Mirror (Lucille Lortel Award), among others. Mr. Ashley also directed the feature film Jeffrey and the American Playhouse production of Blown Sideways Through Life for PBS. Mr. Ashley is the recipient of the Princess Grace Award, the Drama League Director Fellowship and an NEA/ TCG Director Fellowship. Michael S. Rosenberg, La Jolla Playhouse Managing Director has served as Managing Director of La Jolla Playhouse since April, 2009. During his four years at the Playhouse, he has worked in partnership with Artistic Director Christopher Ashley to produce 13 world premieres, six Playhouse commissions and the hit musicals Yoshimi Battles the Pink Robots, Hands on a Hardbody and Little Miss Sunshine. He was also instrumental in bringing the Page To Stage workshop of John Lequizamo’s Diary of a Madman to the Playhouse, which transferred to Broadway. Additionally, he fostered the growth of the Playhouse’s award-winning Performance Outreach Program (POP) tour, achieving the most performances at local schools in Playhouse history. Previously, Rosenberg was Co-Founder and Executive Director of Drama Dept., a New York non-profit theatre company, where he produced new works by the likes of Douglas Carter Beane, Warren Leight, Isaac Mizrahi, Paul Rudnick and David and Amy Sedaris. He has been a part of the producing teams for the Broadway productions of Grey Gardens and American Buffalo and the national tour of Little House on the Prairie. He serves on the boards of La Jolla Country Day School and the Theatre Communications Group. LA JOLLA PLAYHOUSE The nationally-acclaimed, Tony Award-winning La Jolla Playhouse is known for its tradition of creating some of the most exciting and adventurous new work in regional theatre. Founded in 1947 by Gregory Peck, Dorothy McGuire and Mel Ferrer; reborn in 1983 under the artistic leadership of Des McAnuff, and currently led by Artistic Director Christopher Ashley and Managing Director Michael S. Rosenberg, the Playhouse has received more than 300 awards for theater excellence, including the 1993 Tony Award as America’s Outstanding Regional Theater. Renowned for its innovative productions of classics, new plays and musicals, the Playhouse has sent 25 productions to Broadway, earning 35 Tony Awards, including the currently-running hit Jersey Boys, as well as Big River, The Who’s Tommy, How to Succeed in Business Without Really Trying, A Walk in the Woods, Billy Crystal’s 700 Sundays, the Pulitzer Prize-winning I Am My Own Wife, Thoroughly Modern Millie, The Farnsworth Invention, 33 Variations, Memphis, Bonnie & Clyde, Chaplin, Peter and the Starcatcher and Hands on a Hardbody. Located on the UC San Diego campus, La Jolla Playhouse is made up of three primary performance spaces: the Mandell Weiss Theatre, the Mandell Weiss Forum Theatre and the Joan and Irwin Jacobs Center for La Jolla Playhouse, a state-of-the-art theatre complex which features the Sheila and Hughes Potiker Theatre.


San Diego Repertory Theatre San Diego REPertory Theatre produces intimate, exotic, provocative theatre. Founded in 1976 by Sam Woodhouse and D. W. Jacobs, San Diego REPertory Theatre is downtown San Diego’s resident theatre, promoting a more inclusive community through work that nourishes progressive political and social values and celebrates the multiple voices of the region. The company produces and hosts over 300 events and performances year-round on its three stages at the Lyceum Theatre. Since moving to the Lyceum, the REP has produced 47 main stage productions by Latino playwrights, and more than 44 world premieres. The company has received more than 200 awards for artistic excellence from the San Diego Theatre Critics Circle, Patté Theatre Awards, NAACP, Backstage West, Dramalogue, and StageSceneLA. In 2005, the San Diego Theatre Critics Circle presented the REP with the Craig Noel Award “For 30 Years of Artistic Dedication to Downtown and Diversity.” To learn more about San Diego REPertory Theatre, to purchase tickets, or make a donation, visit sdrep.org. Join us on Facebook and follow us on Twitter (@SanDiegoREP).

Makers Quarter Makers Quarter is located in San Diego and is comprised of several blocks, spanning 14th Street to 17th Street, Broadway Avenue to G Street, the five plus block neighborhood in East Village. By creating a centralized live and work community, Makers Quarter will be an economic generator, where jobs, people and commercial activities along with the arts, culture and events thrive together in a self-sustaining community. Makers Quarter embraces – and is implementing – the principles of the I.D.E.A. District, a powerful conceptual framework for East Village. Through community events and gathering venues such as the community garden Smarts Farm and SILO in Makers Quarter, the growth of Makers Quarter will be an incremental progression that will reflect the community goals of a new neighborhood. For more information visit makersquarter.com.

