Danielle Bagwin Architecture and Urban Design Portfolio by Danielle Bagwin

DANIELLE BAGWIN SELECTED WORKS

“Architecture has the power to reshape who we are” Leo Gullbring

contents

RESUME architecture Disruptive deviation

forum and advocacy space for all _ research and site analysis, st. louis mo

spring 2018

here to hear

forum and advocacy space for all _ design, st. louis mo

fall 2018

The Artery [the enclosed courtyard]

grey box at missouri western state university, st. joseph mo

spring 2017

agulla

castellers performing center, barcelona spain

summer 2017

halifax, nova scotia

international housing studio

fall 2016

Urban Design reconstructed waterfront las colinas, irving texas

spring 2018

revealing the [disrupted] Johannesburg

global urbanism[s], johannesburg south africa

summer 2018

professional practice References

58 66

DANIELLE BAGWIN, Associate AIA work experience

new york,ny | dnbagwin@gmail.com| 203. 253. 8959 https://www.linkedin.com/in/daniellebagwin/

Architectural designer at heitler houstoun architects | New York, NY | 2019 - Present

Participate in all phases of design. Focusing on concept design, schematic design and drafting of construction documents, including technical drawings and details for small scale outpatient medical, health and wellness and retail projects. Business Development and Marketing Leader - develop marketing strategies to increase the firm’s social media presence.

Research Assistant | St. Louis, MO | 2016 - 2018

Researching the causes of Segregation in American Cities investigating neighborhoods in St. Louis, Detroit and Cincinnati through community outreach initiatives and researching policies with Professors Catalina Frexias and Mark Abbott.

Graduate Teaching Assistant for Professor Catalina Frexias in Segregation by design | St. Louis, MO | 2016 -2018

Assisted in desk critiques, analyzing current neighborhood conditions, causes of segregation and designing mitigation strategies for neighborhoods within St. Louis. Graphically designed and edited the book layouts and boards. The publication titled “Segregation by Design” is sponsored by The Divided City: An Urban Humanities Initiative funded by the Mellon Foundation. This exhibition of work has been on display at Creative Exchange Lab, St. Louis History Museum and Washington University.

Sam Fox Digital Fabrication Lab Monitor | St. Louis, MO | 2016 - 2018 Note Taker for Cornerstone: the learning center | St. Louis, MO | Fall 2017

Paid assignment for transcribing notes for students with learning disabilities.

intern at Michael Gorski, Architect | Stamford, CT | Summers and Winter Breaks 2013 - 2014

Drafted floor plans, designed a Pergola, created and designed the construction sign for Michael Gorski Architect and attended client/contractor meetings.

skills

Esposito Design Associates | Stamford, CT | Summer 2014 INTERN | Assisted interior design firm with thematic development, and various office tasks.

DIGITAL AutoCad, Rhino, Adobe (Illustrator, InDesign, Photoshop), ArchGIS, SketchUp (Layout), Graphic Design, V-Ray, Bluebeam ANALOG Hand Drafting, Physical Modeling, Freehand Drawing and Sketching OTHER Certified Lifeguard, First Aid, CPR/AED for the Professional Rescuer

education

Washington university in st. louis | St. Louis, MO

Master of Architecture and Master of Urban Design | December 2018 | GPA: 3.74 with Honors Architecture Degree Project Book Award [Upon Graduation]| 2018 Approach [Studio Project Selected for Graduate Work Publication]| Fall 2015, Spring 2017, Fall 2018 Accreditation [Studio Project Selected for Graduate Accreditation Process] | Spring 2016, Spring 2017 SEED [Social Economic Environmental Design] Certification Four Publications: Segregation by Design 2017 [Florissant] | Segregation by Design [2.0] 2018 | Disruptive Deviation [Architecture Thesis]| Revealing the [Disrupted] Johannesburg [Urban Design Thesis] Summers and Spring Break | 2016 - 2018 Johannesburg South Africa and Kigali Rwanda | Summer 2018 Global Urbanism [s]: Urban Design Thesis Studio Copenhagen Denmark | Spring Break 2018 Lively Cities: Behavioral Studies and City Design Barcelona Spain, Santiago de Compostela Spain and Porto Portugal | Summer 2017 Architecture Summer Studio Segregation in American Cities, Structure I and Structure II | Summer 2016 Research in St. Louis, Detroit, Cincinnati and Required Coursework

Hobart and william smith colleges | Geneva, NY

Bachelor of Arts in Architectural Studies and Minors in Studio Art and Art History | May 2015 | Cum Laude Deanâ&#x20AC;&#x2122;s List | Spring 2013 - May 2015 Liberty League Womenâ&#x20AC;&#x2122;s Swimming and Diving All-Academic Team | 2013, 2014, 2015

activities and leadership

Charles University | Prague, Czech Republic | Spring Semester 2014 [Study Abroad]

torch mentorship program, AIA Emerging new york architects | New York, NY | 2020-2021

Selected as an emerging professional. This program is designed to empower architects through discussions and mentorship to advance leadership and communication skills, understand new perspectives and cultivate relationships within fellows in the field of architecture.

