DANIEL P BACIUSKA
DANIEL P
ARCHITECTURE DESIGN PORTFOLIO E
EDUCATION Columbia University: GSAPP, New York, NY • Masters in Architecture from the Graduate School of Architecture, Planning and Preservation University of Virginia: School of Architecture, Charlottesville, Virginia • Bachelor of Science in Architecture, Design Concentration • Minor, Architectural History • Design Studio GPA: 3.72 /4.0; Cumulative GPA: 3.52 / 4.0 • Architecture Study Abroad Program in China and Japan, Summer 2005
2011 (expected)
2006
Cornell University: Ithaca, New York • School of Architecture 6 week Summer Credit Program
2001
University of Maryland: College Park, Maryland • School of Architecture 3 week Summer Credit Program
2000
EXPERIENCE Farewell Mills Gatsch Architects Princeton, NJ Architect Consultant 2009 Brought onto design team to assist on the renovation of the Statue of Liberty for the National Park Service. Project scope included complete overhaul of interior pedestal to bring monument in line with modern codes. Work consisted of designing and presenting various options of interior circulation schemes within parameters of code compliant stairs, elevators as well the avoidance of the historic original Eiffel steel. Additionally, potential temporary exposed stair towers to allow for continued access of statue during renovation pedestal were explored. Shalom Baranes Associates, Architects Washington, DC Staff Architect 2007-2008 Supported the renovation of the U.S. Department of Treasury building and several mixed-use projects in conjunction with the redevelopment plan for the revitalization of Southeast Washington, DC and the Washington Nationals new baseball stadium. Later, was part of project team in the development of Burnham Place, a 3.0 million square foot mixed-use development concept to be built above the existing rail yards of Union Station. Worked on preliminary design documents for the developer that included hotel, office, retail, residential and public space to be built atop the Amtrak rail yards on a platform a block north ofthe U.S. Capitol and city monumental core. Design development and analysis also included structural studies of various schemes for the proposed platform decking to allow for train operations to continue during construction. Clark Construction, LLC Washington, DC Project Management- Engineer 2006- 2007 Functioned as a key engineer at the onsite field office for the DC USA Retail Center in Washington, DC. Assisted with the design, constructability and trade coordination of the 190,000 square foot urban revitalization project atop the Columbia Heights Metro Station. Coordinated efforts between the owner, architect, structural engineer and subcontractors. Managed Change Orders, Requests for Information, submittals and subcontractors on $100M project. URS Architecture- Engineering Corporation Washington, DC Paid Intern 2005 Assisted architects and engineers with the Department of Transportation (DOT) Building Competition. Modeled modified floor and roof structures of the original DOT in Washington, DC to transform the building into viable office space. MCO Construction Co. Charlottesville, VA Carpenter / General Laborer 2004 Assisted in the construction of Walker Square Apartments, a complex consisting of 200 units in 10 buildings. Performed structural wood framing, masonry and general labor onsite. HONORS • • • • •
Dean’s List- University of Virginia, 2002-2006 US Army Airborne School Graduate, US Army Paratrooper; Earned ‘Jump Wings’ in June 2004, Fort Benning, Georgia ARCH 401/ARCH 402 Studio Projects Chosen for UVA School of Architecture Archive for accreditation, 2005-2006 Representative for UVa School of Architecture AIA at the NE Conference in 2005 (Toronto) and 2006 (Philadelphia) Core Studio I and III projects chosesn for print in Columbia University’s GSAPP architecture publication entitled Abstract (2009,2010 editions)
ACTIVITIES Habitat for Humanity Volunteer. Aided in the construction of subsidized housing in Trenton, NJ and the metropolitan Washington, DC area. EMT East Windsor Township District 1 Volunteer. Responded to township emergency calls and supported accident response and patient care. Delta Upsilon International Fraternity Executive Council, 2005 – 2006. Served on advisory committee that supported various house functions, including budget formation, new recruitment and philanthropic planning.