Without Walls (WoW) Funded by a generous grant from The James Irvine Foundation, Without Walls is a La Jolla Playhouse initiative designed to break the barriers of traditional theatre. Over the course of four years, the Playhouse has been commissioning and presenting a series of site-based productions at locations throughout the San Diego community. Underscoring the theatre’s mission of providing “unfettered creative opportunities for the leading artists of today and tomorrow,” coupled with the idea that the Playhouse is defined by the work it creates – not the space in which it is performed – WoW is designed to offer theatrical experiences that venture beyond the physical confines of the Playhouse’s facilities.

San Diego REPertory Theatre STAFF Sam Woodhouse, Artistic Director

ARTISTIC Associate Artistic Director Todd Salovey Casting Director and Artistic Associate Jacole Kitchen Literary Manager Danielle Ward NNPN Producer in Residence Jessica Bird ADMINISTRATION Business Manager Louis Gonzalez Finance Manager Associate/AP Clerk Gloria Duarte Devarketing Director of Development Jill Bishop Marketing Manager John Olchak Development Manager Candace Wo Grants Manager Jennifer Hughes Sales Manager Nisha Catron Partnerships Manager Kristen Schweizer Graphic Designer Mollie Luria-Roberson Press Representation Scatena Daniels Communications FRONT OF HOUSE House Manager Sal Cicalese Assistant House Managers Isaac Garcia, Jen Riley, Howie Sachs, Anne Thacker, James Wray Volunteers Steven Duncan, Jane Hopkins

Larry Alldredge, Managing Director

BOX OFFICE Patron Services Manager Rojo Reynolds Assistant Patron Services Manager Ahmed Dents Box Office Lead Operator Phillip Limas Patron Services Associates Arturo Garcia, Isaac Garcia, Cristal Salow, Roan Tengco PRODUCTION Production Manager John Anderson Assistant Production Manager/Company Manager Chelsea Kashin Technical Director Adam Lindsay San Diego REP Master Electrician Ross Glanc Lyceum Master Electrician Areta MacKelvie Sound Supervisor Kevin Anthenill Sound Engineer Jermaine Loyce Properties Mistress Angelica Ynfante Costume Shop Manager Anastasia Pautova Wardrobe Supervisor Terrie Cassidy Carpenters Mark Robertson, David Garcia


La Jolla Playhouse STAFF Christopher Ashley, Artistic Director

ARTISTIC Resident Dramaturg Shirley Fishman Director of New Play Development Gabriel Greene Without Walls Associate Producer Marike Fitzgerald Without Walls Associate Producer Jessica Bird Director Emeritus Des McAnuff Executive Assistant to Christopher Ashley Rick VanNoy Artistic Assistant Teresa Sapien Commissioned Artists Mark Bennett, Keith Bunin, José Cruz González, Kirsten Greenidge, Quiara Alegría Hudes, Joe Iconis, Naomi Iizuka, Aditi Brennan Kapil, Jon Kern, Erin McKeown, Gregory S. Moss, Alfred Uhry, Charlayne Woodard 2013/2014 Resident Artist Robert Brill Creative Catalyst Fund Resident Artists Iain Gunn, Bridget Rountree Interns Samantha Blank, Bernardo Mazon, Justin Samoy, Mackenzie Ward PRODUCTION Production Manager Linda S. Cooper Assistant Production Managers Tarin Hurstell Production Assistant Brent Beavers Intern Aya Stolenberg SCENE SHOP Technical Director Chris Borreson Assistant Technical Directors Mike Schwent, Curtis Green Scene Shop Supervisor David Weiner Draftsperson Tyler Grady Staff Production Carpenters Kyle “Boo-Boo” Ahlquist, Dominic DiGiovanni, Jeremy Luce, Preston Spence Staff Carpenters Mihai Antonescu, William Bender, Matt Clark, Bill George, Scott Kinney, Stephanie Lee Shop Helper Stuart Doug Collind PAINT SHOP Charge Scenic Artist Joan Newhouse Assistant Charge Artist Vicki Erbe Scenic Artists Dwaine Best, Mark Jensen PROPERTIES SHOP Prop Master Debra Hatch Associate Prop Master Jeni Cheung Prop Shop Foreman Will Widick Props Assistant Jenny Fajerman Lead Artisan Carlos Wauman Props Artisans Tim Nottage, Gabe Serbian COSTUME SHOP Costume Shop Manager Sue Makkoo Costume Shop Foreman/Tailor Lissa Skiles Draper Joan Mathison Master Stitcher K-Joy Lehmann-Way Wig and Makeup Supervisor Lisa Chan-Wylie Crafts Supervisor Christy Jones First Hands Jan Blankenship, Rebecca Fabares Stitcher Yangchen Dolkar Costume Shop Assistant/Design Assistant Desiree Hatfield-Buckley ELECTRICS Lighting Supervisor Mike Doyle Assistant Lighting Supervisor Kathryn Sturch Staff Electricians Mike Lowe, Ramon Wenn, Matt Wilson Electricians Kristyn Kennedy, Patricia Lesinski, Andrea Ryan SOUND/VIDEO Sound/Video Supervisor Joe Huppert Assistant Sound Supervisor Rachel LeVine Sound Shop Foreman Steve Negrete Shop Staff Chad Goss, Chris Luessmann, Chris Aldama Interns Kaylie Manville, Maya Pilevsky

