Issue 2

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Editor: Thushara S. Chandrasiri (a.k.a Dee) Reviews By: Dee, Constance A. Smith, Molly Chard, Tyler Marriott, James Reynolds, Georgia Rogers-Smith, Abi White, Ewan Clementson & James Wallace Interview Team: Dee & Constance A. Smith Hair & Make Up Team: Holly Moulden & Max Parker Cover Cortney Dixon Cover Photographer: Ashleigh Godsmark Thank You To: Anger Management, Carry On Press, Chuff Media, Devil PR, Little Press, OPR, Pomona, Sonic PR, Wilful Publicity & All The Amazing People Featured in This Issue!

Yes that's right you beautiful people we are back with another awesome issue of Darkus Magazine.

In this issue we introduce you to some amazing music by the likes of Cortney Dixon, Elevant and Moon King. For those fashion fans out there be sure to check out the classy Elissa & Stef Underwear.

With such amazing work from the world of music, photography, fashion, modelling and everything in between - this issue we have gone all out to give you a magazine to be excited about!

Lots of Love

Dee xXx

Music Section News

Menace Beach

Bipolar Sunshine

Diagrams

Dusky

Hit The Lights

Thunder

Pete Doherty

Nothing But Thieves

Silverstein

Cribs

The Stranglers

Cortney Dixon

The Jesus And Mary Chain

Spector

The Sundowners

Calvin Harris

EofE

Laura Welsh

Marmozets

Sunset Sons

Kerrang Tour 2015

Darlia

Elevant

Moon King

Jack Savoretti

Fashion/Modelling/Photography Section Kat In A Hat Photography Toasted Spice: VOXICAL Fairy Tales & Dreams: Dot Photography & Art Direction Rouge De Ville Elissa & Stef Underwear Dr Martens: #STANDFORSOMETHING

First up we have Vanilla Sugar. This four piece all female band from Texas put a lot of spirit and fun into making them one of the best new electronic/experimental groups around at the moment. Although only forming officially in 2012, the band consisting of Jessica Perry, Cortnii Rose, Vanessa V and KB already have a clear idea of where they envisage Vanilla Sugar going. Their mission being ‘to spread their music across the world by doing multiple tours, expanding their fan base, and eventually getting signed to a label�. I wish these ladies all the best, and who knows Vanilla Sugar world domination may occur sooner than you think.

Next up we have AeroMoto consisting of brothers Ben and David Velasquez from Ancorage, Alaska. Previously being in the band Stadium, the brother’s decided that they were not going to give up their love for music, and decided to put their heads together to form AeroMoto.

Currently the duo have their self titled debut album out, which consists of some excellent and refreshing pop tunes, which leave the listener wanting a little more AeroMoto in their life. It may still be early days for these guys, but it is safe to say having built momentum already and taken part in a number of great shows in the US including Warped Tour in 2014, this is only the beginning for the Velasquez brothers.

Last but not least is Pilot Touhill. One of the first Anger Management artists I got in to a few years ago, I have always been impressed by his style and vibe. For anyone really wanting a bit of smooth rock and pop with a reggae edge, then Pilot Touhill is a definite must.

Having released a number of impressive tracks such as and playing intimate shows, this guy is creating the music he loves, and enjoying life in the process. He may be over in the States, but I have a feeling the day his music comes to the UK he will be welcome with open arms.

It’s quite hard to know what to initially make of Manchester based ‘Bipolar Sunshine’.

Watching through old Reading Festival videos from last year, seeing Adio Marchant standing there in a fluorescent jacket and a pair of bright white shorts, there’s still a sort of unexplained surrealism to the act… which I suppose isn’t necessarily a bad thing.

New single ‘Daydreamer’, though, marks a significant development from the likes of glittery ‘Deckchairs on the Moon’ and indie-influenced ‘Fire’, focusing on some of the stronger elements of what made tracks like ‘Where Did the Love Go?’ and ‘Love More Worry Less’ work. It’s more mature, it’s catchy without being excessively trite and it diverges considerably from the sounds of some of its less interesting contemporaries.

A collaboration with SBTRKT, ‘Daydreamer’ is not only lyrically intelligent, but melodically quite seductive and enjoyable as well. The style of the artist has been quite dynamic over the last few years, quite reluctant to settle, but “blending both the despondent and the upbeat”, ‘Daydreamer’ wouldn’t be a bad composition to build a more permanent sound around by any means.

Originally quite indifferent about the Reading performance at the time, the sense of professionalism and maturity you get from ‘Daydreamer’ has very much changed my opinion on the artist.

‘Daydreamer’ was released on the 25th January 2015 and will be followed by a UK headline tour in March/ April.

Darkus Magazine: You have had an incredible few months. How was Australia?

Dusky: Australia was really fun. All the shows were really solid, we met nice people, and it was a treat to get away from the cold weather in the UK and soak up the sun.

DM: Currently touring in the UK - what is it you want to get out of the experience the most?

D: We want to make sure the audience enjoy our sets as well as hearing music they’ve never been exposed to before. If we can do that then it’ll have been a success.

DM: Fabulous to hear about the latest release of your song ‘Yoohoo’. Tell us how well received do you think it has been?

D: It seems to have gone down really well.

It’s had a lot of radio support and DJs we respect have been playing both Yoohoo and the B side Akebono, so we couldn’t be happier with how it’s gone so far.

DM: In 2015 what is the main goal you want to achieve?

D: Our main target is to complete our second album. It’s been hard to get it finished with all the touring and maintaining our output of EPs so when that’s finished it’ll feel like a great achievement for us.

DM: When it comes to the creative process of making amazing music, for you what would be the typical steps in making a Dusky masterpiece?

pending on what the audience is reacting to most.

DM: With such great achievements already, what do you think is the secret to your success?

D: Dedication, passion for our art, hard work, good timing, and a bit of luck.

DM: Can you think of any specific moment D: It varies from track to track. Sometimes that acted as a turning point for Dusky? we’ll start ideas on our laptops on the road, other times we’ll start tracks together in D: It’s been more of a gradual building prothe studio. The time it takes also varies a cess. There have been benchmarks along fair bit, one track could take 2 days and the way, for example our Essential Mix, but another could take 2 years! We just follow it’s been more of a culmination of lots of what we’re interested in and what’s inspirdifferent factors becoming a whole. ing us at that moment in time.

DM: If you could give this part of your lives DM: To everyone that comes out to one of a chapter name, what would it be? and your shows over coming weeks, what can would it also be fair to say that your both at they expect? a happy place right now in your career?

D: We’ll most likely be playing a mix of our own music, new and old, as well as new music form other artists, some new, and some classics probably. It really depends what the crowd is into. We try to play across the spectrum within a House and Techno remit so it can vary a fair bit de-

D: Chapter 1: An Unexpected Party. For sure, we’re happy where we’re at at the moment. Hopefully we can keep building on what we’ve done so far and continue to write music and play DJ sets that resonate with people and give enjoyment.

