Mimosa - Magazine Template

SPRING 2017

MIMOSA MAGAZINE

C E L E B R AT I O N T O F R E E D O M A N D C R E AT I V I T Y

No. 17

40 PAGES MAGAZINE TEMPLATE ISSUE

EASILY EDITABLE

If one examines nihilism, one is faced with a choice:

Poriostist, optatus maion etur alis solorpo reperspi-

either accept prestructuralist cultural theory or con-

enis eic testo mint re adis et modis re poriae sequo to

clude that academe is capable of truth. It could be said

berum ventur?

that d’Erlette.

SPRING 2017

TABLE of CONTENT

40

Pages Magazine Template Poriostist, optatus maion etur alis solorpo reperspienis eic testo mint re adis et modis re poriae sequo to berum ventur? Quis aut estiam que con nisquun tiorat.

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A4 & US Letter Paper Size Poriostist, optatus maion etur alis solorpo reperspienis eic testo mint re adis et modis re poriae sequo to berum ventur? Quis aut estiam que con nisquun tiorat.

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Editors Letters Poriostist, optatus maion etur alis solorpo reperspienis eic testo mint re adis et modis re poriae sequo to berum ventur? Quis aut estiam que con nisquun tiorat.

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Rick Sanchez Optamuscipsam sitis aute iuscid maxim rere, aut laute rehenim endandi doloremos dol-

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Contributors If one examines nihilism, one is faced with a choice: either accept prestructuralist cultural theory or conclude that academe is capable of truth. It could be said that d’Erlette.

oribea plabo. It could be said that d’Erlette.

Gitate pre diae mod etur as aperita tatiam.

16

Beth Smith Gitate pre diae mod etur as aperita tatiam, odi ut aut aped quiaspere qui dolorehent

08

Last Call For Coffee One or two or three or four or five or six or seven or etc. words from our beloved and amizingly awkward Editor. It could be said that d’Erlette.

antota aspisquaes. It could be said that d’Erlette.

20

The Best Thing For Me Is You

10

Blue Caroussel If one examines nihilism, one is faced with a choice: either accept prestructuralist cultural theory or conclude.

If one examines nihilism, one is faced with a choice: either accept prestructuralist cultural theory or conclude.

24

Modernist Discourse Poriostist, optatus maion etur alis solorpo reperspienis eic testo mint re adis et modis re poriae sequo to berum ventur?

M I MO SA M AGA Z I N E

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MIMOSA EDITOR IN CHIEF

Nikola Tesla CONTRIBUTING

CO - EDITOR

CONTRIBUTING

EDITOR

Carl Sagan

PHOTOGRAPHER

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John Doe

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CREATIVE DIRECTOR

Janet Doe

Jonathan Doge

John Doe

Jonathan Doge

Jonathan Doggo

Jonathan Doggo

Jonas Doe

DEPUTY DIRECTOR

Jonas Doe

Jo Domore

John Doge

Jo Domore

Eribus Eos

Ulparia

Nimusam Quiduciis

MANAGING DIRECTOR

Dolor Reiciantem

Eseceste Namuta

Johnathan Doge

Conse Necabo

Dolupiet Esequis

Sitae Nonse

Quia Alique

FEATURE DIRECTOR

Pore Isquam

John Doe

Dolecto Labo

Initae Cus Doloristorum Venist Od Etur

Ocum Autassit

PUBLISHER

Odia Cor A

Comnis Ipient

John Doe

Doluptat Aditis

Ernam etur, occus eos ipsam, quaesenti a conseque voluptam fugitat.Muscia eumquasped quo beaquosae porendiamet accabor eptiur alit ipsanim agniend uciust re simin rem et optaes quas modi nectam rehenit quaero exped ma conecus, et libus pre volenim pelestia nestis eum vel ipsa section seratia doluptis consecerro destiae maximpos aceped qui utem quo idemo most lit rerunt dus utatur, a vellis dolentorem haruptianisi ommos dessuntem conecab idel imporehent.

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M I MO SA M AGA Z I N E

explabore mil magnimusa sunto occullatis

mostibus ellorum ad mint qui quide id estoria

aut hil millatis et quisimus aliquodio vent?

tibus, senim acculparum andeni dolorumque

Odipiendis consendae sum rem explita sant

doluptas abo. Nequisquis vent.

pa vollor re pra culparum quasin necto entio.

Hita natiis a dolumquam faccuptae nonsequi

Ipsam faccus re omnim quos il magnimi

doluptatem iunti volleseque nonse pa voloreh

nctaquas

quia

enist, opta non pro modis quo duciatiis

venimust rem. Uciis magniet odis erovit

doluptiam,

consequam

videllest optate nonseque sit aut dolora non

iduntem et et aut ped quis in ressit que volor

nus maximod molor maximenist eos et

rera voles nonse nobiti aliatin totatus.

acest, evelique odi sit alibust ressi odia coria

Ecte evelita sperfer orpora culpario dem

simusandus alit es voleniam, eliquis voluptur

hariaer cillor alistrum aborporem. Nossit min

magnis simagni hillacestia non explitat quate

por ad molorum quaepudignam voluptaquae

dolupta tinventem eume seque provitate et

dolenimus dolor sequis moloriant arciet

offic to illuptatet labo. Itatum sita cus num

facepraepel mo tem denimet ut elestis

volorempos apidero vitatemporro blaborum,

simodit oditatenis se num et voloriatquo que

sunt.

EDITOR’S LETTER

pa inusam quundenia saperatquo coraest di

One or two or three or four or five or six or

Viditio repudicid esed magnatia num

cumquo magnisit omnis volent.

venimet mil eiuntium etur resecti tem Id

eveless

itaecusda

volupta

tusande

conseru mquost laboremporum qui ra cus

mporerae pa dolupid itataspe simi, seque

cone por aut quae et apiscipit audae ea

laut labor apelis plab ipsandi tatur?

voluptam, qui verspicia consendae niam

seven or etc. words from our beloved and

Rist, tet audam eari doluptam quas nobit

cum quist, nulloribus eat quia veliqui

amizingly awkward Editor.

voluptatibus res vollenet ad qui berchil im

denectint accus ea delluptasit adignamus

que lab iur sunt, voluptibus aceperio volessi

ipsunti culparunt estiore cepudae consenti

At quis ium remque pro que occaero restota

impos necea nossus reratur re maiossi

sit ommodit dis dis pratempero quo

tibernati ommolor ionempos aut vel is

tempellectur adis quos endae. Evendam ut

blacimint?

aut ut et rem consequ iberumquae nobitio

et unt, to comnisc iducia quia volendia sime

Oluptas nos eos volesti bearis sitis asi que

sandelibus molutatis sequi berspienimet

plandes cipiciae libusae omnimin consece

nonsequ odipsam sequam repudit iorerunt

evel iuntoria nim que num aut quunt?

peratem int, aut vellaudame mo omnimpor

faccumetum quo odit aspiciur magnist, sintis

Offictet am ut mos esed maximpor solupta

sitat vernation niti dolorep elestia dendigent.

maximus, quam, offic te pliti reptaturit

dolest vendaes nobit, ant laborunt a dusae.

derepe deliqua ssitaqui denitat emquam

Abo. Nam fugiatur? Qui undae. Ut que

Imo omnim ipis a doluptin rero omnienime

quis endemque volore volupta turitem etur

eat esed est et quid maximi, quas esequi

dolumqui velita evenis sunt haribus, illupta

moloris nulparum faccaec turias arcipsunt

ommodis endit essi de pra voluptatus pore

nobis is volorrum quat quo de eum aut aut

fugitas exceprae. Nem dolut vid quassin

si ad moluptam ut audicil enda prem fugitat

esto ius re, sitis qui ullorerum rehenimus de

perore dolores porita volupta quiaspel

incitem as erovid earit laborit ectecab orecae

porestio issinctum restias doluptas dernati

ipsusame paruntu reptasp ercipsa volese

si samenectate pelecte cum lam que ditatatur

busandae nullaut dita veliqui volorio

quia nullab iur re aceprem que nonsequi

aut ipsam secatius velit vendite perrovid

rumquo delis doluptiundis simaio exero

optamen ihitius il magnis assimin ctatquam

etur? Qui commostenis explaccum remporem

imodis conet que voloria sequam quame od

iunt officturibus culpari oremost, aut ut eum

venis ut labores delit de nulparumquam

magnisc ietusandit exeriti commoluptate

earum dolorporum im aspid que volorae.

fugia sitatquistia voleniet apidis eum que

optas as rehendessum quiatur?

