【舞映島 – 臺灣國際舞蹈影像展】暖場交流放映節目手冊Program

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島嶼身景，舞影漫遊— 2020青年舞蹈影像培育計畫 臺南 x 彰化 x 臺東

⼯作坊學員成果作品 導師駐地創作作品

咚咚 Dong Dong 歐雅雯 Ou Ya-Wen 臺灣臺南｜2020｜3’30’’

咚咚想像的是⼀個有朋友與秘密基地的童年，你來我往，永不結束的遊戲時光。 Dong Dong originated from the idea " If I had friends and a secret base in an endless playtime when I was a child.”

歐雅雯Ou Ya-Wen

⼤學讀東亞學，研究所轉向跨領域藝術，對漫畫、插畫與獨⽴出版均有涉獵。從 有記憶以來就⼀直在畫畫，但未曾受過正式的繪畫訓練。圖像之外，也曾嘗試探 索聲⾳與肢體，卻因找不到參與表演藝術的理想⽅式⽽暫停，直到完成 《咚咚》，才透過影像重新找回另⼀種站上舞台的可能性。

Studied East Asian studies in undergrad, then switched to art in grad school.Dabbled in comics,illustration and indie zines, she’s been drawing every chance she gets for as long as she can remember,in spite of never being formally trained.Besides graphic arts, she tried to explore sounds and bodies, but could not find an ideal way to take part in the performing arts. After she finished Dong Dong,she finally found another way to step on the stage.

Transition 古羅⽂君 Miru Xiumuyi (Wendy Kulo) 臺灣臺南｜2020｜3’06’’

建造物和⾃然的過渡之間，汽⾞的經過如同⼼臟跳動般的⽇常頻率， ⼈與環境的對話。 The transition between architecture and nature, daily, cars cross through the bridge as heartbeat frequency, the dialogue between human and the environment.

古羅⽂君Miru Xiumuyi (Wendy Kulo)

台灣泰雅族。國⽴⾼雄師範⼤學跨領域藝術研究所碩⼠。2019年撰寫並出版《⾜ in‧動與感之境遇—稻草⼈現代舞團特定空間舞蹈創作演出》舞蹈專書。2018年赴 法國布瓦布榭暑期設計⼯作坊研習影像創作。2015年起以舞蹈概念及元素為基底 的策展計畫陸續於北藝⼤關渡美術館、⾼雄市⽴美術館、臺南⽂化中⼼、台南⽼ 爺⾏旅等地發表展覽。2014年蕭壠國際藝術村跨領域藝術類駐村藝術家。 Taiwan Aborigines (Atayal). Master of the Institute of National Kaohsiung Normal University Interdisciplinary Art.Artist-in-Residence of Soulangh Artist Village (2014).

From 2015, Base on the concept and elements of contemporary dance Curated Interdisciplinary contemporary Art Project Exhibition at Kuandu Museum of Fine Arts, TNUA, Kaohsiung Museum of Fine Arts, Tainan Cultural Center, B1F Gallery and Outdoor plaza; and The Place Tainan (Hotel) 6798 Gallery.In 2018, participant “The Architecture of Film: Between the real and the constructed” workshop of The international summer programme in design and architecture at the Domaine de Boisbuchet, France.In 2019, wrote and published the ance book entitled "Step in．Site-Specific Dance Performance of Scarecrow Contemporary Dance Company”.

那夏天 That summer 許靜芳 Hsu Ching-Fang 臺灣臺南｜2020｜2’25’’

放下庸碌的⽣活節奏 重回校園 尋找那夏天的甜蜜滋味 Leave the busy and fast pace of life. Return to the campus. Seek the sweet taste of summer.

許靜芳 Hsu Ching-Fang

國中表演藝術教師，喜愛藝術創作，擅長跨領域課程。近年推廣「表演新視界-校 園美感融入劇照攝影專題」，帶著學⽣透過創意留影，重新發現校園之美, 讓攝影 策展成為最棒的畢業禮物！

Hsu is a middle school performing arts teacher.

She loves artistic creations and is excellent in interdisciplinary learning courses.The past few years she has been taking parts in "A new way for performing---the campus beauty integrates into theater shots" leading students to rediscover the campus beauty through their imaginative photos. Producing thi photo exhibition has become the students' best graduation gift.

無息 Endless 李濰禎 Lee Wei-Chen 臺灣臺南｜2020｜3’11’’

海洋是⽣命的起源，⽽森林則孕育無數物種。舞者⿈梵馫是剛從海洋孵育出來的⽣ 命體，充滿活⼒跟探索世界的慾望，毫不掩飾著⾃信的肢體，並嘗試向外探尋。舞 者⾼雩代表穩定成熟的⽣命體，溶於⾃然的每⼀處，如同參天古⽊，不管外界紛 擾，徑直與樹林裡熟悉的草⽊、空氣、陽光互動著。兩個原先獨⽴的舞者，在天地 界線相遇後共舞，如同⽣命在宇宙間循環不息。 Life began at deep-sea vents. The forest gives birth to various species. Dancer Huang Fan-Hsing represents the new born life from the ocean. She is energetic, dynamic, and vibrant. She has a desperate desire to explore the world. Dancer Yù Kao represents an old soul. Like a thousand-yearold tree, stand sill. So stable that she won’t be disturbed. She only cares about the fellows in the woods. When they meet each other, and start dancing, it will be like the circle of life. It’s endless.

李濰禎 Lee Wei-Chen

從只會設定連拍到後來理解構圖、光影的真正意義，拿著Canon 50D 不敢⾃稱攝 影師，更不曾使⽤修圖軟體。但，我喜愛拍照。喜歡透過鏡頭，每張笑臉與氛 圍、每⼀個真實的畫⾯，此時此刻齊聚的我們都能被保存下來。深信圖⽚有⼒ 量、會說話。⼯作中開始接觸影⽚拍攝，習慣捕捉靜態的我，要轉⽽拍攝動態影 ⽚，並不容易。藝術，是很專業的領域，但透過此⼯作坊，讓我體會到藝術也可 以平易近⼈。

I like photographing since the moment my sister taught me when I was a college student. Believing that a camera could capture every smile which is worth remembering. Now and here, pictures can tell stories. Join this workshop is my very first time shooting a dance film. Thanks to the mentors, two wonderful dancers Huang Fan-Hsing, Yù Kao and the crew member Huang Lo-Yao. Finishing this project gave me a better understanding of what art is.

空 Emptiness 洪靜瑾 Jane Hung 臺灣臺南｜2020｜3’00’’

這部影⽚⼀開始是⼀位冥想者在打坐，他發現以前經歷過的事物，回過頭來看都不 是真實的。佛教⼼經提到舍利⼦，描寫它⾊不異空，空不異⾊︔⾊即是空，空即是 ⾊，受想⾏識亦復如是。依照這樣的說法，我們所經歷的都只不過是空相，⼈⽣到 底是什麼? 接著鏡頭觀察到萬物，植物盤根錯結處及螞蟻的各種視角，原來他們也 在⽣活!⼈有時會像仙⼈掌⽤刺保護⾃⼰，不如意時就如⾏屍⾛⾁⼀般，虛華的外 殼(物慾)都是空，海浪是內⼼的起伏，舞者的動作顯⽰逃避以及奮⼒掙扎。最後， ⿃獸驚⾶，他們看到的是什麼，是⼀個沒有靈魂的⾁體。這是這部影⽚想呈現的故 事，⽤通俗且記憶深刻的感受來探究⼈⽣。 A person who meditate near the beach. She found the experience she had is nothing real. The Heart Sutra said "Shariputra, form does not differ from emptiness. Emptiness does not differ from form.

That which is form is emptiness, that which is emptiness form.The same is true of feelings, perceptions, impulses, consciousness." According to the Sutra, the experience we had is only emptiness. So............. what is life?

洪靜瑾 Jane Hung

魯妹⽬前擔任⾏政職，想受著平凡且幸福的⼈⽣。 Loser girl is engaged in administrative job now. It's ordinary me, enjoy ordinary life.

漫蔓 Like root like vine 蔡馨瑩 Tsai Hsin-Ying 臺灣臺南｜2020｜2’49’’

我將我⾃⼰種在這塊⼟地上，攀爬上牆，蔓延入⼟，浸潤於⽔，像根也像藤蔓。 I plant myself into this land. Climbing onto the wall, crawling into earth, immersing into water… like root like vine.

蔡馨瑩 Tsai Hsin-Ying

⽣長於台灣⾼雄, 從⼩習舞,因為舞蹈開啟了與世界的連結。早年遊⾛於幕前、幕 後、⾏政、教學, 為了參與更多作品想盡辦法待在劇場裡,開始涉略劇場技術與設 計,近年專注在燈光設計與舞台監督領域。2014年獲選蕭壟國際藝術村駐村藝術 家, 並發表舞蹈影像作品「寒武紀」; 此作品於2020年獲選「靜觀未來-身體影像短 ⽚展」。

Hsin-ying grew up in Kaohsiung Taiwan. She was well trained under dance education system in Taiwan. She worked as dancer, choreographer, and dance educator in southern Taiwan in her early career. Since then, she has been shifting her career as a theater freelancer and focusing on lighting designer and stage manager. In 2014, she was chosen as a resident artist in performing arts category by Soulangh International Art Village, and her first dance film - Kanbuki was published during her resident period. ‘Kanbuki” was chosen in “Unfolding Futures - Body Motion Short Film Festival”.