2000 – 1998 – 2002 2003 – 2006
RESUME ________________________________________________________________
02-03
COLUMBIA UNIVERSITY_2008-(2011)
GRADUATE SCHOOL OF ARCHITECTURE, PLANNING AND PRESERVATION NEW YORK, NY
STUDIO SEQUENCE:
CORE STUDIO I CORE STUDIO II CORE STUDIO III
TABLE OF CONTENTS
01_CLIMATOLOGIST MONITORING CELL 02_ATMOSPHERE AIR LAB
08-13
03_MUSEUM OF DELINATION
14-21
04_QUEENS HOUSING
22-33
06-07
04
UNIVERSITY OF VIRGINIA_2002-2006 SCHOOL OF ARCHITECTURE CHARLOTTESVILLE_VA
ARCH 401_FALL 2005 05_LIBRARY ON THE POTOMAC ARCH 402_SPRING 2006 06_BOAT BUILDING SCHOOL
34-41 42-49
SELECETED COURSEWORK_2008-2009 COLUMBIA UNIVERSITY_GSAPP
ARCHITECTURAL TECHNOLOGY IV FOLK ART MUSEUM ANALYSIS
ARCHITECTURAL TECHNOLOGY III
BRYANT PARK PAVILION
ARCHITECTURAL DRAWING + REPRESENTATION I RENAULT CENTRE
ARCHITECTURAL PHOTOGRAPHY SELECTED IMAGES
CONTACT
50-51 52 53 54-55
56-57
05
hours_ outside_ sitting_
work_
input_
analysis_ eat_
rest_
personal_
_WORK SPACE
_SHORT
_LAVATORY
_NARROW
80”
42”
In his 2004 State of the State Address, NY Governor Pataki set the ambitious goal of making the Hudson River suitable for swimming from its source in the Adirondacks down to Manhattan by 2009 - the 400th anniversary of Henry Hudson's voyage up the River. To ensure that the river is reaching safe swimming levels, the Hudson Climatologist spends 12 hour shifts out on the river, monitoring and measuring the PCB levels found in the soil he dredges up from the riverbed and from fish that he catches in the waterway. Currently, no formal swimming areas are located on Manhattan, although there are several movements to begin to utilize the river for recreational swimming. As the city redsicovers its waterfront, the climatologist’s data will provide essential information for this Hudson River tradition to be reestablished. The working environment of the Hudson Climatologist is directly related to his daily routine on the river. The monitor cell becomes an extension of the climatologist and the river itself as data is collected and recorded.
_SLEEP
_MULTI-USE
_STORAGE
hudson river_swimming hole_c 1925 _COUNTER
hudson river_swimming hole_2008
01 CLIMATOLOGIST CELL
_THRESHOLD
COLUMBIA UNIVERSITY_ GRADUATE SCHOOL OF ARCHITECTURE, PLANNING AND PRESERVATION
06
PLAN_E
PLAN_E
SECTION_A
8’ 3’
PLAN_D
Measurement allows us to understand relations: our body in relation to the enviornment around us, the proximity to objects, the reactions to threatening actions, the thickness of walls, the vulnerbility of weather, etc. This project explores the volumetric differential between claustrophobic and efficient work environments. A workspace is designed of minimal size for a Hudson River Climatologist whose job is to monitor and measure riverbed data. The key tool for the project is the exploration of the section that maps a body in relation to immediate surroundings.
PLAN_D SECTION_B
_C
_B
_A
SECTION_C 1’ 2’
CORE I STUDIO NEW YORK_HUDSON RIVER
5’
3 WEEKS
FALL 2008
CRITIC_SOLOMONOFF
07
Line, plane, surface and volume are mathematically bonded and interrelated. In architecture, the geometrical properties of the line are associated with columns and beams, the plane with walls and floors, and surface and volume with resultant space. Architecture allows us to understand the mathematical relations of these elements in new and unexpected ways. The client, Columbia University is building a center to further the influence and impact of the Climate Change Team. The design of the Air Lab is a scientific, research and policy laboratory to expand knowledge of global warming, address them politically and effectively propose policy to reduce harmful emissions while aiming at technological growth.
