With this letter, I wish to express my strong interest in working with [STRANG] Architecture as a junior architect. I admire Mr. Strang for his deep commitment to the architectural community. Whether it be through, writing, teaching, or lecturing he has a great deal of involvement with the community, which is a quality that I aspire to replicate in my own career. [STRANG] Architecture’s projects have a clarity of design concept and blur the divide of exterior and interior space, creating impressionable midcentury modern architecture. I believe that [STRANG] Architecture would make for a tremendous opportunity for a young designer such as myself, to learn and grow, but I also strongly believe I could be a valuable contributor to your team. I am a dynamic and ambitious designer who possesses the design and development flair needed to plan, coordinate and be involved in all phases of an architectural project. In addition, I have superb communication skills and client liaison ability as well. With degrees in both Interior Design and Architecture and with my hands-on experience in the field, I am confident that I have those specific qualities that would make me an asset to your firm. Through my academic career and other projects detailed in my portfolio I am experienced with building materials and systems, sustainability techniques, research-based design and working in interdisciplinary teams on projects. I have extensive experience with a broad range of design and management software including AutoCAD, Sketchup, Revit, 3DS Max and Adobe Suite. My résumé detailing my professional background is enclosed for your review and consideration. I would very much like to speak with you about the design opportunities and the ways you can utilize my expertise. Please expect my call to arrange a convenient time to discuss. I look forward to speaking with you about this opportunity. Sincerely,
Daniel Fragata Daniel Fragata
Daniel Fragata Phone: (954) 805-1101 | Email: D.Fragata19@gmail.com, | Web: Linkedin.com/in/daniel-fragata Address: 19449 NW 14th Street, Pembroke Pines, 33029 ABOUT ME I believe in the ability of architecture, research, and design thinking to effect good in the world. I have been blessed with a wide variety of experiences and I believe they have helped shape me into a highly skilled, thoughtful, and well-rounded designer. I believe in the power of holistically good ideas paired with a multidisciplinary, research-based, and collaborative design process. My goal is to help better shape the built environment through the creation of beautiful, functional architecture, the communication of good ideas, and the development of sensible policy. To these ends I will continue to work, learn, and immerse myself in the field in order to create to the best of my ability.
WORK EXPERIENCE May 2013 - Aug 2014 Design Intern | Miami, FL Avanzato Design -Collaborated on multiple projects of wide-ranging scale simultaneously. -Participated in all phases of design and construction processes, producing drawings and layouts and assisting with clients. -Created 3D models and renderings. -Developed and executed online, social media and print marketing. Aug 2013 - Dec 2014 Design Intern | Zeeland, MI Herman Miller -Collaborated with a team of 5 to performed extensive research along side healthcare professionals and designers at Herman Miller for a cancer treatment center. -Developed and proposed a schematic design for 23,000 sq. ft. healthcare center, which was presented to executives at Herman Miller. Aug 2016 - May 2017 Photographer| Gainesville, FL Over Easy Creative -Worked independently to deliver high quality event photographs for weekly events. -Worked on a team of 2-4 to provide photographs for over a dozen large scale events with average attendance of 800-1000 patrons. May 2016 - MAY 2017 Graduate Teaching Assitant | Gainesville, FL University of Florida -Assisted in the development of course assignments relating to the fundamentals of Design for 40+ first year Architecture students -Weekly planning of assignments -Six hours of teaching per week, and making myself available to students for discussion of their work.
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Table of Contents
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A New Architectural Language Masters Research Project
Makings in Cedar Seahorse Key Design-build
Cemetery Point Cedar Key Design-build
Brasilia & Oslo Observatory Climate design
Ideaology Corporate design
Gas Works Park Institutional design
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architecture portMasters Research Project folio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio 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A New Architectural Language Gainesville, FL Time Frame: 12 weeks Media: Rhino, Grasshopper, 3ds Max, Simplify3d, Photoshop, Illustrator, InDesign
Abstract 3D printing is one of the most promising developments of today. It has shown its potential in a wide range of disciplines, varying from the medical world to the food industry and from aerospace engineering to household uses. Unsurprisingly, the building industry has adopted this technique and aims to apply it on a larger scale. 3D concrete printing results in a low cost and high speed construction method, which allows for a greater freedom in both architectural and structural design. Despite these clear benefits shown by a handful of pioneering companies and institutes spread around the world the building industry is still behind in the development of 3D printing. The 3d printer is not just a technology, but a paradigm shift. It will ultimately change the way architects think and design as the evolve with the technology. We are living in exponential times. The technologies of today will evolve into more advanced technologies of tomorrow in just a few decades or only few years with tremendous implications on our daily life. The exponential technological growth has been observed in information systems such as radio ad movie technology, in the transistor capacity of computing devices and material sciences, robotics and artificial intelligence. However, the major part of the construction system of today is still based on traditional manufacturing technologies and implementation methods. The system is outdated as there are many alternatives that can contribute to the new way of creating architecture and in a more effective way. Rethinking of the strategic approach of building architecture is of a primary importance in our times as new needs require new strategies. On the other hand, the increased power of computing devices has allowed a digital fabrication approach of whose potential has surpassed our possibility of physical fabrication. The recent development in manufacturing technology based on synchronization between the computer and the machine has created new opportunities to transmigrate the digital fabrication power to physical implementation of digital designs. 3D printing technology is one of these developments and its holds us a big promise in terms of customized complex geometries and automation process within large spectrum of application from small ordinary household objects to highly customized architectural applications. Complexity is no longer a constraint in architecture, but an opportunity.