台南記憶拚圖 Puzzles of Tainan 楊雅惠 Yang Ya-Hui 臺灣臺南｜2020｜2’40’’

舞者⼀天的開始，⿃鳴喚醒了睡眼惺忪的舞者，她悠悠地起身和這個城市共舞。舞 者身穿的紅⾊洋裝代表著踏在台南這塊⼟地上的⼈們都能擁有熱情奔放地活⼒。⽼ 樹、綠茵、陽光、漁港、摩天⼤樓、古蹟紅牆……是台南的⽇常，這個充滿古⾊古 ⾹卻又現代感的城市，讓舞者的⾎液裡彷彿也置入了特殊的養分，與這個城市合⽽ 為⼀。 The dancer was awakened by the chirps of the birds at the beginning of the day. She softly danced with this city. Dancer wears a red dress representing people in Tainan would be enthusiastic and dynamic. Old trees, green grass, sunshine, fishing port, skyscrapers and red walls of historic sites, all of them are Tainan’s daily routine. Blessings permeate every section of this city. Dancer is full of happiness. Well, just dance!

楊雅惠 Yang Ya-Hui 2000年出⽣台南，⽬前就讀國⽴東華⼤學民族語⾔與傳播學系。⼤學開始接觸非 線性剪輯，喜歡將⼤⾃然⼀草⼀⽊的元素嘗試加進影像裡，也⼀直希望能把家鄉 台南的景緻和獨特的氣味成為⾃⼰影像紀錄中的⼀部分，很開⼼這次有機會嘗 試。我第⼀次接觸舞蹈影像就是在2020環島舞影台南場，未來也希望能持續接觸 舞蹈影像這⼀塊。

Ya Hui- Yang was born on March 19th, 2000 in Tainan, Taiwan. She is currently studying at National Dong-Hua University, Department of Indigenous Language and Communication. She tried adding nature, special scenery and atmosphere in Tainan to her video work. This is her first time making a dance film. She hopes that she can be more involved in the dance filmmaking in the future.

如茵 Like Grass ⿈洛瑤 Huang Lo-Yao 臺灣臺南｜2020｜3’23’’

⼀個充滿陽光的寧靜午後，女⼈隨風起舞搖擺如少女，如綠草如茵。 A middle-aged woman reminiscing about her younger self sways like green grass in the wind on a tranquil afternoon.

⿈洛瑤 Huang Lo-Yao 1992年⽣，虎尾台北⼈，劇場及影像⼯作者，作品關注性別、反映時代。舞台劇 作品曾獲台北藝穗節佳作、入圍牯嶺街年度節⽬選拔。影視劇本曾獲拍台北銅劇 本獎、入圍優良電影劇本獎、入圍電視節⽬劇本創作獎。⽬前於南加州⼤學就讀 影視製作研究所，持續編導創作。

Huang, Lo-Yao was born in 1992 in Huwei, Yunlin and grew up in Taipei. She is a filmmaker and theater artist who strives for reflecting gender issues and our time in her works. Her theater pieces have been awarded in the Taipei Fringe Festival and shortlisted by Guling Street Avant-Garde Theater. She has also won the Bronze Award in the Filming Taipei Screenplay Competition and been shortlisted in the Excellent Screenplay Award and TV Script Award. She is now a MFA student majoring in Film/TV Production in USC.

⾹夭 A Fading Flower

導師駐地創作作品

黎宇⽂ Maurice LAI Yu-man 臺灣臺南｜2020｜5’00”

我們是不是已經回不去︖ Are we unable to go back?

黎宇⽂ Maurice LAI Yu-man

游⾛於錄像、舞蹈、戲曲及飲食⽂化之間。1996年開始為電視電影及舞台演出製 作宣傳⽚、錄像設計、紀錄及舞蹈錄像。 ⾹港演藝學院電影製作藝術碩⼠。2015年獲⾹港舞蹈聯盟，頒發⾹港舞蹈年獎－ 「最值得表揚舞蹈錄像及攝影」。2017年獲城市當代舞蹈團頒發「城市當代舞蹈 達⼈」，表揚他在過去⼀年在舞蹈界的成績和貢獻。2018年憑製作《觀‧影—⾹ 港舞者》聯同澳洲著名編舞家蘇·希莉獲⾹港舞蹈年獎「傑出視覺設計」。

Maurice has been in documentary video shooting for movie and stage performance, video design and promo production since 1996. He holds a master degree of cinema production from The Hong Kong Academy for Performing Arts.

Maurice received from Hong Kong Dance Alliance, The Hong Kong Dance Award for Outstanding Achievement in Video and Photography for Dance in 2015 and Outstanding Visual Design with Sue Healey in 2018. In 2017 he received from City Contemporary Dance Company, City Contemporary Dance Laureate.

禮物 The Gift 鄭得愛 Aiko Cheng 臺灣彰化｜2020｜2’50”

帶著城市積累的雜質來到溪州，在⼀個刻意謙卑的時刻，才得以看⾒那真實光影間搖 曳⽣姿、充滿⽣機的⾃然百態。影像產出的⽬標讓我們如農⼈般，主動將身體以各種 姿態投入，育苗、插秧、耕耘、割稻，只為擁有令⼈飽⾜的⼀⼜⼜⽶飯。在腳踏實地 被視為珍貴素質的時代，⾛在各種道路，孕育⼀切的源頭為何總能毫不吝嗇的給予 著︖ With accumulated impurity of city, to Xizhou Township we were. At the moment of humbleness on purpose, at last perceptualizing the youthfully waving nature between rays of truth.

Transformed by the Goal of picture production, actively devoured bodies into attitudes of raising, spreading, caring and harvesting as farmer, in order to gain fulfilling dine.

How could the Origin to all birth keeps offering unselfishly, while humbleness is considered virtue on various paths?

鄭得愛 Aiko Cheng

畢業於臺南⼤學戲劇創作與應⽤學系，現為國中表演藝術教師、中興⼤學台灣⽂ 學與跨國⽂化研究所碩⼠⽣。

From Department of Drama Creation and Application, currently occupied as instructor of Performance Art at Junior High School, studying at Graduate Institute of Taiwan Literature and Transnational Cultural Studies.

身體樹 Bodytree 葉詠甄 Yeh Yung-Chen 臺灣彰化｜2020｜3’38”

「若不持續相信⾃⼰體內存在著某種堅不可摧的東 西，⼈就無法活著，不管是堅不可摧或這個信仰，都 將持續埋藏在⼈類⼼中。」這是來⾃卡夫卡作品內的 ⼀段箴⾔，而我堅信著。 決⼼去到的地⽅？為什麽⾮去不可？是什麼⽀撐你向 前？擁護什麼樣的價值？ 畢⽣在追求的是什麼？你相信什麼？這些是持續提問 ⾃⼰的問題，在創作之前，在每個活著的當下，都持 續問著。

「You can't live without believing that there is something indestructible in your body. Whether it is indestructible or this belief will continue to be buried in our hearts.」I believe this quote from Kafka’s works.

Where are you determined to go? What values do you advocate?What have you been pursuing all your life? These are questions that keep asking yourself.

那天我把⾃⼰種在這裡，開啟⼀場漫⻑的等待。

葉詠甄 Yeh Yung-Chen 2019年國⽴台北藝術⼤學舞蹈系畢業，⽬前是⼀位⾃由舞蹈⼯作者。在學期間便 開始嘗試獨⽴創作，2017年入選松菸 Lab 新主藝-創作徵選計畫初呈，2019年入選 世界舞蹈聯盟國際青年編舞營同年也受邀參與新⽵美學館 島嶼對話-⾺祖⽂化交流 計畫「藝術游擊」藝術家駐村，⽬前獲得財團法⼈國家⽂化藝術基⾦會個⼈創作 補助，持續創作中。

I graduated from Taipei National University of the Art, major in Dance.I'm a freelance artist. Whenever I dance, I do choreography. My creative experiences:2017 Song Shan Cultural Park - LAB New Points on Stage; Creation requisition program Preliminary presentation; 2019 International Young Choreographer Project; 2019 National Hsinchu Living Arts Center artist-in-residence in Matsu; 2020 National Culture and Arts Foundation regular creation grants

蜥蜴 張舒婷 Chang Shu-Ting 臺灣彰化｜2020｜3’14”

「蜥蜴」的諧⾳ ⼀個⽼⼈的「溪洲回憶」 故事是⼀個被現實摧殘的⽼⼈，逃到桃 花源，就是他去森林去尋他記憶中女神雕像，想到以前沒犯罪前的時光。 The story is happened in Changhua suburbs called In Chinese, The pronunciation of “Xizhou” is the same like “Chameleon” I would like to use “Chameleon” as a metaphor to express that an old man destroyed by reality and tend to escapes to his memory land. He ran into the forest to search the statue of the goddess in his memory, reminiscing the time before he committed a crime.

張舒婷 Chang Shu-Ting

國中到⾼中6年美術科班⽣，⼤學讀實踐服裝設計，中途為了追尋⾃我休學跑去當 髮型造型師的學徒，其後旅英6年期間開始了多樣的實踐性的多媒體藝術創作，其 後2017年去⽇本，2019年入圍東京的前衛藝術新⼈獎。因疫情影響⽽歸台創業 中。

Experienced 6 years traditional painting education from junior high school to high school. Studied fashion design in college, and in order to pursue my apprenticeship as a hair stylist, I dropped the college Life in 2010 After 6 years being base in the UK, I started a variety of practical multimedia art creations. After that, I traveled to Japan in 2017 and was nominated for the Tokyo Avant-Garde New Artist Award in 2019. Returned to Taiwan to start a business because of the covid-19 effect.