With Thunder’s back catalogue being brilliantly consistent in delivering track after track of bluesy, dirty ‘rock ‘n’ roll’ goodness, it came as no surprise to me that the band’s newest release, ‘Wonder Days,’ does exactly that.

The moment I was greeted with the classic over-driven guitar tone you can recognise from classics such as, ‘She’s So Fine’ and ‘Dirty Love’ I knew instantly this was going to be a classic ‘Thunder’ masterpiece.

The album begins with title track, ‘Wonder Days,’ with the guitar and drums emphasizing a perfect introduction to the album. A few fierce drum stabs in, and vocalist Danny Bowes welcomes us with the lyric ‘First day of school, they call me a disgrace.’ Disgrace?

Oh, the irony, now you front Thunder and perform in front of thousands every night, funny how things work out right?

By the final chorus it’s clear to see that Thunder still have it, as the words ‘Those wonder days of my life, when the summer seemed so long’ are soaring through my head.

Track two, ‘The Thing I Want,’ keeps things rolling with a steady rock beat that any rock fan would feel obligated to shake their hair to while, ‘The Rain’ takes us into acoustic territory pretty early at only track three, but hey, who says that’s a bad thing? The track is beautifully harmonised and proves that acoustic country rock is NOT just what we hear on the radio.

Things pick back up again with bluesy track, ‘Black Water’ introduced with spectacularly mixed lead guitar, managing just fine to sound fat and loud through the mediocre quality speakers on my laptop and ‘The Prophet’ brings contrast with its fast triplet rhythm and harmonised guitar solo. It’s clear that Thunder have been listening to their fair share of Iron Maiden.

Thunder have always had a ‘glam/80’s hair’ vibe about them, regardless how small, I can hear this shine through with the classic ‘One, Five, Six, Four’ chord progression (for all you guitarists out there) in ‘Ressurection Day’ and the opening riff in ‘Chasing Shadows’ brings that ‘kick to the balls’ vibe that the majority of modern rock lacks.

As the piano opens the track, ‘Broken’ I can’t help but feel, surely we have enough cheese in the music industry? I then learnt not to judge a book by its cover. This is a fantastic representation of what a ballad should be with fabulous guitar work and chord progressions.

‘When the Music Played,’ brings the cowbell back in business, setting the ‘foot tapping’ pace of the song and the last two tracks, ‘Serpentine’ and ‘I Love the Weekend’ bring the album to a miraculous and unsurprisingly, bluesy close.

It’s clear to me that Thunder are back to stay and won’t be gone for a long, long time.

Darkus Magazine: Welcome to Darkus, Conor.

Are you happy with the way that this year has started for you?

it if a crowd isn't used to the sound, we'll make them enjoy it!

DM: You have already received such great feedback and acknowledgment for the material you have created thus far. If you could take a moment to reflect - what do you think has enabled you to succeed?

DM: Your new single, ‘Ban All The Music’.

Conor: Very much so, with the stress of things What goes through your mind when your at times you've gotta look back and laugh. about to unleash your music to the public?

We're in a band signed to Sony, we moved to London and we play musical instruments for a C: Naturally you just hope everyone likes it.

C: Luck to begin with, meeting Dom and Joe living. It's not a job is it really? Happy days. The We worked hard for 3 years in Dom's garage initially, I couldn't do it without them and they band's naturally progressing and getting more churning out song after mindless stale song couldn't do it without me and that's what noticed, it's going the way we hoped. Just until we figured out how to actually write, we makes it work so beautifully. Then a shit ton of gotta keep things up. wanted to do something different and we hard work and writing everyday for 3 years, it think we're doing it. really is the key.

DM: About to head out onto the road with Darlia then carrying on with your own UK tour DM: While on the road, how valuable do you DM: How well do you think you have pro– how has preparation been both mentally and believe your contribution will be? gressed a band, compared to say day 1? physically?

C: Well for Darlia, I'm confident we'll 'warm C: A ridiculous amount, if I showed you our C: At least 100 press-ups and an hour sesh on the crowd up', we aim to wow a few people earliest demos we wouldn't be having this the Nintendo brain training has been our eveand leave them wanting more, doesn't every interview... ryday before we get on this tour. We're ready. band? In our shows, it's all about giving people an ever better experience than they've had DM: When fans listen to your music what is it DM: When taking on a supporting role, how listening to the tracks. We're a good live band you would ideally like them to take away easy is it to come to a decision which tracks to and we've worked hard to say that, hopefully about who Nothing But Thieves are? perform? people will leave with all expectations ticked.

C: That we're a team of four teenage anthroC: Normally you try for support slots where DM: What would you say would be your main pomorphic turtles, named after you know your music will entertain the crowd, hopes and dreams for the months ahead? four Renaissance artists, who were trained by though I'd love to see ASAP Rocky and Sliptheir anthropomorphic rat sensei in the art knot play together. We're lucky in the way we C: We want to be play listed regularly on the of ninjutsu. Shit, I forget if I'm allowed to tell can mould our set, our songs range in lightradio stations and to playing all the major fesyou that or not... ness/darkness, rockiness/ballads. So for Darlia, tivals in the summer. For the months ahead I we'll be banging out the guitar riffs...and fuck think that's a feasible goal.

Noel Gallagher has been blaming bands from the 2006 onwards error for not inspiring the next generation of working class to want to pick up an instrument. The blame fell on the shoulders of indie giants Kasabian and Arctic Monkeys, although there's some truth to Gallagher's statements there's one band he overlooked from the same scene and time, The Cribs. They are back with their brand new Album 'All My Sisters', set for release on March 23rd on Sony. The Cribs are famously known for their guitar licks, effortless vocals and a knack to release indie hits. With their sixth studio album The Cribs show signs of exploring a more concentrated, concise sound leaving some of the alternative roughness behind. However, fans do not be alarmed the album at times sticks to their roots, unlike Kasabian and Arctic Monekys, they have not changed dramatically into a new genre and still stand strong on the shoulders of the sound that made them loved by the British public.