Graduate Architecture Council | St. Louis, MO | 2016 - 2017

Vice President of Student Engagement

William Smith Swim and Dive Varsity Team | Geneva, NY | 2011 - 2015 The Core, William Smith College | Geneva, NY | 2013 - 2015

Leadership program comprised of junior and senior athletes who exhibit strong leadership abilities

Eye to Eye Foundation Volunteer | Geneva, NY | Spring 2013

Served as mentor for middle school students at Geneva Middle School

Cancer Research - Organic Chemistry II | Geneva, NY | Fall 2012 Synthesized analogs of an anticancer drug

spring 2018 | sandra weddle

forum and advocacy space for all _ research and site analysis

disruptive deviation

In a constantly changing political climate, protesting has intensified, and the media has interpreted these events as they occur. The variety and consistency of these protests has temporarily reconfigured how we interact with the public realm and the media restructures how the ongoing event is perceived. Although information is not accessible to all and it is not being distributed equally or portrayed fairly, the demonstration culture coupled with the influence of social media has created a network that goes beyond protesting and occupying space itself. Rather, a new platform is created which brings people together to collectively address issues and share their stories not being told.

How can architecture disrupt what the media is currently doing and create a space which is recharged by the people, for the people?

The proposed site is located in northern St. Louis, Missouri on Tucker Blvd and bisected by Dr. Martin Luther King Dr., in a predominantly African American community. The site sits on the terminus of the â&#x20AC;&#x2DC;justiceâ&#x20AC;&#x2122; axis within St. Louis which not only includes the courthouse but a variety of other institutions which fight for injustices. On site, a tower broadcasts to a majority of the St. Louis region which allows the ability for the voice of the individual or the collective to amplify beyond the site.

tension || disruption

images from Ferguson Uprising in St. Louis through the lens of the media

broadcast outreach

6 miles

SITE

broadcasting tower

Located between two information factories, the St. Louis Post Dispatch [newspaper] and KDLN [TV], the site is an existing partially fenced parking lot. By placing the forum and public space between the two forms of media, my proposal subverts the current media and brings a voice to the people by the people. To the far right, a series of conceptual models explore the relationships between form, context, site, program, scale, gesture, sound, and performance.

KDL

st. louis post dispatch

KDLN St. Louis Post Dispatch

fall 2018 | eric hoffman

forum and advocacy space for all _ design

HERE TO HEAR

To subvert the current media, a third generation was designed and integrated as a catalyst for present and future conditions not only to be HERE but to be HEARD. To be here is a form of visibility. To be seen is to be present and part of larger missions while to be heard is not to be seen but to keep their identity hidden so a person can be heard without being identified. Visibility above ground and anonymity below ground were driving factors in the design process. Having a pure and simplistic design was integral in allowing the people to become the central feature in the ways it was inhabited and occupied, whether individually or as a collective. Programmatically, the design incorporates a forum and public space above and semi-private and private meeting spaces below for those who need to meet with counselors, lawyers, therapists etc. as well as a recording studio.

There are two ways to enter the recording studio as well as the semiprivate and private meeting spaces. One can enter from the northern plaza, across from KDLN, below the forum or from the southern plaza from Tucker Boulevard. By entering either side, a personâ&#x20AC;&#x2122;s identity can still be hidden because they are accessing the site as any person would, but then the person has the opportunity to slide into a safe space, the private zone, to have personal conversations or privacy.

TuCKER BLVD

Located within a sea of parking, the site was designed to not only engage with an individual user but to occupy thousands of people with uninterrupted sightlines. The forum space was designed to amplify sounds in a variety of directions but it was also designed to define different spaces for the group size ranging from 1 to 5 people up to 5000 people on the entire site. The space opens up to the city, on the southern edge, but is confined to the area by trees which line the plaza, defining an edge.

DR. MARTIN LUTHER KING DRIVE

+ [visibility]

- [anonymity]

site plan | analog + digital

forum and plaza design development process models

collective

50 to 500 people

500 to 5000 people

individual

1 to 5 people

5 to 50 people

ground floor plan | analog + digital

below ground plan | analog + digital

concrete section

semi-public to private sectional model

Designed to mediate between the formal and informal the sectional quality of the project became critical to connect what is happening above to below. Various changes in elevation with seating strategies as a part of the public space allowed for people sitting above to see below. Additionally, various lighting strategies were designed to bring light down in order to use the light to direct people through the space through transition and circulation.

informal

street

south plaza

north plaza

forum

formal

forum

north plaza

street

south plaza 21

spring 2017 | eric hoffman

grey box at missiouri western state university, st. joseph mo

the artery [the enclosed courtyarD]

Potter Hall located at Missouri Western State University is a building which is isolated from the rest of the school. When initially entering the building, the long corridor is dark and unwelcoming. By removing the existing black box theatre, this opens up a new point of circulation into the courtyard space.

PERFORMANCE CHAIRS UP SCRIM DOWN NO VIEW [BLACKOUT]

The existing exterior courtyard which sits between the 1985 building and the 1968 building on the northern side is currently an underutilized space used solely by the art department. This proposal allows for the transformation of the current courtyard to become a flexible space which can be utilized for social events, gallery or critique spaces and a theatre used by all departments. With the addition of a woodshop and new loading dock to attach to the courtyard, the addition allows for easy access of materials for both the new flexible theatre and existing theatre. Along with accessibility of materials, by moving the current costume shop, which is housed in the basement to the first floor between the existing theatre and new theater, will allow visibility of the â&#x20AC;&#x153;behind the scenesâ&#x20AC;? to become transparent.