關於舞蹈的最後⼀個動作 The last movement 丘智華 Chiu Chih-Hua 臺灣彰化｜2020｜3’58”

舞蹈如何動作︖透過編舞的⼜述指導，讓表演者清楚知道指令。⽽觀眾是否可以透 過這個⼜述過程，想像舞蹈的樣⼦︖這是關於舞蹈的⼀個動作，也是關於影像如何 被再現的實驗。

Through the choreographer’s coaching, the performers clearly know the instructions. And can the audience imagine the dance through this process? This is a movement of dance and How the video is presented.

丘智華 Chiu Chih-Hua

丘智華的作品，⼀直致⼒於影像相關的研究，早期為紀實影像所啟蒙，從事以城 市為視角的單頻道錄像拍攝，之後逐漸發展以真實場景轉化為模型製作的創作形 式。並陸續與不同國家的編舞、舞者合作新的影像作品。近年則是將影像、劇場 的元素拆解再重新組合，模糊不同形式間的邊界，也試圖在⼈物與空間中，找尋 社會、環境與信仰的印記。

Chiu Chih Hua work a lot on image-art. Wandering between reality and illusion, his works involve statics and kinetics.

Inspired by documentary photography, in the early years, Chiu worked on single-channel filming which performed in urban streetscape. As time goes by, Chiu changed his form of art-making from photography to model-making and keeps working on image, space and model art creations.

拓荒者 PIONEER 簡紫婷 Chien Tzu-Ting 臺灣彰化｜2020｜3’26” ︎

在地上⽣存，在荒野中，開拓⼀處無⼈知曉的所在。

簡紫婷 Chien Tzu-Ting

現為⽇⽇掘⼒有限公司藝⽂統籌、豪珈琲主理⼈，現居於彰化社頭鄉。正努⼒藉 由藝⽂活動與精品咖啡開啟⼤眾與藝術對話的橋樑。透過實體店⾯、活動策劃、 表演與創作進⾏各種跨領域與實驗性的媒合，期待帶給參與者不同⾯向的⽣活啟 發。創作專注於「場域」與「歸屬感」的探索，並持續在⼯作場域中挖掘不同⽣ 命的樣貌，成為⽇後創作與表演的靈感與養分。

歸 。真 Innocence 賴如茵 Lai Ju-Yin 臺灣彰化｜2020｜2’58”

成年後的我們，常在忙碌的⽣活步調及⾼壓的⽣活狀態下，失去了好奇⼼及勇氣， 希望這部影⽚能讓你找到童⼼，回歸到純真無慮的那⼀刻。

As a grown up, we often lose curiosity and courage under the hectic and high pressure life style. Hopefully through this film, it will bring you back some precious moments of innocence and carefree.

賴如茵 Lai Ju-Yin

我是彰化⼈任教於國中，曾經我是⾳樂⽼師，現在我教表演藝術，曾為《逗陣來 唱囡仔歌IV-台灣植物篇》、《逗陣來唱囡仔歌VI-幼幼篇》譜曲。⾃幼習舞的 我，因升學就業考量，在國⼩六年級時，放棄了舞蹈，但對於舞蹈的熱情⼀直都 在。此外我也熱愛旅遊，喜歡透過各種挑戰開創新視野。

I was born in Chang-Hua and a junior high school teacher at present. I used to teach music but performing arts instead now. I composed and published some Taiwanese Nursery Rhymes. I gave up dance classes while I was at sixth grade in consideration of better job vacancy. My passion for dance never passed away. I also enjoy travelling, willing to take any challenge to broaden my horizons.

返 Return 謝志沛 臺灣彰化｜2020｜3’17”

願世間萬物，返璞、歸真。

May everything in the world return to nature and truth.

謝志沛

畢業於國⽴臺灣體育運動⼤學舞蹈學系，⽬前就讀國⽴臺灣體育運動⼤學碩⼠ 班。⽬前任教於臺中市⽴光正國中表演藝術教師，曾參與第⼀屆⾦塑獎短⽚競賽 獲得全國特優。喜愛從事藝術舞蹈創作，作品亦曾獲⽂化部1999、2000舞躍⼤地 舞蹈創作比賽優選。

Graduated from the Department of Dance, National Taiwan University of Sport, and currently is studying in the master's class of National Taiwan University of Sport. He is now teaching at Taichung City Guangzheng Junior High School as a performing arts teacher. Ducan has participated in the first Golden Sculpture Award Short Film Competition and won the National Excellence Award . He loves to engage in artistic dance creation, and his works have been highly commended by the Ministry of Culture in 1999 and 2000 in the dance competition.

路途 Road 林家樑 Lin Chia-Liang 臺灣彰化｜2020｜2’36”

⼈⽣的道路或許是天⽣註定，但也有可能是你去選擇的，不管你在⾛的路是哪條 路，或者被迫去選擇的哪條路，不⽤只注意這條路的崎嶇或顛頗，去看看這條路的 帶來什麼美麗的景⾊及開⼼的事物。 The path of life may be destined, but it may also be your choice, no matter which path you are walking on, or which path you are forced to choose, don’t just pay attention to the ruggedness or bumps of this road. Go and see what beautiful scenery and happy things this road brings.

林家樑 Lin Chia-Liang

⽣於臺灣雲林，七歲從學習武術開始踏入表演藝術，之後發現⾃⼰的身體或許有 更多的可能，所以直到⼗⼀歲開始正式踏入舞蹈，也先接觸各種不同類型的舞 蹈：競技拉拉、民俗舞蹈、舞龍舞獅、街舞...等，在2012年進入⾼雄市⽴左營⾼ 中，深入接觸舞蹈後，發現⾃⼰對於現代舞有相當⼤的興趣，於是乎開始更加努 ⼒鑽研學習。

Born in Yunlin, Taiwan, at the age of seven, started to learn martial arts and began to enter the performing arts, and later discovered that my body may have more possibilities, so began to formally step into dance at the age of eleven, and first came into contact with various types of dance. I entered Kaohsiung City Zuoying High School in 2012. After in-depth contact with dance, I found myself interested in modern dance, so I started to study harder.

讀⼀⾸詩 Read A Poem 程⼦菁 Cheng Tzu-Ching 臺灣彰化｜2020｜3’00”

春泥、暖⾵、⽼樹 排列出⼀⾸新詩 陽光、森林與我 開始舞動 來⼀場⼤地遊戲

Mud, wind, old trees Creating a new poem Sun, forest and me Let's dance, let’s play Let's explore this wonderful world

在吳晟⽼師的「純園」裡，看⾒了⽼師對這⽚ ⼟地的愛戀，故擷取吳晟⽼師的作品《⼀座⼤ ⼭》，⽤舞蹈影像的呈現⽅式，向他致敬。

This dance film is inspired by “A Big Mountain” from Famous Taiwanese Poet Wu-Sheng who also owns “Pure Garden” that show his love to this land where we grow up.

程⼦菁 Cheng Tzu-Ching

⼆⼗年的舞蹈背景，美國密蘇⾥⼤學坎薩絲分校-劇場研究所畢業。致⼒將不同表 演型態的形式帶入舞蹈藝術，並積極探索更多舞蹈與影像的可能性。2017榮獲 USITT 2017 Young Designers' & Technicians' Forum︔2017-2018年，在美國紐約從 事舞台設計，多次與美國劇場⼯作者合作。2019於歷史建築-雲林記憶Cool中製作 沉浸式舞蹈劇場《記憶的旅⼈】︔2020與影像⼯作者-李虹瑩、呂盈蓉，⾳樂創作 歌⼿-曾仲瑋，共同創作沉浸式舞蹈劇場《夢想咖啡店》

Tzu-Ching got her MFA from University of Missouri, Kansas City with twenty years of dance background. She commits to bringing different forms of performance into dance art, and actively exploring more possibilities between dance and video.Young Designers' & Technicians' Forum ,USITT, 2017. From 2017 to 2018, she collaborated with many theater workers as a scenic designer in New York. In 2019, an immersive dance theater "The Traveler of Memory" was produced in the historical building-Yunlin Memory Cool. In 2020, collaborated with image designersHung Ying Lee and Lucky Lu, music songwriter- Robin Tseng, co-created the immersive dance theater "Dream Coffee Shop."

純純種，源源⽣ Planting the Cycle of Pure

導師駐地創作作品

彭筱茵 Peng Hsiao-Yin 臺灣彰化｜2020｜7’42”

給花 給草 給⽥ 給樹 給路 給⼈ 本作於彰化溪洲—詩⼈吳晟的台灣原⽣樹林「純園」拍攝。回應其數⼗年來「種」樹的動 作，以及⼈與林間萬物對應的流轉，在種下的之前和之後、當下與未來，開啟了⼀個純粹的 循環時間。三位表演者象徵著⽇光、沃⼟和種⼦的交互作⽤，以及男性、女性和孩⼦的交會 道路。 To flower, to grass, to field, to tree, to road and to human Planting the Cycle of Pure was shot at Pure Dream Garden, Xichou, Changhua, the private forest of poet Wu Sheng. Inspired by Wu’s action: planting trees for over 30 years, the director Peng Hsiaoyin created the pure cycle of time between present and future, before and after the “planting”. The three performers symbolized the interactions of sunlight, fertile soil and the seed, and the rendezvous road of male, female and child.

