THE WORLD’S BEST-SEL L ING DIGITAL PHOTO MAGA ZINE ISSUE 466 26 AUGUST-1 SEPTEMBER
INSPIRATION IDEAS IN-DEPTH REVIEWS
NIKKOR Z MC 105MM F/2.8 VR S
FLOWER POWER WE TEST NIKON’S NEW MACRO LENS FOR Z MOUNT
PRO TIPS FOR CAPTURING STUNNING CREATIVE IMAGES INDOORS AND OUT
W E L C O M E
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C O N T E N T S FIND OUT WHAT’S INSIDE THIS ISSUE NEWS
9MM F2.8 FOR NIKON Z
Laowa brings its ultra-wide prime to the Z 50 and Z fc FEATURE
FLOWER POWER
Pro tips for capturing creative images in the field and studio PHOTOS
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NIKKOR Z MC 105MM F/2.8 VR S
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Nikon’s macro optic for Z-mount takes the highly successful AF-S VR Micro 105mm f/2.8G to a whole new level. We take a closer look in our review
SEE THE SUBSCRIPTION PAGE FOR MORE INFO
N E W S
W H AT ’ S H O T THE WEEK’S TOP HEADLINES IN PHOTOGRAPHY LAOWA ANNOUNCES 9MM F2.8 LENS FOR NIKON Z 50 AND Z FC Fast ultra-wide prime is a welcome addition to a still-limited lens range
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aowa has announced that it’s producing a Nikon Z version of its 9mm f/2.8 APS-C prime lens which is already available in Sony E, Fujifilm X and Canon EF-M versions, which is big news given the relative lack of lenses right now for these cameras. The Nikon Z50 and retro-themed Nikon Z fc are powerful and compact mirrorless cameras for enthusiasts, but apart from the retracting Nikkor Z 16-50mm f/3.5-6.3 DX VR kit lens and the Nikkor Z DX 50-250mm f/4.5-6.3 VR telephoto, there are no Nikon Z lenses designed for this smaller APS-C format. There is the new, compact Nikkor Z
28mm f/2.8 SE that launched with the Z fc, but that’s actually a full-frame lens, and unless you use a Nikon FTZ adaptor and Nikon DSLR lenses, the choices for the Z50 and Z fc are pretty limited. The Laowa 9mm f/2.8 is an ultra-wide lens with a much larger angle of view than the 16-50mm kit lens can offer, and the image quality that it offers is pretty exceptional. The lens is distortion-free (it carries Laowa’s ‘Zero-D’ tag) and offers true edge-to-edge sharpness. Its only fault is noticeable vignetting, but this isn’t always a disadvantage, and can be corrected relatively easily in software.
It’s a manual focus lens with no electrical connections, so you will have to focus manually – but a 9mm lens has so much depth of field that focusing is far less critical unless you’re really close to your subject. The lack of electrical connections means you set the aperture on the lens, not the camera body, and you’ll only be able to use Program AE, Aperture priority and Manual modes on the camera (not Shutter priority). Laowa has yet to confirm when the 9mm f/2.8 for Z mount will be available. We expect it to cost the same as the existing versions, so £499 / $499.
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F E A T U R E CREATIVE ABSTRACTS Shot at home or in the field, professional-looking flower images can be more than just pin-sharp records
ANDY SMALL
Andy Small is a nature, landscape and macro flower photographer. He runs flower photography workshops for the Royal Horticultural Society at RHS Wisley in Surrey, UK, and gives talks to clubs and societies.
To see more of Andy’s work, visit: @andysmallphotography www.andysmall.co.uk
Pro photographer Andy Small shows you how to get stunning artistic floral shots in your home, garden and wildflower fields
D
uring the past year many photographers have had to resort to finding their inspiration much closer to home. This has not been an issue for me as, for the past 30 years, I have ceaselessly explored the photographic possibilities of my garden and surrounding hedgerows in the Hampshire countryside in the UK. As a fine-art photographer, my underlying approach has always been to use my camera as creatively as possible, exploring ideas for photographs that echo my appreciation for other forms of art, such as painting and drawing. When I first started exhibiting my
work in the 1990s many people couldn’t believe that they were looking at photographs. I assured them that they were, especially as this was before the days of computers, and at the time I was using film and chemicals. Using my garden and nearby countryside hedgerows as inspiration means that I am never at a loss for photographic ideas. I also knew, from the beginning, that I did not want my images to be purely descriptive, no matter how alluring the subject may be. So I was drawn to the more intimate plants, avoiding the more showy specimens. Seed heads, and the different ways that
plants have developed to disperse their seeds, have always fascinated me. I have used a variety of techniques and equipment over the years to help pursue my efforts to bring an artistic creativity to my images, including wideangle and macro lenses; panoramic views as well intimate studies; infraredconverted cameras and different types of filters; and multiple-exposures and intentional camera movement. Over the next few pages I’ll explain these techniques in detail, to help you find inspiration close to home, and shoot fantastic flora in your own back garden or nearby green spaces.
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FLOWER POWER
F E A T U R E WHEN TO GO BOLD A dynamic complementary colour scheme and good use of positive and negative shapes, as well as strong diagonals, are key elements in this composition
TO CREATE A MEMORABLE PICTURE, EVERY PART OF THE IMAGE NEEDS TO BE AS CAREFULLY AND WELL THOUGHT OUT AS THE MAIN SUBJECT
PLANT PORTRAITS
The approach to taking plant portraits shares certain similarities with those an artist might use when creating a portrait of a person. However, trying to capture a likeness of the subject is not necessarily the only aim of the artist, and it helps to have an affinity with your subject. I am surrounded by nature in my garden and when I go walking around the fields near me. This gives me the opportunity to really get to know the different characteristics of the local flowers and plants. Spending time looking at subjects is time well spent. As a photographic artist I try to make people aware of things that they might not initially notice themselves.
Composition is key
Once I have decided on the aspects of
my subject that I want to explore, my thoughts turn to how best to convey these in the final photograph. A great deal of the success of an image will be determined by the composition. This is basically the arrangement of visual elements within the frame, but its effect is so much more than this. A successful composition can draw the viewer to what you want them to see and evoke differing emotional responses. There are a number of visual elements that we need to be aware of when composing our images, and the list is subjective, but the following are what I consider to be key…
Repetitive motifs
As humans we’re drawn to patterns – it’s one of the ways in which we make sense of our world. We may already be doing this unconsciously in our images,
but we can use patterns to make images more appealing. Patterns are everywhere, and there’s research that suggests fractal patterns in nature have a beneficial effect on mental health. In photographing nature we are more than likely capturing fractal patterns, and using these in our shots is another of the key visual elements we can use in our compositions.
Positive and negative shapes
Giving the foreground and background of the frame equal prominence is one of my key messages in composition. Many people will see the subject of the photograph as all-important; however, in order to create a memorable picture, every part of the image needs to be as carefully and well thought out as the main subject. By cropping the image of the poppies above, I have created new shapes in the background. These ‘negative shapes’ should be given as much consideration as the ‘positive shapes’, and their juxtaposition is crucial for the final look of the photograph. Whether an image is cropped or not, it’s good practice
F E A T U R E
REPEATING PATTERNS Repetitive motifs are helpful to engage the viewer and the square format suits the symmetry of the image
to think of the main subject and background as working in tandem.
Square or rectangular format?
This is often determined by the subject, and is something that can be decided later with cropping, but I prefer to do as much creative work in the camera as possible. Square formats usually work well for a symmetrical composition, whereas in a rectangular format it is usually a better idea to place the main subject slightly to one side.
Timing it right
When you choose to shoot is another artistic decision, as this in turn affects the colour of lighting. The golden hours suit autumnal images as they bring out the warmer tones in subjects. Cooler lighting, such as that found on an overcast day, can be used to accentuate the greens in leaves or blue and purple flowers. Experiment with the camera’s white balance to suit your vision.
USE PHOTO THEORY A muted but complementary colour scheme, positive and negative shapes, and a rectangular format, where the main image is slightly offset from the centre allowing it to grow into the space, were all used here
UNDERSTANDING COLOUR
Out of all the visual elements, colour is perhaps the most powerful in its ability to control emotional responses – much research has been done to understand how colour can affect our moods. In order to understand colour schemes it is important to see how colours relate to each other. As you can see in the simple colour wheel, each of the three primary colours has a secondary colour that is opposite it on the wheel: red/green, yellow/violet and blue/orange. These are known as complementary colours, and using them together creates dynamic colour schemes in floral images. More common is to use analogous colours – groups of three colours that colour wheel showing the primary, secondary are adjacent to each other on the colour The and tertiary colour relationships wheel. Using a small amount of the opposite complementary often enhances these colour schemes.
F E A T U R E STUDIO SHOOTS
There are certain advantages to working indoors; control of lighting, lack of wind, isolating subjects and being creative with backgrounds are just some. Working indoors also allows us to explore ideas that would be difficult to achieve outside. Highlighting the different stages of the dandelion (see the following page) is a good example of this. Having a garden means I have a plethora of subjects to hand, which I can pick and bring inside when I have ideas for images. For those who don’t have access to this you could try visiting your local garden centre to find and purchase different specimens to work with. My studio setup relies on natural light and homemade props. I see it as an extension to working outdoors. It is a setup that anyone can achieve with the minimum of expense (see Andy’s easy studio setup, next page).