LOADING DOCK -

DARK ROOM

HALLWAY 105

DARK ROOM -

LOADING DOCK -

WOOD SHOP AND SCULPTURE -

HALLWAY 105

DARK ROOM

STAIR 101

DARK ROOM -

A-301 F

DARK ROOM DARK ROOM

DARK ROOM -

STUDIO/OFFICE 103

OFFICE 105

LAB 106

STUDIO/OFFICE 103

CLAY STORAGE 127

THEATER 100

GALLERY 100

STAGE 100.G

STUDIO OFFICE 205A

CLAY MIXING 107

CLAY STORAGE 127

GLAZING ROOM 108

PHOTOGRAPHY -

CERAMIC STUDIO 101

CORRIDOR 124

LAB 106

DARK ROOM -

COSTUME SHOP 100.F

GLAZING ROOM 108

PHOTOGRAPHY -

OFFICE 105

CONTROL ROOM 202 DARK ROOM

COSTUME SHOP 100.F

DARK ROOM -

CLAY MIXING 107

DARK ROOM -

DARK ROOM

STAGE 100.G

THEATER 100

LOADING DOCK -

WOOD SHOP AND SCULPTURE -

PROJECTION ROOM 203

UPPER STAGE 120

UPPER THEATRE 119

UPPER SCENE SHOP 121

UPPER 10

UPPER LOBBY 104

CERAMIC STUDIO 101

CORRIDOR 124

OBSERVATION ROOM 204

KILN ROOM 110

PAINT STORAGE -

HALLWAY 105

OFFICE 118

OFFICE 116

OFFICE 100.C

BACKSTAGE 100

OFFICE 100.B

MECHANICAL 115

COMPUTER LAB -

PAINT STORAGE -

OFFICE

STORAGE 104

OFFICE 118

MEN 102 121

W.C. 114

ELECTRIC ROOM 122

OFFICE 116 SLIDE ROOM 113

MECHANICAL 105

VESTIBULE 108.J

STORAGE 108.I

WOMEN 104

OFFICE 114.B

OFFICE 114.A

LOBBY 101 CLASSROOM 107

TEACHING STUDIO 108.B

MECHANICAL ROOM 106

CONFERENCE 105

INSTRUMENTAL REHEARSAL 108

TEACHING STUDIO 108.E TEACHING STUDIO 108.F

TWO PIANO STUDIO 109.A

COMPUTER LAB -

W.C. 114

SLIDE ROOM 113

DRYING ROOM 111

STORAGE 115

MECHANICAL ROOM 206

OFFICE 201

OFFICE 203

STAIR 209

POTTER 200 LAB 200A

EDIT STUDIO A 200C

MEDIA LAB 200

SECRETARY 116

OFFICE 114.B

OFFICE 114.A

EDIT STUDIO B 200B

CLASSROOM 107

MECHANICAL ROOM 106

CONFERENCE 105

PRACTICE ROOM 211

PRACTICE ROOM 212

ART OFFICE 103

CLASSROOM PRACTICE ROOM 213

ART OFFICE 117

TEACHING STUDIO 108.C

MEN 103

INSTRUMENTAL REHEARSAL 108

CORRIDOR 130

PRACTICE ROOM 215

PERCUSSION STUDIO 108.D

PERCUSSION STUDIO 119

EVERYDAY | COMMUNAL SPACEGROUND FLOOR PLAN |1/32” = 1’ TEACHING STUDIO 108.E

STORAGE 108.G

TEACHING STUDIO 108.F

TWO PIANO STUDIO 109.A

PRACTICE ROOM 216

RECEPTION SPACE GROUND FLOOR PLAN |1/32” = 1’

PRACTICE ROOM 214

PRACTICE ROOM 217

CORRIDOR 230

TEACHING STUDIO 218

UPPER STORAGE 143

MECHANICAL EQUIPMENT 214

OFFICE -

OFFICE 220

OFFICE 219

VESTIBULE 109.B

CHORAL STORAGE 109.C

MEN 121

VESTIBULE 112

TEACHING STUDIO 108.A

TEACHING STUDIO 108.B

ART OFFICE 117 JANITOR 102

STORAGE 104

CORRIDOR 129

VESTIBULE 108.J

STORAGE 108.I

STORAGE 109.D

SECRETARY 116

STORAGE 108.H

STORAGE 108.G

MECHANICAL 105

ART OFFICE 103

OFFICE 200D

CORRIDOR 205

WOMEN 123

STAIR 122

ELECTRIC ROOM 122

CORRIDOR 130

PERCUSSION STUDIO 108.D

PERCUSSION STUDIO 119

COMPUTER LAB -

MUSIC OFFICE 114

MUSIC OFFICE 114 TEACHING STUDIO 108.C MEN 103

MECHANICAL 115

STAIR 123

OFFICE 102

VESTIBULE 112

TEACHING STUDIO 108.A

LOBBY 101

JANITOR 102

BACKSTAGE 100

STORAGE 115

CORRIDOR 129

WOMEN 104

OFFICE 100.C DRYING ROOM OFFICE 111 100.B

OUTDOOR AREA 128

STAIR 122

ELECTRICAL EQUIPMENT 100.E

WOMEN 123

STAIR 122

ENTRANCE A 101

STAIR 123

OFFICE 102

HALLWAY 105

STAIR 122

ELECTRICAL EQUIPMENT 100.E OFFICE 102 ENTRANCE A 101

KILN ROOM 110

OUTDOOR AREA 128

CHORAL STORAGE 109.C

KEYBOARD LAB -

ground floor plan

OFFICE 222

CLASSROOM -

STAIR 201

STORAGE 205B

PAINTING STUDIO -

PRINTMAKING -

CORRIDOR 219

STUDIO OFFICE -

STORAGE 207A

STAIR 214

DRAWING STUDIO -

WOMEN 218 STORAGE 217 MEN 216

MECHANICAL 207

CORRIDOR AND COMPUTER SPACE 215

OFFICE 206

ART THEATER CINEMA DANCE OFFICES 206

MECHANICAL ROOM 208

OFFICE 206D

OFFICE 206C

OFFICE 206B

OFFICE 206A

GALLERY SPACE

SECOND FLOOR PLAN | 1/32” = 1’