彭筱茵 Peng Hsiao-Yin

舞蹈⽣態系創意團隊藝術總監、舞映島－台灣舞影聚落創辦⼈ 以舞蹈影像和環境劇場創作為主的導演暨編舞。曾獲2017 跳格國際舞蹈影像節競 賽⾸獎、2013 台新藝術獎「樹梅坑溪環境藝術⾏動」、2012羅曼菲舞蹈獎助⾦。 2017 年與澳洲名導 Sue Healey 合作臺澳跨國《身體系譜》計畫，2019 年於國美館 展出 360 度環形投影作品《Contours 舞‧界‧線》。曾與北藝中⼼、澳洲Circling the Brink等合作，策劃並擔任舞蹈影像⼯作坊導師。2020年發起「島嶼身景，舞 影漫遊」舞蹈影像環島計畫。

Artistic Director of Dancecology, founder of Dancescreen Collective Taiwan Site-specific, environmental theater and dance film director and choreographer. Peng won the 1-min competition of 2017 Jumping Frames International Dance Festival, 2013 Taishin Arts Award (Art as Environment- A Cultural Action at the Plum Tree Creek) and 2012 Manfei Grant. In 2017, she started Taiwan-Australia project Contours, cooperated with world-awarded director Sue Healey. In 2019, Dancecology presented 360 degree version of Contours at National Taiwan Museum of Fine Arts. Since 2016, she curated and mentored several dance film workshops, coopered with TPAC and Circling the Brink(Australia). In 2020, she initiated Motion Body beyond Island Scenery project including dance film workshops and resident creation around Taiwan.

太極 Yin Yang 韓愍 Han Min 臺灣臺東｜2020｜3’20”

接觸、好奇、衝突、理解、共存 Contact、Curious、Conflict、Comprehend、Coexist

韓愍 Han Min 1995年⽣於宜蘭，身兼導演、編劇、攝影等身份，對於⼈⽂故事有強烈的好奇 ⼼，關⼼社會議題，並常將其作為創作出發點。

Born in Yilan in 1995, Hank is also a director, screenwriter, and photographer. He has a strong curiosity for stories about humanity. He cares about social issues, and often uses it as a starting point for his creations.

Feel Again ⾼曼瑄 Vanessa Kao 臺灣臺東｜2020｜3’00’’

找回本⼼ Finding our way back to our true selves.

⾼曼瑄 Vanessa Kao

美國出⽣、台灣長⼤，畢業於國⽴臺灣⼤學戲劇學系，⽬前就讀南加州⼤學電影 與電視學系。為影像導演、編劇。致⼒於創作真摯且貼近⼈⼼的作品。

Vanessa Kao is a passionate filmmaker who was born in California and raised in Taiwan. She graduated from National Taiwan University with a bachelor degree in Drama and Theatre. She is currently pursuing her studies in Film and Television Production at the USC’s School of Cinematic Arts M.F.A. Program. Her primary focus is writing and directing. She devotes herself to telling stories that are true to heart, authentic and related to humanity.

感 Senses 簡君庭 Alix Jian 臺灣臺東｜2020｜3’47”

「可是我還不知道⼈活著的意義。」我說。 「看畫啊。」他說。「聽風的聲⾳。」 我點點頭。 「你可以辦得到。」我點點頭。 「不妨睡⼀覺。」叫做烏鴉的少年說。「然後醒過來時，你已經成為新世界的⼀部分了。」 ---- 村上春樹《海邊的卡夫卡》 如何在不同階段和茫然與未知共處︖ 如果能認真的感受和試著表達 真的張開眼睛和感官的時候 即使漂流著也能稍微⼼安吧。 Are we destined to live with so much uncertainty and uneasiness?

When we could try to feel and express, When we could truly open our eyes and senses, The wind will whisper where we are heading.

This work is inspired by a dialogue in Kafka on the Shore by Haruki Murakami

簡君庭 Alix Jian

平平凡凡的⼤學⽣，急著想要長⼤ 在最後⼀個暑假、在衝刺前 試著找到⼀個溫暖的地⽅，在腳邊畫下逗號 然後繼續向前 This is a college student who’s in a rush to grow up.

Right before another sprint, she decided to find a warm place to rest.

A place that is bright and breezy.

And then she goes on her journey.

跨海 Cross the Seas 郭綺雰 Kuo Chi-Fen 臺灣臺東｜2020｜4’07’’

舞蹈影⽚「跨海」是獻給所有「候⿃」⼈類的⼀⾸詩。在兩個（或多個）地⽅擁有 家，我們內⼼的愛並沒有被⼀分為⼆︔我們的愛被擴散到每⼀個縫隙、每⼀條⼩ 溪、每個孩⼦的微笑、以及與我們共存的每⼀個⽣命的每⼀次呼吸。我們不完全了 解這舞步，但我們知道它已取代了我們的步⾏⽅式。我們以此⽅式達到我們的⽬的 地—認識我們的本質。 What if humans are like migratory birds, who are most at peace when they have their home in two places? "Cross the Seas" is for all of us who find that by having home in two (or more) places, the love in our heart isn't split into two; it grows and expands into every crevice, every stream, every child's smile and every breath of every being with whom we coexist. A dance with the kind of footwork that we ourselves don't fully understand; but we know that this had replaced our walk, this is how we reach our destination of knowing our essence.

郭綺雰 Kuo Chi-Fen

⽣於美國，台灣長⼤，⾃⼩家⼈就常常帶去島內旅⾏，對台灣的山林有深刻的感 情。⼤學畢業後投入社會⼯作、兒童及青少年發展、表演藝術等領域，24歲開始 學舞，琢磨各國舞蹈風格及舞蹈與療癒的關係。2019年開始旅居非洲奈及利亞， 現任 LUZ Dance Company 藝術⾏政。計畫未來將以藝術⽂化將撒哈拉以南非洲及 台灣連結並發展跨國的合作關係。

Chi-Fen was born in the US and raised in Taiwan. Exposed to the humanities and sciences since a child, Chi-Fen also developed a love for nature. After obtaining her BA in Psychology, she worked in social services, child/youth development, and the performing arts. She has been dancing non-professionally since age 24 and she is currently the Arts Manager of LUZ Dance Company based in Lagos, Nigeria. Chi-Fen splits her time between Nigeria and Taiwan, and hopes to build collaborations between Sub-Saharan African and Asian artists and arts organizations.

找神 Finding lost 林佑鍶 Lin Yo-Sr 臺灣臺東｜2020｜6’00’’

所謂⽂明或是社會發展的路徑上，許多事物總不免被捨棄︔然⽽這段路上，⼈們真 的知道⾃⼰所要的，與所失去的是甚麼嗎︖ 找回神，是找回⾃然，也是找回⾃ ⼰。 During the development of society or "civilization" so-called, something always be abandoned. But do people really know where the way go for, and what is lost?

Finding god, is finding nature, meanwhile, finding ourselves.

林佑鍶 Lin Yo-Sr

台灣⼈，愛好⾃然，熱中認識各種⽂化，至今仍被各種趣事吸引

Yo, a native Taiwanese, loves the nature and cultures. She has always been attracted to things that are authentic and different.

她的故事 林佩瑩 Lin Pei-Ying 臺灣臺東｜2020｜2’59”

我們擁抱，我們跳舞，我們玩鬧⼤笑，我們享受天空的美，有時爭吵，更多時候相視 ⽽笑，這些都是值得彼此擁有的回憶。 Ｗe hug. We dance. We play. We laugh. We enjoy the beauty of the sky, Sometimes we'd shout at each other, though. These are the memories we deserve to be possessed of.

林佩瑩 Lin Pei-Ying

新北樹林⼈，⽬前為⼀名⾃由藝術⼯作者，跳舞教學也做編創，近期作品有物以 類聚⼗週年聯演《你來我往的時候》與種⼦舞團【境形·視系列4異度空間】《我 在這裡》。喜歡蒐集故事與觀察⽣活的樣貌，相信影像有會說話的能⼒，為每個 ⼈帶來不同的視野。

Lin Pei-ying, from Shulin, New Taipei City, is currently working as a performing artist, a freelancer dancer, and a choreographer. Her recent works include the 10th Anniversary of Little Theater School《When we talk》,Seed Dance Troupe [Consequence · Vision Series 4 Different Spaces] 《I'm here》She likes to collect stories and observe how people get along with each other, also believes that images can tell, giving different perspective to people.

⾼能 Forewarned 邵⼦毓 Ocean Shao 臺灣臺東｜2020｜2’20”

前⽅⾼能！所謂之⾼能便是不可探知的精神領域。只能⼼領神會，捻花微笑。

Forewarned！The so-called high energy is the unexplorable spiritual field. I can only understand and smile.

邵⼦毓 Ocean Shao 1985年⽣，台東⼈。從台東出發流浪了⼀圈再度回到原點，從只是視覺的「平⾯ 設計」到五感的「料理」創作，從「瑜珈」到優⼈神⿎充滿儀式性的「表演藝術」 最後⾛到了與⾃然和些共存的設計⽅法「樸⾨」⼀切未完待續！⽽千百萬劫難遭 遇的事都給遇上，同時這些充滿趣味的旅程也將成為禮物！

Born in 1985, from Taitung. Wandering around from Taitung and returning to the original point again, from the visual "graphic design" to the "cooking" creation of the five senses, from "yoga" to the ritual "performance art" full of rituals and drums. Natural and coexisting design methods "permaculture" are all to be continued! And millions of catastrophes have been encountered, and these interesting journeys will also become gifts!