HIGH KEY Andy used a delicate approach to shooting this astrantia indoors using painted coloured backgrounds
Natural lighting
During the past 30 years of taking images indoors I have always used natural lighting – all that you need is a window. It is important for me to see the effects of the light when setting up the flowers and, in the early days, when flash was the only alternative, this seemed very artificial and too overpowering for my delicate subjects. Even now, with the introduction of LED lights, I still rely on my window for the best lighting. Just like when I’m outdoors the light from the window can vary so that, at some point during a sunny day, there will be direct sunshine and, on other days, a cool, even light pervades. As I’m not working commercially this has never been a concern, but more of an advantage. The window is positioned behind the studio setup, which means that all of my subjects are backlit. To me this is the most sympathetic lighting for delicate subjects, as not only does it enhance details of petals, for example, but also gives lovely highlights on things like stems. Backlighting can produce silhouettes, though this can be negated by the use of reflectors; these are simply pieces of white card that reflect more than enough light back onto the subject.
SUBJECT PLACEMENT A subject should be placed as far away from the black box as possible to allow the light from the window to reach it
The black background
I have taken many images with a black background. This combination creates a very dramatic effect, especially with lighter-coloured flowers and seed heads. I use various cardboard boxes
of differing sizes that are painted black inside. The back of the inside is covered with a non-reflective velvet. This, together with ‘barn doors’ on the box, means that I can create the ultimate pure black background. The
F E A T U R E
DURING THE PAST 30 YEARS OF TAKING IMAGES INDOORS I HAVE ALWAYS USED NATURAL LIGHTING – ALL YOU NEED IS A WINDOW
ANDY’S EASY STUDIO SETUP This portable system is something that
I’ve been using for my shoots for over 30 years. The requirements are to have a system for holding the backgrounds behind the subject and the reflectors in front of the subject. I use a sheet of MDF as the base of my portable studio, to which I have attached batons to form a series of grooves. The glass backgrounds and reflectors can then be easily supported, while having more than one groove means I can stack one pane of glass in front of the other if required.
LIT FROM BEHIND Using a lightbox gave Andy a white background, and the option to place the seeds where he wanted
white card reflectors can then be positioned in front of the subject using spring clips.
The coloured background
My studio setup also allows me to use a variety of different-coloured backgrounds. After much testing I decided that using painted glass
gave me the look I was after; the brushstrokes give a variegated look that adds interest and depth. I paint the glass with acrylic that can also be removed when dry with a craft knife blade. Due to the translucent nature of glass, using a mixture of two or three different coloured panels stacked together can produce some great effects.
BACK TO BLACK Each of the flower and the seed shots were taken with backlighting, white card reflectors and the black box. The arrangement was then composed in Photoshop
F E A T U R E PANORAMIC VISTA A stitched panoramic image of a poppy field, which Andy took with his 15mm lens mounted on his nodal slide
SHOOTING OUTDOORS
While I can become engrossed in photographing subjects indoors, nothing beats being out in nature with my camera. As a photographer I consider myself very fortunate that, in the act of creating our artworks, we also experience being there. One thing I have learnt through photographing outdoors is the benefit of being patient; waiting for the light to be right or the wind to drop is certainly never a waste of time.
GOLDEN HOURS The sunset added to the drama of the row of silhouetted hogweed plants
Keep an eye on the weather
Photographing outdoors is very dependant on the weather. This doesn’t mean that I never venture out in anything inclement – far from it, in fact. It does mean, however, that the conditions will influence the overall mood of your image. Check the forecast the night before a shoot, but again, don’t be put off by a little bad weather. Shooting after rain can transform an ordinary plant into something magical, as water droplets add a layer of sparkle.
against a colourful sky. But, depending on the time of day and with different weather conditions, many other images could have been created.
Wide-angle lenses
Working outside gives me the chance to use my wide-angle lenses, which It can be an advantage to photograph are rarely used when I am working a place that you know well. I often walk indoors or in my garden. I have a 15mm the same paths every day, and marvel prime lens, but my Nikon 24-70mm at the rapid rate of growth in nature. f/2.8G AF-S ED is my go-to standard Recently, I noticed the hedgerow of lens. I used this lens set at 35mm and hogweed seed heads on my usual f/16 to photograph the hogweeds cycle route a few days before I took against the sunset. the picture you can see here, and One of the advantages of using a knew it would make a great subject. wide-angle lens is that it enables me I decided to take the photo in the to add context to the main subject, evening when the sun was setting, in rather than isolating it as I would tend order to silhouette the seed heads to do with my macro lenses.
Stay local
Telephoto lenses
A close-up approach isn’t always best for photographing plants and foliage. Using a zoom lens allows you to shoot subjects from a distance, compress the perspective, and eliminate any background clutter that might otherwise spoil the scene.
Panoramic format
Sometimes, capturing a subject as a panoramic image is the best way to convey a scene, such as the marvellous field of poppies at the top of this page. One of the first panoramic images I took was of the bark of a tree. Using my 100mm macro lens, I moved the camera up and down, taking pictures of different parts of the bark. When I finally stitched the shots together
F E A T U R E I was able to print an almost life-size image with amazing detail. It is possible, when using lenses with a longer focal length like I used for the bark, to just mount the camera on the tripod and gradually move the camera to different parts of the subject in order to create your pictures for stitching. However, I found that it wasn’t as easy when attempting the same setup with my 15mm lens. This is because wide-angle lenses need to rotate around their nodal point in order to produce images that aren’t affected by parallax and so can be stitched. The most cost-effective solution, for me, was to purchase a nodal slide. I used this setup to shoot the field of poppies on the previous page.
CHANGED ANGLE Hogweed taken with a wide-angle lens from underneath, offering the viewer a unique perspective
SOMETIMES, CAPTURING A SUBJECT AS A PANORAMIC IMAGE IS THE BEST WAY TO CONVEY A SCENE
SNOW TIME These teasels were captured in the snow for a calming and low-key result
NODAL SLIDE
When you use the panning function on a tripod head to produce images for stitching into a panorama, parallax errors can be introduced. This is because the point of rotation is under the camera, so the view shifts as you rotate the head. To prevent this, the point of rotation needs to be where the light rays diverge – the nodal point. A nodal slide sets your camera back, so the nodal point sits at the point of rotation. To use it, first ensure that your camera is mounted vertically and remains level as you rotate it. Then choose a point in the foreground or middle distance that you can line up with a point in the distance, and rotate your camera to the left and see if the two points are still lined up at the edge of the frame; rotate to the right and check to see if the two points are still in line. If they’re not, move your camera backwards or forwards on the slide until they stay in line as you rotate the camera.
Camera mounted on a nodal slide for taking panoramas with a wide-angle lens
F E A T U R E RETURNING SUBJECTS A Chinese lantern showing exquisite filigree – one of Andy’s favourite subjects from his garden
MACRO CLOSE-UPS
One thing I could not manage without is a macro lens. When I bought my first macro lens 30 years ago it was like opening a window into a new world, and I haven’t stopped using it since. I am currently the proud owner of the superb Nikon AF 200mm f/4D IF-ED Micro, which I used to take the shot above, and others in this feature. Most people’s idea of macro photography will probably be an extremely detailed close-up picture of an insect or flower that has, perhaps, been even more pronounced by the heavy use of focus stacking. Whilst I will continue to take photos like this, it has become apparent to me that highly rendered detail is not always the most important thing I am looking for. One reason why I find macro images
A MACRO LENS’S ABILITY TO FOCUS IN ON SMALL DETAILS GIVES ME THE OPPORTUNITY TO CREATE ABSTRACT IMAGES
so engaging is that they show me the world differently, and in a way that is impossible for me to experience with human vision. Utilising the shallow depth of field when using the lens with a wide aperture is something I like to do, as it gives a painterly feel to an image, and it is this quality that I find can be the most creative.
A different reality
A macro lens’s ability to focus on small details gives me the opportunity to produce images that could be seen as being abstract, and this highlights
an interesting debate as to what an abstract picture actually is to people. In my view, these extreme close-ups aren’t strictly abstract, because they are depicting real objects and their reference is the natural world. Another aspect that can be deceiving, when focusing closely on a subject, is the lack of reference to the scale of what is being depicted. This adds another layer of mystery, and helps make the process of interpreting the image more challenging for the viewer, as they are seeing things that are not normally seen.
F E A T U R E UNSEEN ELEMENTS One reason Andy enjoys using his macro lens is that it can show details that would otherwise be impossible to see, as in the case of this goat’s beard seed head
NEW WORLDS With a macro lens you can be drawn into another world, in this case a hedgerow of cow parsley
Macro alternatives
Long before I purchased my first macro lens, I experimented with other less expensive ways of getting closer to subjects. This has become relevant again for me in my role as a photography course tutor – not everyone who attends my classes on creative flower photography has a macro lens, so what are the alternatives? My first foray into the macro world was to use a reversing ring, which offers excellent quality at a reasonable cost. Extension tubes that sit between your camera body and your lens are another great way of enabling a lens to focus extremely closely.
Tripods
One essential piece of equipment that I hardly ever take a photo without is a tripod. I have a couple of tripods: a lightweight carbon fibre model, which is comfortably portable, and a more substantial one for indoor use. I use a balland-socket joint with both, which I find to be the most versatile. As well as the tripod legs, choose your head carefully, as some offer more fine-tuning than others. Apart from the obvious benefit of keeping the camera still, a tripod also encourages us to take our time when composing images, and consider the subject more.