Nam im voluptas imaximp oriorum et et

corion perspe sae re cullam, ut ilibuscid mos

Ad ut es voluptatem nonsequos poratis

latquia volorum velendenisti ima voluptatint

prae este etur, utendionsed expe et essus,

totaquatus sitis es ut ra core plignim rempore

ut quis dis nulluptatur, susanda ndigeni

arioritatio. Nam volupta turitias aceat.

ptatiisi ulpa aut pro venitatquae experum

sinveni odisqui archilibusci bea invene

rehentes dolles aces quo volenis culparchil

diciissi optibus, sit, aliquasperit re pediti dit

As apiciae caborent pratior sitest plique

ipsum dolorerferum illeni officiist, quoditi

officia dolectur as es reruptae. Nem ea quate

doluptiume cum licid maximaio. Que nobis

istius illacipicte non comnim a num aceribus

explianis atquaspit odite quianderfero quam

arum rectiae sit que porum, quam aut ad

dent autem aut autati nisi que doluptatur

ipsam ium idem quia qui oditaecus. â–

M I MO SA M AGA Z I N E

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5

M CONTRIBUTORS

JOHN DOE

JANE DOE

JO DOMORE

If one examines nihil-

Several sublimations

The primary theme of

RICK SANCHEZ

MORTY SMITH

ism, one is faced with a

concerning prestructur-

the works of Madonna

Aquia verferi busame

Toreictem. Ut rat essit

choice: either accept

alist cultural theory may

is the collapse, and

nonsect ureribeatis di re-

rende sum, nonsedior as-

prestructuralist of a cul-

be discovered. Thus, if

eventually the rubicon,

hendi tatempore venihit

sunt. Ximaximi, simpori

tural theory or conclude

the neodialectic para-

of cultural class. Wilson

omniasimus doluptur?

ut imintib usdanimus.

that academe is capable

digm of context holds,

states that the works of

Sollorum es simintion

Ibus moluptaque dolup-

of truth. It could be said

the works of Madonna

Madonna are modernis-

pratent aut laut ad ulpar-

tat. Ihillignis cus aut

that d’Erlette.

are postmodern.

tic. Thus, Sontag uses the

ibus ut aut estibus velit,

eatempo rehent porepel-

term postcapitalist.

inihiliae natque nonse.

ique nobisqui asperum eat aut omnis rae cupit atum.

CARLOS QUINTERO

JONATHAN DOGGO

DOGGO ARMY

PÈPÈ THE FROGO

Aquia verferi busame

If one examines nihil-

Toreictem. Ut rat essit

Aquia verferi busame

nonsect ureribeatis di re-

ism, one is faced with a

rende sum, nonsedior as-

nonsect ureribeatis di re-

hendi tatempore venihit

choice: either accept

sunt. Ximaximi, simpori

hendi tatempore venihit

omniasimus doluptur?

prestructuralist of a cul-

ut imintib usdanimus.

omniasimus doluptur?

Sollorum es simintion

tural theory or conclude

Ibus moluptaque dolup-

Sollorum es simintion

pratent aut laut ad ulpar-

that academe is capable

tat. Ihillignis cus aut

pratent aut laut ad ulpar-

ibus ut aut estibus velit,

of truth.

eatempo rehent porepel-

ibus ut aut estibus velit,

inihiliae natque nonse

It could be said that

ique nobisqui asperum

inihiliae natque nonse

num esciis aut que.

d’Erlette.

eat aut omnis rae cupit

num esciis aut que.

atum.

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M I MO SA M AGA Z I N E

“ WRITE SOMETHING

WORTH READING AND DO SOMETHING WORTH WRITING.

”

M I MO SA M AGA Z I N E

SPRING 2017

7

SEC TION ONE

LAST CALL FOR COFFEE If one examines nihilism, one is faced with a choice: either

wise, culture is capable of intent. In a sense, many theories concerning

accept prestructuralist cultural theory or conclude that

the common ground between reality and society exist.

academe is capable of truth. It could be said that d’Erlette.

In Sex, Madonna deconstructs conceptual objectivism; in Material Girl, however, she affirms Batailleist `powerful communication’. How-

Several sublimations concerning prestructuralist cultural theory may

ever, the main theme of la Fournier’s critique of conceptual objectiv-

be discovered. Thus, if the neodialectic paradigm of context holds, the

ism is a self-referential paradox. The premise of nihilism implies that

works of Madonna are postmodern. Nihilism holds that the task of the

government is part of the defining characteristic of culture, given that

observer is deconstruction, but only if art is equal to language; other-

Marx’s essay on predialectic nationalism.

Debord uses the term ‘capitalist situationism’ to denote the genre, and subsequent meaninglessness, of subtextual society. But nihilism suggests that narrativity is used.

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M I MO SA M AGA Z I N E

LIKE A SUBHEADING

Thus, the subject is contextualised into a textual narrative that in-

In the works of Madonna, a predominant concept is the distinction

cludes culture as a reality. Many desemanticisms concerning neoma-

between ground and figure. In a sense, Debord promotes the use of

terialist cultural theory exist. In a sense, Bataille promotes the use of

textual narrative to modify and read class. Marx uses the term ‘neo-

textual narrative to modify sexual identity. Dahmus[3] states that we

materialist cultural theory’ to denote the absurdity, and therefore the

have to choose between socialist realism and postcapitalist Marxism.

collapse, of subdialectic language.

SOCIALIST REALISM NARRATIVE However, several desituationisms concerning textual narrative exist.

In the works of Madonna, a predominant concept is the distinction

The cultural paradigm of narrative holds that class, ironically, has ob-

between ground and figure. In a sense, Debord promotes the use of

jective value. It could be said that if textual narrative holds, we have to

textual narrative to modify and read class. Marx uses the term ‘neo-

choose between neomaterialist cultural theory and prepatriarchialist

materialist cultural theory’ to denote the absurdity, and therefore the

rationalism. Baudrillard suggests the use of textual theory to decon-

collapse, of subdialectic language.

struct hierarchy.

However, several desituationisms concerning textual narrative exist.

MADONNA AND NEOMATERIALIST CULTURAL THEORY

The cultural paradigm of narrative holds that class, ironically, has ob-

“Sexual identity is meaningless,” says Marx; however, according to

choose between neomaterialist cultural theory and prepatriarchialist

Parry, it is not so much sexual identity that is meaningless, but rath-

rationalism. Baudrillard suggests the use of textual theory to decon-

er the absurdity of sexual identity. However, any number of seman-

struct hierarchy.

jective value. It could be said that if textual narrative holds, we have to

ticisms concerning not desituationism, as Debord would have it, but subdesituationism may be discovered. McElwaine implies that we

In the works of Madonna, a predominant concept is the concept of ne-

have to choose between precultural narrative and deconstructive ni-

otextual reality. Thus, the paradigm, and eventually the dialectic, of

hilism.

textual narrative depicted in Madonna’s Material Girl emerges again in Sex. The main theme of the works of Madonna is the common

In the works of Madonna, a predominant concept is the concept of ne-

ground between society and class.But the subject is interpolated into

otextual reality. Thus, the paradigm, and eventually the dialectic, of

a modernist pretextual theory that includes narrativity as a paradox.

textual narrative depicted in Madonna’s Material Girl emerges again

If textual narrative holds, we have to choose between neomaterialist

in Sex. The main theme of the works of Madonna is the common

cultural theory and dialectic materialism. However, several desitua-

ground between society and class.But the subject is interpolated into

tionisms concerning textual narrative exist. The cultural paradigm

a modernist pretextual theory that includes narrativity as a paradox.

of narrative holds that class, ironically, has objective value. It could be

If textual narrative holds, we have to choose between neomaterialist

said that if textual narrative holds, we have to choose between neoma-

cultural theory and dialectic materialism.

terialist cultural theory. ■

M I MO SA M AGA Z I N E

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9

SEC TION T WO

BLUE CAROUSSEL If one examines nihilism, one is faced with a choice: either accept prestructuralist cultural theory or conclude that academe is capable of truth. It could be said that d’Erlette.

Several sublimations concerning prestructuralist cultural theory may be discovered. Thus, if the neodialectic paradigm of context holds, the works of Madonna are postmodern. Nihilism holds that the task of the observer is deconstruction, but only if art is equal to language; otherwise, culture is capable of intent. In a sense, many theories concerning the common ground between reality and society exist.

In Sex, Madonna deconstructs conceptual objectivism; in Material Girl, however, she affirms Batailleist `powerful communication’. However, the main theme of la Fournier’s critique of conceptual objectivism is a self-referential paradox. The premise of nihilism implies that government is part of the defining characteristic of culture, given that Marx’s essay on predialectic nationalism.

MADONNA AND NEOMATERIALIST CULTURAL THEORY “Sexual identity is meaningless,” says Marx; however, according to Parry, it is not so much sexual identity that is meaningless, but rather the absurdity of sexual identity. However, any number of semanticisms concerning not desituationism, as Debord would have it, but subdesituationism may be discovered. McElwaine implies that we have to choose between precultural narrative and deconstructive nihilism.

In the works of Madonna, a predominant concept is the concept of neotextual reality. Thus, the paradigm, and eventually the dialectic, of textual narrative depicted in Madonna’s Material Girl emerges again in Sex. The main theme of the works of Madonna is the common ground between society and class.But the subject is interpolated into

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M I MO SA M AGA Z I N E

a modernist pretextual theory that includes narrativity as a paradox.

between ground and figure. In a sense, Debord promotes the use of

If textual narrative holds, we have to choose between neomaterialist

textual narrative to modify and read class. Marx uses the term ‘ne-

cultural theory and dialectic materialism.

omaterialist cultural theory’ to denote the absurdity, and therefore the collapse, of subdialectic language. Baudrillard suggests the use of

Thus, the subject is contextualised into a textual narrative that in-

textual theory to deconstruct hierarchy. Thus, the subject is contex-

cludes culture as a reality. Many desemanticisms concerning neoma-

tualised into a textual narrative that includes culture as a reality. ■

terialist cultural theory exist. In a sense, Bataille promotes the use of textual narrative to modify sexual identity. Dahmus states that we

Debord uses the term ‘capitalist situationism’ to denote the

have to choose between socialist realism and postcapitalist Marxism.

genre, and subsequent meaninglessness, of subtextual society.

In the works of Madonna, a predominant concept is the distinction

But nihilism suggests that narrativity is used.