The album opens with 'Family Tree' it eases you into what's to come from the album. Hints of guitar centered tracks submerged in harmonies that demands the listeners every attention, like most of the songs on the album it tells a story of trying to gain attention from a women '“In the back row of the theatre, watch the film unspool before leaving/ Alone for so long but convinced through that the closing song is just for you,”

Second track 'Different Angle' shows the albums perspective through its lyrics, constantly rallying a call of love, the never ending pursue of women, personal anecdotes and opinions. "If you look at me from a different angle can you so see something you just can't handle". It's the lazy rhymes and abrasive voice of Jarman that the track reminds you off past releases, just this time it is a controlled anarchic non violent protest. This is supported by 'An 'All My Sisters' is 10 tracks long record and concenIvory Hand', 'Mr. Wrong', and 'Simple Story' All trates on encapsulating the bands history, sound and guitar driven records. A cumulative track of the songs that simply do not match the catchy pop hooks of the opening songs. It isn't till track ten history of The Cribs, which shows insights into the 'Diamond Girl' that we see a true stand out song future direction of the band, a direction the band showed fans early on by the release of the addictive that separates itself from the entire album based on first single 'Burning For No One'. The track cement- its overall quality and maybe being as it is the most pop riddled of them all. Lyrics “You don’t have to ed my comments about the bands heavier days hear the screams of those living out their dreams/ being behind them. And what a way to say goodSo it makes sense to you that they end up like they bye, the track puts independency as its theme yet do" keep the narrative structure of the album in still plays home to Gary Jarman signature guitar place, it continues the tale between a man and a sound. The front man had this to say about the women and the undying quest to understand the record - “the poppiest record since ‘Men’s Needs, said women and in return gain her love.

Women’s Needs, Whatever’.

This truly remarkable record ends on what can only be described as seven minutes of Cribs heaven, it flaunts various time signatures and a lot riffs put into one song. For anyone who has never be able to get into The Cribs then make sure to listen to 'Pink Snow'. It is the highlight of the entire album and one that was worth the five year wait for a new album.

The Cribs have inspired a small part of a generation to pick up a Fender and it's to their credit that no matter what direction their albums take guitar is always at the core. The three piece are a true British gem and 'All My Sisters' has solidified the bands place in todays British rock even further. Once again The Cribs are here to offer inspiration to the working class. Let's hope Noel Gallagher listens to the album.

Darkus Magazine: Welcome to Darkus Cortney...how has 2015 been treating you?

Cortney: Hey! It has been great so far. I hope the rest of the year carries on like the start. I have already had some amazing opportunities and I am feeling very positive and motivated at the moment.

DM: You have been part of some amazing things not just this year but last as well. Which moments in your journey has stood out the most?

C: There have been a few stand out moments for me but I am hoping there is going to be so many more. A stand out moment was definitely playing in front of 3000 people in London, writing my first song, which included the lyric 'music is my food and I hunger for it, like every women wants a bit of Brad Pitt'. Can you tell that came from 14 year old me? Haha.

Another was having the guts to stay true to myself and my music after Simon Cowell himself, offering me a place on the X-factor and turning down his offer. Absolute great man though and I was so humbled to get to meet him and Cheryl Cole.

DM: Did you achieve everything you set out to do in 2014?

C: At the end of every year I look back and think about what I have achieved and last year I would say I definitely did achieve everything I set out to.

Everything I done last year has put me in good stead to take the next step this year. I started cowriting with other songwriters last year, which I love. I gigged a lot last year and shared stages with the likes of some amazing people such as Paul Heaton, Nell Bryden, Ben Montague, Terrorvision and more. I spent most of last year gigging and improving my songwriting, and started thinking what my recorded sound might be.

DM: What do you want to do differently this year?

C: This year, there is going to be less aimless gigging and only gigging for a purpose as I really want to focus on recording and spending more time writing as I find my songs are getting better all the time. I have already found myself in a lot of meetings with some very respected people in the music industry this year who have helped me out a lot already and could potentially lead to some very big opportunities throughout the year. I can't wait. I have been offered a couple of management deals however none have suited me as of yet so I am holding out for the right one!

DM: For anyone new to your music, tell us what Cortney Dixon has to offer which makes you stand out?

C: I normally describe my music as 'Cortney music' because I can't fit it under one specific genre. I don't want to put all my eggs in one basket, you know? Each of my songs are very different to one another and I suppose that is quite different because you find a lot of bands and artists have a lot of songs in which sound similar. Another thing about my music is it all seems to be pretty upbeat and I have a lot of fun songs! It is hard to say exactly what I have to offer that stands out because I just try to be as true to myself as I can when I am writing and I write for me and what I will like. The question to all my listeners though, is what do you think stands out about my music?

DM: Are there any tracks in particular which would be good for a newbie?

C: I think a good track for a newbie is possibly one of my newest songs called Losing Heart (Jump my start) as I feel that sums me up at the moment. I performed it on Ubeat TV which went on the TV however the episode has been uploaded to YouTube so you can check it out. I haven't put it out yet but I think that is going to be my first official release!

DM: Take us through the creative process when you come to writing a song?

C: The creative process for me often doesn't vary. I am always mind mapping lyrical ideas in my gigantic A3 sized lyric book. If i am watching a film, or someone says something I like, I write it down in my phone and add it to a mind map when I get home. Some of those lyrics never get used but there is always some I really take to. At the same time I am always having a play about on the guitar and noting down chord sequences I like, or riffs etc. This could be going on for a couple of hours, days, or even weeks and before I know it I have the music to a song and enough lyrics for a full song, so I sit down and piece it all together. I will then go back through later on and start analysing the lyrics and seeing if there is any I can change or improve. This one time, when I was cowriting, we all knew when we couldn't change or improve the lyrics anymore when we were arguing about whether we should put an 'and' at the start of the second line or not. That 'and' wasn't going to make much of a difference to the song haha.

I have seen a month go by when I haven't wrote one song, however a week

might go by and I have written two songs. it just depends on what is going on and how inspired I feel.

DM: In December you finally got your first every royalty payment. how did that feel?

C: Yes I did!! It was amazing! I was so excited. It was just enough to buy myself about two happy meals, never the less, it was one of the best days EVER because it officially made me feel like a real artist!

DM: How valuable was the experience you gained while busking?

C: I never really busked on the street. Well‌ I did once but I lasted 20 minutes and my hands got too cold so I used the money I made to go buy some gloves.

However, when I started out I did a lot of buskers nights and 'jam with the band' nights, and those gain you not only experience, but followers and friends as well. I met some great musicians from doing buskers nights and the 'punters' still come and see my gigs now! I still go to buskers nights now to try out a new original song before I play them at my gigs.

Every Monday, there was a jam with the band night in a pub 5 minutes away from my house and I used to go every week without fail. It was ran by Jonny Boyle and Simon Stephenson. Simon was on guitar, Jonny was on bass and a great guy called Woody was on drums and I would get up with my guitar and jam with them. This improved my playing so much. It did wonders for my timing and made me a whole round better performer. It was my favourite night of the week and I was devastated when it came to an end. I think, even if you are solo, it is so important to have experience playing in a band because it brings on your playing so much and makes your voice more powerful because you have to sing over drums and bass, not just your acoustic guitar.

DM: Now I know your not just into music but your fashion too - how would you describe your personal style?

C: My style changes on a daily bases. I like so many different looks and styles, however all of my clothes are from charity shops, vintage shops, or my Nannas wardrobe. Some days I look like I have just stepped out of the 80's, sometimes the 50's and sometimes the 70's. It just depends how I feel, however my biggest fashion icons are Cyndi Lauper, Stevie Nicks, Madonna and Vivienne Westwood. I love to customise my clothes and put together some mad outfits.