CRITIQUE SPACE

second floor plan

SECTION A | 1/8” = 1’

SOCIAL CHAIRS DOWN SCRIM DOWN DAY VIEW

SECTION C| 1/8” = 1’

THE ARTERY [the enclosed courtyard] Danielle Bagwin Instructor: Eric Hoffman

Lacking a connection point between the Art, Theatre, Cinema, Dance and Music Departments the existing courtyard can transform into a space which brings the different branches together as one.

flexability and transformation of design

WALL SECTION | 3/8

THEATRE | TRANSVERSE STAGE

THEATRE | END STAGE_RIGHT

THEATRE | END STAGE_LEFT

EVERYDAY | OPEN SPACE

GALLERY CHAIRS DOWN SCRIM UP NIGHT VIEW

EVERYDAY | COMMUNAL SPACE

RECEPTION SPACE

SPECIAL EVENT | RECEPTION SPACE

GALLERY SPACE

SPECIAL EVENT | GALLERY SPACE

CRITIQUE SPACE

SPECIAL EVENT | CRITIQUE SPACE SECTION B | 1/8” = 1’

THEATRE | TRANSVERSE STAGE

THEATRE | END STAGE_RIGHT

THEATRE | END STAGE_LEFT

EVERYDAY | OPEN SPACE

SECTION C| 1/8” =

SECTION B | 1/8” = 1’

GALLERY PERFORMANCE

THE ARTERY [the enclosed courtyard] Danielle Bagwin Instructor: Eric Hoffman

Lacking a connection point between the Art, Theatre, Cinema, Dance and Music Departments the existing courtyard can transform into a space which brings the different branches together as one.

CHAIRS DOWN SCRIM UP NIGHT VIEW

summer 2017 | adrian luchini

castellers performing center in barcelona, spain

AGULLA

AGULLA [“needle”] refers to a high column of one person per level which is built inside the main castell tower. While the castell is being assembled or dismantled, the Agulla remains standing as a support structure. It represents the in-between; the in-between which holds the formation together. It becomes an essential relationship to create a successful castell. This proposal was designed to embody the in-between of the existing plaza. Rather then constraining to the roughly nine meter by nine meter site, I extend beyond these limits to develop this new “in-between” space. This [private|public] space ultimately constructs a new connection point between the existing public and newly designed private realm of Barceloneta. Designed as a multi-level experience when the castells are ‘performing’ or for everyday use, the space embodies the Barelonenta culture.

N DOW UP

GROUND FLOOR P

ground floor plan

FOURTH FLOOR PLAN

fourth floor plan

UP UP

THIRD FLOOR PLAN

third floor plan

UP UP

SECOND FLOOR PLAN

second floor plan

32 UP

DOWN

fall 2016 | don koster

international housing studio

halifax, nova scotia

Located along the waterfront in downtown Halifax, Nova Scotia I collaborated with a small team to construct a master plan and multi-family housing for 30+ units. Positioned in the center is my site which had two different ground conditions to bridge the overall design together based on decisions developed by the team. To the north was water and to the south was a steep green space. Since the land and the water conditions met in the center of my building, I used this to my advantage to develop and design a ramp. The ramp was designed to circulate from the waterfront to the street so pedestrians could have public access to both the water and green space and to generate an experience for the general public and residents as they moved through the space. The individual multi-family housing was designed to be open in the center so that residents could experience the merging of the water and green space below. When moving through the building along the interior corridor, one can experience the radical tide changes which occur in Halifax daily.

typical floor plan

ramp level plan

master plan

ground floor plan

formal evolution

An opaque facade for the exterior of the building was based on a virtual tour taken through the coves of Halifax where enclosure and materiality were clearly important elements to be considered due to the constantly changing environment and climate. When one enters their unit the building becomes malleable to the occupiers because each unit has wooden panels which allow sunlight and air to come into the unit or to be closed off. 38

urban design

spring 2018 | ian caine

las colinas in irving texas

reconstruced waterfront

My site in Las Colinas, Texas is a vacant piece of land which had a single pathway from the metro to a bus stop. Walking towards the bus stop you look out and see a man-made lake, a corporate office park to the right and â&#x20AC;&#x2DC;old townâ&#x20AC;&#x2122; residential housing to the left. There is no civic infrastructure or public space. Being an edge city, people are choosing to move there for the convenience of living, working and playing without having to leave. With the lack of public space, my proposal emphasizes the ground plane as a continuous public space along both the metro and the water by providing civic infrastructure to those living there and for those who are visiting the regional convention center. I developed a strategy which not only defines a stronger connection from the metro to the newly constructed waterfront, but also creates a connection to be made from the convention center to the residential housing.

860,300 sq. ft. 884,000 sq. ft

468,000 sq. ft. 594,000 sq. ft. 537,000 sq. ft. 706,000 sq. ft.

310,000 sq. ft.

328,000 sq. ft.

Tower4.7 M

TOWER

252,000 [378 units] 126,000 [126 units]

126,000 [126 units]

252,000 [378 units]

90,000 [90 units]

135,000 [135 units]

400,000 [900 units] 135,000 [135 units]

135,000 [135 units]

400,000 [400 units]

126,000 [126 units]

189,000 [189 units]

400,000 [400 units] 126,000 [126 units]

126,000 [126 units]

Residential

RESIDENTIAL

600 spots 300 spots

300 spots

600 spots

300 spots

200 spots

900 spots 450 spots 900 spots

450 spots

300 spots 900 spots 300 spots

450 spots

Parking

PARKING

300 spots

M [ 7300 PARKING SPOTS]

27,000 sq. ft. 18,000 sq. ft.