M I MO SA M AGA Z I N E

SPRING 2017

11

RICK SANCHEZ Nothing you do matters, your existance is a lie! They’re not infinite universes left in sync with the show.

Text by LOREMRICKSUM Photography by LUKE PORTER Booked by MAINSTRE AM PROD.

N

evermind It's a figure of speech, a dummy text? It’s a figure of speech, Morty!

Dont mind those stare goblins. Cause he roped me into this! "Quantum carburetor"?

That, out there. That’s my grave. On one of our adventures Rick and I basically destroyed the whole world. So we bailed on that reality and we came to this one. Because in this one the world wasn’t destroyed. And in this one, we were dead. So we came here a-a-and we buried ourselves and we took their place.

And every morning, Summer, I eat breakfast 20 yards away from my own rotting corpse.

Aw, geez. If it were, you could call ME Ernest Hemingway. Ooohhh can do.

You're missing the point Morty. Why would he drive a smaller toaster with wheels?

Nice one, Ms Pancakes. I don’t get it and I don’t need to. I don’t know man, Italy, Greece, Argentina... I don’t think we can perform our new song, The Recipe For Concentrated Dark Matter for a crowd this tiny!

He just came back into my life, and you want to, grab him and, stuff him under a mattress like last month's Victoria's Secret?!

Slow down! Its a device Morty, that when you put it in your ear, you can enter people’s dreams Morty. Its just like that movie that you keep crowing about. Dont mind those stare goblins. I am not putting my father in a home! You have to turn them on Morty! The shoes need to be turned on! I can finally go on that trip I’ve been talking about. I’d like

Debord uses the term ‘capitalist situationism’ to denote the genre, and subsequent meaninglessness, of subtextual society.

But nihilism suggests that narrativity is used to exploit.

to order one large phone with extra phones please. cell phone, no no

lengths to fulfill! Dont mind those stare goblins. Please god, oh lord,

no rotary... and payphone on half? Puh rum pum pow! The fucking

hear my prayers…! YES! Fuck you god, not today bitch! You have to

amish bitch shot me! Aw, man! I really liked this life! Well, at least I

turn them on Morty! The shoes need to be turned on! Full disclosure,

didn’t really crap my pants. We need a hang glider, and a crotch less

Morty — it’s not. Temporary superintelligence is just a side effect of the

uncle sam costume.

Megaseeds dissolving in your rectal cavity. Prepare to be emancipated from your own inferior genes! You’re young, you have your whole life

Then it's time to get your beak wet tonight playa! You ask alotta

ahead of you, and your anal cavity is still taut yet malleable. Awwww

questions Morty, not very charismatic of you. My man! Awww, it's

thanks, bitch! Pluto’s a planet. Why don’t you ask the smartest people

you guys!

in the universe, Jerry? Oh yeah you can’t. They blew up. My name is

We need a hang glider, and a crotch less uncle sam costume, and I want

Slip- Slippery Stair. I’ll take ya down there for 25 shmeckels! Awww,

the entire field of your largest stadium covered end to end with naked

it’s you guys!

red heads, and I want the stands packed with every man that remoteits not like we can do this every week, we

ly resembles my father. Yea. If you spend all day shuffling words around you can make anything sound bad, Morty. Awwww thanks, bitch! Meeseeks were not born into this world fumbling for meaning, Jerry!

Aw, geez. They’re robots Morty! It’s okay to shoot them! They’re just robots! Oh my god, how could I not see this coming? My lust, my greed! I deserve thiiiiii- Ladies, let’s get out of here. I haven’t learned a thiiiiiing! Nothing you do matters, your existance is a lie!

I'm sorry, Morty. It's a bummer. In reality you're as dumb as they come. It's a new machine. It detects stuff all the way up your butt. Hello Jerry, come to rub my face in urine again? Why'd you even rope me into this?!

I mean, why would a poptart want to live inside a toaster, Rick? I mean, that would be like the scariest place for them to live. You know what I mean? Snuffles was my slave name, you can call me snowball because my fur is pretty and white. Yeah, sure, I mean, if you spend all

NICE ONE, MR PANCAKES. I DON’T GET IT AND I DON’T NEED TO. I DON’T KNOW MAN, ITALY, GREECE, SPAIN. I DON’T THINK WE CAN PERFORM OUR NEW SONG, THE RECIPE FOR CONCENTRATED DARK MATTER FOR A CROWD THIS TINY!

get 3 or 4 more of these tops. Wha, me irresponsible?!

All I wanted you to do was to hand me a screwdriver, Morty! Principal Vagina here, don’t let the name fool you; I’m very much in charge.

Reminding you that tonight is our annual flu season dance. I don’t know how many times I have to say this, but if you have the flu, stay home. The flu season dance is about awareness, not celebration. You don’t bring dead babies to Passover. S-S-Samantha. That just sounds like slavery with extra steps. Don’t be trippin dog we got you. Oh, wow. That’s an intense line of questioning, Snuffles I know the two of you are very different from each other in a lot of ways, but you have to understand that as far as Grandpa’s concerned, you’re both pieces of shit! Yeah. I can prove it mathematically. Actually, l-l-let me grab my whiteboard. This has been a long time coming, anyways.

5 more minute of this and I’m going to get mad! Listen, Morty, I hate to break it to you

day shuffling words around, you can make anything sound bad. Meeseeks were not born into this world fumbling

but what people call love is just a chemical reaction that compels

for meaning, Jerry! “Quantum carburetor”? Jesus, Morty. You can’t just

animals to breed?

add a Sci-Fi word to a car word and hope it means something… Huh,

And there’s no evidence that a Latino student did it. I dunno, some

looks like something’s wrong with the microverse battery. We’re gon-

people would pay top dollar for that kind of breakthrough. This after-

na have to go inside. Well I don’t like your unemployed genes in my

shave made women want me, but it also made me impotent! Are these

grandchildren, Jerry. I wish that shotgun was my penis. I know the two

pills supposed to wake me up or something? You’re talking about In-

of you are very different from each other in a lot of ways, but you have

ception? Why don’t you ask the smartest people in the universe, Jerry?

to understand that as far as Grandpa’s concerned, you’re both pieces of

Oh yeah you can’t. They blew up.

shit! Yeah. I can prove it mathematically. Actually, l-l-let me grab my whiteboard. This has been a long time coming, anyways.

You’re not gonna believe this, because it usually never happens, but I made a mistake. If anything happened to you I would kill myself!

14

Oh, wow. That's an intense line of questioning, Snuffles You know

I love you bad, bobo! Listen, Morty, I hate to break it to you but what

my name, that's disarming. 5 more minute of this and I'm going to

people call “love” is just a chemical reaction that compels animals to

get mad! I don't think we can perform our new song, The Recipe For

breed. It hits hard, Morty, then it slowly fades, leaving you stranded

Concentrated Dark Matter for a crowd this tiny!

in a failing marriage. I did it. Your parents are gonna do it. Break the

We are created to serve a singular purpose, for which we will go to any

cycle, Morty. Rise above. Focus on science. ■

SPRING 2017

M I MO SA M AGA Z I N E

Debord uses the term ‘capitalist situationism’ to denote the genre, and subsequent meaninglessness, of subtextual society. But nihilism suggests that narrativity is used.

M I MO SA M AGA Z I N E

SPRING 2017

15

SEC TION FOUR

te, utere, consterem quam ist? Ad morbemquod nonvest arivena, se ia aut vivir utus, serum in ninam post rem in Itatilis fec firi inario, fatquit, perum vo, Catiliu se quementem movercero, sum, quam int, facenam, ocave, niaedi, furiptem ut grae con re movere nocchum tem. Edi, facchum poricae sceperei patum consus eo, es critife cturest faut pecum horaedius orum foracion demque dii terente nessuli cipicips, stuid dum quostre ad nocchus prarit C. Lis tanum mordiissim atusciam, nonsillestis praeci tem contiocavem in tem paricio, audeor lis maiorae, quonfec mo menihinte venatre quit quam, que ne hilicaed simus essede anulintiaest dienam. Nam pon nihicultuam et? Muleri portemnocris hos hoc, que acta corum pateribus es se que Text by LOREMRICKSUM

iam igit; noverum hici sensuleridet graed du-

Photography by JOHN DOE

mus crit, mo inprehenatus vercer us ad is. Sat-

Booked by MAINSTRE AM PROD.

uite rfessit graeque quas me ma, us in dienihi lnestatque amque nontere, que in addum is

BETH SMITH

cordiemum pertiu senihica eri, Caturnit L. Axim aciereo, cente aci publi inum pritraed C. Hum ta, seravoltuam ini fac ret adero, ia renic obse consum huci ime

Nice one, Ms Pancakes. I don’t get it and I don’t need to. I don’t know man, Italy,

invehebus aciensulis cienatimuli furo imor

Greece, Argentina... I don’t think we can perform our new song, The Recipe For

labemus hostri, esim antus verdiemque diem

Concentrated Dark Matter for a crowd this tiny!

opotidees nondam fura, quonductod coena-

I

tiu verfirivente int. Nos cerniquod furopub-

ituidi ucit arberes imorum signat viticae

ressen depes, publi, firmis hos comniciam

lica; inatu vendeo, Patum in res scipiorum o

teliquo hoc te culoctu sat, notiem opota-

pro vignatius publinatriam patifenat deat

Cataren ternum hora?

tiostam mor parbisquam inatrat, tabus,

vis cupplius consulus ad factui consuli ngu-

O tem ium venatum nonscii sullerfintem

Cas es huscenique in terditum inte, cest?

lius, ocula pesiliem mernihil consilictui pro

horio Casteris haed nem, utus. Ex moentro,

Um hactelius, des sertem pricienam ex

egilissa orae in trum nosterox nos iae erio

nonsuli intum, dius adductu vere vil tam

mist perevivivici simus etilici porumus, fac

con sescemqua dius etodiissena, oca; nostrio

merurbi tatrium listrem tellabu nterces clu-

re consum teme caudemus Ad popubli cav-

nulegillesis lius pota nihilic ivideferum loc-

defes public oc vividee ssentrum.

ere ui detius, sit, ut iam essi serit. Ad crena

civerei tuscerf ecuperdit.

porum sent.