WHAT IS ABSTRACT? This image is about colour and shape rather than the flower itself, but is it actually abstract?
STEADY SHOOTING WITH TRIPOD HEADS A camera plate designed specifically for the D800E and a Gitzo Arca Swiss-type quick-release plate.
Avoiding camera shake is critical when using a macro lens for close-ups. To prevent shake, I use my Nikon’s Exposure Delay Mode, and I use a remote shutter release to avoid jolting the camera body as the shutter is pressed, or use the self-timer option. A sturdy tripod is a given, and one thing I had to change was the tripod’s quick-release plate that attached to my D800E. The rotating pin didn’t have anything to locate into, and so its stability relied on how tightly it was screwed into the camera’s base. This wasn’t enough to stop the camera from slipping under gravity when positioned at certain angles, so I invested in the Arca-Swiss system of a base plate for the camera and a clamp for the tripod head.
F E A T U R E COMBINED CAPTURES The allium and nigella were brought together by combining two exposures in-camera
EXPERIMENT A combination of ICM and multiple exposures were used to create this image
AN IMPRESSIONIST APPROACH HAS A GREAT DEAL OF APPEAL FOR ME, AS IT AFFORDS ME THE OPPORTUNITY TO BE THE MOST CREATIVE WITH MY CAMERA
IMPRESSIONIST IMAGES
An impressionist approach has a great deal of appeal for me, as it affords me the opportunity to be the most creative with my camera. The idea is to take an impressionistic approach to the subject that results in the image looking more like a painting than a traditional photograph. There is a lot more emphasis on depicting movement, creating an atmosphere, and the play of light, rather than having everything pin-sharp and conventionally well-composed. A lot of us have probably experimented with ND filters to blur movement in water and clouds, for example, and this was my starting point. There are many techniques that can be employed to create this style of photography, but what I use
mainly are multiple exposures and intentional camera movement (ICM). Whilst it is possible to use Photoshop for this, it is important for me that, when I produce these pictures, all of the effects are done in-camera at the time of shooting. My D800E has the option for combining up to 10 different exposures in one frame, which can help massively.
ICM and multiple exposures
In the image of the trees (above) I have used a small amount of ICM on one of the exposures whilst altering the camera’s position for another two exposures. Although with experience it is possible to predict what you’ll end up with, the variables here make it difficult to know exactly what your final image will actually look like.
For me, however, this is the exciting part of the process; I have an idea of what I want the image to look like, but that’s all, and what I end up with is my completely unique creation.
Moving the lens
Being a large lens, my Nikon AF 200mm f/4D IF-ED Micro has its own tripod mount, and this means that the lens and camera can be rotated 360 degrees within the mount bracket. Up to 10 different exposures can be made with my D800E, so by using all 10 quite a complicated image can be built up. For the photo of the daisy on the next page I centred the lens on the middle of the flower, and the petals appear whiter where the exposures overlap. Each different exposure can,
F E A T U R E MULTIPLE FRAMES Here, Andy moved the subject for each exposure, then combined the frames in his Nikon D800E
of course, have different settings. There is also the possibility of using ICM whilst rotating the camera.
Create a scene
This is a technique I like to use a lot. It involves planning ahead to create a view that doesn’t exist in reality. In the case of the image with the purple allium and blue nigella on the previous page, both plants were in different parts of my garden. I wanted to combine them in one image. Taking the allium first, I had to leave a clear space where I wanted the nigella to be. It was then a case of moving the camera to shoot the nigella, then combining both with my D800E.
Moving the subject
SURREAL SHOT This daisy image was created with multiple exposures taken at set intervals whilst rotating the lens 360 degrees
The technique of walking all around a subject taking photos, and then combining the shots in a multi-layered final image, has been popularised by Pep Ventosa. I do a similar thing indoors, not by moving myself but by moving the subject. This technique can be used to create images with a wonderful painterly feel.
HOW TO SHOOT MULTIPLE EXPOSURES
The settings for taking multiple exposures can be found in the Shooting menu of most cameras (if your camera has this feature). The number of shots you can combine depends on the model of camera you have, but as an example we’re using the options on my Nikon D800E. First of all, you need to select one of the two options: On (series) or On (single photo). The (series) option will stay on until turned off again. Next up, select the number of exposures you want to take, from 2 to 10 on the D800E. Finally, select Auto Gain On or Off. With Auto Gain On the camera will carry out the exposure calculations itself for the correct brightness in the composited image.
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Brad Walls – Aerial winner
THESE AMAZING MINIMALIST IMAGES PROVE LESS IS MORE Jonas Dahlstrom – Street winner
Vera Conley – Long exposure winner
Sandra Herber – Architecture winner
Minimalist Photography Awards announces winning images for 2021
T
he winners of the 2021 Minimalist Photography Awards have been announced. This is the third annual competition organised by B&W Minimalism magazine, and more than 3,700 photographs from 39 countries were submitted across 12 categories including Street, Landscape, Architecture and Aerial. Australian photographer Allen Koppe won the overall award for his series On Route. Byrne wins a $2,000 cash prize, publication
in an exclusive exhibition, and publication in the Minimalist Photography Awards annual book. Koppe, whose series also won the Fine Art and Conceptual categories, says he enjoys “finding ways of adding a level of graphic symmetry to the landscape”, and that his images are “somewhat ambiguous, leaving room for you – the viewer – to explore and interpret in your own way”. Click the link to see all the winning and placed images at the competition website.
SEE MORE IMAGES https://bit.ly/3mbMKdh
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Allen Koppe – Overall winner
S K I L L S
CESSENTIAL R A SPHOTO H CSKILLS O UMADER SEASYE
TRY A TELECONVERTER Mike Harris shows you how to use a teleconverter to turn a 300mm prime lens into a 600mm monster
1
Telephoto primes like the Nikon AF-S 600mm f/4E FL HOUR ED VR or Canon EF 600mm f/4L IS III USM are razor-sharp, super-fast and built like tanks – and they’re also eye-wateringly expensive. Fortunately for us photography mortals there are cheaper alternatives. Sure, they won’t match the performance of a premium super-telephoto prime, but they’re the next-best thing. By pairing the Nikon AF-S 300mm f/4E PF ED VR with Nikon’s AF-S
Teleconverter TC-20E III we’re able to shoot at 600mm with an aperture of f/8. At the time of writing this combo still totalled around £2,280 or $2,500, but depending on the lens you choose (and if you’re prepared to shop secondhand) this could be a lot cheaper. Teleconverters boost magnification and come in a variety of strengths. Unsurprisingly, increasing magnification can impact image quality; by how much will depend on a number of variables including the brand, strength
of magnification and the lenses used. Light gathering is also affected by teleconverters, with 1.4x, 1.7x and 2x losing 1 stop, 1.5 stops and 2 stops of light respectively. With that in mind our 300mm f/4’s widest aperture was f/8 (right on the AF threshold) when paired with our 2x teleconverter. Overall, though, the extended reach of a quality teleconverter far outweighs the negatives. So if you’ve been struggling to get close to your wildlife subjects, here’s how to use one.
S K I L L S STEP BY STEP HOW TO USE A TELECONVERTER 1 DOUBLE THE DISTANCE Attach your teleconverter to the rear of your
lens and mount this pairing onto your camera. Since this adds another layer of complication to swapping lenses, make sure everything is secure, and take extra care to prevent dust or dirt working its way inside your setup.
2 ATTACH A HOOD Overcast weather is ideal for shooting
wildlife. The cloud acts as a giant diffuser, providing soft shadows that will flatter your subject. Even in dull conditions we’d recommend attaching a lens hood, as it will protect your front element, which is useful when shooting through foliage.
3 KEEP IT STEADY You can use a tripod and a loose ball head
(or monopod) to provide some stability when photographing your subject, although our 300mm f/4 is so small and light that it’s easy to handhold too. We shot at 1/4000 sec – it’s worth noting that VR or IS is most effective when you’re shooting below 1/500 sec.
QUICK TIP
Before purchasing a teleconverter, make sure that you check whether or not your lens is compatible, and if autofocus will be affected – and if so to what degree. It’s easy to find this information online.
S K I L L S STEP BY STEP HOW TO USE A TELECONVERTER 4 CAMERA SETTINGS We used Aperture Priority mode to retain an
aperture of f/8 and a high ISO to ensure the shutter speed remained above 1/1000 sec – a little noise is an acceptable trade-off if it means you capture a tack-sharp shot. Using your camera’s burst-shooting mode increases your chances of catching the perfect moment.
5 FIND YOUR FOCUS We used autofocus to focus on our subject’s
eye. Many newer cameras are able to autofocus at f/8 or wider when using a compatible lens and teleconverter combination, where f/5.6 or wider used to be the norm.
6 COMPOSITION Once you’re all set, concentrate on framing
your subject. We shot through foliage to create dreamy foreground blur, and created a super-shallow depth of field by ensuring there was a large distance between our subject and the background. Finally, we used the focusand-recompose method to include plenty of negative space to the left of the frame.
E D I T I N G
PHOTOSHOP
LEARN ESSENTIAL EDITING SKILLS FAST! WATCH THE VIDEO http://bit.ly/2bfhm1n
DOWNLOAD THE PROJECT FILES
https://bit.ly/2VD7boR ON A PC OR MAC
HOW TO...