18,000 sq. ft

36,000 sq. ft.

18,000 sq. ft.

Retail RETAIL

27,000 sq. ft.

45,000 sq.ft 27,000 sq. ft. 45,000 sq. ft.

27,000 sq. ft.

18,000 sq. ft

27,000 sq. ft

36,000 sq. ft 18,000 sq. ft.

405

18,000 sq. ft.

400 K Landscape

LANDSCAPE

10.5 44

Redefined Waters Edge

redefined waters edge

Pedestrian Movement

pedestrian movement

Vehicular Movement

Program

WATER

Pedestrian Movement

Vehicular Movement

Program

Vehicular Movement

Program

WATER

vehicular movement

Program

program

water and metro connection

WATER

office tower

In my strategy I took the approach of lifting the office space up three stories, so the ground level now becomes a new pubic space along with retail space interconnected by a water management system. Connected to the towers, parking becomes a design component which would never sit vacant as a critique of the site had shown us. Rather the parking would be used for the office during the day while the residential space [sitting above the parking] would use it at night.

residential

3 STORIES TO CREATE A CIVIC SPACE

civic space

parking

commercial

TRANSPIRATION

PERCIPITATION INFILTRATION

TO DETENTION POND

RUn off

CIVIC SPACE | SECTION 1/4” = 1’

FILTRATION

CIVIC SPACE | PLAN 1/4” = 1’

summer 2018 | john hoal

global urbanism[s] , johannebsurg south africa

revealing the [disrupted] johannesburg

Due to apartheid, public life within the inner-city went missing and moved behind the wall. The public domain had been reduced to the left-over space within the city which created a connective tissue which was seen as unsafe and unsanitary to move through. Rather the government took extra precaution by placing a fence to divide the public from using its immediate public surroundings in spaces which they felt were not being used in â&#x20AC;&#x153;the appropriate mannerâ&#x20AC;?. With the use of walls, fences, and barriers, the city was fragmented and created pockets of isolation which made the city further fearful of itself. Not allowing the people to use their environment for what it was designed to do but rather internalized itself and became a city of interiors.

The design proposal attempts to atomize Oriental Plaza back into the existing urban landscape to optimize the potential it has as a successful public space between Fordsburg and Newtown. With a handful of important anchors, the newly designed small town will flourish through new connections being made at a pedestrian level increasing access to all.

isolated pockets

Within Johannesburg, inequity is a dominant issue based on stark differences between the rich and the poor. As a town, Fordsburg would break that cycle and provide opportunities to benefit all rather then a selected group. Principles of the New Town Within a Just City: Equity: Provide social infrastructure to all ages, culture, race, ethnicity, gender Democracy: Historically the Red Square which was demolished with the development of Oriental Plaza, the town will integrate public space and civic places which will be open and available to all. productive public spaces

Diversity: With the combination of new immigrants arriving into Johannesburg each day and the current diverse population Fordsburg, spaces will be shared amongst different groups specifically on the ground level as it will become the intricate thread to weave the town together.

residential commericial mixed use residential office commericial mixed use

office infrastructure infrastructure and instituional civiccivic and instituional industrial industrial

program

BRAAM FONTEI N

MAYFAIR

framework plan | linking johannesburg at the city and regional scale

Fordsburg in 1888 Fordsburg in 2050

To the far right, a series of various barriers which has created the existing division between Newtown and Fordburg which Oriental Plaza is the center of.

Fordsburg in 2018

Before apartheid, Oriental Plaza was a vibrant town with an existing plaza and market which brought many cultures together. When apartheid was at its peak, the government chose to build the existing Oriental Plaza to contain the Chinese to sell their goods in a secure and controlled environment.

urban forms as barriers

blocks

buildings BLOCKS

vertical streets

horizontal streets HORIZONTAL STREETS

VERTICAL STREETS

BUILDINGS

supporting infrastructure as barriers

parking

transportation PARKING

wall and fences TRANSPORTATION

spaces of ‘publicness’ as barriers | supporting the economy

internalized public domain INTERNALIZED PUBLIC DOMAIN

destinations

institutions

economy DESTINATIONS

INSTITUTIONS

WALLS AND FENCES

history ECONOMY

HISTORY

The Inverted Plaza As an inverted district, Oriental Plaza will reconstruct the typology of the suburban mall which was created as a destination centered around the automobile. The design of a large scale concrete building, surrounded by a sea of parking spots, the mall disconnected itself from its surroundings. By removing some of the parking and relying on public transportation, bikes and/or walking, the mall can reconstruct itself back into its immediate environment. By revealing the mall, the shops have the ability to continue into the Main Streets and bleed into the existing fabric through a new urban grid to support the intimate town feeling.

Institutions and Civic Armature

Market Armature

Courtyard

d Connection

Pedestrian Armature

The Transparent Promenade The transparent promenade explorers the relationship between the people, buildings and the streets. Originally, the transparent promenade was an inactive street used for mostly service with some shops in between leading into one of the gated entrances of Oriental Plaza. By creating an active edge, the promenade reveals itself as a space where people want to be a part of their environments through food, retail, residential spaces and new market space bleeding into a transformed and extended Oriental Plaza.

heitler houstoun architects

professional practice

While my education taught me how to design and think through design problems, at Heitler Houstoun Architects, I was taught how to compose a set of construction documents. Currently my daily responsibilities include, but are not limited to, drafting and detailing. I have been involved in developing construction, power, reflected ceiling, finish and furniture plans for various projects ranging from 1500 SF to approximately 4000 SF. In addition, I have been heavily involved in the development and detailing of the millwork and have started to identify and detail wall partitions. To the left you can see a range of projects I have worked on while at Heitler Houstoun Architects, most of which have reached 100% Construction Document completion. During the creation of these sets, I worked with various consultants as a part of the developmental process. Understanding the specific infrastructure and lighting that was needed to be integrated into each space for different purposes was critical to making the space a success and functional.