HIGH WATER LINE
HUDSON RIVER
HUDSON RIVER PARK
02 ATMOSPHERE AIR LAB
WEST SIDE HIGHWAY
COLUMBIA UNIVERSITY_ GRADUATE SCHOOL OF ARCHITECTURE, PLANNING AND PRESERVATION
08
HOLLAND TUNNEL EXHAUST TOWER
ATMOSPHERE AIR LAB
CORE I STUDIO NEW YORK_MANHATTAN_WEST SIDE HIGHWAY
6 WEEKS
FALL 2008
WASHINGTON ST
CRITIC_SOLOMONOFF
09
EXHAUST TOWER HUDSON RIVER AI R LAB
N J / J E R S EY C I T Y
NY/ MAN HATTAN
H O LLAN D T U N N E L RIVERBED BEDROCK
CA
NA
LS
TR
EE
T
WASHINGTON STREET
WEST SIDE HIGHWAY
HUDSON RIVER
SPRING STREET
New York City has close to 600 miles of coastline, and four of its five boroughs are on islands. All this makes New York especially prone to global warming’s most dramatic effects. Sea levels have been rising along the East Coast for thousands of years, in part because of the natural sinking of the land. However, in the last several decades, scientists have concluded that part of the rise can be attributed to global warming. Water at the Battery has risen more than a foot during the last century. Although sea levels in the New York area are projected to edge up several inches more by 2050, that's not what most worries experts. Coastal storms, including northeasters, tropical storms and hurricanes, greatly affects New York City. In fact, New York's densely populated and highly developed coastline makes the city among the most vulnerable to hurricane-related damage. The site sits in the flood plain and is adjacent to the Holland Tunnel Exhaust Tower on Canal Street and the West Side Highway.
02 ATMOSPHERE AIR LAB
COLUMBIA UNIVERSITY_ GRADUATE SCHOOL OF ARCHITECTURE, PLANNING AND PRESERVATION
10
For New York, a big problem is the combination of rising seas and stronger storms. Scientists predict that over the next century as the earth warms, weather extremes will become more frequent and storms more violent. What's called a 100-year flood today could become twice or even four times more frequent. The city's boroughs are linked to each other and the mainland by about 80 bridges and tunnels. Most subway and tunnel entrances are only slightly above sea level, as are the three major airports. They are particularly vulnerable to rising seas and flooding from Northeasters and hurricanes.
If a category-3 hurricane hit NYC, the U.S. Army Corps of Engineers estimates that nearly 30% of the south side of Manhattan would be flooded. Storm surge flooding could threaten billions of dollars of property and have a grave impact on the lives of the millions of people who live in NYC. The Headquarters, built to withstand all types of natural disasters, serves as a beacon for the region that the city is operational during storms that could potentially cripple city management.
CORE I STUDIO NEW YORK_MANHATTAN_WEST SIDE HIGHWAY
6 WEEKS
FALL 2008
CRITIC_SOLOMONOFF
11
5’ 10’
02 ATMOSPHERE AIR LAB
COLUMBIA UNIVERSITY_ GRADUATE SCHOOL OF ARCHITECTURE, PLANNING AND PRESERVATION
12
20’
5’
HOLLAND TUNNEL NORTH TUBE
CORE I STUDIO NEW YORK_MANHATTAN_WEST SIDE HIGHWAY
10’
20’
HOLLAND TUNNEL SOUTH TUBE
6 WEEKS
FALL 2008
CRITIC_SOLOMONOFF
13
The site, 231 Bowery, is bordered on the North by the New Museum of Contemporary Art and on the South by the Bowery Mission. It is a 47,000-square-foot lot that forms a ‘dead end’ to the east-west running Prince Street. Using this condition to penetrate the site, the museum becomes a continuation of the street itself. The building responds by pushing past the facades of its neighbors and emerges back into the city while also providing views to the occupants inside of Downtown Manhattan, Midtown, SOHO and the Lower East Side. The New Museum (opened 2006) and MOD are two institutions that indicate the shift in public culture along the Bowery from an infamous ‘skid row’ to the Bowery as the cusp of contemporary design.
03 MUSEM OF DELINEATION
COLUMBIA UNIVERSITY_ GRADUATE SCHOOL OF ARCHITECTURE, PLANNING AND PRESERVATION
14
EH
SOHO
OUS
ST.
CHR YST
IE S
T.