Michael S. Rosenberg, Managing Director

ADMINISTRATION General Manager Debby Buchholz Associate General Manager Jenny Case Assistant General Manager Katherine Stout Corporate/Legal Counsel Robert C. Wright, Wright & L’Estrange Theatre/Legal Counsel F. Richard Pappas, Esq. Assistant to Managing Director David Barnathan Interns Alexis Durso, Oscar Resendiz, Morgan Sussman COMPANY MANAGEMENT Company Manager Heather Losey Assistant Company Manager Megan Alvord Company Management Assistants Emma Latimer, Jonathan Orara Intern Erica Martin FINANCE Director of Finance John O’Dea Comptroller Brian Bailey Payroll/AP Tamara Tipps Staff Accountant Vincent Ng Production Accountant Sharon Ratelle Network Specialist Mike Salapow Interns Chris Agrippe, Nithya Prabha DEVELOPMENT Director, Endowment & Capitalization Campaign Charlene Pryor Associate Director of Development, Corporate Relations Jill McIntyre Kelly Associate Director of Development, Government & Foundation Relations Erin Decker Associate Director of Development, Individual Giving Antonello Di Benedetto Associate Director of Development, Special Events Rachel Terrones Manager, Individual Giving Sara Abernethy Development Coordinator, Institutional Giving Alexandra Kritchevsky Development Database Coordinator Nicholas Antoniades Development Coordinator, Special Events Gabriel Chavez Intern Lindsey Jacobs MARKETING Director of Communications Mary Cook Director of Public Relations Becky Biegelsen Associate Director of Sales & Marketing Mia Fiorella Audience Development Manager Alex Goodman Communications Specialist Grace Madamba Database Specialist Steven Jirjis Multimedia Designer Nancy Showers Interns Gregg Feiner, Helen Ly, Erin Shanehan PATRON SERVICES Patron Services Manager Nikki Cooper Patron Services Assistant Manager Jordan Marrone Lead Patron Services Representatives Travis Guss, Pearl Hang Patron Services Representatives Alexandra Ancira, Mike Brown, Jaime Trevizo TELESALES / TELEFUNDING Telesales and Telefunding Manager Steven Kang Subscription Sales / Fundraising Associate Paul Preston Subscription Sales / Fundraising Representatives Matthew Bantelman, Raymond Coppola, Suzanne Eliasson, Dorothy Varonin, Blair Whitcomb

EDUCATION & OUTREACH Director of Education & Outreach Steve McCormick Associate Director of Education & Outreach Alison Urban Audio Describers Mernie Aste, Brian Berlau, Joanne Brook, Tina Dyer, Shari Lyon, Kay O’Neil, Helen Warren Ross, Deborah Sanborn, Janet Schlesinger, Sylvia Southerland ASL Interpreters Hilda Colondres, Lynn Ann Garrett, Anelia Glebocki, Alycen Haneyoworth, Suzanne Lightbourn, Billieanne McLellan, Geri Wu Teaching Artists Judy Bauerlein, Rebecca Dennis, Lucas Dominguez, Amanda Ghosh, Lisel Gorrell-Getz, Ben Halter, Cory Hammond, Catherine Hanna, Rachel Hoey, Stefani Langley-Palmer, Sara Lucchini, Ursula Meyer, Taryn O’Connor, Katie Palmer, Erika Phillips, James Pillar, Mary Reich, Cynthia Stokes, Tomas Tamayo Interns Melissa Alvarez, Megan Barker, Celeste Crawford, Pauola Kubelis, Andrew Power, Laurissa Rudgers, Theresa Williams, Tara Wolfe 2013/2014 STUDENT BOARD OF TRUSTEES OFFICERS Co-Chairs Kayla Solsbak, Marisa Acosta Secretary Danny Helms OPERATIONS Director of Operations Ned Collins Operations Associate Jen McClenahan FRONT OF HOUSE House Manager John Craft Assistant House Managers Samantha Beckhart, Katherine Cordova, Amy Covington, Philip Kerkstra, Emily Marcello, Renee Tolson Janitorial Professional Maintenance Systems: Cesar Diaz, Luis Mena, Maria Mena


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