暗潮 Internal Tides 張勻甄 Chang Yun-Chen 臺灣臺東｜2020｜3’00”

外表平靜，體內卻存有⼀股躁動的能量，從深處堆疊⽽起。無法預⾒的宣洩，如長浪 般往岸上快速推進，⼀次次衝破、跌落、退去。 Under the quiet surface, restless energy accumulates from the depths of the body. The outlet is unpredictable; an unanticipated force like tidal waves rushing rapidly towards the shore.

One after another, they break, fall and withdraw.

張勻甄 Chang Yun-Chen

張勻甄是前無垢舞蹈劇場舞者、壞鞋⼦舞蹈劇場的合作舞者。合作藝術家包含林 ⼈中、Liz Magic Laser、和栗由紀夫、吳⽂翠等。 表演暨創作實踐包含舞蹈、戲劇、錄像、⾏為、互動沉浸式、物件與聲⾳等。個 ⼈創作發表：2019 艋舺舞蹈節《她與她⾊彩斑斕的夢》、2020 艋舺在⼀起《膜》 （獨舞版）、2020 台北藝穗節《膜》（雙⼈版）。

Yunchen Chang has danced with Legend Lin Dance Theatre and Bare Feet Dance Theatre. She enjoys collaborating with other artists and has had the pleasure of working with River Lin, Liz Magic Laser, Yukio Waguri and Wen-Tsui Wu along with many others.

Her performative and creative practices includes dance, theatre, video art, performance, immersive performance, objects and sound, etc. Her choreographic projects, “She and Her Dreams of All Hues,” “Membrane” and “Invisible Skin,” were presented in the Want to Dance Festival and Taipei Fringe Festival in 2019 and 2020.

回洄 Swim Upstream 丘涵庭 Ann Chiu 臺灣臺東｜2020｜3’40”

有⼈說女⼈像海。 不管今⽇可以溜得多遠，他⽇終將回流，成為這⽚汪洋⼤海的分母之⼀，既⾃由又束縛， 只能不斷又不斷的輪迴。 Some people said a woman is an ocean. No matter how far she can swim, she’s going to return the starting point eventually. Ashes to ashes, dust to dust, one day will blend to the ocean. Freedom and bonds at the same time, Reincarnating all over again.

丘涵庭 Ann Chiu 1996年出⽣於⾼雄，從事影視、新媒體產業，經常任職編劇、導演、平⾯攝影 師。擅於描繪女性情感，訴說細膩思維，渴望女性的內⼼⽇常能被看⾒和理解。

Ann was born in Kaohsiung in 1996. She is working in the film, television, and new media as a screenwriter, a director and a photographer. Ann is an expert at expressing female’s emotion and telling delicate thoughts, a mental sight of women that desperately needs to be seen and understood.

破浪 Breaking Waves

導師駐地創作作品

呂威聯 WILLIAM LÜ 臺灣臺東｜2020｜5’00”

《破浪》，由呂威聯執導的舞蹈影像短⽚，由舞蹈⽣態系的彭筱茵和陳福榮主演。 本⽚在台灣台東拍攝，探索了⼀個⼈的堅持不懈、⾏動⼒以及⾃由意志。 Breaking Waves, directed by William Lü, is a short dance film featuring Dancecology’s choreographer/director Peng Hsiao-yin and Dancer Chen Fu-rong . It was shot in Taitung, Taiwan.

It conceptually explores the idea of one’s persistence, power, and freedom.

呂威聯 WILLIAM LÜ

出⽣於台北，從⼩先後在印尼及美國長⼤。他在美國和荷蘭擁有超過15年的業界 舞蹈經驗。曾在 Codarts 鹿特丹藝術⼤學及Holland Dans Festival 擔任客席講師。 在美國著名舞團-Backhausdance，獲頒連續兩次”萊斯特·霍爾頓”的最佳表演獎。 作品曾在韓國釜山的國際短⽚節、巴賽隆那的MECAL、好萊塢的亞洲影像，墨爾 本的Sandfly國際影像紀錄以及阿姆斯特丹的Cinedans，活躍於每個國際影展。

WILLIAM LÜ was born in Taipei and raised in Indonesia and USA. He danced professionally for 15 years in USA and the Netherlands. He has served as a guest faculty at Codarts Rotterdam University of the Arts and Holland Dans Festival among others. He is a two-time Lester Horton Award recipient for his performance with an American dance company, Backhausdance. Lü’s film works have been featured in festivals such as Busan International Short Film Festival, MECAL in Barcelona, Asians on Film in Hollywood, Sandfly International Film Festival in Melbourne and Cinedans in Amsterdam. He currently resides in Taiwan.

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港澳台舞影連線 — 國際舞蹈影像展選映暨線上座談 Jumping Frames跳格國際舞蹈影像節（香港） Rollout國際舞蹈影像展（澳⾨）

跳格國際舞蹈影像節 「跳格」於2004年由城市當代舞蹈團主 辦，現已成為亞洲規模最⼤、⽔平最⾼ 的舞蹈影像盛會，並積極在中國及亞洲 地區建⽴⼀個交流平台，透過委約製 作、比賽、⼯作坊、影展及座談，促進 導演及舞蹈家之間的合作。跳格以⾹港 為基地，並將委約創作巡迴至世界各 地，逐漸成為極具規模的地區性舞蹈影 像展。2014年跳格分別獲頒發⾹港藝術 發展獎「藝術推廣獎」及⾹港舞蹈聯盟 舞蹈年獎，以表揚其對推廣舞蹈的貢 獻。

Jumping Frames International Dance Video Festival

Presented by City Contemporary Dance Company (CCDC) since 2004, Jumping Frames International Dance Video Festival is the only festival of its kind in Asia, featuring commissioned works, competition, and a selection of acclaimed international productions. It has served to promote dance video in China and in Asia, as well as to provide a platform for artists and audience alike to share the perspectives and explore the unlimited possibilities of the art form through talks and workshops. The Festival brings the excitement of dance video worldwide through screenings, and enhances cultural exchange through invitations of renowned dance video artists to the Festival, made possible by the support of various national and international partners. The contribution of Jumping Frames was recognised by receiving the Hong Kong Arts Development Awards Arts Promotion Awards and Hong Kong Dance Alliance Dance Awards in 2014.

與談⼈／⿈國威 Raymond Wong ⾹港城市當代舞蹈團 ⾏政總監、⾹港跳格國際舞蹈影像節策展⼈

畢業於倫敦藝術⼤學中央聖⾺丁藝術與設計學 院藝術及⽂化企業⽂學碩⼠及⾹港浸會⼤學歐 洲研究學⼠課程。曾任職⾹港藝術中⼼、中英 劇團及⾹港兒童⾳樂劇團等藝術機構。2006年 加入⾹港城市當代舞蹈團，2014年委任為舞團 之⾏政總監，並為跳格國際舞蹈影像節策劃， 以及監製舞團跨國共制項⽬、虛擬舞蹈節⽬、 舞蹈影像及特定場域演出。

Managing Director of City Contemporary Dance Company Hong Kong Curator of Jumping Frame International Dance Video Festival Graduated from European Studies Programme of the Hong Kong Baptist University, Wong started his career since 1999 in various arts organizations, namely Hong Kong Arts Centre, Chung Ying Theatre and The Hong Kong Children's Musical Theatre, among others. He also produced independent theatre and dance productions such as "French Kiss" commissioned by Hong Kong Arts Festival 2005. Wong joined City Contemporary Dance Company in 2006, and was appointed as Company's Managing Director. He is also curator of the Jumping Frames International Dance Video Festival and produced a number of programmes under "CCDC Media Lab Scheme".

跳格國際舞蹈影像節選映作品

噢！百萬拳！ Oh! Million Fist! 曹德寶 Hugh CHO ⾹港｜2017｜7’00’’

舞蹈與武術同出⼀轍，習武多年的舞者曹德寶邀得武術指導元輝師傅合作，從武打 場⾯開始慢慢發展成編排了的舞蹈。當中會嘗試不同的可能性，如鏡頭位置、動作 速度節奏改變等造成的不同效果，將電影中的武打場⾯及拍攝技巧融入舞蹈影⽚之 中。 Dance and martial arts share the same origin. Having practised martial arts for years, a long term practitioner of martial arts, dancer Hugh Cho collaborates with fight director Master Yuen Fai to develop a choreography based on fight scenarios. Playing with camera angles and speed of movement, Cho and Yuen merge dance with action movie and its shooting technique to create a new kind of screendance.