TON
The Museum of Delineation / MOD, is a museum for both the arts, production and tools of deliniation. MOD collects, exhibits and educates the public on all manner of linear representations both analog and digital. MOD contains both flexible and permanent galleries for works ranging in scale and content. Working within the multi-scalar framework of Micro/Meso/Macro Delineation the focus is on the Meso (the scale inbetween where mirco and macro meet). Although it is the interface between micro and macro, the Meso scale is in itself measurable. It is a framework that the foundation of (bio)diversity scales time and structures and links structures to performances. Like drawing, digital technology is transforming the arts of design and construction. Museums reflect the integration of design, construction, environmental controls (light and temperature) and multi-scalar structuring. At the scale of the objects, this includes technologies of display, storage and archiving.
W
OCKS / TE ST.
NTO
ES
T.
NS
T.
T P AR K
STA
EL
NEW MUSEUM OF CONTEMPORARY ART
RIV
ING
TON
SYT
HS
T.
EV D R OO S SA
RA
LITTLE ITALY
LOWER EAST SIDE
FOR
INC
BOW ERY
PR
ELIZ
ABET H ST .
BLOCKS / DWAY
ST. CORE II STUDIO NEW YORK_MANHATTAN_BOWERY
16 WEEKS
SPRING 2009
CRITIC_ELDRED
15
SPATIAL STRATEGIES
ORGANIZATIONAL STRATEGIES
DETAIL TO SYSTEM: n e t w o r k
radial
diffused
oriented
erratic
patterned
dependent
single face
mutliple faces
accumulation
concealed
screened
shifting orientation
DETAIL TO OBJECT: s c a l e
DETAIL TO OBJECT:
03 MUSEUM OF DELINETATION
site
DETAIL TO OBJECT: s i t e
COLUMBIA UNIVERSITY_ GRADUATE SCHOOL OF ARCHITECTURE, PLANNING AND PRESERVATION
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OBJECT TO SYSTEM: v o l u m e
OBJECT TO SYSTEM: e n v e l o p e
B OW E RY ST R E ET
180’
STREET FACADE LINE
CORE II STUDIO NEW YORK_MANHATTAN_BOWERY
16 WEEKS
SPRING 2009
CRITIC_ELDRED
17
reception cafe / shop event space
_private
4,700 sf
19
18
_public _natural light _connectivity _flexibility _exterior views
17
_9
_private
2,100 sf
F I F T H L E V E L_
_public
17 5TH FL GALLERY 18 OUTDOOR GALLERY 19 CLOSED EXHIBITIONS
_natural light _connectivity _flexibility _exterior views
15
16
_4
14
_private
1,300 sf
_public _natural light _connectivity _flexibility
F O U R T H L E V E L_
_exterior views
14 EDUCATION ZONE 15 LIBRARY 16 4TH FL GALLERY
_3
education
13
_private _public
2,400 sf
12
_natural light _connectivity _flexibility _exterior views
_4
T H I R D L E V E L_
galleries
12 ADMINISTRATION 13 3RD FL GALLERY
_private
13,500 sf
10
_public
11
_natural light _connectivity _flexibility _exterior views
10
service
S E C O N D L E V E L_ 10 2ND FL GALLERY 11 DIGITAL GALLERY
_private
5,400 sf
_public _natural light _connectivity
5
_flexibility _exterior views
BOWERY
admin zone
_25
_10
5 7
6
6
8
_private
5,490 sf
_public
S T R E E T L E V E L_
_natural light
5 PUBLIC PASSAGE 8 KITCHEN 9 OUTDOOR PUBLIC 6 CAFE SEATING SEATING 7 CAFE BAR / COUNTER
_connectivity _flexibility _exterior views
_10
x-program
2
_private
5,500 sf
3
_public _natural light
9’
17
_connectivity _flexibility _exterior views
_10
-6”
51
1 4
A L O B B Y L E V E L_
’-0
”
03 MUSEUM OF DELINEATION
1 2 3 4
B
ENTRY PUBLIC PASSAGE RECEPTION / TICKETING COAT ROOM
COLUMBIA UNIVERSITY_ GRADUATE SCHOOL OF ARCHITECTURE, PLANNING AND PRESERVATION
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CORE II STUDIO NEW YORK_MANHATTAN_BOWERY
16 WEEKS
SPRING 2009
CRITIC_ELDRED
19
NEW MUSEUM 175’ - 0”
FLOOR 6
FLOOR 5
FLOOR 4 ADMINISTRATION
FLOOR 3 EDUCATION
FLOOR 2 GALLERY
STREET LEVEL CAFE
B-1 LOBBY
B-2 COMMUNITY SPACE
03 MUSEUM OF DELINEATION
COLUMBIA UNIVERSITY_ GRADUATE SCHOOL OF ARCHITECTURE, PLANNING AND PRESERVATION
20
CORE II STUDIO NEW YORK_MANHATTAN_BOWERY
16 WEEKS