PULL OFF A BALANCING ACT
James Paterson uses a combination of shooting skills and Photoshop magic to create a precarious portrait
O
ne of the most fun things you can do with Photoshop is blend several photos to create an entirely new image. This can lead to all kinds of weird and wonderful results – but it’s not all about making double exposures, blending a crocodile with a kitten, or sending your grandmother to the moon! Sometimes it can be just as eyecatching to craft a subtle composite from slightly altered versions of the same scene, and in
this video tutorial we’ll show you how to do just that, to create the precariouslooking portrait above. We need a series of shots with slight changes: one of the model perched on a ladder, another of the stack of chairs, and a couple of frames to fill in the gaps. By ensuring that all our frames are aligned, thanks to a tripod and careful positioning, the Photoshop stage of the project is made quick and easy. It’s then just a case of combining our
frames using automated tools, and creating layer masks to blend the different versions of our scene into one seamless image. The real skill here lies in capturing the source images: get things right in-camera, and the rest in Photoshop will be relatively simple. We’ll show you how to shoot the frames, then guide you through the Photoshop workflow; even for a relative Photoshop novice it’s all pretty straightforward.
WANT MORE PHOTOSHOP TUTORIALS? CHECK OUT PRACTICAL PHOTOSHOP
For more Photoshop tutorials, tips and advice subscribe to Practical Photoshop, the world’s premier Photoshop magazine. Each month you’ll find an array of inspirational tutorials and accompanying video lessons that will help you master Adobe’s industry-leading photo-editing software, plus amazing images from the world’s best Photoshop creatives, free downloadable content, and a beginner’s guide to the basics. iOS: https://apple.co/2GcA3Jc Android: http://bit.ly/2NJASNx Zinio: http://bit.ly/37ke9Qf
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Sell your photo and video kit to MPB. Get an instant quote at mpb.com/sell
L E N S T E S T EXPERT OPINION ON THE LATEST KIT CENTRE SHARPNESS
NIKKOR Z MC 105MM F/2.8 VR S A stunner of a macro lens www.nikon.co.uk £999/$999
B
uilding on the success of Nikon’s AF-S VR Micro 105mm f/2.8G macro lens for F-mount DSLRs, this Z-mount lens takes everything to a new level. While it delivers the same full 1.0x macro magnification at its closest focus distance of 0.29m, it has an optical VR system that boosts effectiveness from three to 4.5 stops. It also includes a feast of handling finery, and delivers a mighty upgrade in image quality. The optical path is top-notch, featuring one aspherical element and three ED (Extra-low Dispersion) elements, in a total lineup of 16 elements in 11 groups. Autofocus is driven by a Dual-Motor Multi-Focus STM system, which is super-fast and virtually silent. The lens is comprehensively weathersealed and has a really pro-grade feel to it, matching the standard set by the Nikon’s top-end ‘trinity’ Z-mount zooms – the Z 14-24mm f/2.8 S, Z 24-70mm f/2.8 S, and Z 70-200mm f/2.8 VR S. The electronically coupled focus ring
enables ultra-fine adjustments which are often necessary in extreme closeup shooting. For shooting extreme close-ups, the working distance between the front of the lens and the object you’re shooting is a useful 15cm. Performance Performance is simply stunning. The autofocus system is incredibly agile for a macro lens – and unerringly accurate, with excellent consistency in both macro and general shooting. The optical VR lives up to its 4.5-stop billing. Image quality is sumptuous. Not only is this lens razor-sharp, but the supreme levels of sharpness are maintained from the centre right out to the edges and corners of the frame. Both axial and lateral chromatic aberrations are virtually non-existent, while the merest hint of barrel distortion is practically undetectable, even without using in-camera corrections. Matthew Richards
Sharpness is massively impressive, not only at the centre of the frame but right out to the extreme edges and corners. And that holds true throughout the entire aperture range.
FRINGING
0.12
Both axial and lateral chromatic aberrations are virtually non-existent, even when in-camera corrections are switched off.
DISTORTION
-0.6
There’s only a barely perceptible amount of barrel distortion, which will almost always go unnoticed, and in-camera correction is available anyway.
VERDICT
A truly versatile lens, the Z MC 105mm works brilliantly for everything from sports and wildlife photography, through portraiture and landscapes, to extreme close-ups, where its 1.0x magnification factor reveals nearmicroscopic levels of fine detail. It’s a tough lens, with refined handling and a host of customisable extras. All in all, it’s one of the finest Nikon Z lenses that we’ve seen to date.
A P P S
MORE GREAT MAGAZINES FROM THE MAKERS OF PHOTOGRAPHY WEEK
N-PHOTO
N-Photo is a monthly magazine for Nikon photographers, and is packed with technique and Photoshop video lessons every month.
DIGITAL CAMERA WORLD
A monthly magazine that aims to improve your photography with an inspirational mix of amazing images and how-to articles.
http://bit.ly/3atHLfO https://apple.co/2TNE26T
http://bit.ly/2RER7g6 https://apple.co/2RBrZqG
PHOTOPLUS
PhotoPlus is a monthly magazine for Canon photographers that features expert advice, tips and video tutorials on all things Canon.
DIGITAL PHOTOGRAPHER
The monthly kitbag essential for enthusiast and pro photographers, packed with tutorials, exclusive interviews and the latest reviews.
http://bit.ly/30FoOlQ https://apple.co/2vaIdzw
https://bit.ly/3lH4ucX https://apple.co/2SJf6ff
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2021 PREVIEW PHOTOGRAPHYSHOW.COM
18-21 sept 2021 The NEC, Birmingham
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WELCOME
After a very different and tumultuous 18 months, we’re delighted that The Photography Show & The Video Show is returning to the NEC in September, for a packed four days of everything photography and film. As always, your favourite brands and a raft of exciting newcomers will be on the show floor. For the first time in months, you’ll be able to test the kit you’ve been dreaming of trying, buy the gear you’ve wanted (at unbeatable prices) and get that all-important face-to-face advice. Online just isn’t the same! Brand-new to the show is our Shutter Street Stage, which will feature a range of talks dedicated to urban photography, and the Analogue Spotlight, where sessions will explore the realm of film and processing. These programmes will run alongside Behind the Lens, The Studio, Photo Live Stage, Video Live Stage and the Editing & Post-Production Suite. In addition, the Pro Masterclass will cover business and creative skills as always, but with a focus on navigating the post-Covid world; and we’ll be hosting a series of meet-ups to encourage that crucial idea-sharing. And that’s not all. Included in the Super Stage line-up is none other than Rankin, fine-art photographer Brooke Shaden, documentary legend Charlie Phillips, plus Magnum Photos’ Olivia Arthur and Mark Power. We’ll have galleries galore to inspire your next project, practical workshops to get involved with, and a UK-first screening of the Picture Stories documentary.
Please remember, the show has now moved to Halls 2 and 3: turn left (instead of right to Hall 5) from the Pendigo Lake entrance. We look forward to welcoming you to Birmingham in September.
Content Director Digital Camera, PhotoPlus, Digital Photographer,
BUY NOW AND SAVE
Save 20% on show entry if you book before 15 September using Promo Code PSTPS21 *Applies to standard adult entry tickets only and expires on 15 September 2021. Cannot be used in conjunction with any other offer. Professional photographers can apply for free entry, subject to verification criteria.
SHOW OPENING TIMES
• Saturday 18 September 09:00-17:00 • Sunday 19 September 09:00-17:00 • Monday 20 September 09:00-17:00 • Tuesday 21 September 09:00-17:00
N-Photo, Practical Photoshop, Photography Week www.digitalcameraworld.com
KEEP UP TO DATE
New details about events at this year’s show are being released all the time. Check photographyshow.com regularly for up-to-date information on exhibitors and talks.
GETTING THERE
For details on transport, hotel deals and visitor tips, see the website.
18-21 September 2021, the nec birmingham | www.photographyshow.com • 3
O N E M I C R O P H O N E . E N D L E S S P O S S I B I LT I E S The VideoMic NTG is a supremely versatile microphone that delivers incredible audio anywhere you need it. Use it with your DLSR to capture broadcast-grade sound in the field. Use it with your smartphone or tablet for crystal-clear recording on the go. Use it as a desktop USB mic for podcasting, gaming, voice calls, and more. Experience the entire range of RØDE microphones and get expert advice and exclusive deals at the 2021 Photography Show, September 15th to 18th – Stand #H400
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18-21 September 2021, The NEC Birmingham
TALKS SATURDAY 18 SEPTEMBER STAY UP TO DATbeE
15:00-15:40
Professional audio for absolute beginners
More sessions to out announced soon – check.com www.photographyshow
Tom Lewis
BEHIND THE LENS
10:30-11:00
12:00-12:40
SHUTTER STREET The science of creativity
Lisa Devlin
13:00-13:40
Street photography with an iPhone
11:30-12:00
From portrait to print
Jeff Ascough
14:00-14:40
The all-weather garden photographer
Rory Lewis
12:30-13:00
Everyone can do fine-art photography
Andrea Jones
15:00-15:40
10 killer tips for street photography
Simon McCheung
SPONSORED BY
New for 2021! The Shutter Street Stage will invite visitors into the world of urban photography, including tips on how you can get started in this exciting genre.
ACTION ARENA
New for 2021! Ramps for stunt bikers, skaters and parkour so you can try out your photo and video kit.