曹德寶 Hugh CHO 曹德寶畢業於⾹港演藝學院主修當代舞。2009至2010年為紐西蘭舞團 Raewyn Hill & Dancers 演出，2010年加入不加鎖舞踊館任駐團藝術家至2014年。 2013年參與鄧樹榮戲劇⼯作室作品《打轉教室》之演出。其間經常為不同節⽬創作 及編舞，包括榮獲2011年⾹港舞蹈年奬、於2012年於新加坡舞蹈節「Contact 2012」及「中國舞蹈向前看」中演出之短篇作品《我⾃⼰和我⾃⼰》，同年為短⽚ 《盛放永恆的陽光》編舞及演出，短⽚於 2013年康城影展「Short Film Corner」展 出。 2013年與澳洲著名街舞編舞 Nick Power 為⾃由野2013合編 《Compartmentalized》，並於2014年獲邀至澳洲悉尼演出。2014年獲不加鎖舞踊館 邀請創作《莫⼤⽑》。同年亦為新鮮⼈系列創作長篇作品《⼟炮》。2015年參與⾹ 港藝術節創作《問》，同年⾃編⾃導舞蹈短⽚《yellow alert》，並獲 Jumping Frames 邀拍長篇作品。 2016年作品《⼟炮》獲邀至德國舞蹈節 Tanzmesse 演出。同年獲 Japan Contemporary Dance Network 邀至⽇本沖繩及北海道作交流演出。 現為⾃由身舞者，編舞及兼職武師。 Graduated from The Hong Kong Academy of Performing Arts, Cho worked with Raewyn Hill & Dancers from 2009 to 2010, and joined Unlock Dancing Plaza as Artist in Residence from 2010 to 2014. He performed in Tang Shu-Wing Theatre Studio’s Detention as an acrobat in 2013.

Cho also choreographed for different programmes, such as Hong Kong Dance Award 2011 and Me & Myself in the Singaporean festival ‘CONTACT 2012’ and in ‘China Dance Forward’. He also choreographed and performed in the dance video Eternal Sunshine shown in the ‘Short Film Corner’ at the Cannes Film Festival in 2013. He worked with renowned street dance choreographer Nick Power to create Compartmentalized for Freespace Fest 2013, which was also performed in Sydney in 2014. Cho also choreographed full length works Mr. Mok and Made in Hong Kong in 2014, and Remain with the Question for Hong Kong Art Festival 2015.

Cho is now based in Hong Kong as a freelance dancer, a choreographer, and a part time acrobat.

跳格國際舞蹈影像節選映作品

其實落⾬又有乜好怕喎 Come Rain or Shine 李思颺 Justyne LI ⾹港｜2019｜12’

在是非⿊⽩癲倒的社會, 螻蟻已不介意⾃⼰是螻蟻。陽光已非必然, 反⽽⾬⽔或許會 使頭腦及身體更清醒。到了⼀個地步, 螻蟻漸漸習慣被虐待, 因為⾬及雪反⽽令螻蟻 變得更有⽣命⼒。會死嗎? 可能會....但至少牠帶着勇氣及智慧⾛過這段路。 In a society of extreme distortion, people lives like ants and they actually don't mind about it. Sunlight may not be inevitable, and in fact the rain may bring more clarity to the mind and body. The ant is getting more used to being abused, actually enjoying it, because rain and snow brings more vitality to them. Will it die? Maybe...but at least it walked through the path with courage and wisdom.

李思颺 Justyne LI 畢業於⾹港演藝學院舞蹈學院芭蕾及現代舞系。曾任⾹港芭蕾舞團及奧地利格拉茲 舞蹈團成員，及巴⾺海港舞團（德國）獨舞員。於 2010 年與王丹琦創辦舞團Neo Dance HK。現為獨⽴舞者及編舞。 近作/計劃包括：其實落⾬又有乜好怕喎(跳格國際舞蹈影像節2019)︔地⼼(第四屆 ⾹港國際編舞節)︔凝體術︔藍⽉夜(⾹港⼩交響樂團)︔分割(『舞．當』 2017,Yokohama Dance Collection 2019, M1 Contact Contemporary Dance Festival 2019)︔「國際創意交流──⾹港x芬蘭」(西九⽂化區/Zodiak/Dance Info Finland)︔ 庖丁-身體研習舞蹈演出(編舞：程偉彬)︔⾒習舞者2(Neo Dance HK x Singapore 2017; I-Dance Festival 2016)︔⾒習舞者1(⾹港芭蕾舞團)︔⾒習⼈類︔煩⼈協奏曲 (⾹港藝術節2015)︔Galatea X︔靜默.邊境族(⼩息⼯作室) ︔What’s the Matter? (⾹ 港藝術節2013)︔第三.五次元(城市當代舞蹈團脫衣秀2012)︔「舞蹈新鮮⼈」系列 Galatea & Passenger︔Galatea & Pygmalion(⾹港 舞蹈節2010及2013)。作品地⼼獲得 第四屆⾹港國際編舞節2nd prize。作品Galatea Ｘ 獲得2014⾹港舞蹈年獎最值得表 揚編舞，及最值得表揚女舞蹈員獎項。作品Galatea & Pygmalion獲得2011⾹港舞蹈 年獎最值得表揚獨⽴製作，及獲提名最值得表揚女舞蹈員獎項。 Li graduated from the Hong Kong Academy for Performing Arts, School of Dance, Ballet andModern Dance Stream. She is a former member of the Hong Kong Ballet and Tanz Graz (Austria),and was a soloist with Ballett Bremerhaven (Germany). Li has established Neo Dance HK with Wong Tan Ki in 2010. Li is currently working as an independent dancer and choreographer. Her recent choreographies/projects include: Come Rain or Shine (Jumping Frames International Dance Video Festival 2019); The Shift (The 4th Hong Kong International Choreography Festival); Soul Casting; Trans

喺度︖ Over Here?

跳格國際舞蹈影像節選映作品

譚之卓 Zelia ZZ TAN ⾹港｜2020｜9’55’’

在某⼀個城市，⼈如川，流不息。她說……但，種種語匯欲⾔又⽌。 ⼜罩，不，可以被接觸的。戴在眾⼈臉上。 穿過天橋，漂泊在那個世界的角落。她和他邁進瞬息萬變的夢境，在機場等待，看 ⾒時空湧動。 勺⼦接得住淚⽔吗︖逗留在脊椎上，反射光。 ⼜風琴⼀次次地被吹響，海岸邊，浪花慢蕩。 什麼是「流」︖ 什麼是「動」︖ In a city, people are flowing ceaselessly, like a river. She wants to speak... but she can' t find the right words.

Mask, no, it can be touched. It can be worn on everyone' s face.

Crossing the flyovers, drifting around the corners of the world, she and he step into a rapidly changing dream. They wait at the airport, watching the surge of time and space.

Can a spoon catch all the tears? It stays on the spine and reflects light.

The harmonica is played again and again. Waves reach the coast in slow motion.

What is 'Flow'? What is 'Moving'?

譚之卓 Zelia ZZ TAN ⽣於湖南，獲⾹港演藝學院賽⾺會全額獎學⾦在港留學，主修現代舞。曾與多位編舞家合 作。2015-2017期間到過九個國家演出及深造，包括芬蘭赫爾⾟基藝術節和法國舞蹈中⼼等 等。2019以實習舞者身份加入CCDC。 Zelia Tan was born in Hunan and studied modern dance at The Hong Kong Academy for Performing Arts on a full scholarship from The Hong Kong Jockey Club. She has worked with many choreographers and between 2015 and 2017, Tan pursued further study and performed in nine countries, including appearances at Helsinki Festival in Finland and Centre National de la Danse in Paris. She joined CCDC as a trainee dancer in 2019.

ROLLOUT 舞蹈影像展

《ROLLOUT 舞蹈影像展》⾃2016年⾸辦，是本澳兩年⼀度的舞蹈影像盛事。節⽬ 內容包括國際舞蹈影像競賽、世界舞蹈影像精選策展、焦點對談、⼯作坊、巡迴放 映及委約創作的綜合舞蹈影像活動等，展望在澳⾨建⽴⼀個舞蹈影像交流平台，探 索當中的多元⾯向，激發種種可能的舞蹈影像討論及發展。 2020年第三屆全球徵集共獲得來⾃89個國家及地區超過1,100部作品報名參展。入 圍影⽚分為競選和非競選類別，連同⼤會再從世界各地搜羅的作品，以多個特別專 題⼀連兩週於澳⾨放映，本屆部份節⽬同步進⾏線上放映，讓全球的舞蹈電影愛好 者有機會⼀同觀賞。同時，透過以“衛星點對點”為概念的海內外城市對接交流活 動，與各⽅舞蹈影像平臺攜⼿掀動舞蹈影像之浪潮，並推出“快拍48挑戰賽”開放全 球參與，⿎勵創作者發揮綿綿不絕的有機創意，回應Rollout的“滾動開展”之意，讓 拍的、跳的、看的都同時過⾜癮！

與談⼈／鄺華歡 Erik Kuong 創作創意有限公司營運及創作總監、點象藝術協會⾏政總監、劇場搏劇場製作⼈、 ROLLOUT舞蹈影像展策展⼈ 獨⽴製作⼈及策展⼈，「亞洲製作⼈平台」核⼼成員。從事藝術推廣⼯作及推動跨界 藝術創作。鄺氏於澳⾨政府機構從事⽂化推廣⼯作超過⼗年，策劃藝穗節及藝術節等 表演藝術節、電影節及其他節慶活動等節⽬。現為「劇場搏劇場 BOK Festival」製作 ⼈及「ROLLOUT舞蹈影像展」策展⼈。 2009年以獨⽴製作⼈身份策劃多項跨國藝術交流活動，於國際演藝市場推廣澳⾨新進 藝術家作品。曾策劃「澳⾨當代藝術在北京」、「澳⾨製造系列演出」於愛丁堡藝穗 節」及TPAM藝穗節。 Managing & Creative Director, Creative Links Ltd. Executive Director, Point View Art Association Creative Producer, BOK Festival Curator, ROLLOUT Dance Film Festival Erik is an independent producer and curator of interdisciplinary and intercultural projects. A core member of "Asian Producers' Platform". He has worked as programmer and festival producer in the cultural department of Macao government for more than a decade. He has produced fringe festivals, arts festivals, film festivals and other public festival events. He is the creative producer of BOK Festival and curator of ROLLOUT Dance Film Festival.