SPRING 2009
CRITIC_ELDRED
21
H O U S I N G // I N F R A S T R U C T U R E The studio explored the design of urban housing in relation to density and connectivity to transportation infrastructure and the East River waterfront. The site is Hunters Point, in Queens, New York. With a focus on issues central to post-war housing in the U.S. including the rise of the suburban model, mass production, commuting, and relationships of housing to economic markets as well as government intervention, the studio proposes new forms of housing that are simultaneously local in scale, but also designed with a deep awareness of New York City, national and global issues. The studio offers design for the City’s development goals for Hunters Point in Queens. Key factors included an examination of the United States housing paradigms in relation to a range of technologies that are at times literally architectural in character, or just as often, financial, social and ultimately political in nature but organized in instrumental ways as virtual “architectural” technologies. The driving force behind the studio is a hypothesis that the architect is poised at a threshold of a new technical means and capabilites, and that the deep array of financial and political infrastructures that support housing are simultaneously facing immense demands to re-organize. Buildings could be understood as the aggregation of spaces that emerge out of the complex relationship between the volumes that facilitate a program (rooms), spatial sequences (circulation) and structural logics. The resolution of the negotiation between these categories inevitably results in three dimensional system, a pattern, which gives the building not only a particular arrangement, but also its specific character. New spatial paradigms were invented based on the manipulation of structure, volumes and circulation.
SITE PLAN ORGANIZATIONAL GRIDLINES
MANHATTAN
04 QUEENS HOUSING
CONTOURS
EAST RIVER
HUNTERS POINT
NEWTOWN CREEK
COLUMBIA UNIVERSITY_ GRADUATE SCHOOL OF ARCHITECTURE, PLANNING AND PRESERVATION
22
BROWNSFIELD.GREENSFIELD.QUEENSFIELD.
DEALING WITH A TOXIC SITE
N
N
TOP SOIL LAYER
ROAD RUN OFF RECENT INDUSTRIAL ACTIVITY
HIGH TIDE
N
LOWER SOIL LAYER
MIDDLE SOIL LAYER
WATERWAYS RUN-OFF PAST INDUSTRIAL ACTIVITY ENVIRONMENTAL DISASTER
ENVIRONMENTAL DISASTER PAST INDUSTRIAL ACTIVITY
PHYTOREMEDIATION
LOW TIDE
HUMUS TOPSOIL ELUVIATION
SUBSOIL
BEDROCK
FUNGI 1” PECHAY 4” WATER TABLE
QNS-MIDTWN
FERN 12”
DAYLILIES 2’ TOMATO FOUNTAIN GRASS 3’ 3’
BLACKEYED SUSAN 5-6’ BUFFALO GRASS 8’
COMPASS PLANT NINEBARK 13’ SHRUB 16’
LIRR
7 TRAIN
04 QUEENS HOUSING
POPLAR UP TO 40’
WILLOW UP TO 40’
COLUMBIA UNIVERSITY_ GRADUATE SCHOOL OF ARCHITECTURE, PLANNING AND PRESERVATION
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EXISTING SITE CONTOURS
MODULAR HOUSING GRID
SHARED AMENITIES
3 BEDROOM UNIT 2 BEDROOM LOFT UNIT
EXISTING CONTOURS
PHYTOREMEDIATION
EXISTING SITE CONTOURS
PHYTOREMEDIATION MODULAR HOUSING GRID
PATHWAY EXTENSION
SITE SPECIFIC COMPOSITE GRID
WORK/STUDY 1 BR LOFT UNIT 1 BEDROOM UNIT
PHASE 3
PHASE 1
PHYTOREMEDIATION
PHASE 2
PATHWAY EXTENSION
SITE SPECIFIC COMPOSITE GRID
1/16” = 1’
CORE III STUDIO NEW YORK_QUEENS_HUNTERS POINT
16 WEEKS
FALL 2009
CRITIC_MARINO
STUDIO PARTNER_ANDY VANN
25
PHASE 1 TOWER CLUSTER
PLANS
04 QUEENS HOUSING
A 12’ x 12’ Concrete framework forms the structure of phase 1 to occupy the river front and property line closet to Long Island City. Leaving the interior open for remediation. The structure’s extensions allow for further growth in later phases of the project. Each cluster is 3 stories high served by a core on the north sice. Central to each cluster is a common room containg the kitchen and main living room space of the 8 units it serves.