Early Process My research began with learning the capabilities of not only the machine, but the materials it is capable of printing as well. Having a fundamental understanding of what the limits of the machine would allow me to focus my efforts on its strength and fully maximize its design potential. Two things were evident from the first several prints. The first being that the size of the machine would be a limiting factor in terms of the scale of the printed element. This is what would ultimate drive the modularity of the project. While incapable of printing larger scale elements the printer would be able to print individual pieces of a larger system. The second factor would be that printing out elements in there entirety uses up a substantial amount of material and isn’t efficient in regard to time. The solution to these constraints would be to design and print a reusable mold.
A series of organic forms were modeled in 3D software and then used to create the negative for the slip cast molds. There were a couple of recurring issues with these molds. Because the molds were made of plastic they retained moisture much longer than other mold materials such as wood. The forms being casted were also too complex for for a two-piece slip cast mold. Many of the casts would break in the process of demoulding them.
The Void The following series of prints were not molds themselves, rather sleeves that would be placed into a more traditional mold in order to form the negative space that would be the void of the module. A variety of the same type of sleeve would be printed in order to achieve a more dynamic system. At this point the design had evolved to be more about the void and the light that penetrates through the module, than the creation of a form through the use of the 3D printer.
Module Design In previous series, the module didn’t relate or respond to the language of the void within it. It was merely a void within a box. In attempts to merge the two the mold was altered to reflect the shape of the void within it. There were also the first attempts at configuring the elements within a system and addressing how the individual elements would interact. In this process however, the sleeve lost much of the desired flexibilty do to the twisting nature as well as the size of the aperture.
Flexibility and Variance In the attempt to utilize the 3D printer to its full potential, the introduction of an outside element would be introduced for manipulating the printed elements. Given the flexibility of the TPU filament, a jig was designed that would allow the printed sleeve to be manipulated at certain points. Three separate jigs were created in order to get an almost endless amount of variation while still maintaining the language of the system as a whole. The set-ups have a dozen control points as well as an adjustable slat in order to control the angle of the cast’s edge. The bolts would be threaded back and forth to manipulate the 3D printed sleeve. This would allow for multiple variations in each cast without having to print multiple variations.
Maximum Potential Now that the variance in the casts are derived from the jigs and the not mold itself, the mold no longer must be a complex geometry. The geometries have now evolved into oval, elliptical, and crescent shapes, with outward lofting edges that allow for the TPU mold to peel off after the cast has hardened. The union of the 3D printed mold with the rigs utilizes the 3D printer to it fullest potential. The mold only needs to be printed one time, are reusable, and can produce an infinite number of variances while still maintaining its base shape. Even with the constraint of scale, the 3D printer can print large enough singular elements in order to construct a larger full-scale structure. Through this research project it is evident the implications that this process and fabrication method would have with multiple larger commercial scale printers.
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architecture portCedar key Design-build folio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio 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Makings in Cedar Seahorse Key, FL Time Frame: 6 weeks Media: Autocad, SketchUp
There is an identity to this place. This mangrove dune is the tallest point on the gulf coast. It is only accessible by boat. Tides and vegetation control accessibility, edges that are both inferred and explicit. There is no shelter on the site, and yet it is safe. Horizons, heat, bugs, breeze, sand, water, and isolation. It is an ever-changing place. Tides come in and out, creating new wrack lines with each high and low point. Certain moments are able to carve a space in the landscape. Some, like the historic lighthouse, are seemingly more permanent, while others, like the large piece of driftwood and existing stair depicted below, inhabit the site more precariously. After the winds and abnormally high tides of Hurricane Hermine, the place as originally discovered was completely changed. It is into this ephemerality that we intervened.