In 2009, he became an independent producer and focuses on curating international arts collaboration projects, producing collaborations between Asians and international artists.

Also, promoting Macau immerging artists to international performing arts market. He has curated Macao Contemporary Arts Festival in Beijing, Made in Macao series performances in Edinburgh Festival Fringe and TPAM Fringe in Yokohama.

ROLLOUT舞蹈影像展選映作品

通道 Passage 陳嘉強 Lorence, Chan Ka Keong / 郭瑞萍 Candy Kuok 澳⾨Macao｜2013｜05’01”

這是個很多年被很多⼈很多故事磨擦穿越的地⽅。 ⼀個⼈個體的意識對於地⽅來說只可說微不⾜道。 ⼀秒⼀分⼀時⼀天⼀⽉⼀年，還是⼀個時代， 其中許許多多的磨擦穿越，做成當下看到的斑駁，除了看到時間，還看到，已缺席的那些所 有過去的事與所有的⼈。 ⽇常，可會是⼀個⼈⼼靈終極需要的⼀種暫時狀態。 還是，所謂⼼靈無意識的存在，只是於⽇常中的⼀次出神。 ⼈是否現在的動物︖只在乎現在︖或者說：只在乎於⾃⼰存在的時空︖ 空間，被⼈有機地穿插、過渡及延展。 是否沒有⼈，空間就沒有記憶。 空間藉著⼈的存在，產⽣意義，或者說，⼈能給予空間意義。 創作意念｜郭瑞萍、陳嘉強、夏峻樺 編舞・舞者｜郭瑞萍 ⾳樂創作・⼤提琴演奏｜夏峻樺 ＠洛塔藝術協會 導演・剪接｜陳嘉強 攝製組｜勞嘉濠、黃敬騰、李嘉偉

This is a place where has been washed by many people and many stories by years of time. To the place, the consciousness of an individual is insignificant. It is that one second, one minute, one day, one month, one year, one century that gives colors of the present. Besides from time, what we could also see are all those people and things of the past that are absent at this moment.

Conception｜Candy Kuok , Lorence Chan , Raul Saldaña Choreographer / Dancer｜Candy Kuok Composer / Cellist｜Raul Saldaña ＠ Terrae Ignota Arts Association Director / Editor｜Lorence Chan Camera Crew｜Keo Lou , Benz Vong , Adrian Li

導演｜陳嘉強 Lorence, Chan Ka Keong 從事電影、視覺藝術及平⾯設計等多種媒介創作。⾃⼀九九九年起其作品於澳⾨及海外發表 並屢獲獎項。⼆零⼀⼆年出版個⼈藝術圖⽂集《場景》。⼆零⼀八年執導劇情電影《過雲 ⾬》公映。 Chan Ka Keong works in filmmaking and creative areas such as graphic design and visual art. Since 1999 Chan’s works have been released in Macau and at the international stage, winning him numerous awards. The graphic monograph "Scenario" by Chan was published in 2012. In 2018 Chan’s feature film “Passing Rain” was released.

編舞｜郭瑞萍 Candy Kuok 編舞、註冊舞蹈/動作治療師及瑜伽導師。近年創作多以關注澳⾨城市街區及環境變遷為主 軸的作品。除創作及演出外，郭氏亦致⼒於創造性及表達性藝術療育⼯作，希望透過創作和 教學，促進⼈與⼈之間的接觸和連繫，以藝術回饋社會。 Choreographer, Registered Dance/ Movement Therapist, Certified Yoga Teacher. In recent years, Candy has been creating dance works that enhance public awareness on the changes of the city landscape / environment. Candy also committed to creative and expressive art education and therapeutic work, with the ambition that through creative work and teaching, enhance connection between people and responding to the society.

ROLLOUT舞蹈影像展選映作品

消失的⽚段 Vanish Fragment ⾦曉霖 Alexis Kam / 汪圓清 Wang Yuanqing 北京 Beijing / 澳⾨ Macao｜2019｜01’57’’

總在某些瞬間，腦海裡會跑出⼀些⽚段，可能是熟悉的畫⾯，可能是完全被截斷過⽽不完整 的⽚段，也有可能是被遮蓋過⽽只能回想起斷斷續續的感覺。這些⽚段像熟悉的記憶，但從 想不起來是如何被⼤腦記錄下來的，可能是夢也有可能是想像出來的⽚段，但卻無意的與我 們的現實記憶混合在⼀起。 At some moments,fragments will be ran out of my mind.It may be a familiar picture.It may be a fragment that has been completely cut off and not complete. It may also be covered and can only recall the feeling of being intermittent.These clips are like familiar memories, but we never can be able to remember how they are recorded by the brain. It may be a dream or an imaginary clip, but it is unintentionally mixed with our real memory.

⾦曉霖 Alexis Kam

AWP 創辦⼈、現代舞者、編舞、表演藝術者 出⽣於香港在澳⾨⻑⼤，4歲開始接觸舞蹈。畢業於澳⾨演藝學院舞蹈學校，後畢業於北京 舞蹈學院芭蕾舞系，同年加北京雷動天下現代舞團，現為⾃由藝術⼯作者。參與2013年澳⾨ 城市藝穗節的”獨舞/雙舞展”、 2017”當代舞展及交流平台”特邀年編舞家、2020澳⾨藝 術節。對於與不同的藝術媒介合作感興趣，致⼒於策劃並實⾏與跨領域藝術之間的交流活動 和合作。尋找屬於舞蹈與不同媒介的關係，身體與媒介之間的語⾔，以及東⽅肢體語⾔的發 展。 Alexis Kam (b. 1992) is AWP Founder,contemporary dancer and performer. Born in Hong Kong and raised in Macau, Kam started her dance training at the age of four. She studied ballet at the Macau Conservatory, School of Dance, and continued her studies at the Beijing Dance Academy’s Ballet Department. She joined dance company Beijing Dance/LDTX in 2014, before leaving in 2020 to pursue her career as an independent artist. She has been invited to the 13th Macau City Fringe Festival for the “Solos/Duets Showcase” in 2013, Macau CDE Springboard 2017, and the 31st Macau Arts Festival (due to be held in 2021) to create and present new work. With an interest in working with different art genres, Kam is looking to take part in multidisciplinary collaborations and artistic endeavors.

ROLLOUT舞蹈影像展選映作品

晚潮 Night Tide 歐陽永鋒Ao Ieong Weng Fong / 莫倩婷 Jenny Mok 澳⾨ Macao｜2016｜10’37”

每個物質間都存在著⼀種介質。似乎看不⾒也捉不著，往往是透過物質的相互之間，我們才 能得以體驗。⽪膚的觸覺讓我們看得到的風，身體的感度體會到握不緊的流⽔。感官的反 應，經過介質傳到另⼀種物質裡，無形的製造出另⼀種風景。 Every substance has a medium and it seems like it cannot be seen and cannot be caught. We can only feel it through the interaction between substances. The sense of touch on our skin lets us see the wind and the flowing of water. These medium will pass the reactions of our sensations to another substance, resulting in whole new landscape. Beyond the landscape is like the tide, full of a natural force, creating friction between themselves.

2016 ROLLOUT觀眾票選獎 / 2016 ROLLOUT Audience Choice Award

導演｜歐陽永鋒Ao Ieong Weng Fong 別名善忘君，電影導演、⾊影師、社會觀察者。前後畢業於中興⼤學昆蟲系及雲林科技⼤學 視傳研究所。 曾於是2012年世界末⽇12⽉21 ⽇當晚舉辦個⼈攝影展《無聊戲silly goods》。 現任騷⼈映像（soso film ）的策略總監、閒⼈公社成員，公雞攝影同⼈誌編輯。 在學期間， 製作多部藝術短⽚及攝影創作，曾委任製作多部舞蹈影⽚，參與⾹港國際跳格舞蹈影展及澳 ⾨藝博館之展覽活動。實驗短⽚《屬於染⾊體紅的突變》，紀錄⽚《然⽽，我⾃⼰》曾獲「澳 ⾨國際電影及錄像展－澳⾨製造」的評審團推介獎，並入圍克羅埃西亞國際影⽚展。攝影集 《關於女孩的投幣照相機》，曾獲⽇本Epson百萬影像⼤賞佳作（Epson Color Imaging Contest 2006）。曾參與澳⾨⾸部院線電影《堂⼜故事2愛情在城－SAFA》之導演及全⽚後 期總監，並於2013年獲葡萄牙阿旺卡Avanca國際電影節奪得國際長⽚“特別表揚奬”。2018年 6⽉，憑借影⽚《藍⾊琥珀》獲得第21屆上海國際電影節「亞洲新⼈獎」最佳攝影。 Mike ,AO IEONG WENG FONG, Pseudonym”Forgetful Man” ，is a movie director,photographer,and social observer. He graduated in Department of Entomology（NCHU） Department and Graduate School of Visual Communication Design (NYUST) . he is alse the strategic director of “So So Film” & the member of “Comuna de Han-Ian ”.Mike hosted an individual photography exhibition of “silly goods” at doomsday of December 21, 2012 Experimental Film ”The Mutation” and documentary “But Myself ” was awarded by “Jury Recommendation Award ”in the 2008 and 2013 Macau International Movies and Videos Festival.