Answers to frequently asked food photography questions Donna Crous & Bea Lubas
SHUTTER STREET
13:30-14:00
ANALOGUE SPOTLIGHT
New for 2021! The Analogue Spotlight will offer an insight into the non-digital approach to photography, including tips on processing.
PHOTO LIVE STAGE
SPONSORED BY
Our photography-focused live stage will bring together lighting techniques, portrait set-ups, fashion and beauty shoots, and a wealth of other demos for you to enjoy.
VIDEO LIVE STAGE
14:30-15:00
The film-focused live stage will see storytelling, lighting and audio skills covered across commercial, occasion and documentary genres, and more.
Alan Hewitt
Walter Rothwell & Alan Schaller
Tips and advice on stills post-production techniques for photography, across a variety of popular editing software packages.
12:00-12:40
15:30-16:00
Rick Bronks
Alex Laberge & Jane Hau
How to witness the world around us Sarah G Ascough
16:00-16:40
Contextual wildlife photography
THE STUDIO Sounds better: Upping your audio game Go live now! Gavin Hoey
Street photography and monochrome in the modern age
PHOTO EDITING SUITE VIDEO EDITING SUITE
Exposing the hidden beauty of paper
Accomplish everything you want to in your film-making, with sessions on postproduction, workflow and software.
SUPER STAGE Masterclass Theatre, Hall 2 Charlie Phillips - £12
Best-known for his photographs of Notting Hill during the period of West Indian migration to England’s capital, his work has been exhibited at galleries all over the world.
Mark Power- £12
A member of Magnum, Mark is known for longterm projects shot with a large-format camera. He’ll discuss his landmark ‘The Shipping Forecast’ and recent ‘Good Morning, America’ series.
e r e h c t O h a y i lA yb s p i l l i h P e i l r a hC fo e g a m I
14:00-14:40
Brian Lloyd Duckett
18-21 September 2021, the nec birmingham | www.photographyshow.com • 5
TALKS SUNDAY 19 SEPTEMBER STUDIO E THE STAY UP TO DATdeta 13:00-13:40 ils
For the latest news and they’re of any new sessions ask out announced, chec www.photographyshow.com
BEHIND THE LENS 11:00-11:40
Finding your story: Creating fine-art imagery EJ Lazenby
12:00-12:40
Exhibition-quality photographic printing Nat Coalson
13:00-13:40
The art of composition Karl Holtby
14:00-14:40 g n i l e b E p p i l i hP yb r u h t r A a i v i l O f o e g a m I
Wild and untamed: A journey to Mongolia’s Altai
Creating feature films with heart
Daniel Peters
16:00-16:40
Professional audio for absolute beginners
Tom Lewis
SHUTTER STREET 10:30-11:00
Down the garden path: Back-garden wildlife and nature photography
Victoria Hillman
11:30-12:00
365 Day Photo Projects: Grow your photography and love where you live
Jo Bradford
12:30-13:00
Hunting for photo stories during the pandemic
Julian Elliot
Peter Dench
15:00-15:40
14:30-15:00
Tesni Ward
Tim Booth
16:00-16:40
15:30-16:00
Laurence Norah
Rebecca Spencer
Wayward wildlife Landscape photography from start to finish
SHUTTER STREET
SPONSORED BY
New for 2021! The Shutter Street Stage will invite visitors into the world of urban photography, including tips on how you can get started in this exciting genre.
ACTION ARENA
New for 2021! Ramps for stunt bikers, skaters and parkour so you can try out your photo and video kit.
ANALOGUE SPOTLIGHT
New for 2021! The Analogue Spotlight will offer an insight into the non-digital approach to photography, including tips on processing.
PHOTO LIVE STAGE
SPONSORED BY
Our photography-focused live stage will bring together lighting techniques, portrait set-ups, fashion and beauty shoots, and a wealth of other demos for you to enjoy.
VIDEO LIVE STAGE
The film-focused live stage will see storytelling, lighting and audio skills covered across commercial, occasion and documentary genres, and more.
PHOTO EDITING SUITE
Tips and advice on stills post-production techniques for photography, across a variety of popular editing software packages.
Looking for less
VIDEO EDITING SUITE
Social photography toolkit
Accomplish everything you want to in your film-making, with sessions on postproduction, workflow and software.
SUPER STAGE Masterclass Theatre, Hall 2 Rankin - £12
A world-renowned British photographer and director, Rankin is known for being co-founder of Dazed magazine, his innovative photo shoots and his acclaimed BBC documentaries.
Olivia Arthur - £12
Magnum Photos president Olivia Arthur has been a documentary photographer for nearly 20 years, and is renowned for her projects examining people and identity.
6 • www.photographyshow.com | 18-21 September 2021, the nec birmingham
REIMAGINE MIRRORLESS
We’re delighted to once again sponsor and attend The Photography and Video Show at the NEC, Birmingham between 18th to 21st September 2021. Come and see us on stands N400 and N500 and get hands on with our range of products; speak to our passionate product specialists; see our incredible speaker line-up; and find out all there is to know about our revolutionary EOS R system. Visit photographyshow.com/canon to register for tickets and use voucher code CANTPS21 for 20% off standard adult entry tickets*
Live for the story_ * Discount applies to standard adult entry only and cannot be used in conjunction with any other promotion, including concession rates. The code expires at midnight on 15 September and cannot be applied retrospectively.
TALKS MONDAY 20 SEPTEMBER STAY UP TO DATbeE
More sessions to out announced soon, check.com www.photographyshow
BEHIND THE LENS 11:00-11:40
12:00-12:40
Stand-out sound Carys Kaiser
13:00-13:40
The art of smartphone video storytelling Imran Azam
First steps on your macro photography journey
14:00-14:40
12:00-12:40
Emma Wilson & Rick Bronks
Geraint Radford
Creative monochrome in outdoor photography Nigel Forster
13:00-13:40
Real is the new perfect Made for Documentary
14:00-14:40
The pocket photographer Mike Kus
15:00-15:40
How a selfie changed my life: The power of photography for mental health and well-being Kathryn Chapman
THE STUDIO 11:00-11:40
Making a jump from stills to video Jimmy Cheng
BUY NOW AND SAVE
Save 20% on show entry if you book before 15 September using Promo Code PSTPS21
Wedding videos, but not as we know them
16:00-16:40
How you can take advantage of Instagram prioritising video Eulanda Shead Osagiede
SHUTTER STREET 10:30-11:00
Street photography mindfulness Alex Benyon
11:30-12:00
The art of seeing Verity Milligan
12:30-13:00
Being the architect of your dream career Marc Bates
13:30-14:00
Build your street photography confidence Brian Lloyd Duckett
14:30-15:00
Shooting the scene
SHUTTER STREET
SPONSORED BY
New for 2021! The Shutter Street Stage will invite visitors into the world of urban photography, including tips on how you can get started in this exciting genre.
ACTION ARENA
New for 2021! Ramps for stunt bikers, skaters and parkour so you can try out your photo and video kit.
ANALOGUE SPOTLIGHT
New for 2021! The Analogue Spotlight will offer an insight into the non-digital approach to photography, including tips on processing.
PHOTO LIVE STAGE
SPONSORED BY
Our photography-focused live stage will bring together lighting techniques, portrait set-ups, fashion and beauty shoots, and a wealth of other demos for you to enjoy.
VIDEO LIVE STAGE
The film-focused live stage will see storytelling, lighting and audio skills covered across commercial, occasion and documentary genres, and more.
PHOTO EDITING SUITE
Tips and advice on stills post-production techniques for photography, across a variety of popular editing software packages.
VIDEO EDITING SUITE
Accomplish everything you want to in your film-making, with sessions on postproduction, workflow and software.
SUPER STAGE Masterclass Theatre, Hall 2
Ben Moore
15:30-16:00
Money mindset Fabrizia Costa
8 • www.photographyshow.com | 18-21 September 2021, the nec birmingham
Rankin - £12
A world-renowned British photographer and director, Rankin is known for being co-founder of Dazed magazine and his innovative photo shoots.
TALKS TUESDAY 21 SEPTEMBER BEHIND THE LENS
14:00-14:40
Close-up & macro photography: 30 common mistakes and how to avoid them
Rehmat Rayatt
11:00-11:40
Tracy Calder
12:00-12:40
SHUTTER STREET
15:00-15:40
ACTION ARENA
Challenging fashion through moving image: Fashion film-making
How to book 50+ weddings a year Martin Cheung
Calvin Chinthaka
13:00-13:40
16:00-16:40
Night photography made simple
The workflow of a director
Mark Humpage
14:00-14:40
Documentary success: From zero budget to worldwide critical acclaim
Ashleigh Jadee
Wham, bam, Instagram!
SHUTTER STREET
15:00-15:40
Mindful photography: Tools for well-being
Hannah Millard
Being registered blind doesn’t have to be an obstacle to becoming a successful photographer! Chris Nowell
16:00-16:40
Performing for the camera Maria Falconer
THE STUDIO
12:30-13:00
Rehmat Rayatt
13:30-14:00
From street to bridal suite Alex Benyon
SPONSORED BY
New for 2021! The Shutter Street Stage will invite visitors into the world of urban photography, including tips on how you can get started in this exciting genre. New for 2021! Ramps for stunt bikers, skaters and parkour so you can try out your photo and video kit.
ANALOGUE SPOTLIGHT
New for 2021! The Analogue Spotlight will offer an insight into the non-digital approach to photography, including tips on processing.