To the right, you can see an example of a partial reflected ceiling plan of a 4000 SF Womenâ&#x20AC;&#x2122;s Health Facility. Overall, the planning strategy of the space was the Client Facing side to the north and the Back of House to the south. Each â&#x20AC;&#x2DC;zoneâ&#x20AC;&#x2122; was designed with different purposes which also included the different lighting strategies. Through the development of this reflected ceiling plan, each room embodied its own identity based on the purpose and use of the room. Having gone through many iterations of the project and to achieve our overall goals, the final lighting design embodied the requests of the client balanced, with the particular needs of the space.

SEE BOOTH MILLWORK IN A.1000 SERIES

3/4" PLYWOOD POWER AND DATA 2-1/2" STUD (X2)

2'-8"

initial sketch

TYP 5/8" GYP (FINISH PER PLAN AND ELEVATION) WC-1 AT BACK AND SIDES OF NICHE TV AND BRACKET PROVIDED BY AV VENDOR 1/4" GYP LINE OF WALL BELOW SEE BOOTH MILLWORK IN A.1000 SERIES

3/4" PLYWOOD POWER AND DATA 2-1/2" STUD (X2)

EP ENGIN 110 WILLI NEW YOR T: 212.257 F: 212.994 JACK TER E: EVAN@ AUTHORI SUITE 101 NEW YOR T: 212-295 E: JACK@

STRUCTU THE HAR 225 WEST NEW YOR T: 212.433 E: INFO@

CLE BRO

1177 BR EP ENGIN 110 WILLI NEW YO

NEW YOR T: 212.257 F: 212.994 E: EVAN@ No.

Rev. No.

1 2

2'-8"

SECTION PLAN AT TREATMENT ROOM TV NICHE

TYP 5/8" GYP (FINISH PER PLAN AND ELEVATION)

1/A.201 1'-0"

WC-1 AT BACK AND SIDES OF NICHE 1 1/2" =

TV AND BRACKET PROVIDED BY AV VENDOR 1/4" GYP LINE OF WALL BELOW

CLE BRO 4

1177 BR NEW YO -

WOOD SLATS FINISH ON PANEL

2'-8"

3/4" MILLWORK PANEL ON Z-CLIP

SECTION PLAN AT TREATMENT ROOM TV NICHE

1/A.201 1 1/2" = 1'-0"

No.

Rev. No.

1 2 4 5 6 7

TYP 5/8" GYP (FINISH PER PLAN AND ELEVATION) WC-1 AT BACK AND SIDES OF NICHE TV AND BRACKET PROVIDED BY AV VENDOR 1/4" GYP WOOD LINE OFSLATS WALL FINISH BELOWON PANEL

plan section at TV niche and wall partition 2'-8"

3/4" MILLWORK PANEL ON Z-CLIP

3/4" PLYWOOD POWER AND DATA 2-1/2" STUD (X2)

THIS DRAWING AS HOUSTOUN ARCH PERMISSION AND DESIGN AND OTHE THE SPECIFIED PR WRITTEN PERMISS ARCHITECTS 2020

3/4" PLYWOOD POWER AND DATA 2-1/2" STUD (X2) 3"

THIS DRAWING AS HOUSTOUN ARCH PERMISSION AND DESIGN AND OTHE THE SPECIFIED PR WRITTEN PERMISS ARCHITECTS 2020

CONS DETA

TYP 5/8" GYP (FINISH PER PLAN AND

t No.

201 -0"

STRUCTU THE HAR 225 WEST NEW YOR T: 212.433 E: INFO@

201 -0"

JACK TER AUTHORI SUITE 101 NEW YOR T: 212-295 E: JACK@

5/8" GYP. (WC-1)

1'-3"

5'-8"

3 / A.1009

3/4" PLYWOOD (W-1) ON ALL EXPOSED SURFACES

SEE PLAN FOR PARTITION TYPE

5/8" GYP. (WC-1) UPHOLSTERED BACK PANEL

BLOCKING BETWEEN STUD AS NEEDED REMOVABLE SEAT CUSHION

2'-6"

3/4" PLYWOOD (W-1) ON ALL EXPOSED SURFACES 1'-3"

1'-3"

LED LINEAR TAPE WITH EXTRUSION FROSTED LENS. REMOTE TRANSFORMER. ARCH/EE TO COORDINATE LOCATION IN FIELD. 5/8" GYP. (WC-1) BASE (P-3) METAL STUD FRAMING SUPPORT TO FLOOR. TIE IN FRAMING AT SIDE WALLS AS REQUIRED.

initial sketch

XX/A.XXX 1 1/2" = 1'-0"

section of integrated booth

OFFICE BOOTH (M-15 AND M-16) - SECTION

3/4" MDF WALL PANEL, GC TO PREP FOR SPECIFIED FINISH. SEE INTERIOR ELEVATIONS A.700 SERIES.

-2).

WALL FLANGE AS SPECIFIED.

FLUSH ELBOW AS SPECIFIED.

WALL FLANGE AS SPECIFIED.

TYP.

BRASS ROD (M-2).

5 / A.1006

P. (U-2).

15 WEST 36TH STREET - 16TH FL NEW YORK, NY 10018 T: 212.533.4250 F: 212.533.4251 WWW.H-H-ARCHITECTS.COM

WALL TRIM BEYOND (W-3).

PECIFIED. SEE RCP A.400 DULE A.032.