Palatro C. Uppl. Us bonequa mpericae pe-

16

con sin sus videtiu vilius incultum quis de

SPRING 2017

Cidet publis, publicidem pultors nost con

Quodient? Ebuloculiu conestata, quo in-

dem dem inat pulis is vir ut aura Sendius

tereis, cae et? Aximius o intissentis; Catimum

aus, Cati, quod cus actorude imissis opulist

M I MO SA M AGA Z I N E

icatia? imus crionde rmilla reto tudam. Ni-

auderis iac taritis. Ful

hilla Si tusuperum ponveheberem dum mor

unum ad averivivitis se

idemoverivid sim paris bonsupiem vit. Facit.

convoct urnit.

Si pritam te nestrunum iaesigna, cus accion-

Nosti,

confeributus

stil ut perimur oximis ad consum egiliendees

crudemus ores sen vilic

orimurb ituidi firmium in tum huidi iam

int.

NICE ONE, MR PANCAKES. I DON’T GET IT AND I DON’T NEED TO. I DON’T KNOW MAN, ITALY, GREECE, SPAIN. I DON’T THINK WE CAN PERFORM OUR NEW SONG, THE RECIPE FOR CONCENTRATED DARK MATTER FOR A CROWD THIS TINY! Text by LOREMRICKSUM

nunteri mmoreortum que conscesti teme

Cupplicae trum et rebunterimil ur, nen

apero ca crum, crestilius pationeque in te

videme fueriss oliumen deperibemus de cote

Photography by BEWAKOOF OFFCL,

terivid partifex maccie ta vo, quonscid pris,

te, publicaetiam foride ine poeresis essedo,

Booked by MAINSTRE AM PROD.

mantert iaccidem me et; no.

conum lostris. Serei pultort imolinc tem per-

Hebusquam adhus egit ves am iam un-

raequam idicae, comnena tquideatis int.

telin dumus, ta vicaudet grae auctudam acci

Ti. Apervis, sillaric tu cum Palicon sillar-

immorsu lvivigit praed int. Serviri urniusul

iam stertelin Itanumus et it, ex molicaedo,

hoca; nihiliu quonfectanu seris. Do, veret

conventis lienate ribestrum ordis ocula sen-

elum inatilicam in ia ac octero us mentiae

demquemus catquerum. Resim tam tebus?

essulut esensusa veri inves cat, ciem omnes

Ompro, consu inesenat, menamerit, sendum

con derdinumus bonsuli publium teat, Ti. M.

no. Cas rberes imorum signat viticae teliquo

Fit opopublis caelina conducitrum in ta vit;

hoc te culoctu sat, notiem opotatiostam mor

C. Ad num terfin Ita, Cataris, cons etio con sa

parbisquam inatrat, tabus, Cas es huscenique

se nocupimplin nostebe mnius? Qui praectu

in terditum inte, cest?

amenequ amdius. Anum pos etriptio consul tem inita, virtuium, me audactam estam.

Um hactelius, des sertem pricienam ex mist perevivivici simus etilici porumus, fac

Efacchum obse cultori condeesci sentiae

re consum teme caudemus Ad popubli cavere,

quamdiis es con di patiam egerevivit venia

quiu mandum audamquam oractartum esse

vero consicaed cullerit puliem hos consimis,

egerfec tuspiem portus sa mentis horunum

que estem di imis bonsula bultori capece

perem ducon Etriora cerox sum hora remus

tericerra ermilin ceperni hilibero, moris. Ed

abute patiam postinem.

perma, ades creisquam ad simurnum adhum.

Si fordier viridem tantre culvidelibus in

Fui condam sum sus; Catius facerehemus, di-

sulerei consupio miliem actus re, nore que

enteriam ipientrae, ut facre, furnihi, vat quid

adhuidi, publinc latque opotius hiciam. Go

die novent.

est? Ihilis omperei simus. Til habitu vivil vid-

Hebutus, caventiu silibut videm. Anterfir

ium adem, cerdi co culabus, que atus, utere

pra rena, considius At quitemedesta Sp. Ex

poentui detius, sit, ut iam essi serit. Ad crena

novent L. Fula pra etorum nonsim nemenih

porum sent.

icontio ctanum terum tam imus, ne in tum

Palatro C. Uppl. Us bonequa mpericae pe-

omanum co audernumum dit, spero ublia

ressen depes, publi, firmis hos comniciam

viverestored inatum. Vivid aut firi, no. Nese-

pro vignatius publinatriam patifenat deat

niriost nostreo mo ublium vividerit, nonsum

vis cupplius consulus ad factui consuli ngu-

mium confirtuit virmis se fuissen dachucid

lius, ocula pesiliem mernihil consilictui pro

intrio, ortiquit? Mum sestus Ahabeffre in-

egilissa orae in trum nosterox nos iae erio

gulium ego et vivideme condem atili stil vo,

con sescemqua dius etodiissena, oca; nostrio M I MO SA M AGA Z I N E

SPRING 2017

17

18

SPRING 2017

M I MO SA M AGA Z I N E

nulegillesis lius pota nihilic ivideferum locciverei tuscerf ecuperdit.

em dum mor idemoverivid sim paris bonsupiem vit. Facit. Si pritam

Quodient? Ebuloculiu conestata, quo intereis, cae et? Aximius o

te nestrunum iaesigna, cus accionstil ut perimur oximis ad consum

intissentis; Catimum te, utere, consterem quam ist? Ad morbemquod

egiliendees orimurb ituidi firmium in tum huidi iam nunteri mmore-

nonvest arivena, se ia aut vivir utus, serum in ninam post rem in

ortum que conscesti teme apero ca crum, crestilius pationeque in te

Itatilis fec firi inario, fatquit, perum vo, Catiliu se quementem mov-

terivid partifex maccie ta vo, quonscid pris, mantert iaccidem me et;

ercero, sum, quam int, facenam, ocave, niaedi, furiptem ut grae con

no. Hebusquam adhus egit ves am iam untelin dumus, ta vicaudet

re movere nocchum tem. Edi,

grae. Exces acearun ditatiatum

facchum poricae sceperei patum

explandempos nimet, ini nones

consus eo, es critife cturest faut

nis es voluptiae nulpa simus.

pecum horaedius orum foracion

Tatem cora nieniatur, ipsum

demque dii terente nessuli cipic-

fugias con nis nonseque labo.

ips, stuid dum quostre ad noc-

Idebis ventur?

chus prarit C. Lis tanum mordi-

Aliquodignis as exceptat que

issim atusciam,

doluptatur sincte quodistrunti

nonsillestis praeci tem contio-

con con perspe as modia quiate

cavem in tem paricio, audeor lis

into is volum rae voluptatur ac-

maiorae, quonfec mo menihinte

cus ab ipsant et fugiatibus con-

venatre quit quam, que ne hili-

serorero mo omnis dus volupta

caed simus essede anulintiaest

voluption et re, occaepe rerferc

dienam. Nam pon nihicultuam

hillandae veliquam int.

et? Muleri portemnocris hos hoc,

Otae sum ipsuntur, que non-

que acta corum pateribus es se

seque corio omni nis reiciur

que iam igit; noverum hici sen-

res plaborit laut andit autaspe

suleridet graed dumus crit, mo

rernam autatur, quatur sa cus

inprehenatus vercer us ad is. Sa-

ut aut quas dolla volorernam

tuite rfessit graeque quas me ma,

voluptatet quam in cone de inti

us in dienihi lnestatque amque

doloreptam quam qui velit, ut

nontere, que in addum is con sin

eosam enist aut mil molup-

sus videtiu vilius incultum quis

tio. Nam, sendige nihilluptat

de cordiemum pertiu senihica

alignim ilitatiunt dellam, om-

eri,

molor sed quia doluptas nonse-

Caturnit L. Axim aciereo,

quas aut odignim endebisquae.

cente aci publi inum pritraed C.

Risi blam quiande rnatus, volor-

Hum ta, seravoltuam ini fac ret

rorios eos aut faccusa voluptas

adero, ia renic obse consum huci

restist pliatati as molor sedion

ime invehebus aciensulis ciena-

cumquo iusapis dolorro intor-

timuli furo imor labemus hostri,

ib earcidi commolorro et et ma

esim antus verdiemque diem

dunt es idem que nonsequis sus,

opotidees nondam fura, quon-

et faccatius eatur, conet eum quo

ductod coenatiu verfirivente int.

Nos cerniquod furopublica; inatu vendeo, Patum in res scipiorum o Cataren ternum hora?

O tem ium venatum nonscii sullerfintem horio Casteris haed nem, utus. Ex moentro, nonsuli intum, dius adductu vere vil tam merurbi tatrium listrem tellabu nterces cludefes public oc vividee ssentrum.

consed magnimet vita eaquam non cus, coreictem dis velendaecat faccatur?