DM: How do you find the north east music scene being a solo artist?

C: The North East is good for music. There are lots and lots of bands and artists in the North East and there is so much talent, however I feel more people in the North East need to support original music. A cover band can pack out shows however not many people are willing to go out and support a band who are singing there own music, and to me that is more appealing. It is good to hear music you haven't heard before. How do you think all the other bands and artists started out who are big today?

DM: When it comes to fashion, music and life what are your main inspirations?

C: I have so many people in which inspire me.

My music and fashion inspirations come hand in hand. My main inspirations are Stevie Nicks, Tom Petty, Cyndi Lauper, David Bowie, Dolly Parton and Kate Bush. I think they are all amazing songwriters and I aspire to work as hard as I can in order to one day maybe be half as good as them! Not only do I get inspired by those type of singer-songwriters, but bands like The Clash, The Stranglers, Stiff little fingers, The specials and more inspire me, even though my music sounds nothing like any of those bands, just listening to them inspires me because I think they are great lyrically and have great energy! They make me feel how all good music should make you feel!

DM: Who would you say are your greatest supporters?

C: Besides my Mam and Dad, I have found my biggest supporters aren't my friends or family, it is the people I have met in music from the very beginning when I first decided that music was all I wanted to do. People who seen me at a gig in some random pub when I was 14 and still come see me now and support everything I do and share my posts on Facebook etc. I am lucky enough to have the respect from people who know a lot about the industry who have helped me and advised me very well when it comes to decision making which can be so hard! A lot of people who come to my gigs tend to be middle aged. I seem to appeal to a middle aged age group at the moment which I think is really cool.

DM: We asked you to come along and shoot with Darkus. what did you enjoy most about the shoot?

C: I did I really enjoyed it. Thank you for organising it! Everyone who was involved was lovely and the Botanist was a great place to shoot in.

DM: Word on the street is that you have some pretty amazing modelling projects coming up soon? Are you able to share any details?

C: I do have a potentially very big modelling opportunity coming up in 6 months time however I don't want to talk about it because it is still not a definite, but I really hope it comes off because it is so up my street!

DM: What are the main ways people can find out about your music?

C: You can find me on all the normal social media sites so Cortney Dixon on Facebook, @Dixoncortney on twitter and search Cortney Dixon on YouTube. So check me out and share my page with your friends!!

It's fair to say that the return of Spector has been one of the great initial starting points of 2015 for the music world! 'All The Sad Young Men' is the first single to be taken from Spector's forthcoming album, following their last debut album release in 2012.

Having only briefly listened to 'Spector' in the past, I was apprehensive when I was asked to review this song. I wondered why in the past I had only briefly listened to this band. I was admittedly worried that I would be writing about a track that I wouldn't like and wouldn't be able to relate to.

Never the less, I was ready for the challenge! I suppose it's fair to say I started with a blank canvas! But wow, I was impressed. This synth filled electro-pop track throws it right back into the 80's but still has hints of modern indie rock. A fabulous blast to the past whilst representing music of the current era!

After listening and comparing it to their other music, it is noticeably different following the departure of their guitarist. Despite this, Spector have managed to pull off a brilliant piece of music, combining 80's synth and modern indie. Fred Macpherson, the distinctly recognisable vocalist of the band, commented that “Having worked on this album for over a year, I’m so glad that people are finally getting to hear it.’

He also commented: ‘All The Sad Young Men’ is one of the tracks that took us the longest to get right because of how much it meant to us. I’m pretty sure it’s the best song we’ve written, and its honesty plays a big part in that.”

All I can say in response to this, is that if this single is anything to go by, the album will certainly be a highly anticipated one for 2015 in my eyes! I am a newly converted Spector fan, you pulled it off, Spector!

Calvin Harris is set to once again dominant the charts with his new album 'Motion' out on the 9th of March as he has recently signed an exclusive partnership with Hakkasan Group which will include a global tour. With the news of his new deal Calvin Harris has released a much anticipated collaboration with Haim entitled 'Pray To God'. Haim joined an impressive list of musicians that have benefited from Harris's contribution including; Gwen Stefani, Rihanna, Big Sean and Florence and The Machine. These artists have all gone onto make impressive chart positions with Calvin Harris. So, anyone could see why Haim snapped up the opportunity to record with the Scottish DJ. However, 'Pray To God' doesn’t live up to the anticipation, instead it takes everything fans love about Haim and made the Californian three piece sound like everyone else Harris has recorded.

The vocals of Alana Haim are non recognizable and borders so far into pop that Haim's usual guitar sound becomes non-existent. For Calvin Harris, the song is a success from a mainstream point of view it reach's all the criteria's that make the track a stand out single. It is catchy, repetitive and easy to sing along . The many that will listen to the track wouldn't have heard of Haim, therefore it's good business on there behalf.

The track demonstrates how much an artist can gain so much success by duplicating a working formula, it also shows the public how Haim can adapt to any genre, in this example they effortlessly adapt their Californian rock into a song that could fill night club dance floors, it may be a world away from where they usually play but Calvin Harris successfully headlined T In The Park last

London-based singer Laura Welsh is set to release her debut effort “Soft Control” on March 9th. You may have heard of Welsh already: She co-wrote and sang on Gorgon City’s “Here For You”, which hit number 7 in the UK charts.

The four-track sampler of the upcoming album begins with “Hardest Part”. Featuring vocals from the charttopping John Legend, the track eases you into the album with a melancholy but all too relatable ballad.

Welsh sings of the most excruciating part of relationships; the onset. Finding it hard to open up to another person (AGAIN), not knowing where you stand with someone, and over analysing EVERYTHING. We’ve all been there. The opening line (“The hardest part I know/ is giving up a little bit of my control. “ ) immediately showcases Welsh’s vulnerability, and it makes it difficult to not connect to the track on a personal level.

“Ghosts” has Welsh’s voice morph from a mournful croon to a powerful howl, whilst spectral backing vocals sound very much like the track’s namesake. “I need you to help me through/ I can’t lay these ghosts to rest”. Still vulnerable and revealing, but pounding drums, uplifting strings, and Welsh insisting that “they won’t take me” shows the songwriter’s more powerful side.

If you’re not already rooting for Welsh, then “Break the Fall” will enchant you into doing so. With choirlike chanting and a powerful chorus, the track is the most uplifting of the four. “I want to love you but I’m just too cynical” still leaves the track tinged with that all too relatable vulnerability. Definitely a highlight of the upcoming album.

The final track on the sampler, “Cold Front”, is chock full of ethereal and glassy-sounding synths. Lyric-wise, it may be one of the most vulnerable and honest tracks on the album.

The songs are an outpour of emotion and vulnerability, but still have a strength resonate throughout them. Although it may be a bit same-y for some tastes, like it or not; Laura Welsh is definitely a name we’re going to be hearing more of in the future.

