DANA SHIN
portfolio
Table of Contents
Resume
1
AD2
Three Houses
2
AD2
Variable Commitment House 3 AD3
Material Manifestations
4-5
AD5 2010
Ecophysiological architecture
6-9
AD6 2011
Operatic Operations DESIGN STUDIO
10-11
2008
Material Dynamics
12
DANA SHIN
EDUCATION B'Arch- Rensselaer Polytechnic Institute Troy, NY 2009-2013 Francis Lewis High School Bayside, NY 2005-2008 ARCHITECTURE ACADEMIC PROFILE 3rd year Bachelor's degree of Architecture program at RPI Center for Architeture Science and Ecology at SOM( Skidmore, Owings & Merrill LLP) Fall 2010 Dean's List in academic years 2008-2011 Awarded Digital Illustration award 2009 from Evan Douglis, Dean of SoA RPI SKILLS Computer Software-Expertise with modeling programs: Rhinoceros, Ecotect, 3Ds Max, Rendering Engines(Vray, 3Ds Max), Grasshopper, Adove CS5, MicroStationsV8i, AutoCAD, Maxwell, Microsoft Word, Excel Others- Bilingual(English /Korean), high ability to work in team, professional, responsible and organized.
347/291-6600 mobile dnashin1214@gmail.com shind4@rpi.edu
1
AD2. Thomas Mical. THREE HOUSES. Fall 2009
private individual close
The site of this private house is based off a corner located between Washington Street and Chuurch Street Alley in Troy, NY. A family of a mother, grandmother and two children will reside in this place. By taking the unique qualities of the family’s hobbies, lifestyle, and occupations I formed a concept of the translation from public to private as a technique of design. Following this concept, the house is designed with a progression in both the vertical and horizontal directions interacting two different geometry derived from the site.
42'
opened collective
public
8'
1
2
2
23'
3
4
AD2. Thomas Mical. VARIABLE COMMITMENT HOUSE. Fall 2009
Locating on the corner of River Street and State Street in Troy, NY, the Variable Commitment House was to be designed to produce an apartment complex for three different yet similar families and an extra space for commerical purpose. In order to make the house integrated to the community, II evolved the idea of module systems of units. Using a refrence point of organization and space, I redefined and maniputated the units to fit the building in the site in best orientation. The interior circulation of the building is connected through the communal areas in order to make the entire building public yet private for noncommon spaces.
1
2
3
3
AD3. Andrew Saunders. Material Manifestations. Spring 2009
REPETITION
WEAVING
POROSITY
Exploring the performances and material affects of the Shaker artifact, Green round basket with captured lid, I discovered the three main affects; porosity, weaving, and repetition. These three material affects of performance were redefined by techtonic and tesselation diagrams. The diagrams are reflecting the Shaker village as a physical, cultural, environmental and historical contexts.
DESIGN STRATEGY 1
ST FL
2ND FL
3RD FL
INTERSECTION/ SURFACE CONNECTING MOMENTS
VOID SPACE/ OVERLAPPING OCCURS
TRANSITION FROM ONE LEVEL TO ANOTHER-MAIN CIRCULATION SYSTEM
5-1
SPACES EXPOSED TO SUNLIGHT
ROOF PLAN 5-1
[1/4”=1’-0”]
OUTDOOR EXHIBITION AREA
SPATIALLY ADJUSTED
4-1
4-2 4-3
4-4
PLAN 4 4-1 4-2 4-3 4-4
[1/4”=1’-0”]
STAFF OFFICE EXHIBITION 5 MULTIPURPOSE HALL LOUNGE
3-1
3-5
3-2
3-3
3-6
3-4
PLAN 3 3-1 3-2 3-3 3-4 3-5 3-6
[1/4”=1’-0”]
STAFF OFFICE EXHIBITION 5 EXHIBITION 4 LOUNGE CONFERENCE ROOM OFFICE
2-1
2-2
PLAN 2 2-1 2-2
[1/4”=1’-0”]
EXHIBITION 2 EXHIBITION 3
1-3
1-1
1-2
1-7
1-4
1-5
1-1 1-2 1-3 1-4 1-5 1-6 1-7
TRANSVERSE SECTION
LO N G I T U D I N A L S E C T I O N
[1/4”=1’-0”]
[1/4”=1’-0”]
ENTRANCE LOBBY/TICKETS MULTI-PURPOSE HALL EXHIBITION 3 RUINS BATHROOMS MUSEUM SHOP
PLAN 1
[1/4”=1’-0”]
1-6
6
Skipjack tuna is oviparous, migrates to North during Spring and Summer, and to South during Fall and Winter. In order to accomplish this pattern of migration cycle, Skipjack tuna nees to swim fast without any physiological interfere. Their warm blooded and mostly-muscle composed body are crucial for them to keep up this ability of fast swimming. Countercurrent Heat exchanger in their blood system keeps their certain body temperature in cold water. This mechanism minimizes heat loss through the skin’s surface by recycling heat as the blood circulates. This phisiological idea can be applied in skins of buildings in means of heat transfer in reaction to thermal changes highly sustainably and efficiently.