CLUSTER ELEVATION
COLUMBIA UNIVERSITY_ GRADUATE SCHOOL OF ARCHITECTURE, PLANNING AND PRESERVATION
26
HUNTERS POINT, LONG ISLAND CITY, QUEENS, NY 1:100
01
PHASE
GYM 18,500 SF
COMMUNITY SPACE 8,500 SF
RETAIL 9,400 SF
RETAIL/WORKSHOPS 17,700 SF
MARKET 27,700 SF
RECYCLING CENTER 20,700 SF
DAYCARE 8,500 SF
WORKSHOPS/RETAIL
SCHOOL 18,000 SF
32,000 SF
MARKET 29,100 SF
CLINIC 18,600 SF
COMMUNITY SPACE 4,700 SF
COMMERCIAL 19,800 SF
GYM 12,000 SF
BOATHOUSE 6,000 SF
COMMUNITY CENTER 31,300 SF
COMMERCIAL 32,000 SF
FISH MARKET 7,200 SF
RETAIL/CAFE 6,000 SF AUDITORIUM 12,000 SF
CORE III STUDIO NEW YORK_QUEENS_HUNTERS POINT
16 WEEKS
FALL 2009
CRITIC_MARINO
STUDIO PARTNER_ANDY VANN
27
PHASE 2 BAR CLUSTER
A
B
C
A
D
C
E
B
F
E
A steel truss forms the structure of phase 2 to span the site from phase 1 on the river to phase 2 adjacent to the city. Still leaving the interior open for remediation phase 2, with indivdual kitchen units offers views of Manhattan, Brooklyn and the East River. Again, each cluster is 3 stories high served by a central corridor linking the cores at each end which are extensions of the phase 1 cores built 20 years earlier. Through wrapping around the corridor, each unti has both northen and southern exposure.
D
F
PLANS
04 QUEENS HOUSING
CLUSTER ELEVATION
COLUMBIA UNIVERSITY_ GRADUATE SCHOOL OF ARCHITECTURE, PLANNING AND PRESERVATION
28
CORE III STUDIO NEW YORK_QUEENS_HUNTERS POINT
PHASE
02
PHASE
01
QUEENS, NY
16 WEEKS
FALL 2009
CRITIC_MARINO
STUDIO PARTNER_ANDY VANN
29
PHASE 3 INFILL CLUSTERS
PLANS
N
04 QUEENS HOUSING
Stick Built, phase 3 infills the site with density as the land is no longer toxic. Occipying both the ground and roofs of phase 1, phase 3 is the final installment on the site. Light and easy to build, the stick built phase takes on a different quality than the concrete and steel buildings of phase 1 and 2. Clusters vary in height depending on application but employ the central kitchen serving several units.