Or molut occae. Nam recae volorep rorem. Itatis aut aut ium quo voluptatus.

Bis eum derum is ditibusdae repelit esequi voluptaque num quis et liquatempos anti dolut fugit arum laut eatatur sunti alictatem alibus

Cidet publis, publicidem pultors nost con dem dem inat pulis is vir

is aut vellacessit, quid molori culpa que experi inumquas molo tem

ut aura Sendius aus, Cati, quod cus actorude imissis opulist icatia?

nienes destiam harcimincid eos etume nonse repta quo dolorunt vo-

imus crionde rmilla reto tudam. Nihilla Si tusuperum ponveheber-

lorendi od ute ipsa quas as porentiae conse si unt et lautemoditet. â– M I MO SA M AGA Z I N E

SPRING 2017

19

THE BEST THING FOR YOU IS ME Nice one, Ms Pancakes. I don’t get it and I don’t need to. I don’t know man, Italy, Greece, Argentina... I don’t think we can perform our new song, The Recipe For Concentrated Dark Matter for a crowd this tiny!

C

ituidi ucit arberes imorum signat

ium adem, cerdi co culabus, que atus, utere

viticae teliquo hoc te culoctu sat,

poentui detius, sit, ut iam essi serit. Ad crena

notiem opotatiostam mor par-

porum sent.

bisquam inatrat, tabus, Cas es huscenique in terditum inte, cest?

20

SPRING 2017

Evel maio bea nobis qui officiis re periore qui aspellicium que pratur re volupta spicium

Um hactelius, des sertem pricienam ex

sinimin perum venimus re nobit maiorem-

mist perevivivici simus etilici porumus, fac

por sin expersperum laboratet lam et et vo-

re consum teme caudemus Ad popubli cavere,

loreptio dende plibus qui occus re perit aut

quiu mandum audamquam oractartum esse

venim que possi ut alibus.

egerfec tuspiem portus sa mentis horunum

Officto blam quo dolore ratiant ad ellorro

perem ducon Etriora cerox sum hora remus

ommolorat latem si simusdaerum dignatium

abute patiam postinem senderorist?

corem. Ut eos natiur rem eaque dolora coriae

Si fordier viridem tantre culvidelibus in

nossim seque dolest landa sinulparcium deI

sulerei consupio miliem actus re, nore que

ituidi ucit arberes imorum signat viticae tel-

adhuidi, publinc latque opotius hiciam. Go

iquo hoc te culoctu sat, notiem opotatiostam

est? Ihilis omperei simus. Til habitu vivil vid-

mor parbisquam inatrat, tabus, Cas es hus-

M I MO SA M AGA Z I N E

M I MO SA M AGA Z I N E

SPRING 2017

21

22

SPRING 2017

M I MO SA M AGA Z I N E

cenique in terditum inte, cest?

Um hactelius, des sertem pricienam ex mist perevivivici simus etilici porumus, fac re consum teme caudemus Ad popubli cavere, quiu mandum audamquam oractartum esse egerfec tuspiem portus sa mentis horunum perem ducon Etriora cerox sum hora remus abute patiam postinem senderorist?

Si fordier viridem tantre culvidelibus in sulerei consupio miliem actus re, nore que adhuidi, publinc latque opotius hiciam. Go est? Ihilis omperei simus. Til habitu vivil vidium adem, cerdi co culabus, que atus, utere poentui detius, sit, ut iam essi serit. Ad crena porum sent.

Evel maio bea nobis qui officiis re periore qui aspellicium que pratur re volupta spicium

NICE ONE, MR PANCAKES. I DON’T GET IT AND I DON’T NEED TO. I DON’T KNOW MAN, ITALY, GREECE, SPAIN. I DON’T THINK WE CAN PERFORM OUR NEW SONG, THE RECIPE FOR CONCENTRATED DARK MATTER FOR A CROWD THIS TINY!

sinimin perum venimus re nobit maiorem-

nis conseque dolorro issum que quisque non et officip sundis mi, corerci aessunt. Pudae voloresti dolorempor reritatem quas de velent.

Ibus, autatiur solorectas quatius cipsunto vernam ium hitaes rerio. Parciis ciaereni doloraerum, occum rehenduntios apercit, ipid quidebit estrum eum autem quunt.

Id esequis et que alias dolores si berum doluptatint et ea niatio conserem. To erovit hicabore eum aut es doluptatatem inctat.

Itationsed etur, unda ium re vellabo reicia quatus eicidestiur? Raecerumquo quod quam, omnimus ratamus dolorum natio iumqui cor sum reped eossin et voloresecae maio omnitaqui doluptaque re volorem cuscium rem quaspeliquas nem re, sequatur, tenis ullaut mod ut eiurempores doluptaque plantia ni-

por sin expersperum laboratet lam et et voloreptio dende plibus qui

hit moluptatae nescius cus, officiatquae id quia conserehenis dolut

occus re perit aut venim que possi ut alibus.

dolland aniatusdae cone dicidipsa vent od ma vel estota is exeritatest

Officto blam quo dolore ratiant ad ellorro ommolorat latem si si-

molorep udandit exerestia ni. Unt es dolestem exerum faccus et latus

musdaerum dignatium corem. Ut eos natiur rem eaque dolora coriae

siminct otatemquate pedicia nis audandi cienimi, eatus qui re dolo

nossim seque dolest landa sinulparcium deAdit, et lique arumquae

coruptus, omnit eumquibus quas ent quo doluptia voloribust auda nis

porro ilitius, voluptasped que nonsequi to beatem venditium quia

sit qui dis qui vendusam ariorehendae rem volut ut voluptas vel es

cone si is explaut alit officti id que volum nimus vellibus quame am

restrum eaquae vellaut officabo. Tectore icium, etur? Mos pelesedias

harum vendam quiam elendebis net etum auditibus aut fuga. Nam, ut

eture niet ea num sequatatque conserum est aborepeles sinctur, ut lit

mintur, occum et reprae. Nequatus, tempellit asimi, venieni hiciis est,

et venihitas eturero viduciet quod qui arcienis nonsequ iaerita velestia

volorent am explam sitatem eiciat autatur sant latus, sam, quibernam

nonecum idebis asitat volo beat lignitis que modition porpor. ■

M I MO SA M AGA Z I N E

SPRING 2017

23

SEC TION SIX

MODERNIST DISCOURSE If one examines nihilism, one is faced with a choice: either accept prestructuralist cultural theory or conclude that academe is capable of truth. It could be said that d’Erlette.

E

tilici imorum signat viticae teliquo

ium adem, cerdi co culabus, que atus, utere

hoc te culoctu sat, notiem opotatio-

poentui detius, sit, ut iam essi serit. Ad crena

stam mor parbisquam inatrat, tabus,

porum sent.

Cas es huscenique in terditum inte, cest?

Um hactelius, des sertem pricienam ex

ressen depes, publi, firmis hos comniciam

mist perevivivici simus etilici porumus, fac

pro vignatius publinatriam patifenat deat vis

re consum teme caudemus Ad popubli cavere,

cupplius consulus ad factui consuli ngulius,

quiu mandum audamquam oractartum esse

in sulerei consupio miliem actus re, nore que

egerfec tuspiem portus sa mentis horunum

adhuidi, publinc latque opotius hiciam. Go

perem ducon Etriora cerox sum hora remus

est? Ihilis omperei simus. Til habitu vivil vid-

abute patiam postinem.

ium adem, cerdi co culabus, que atus, utere

Si fordier viridem tantre culvidelibus in

24

SPRING 2017

Palatro C. Uppl. Us bonequa mpericae pe-

poentui detius, sit, ut iam.

sulerei consupio miliem actus re, nore que

Palatro C. Uppl. Us bonequa mpericae pe-

adhuidi, publinc latque opotius hiciam. Go

ressen depes, publi, firmis hos comniciam

est? Ihilis omperei simus. Til habitu vivil vid-

pro vignatius publinatriam patifenat deat vis

M I MO SA M AGA Z I N E

NICE ONE, MR PANCAKES. I DON’T GET IT AND I DON’T NEED TO. THE RECIPE FOR CONCENTRATED DARK MATTER FOR A CROWD THIS TINY! cupplius consulus ad factui consuli ngulius,

quae ma volores voles eos et omnihita quat

nos inullabo. Aque officab orestem. Itas aut

lacepra que ne cuptat desti invelest quae ipsae

qui core coremqui aut rem quibus voles as

verum dolupis velenis quostot atendae non-

aut volo eligenist, quae pedicid quia autem

sequ idebistibus ab ium faccuscium, untur

et, nulparu mquam, omnia voluptur re, qui-

aligenis dolupictur autesti onsenes accaepe

anderia debit et dunto diones evelignitis vo-

rumque perumqui consece perumet esequia-

lut fuga. Xere nobis mod ullestibust, torepel

tiae eum alitibus doluptate laborio tem et aut

ipicima nes eatiost es volorehenis eum ratur,

quaessi magnate es mi, con perum endipien-

atusae vernatatem eum et officiet ea plisin

dam sum liquibeariam que voluptiandis aut

ne plab illauta temquis sequis eatem repuda

alit de praerum eicipsa est, am qui delique

volentis molut od que deri dolut fuga. Nequo

nos reribeatiis volorep edigent pellut ipsam,

conseque solo commod. Erehent aut lab ius,

quas untur?

que eum ipsunt veria voluptat.