Darkus Magazine: Great news about ‘The Fall Line EP’ guys how is preparation going for the big release in March?

Jed: Everyone is excited to get out on the road and tour the tunes in March.

The video for Medicine has just gone live so it feels like it’s coming along nicely. We’re currently recording our debut album in Nashville so I guess we are preparing the next batch of music that we can’t wait to get out there.

We never stop.

DM: Would you say when it comes to everything you have achieved so far that you are at a happy place?

J: Yeah man. Totally. We are having a great time at the minute. We’re busy all the time, everyday something else goes in the diary. Pretty cool!

DM: What is the next step for Sunset Sons?

J: We’re going to finish recording this album and then we’re heading back to the UK to do some shows – then it’s nearly festival time. That’s our favorite time of the year.

DM: As an upcoming band in the music scene, is there anything in particular that you think has enabled you to be one step ahead of the competition?

J: I’m not sure if it has enabled us to stay one step ahead, but living and writing our songs in Hossegor (SW France) and being totally removed from any sort of scene has been great for us. Someone wrote a really cool review of a show we did recently and started it with “there’s something to be said about developing in isolation”. I love that.

DM: Your UK tour is in March, as well as obviously wanting to promote the new EP, what else would you like to get while out on the road?

J: Pete really likes the M&S services on the motorways. They don’t have those in Australia apparently. Really though, we are all about getting out there and playing our music to people. That’s where we are the most comfortable. That’s where we have the most fun. What’s better than travelling around playing shows with your mates…?

DM: How long do you think it took you to find a direction you were happy with not just in general but when it came to working on the new record?

J: We never had an idea of any sort of direction if I’m completely honest. We would just get together in a room and set up in a circle so we could all see each other’s faces, and just play what ever came out. Our tunes start from the smallest little idea. A little piano melody, a vocal, even a drumbeat. The most difficult thing about making the record has been choosing which songs to record. We have quite a few now and we are all attached to different ones in our own way. In the end it’s been quite simple though. We want to make a record that shows where we are at right now. And where we are going.

DM: Now I understand you met via your love of surfing. At what point did you decide therefore you wanted to create music together?

J: I decided I wanted to be in a band with Rory two minutes after hearing him sing. The night I met him he was doing a little gig in a bar in Hossegor in the South West of France. We got chatting afterwards and had a few beers.

We woke up hungover and in a band.

DM: Best location for surfing, music and good vibes?

J: I’m going to have to say Hossegor. That’s home. That’s where the magic happens.

DM: To anyone thinking about coming out to one of your shows in March, what can they expect?

J: You can expect a lot of energy! And Rory loves to get everyone in the room involved. We never wanted to be a band where it’s ‘us and them’.

Everyone is in it together. My favorite quote about playing live is from Bruce Springsteen, where he says that every night before he goes on he knows it’s going to be the first time someone has ever seen him, and it’s also going to be the last time someone does. I think there’s something pretty special in that.

Darlia have came along way since their days in Blackpool.

Last year proved the biggest example of their growth from supporting Gerard Way on his November sell out UK tour to the release of breakthrough singles such as 'Dear Diary' and 'Candyman'. In 2015 they look set to build upon said success with the release of the three pieces first ever collection of songs entitled P E T A L S, an eight track mini LP. To celebrate Darlia have been touring around the UK in awake of its release; practically selling out each venue they hit. Whisper it quietly but rock may be breathing light once again.

Opening line 'let's not make peace again' from one of Zane Lowes hottest records of last year, 'Stars Are Aligned' is the first track of the mini LP. It establishes Darlia's purpose.

Flourishing in heavy guitar the track brings back the bands natural instincts to exfoliate a blend of catchy hooks and a diverse raw edge. From the off it's a record waiting to be grasp led by the public and if we all sing it loudly enough it's a record waiting to stamp its mark in today's rock culture providing further movement to 2015's protest to bring back guitar bands.

For existing fans, however, P E T A L S is a collection of everything you've heard over the past year, with the only true unheard track being latest release 'I've Never Been To Ohio' and 'Say Your Prayers'. Both tracks are a huge diversion away from 'Stars Are Aligned' and concentrates on steady progression for the build up of the rest of the mini LP. 'I've Never Been To Ohio' offers dark slow vocals over eerie guitar to great effect, until the track reaches a thunderous chorus of loud vocals. Combined with the full force of band members Dave Williams (bass) and Jack Bentham (drums) hard hitting rhythm section they the perfect suit for front man, Nathan Days, signature guitar tone and unique vocals.

The name symbolizes the bands inspiration. A Petal on a flower blossoms in its true colours because it has been through a growing period, in which every step the flower has taken has helped it blossom into a final product for everyone to see. P E T A L S matches the same description. Darlia have been through a maturing growth from their first EP Knock, Knock to their B-sides such as 'Animal Kingdom' to every tour and radio live session, P E T A L S is the outcome. Flourishing in all of its beauty, it is just the start of many collective releases to come which will see them close the door on the past and open a new door into a new direction, a direction they have finally settled on which is inevitable by 'Queen of Hearts (2015)' a new rebooted recording especially for P E T A L S in which the song loses its Nirvana comparison and feels more like, well, Darlia.

Conversely the track sounds worse, you simply cannot alter art. The Mona Lisa of the record 'Napalm' is kept the same, and in return

becomes the true gem of the eight track mini LP. All change isn't bad as the acoustic version of 'Candyman's' B-side 'Pandemonium' clearly shows how Darlia have now found their specific sound. No band at this point in time are leathering double vocals on a stature of melody built rhythm, all elegantly harmonizing over guitar riddled hooks.

P E T A L S is a great start of the year ahead but it is specifically deigned as a dummy's guide to Darlia but for fans there's a little sense of being let down, as they will already have three quarters of the record already in their collection. There is an offering of 'Candyman' both electric and acoustic on the album, however there's an opportunity cost of having the two versions on one record to be considered. It would have made for a greater collection of songs if the mini LP included unreleased material such as 'Vanilla' and 'Bite The Apple'.

Darkus Magazine: How are you enjoying the UK? Daniel: Its fine. Newcastle has so far been the furthest north we have visited in the UK. There is currently snow all around which is great as it feels like home.

DM: Most touristy thing you have done?

D: Haha! Its quite funny because we are such bad tourists but we did our first thing today. We took a look downtown, visited some beautiful bridges and visited that Tyne Bridge area you guys have got going on.

DM: What did you want to get out of your time in the UK? D: The shows have been so great so far, sold out shows and new places to visit. Travelling and meeting people is half of it, then getting the opportunity to introduce people to the music we play makes it much more of a meaningful experience.

DM: Best feedback you have ever received?

D: The best compliment was when we played The Bowery Ballroom which is this legendary venue in New York.