CLUSTER ELEVATION COLUMBIA UNIVERSITY_ GRADUATE SCHOOL OF ARCHITECTURE, PLANNING AND PRESERVATION
30
CORE III STUDIO NEW YORK_QUEENS_HUNTERS POINT
PHASE
03
PHASE
02
01
HASE
16 WEEKS
FALL 2009
CRITIC_MARINO
STUDIO PARTNER_ANDY VANN
31
MODEL: 1/16” = 1’
04 QUEENS HOUSING
COLUMBIA UNIVERSITY_ GRADUATE SCHOOL OF ARCHITECTURE, PLANNING AND PRESERVATION
32
COMPOSITE SITE PLAN N
SITE PLAN 1:50
CORE III STUDIO NEW YORK_QUEENS_HUNTERS POINT
16 WEEKS FALL 2009
CRITIC_MARINO
STUDIO PARTNER_ANDY VANN
33
05 LIBRARY ON THE POTOMAC
COLUMBIA UNIVERSITY_ GRADUATE SCHOOL OF ARCHITECTURE, PLANNING AND PRESERVATION
34
WASHINGTON DC
Old Town’s busy King Street, lined with shops and restaurants runs EastWest before ending at the Potomac River. The site is located in between a public park to the South, the renovated Torpedo Factory Art Gallery and waterfront plaza to the North. From the waterfront piers that extend into the river, a view of the monument core of downtown Washington, D.C. can be seen. It is at these crossroads that a new library is proposed.
OLD T OWN A
LEXAN
ARCH 401
DRIA
VIRGINIA_OLD TOWN ALEXANDRIA_WATERFRONT
Circulation, light and existing views drove the form. The library engages the site by allowing movement through the building, connecting two public spaces along the waterfront. Light is manipulated and controlled through the geometry of the plan. The first floor follows the grid of Alexandria. The upper floors are angled to allow for the natural light to slip into the spaces below. The main reading rooms take advantage of park and river views and become transparent. The edges facing the exisiting context of Old Town respect their brick and masonry neighbors. Programmatic elements that require less light are located in these areas.
16 WEEKS
FALL 2005
CRITIC_BEDNAR
35
05 LIBRARY ON THE POTOMAC
UNIVERSITY OF VIRGINIA_ SCHOOL OF ARCHITECTURE
36
ARCH 401
VIRGINIA_OLD TOWN ALEXANDRIA_WATERFRONT
16 WEEKS
FALL 2005
CRITIC_BEDNAR
37
VIEW FROM SOUTH READING
WEST FACADE & KING ST ENTRANCE
UPPER STACKS AND READING ROOM
VIEW FROM STACKS TOWARDS MAIN READING ROOM AND RIVER
05 LIBRARY ON THE POTOMAC
UNIVERSITY OF VIRGINIA_ SCHOOL OF ARCHITECTURE
38
DAYTIME VIEW OF MAIN READING
EVENING VIEW OF MAIN READING
EVENING VIEW DOWN KING ST
At night, the Library becomes a lantern on the Potomac River. The reading rooms are oriented to overlook the adjacent park and frame views of the Maryland shoreline across the river. A Tower, located at the end of King Street marks the main entrance into the library. From its deck, views north to Washington D.C. engage one with the region. The existing shoreline river walk is uninterrupted by the library and allows pedestrians and library patrons to pass through the site and structure. The 9 degree shift of the upper floor is explicitly exploited to control the natural light on all floors while not infringing on the facades that face Old Town. A connection is made back to the river by channeling it into the site along the park and at the plaza entrance at the foot of King.
VIEW FROM MAIN READING ROOM TOWARDS STACKS
ARCH 401
VIRGINIA_OLD TOWN ALEXANDRIA_WATERFRONT
16 WEEKS
FALL 2005
CRITIC_BEDNAR
39
05 LIBRARY ON THE POTOMAC
UNIVERSITY OF VIRGINIA_ SCHOOL OF ARCHITECTURE
40
ARCH 401
VIRGINIA_OLD TOWN ALEXANDRIA_WATERFRONT
16 WEEKS
FALL 2005
CRITIC_BEDNAR
41
06 BOAT BUILDING SCHOOL
UNIVERSITY OF VIRGINIA_ SCHOOL OF ARCHITECTURE
42
A Boat Building School is proposed to build wooden boats, provide instructional classroom space and the ability to launch them into the James River. The spaces are large enough to rig a 30’ sailboat inside. A series of work bays with sliding doors and roofs allow for numerous configurations depending on the project and weather. The school is aligned with the River Walk Boardwalk that has been extended into the the water. Numerous boats can be constructed and and launched. The light framework of the boat building bays is juxtaposed with the heavy classroom spaces. An additional path allows for the public to go through the work area on an elevated level to observe the work in the school.