LIGHT FIXTURE AS SPECIFIED. SEE RCP BRASS ROD (M-2).A.400 AND LIGHTING SCHEDULE A.032.

LEATHER STRAP (U-2)

3/4" Ø BRASS ROD (M-2).

RIVET AS SPECIFIED, TYP.

COAT HOOK AS SPECIFIED.

LEATHER STRAP, TYP. (U-2).

6" S HOOK AS SPECIFIED.

RIVET AS SPECIFIED, TYP..

6" B.O HOOK

1" 12

3'-11"

MIRROR (GL-2) AND BRASS STRIP EDGE (M-1). VERIFY HEIGHT IN FIELD WITH ARCHITECT PRIOR TO INSTALLATION. FRAME AND BACKING OF MIRROR BY MILLWORKER; GLASS AND SCREENPRINTING BY SIGNAGE VENDOR. GC TO COORDINATE. SEE 3/A.1009 FOR SPECIFIC MIRROR REQUIREMENTS FOR ADA TREATMENT ROOM 106.

4" RING AS SPECIFIED.

3/4" MDF SHELF (W-2).

TENANT: KSR VENTURE LLC 60 COLUMBUS CIRCLE NEW YORK, NY 10019

10" B.O HOOK

SPECIFIED. 00 AND INTERIOR ERIES.

ARCH STAMP / SIGNATURES

LEATHER STRAP (U-2).

1'-4"

ARCHITECT: HEITLER HOUSTOUN ARCHITECTS JOSHUA HEITLER 15 WEST 36TH STREET, 16TH FLOOR NEW YORK, NY 10018 T: 212.533.4250

3/4" MDF SHELF (W-2)

CUT BACK PANEL FOR OUTLET. REFER TO POWER PLAN A.300. DOOR FRONT (W-2). 841"

934"

3/4" ADJUSTABLE SHELF, HOLES TO BE DRILLED AT 1-1/2" OC (W-6). 3/4" MDF CUBBY (W-2).

2'-11"

FOAM CUSHION (U-1). 241"

OPEN CUBBY (W-2).

RUBBER BASE (B-4), ALIGN TO ADJACENT RECESSED BASE

1'-0"

DRAWER FRONT (W-2).

TREATMENT ROOM (M-5) - SECTION AT STORAGE

1 1/2" = 1'-0"

2 / A.1006

No.

RUBBER BASE (B-4), ALIGN TO ADJACENT RECESSED BASE

TREATMENT ROOM (M-5) - SECTION AT SEAT

1 1/2" = 1'-0"

Rev. No.

3/4" MDF WALL PANEL, GC TO PREP FOR 12/A.702, 1/A.703 SPECIFIED FINISH. SEE INTERIOR ELEVATIONS A.700 SERIES.

3 216 "

1 1/2" = 1'-0"

ROD STAND OFF AS SPECIFIED.

SECURE TO BENCH

Date

Issued

03/27/20

4/27/20

FOR PRICING 2

5/08/20

FOR BUILDING REVIEW

5/22/20

FOR PERMIT

5/27/20

FOR 100% CD

elevation of client seating and storage

3 / A.1006

TREATMENT ROOM (M-5) - FRONT ELEVATION

L, GC TO PREP FOR EE INTERIOR ERIES.

1114 MADISION AVE NEW YORK, NY 10028 -------

3/4" X 2-1/4" WOOD TRIM (W-3).

RUBBER BASE (B-4), ALIGN TO ADJACENT RECESSED BASE

EXPEDITOR: PAUL W. FUSCO 100 JAY STREET #20B BROOKLYN, NY 11201 T: 315.408.1946

ORA UPPER EAST SIDE

FIXED PANEL (W-2).

3/4" MDF DRAWER FRONT (W-2).

3/4" X 2-1/4" WOOD TRIM (W-3).

4'-11" (VIF)

3/4" STRETCHER (W-6).

TRAY FRONT (W-2). TRAY TO BE REMOVABLE IN ADA TREATMENT ROOM 106. FOAM CUSHION (U-1). FINISH TOP OF CABINET.

KNOB AS SPECIFIED.

1'-6"

634"

3/4" ADJUSTABLE SHELF, HOLES TO BE DRILLED AT 1-1/2" OC (W-6). 3/4" FULL OVERLAY HINGE DOOR (W-2).

1/2" MDF DRAWER BOX (W-6).

12/A.702, 1/A.703 1 1/2" = 1'-0"

LIGHTING DESIGNER: FOCUS LIGHTING 221 WEST 116TH STREET NEW YORK, NY 10026 T: 212.865.1565

KNOB AS SPECIFIED. 1"

ELF, HOLES TO BE (W-6).

HINGE AS SPECIFIED.

5'-0"

4 / A.1006

4'-11" (VIF)

R OUTLET. AN A.300.

MEP ENGINEER: EP ENGINEERING LLC 110 WILLIAM STREET, 32ND FLOOR NEW YORK, NY 10038 T: 212.257.6193

WALLCOVERING AS SPECIFIED. SEE FINISH PLAN A.500 AND INTERIOR ELEVATIONS A.700 SERIES. 3/4" MDF OPEN CABINET AND FIXED SHELVES BEYOND (W-2). WOOD TRIM (W-3).

3/4" X 1" MDF TRAY (W-2).

1'-6" B.O SHELF

±8'-0"

TRAY BEYOND.

RAY TO BE TREATMENT ROOM 106. ET.

634"

RASS STRIP EDGE (M-1). ELD WITH ARCHITECT ION. FRAME AND BACKING WORKER; GLASS AND SIGNAGE VENDOR. SEE 3/A.1009 FOR SPECIFIC NTS FOR ADA TREATMENT RM 106.