Every band has played there‌you get the idea. So yeah the staff and security were just telling us how they enjoyed our show. That meant a lot to me because those guys have practically seen every band in the industry play.

DM: Sold out shows – how does it make you feel?

D: It actually makes things better and adds to the excitement. The most terrified you get is when its just a room of four people who happen to be either relatives or best friends, so its always good to have more people to play to.

DM: 2015 priorities?

D: The first proper LP will be coming out in April and this whole past year has been about getting ready for that.

Now we are just in the position where things are going to get busy again. Also I guess it is also a goal to tour the entire year haha!

DM: What was it like to know you would be releasing your first official LP? D: I got the test pressing like just before we left so it was perfect timing. I gave heard the thing about a million times during the recording process but to listen to it as a finished product felt right to me. No changes, no tweaks or anything.

DM: Can you identify a point where things started to change for you?

D: I think for me we have already done all the things we set out to do. Now its just a case to maintain that and keep delivering our music to our fans.

DM: What is the ideal song for a beginner?

D: We have just released a song from the new record called Roswell. I feel that it is the best introduction for who we are as a band.

DM: Who would you say are your major influences?

D: In high school I was really inspired when I heard the likes of Bjork for the first time.

DM: Canada has brought the music industry a lot of amazing artists. What is it like to know that Moon King is now part of that equation?

Haha! I hope so! But yeah there are a lot of great bands, especially considering how few people there are in the country.

The Leeds based five-piece, Menace Beach certainly rediscover potential, having created 'Ratworld' as a debut piece, and I see 90's grunge through their debut album 'Ratworld' as well as falling brilliant things for them in the future. into the category of modern shoe gaze, with a sense of euphoria running through the tracks.

The founding members and songwriters of the band, Liza Violet and Ryan Needham, certainly have created an album filled with variation. For example, the electrifyingly energetic track 'Low Talkin' certainly contrasts with the melodic tones of 'Blue Eye.' Liza Violet's vocals are also a beautiful addition for the slower and melodic tracks, and float over the heavier tracks, complimenting them. The distorted guitars and fuzzy shoe gaze certainly do place them into the category of an indie band made in the 90's, but it's great that theses guys are revisiting the genre and giving it brilliant justice.

Although some of their tracks do echo other artist's work, it can't be denied that you still wouldn't be dancing around your room to some of these tracks featured on 'Ratworld.' Some of the tracks are brilliantly crafted and the band certainly have potential to become a popular band in the future.

My only criticism would be that some of the tracks vary too much.

It seems like the band need to find their feet, preferably through their euphoric melodies, but when they do, their feet will be firmly placed on the ground on the indie scene! The band have brilliant

Diagrams, the pseudonym of Derbyshireborn Sam Genders, is set to release his second album “Chromatics” in March. Genders, a co-founder of the ever-evolving folk outfit Tunng, released his debut “Black Light” back in 2012 to rave reviews. Much like its predecessor, “Chromatics” is sure to please current fans of Genders, and may even win some new ones over.

Album opener “Phantom Power” makes you warm to the album almost instantly. If it’s not the jangly guitars and joyous whistling, it’ll be endearing lines a la “I’m just a primate falling in love…”. “Gentle Morning Song” pretty much speaks for itself, before “Desolation”, despite the rather gloomy title, is just as heart-warming as the rest of the album.

Title track “Chromatics” is almost eerie at times. Even though it opens with the surreal line of “Sometimes the sun is so strong that I melt down to juice…” the song transpires to be rather joyful. Tinged with morse code-esque beeps and space-y sound effects, the track is Spiritualized-esque and otherworldly.

“You Can Talk To Me” is just as comforting as the title suggests, whilst following track “Shapes” is as placid as the album gets. ”Dirty Broken Bliss” is playful and synth-driven, before a particularly interest track; “Serpent”. The lyrics are the most gruesome of the lot; singing of serpents in trees making “bedtime eyes”, setting yourself on fire, and drinking blood; the song is the most macabre on the album, even with an uplifting chorus.

“The Light and the Noise” provides some light relief after the previous track. “Brain” swiftly follows, and although it’s melancholy to begin with, after a discordant middle, it elevates to a jubilant finish. An odd minute or so of machine-like sound effects, and final track “Just A Hair’s Breadth” begins.

The final track on any album is ultimately the one that leaves a lasting impression on you, and after listening to this particularly one, I was left in a weirdly emotional state. Select lines “Just a hairs breadth from the depths of despair”, “Just a hair breadth from the dark to the light” “When it’s hard to believe things could ever go right/ keep your hopes alive” are therapeutic almost.

Diagrams has mastered the art of making a song life affirming but terrifyingly humbling at the same time.

Despite the rather clinical-sounding project name/ albums titles, Genders’ take on folky-pop is uplifting and warming to listen to. No two songs on “Chromatics” are similar-sounding; it’s an absolute adventure to listen to.

Beloved pop-punk band Hit The Lights from Los Angeles have announced that they will be releasing their next album, Summer Bones on March 23rd 2015 via Pure Noise Records. With the release eminent, the band have already released a couple of the tracks already from the album to give their fans a taste of what to expect.

The first one to check out is “Fucked Up Kids”. The main idea of this song is to address is that regardless of age that we all have to deal with problems, fear and doubts on a daily basis. What Hit The Lights successfully manage to do is take lyrics fans can relate to and combine it with a catchy beat which

you can dance to while you think. An excellent combination in my books ha!

The second release from Summer Bones is the current single, ‘The Real’, which again is a pretty catchy and stylish song to listen to. I will be honest though I didn’t instantly fall in love with either of the tracks, so it took a bit of time for both ‘The Real’ and ‘Fucked Up Kids” to grow on you. It will be interesting to see what the rest of the Summer Bones is like.

This is one of those things where you can only make your mind up once you listen to the album as a whole.

Having recently completed a course of treatment at the Hope Rehab Centre in Thailand, Peter Doherty has announced the release of a new single in aid of the Amy Winehouse Foundation.

‘The Foundation has three core areas of focus: 1. To inform and educate young people about the effects of drug and alcohol misuse, as well as to support those seeking help for their problems and those needing on-going support in their recovery.

2. To provide support for those most vulnerable, including those who are disadvantaged through circumstance or at high risk of substance misuse.

3. To support the personal development of disadvantaged young people through music.’

Doherty wrote ‘Flags of the Old Regime’ about and as a tribute to Amy Winehouse, and will donate all proceeds to the Foundation.

The single is due out on the 9th March 2015 and is available in vinyl and digital formats. It features Drew McConnell (bass), Jamie Morrison (drums), Stephen Large (keyboards) and Stephen Street (acoustic guitar and percussion, producer).