ARCH 402
VIRGINIA_HAMPTON ROADS_FORT MONROE
16 WEEKS
SPRING 2006
CRITIC_FORD
43
06 BOAT BUILDING SCHOOL
UNIVERSITY OF VIRGINIA_ SCHOOL OF ARCHITECTURE
44
ARCH 401
VIRGINIA_HAMPTON ROADS_FORT MONROE
16 WEEKS
SPRING 2006
CRITIC_FORD
45
BAY DOORS CLOSED
FRONT BAY DOORS RAISED
BAY DOORS AND SKY ROOF OPEN
46
Fort Monroe is located where the James River meets the Chesapeake Bay at the southernmost tip of the eastern Virginia Peninsula. Formerly dedicated with the task of standing guard to the bay, today the Fort is the scene of tourists, bikers, runners and sailors.
ARCH 402
VIRGINIA_HAMPTON ROADS_FORT MONROE
16 WEEKS
SPRING 2006
CRITIC_FORD
47
ELEVATION FROM FORT RAMPARTS TOWARDS RIVER
ELEVATION: FROM RIVER TOWARDS FORT
48
ARCH 402
VIRGINIA_HAMPTON ROADS_FORT MONROE
16 WEEKS
SPRING 2006
CRITIC_FORD
49
1
2
3.7 4 4.2 3 4.5
5 5.2
6
7
8.8 8 8.2 8.5 9
10
A B B.2 B.5 C C.2 C.5
D
FOLK ART MUSEUM ANALYSIS
COLUMBIA UNIVERSITY_ GRADUATE SCHOOL OF ARCHITECTURE, PLANNING AND PRESERVATION
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SLAB CONNECTION
TYPICAL CONNECTION
BEAM STUDY
HVAC STUDY
CRITIC_WEBSTER/ WALLANCE
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DETAIL_1 CONCRETE SLAB OF EXISTING BUILDING S/S GUSSET PL CABLE CONNECTION STEEL PLATE W/ ANCHOR BOLTS EMBEDDED INTO EXISTING SLAB 2” DIA CABLE
DETAIL_2 2” DIA CABLE
CABLE CONNECTION S/S GUSSET PL STEEL PLATE / NELSON STUDS CONCRETE FOUNDATION THE SPECTACLE
DEFINING THE URBAN ENVELOPE
DETAIL_1
CABLE TENSION SYSTEM
LIGHT NET CREATES “ENCLOSURE”
DETAIL_2
BRYANT PARK PAVILION
GSAPP
ADVANCED STRUCTURES III
FALL 2008
INSTRUCTOR_LAUFS GROUP: ANDY VANN_TIM BELL
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T ER E RR EENNAAUUL LT TC CE E NN TR S W I N D O N _ E N G L A N D _ 1982 S W I N D O N _ E N G L A N D _ 1982
FO NNOOR RMMA A N NF O S TS ET RE R
RENAULT CENTRE
DRAWING T Y P I C A L B A Y E GSAPP X P L O DARCHITECTURAL ED & REPRESENTATION I
TYPI CAL BAY E X PLO D E D
FALL 2008 MA
I INSTRUCTOR_UHL N S U PPO RT D ETAI L
MAI N S U PPO RT D ETAI L
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NEW JERSEY MEADOWLANDS IMAGES FROM 10/08 - 12/08
PHOTOGRAPHY
GSAPP
ARCHITECTURAL PHOTOGRAPHY
FALL 2008
INSTRUCTOR_ATTALI
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a_fallingwater_pa_dpb ’99 b_fallingwater study_pa_dpb ’99 c_glass house_ct_dpb ’01 d_national gallery of art_dc_dpb ’00 e_notre dame la grande_france_dpb’00
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dpbportfolio 511 West 113 Street Apt 22 New York, NY 10025 daniel.p.baciuska@gmail.com 609.213.1387
c
d
e
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