PHOTO LIVE STAGE
SPONSORED BY
Our photography-focused live stage will bring together lighting techniques, portrait set-ups, fashion and beauty shoots, and a wealth of other demos for you to enjoy.
VIDEO LIVE STAGE
The film-focused live stage will see storytelling, lighting and audio skills covered across commercial, occasion and documentary genres, and more.
PHOTO EDITING SUITE
15:30-16:00
Tips and advice on stills post-production techniques for photography, across a variety of popular editing software packages.
Carys Kaiser
Accomplish everything you want to in your film-making, with sessions on postproduction, workflow and software.
Trial and error: Learning light painting with drones
13:00-13:40
Storytelling through cinematic videography
SUPER STAGE Masterclass Theatre, Hall 2
Emma Wilson
PLUS…
VIDEO EDITING SUITE
This year’s galleries include a showcase from the Comedy Wildlife Photography Awards and the highly acclaimed Fujifilm Printlife collection. We’ll also be screening the Picture Stories documentary (the first time it’s been shown in the UK) and will host a number of workshops – including ‘The Art of Imperfection’, led by London Photographic.
Brooke Shaden - £12
Brooke Shaden is a leading American fine-art photographer and selfportrait artist. Brooke explores the darkness and light in people.
18-21 September 2021, the nec birmingham | www.photographyshow.com • 9
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Add a splash of colour to any room with an Acrylic Print, proudly displayed on your wall. Perfect for utilising the benefits of natural light, the acrylic glass allows more light to pass through to create a stunning 3D effect, making the colours and detail in your photo look brighter and sharper than ever before.
Sustainable Wood Prints
Turn your favourite photo into a feature piece that delivers plenty of character in a unique, yet natural way with a Wood Print. Perfect for black and white photos, or images with high contrast, bring out the natural beauty of your photos on these natural wooden panels. Available in nine sizes, your photo will be directly printed onto sustainably sourced and FSC® certified wood – meaning this wall art is good for the environment as well as good for your home.
MASTER CLASSES
BEGINNERS’ PHOTOGRAPHY MASTERCLASS
Saturday 18 September or Sunday 19 September (repeated), Toute Suite (outside Hall 1); £10 Start your photography journey by learning some essential lessons from the experts. There’s a charge of £10 for this four-part programme, in addition to the show entry fee – choose either Saturday or Sunday morning.
10:30-11:05
Understanding the exposure triangle Exploring the fundamentals of camera settings and theory.
Laurence Norah
11:05-11:40
Equipment to get you started A jargon-busting session covering the essential kit for beginners, and showing the advantages in choosing the right gear.
Angela Nicholson
11:50-12:25
Zero to flash An introduction to flash, plus budget-friendly kit ideas and techniques to start using straight away.
Chris Ord
12:25-13:00
Fundamentals of editing Editing techniques for beginners to help you get the most out of your photos, and how to get started in Photoshop.
EJ Lazenby
12 • www.photographyshow.com | 18-21 September 2021, the nec birmingham
TURNING PRO MASTERCLASS
Saturday 18 September or Sunday 19 September (repeated), Masterclass Theatre; £10 Looking to make the jump from enthusiast to professional photographer? This half-day masterclass will help you to understand the benefits of going pro and what to watch out for. There’s a small charge of £10 for this halfday programme. Choose either Saturday or Sunday morning.
PHOTOGRAPHY PRO MASTERCLASS
Monday 20 September, Masterclass Theatre; £10 for one morning, £15 for two A two-day conference offering in-depth commercial advice and creative ideas. Come for one or two mornings.
10:00-10:30
Maximising your presence Learn how to maximise your presence online and diversify in this ever-changing industry.
10:00-10:30
Ben Moore
Saraya Cortaville
Using social media as part of your marketing Key tips for success on socials, and how personality and the message you put across are what clients really want to see.
What I wish I’d known when starting out The most important things to be aware of, for turning your creative passion into a fulfilling and profitable business.
10:30-11:00
10:30-11:00
Kaye Ford
Denise Maxwell on Saturday; Tori ‘Lens’ Taiwo on Sunday
How to protect your creative work with copyright Learn how copyright can be used to protect your creative work.
Making photography your full-time career Success stories, frank experiences and advice for creating your own successful business.
11:10-11:40
11:10-11:40
Emma Richards
Fabrizia Costa
Mastering the art of in-person sales The key elements to in-person sales techniques that are easy to implement.
Shoot what makes your heart sing Learn to shoot what you love, putting that passion into creating a business that really works for you.
11:40-12:10
11:40-12:10
Paul Wilkinson
Tom Martin
Tuesday, 21 September, Masterclass Theatre; £10 for one morning, £15 for two
Bridging the void A pro photographer goes through techniques and tactics to survive and thrive for financial longevity.
PHOTOGRAPHY PRO MASTERCLASS 10:00-10:30
A photographic career is not just about photography Why being different and offering a unique vision can lead to more work.
Paul Hill
10:30-11:00
Turn your website into a marketing machine Learn how to use your website to generate new leads on autopilot.
Melissa Love
11:10-11:40
From personal projects to paid work Find out how to pitch, what to say, and what not to say!
Tommy Reynolds
18-21 September 2021, the nec birmingham | www.photographyshow.com • 13
11:40-12:10
Mindset in business Tips to overcome limiting habits and grow to boost your business. Michelle Szpak
BEGINNERS’ VIDEO MASTERCLASS
Saturday 18 September or Sunday 19 September (repeated), Toute Suite (outside Hall 1); £10 Start your video-making journey by learning some essential lessons from the experts. There’s a charge of £10 for this four-part programme, in addition to the show entry fee – choose either Saturday or Sunday afternoon.
14:00-14:35
15:55 - 16:30
Rick Bronks
Jimmy Cheng
Getting started in video The basics of getting started in video, from initial planning to simple techniques of filming.
Filling your first video kit bag Find out the kit you will need to get you started, from camera bases to lens choices for all budgets.
VIDEO PRO MASTERCLASS
14:35-15:10
Telling stories through moving image How to gather material and use it to compose a story that makes sense, whatever kind of video you’re making.
Monday 20 March, Toute Suite (outside Hall 1); £10 for one morning, £15 for two mornings A conference offering in-depth commercial advice and ideas for filmmakers. Come for either one or two mornings.
Caroline Scott
15:20-15:55
10:30-11:05
Video editing for beginners Everything you need to know to start editing video footage and get great results.
How I didn’t sink in the pandemic Find out how to use your existing skills and teach yourself new ones to bring in income.
Emily Malden
Rick Bronks
TOUTE SUITE
Some of our Masterclasses are held in the Toute Suite, which is found in the Piazza entrance area. The rest of the masterclasses are held on the Masterclass Theatre in Hall 2. Hall 3
Piazza
Hall 3a
Hall 2
Hall 4
Hall 1
Hall 5
Toute Suite Suite entrance
Main Entrance
14 • www.photographyshow.com | 18-21 September 2021, the nec birmingham
Main Entrance
11:05-11:40
11:05-11:40
Ben Maclean
Ashleigh Jadee
11:50-12:25
11:50-12:25
Working to a brief and making it outstanding Learn everything you need to know to exceed a brief, from location scouting to nailing the edit. How to leverage your skills as a videographer and work with brands How to leverage your skill set and monetise your work through brand partnerships. Eulanda Shead Osagiede
12:25-13:00
Video content creation for photographers becoming a multidisciplinary artist Create quality video content with the DSLR you already have to add value to your business. Calvin Chinthaka
Personal branding and social media Advice for creating a personal brand and effectively marketing yourself. The price is right: What to charge for your work The best ways to price your work and get it in front of the right people.
Emma Wilson
12:25-13:00
Getting ahead in commercial and branded film Learn the key aspects of securing clients, working with agencies, choosing equipment, and working with big brands.
Jonathan Edwards
VIDEO PRO MASTERCLASS
Tuesday, 21 September, Toute Suite (outside Hall 1); £10 for one morning, £15 for two mornings
10:30-11:05
Get your film seen and heard: Practical tools for success Learn about the different ways to fund your film, and implement a social media strategy that works. Rehmat Rayatt
18-21 September 2021, the nec birmingham | www.photographyshow.com • 15
STAND-BY-STAND GUIDE TO 150+ EXHIBITORS
1901 FOTOGRAFI
F
603
99 PERCENT LIFESTYLE
K
705
Fine leather neck straps, wrist straps and camera bags. A magazine that focuses on the world’s best creators and entrepreneurs.
ACEBIL
Professional camera support equipment including tripods, dollies and jibs.
ADAPTALUX LTD
Innovative miniature lighting studio that’s ideal for macro.
J
J
302 103
AFFINITY PHOTO PHOTO LIVE STAGE Affinity Photo is a powerful, low-cost
professional image-editing program for macOS, Windows and iPadOS. M 303 AJ’S Providers of professional lighting and other studio equipment. H 600 ALAMY LIMITED The world’s most diverse stock library, with over 155 million images. AMATEUR PHOTOGRAPHER N 600 A magazine providing articles on equipment reviews, photographic technique, and profiles of pro photographers. ANALOGUE WONDERLAND G 603 A supplier of 200+ analogue films from around the world.
ARTIBO
K
202
ARTPOINT
H
101
Fine-art photographic books. Greek photo album printing and binding company.
BELLINI FOTO ANALOGUE SPOTLIGHT Analogue products created specially for the passionate analogue photographer.