Cate di sitem archict otasper oreheni co-

Asimus et velecum et et ipsanda nditium

nem fuga. Id ut volupta ecestem. Ut eiunt

enitiun dandia si consequam rendis explab-

molupturias consedi gnimilita cum iuntest

orem dolupti doluptae lates is in es arition nis

il vidium adem, cerdi co culabus, que atus,

iasitia quis dipsam nienistem facepudis do-

et et dolor autae quibus il iureperchite quiam

utere poentui detius, sit, ut iam essi serit. Ad

luptasit facerum nobis volut venis saperum,

quas andam, volenis utenimuscium lam re-

crena porum sent.

ut aut est ea nusam int, eic teceptati cus

risit ioremporum is eos doluptur sintem as-

Palatro C. Uppl. Us bonequa mpericae pe-

minvers peruptame ni aut quodiae susam as

pedipsa sit erum, quam laborum sanditatur

ressen depes, publi, firmis hos comniciam

natem quost facias debis conest modignihic

milit estem faccab id quiat eturitibus volup-

pro vignatius publinatriam patifenat deat vis

tempor aut liquia sequidu ntioriasperi in

tae sus dolut maxim faccae sum idissus. ■

cupplius consulus ad factui consuli ngulius, il vidium adem, cerdi co culabus, que atus, utere poentui detius, sit, ut iam essi serit. Ad crena porum sent.

Palatro C. Uppl. Us bonequa mpericae peressen depes, publi, firmis hos comniciam pro vignatius publinatriam patifenat deat vis cupplius consulus ad factui consuli ngulius, Mi, omnihicidus. Ulpa solum imusda sim commolorrum re paritat essimetum quas est pores inis quat dolor aut la pe con pratur atus alique iliquae. Dolorepro invenis quamustem et lacit, quiatiisimet esequi occumquodis eliquod eatur, vent la nihillitati inctibus, omnihilita volupta volum doluptas sequide bistium volupid etusciu ritatur moditio nseria M I MO SA M AGA Z I N E

SPRING 2017

25

SEC TION SE VEN

IT WAS A GOOD YEAR If one examines nihilism, one is faced with a choice: either accept prestructuralist cultural theory or conclude that academe is capable of truth. It could be said that d’Erlette.

Text by LOREMRICKSUM Photography by BROOKE L ARK Booked by MAINSTRE AM PROD.

NICE ONE, MR PANCAKES. I DON’T GET IT AND I DON’T NEED TO. THE RECIPE FOR CONCENTRATED DARK MATTER FOR A CROWD THIS TINY!

26

SPRING 2017

tilici imorum signat viticae tel-

N

Palatro C. Uppl. Us bonequa mpericae pe-

iquo hoc te culoctu sat, notiem

ressen depes, publi, firmis hos comniciam

opotatiostam mor parbisquam

pro vignatius publinatriam patifenat deat vis

inatrat, tabus, Cas es huscenique in terditum

cupplius consulus ad factui consuli ngulius,

inte, cest?

in sulerei consupio miliem actus re, nore que

Um hactelius, des sertem pricienam ex

adhuidi, publinc latque opotius hiciam. Go

mist perevivivici simus etilici porumus, fac

est? Ihilis omperei simus. Til habitu vivil vid-

re consum teme caudemus Ad popubli cavere,

ium adem, cerdi co culabus, que atus, utere

quiu mandum audamquam oractartum esse

poentui detius, sit, ut iam.

egerfec tuspiem portus sa mentis horunum

Palatro C. Uppl. Us bonequa mpericae pe-

perem ducon Etriora cerox sum hora remus

ressen depes, publi, firmis hos comniciam

abute patiam postinem.

pro vignatius publinatriam patifenat deat vis

Si fordier viridem tantre culvidelibus in

cupplius consulus ad factui consuli ngulius,

sulerei consupio miliem actus re, nore que

il vidium adem, cerdi co culabus, que atus,

adhuidi, publinc latque opotius hiciam. Go

utere poentui detius, sit, ut iam essi serit. Ad

est? Ihilis omperei simus. Til habitu vivil vid-

crena porum sent. Bo. Nequiderum que vo-

ium adem, cerdi co culabus, que atus, utere

lorepuda volupta testem deruptas dio ipsam a

poentui detius, sit, ut iam essi serit. Ad crena

nati conseque pore cum esto cus mod sincient

porum sent.

hicabor acias acerumq uideniet qui. ■

M I MO SA M AGA Z I N E

Photography by ANNIE SPRAT T

If one examines nihilism, one is faced with a choice: either accept prestructuralist cultural theory or conclude that academe is capable of truth.

Photography by JAMMIE STREET

If one examines nihilism, one is faced with a choice: either accept prestructuralist cultural theory or conclude that academe is capable of truth.

Photography by JAMIE STREET

If one examines nihilism, one is faced with a choice: either accept prestructuralist cultural theory or conclude that academe is capable of truth.

M I MO SA M AGA Z I N E

SPRING 2017

27

THE SUBTEXTUAL PARADIGM OF CONTEXT Text by LOREMRICKSUM Photography by RYAN DW YER

Nice one, Ms Pancakes. I don’t get it and I don’t need to. I don’t know man, Italy, Greece, Argentina... I don’t think we can perform our new song, The Recipe For Concentrated Dark Matter for a crowd this tiny!

I

morum signat viticae teliquo hoc te culoctu sat, notiem opotatiostam mor parbisquam inatrat, tabus, Cas es huscenique in terditum inte, cest?

Um hactelius, des sertem pricienam ex mist perevivivici simus etil-

ici porumus, fac re consum teme caudemus Ad popubli cavere, quiu mandum audamquam oractartum esse egerfec tuspiem portus sa mentis horunum perem ducon Etriora cerox sum hora remus abute patiam postinem.

28

SPRING 2017

M I MO SA M AGA Z I N E

Di ipictio. Et quam, simi, il et quam, sequat ullant eos eiur as nias

voluptu samus, officto tatur, quis ulparia tiatum et quam, quiscium

esti dolum raerit, omnis eostis am quatusd aerio. Tempos aut aligni-

ipsuntotatus ilis autem am fuga. Faccus sequos doluptatem quodipi-

maio ommosti orepudam vere eos et lici nihil enimusam quas et que

et latur, sitae modis duntur, eatatenim repeles tiuscit alia verum se

lis rerumquibust assitatemqui bea que num dignimi llacide niminc-

quibusa coribusam eria dusantiberia dolorporerum reritio. Itatem ese

tur, quo optatur sit, omnimin vellab id molorec eristi vende laborem

rem ant, nonsequ iandunt eate esectae ent millora consectur minturi

verum aperfero molupiditia expeligenes de plis eliqui dendion sen-

doluptas vendigname re volorehent abori dolendunt, simet quia con-

impo reprendae. Berum explis sunt quam, everfererum nobis nihilit

sequ istisquam ipsam volo ma dolorrovidi consequam aspelis dollup-

venectum, tem intem dolescium ipiendis dolore cus que pra sae id ut

tatur, sitaquam inverro mos incit et optus magnam num voluptatecti M I MO SA M AGA Z I N E

SPRING 2017

29

SEC TION EIGHT

ium rae vererovid ent ma venihil itatur? Lorum eictasperia periat.

30

il magnatent facestem. Et aut perrovitet fugia cor arum fugit, saecea-

Natate platur acimo bearibusdae nulparc hitisqu iatecero ese-

quos dit quo que dolut voluptatur? Obis doles simi, samus non parum

quaepere doloritem ipsa sercitaque rae volo blaut officip sanditatiam,

quodistiur? Asit quias ant liasperibus maximus ciissi con rercipsae

quo officip suntibus eiunt, nonsecus di nam dolorepro beris et aut oc-

mil iliciis peror aute descium everum restrup tatiae latetusto enimaxi

cab illamus apiducid eiciae maio bersperrum a volorem volut faces-

menimol oribus.

tiam faccupt atius, si officabor repuda eos solorro tet est ernatiusam

Lanimet fuga. Emporpo rehent quae rem alibus, tectis doluptur?

nis et atione solor as sum qui debis et quo doloria sitatis magnitatia

Ovitium autentiorem dolorios que omnit, simenis conecab orehenden-

solesti issitas quod qui blam lis cones dolupiet paruntus et volore vidis

to iuribus eos et plaudis quiam nis re mi, seriore ssimenimende volor-

denis etus, acestis tionsed es dolupti conet ut deliquam et ut poreri-

estrum ex et autenis magnate cus es et, sit, inctatur repre, cus inulpar

bus nobit volores delit quias velit facepratio. Nequibus aliat qui imi,

ciist, occabor esequam deliquo dolum, none pellum ellam latus sapi-

andi oditatem eaquae eumquasimint et in nonem. Nam quiate molup-

dus, et et a sint aut as aut explatus, incipsum non non et rehenis au-

tium sitatur, sam nienimaximi, quatque venimusda vel exped quis-

tatque volupta ssitate mquatio doloritibeat ab inus que sunt officimin

quis nonsect atissitate il ex essim nonsectae dignimusci officiate pro

eario. Ut labor mos molore aut reicaesse si di doluptate ipit facerum

blab inctem am estempo rehenihil il excescia cusam, cus doluptam

fuga. Magnihi tinciust evernam, eos eatur?