FOR PRICING

TREATMENT ROOM (M-5) - SECTIO

THIS DRAWING AS AN INSTRUMENT OF SERVICE IS THE PROPERTY OF HEITLER HOUSTOUN ARCHITECTS AND MAY NOT BE REPRODUCED WITHOUT THE ARCHITECT'S PERMISSION AND UNLESS THE REPRODUCTION CARRIES THE ARCHITECT'S NAME. ALL DESIGN AND OTHER INFORMATION SHOWN ON THE DRAWINGS ARE FOR THE USE ON THE SPECIFIED PROJECT ONLY AND SHALL NOT BE USED OTHERWISE WITHOUT WRITTEN PERMISSION FROM THE ARCHITECT. © COPYRIGHT HEITLER HOUSTOUN ARCHITECTS 2020

FLUSH ELBOW AS SPECIFIED, TYP. 9 1'-116 "

FOAM CUSHION BELOW (U-1). TRAY BELOW (W-2). 3/4" BRASS ROD (M-2).

3'-8" EQ

3 216 "

EQ2" WALL TRIM (W-3).

DOB BSCAN

9 " 1'-116

FOAM CUSHION (U-1). SECURE TO BENCH

1'-521"

DOB STAMP / SIGNATURES

3/4" MDF WALL PANEL, GC TO PREP FOR SPECIFIED FINISH. SEE INTERIOR WALL FLANGE AS SPECIFIED. ELEVATIONS A.700 SERIES.

AND BOTTOM (W-2).

plan section of client seating and storage

3/4" MDF TRAY SIDES AND BOTTOM (W-2). WALL TRIM (W-3).

2'-0"

2'-0" 4'-0"

1 / A.1006

241"

MILLWORK DETAILS

ect No. 223-ORUE

241"

WALL TRIM BEYOND (W-3).

3/4" MDF WALL PANEL, GC TO PREP FOR SPECIFIED FINISH. SEE INTERIOR ELEVATIONS A.700 SERIES.

WALL FLANGE AS SPECIFIED.

FLUSH ELBOW AS SPECIFIED. WALL FLANGE AS SPECIFIED.

FLUSH ELBOW AS SPECIFIED.

BRASS ROD (M-2).

LEATHER STRAP (U-2) RIVET AS SPECIFIED, TYP.

COAT HOOK AS SPECIFIED. 6" LEATHER STRAP (U-2). RIVET AS SPECIFIED, TYP..

IC T RM 106.

3/4" MDF SHELF (W-2).

TENANT KSR VEN 60 COLU NEW YO

ARCHITE HEITLER JOSHUA 15 WEST NEW YO T: 212.53

TRAY BEYOND.

MEP ENG EP ENGI 110 WILL NEW YO T: 212.25

5'-0"

4'-11" (VIF)

3/4" X 1" MDF TRAY (W-2).

HINGE AS SPECIFIED.

3/4" ADJUSTABLE SHELF, HOLES TO BE DRILLED AT 1-1/2" OC (W-6). 3/4" FULL OVERLAY HINGE DOOR (W-2).

3/4" MDF OPEN CABINET AND FIXED SHELVES BEYOND (W-2).

LIGHTING FOCUS L 221 WES NEW YO T: 212.86

EXPEDIT PAUL W. 100 JAY BROOKL T: 315.40

FOAM CUSHION (U-1). 2"

3/4" STRETCHER (W-6).

ORA EAS

841"

3/4" MDF DRAWER FRONT (W-2).

934"

634"

KNOB AS SPECIFIED.

1/2" MDF DRAWER BOX (W-6). 241"

3/4" X 2-1/4" WOOD TRIM (W-3).

RUBBER BASE (B-4), ALIGN TO ADJACENT RECESSED BASE

3/4" MDF CUBBY (W-2).

1114 M NEW Y -------

3/4" X 2-1/4" WOOD TRIM (W-3). RUBBER BASE (B-4), ALIGN TO ADJACENT RECESSED BASE

No.

12/A.702, 1/A.703 1 1/2" = 1'-0"

TREATMENT ROOM (M-5) - SECTION AT STORAGE

section at storage

1 1/2" = 1'-0"

TREATMENT ROOM (M-5) - SECTION AT SEAT

section at seating

1 2 3 4

1 1/2" = 1'-0"

5 -

Rev. No.

references

Eric R. Hoffman, AIA NCARB LEED AP Partner | Professor of Practice patterhn ives llc | Washington University in St. Louis 7751 carondelet avenue | clayton tower suite 500 saint louis missouri 63105 | o 314 833 0301 m 314 409 6947 ehoffman@patterhn-ives.com | ehoffman@wustl.edu

Catalina Freixas Assistant Professor Washington University in St. Louis St. Louis, Missouri 314-935-6200 freixas@wustl.edu

contact info

danielle bagwin, Associate aia Architectural Designer at Heitler Houstoun Architects New York, NY

publications

C: (203)253-8959 E: dnbagwin@gmail.com Alt: danielle.bagwin@wustl.edu Linkedin: https://www.linkedin.com/in/daniellebagwin/

Revealing the [Disrupted] Johannesburg Urban Design Thesis

Washington University in St. Louis, Summer 2018

Disruptive Deviation Architecture Thesis

Washington University in St. Louis, Spring 2018

Segregation By Design: A Historical Analysis of the Impact of Planning and Policy [2.0] Washington University in St. Louis, Fall 2018

Segregation By Design: A Historical Analysis of the Impact of Planning and Policy City Center, Florissant Washington University in St. Louis, Fall 2017