AD5. CASE. ECOPHYSIOLOGICAL ARCHITECTURE. Fall 2010
Countercurrent Heat Exchanger l SKIPJACK TUNA
Physiological Component l PCV (Post Cardinal Vein)
Heat flow
VEIN
BODY MUSCLES
Muscle contraction
CORE BODY
(LOW TEMP.)
(HIGH TEMP.) HEAT TRANSFER
Heat flow + Muscle contraction
ARTERY
Component Variation variable :
f(x)= a sin (x)
a= amplitude
Dorsal Aorta : rete mirabile
T W I S T + B I F U R C AT I O N
Urban Design Issues
open i. i.aa== 11
Countercurrent heat exchanger :
Venturi Effect
Stack Effect
Lack of sunlight expo sure
Not e xp ose d to sunlight due to surrounding t all buildings
interior
Strong, sp e e dy wind cause d by Venturi ef fe c t
exterior
Neutralized air flows into the building
ii.ii.aa == 22
iii. aa= =3 3 iii.
closed
66 West Broadway, NY, New York
Wh/m2
RESIDENTIAL
218400 196800
N
175200 153600
OFFICES
132000 110400 88800 67200 COMMERCIAL
45600
Program
7
24000
Program /privac y gradient
South
FIRESTAIRS
East Elevation
Nor th
Thermal/solar gradient
Tesselation variations
Variation I
Variation II
Rooftop Structure section building
Variation III
D E S I G N S T R AT E G Y l
Primary structure separates programs
Tiling gradient
East
West
10
AD6. SULAN KOLATAN. OPERATIC OPERATIONS. Spring 2011
VARIABLE PARIMETERS
shell
module iterations
SET i
ROOF TOP
Design challenge to propose a new Opera house in Taksim Square, Istanbul is investigated through modular thinking, producing multiple iterations of minimal surfaces. Deforming the tessemlation of module repetition and progressive gradual changes in module itself define various external and internal spaces.
module unit
vi
cell
v
vi module component vi v iv iii ii
iii
i
MAIN STAGE
ii
i
TAKSIM SQUARE, ISTANBUL, TURKEY
ATATURK CULTURAL CENTER, OPERA HOUSE
program strategy ENTRANCE
AUDITORIUM
PROCENIUM
CURRENT
BASEMENT STORAGE area
ORCHESTRA SITTING areas
PROPOSED
AD1. Michael Oatman. Material
Dynamics. Fall 2008
12
Diagonal progression
30+30 connection 15+30 connection 15 ZipTie module 30 ZipTie Module
MODULATION LOGIC:
15+15 connection allows for
30+30 connection promotes
horizontal progresssion
vertical movement
The concept behind the Zip Tie construction was to create an environment where the viewer would be forced to interact in as many ways possible with the material and become immersed within. I created a sharp contrast between a completely smooth and a loose ended side seen between the concave and convex sides of the major parts. The spatial arrangement is determined by the desire for the viewer or participant to have all of their senses stimulated, which is accomplished through the use of smooth and loose ended sides, concavities and convexities , large open spaces and the smaller and tighter spaces as well.