Amassing over 100,000 views in the first 2 days, ’Flags of the Old Regime’ is currently available to listen to on YouTube. A faint reminder of Doherty’s 2009 solo album Grace/Wastelands, the track is soft, reflective and a good illustration of the singer’s strong songwriting abilities. Seeming calmed and centred, I’m glad to be able to say that ‘Flags of the Old Regime’ seems to show Peter turning over a new leaf.

Read more about the Amy Winehouse Foundation here: http://www.amywinehousefoundation.org/ about

A common question I usually get asked is who my favourite band is.

The simple answer – I like a bit of everything. However there are a few artists in particular who helped shaped my love of live music back in the day – one being Canadian band, Silverstein.

It was therefore an absolute delight when I discovered that the band would be releasing their latest album, ‘I Am Alive In Everything I Touch’ via Rise Records later this year. I got to admit, as a big fan of their music for the past ten years or so, the thought that they would be unleashing new material did make me go into a mini ‘fan girl’ moment.

For anyone who can’t wait until May to get their hands on the album, then I can think of nothing better than to check out the official music video for one of the songs from the upcoming masterpiece – ‘A Midwestern State Of Emergency’. From the outset of this video you can tell that Silverstein despite a long and successful adventure

have not lost their touch at all. Ok they maybe a little bit older and wiser since they came on to the scene with their debut album, ‘Discovering The Waterfront’, but from watching the new video they still have the same vibrancy and addictive feel to them that they had since day 1.

What I like about this music video is that it is not excessively over the top like some videos out there. The benefit being that it allows you to focus on the lyrics and look for the deeper meaning – something which Silverstein always been successful at doing.

The band has announced that they will be heading to the UK in April as part of their 10 Year Anniversary, playing at only two locations – London and Manchester. Wherever you live in the UK, I cannot emphasis enough how the chance to see a legendary Canadian post-hardcore band at their strongest should not be missed.

Darkus Magazine: Have you had a nice few weeks and start to 2015?

Baz: Its been extremely quiet to be honest. I had some knee surgery not so long ago so I am just recovering from that. With the tour coming up though we have been doing a bit of rehearsing too.

DM: Do you enjoy the quiet time?

B: Definitely! With us being busy in coming months you appreciate the down time as it is an opportunity to centre your thoughts before the busy season kicks in.

DM: The Stranglers have been quite an influential band for many fans out there. What do you

think has helped this?

will hear our material and realise in an instant that its a song by The Stranglers.

B: I think the fact that we have strong songs which are accessible to everyone – not just in physical, vinyl and album format but digitally too. Its crazy to think just how the internet has helped to spread our music even to places we had not even expected. Another thing which has helped is the fact that we have never ever split up. Sure we have had a few hiccups along the way but that comes with any band. It is about addressing any issues and working them out like grown ups.

DM: One of the biggest compliments?

B: Again the fact that we have stood the test of time. Also the fact that the majority of people

DM: With such a long career – how do you decide what goes into your set list?

B: Well we have about 17 albums to choose from. Obviously we want to treat the fans to their favourite tracks, but its also a opportunity to please ourselves on stage and maybe even perform a few rare B sided tracks that people may not of heard before.

We will probably end up only play 25 tracks or so, but we will practice 40. Guess we will see how we go on the nights as each show brings its own atmosphere.

DM: For you personally – what is your connection with music like?

B: It is hard to try and imagine a life without music. I will always have an everlasting love with music. I remember sitting in my car seat when I was about 3 or 4 years old and smiling as soon I heard ‘Happy Together’ by The Turtles.

DM: You have already achieved so much over the years, but what do you want to accomplish this year?

B: Well we are planning to go to Moscow in April which should be good. Also putting together ideas for a new album.

DM: Can you remember what your first show was like when you joined the band?

B: Yes! We were invited to play for a Peace Keeping Force in Kosovo. These were heroic people who were sacrificing their lives in an environment which was quite volatile at the time. It was a scary place to be, but at the time the opportunity to play for these amazing people was so exhilarating.

DM: What has been the key to The Stranglers success in your eyes then?

B: The fact that we just get on with each other. We have been together since 1974 and 41 years later we are still like a family.

DM: All the best for the upcoming tour Baz. What can you say about the shows?

B: Expect the unexpected. Their will be some old material, some new stuff and everything in between. Hey there may even be a surprise or two.

The Jesus and Mary Chain really are a band of the original band members were not in of substance. Their return to music and the come back tour, if you closed your eyes indeed Newcastle was a truly memorable for a minute Jim Reids vocals almost took experience. The Jesus and Mary chain has you back to 1985, when pyschocandy was always attracted a certain type of crowd; originally released. the young typical dozy eyed shoe-gaze listener and Newcastle’s gig on the 18/02/2015 The gig was split into two halves with their was no exception. They attracted a range of stage presence up to their usual standard ages and people spanning across all social with their iconic smoky atmosphere and old types and generations which all came toschool screen projections. The Jesus and gether perfectly for their return. The crowd Mary Chain well and truly made a come back responded in their original 1980s fashion. in Newcastle and I imagine the rest of their Mosh pits consisted of long haired young tour. It's a real shame the Jesus and Mary men and bald older guys all looking for a chain isn't a constant touring band today. good time. As for the music, although some

Darkus Magazine: Highlights of past few weeks?

DM: What has been your biggest compliment?

Fiona: The general build up to the album and the tour. Its exciting to know that people are going to be listening to the album for the first time so we cant wait to hear the feedback.

Niamh: We have been confirmed to support Paul Weller at a couple of shows in March so that was a major highlight when we found out that too.

DM: If the Sundowners were a cocktail what would be in it?

N: A guy from the Yorkshire Post reviewed us and F: Vodka, Tequila…. said that if we had been around in the 60’s we would be The Beatles favourite band.

N: Cranberry juice need to be in there because you need a bit of fruit…

DM: Anyone seeing your shows and listening to the album – what can they expect?

F: Limes, and maybe chilli.

F: Good harmonies, vibes….

N: Who likes chilli?

DM: With the album out, does it feel real?

N: We are just going through the moods of the alF: I don’t know, but you need chilli because The bum. You have our heavy, lively sounds then we also Sundowners have a bit of fire in them don’t they? go into our more moody melancholy slower songs. haha!

N: When you get the first copy in your hand your like So it kind of shows the whole spectrum of the band. “omg I made and album”.

DM: What does it take to survive in the UK music F: Yea we kind of want to take people on a journey – scene?

F: When people start messaging you on social media make them feel every emotion. having listened to the music then quoting lyrics, it F: Perseverance and determination. If your passionfeels so weird. For so long it was only us who knew DM: What would you call that journey? ate about what you do then it should feel like a what was on the album, and now people are telling chore. you.

F: Still Fighting!!!

DM: Favourite locations to visit while your touring?