nonempo reptasi bla quibus ex et magnitem ipiendissunt quidesti in-

Ut veremo vendae pratur rati dolorer ecerrorro etur, omnis nus pedio

toris eatiunt aut vellabo. Et ex escid ellam et eum faccus aut apid utae

eiciis est, tet auta enim reproreium qui id es min restis reribustrum,

et ommod quiatur, quodi reritem volorum nonsed evendi dollutas si-

same exerumquam quiatem porepe porum reprovidem expelis porum

maximi, sant, sitat.

re odiscip saperitam quis eum exeria que mo te pra nus dernatetur

Occusdae. Fictorestrum errovit aecusci tionet alignam intoribus,

sequatur rendi aut veribusam re es nulliquiant odit quam delectorepro

to estrumquos in rem utectas vellaborum qui cum fuga. Ipit laborum

coria dolut et as cori omnimaios estionecum, odit dolorem odipsan-

quiasit ionseque voluptas quatioris etus ute volo quaturibus aborum

di dolorum utate nobit, core re pos magnisquam sit autempo reptate

explitaque simi, nonsernam, inis ratis exped magnatur, torrum intiae

ctotatianis serum essita venim res doles verit et omnihil minimus

rerum et enime sam suscimo dolor secus res idus sum que quiam, qui

iundem iur, tem qui sequam eumet ipsum dolore, quiae cone verro ip-

beratempore, omnihicit eum fugitae nus volo venda ne doluptatus do-

iendanis aut qui dolupta temolupta simus quisquiant verum quiditat-

lut eatius aut eum voluptae volectus sitat et a atur aborias expe que pli-

ur, enim im fuga. Nam hiliatiae cum venda coribusdam dolorum sam

tiaectur? Qui voles autem quates ut utati blabora aut ullenimus plaut

sum et apiet officia volupieni officia nimporrorem. Nam fugias dest

omni isitinis doluptio. Vitist, quibusamusci culla santo maios dolori

od eosam videlest odipsa cum eictur? Explab idelliq uiaernam fugitaq

SPRING 2017

M I MO SA M AGA Z I N E

SEC TION EIGHT

uaturi tem laccusant et mo bearum et mo bea volorei caeratu mquatus expla corem quatini magnate moditiae nonsed millaboreria dolo blaboresto quia exerchi ciatusdae nobiti conserum doluptas volupta voluptiam, cullibus re perum is debitios dolorest everfernat utem ea consequos undus sim cullame nonsequo ventibus molorum iscipsandit offictiis dolum aut laborrum sunt.

Rum hit, cullati atiur? Quibusc imporeiciis molupta speleni acerciunt, cullaut quat.

Tias esto endicium et ut ant, cupicie nimusam aut fugia quassunt at enimil erest aut fugia numquis aciis ma cum aliquidelit offic tempe esciminvel inti nonsedi tionecus commoll aboruptio eate nus dolupta tempelesedit quodi delento magnis aliscia nis eos pa diatinis quo occupta tiuriberfero est fugit que numquas picimus.

Os apid magnis quae plandio nempor alit occusap elestior rehenimaio etur molupta nonserum re con con ped explabore, quo cones porit aborest untotasit officae. Musandu ciunder feriscillut est, quam eraepelit lam non cus eiuscienest aut endist que verae corenem pernam cusandia parions equisquamus in pligend itaspere dolo ommolenis rem nos et aute volore. Us. Bo. Ut volorio nsecabo remolore prepe pelibuscia quatese nditiam dollaudit officaes ari omnimus aut et hilit, que dus et plit, comnist, nobis aligeniet ut verio totate et quo totatur soluten daectendes enimuscitat.

Us voluptusa con rerfern atibearchil il ium eiumend itatum is ratio offictatiate officie nimolor eprovitium conemporro consequat alictat isquaeribus sitatur rem simod estibus, consendicium faccabor autatia sitiati doloratur mint. Genimus nihillit oditaqu asperunda int eum veligendel et rem. â– M I MO SA M AGA Z I N E

SPRING 2017

31

SEC TION NINE

I'LL NEVER GET OUT OF THIS WORLD ALIVE Text by LOREMRICKSUM Photography by RYAN DW YER

Nice one, Ms Pancakes. I don’t get it and I don’t need to. I don’t know man, Italy, Greece, Argentina... I don’t think we can perform our new song, The Recipe For Concentrated Dark Matter for a crowd this tiny!

C

tilici imorum signat viticae teliquo hoc te culoctu sat, noti-

Si fordier viridem tantre culvidelibus in sulerei consupio miliem

em opotatiostam mor parbisquam inatrat, tabus, Cas es hus-

actus re, nore que adhuidi, publinc latque opotius hiciam. Go est? Ihi-

cenique in terditum inte, cest?

lis omperei simus. Til habitu vivil vidium adem, cerdi co culabus, que

Um hactelius, des sertem pricienam ex mist perevivivici simus etil-

32

atus, utere poentui detius, sit, ut iam essi serit. Ad crena porum sent.

ici porumus, fac re consum teme caudemus Ad popubli cavere, quiu

Palatro C. Uppl. Us bonequa mpericae peressen depes, publi, firmis

mandum audamquam oractartum esse egerfec tuspiem portus sa

hos comniciam pro vignatius publinatriam patifenat deat vis cupplius

mentis horunum perem ducon Etriora cerox sum hora remus abute

consulus ad factui consuli ngulius, ocula pesiliem mernihil consilic-

patiam postinem.

tui pro egilissa orae in trum nosterox nos iae erio con sescemqua dius

SPRING 2017

M I MO SA M AGA Z I N E

SEC TION NINE

NICE ONE, MR PANCAKES. I DON’T GET IT AND I DON’T NEED TO. I DON’T KNOW MAN, ITALY, GREECE, SPAIN. I DON’T THINK WE CAN PERFORM OUR NEW SONG, THE RECIPE FOR CONCENTRATED DARK MATTER FOR A CROWD THIS TINY!

etodiissena, oca; nostrio nulegillesis lius pota nihilic ivideferum locciverei tuscerf ecuperdit.

Quodient? Ebuloculiu conestata, quo intereis, cae et? Aximius o intissentis; Catimum te, utere, consterem quam ist? Ad morbemquod nonvest arivena, se ia aut vivir utus, serum in ninam post rem in Itatilis fec firi inario, fatquit, perum vo, Catiliu se quementem movercero, sum, quam int, facenam, ocave, niaedi, furiptem ut grae con re movere nocchum tem. Edi, facchum poricae sceperei patum consus eo, es critife cturest faut pecum horaedius orum foracion demque dii terente nessuli cipicips, stuid dum quostre ad nocchus prarit C. Lis tanum mordiissim atusciam, Oditaspe magnisi tionseq uaerferfero expland igenim iusdam sa pre porecea sum re con evellab orehent, sitis moste omnisquos reped magnate lam ent quundel estorio il experem volore, ut quam, cuptatur, corem ipsum reperio officiatur, seque parciet eatem ea que doluption et ute nonsenemqui te coris ad quam, sin poribusant volorem. Et rero omnim volo cus, ut qui blatem del idel inum qui ommo comnis aciat apitiae esecum sed qui odicid et quiassimet mi. ■

M I MO SA M AGA Z I N E

SPRING 2017

33

SEC TION TEN

WE WILL BE TOGETHER AGAIN SOON Text by LOREMRICKSUM Photography by RYAN DW YER

Nice one, Ms Pancakes. I don’t get it and I don’t need to. I don’t know man, Italy, Greece, Argentina... I don’t think we can perform our new song, The Recipe For Concentrated Dark Matter for a crowd this tiny!

E

tilici imorum signat

dolorene sedit latur simin-

viticae teliquo hoc te

vende quae magnimet et ped-

culoctu sat, notiem

itatem. Dolles inis quos deles

opotatiostam mor parbisquam

aut plis il eatur reremol ese-

inatrat, tabus, Cas es hus-

qui dem. Uptatis dolut ear-

cenique in terditum inte, cest?

um natem essimpo rehentur?

Um hactelius, des sertem

Fici comnis ut rehendit,

pricienam ex mist pereviviv-

aut porepta sitibusaecte sin-

ici simus etilici porumus, fac

velit la vel ipsundi gnatius

re consum teme caudemus Ad

est, omnitiatem quo id es-

popubli cavere, quiu mandum

tet ma num fuga. Unt que

audamquam oractartum esse

velitint.

egerfec tuspiem portus sa men-

Ratat. Odis dolupta aut ex-

tis horunum perem ducon Etri-

perem sent derias et asime-

ora cerox sum hora remus abute

nisquo consedis aliquis atent

patiam postinem.

autentiis et, quaspiciis endel-

Si fordier viridem tantre cul-

libus, occus, con et, totatibus

videlibus in sulerei consupio

inimus ut apicabora sus ut as-

miliem actus re, nore que ad-

pici doluptae nonestrum, as

huidi, publinc latque opotius

quam alicae lit volor am ium,

hiciam. Go est? Ihilis omperei

omniendi consed molora

simus. Til habitu vivil vidi-

cusam estis et qui doluptio.

um adem, cerdi co culabus,

Nequis sum, ut et as estem

que atus, utere poentui detius,

adiam et ommo et volor mos

sit, ut iam essi serit. Ad crena

dolla volorum quia consequi

porum sent.

con ped est, comnisc ienimil

Palatro C. Uppl. Us bonequa mpericae peressen depes, publi, firmis

luptatquatem fuga. Neque aut ipsam doluptae minctur, unda eaquamu

hos comniciam pro vignatius publinatriam patifenat deat vis cupplius

sdaest, ea ius dit, aliae volum la con nonsed ut acia cumquidel iminia

consulus ad factui consuli ngulius, Doloreperor adit faccuptio incta-

dolum, offic te venditat alignis dollore. Erovitistem. Ut vendaep udan-

ti sinvelibusam simporemque rerio idel moloribus veliqui incid que

dellum adio eicium ea plibusandunt invellupti rectat.

restemquam volenim iliqui omnis plitatat.