Place describes location and the composition of characters that define it. Place takes into consideration characteristics and traits that can be defined objectively. Site however recognizes these markers existing in space and relies on perception to define relationships. These relationships are crucial in occupation and making decisions about how to occupy and intervene. Site seeks to understand and occupy ‘place’ for the intent to inject a new element that can respond to the existing systems. In order to define site, perception breaks down the characteristics and relationships that are operating in place. Rhythm, meter, and enclosure of the characters occupying the field help influence the perception of site and establish a reference that depicts larger systems. Any site, location or a place includes number of natural features that characterize it and create the context of this place. In architectural design, all these features should be determined, analyzed as well as considered in the design process in order to integrate the design into its context. The first step to develop a site analysis for Sea Horse Key was to gather as much information possible about the site. It involved searching its past history and to document the current condition of the place. Once gathered, these elements were synthesized: it is a process of selecting, ordering, and presenting the information. This process was a key component to the project, orienting the future design of the project. By choosing the characteristics of the site to focus on/ reveal in the site analysis, the project already begins to be directed. All this information was combined in a consistent way, emphasizing what was considered key elements to the site and thus defining the approach of this project. One can work with a design’s surroundings by repressing them, embracing them, juxtaposing them, supporting them, replacing them, improving them, or even changing them entirely. It is crucial to look beyond the design’s immediate site, to analyze that which surrounds it. Look at what is permanent and semi-permanent, and at that which is intangible.
Platform - the top platform became an extension of the ground, created a joint with the existing path, and stretched out to meet the stair. - the 10’x4’ lower porch is elevated to float above the intruding driftwood and is intended to be used as seating and staging for the islands visitors. - the lowermost platform also floats above the sand and is the last moment of transition from path to beach, as it pushes the visitor towards the sea.
Stair - nearly 10’ ascent separated access to the beach and the trail up to the lighthouse. In addition to the individual steps there are additional component parts of the landing, railing, and a turnstile gate.
Markers - meant to unify the intervention with the context and to stretch the experience of the platform all the way up the trail. These markers are like tuning fotrks to cause the occupant to begin to recognize the resonance of the experience along the sectional shift of the slope.
The Markers Alike to the channel markers that notate the boat passage surrounding Seahorse Key, these constructed posts approach wayfinding on the site as a reminding background tone between the lighthouse and shoreline. While the pathway winds and twists through the dense thicket of foliage, these land-bound markers imply a single line along which multiple horizons unfold from, both horizontally and vertically. Demarcating this transparent boundary began with a string-line spanning from the top of the lighthouse the the front edge of the newly installed deck. Placement of the vertical posts was derived from the site where view and alignment intuitively fit (proximity to the lighthouse, edge of terrain, clearing of brush, threading between trees). The point where the string intersected the consistently 6’ markers indicated the height of the red anchors.
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architecture portCedar Key Design-build folio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio 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Cemetary Point Cedar Key, FL Time Frame: 4 days Media: Autocad, SketchUp
For this project we worked with the Town of Cedar Key and along side Sami Rintala and Philip Tidwell. About a month before the build we met with the clients at Cemetery Point to discuss the parameters of the project, context, and the constraints of the site. The day the workshop began, we met again, this time with a larger group, to discuss the expectations of the community. Three of the four days of the workshop were spent working on campus. Here the studio was used to cultivate design ideas as a group through scale basswood models, drawing, and discussion. The atrium functioned as the main space for full scale mock-ups of the developing projects. Some of these mock-ups were used to work through ideas, while others became pre-fabricated pieces to take on site.
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architecture portClimate design folio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture 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Brasilia & Oslo Observatory Brasilia, Brasil & Oslo, Norway Time Frame: 6 weeks Media: Rhino, 3ds Max, Photoshop, Illustrator
Brasilia, Brazil
The projects placement within the terrain allows for the user to experience and engage the ground and horizon differently than what one is accustomed to. Nature has infinite differentiations of scale to. Simply the height of a user is enough to disconnect one from the entire world happening just at their own feet. The ground being at eye-level brings light to the surrounding environment’s scale that would otherwise unoticeable. The subtle nuances of grass, rock, and dirt suddenly become easily perceived by the user and simple things such as shadows, wind, and time immensely change the experience in a very noticeable way.
OSLO, NORWAY
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architecture portCorporate design folio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture portfolio architecture 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Ideaology Atlanta, GA Time Frame: 6 weeks Media: Revit, 3ds Max, Photoshop, Illustrator, InDesign
WAREHOUSE DISTRICT with creativity as the fuel that runs this company, thought and idea are constantly exhibited
ART DISTRICT expression and free flowing ideas flood these spaces intriguing and inspiring anyone who walks through it
FINANCIAL DISTRICT this district allows for a sense of private and professionalism to live among the other districts
CITY PARK the park acts as a space to get away from the hustel and bistle of the city and relax while recharging creative batteries
Ideaology is a design firm that helps organizations innovate, grow, and build their business. With a creative design approach, Ideaology needs an environment that pushes their limits and inspires innovative thinking. In order for a company like this to thrive they need a proper balance between work and play. By using the formation of a city as inspiration for the Ideaology Office, it allowed for a space that encourages open communication, risk taking and diversity of thought. This environment will continuously surprise its users and help nurture innovation and adaptability.
Warehouse District
City Park
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Gas Works Park Seattle, WA Time Frame: 6 weeks Media: Rhino, Photoshop, Illustrator, InDesign