Photo album “About The Girl ‘s Coin Camera” was awarded by EPSON Color Imaging Contest 2006.

After graduation, he returned to Macau, opened his own video production studio, successfully continuing his creative expression and commercial work in field of education, dance videos, art movies, exhibitions, collaborations with artists from Beijing, Shanghai, Portugal, etc.

He's also one of the directors of a feature film '' Macau stories2 - Love in the city '' , that was the first Macau production feature film, showed in cinemas across Macau and on international festivals.

He also collaborated on this project as post production producer. In 2011 this movie was nominated to Hong Kong Asian Film Festival, and the same year was awarded by International meeting of Cinema, TV, video and multimedia AVANCA international award 2012.

編舞｜莫倩婷 Mok Sin Teng ⽯頭公社主席、導演、演員。畢業於比利時布魯塞爾International School of Theatre LASSAASD。2007年畢業於澳⾨⼤學英語⼀般課程。17歲開始接觸表演藝術⼯作，並成為 其熱⼼活躍的⼀份⼦。對跨⽂化創作尤感興趣，曾經與多個本地及外地戲劇團體合作。亦曾 多次赴外演出及發表導演作品，包括⾹港、北京、南京、台灣、泰國、法國、英國、葡國、 巴西等。其中2014年憑導演作品《The Mute Quire》於愛爾蘭⼽威爾藝穗節獲「最佳國際演 出⼤獎」。曾擔任2017年拉丁幻彩⼤巡遊開幕之執⾏導演，並曾為過住城市藝穗節⼤巡遊之 執⾏團隊。 Recent president of Comuna de Pedra, Jenny primarily works as a director and performer, as well as an educator. She graduated from École International de Theatre LASSAAD (Beglium) and University of Macau, English General Program. Jenny ‘s work is usually multi-disciplinary and she is particularly interested in crossed-cultural collaborative projects. She has directed over 20 performing art pieces vary from physical and dance theatre, dramas, musicals, children theatre, to experimental black box theatre. She has performed and presented her work in festivals and theatres in Hong Kong, Beijing, Nanjing, Taiwan, Thailand, Belgium, Portugal, France, Ireland, England, Brazil, etc. Besides, the artist’s have been frequently commissioned by Macau International Arts Festival and Macau City Fringe Festival. The Mute Quire, directed by her, was awarded The Best International Performance in Galway Fringe Festival 2014.

ROLLOUT舞蹈影像展選映作品

Sleep Walker 歐陽永鋒 Ao Ieong Weng Fong / Alice Joana Gonçalves 澳⾨ Macao / 波爾圖 Porto｜2013｜5’37”

某些⽇常之記憶與幻想, 都會成為觸動身體的⼩刺點(Punctum), 在睡夢裡不知覺地投射出來. 試著為⾃⼰做⼀次的記憶夢遊者, 去尋找身體與想像的連結.

Certain daily memories and fantasy, become small Punctums which stimulating the body.

The punctum is being projected in the dream unconsciously, and trying to be a sleepwalker of memories in fantasy for itself, seeking the connection between body and imagination.

歐陽永鋒 Ao Ieong Weng Fong 別名善忘君，電影導演、⾊影師、社會觀察者。前後畢業於中興⼤學昆蟲系及雲林 科技⼤學視傳研究所。 曾於是2012年世界末⽇12⽉21 ⽇當晚舉辦個⼈攝影展《無 聊戲silly goods》。現任騷⼈映像（soso film ）的策略總監、閒⼈公社成員，公雞 攝影同⼈誌編輯。 在學期間，製作多部藝術短⽚及攝影創作，曾委任製作多部舞 蹈影⽚，參與⾹港國際跳格舞蹈影展及澳⾨藝博館之展覽活動。實驗短⽚《屬於染 ⾊體紅的突變》，紀錄⽚《然⽽，我⾃⼰》曾獲「澳⾨國際電影及錄像展－澳⾨製 造」的評審團推介獎，並入圍克羅埃西亞國際影⽚展。攝影集《關於女孩的投幣照 相機》，曾獲⽇本Epson百萬影像⼤賞佳作（Epson Color Imaging Contest 2006）。 曾參與澳⾨⾸部院線電影《堂⼜故事2愛情在城－SAFA》之導演及全⽚後期總監， 並於2013年獲葡萄牙阿旺卡Avanca國際電影節奪得國際長⽚“特別表揚奬”。2018年 6⽉，憑借影⽚《藍⾊琥珀》獲得第21屆上海國際電影節「亞洲新⼈獎」最佳攝影。 Mike ,AO IEONG WENG FONG, Pseudonym”Forgetful Man” ，is a movie director,photographer,and social observer. He graduated in Department of Entomology（NCHU）Department and Graduate School of Visual Communication Design (NYUST) . he is alse the strategic director of “So So Film” & the member of “Comuna de Han-Ian ”.Mike hosted an individual photography exhibition of “silly goods” at doomsday of December 21, 2012 Experimental Film ”The Mutation” and documentary “But Myself ” was awarded by “Jury Recommendation Award ”in the 2008 and 2013 Macau International Movies and Videos Festival. Photo album “About The Girl ‘s Coin Camera” was awarded by EPSON Color Imaging Contest 2006.

After graduation, he returned to Macau, opened his own video production studio, successfully continuing his creative expression and commercial work in field of education, dance videos, art movies, exhibitions, collaborations with artists from Beijing, Shanghai, Portugal, etc.

He's also one of the directors of a feature film '' Macau stories2 - Love in the city '' , that was the first Macau production feature film, showed in cinemas across Macau and on international festivals. He also collaborated on this project as post production producer. In 2011 this movie was nominated to Hong Kong Asian Film Festival, and the same year was awarded by International meeting of Cinema, TV, video and multimedia AVANCA international award 2012.

ROLLOUT舞蹈影像展選映作品

起航．荔枝碗 劉迎宏 LIU Ying Hong 澳⾨ Macao｜2020｜6’31”

荔枝碗（舊船厰）是⼀個歷史階段的變遷，它透出這⼀絲無奈，因為造船廠的沒落，寂靜的 廢舊廠房雜草叢⽣，無⼈問津！我不經意的經過，看到⼀位⽼⼈家習慣性的每天都待在廠 房，默默地造他⼼中的⼩⽊船！ Lai Chi Vun shows a transition in the history of Macao. The abandoned shipyard reveals a sense of helplessness, a void created with the decline of the shipbuilding industry. I passed by one day, and saw an old man making his own little wooden ship silently, a man who still goes to this shipyard everyday.

劉迎宏 LIU Ying Hong 國家⼀級演員 澳⾨舞蹈總會副會長 ⾹港舞蹈團前⾸席演員 澳⾨青年舞蹈團 濠江舞蹈團 藝術總監 主演過近三⼗部舞劇作品。代表作《霸王別姬》《塵埃落定》《清明上河圖》《笑傲江湖》 《弟⼦規》等 中國《荷花獎》舞蹈⼤賽⾦獎.舞劇最佳男主角！⾹港舞蹈年獎 維也納國際舞蹈⼤賽.柏林國際舞蹈⼤賽最佳編舞獎！澳⾨回歸祖國⼆⼗週年慶祝晚會《澳 ⾨情·中國⼼》執⾏導演。 National first-class performer in China Vice President of Macao Dance General Association Previous Principal Dancer of Hong Kong Dance Company Artistic Director of Macao Youth Dance Troupe and Hou Kong Dance Group Lead role in over 30 dance dramas and performances, including "Farewell my Concubine", " Red Poppies", "Qingming Riverside", "The Smiling, Proud Wanderer" and "Di Zi Gui" etc.

Recieved the Best Actor Award in the 2004 Hehua Cup Dance Competition (Dance Drama Division) and the Hong Kong Dance Award in 2007.

Executive Director of the Gala Performance marking Macao SAR 20th anniversary “Passion of Macao, Heart of China"

島嶼身景，舞影漫遊— 2020青年舞蹈影像培育計畫 計畫主持⼈∕導師：彭筱茵 協同策劃∕導師：呂威聯 協同策劃：黎宇⽂ 攝影指導：陳逸書 剪輯顧問：曾煥炘 ⾏政統籌：鍾儀 助教暨⽰範舞者：陳怡靜、陳福榮 美術顧問：彭宇弘 臺南場｜ 合作單位：曙光種籽舞團∕李佩璇 客席藝術家：Nigel Brown 彰化場｜ 合作單位：基⽯淳園協會∕吳志寧 客席藝術家：吳晟 臺東場｜ 合作單位：洄廊、WeArt表演藝術平台 客席藝術家：林奕其、洪瑋翎

舞映島 ‒ 臺灣國際舞蹈影像展 暖場交流放映 主辦單位：舞蹈⽣態系創作團隊、舞映島—台灣舞影聚落 協辦單位：台北國際藝術村、Jumping Frames跳格國際舞蹈影像節、 Rollout Dance Film Festival舞蹈影像展 贊助單位：⽂化部(⼯作坊)、國家⽂化藝術基⾦會(駐地創作)