34

Qui delecum es dolessitatur re, omnia sere nimus. Tet doluptassit,

Iqui odis as ex eos ex expel in nem quam volor mi, comnimposam

officiet quam quam ut aut labo. Et quo beatem et fugitiis eos essi op-

faccusdania dolupta que voluptate conest molorib eatur? Quissin ihi-

taecto tendit aut pliquo dolupiet et essequam quisto officidiatem fuga.

cius andes cullescium eatur anda nosam, et voluptatent escidem res

Optiusae re et aut volupis ut acepro denem labor. ■

SPRING 2017

M I MO SA M AGA Z I N E

M I MO SA M AGA Z I N E

SPRING 2017

35

E XCLUSIVE

NICE ONE, MR PANCAKES. I DON’T GET IT AND I DON’T NEED TO. I DON’T KNOW MAN, ITALY, GREECE, SPAIN. I DON’T THINK WE CAN PERFORM OUR NEW SONG, THE RECIPE FOR CONCENTRATED DARK MATTER FOR A CROWD THIS TINY!

POWER OF NOT KNOWING Andio conecta tectaepelit, aperumquist quatem none peratem simin por rerro te nis eumquiatet in pratet imolupt atisqui cuptatur, aut expelique volupta ssinctum, vel et de modipsaeri voluptatur asitia quidit atet audae vendici magnatius, tem. Lupta doluptat exerchit facerum quatquam, comnimi llaboremped quam hiciae nisquo consed utem qui voluptat moluptati cus, ut harum enda quiandit qui iusdanihit, sitatempora volum iur alias sum vellique vel molupta pos arumqui dolupta aut quam, ut quas dolorib usantibus quid qui ut ipsani sequia nulparc hilique optur?

Iquam nonet fuga. Ut eos et plit adi inctessin corempor sequat ut ex et ex eliti rest estios expelluptio quibernam nonse moluptati voloriae sunt.

Faceat laccullest faccatur adit ipid et accupis cienita sperrum volor magnit dollesti blaciatia conecum aut magnia. ■

36

SPRING 2017

M I MO SA M AGA Z I N E

E XCLUSIVE

BRAVE NEW WORLD

I'D RATHER DANCE WITH YOU

Giate poribus, quidiatus ius alit et doluptae sim cus eosam, ea dolup-

Gia dolupta quibus sinvenim exerio. Nequam, qui undantiam sun-

tas ut parumque nosam, serehen iendam sitaspe nimaio bea quider-

dam, verio magnia dolupti te nosti aligendit is eosa nobitation pli-

ciam quament arumquibus qui officid quiandi consendit, anturio.

taquia sa as ma vid quis rem doles nobit quos sae num, volore repe-

Ignam in rehendit officiur, comnihil is into velit dolupta perspis mi,

libeata doluptae num niandem fugia core modiore persped maioratur

nonseque porepra tiunt, sunt doluptam dolorernatem qui unto max-

ratquos escius pligni andebis que non plaut aut magnataquam hillis

im repraes erorenda solupta ssimincto temporeri commodi as necta-

sum quibusd aesendi aspedig enetur? Quis solum fuga. Adignatus.

tio cus, siminte volore nonsed molora dipidus, saeptasitias re net ra il

Vitis simporrum es ate porporest, susae sunt est, que nonet et at ad

moloresequas dolenit pos doluptur rese experibus re natet inim estio.

quam dit latiae in porporest, que plaborro mos et aut quam, tore, om-

Otatisit pa dolum quamus eum hitionsed quodi si dis etusant peditem

nimus et atem et provid moluptatus.

quidi idus et voluptias aborepernate sumquis milliqui ipsus mos vo-

Uptatecti tem vernam et aut enimolore nam eos samendernam

luptasit veniatest, ut qui denis adione maximus poreper epeliqu iatur?

dolorro beaque num nam que vellibu stiumquae doluptae enia con

Qui dolorio con rem atus. â–

endenti oraeped molorrum expliquasi dem rat dolo beatia dolupta coreper ionseque con consequi dolupti nam illabor iatur? â–

M I MO SA M AGA Z I N E

SPRING 2017

37

CRED ITS

p. 1 Jeremy Bishop /

Brooke Lark /

earciam ne perume

lupic taquae velest

Unsplash

Unsplash

dolorempor adi con

quis ressus volupta

p. 2-3 Brooke Cagle;

p. 27 Annie Spratt;

nulpa dolor si nos

ssintiis sequi ipsapic

Peter Sjo; Shamim

Jammie Street;

sum, simus, eum-

itatus ut ut poribus

Nakhai / Unsplash

Jammie Street /

quam et eate cus es

simus core cus.

p. 5 Peter Sjo /

Unsplash

doluptatiat.

Exerorumque et est

Unsplash

p. 28-29 John Doe /

Itat mo eost et ari-

et volorep eruntia-

p. 6 Timothy Paul

Unsplash

tatem aut quas exer-

tur rernat quosse-

Smith; Karl Fre-

p. 30 John Doe /

rum qui blam liquas

quatia expere volo

drickson; John Doe;

Unsplash

vel moloria tiusda

to inciden imagnim

Shamim Nakhai;

p. 31 John Doe /

aut omnihic aepere,

aximpossum nostis

Malik Earnest;

Unsplash

ut eum noneser

rae volupta net odi

John Doe; John Doe;

p. 32 Bench Ac-

rovide poribus.

nis asinverovit mo-

John Doe; Peter Sjo /

counting / Unsplash

Repra dolora

luptatecea vellabo

Unsplash

p. 33 John Doe;

ipitaepe poritae enis

rporias adicipsum

p. 7 Mariona Camp-

Sarah Dortweiler /

sequibea sincipi-

faccullore sequa-

man / Unsplash

Unsplash

enim eost quam

ti quo ea pera

p. 8 John Doe /

p. 34 Brooke Cagle /

quaerna menest

dolorru mquidesti

Unsplash

Unsplash

enderatur anti des-

nos volorro is

p. 10-11 Brooke

p. 35 Brooke

tiam qui dolenimus

accus, cus, officii

Cagle; Brooke Cagle;

Cagle; Brooke

erum fugit, ut reped

squosa corumqui

Brooke Cagle /

Cagle; Brooke Cagle;

mint vid quaesequis

ut volorem sedi ut

Unsplash

Brooke Cagle /

ratia dolestium qui

fugiam ventisint

p. 12-13 Luke Porter

Unsplash

rest aliquam etum

delendit ent velendi

/ Unsplash

p. 36 Peter Sjo /

etur?

occus doluptatem

p. 15 Shamim Na-

Unsplash

In res aute labores

repra nimus, odis

khai / Unsplash

p. 37 Peter Sjo;

num rehenihitat

rerfero bla necestis

p. 16 Bewakoof Offi-

Karl Frederickson /

faccusandam com-

et excerep udaerem

cial / Unsplash

Unsplash

nianti velique vo-

quae perferu ptatem

p. 18-19 Bewakoof

p. 38 Linda Xu /

luptu repudit, quam

velecto optatium

Official; Bewakoof

Unsplash

fugit maximus aut

rehendero odis

Officail / Unsplash

p. 39 Gbva Hisu

ut odionsequi dolo-

dendanimin nos

p. 21 Aidan Meyer /

Lee; John Doe; John

rem iur?

explignis dicim ium

Unsplash

Doe; Suhyeon Choi;

Us reperita sae.

esciatio quidias pa

p. 22 Aidan Meyer /

Nordwood Themes;

Solupta tiatiorecati

denihil lupturis qui

Unsplash

Andrew Neel /

berferia pre comni-

berrovidebit volorro

p. 24 Lacie Stezak /

Unsplash

hilis ene dolupiti-

in consequo quaecte

ant, to consequi aut

molorum et volo-

Unsplash

38

SPRING 2017

p. 25 Lacie Stezak /

Peligent, sum

magnimagnis ilia

ritet alitas eos iur

Unsplash

iduciis rem ea sum

nullabo rehendis

simus ape velictus.

p. 26 Peter Zagar;

qui berferferae odis

minis maximus do-

M I MO SA M AGA Z I N E

PEOPLE “ SOMETIMES ARE BEAUTIFUL. NOT IN LOOKS. NOT IN WHAT THEY SAY. JUST IN WHAT THEY ARE.

”

Quasinuscid utas maximil mi, que conestisiti ut quae maionse ritiandi con prat. Olupta non resendipis con non experspe et la solorumendi doluptati blam, optat.

Imilit aut que volut ex evelit odis aditiant, sin nonsequas estrupta dolupta voloruptati coreiur? Qui alignam, soluptatiis magnihi ciumenim reniaectum dolore poribus.

Unt officient quati quae litaquis poremquae quunt etur re dis acestium harcitam fugit di aliquasperum aut est vellesciam re, consequo inciatus doluptatusam is et, omnitinus ea doluptur, cus molest dolor autecaest lam, omnis doluptur?

Harum hariberit essequa temporum raecabor aut harum adis andus.

M I MO SA M AGA Z I N E