BLACK VELVET STYLING
H 401 The UK’s largest selection of awardwinning printed backdrops for food and product photography. CAMERA RESCUE G 701, G 803 A specialist in buying, testing and restoring old analogue cameras.
16 • www.photographyshow.com | 18-21 September 2021, the nec birmingham
CAMERAWORLD
CHROMA CAMERA
ANALOGUE SPOTLIGHT
Colourful, low-cost, large-format analogue film cameras.
CLICK PROPS
C 608, C 700 Creative backgrounds and newborn art props for more interesting images and bigger sales. D 801 THE CIVIL AVIATION
AUTHORITY
Authoritative tuition on the latest rules and regulations for drone users to ensure safety and security for all. C 801 COLEG GWENT Training courses for professional photographers in Pontypool. M 202 COLORWORLD IMAGING Professional photo printing services firm in the north-east of England. L 91 CONTOUR DESIGN UK LTD Ergonomic mice and other computer peripherals designed to take the strain out of editing. B 399 COVERDRONE Insurance cover for commercial and recreational drone users.
CREATIVE PHOTOGRAPHY EXPERIENCE
F
Expert tuition in landscape and outdoor photography, from beginner to pro levels.. CREATIVITY BACKGROUNDS N Suppliers of high-quality photography studio backdrops, backgrounds and flooring. K DARLING LITTLE YOU UK-based luxury newborn photography prop maker. E DEITY MICROPHONES Manufacturer of unique microphones and products that get any audio job done. DIGITAL CAMERA MAGAZINE F The definitive monthly guide to DSLR and CSC photography, Digital Camera is the UK’s bestselling photography magazine. Check out our show-exclusive subscription offer at the stand!
800 201 103 400 406
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C 500 Photo retailer offering fantastic show deals on cameras, lenses, accessories and second-hand gear. E 603 CANCER RESEARCH A cancer research and awareness charity whose aim is to reduce the number of deaths from cancer. N 400, N 500 CANON Award-winning EOS DSLRs and mirrorless cameras, pro video, Pixma and large-format printers. Canon also has its own theatres, running talks from top-name photographers during all four days of show. L 101 CANVASBAY One of the largest manufacturers of photo canvases in the UK. E 401 CAPIX Capix Ltd is a long-established supplier of professional film and paper processing equipment within the UK. K 103 CAKE SMASH PROPS Supplier of a wide range of cake smash outfits and props, as well as sitter outfits, newborn props and posing aids. N 100 CBL DISTRIBUTION LTD Books to suit all photography enthusiasts, whether you are a beginner or a professional. E 406 CEWE CEWE Photoworld produces Europe’s number-one photo book, with more than 35 million copies sold to date. N 102 CHILLBLAST High-spec computers designed for photo and video editors who demand the highest PC performance.
18-21 September 2021, the nec birmingham | www.photographyshow.com • 17
DIGITAL PHOTOGRAPHER
F 406 The monthly magazine for the serious enthusiast and the semipro. Visit our stand for a brilliant subscription offer! DISABLED PHOTOGRAPHERS’ B 700
SOCIETY
Charity promoting photography for people with disabilities. Second-hand gear is on sale – so grab a bargain! DRONE PILOT ACADEMY N 601 Drone training and qualifications for enthusiasts and commercial pilots. K 601 DUNNS IMAGING Albums and framing for pros, and web/print solutions for school photographers. EOS MAGAZINE & ACADEMY N 301 Expert Canon tuition and training. D 500 EPSON Makers of a wide range of quality products for photographers, from A4 and A3 photo printers to largeformat output, and from scanners to projectors. H 601 EVERYBOOTH Deluxe photobooths for weddings, parties and corporate events. B 601 FJ WESTCOTT High-end lighting equipment for professional filmmakers and photographers. J 304 FOLIO ALBUMS Leaders in the handcrafting of fine-art photographic products and wedding albums. L 200 FOTOPRO Professional camera, video and phone tripods, monopods, cages and accessories. D 600 FOTOSPEED Market leader in darkroom supplies, digital inkjet paper and more.
FRAMES FOR PHOTOGRAPHERS
J
605 GRAPHISTUDIO
Framing products and services; from chromaluxe panels to bespoke framing. J 500 FUJIFILM One of the best-regarded imaging brands worldwide, with an award-winning range of cameras, photographic papers and instant print solutions to suit every photographic experience from beginner to professional. M 207 GILLIS LONDON Fine-quality leather camera bags, featuring timeless design and ethical sourcing. M 500 GLOBAL DISTRIBUTION Leading technology provider of brands including Atomos, Red, MLogic and Hedbox.
MASTERCLASS THEATRE
Hand-made albums, books and prints for the professional photographer. E 601 GREENPEACE A charity promoting a green and peaceful world. M 102 GUIDE DOGS Sponsor a guide puppy and follow every step of their amazing journey. GUILD OF PHOTOGRAPHERS N 202 Training courses, networking, support, insurance and discounts. G 406 HAHNEMUEHLE Germany’s oldest paper-makers, supporting your photo prints. M 100 HELLOFRESH The UK’s leading recipe box, delivered direct to your door.
18-21 September 2021, the nec birmingham | www.photographyshow.com • 19
Visit us at the Photography
4.9 out of 5
based on over 35,000 reviews
We’re back!
and we are bigger and better than before • The best show deals from leading brands • Expert impartial advice on hand • Enhanced trade-in centre on stand L300 - Don’t forget to bring your kit for valuation
• The biggest range of stock at the show • Quality used equipment with a 12-month warranty* • Dedicated Pro-Video demo zone on stand L300 • Free next day delivery†on heavy or hard to carry items
*Except those classed as for spares. †UK addresses only, subject to stock availability, some remote areas of the UK, or items direct ship from the manufacturer may incur a charge. Wex Photo Video is a trading name of Warehouse Express Limited (Company Registration Number: 03366976). Registered in England & Wales. Registered Office: 13 Frensham Road, Norwich, Norfolk, NR3 2BT, United Kingdom. VAT Number: 108237432. © Warehouse Express Limited 2021.
Show: stands M300 and L300
KASE FILTERS
HPRC/BARBER SHOP
G 401 Distributors of Ona, Barber Shop and HPRC bags and cases. F 604 ILFORD PHOTO The UK’s only film manufacturer, bringing photographers a selection of leading black-and-white films, papers, chemicals and accessories. J 200 IMO STRAP Fashionable and functional camera straps and bags. N 203 INFOCUS INSURANCE Insurance cover for camera equipment and business liabilities.
INTREPID CAMERA COMPANY
ANALOGUE SPOTLIGHT
Large-format 5x4 and 10x8 film cameras, made in Brighton using a mix of traditional carpentry and modern manufacturing. D 400 INNOVA ART UK-based maker of inkjet media and image display products.
INTELLECTUAL PROPERTY OFFICE
H
105
UK government body responsible for trademarks and copyright.
INTERFIT SHUTTER STREET STAGE
Innovative, high-quality, professional lighting products and accessories that enable photo and video artists to expand their creativity. J 401 IRIX / GENESIS Wide-angle prime lenses from a new name in fine-quality SLR optics. G 800 IT’S ALL SAVVY LTD Business management software that helps photographers spend less time on admin tasks. J 600 JUST LIMITED Just supplies a wide range of cleaning products and provides sensor-cleaning tutorials. D 700 K&F CONCEPT Suppliers of flashguns, filters, bags, tripods, microphones and more.
N 300 Filters for photographers, including light pollution and precision focusing filters for astrophotography. N 701 KOWA OPTIMED Offers digiscopes and adaptors as an alternative to long lenses for wildlife photography. H 404 LEE FILTERS Full range of camera filter systems, including the LEE Bug (for GoPro), the Eagle Eye (for drones), the Seven5 System for CSCs, and more. E 502 LENS FLIPPER Clever device that allows you to attach a spare lens to a strap or belt. G 605 LENSES FOR HIRE Wide range of cameras and lenses for Canon EF and RF, Nikon F and Z, Fujifilm X, Sony FE, and Micro Four Thirds system to hire. K 101 LENSPIMP Lens hire company specialising in Canon and Nikon DSLRs. K 102 LEXAR Memory cards, flash drives and card readers. C 803 LIGHT BLUE SOFTWARE Photo business software that tracks enquiries, manages quotes, sends invoices and more. J 400 LONDON CAMERA
EXCHANGE
One of Britain’s best-known camera stores – visit The Photography Show stand for fantastic deals. N 208 LONGRIDGE MOUNT
CUTTERS
Bevel-mount cutting systems for mounting boards, mats and more. M 205 MS HOBBIES Everything for the Minox enthusiast, from vintage spy cameras to film.
22 • www.photographyshow.com | 18-21 September 2021, the nec birmingham
MASTER PHOTOGRAPHERS ASSOCIATION
C
602 NATASHA J BELLA
International not-for-profit organisation, committed to raising the standards of photography. L 501 MATTERPORT All-in-one reality capture system that gives you realistic and interactive 3D and VR experiences. MEDECINS SANS FRONTIERS L 600 The world’s leading emergency humanitarian aid organisation. E 803 MOBIUS High-quality affordable camera bags and jackets. H 200 MORLOVE An all-in-one solution for your photographic, aerial, video and multimedia media requirements. H 602 MUSIC VINE The go-to source of music tracks for production companies. H 201 MYCASEBUILDER Custom-made inserts for hard cases – design your own online.
E 402 Training photographer and course leader in model photography. J 204 NEWELL PRO Reliable and affordable power products for photographers and videomakers. B 600 NIKON A world leader in digital imaging, precision optics and photo and video capture technologies; globally recognised for setting new standards in product design and performance for an award-winning array of equipment that enables visual storytelling and content creation. C 603 NOMAD OF MARKET
HARBOROUGH NPHOTO
F 500 A printing lab that produces highquality, hand-crafted photo products for professional photographers. F 406 N-PHOTO The award-winning independent monthly magazine for Nikon photographers.
OLYMPUS UK
The latest OM-D line up and incredible M.Zuiko lenses from the world-renowned camera manufacturer Olympus.
L
500
OMNICHARGE
G 801 Portable power packs for laptops, cameras and more. J 604 ONLINEPAPER.CO.UK The go to shop for all the leading brands of inkjet paper. H 604 ORANGEMONKIE Makers of the Foldio all-in-one portable product studio and 360° VR turntable. PATERSON PHOTOGRAPHIC F 700 Best-known for its darkroom equipment and its Benbo tripods. G 500 PERMAJET A pioneer in continuous ink systems and ICC colour, with the world’s biggest range of inkjet papers. M 103 THE PHOTOGRAPHER’S
GUIDES
The UK’s finest landscape
18-21 September 2021, the nec birmingham | www.photographyshow.com • 23
PIXAPRO
Specialist in studio-lighting equipment and accessories.
K
404 REMEMBER MY BABY
Charity offering photography services for bereaved parents.
H
150
PIXL-LATR ANALOGUE SPOTLIGHT ROCKY NOOK
photography locations within a series of guidebooks.
PHOTOGRAPHIC ALLIANCE OF GREAT BRITAIN
J
201
Coordinates activities across photographic clubs in the UK.
PHOTOGRAPHY ONLINE
H 205 Show intended to inspire, educate and entertain anyone with a passion for photography. They also run workshops and photographic holidays around the globe. M 504 PHOTOGUARD Insurance cover for everyone, from full-time pros to enthusiasts. E 801 PHOTOJOURNEY Specialist photographic workshops in Nepal, with ex-Gurkha officers turned pro photographers. K 300 PHOTOMART Equipment and consumables used for photo printing in commercial and professional applications. F 406 PHOTOPLUS The biggest and best magazine for every Canon EOS photographer, with show-exclusive subscription deals. G 704 PHOTOXPORT High-quality photographic products, including printing, since 1989. PICTURE BLAST EVENTS L 105 The original Selfie Post Box.
Low-cost solution for digitising film in 35mm, 120 and 5x4 formats. F 600 PLASTIC SANDWICH Complete portfolio presentation packages, including leather casings. N 206 PLOT-IT UK home for the HP DesignJet and Canon imagePROGRAF wide-format printers, ink and media. N 703 PRO PRINT SOLUTIONS Suppliers of Canon large-format printers and 3D printers. H 103 THE RIGHT KIT Interchangeable lenses for your smartphone, plus mobile photography accessories. H 400 RØDE MICROPHONES Premium mics and audio accessories, including the best-selling VideoMic.
N 200 American publisher of educational books on photography. J 202 SECRET ATLAS TRAVEL Arctic photo tours and cruises. L 103 SELFIE WIZARD The Selfie Wizard allows guests at an event to upload photos from their own phones to a TV slideshow and produce instant prints. N 602 SHECLICKS A community for female photographers with a friendly, informative vibe. G 801 SHIFTCAM Designs photography and videography gear for mobile phones. Perfect your mobile creation journey with lens and grip solutions. H 301 SIGMA IMAGING Check out the full range of Art,
18-21 September 2021, the nec birmingham | www.photographyshow.com • 25
EXCLUSIVE SUBSCRIPTION OFFERS AT SHOW
COME AND SEE US ON STAND
F406
WORTH
£70
GET A FREE LOWEPRO BACKPACK
SOLARCAN
Sports and Contemporary lenses, and try out the new Sigma fp L mirrorless camera.
SILVERPAN ANALOGUE SPOTLIGHT FILM LAB
Bespoke film developing, scanning and prints for enthusiasts. M 201 SIM IMAGING Supplier of quality photo books and photo albums. L 607 SKY Explore the future of TV as Sky brings you all the best content, all in one place. E 605 SKYLUM Developer of the AI photo-editing app Luminar AI. B 400 SMOVE Innovative photo booths and photo booth accessories. H 100 THE SOCIETIES A group of organisations incorporating the interests of all aspects of pro photography.
G 603 A ready-to-use solargraphy camera. J 101 SOLE MATES Insoles to bring relief to tired feet! E 600 SONY Sony is an innovative leader in digital imaging. The Sony Alpha range, coupled with its advanced One Mount system (64 native lenses for full-frame and APS-C), offers lightweight mirrorless cameras and a fast-expanding lens range that boasts award-winning performance technology. B 401 SOOD STUDIOS Innovative photo printing services and high-quality photo albums. J 203 STANFORD MARSH Wide-format printing systems, including the very latest technology from Hewlett Packard. J 601 STREET SNAPPERS Small-group workshops on the art of street photography, at home and abroad.
TAILS
L 107 Tasty, nutritious and satisfying food, made just for your dog. L 400 TAMRON Superzooms, macro lenses, fast primes, wide-angle zooms, telezooms and more. K 600 TEAMWORK DIGITAL Sales, rentals and technical support of Phase One camera systems and Capture One software. H 203 TETENAL
THAT PHOTOGRAPHY SPOT
J
603
18-21 September 2021, the nec birmingham | www.photographyshow.com • 27
Insurance designed to help you focus Over 20 years of experience
protecting the UK’s photographers Cover in the UK and 30 days worldwide Lend to a Friend equipment cover In-Vehicle Cover Public Liability up to £1 million Interest-free payments
10% discount off
specialist camera insurance* Specialist camera insurance that you can trust
One of the great things about photography is capturing the unexpected, but no photographer wants to be on the end of a nasty surprise. With our specialist photography insurance, it doesn’t matter if you’re a professional photographer or someone who takes pictures in their spare time, we can help you focus on capturing the moment. Get in touch for a quote today. *Terms and conditions apply: Available to new UK customers aged 16 and over. Applicable to first year’s premium.
In partnership with Get a quote online www.photoguard.co.uk /digital-camera-magazine or call us on: 0333 004 6555
photoGuard is a trading style of Thistle Insurance Services Limited. Thistle Insurance Services Limited is authorised and regulated by the Financial Conduct Authority. FRN 310419. Registered in England under No. 00338645. Registered office: Rossington’s Business Park, West Carr Road, Retford, Nottinghamshire, DN22 7SW. Thistle Insurance Limited is part of the PIB Group.
THEIMAGEFILE
M 301 Beautiful photography websites. D 800 THINGYFY Pinhole lenses for digital cameras. D 803 THE TIMELAPSE STORE The one-stop shop for timelapsers. TOWERGATE CAMERASURE H 207 Leading providers of insurance to the photographic, video and multimedia industries. M 105 UK MODEL EVENTS Group shoots for photographers all over the UK, ranging from studio to location shoots. H 203 UK SHOOTERS A passionate collective bringing the UK’s creative community together. H 598, J 102 UKOTINI Cleaning products for camera equipment.
UNTAMED PHOTOGRAPHY TOURS
J
105
Unique wildlife photography workshops, tours, and safaris in some of the most spectacular destinations on Earth. VANGUARD WORLD UK LTD E 700 High-quality accessories, including tripods, monopods, heads, cases and bags, plus binoculars and scopes for wildlife specialists. F 701 WACOM The world’s number-one manufacturer of graphics tablets. E 603 WENZHOU BOLANG
PHOTOGRAPHIC EQUIPMENT MANUFACTURING CO LTD
Supplier of camera equipment matching lighting products. WEX PHOTO VIDEO L 300, M 400 Major UK photo retailer that stocks over 19,000 products... Look out for
special prices on cameras and photo kit from Wex at the show. WHITE HAWK PRODUCTS LTD E 800 Provider of quality massage machines for health and well-being. K 280 WILDFOOT TRAVEL Photo workshops to Antarctica. K 200 THE WILDLIFE TRUSTS Charity on a mission to restore a third of the UK’s land and seas for nature by 2030. M 600 WOODLAND TRUST A charity with a vision for a UK rich in native woods and trees. J 100 WWF The world’s leading conservation organisation. L 100 ZOOM CORP Quality sound capture devices for all audio production.
18-21 September 2021, the nec birmingham | www.photographyshow.com • 29
2021 PHOTOGRAPHY & VIDEO SHOW FLOORPL AN
COLOUR KEY A B C D E F G H J K L M N 30 • www.photographyshow.com | 18-21 September 2021, the nec birmingham
SAVE THE DATES
17-20 SEPTEMBER 2022 THE NEC, BIRMINGHAM PHOTOGRAPHYSHOW.COM
CAPTURE TOMORROW
Classic Nikon camera design meets innovative Z series technology. From stills to movies to vlogs. Wherever you shoot. Whatever you shoot – make it iconic! Tell your stories with a brand-new original. For more information visit nikon.co.uk 2 0.9 M P DX | U P TO 1 1 F P S | 4 K / U H D M OV I E | VA R I -A N G L E | W I - F I ® / B L U E T O O T H ®