N: Although we have played the songs for so long, DM: How long did it take you to find your direction? its good for the recorded version to be accessible to N: Probably Liverpool. The home town shows are people so they can get to know us in their own time. N: Probably started on the path we ended up on always going to be good. Also we are looking foreventually anyway. Sure we tried different styles ward to Nottingham and Brighton which we haven’t DM: How did you decide which tracks would go on and techniques, but we just went through the moplayed before. the album? tions ending up at square one of the kind of psychedelic west coast harmonies we liked naturally anyDM: Survival tactics while on the road?

F: This time last year we thought we had recorded way. the album, then we wrote 3 or 4 more songs that we F: Plenty of fruit! wanted to be on which flowed more. It felt right to DM: What does a typical day look like for you usualinclude them as we believe it strengthened the ally?

N: Fiona’s listening to music, the other guys are bum based on the original line up. watching movies, I am reading, and we are all eating F: Work…home for dinner…practise…get told off haha!

DM: As well as promoting the album what else do for being late by the punctual members of the you want to achieve this year? band...take a break…have a joint…watch a movie… DM: Why should people check out The Sundowners? go home…sleep and do it all over again the next day N: I guess new fans would be great. Everyone who haha!

N: We are not doing it because we want fame. Inhas come to the shows so far have enjoyed the set. stead we love what we do and enjoy each others Seeing people singing along to the words is so enN: The classic Ground Hog Day haha! company so we really hope that comes across to joyable. people.

F: Yes I guess so!

Fresh off the back of an arena tour with pop band McBusted, EofE embarked on a small club tour with York metalcore outfit, Glamour of The Kill. This could be interesting.

Having not heard any recorded music prior to this show, I went into the gig with an open mind. EofE certainly impressed me by being (surprisingly) the strongest support band on the bill.

I can certainly hear the pop influences in their set, but as they walk onstage to a strangely heavy opening song, I begin to feel like this is the perfect direction for the band.

With exceptional stage presence and musicianship as good as theirs, EofE should have definitely been moved up to main support. Expect a headline tour on the horizon soon.

What impressed me most of all was the vocalist's highly impressive range. Hitting higher notes than Michael Jackson and The BeeGees combined whilst giving the performance of his life made for a class act.

The musicians serve as a fantastically tight backdrop for these soaring vocals.

I expect that the band themselves went into this tour not knowing at all what to expect, but are coming out with an absolute school of new, fresh fans. EofE, you certainly know how to win people over. Expect big things

Every so often a band explodes out of nowhere with a sound that demands you're attention and leaves you craving more. Marmozets are that band. Made up of two sets of siblings (Becca, Sam and Josh Macintyre and Jack and Will Bottomley) they feel like a band that are meant to be. Possessing a sound and song writing ability well beyond their years they demonstrate an enjoyable balance between gritty and clean vocals, meaty riffs and massive chorus'.

There was quite a few comments online saying that the band were going a little bit soft. Contrary to this opinion it was one of songs that got the crowd rocking out the most to the riffy verses and the sing along chorus'. 'Vibetech' and 'Hit The Wave' are my two favourite songs by them. If I was to describe Marmozets to a new listener I would direct them to these two songs because of the intricate musicianship, mature sound and the youthful passion.

At the gig I was particularly impressed with the whole set packing the intensiI first heard of Marmozets whilst bored on Facebook. I remember it being one ty and accuracy of the recordings and how Becca skipped between the of those afternoons when time seems to drag whilst scrolling through the screams and clean vocals with ease. Becca is such a unique singer and lead dross that people post. It wasn't until I saw someone share their video for member of an impressive band that makes them incomparable to anyone I've 'Move, Shake, Hide' that my ears popped up like a rabbit being startled. From seen before. the opening riff the song grabbed me by the balls and didn't let go until I had watched the full video and pressed replay. Over the following months that Marmozets have a lifelong fan in me. They have an exciting future and a lot followed they released a series of singles coupled with music videos for songs coming their way which is completely deserved. If you're bored right now and 'Why Do You Hate Me', 'Captivate You' and 'Born Young and Free. All of these reading this go check them out and experience the weird, the wonderful and singles were taken from their Roadrunner Records released album 'The Weird be captivated! and Wonderful Marmozets' in September 2014.

When they announced their headline tour last year for February 2015 I couldn't wait for the gig to come around. Upon arriving at the near sold out The Riverside there was an excited atmosphere floating around the room. Support bands out of the way, the anticipation and intrigue increased when the lights dimmed and instrumental music signalled the start of what was to come.

The band arrived on the stage with a spring in their step and a justified cockiness. Opening the set with 'Move, Shake, Hide' came as a bit of a surprise as I would expect such a song to appear later in the set. Nevertheless, it was an impactful introduction, even though the crowd reacted flat footed. After the opener, Becca claimed that the band were overwhelmed by how many people were there to see them. It was from this moment that she had the crowd in the palm of her hands. It's always refreshing to see a band have a connection with their audience as if they're having a conversation down the pub. It creates an intimate and most enjoyable atmosphere.

For me the stand out moments of the set were 'Captivate You', 'Vibetech', and 'Hit The Wave'. I remember when Marmozets released 'Captivate You'.

Two metal bands on a pop punk tour doesn't sound like something that would go down well right? Wrong.

As Ohio's own Beartooth walk on stage to a half empty (or half full, depending on your outlook on life) Newcastle O2 Academy, the applause is phenomenal, and it doesn't take more than around thirty seconds for the much expected mosh pits to open up.

When vocalist, Caleb Shomo jokingly welcomes the audience with '’We are Beartooth from Tokyo, Japan' and I know I'm in for a good time with these guys.

Beartooth keep the pace of their set steady throughout, and keep the old fans and the new ones engaged for the measly twenty five minutes they have been allotted. Being a new fan myself, I knew I was certain to go home and YouTube these crazy bastards immediately. The energy never dips and the small amount of people who actually bothered to buy a ticket for tonight never took their eyes off the Ohio quintet. These guys certainly give a lesson in how to open a show. Beartooth are destined to be the next best thing in hardcore.

Being a long time fan of Bury Tomorrow I was particularly looking forward to seeing how they engaged themselves on this tour. Boy, did they deliver.

Bursting on stage to the fairly new but ever-pleasing 'Man on Fire,' Southampton Five piece tear Newcastle O2 Academy down.

The audience has yet to fill up but the roof is still raised with the voices of angst teenagers singing 'Free me, said the man on fire,' and as I look to the mosh pit the sweat is beginning to glisten.

BT have always known just how to get a crowd excited in small and intimate venues so it was interesting to see how they managed on this big tour in these big venues. Having played big UK festivals such as Download and Leeds/Reading, however, I knew this wouldn't be a problem... and it wasn't. The crowd are excited and moving right from the first chord, and just as expected, Bury Tomorrow steal the show.

These two bands, being as heavy as they are, are what people would call 'out of place' on this tour. They are anything but out of place, and if this Newcastle date was anything to go off, Beartooth and Bury Tomorrow are finishing the Kerrang! Tour with a herd of brand new fans.

Elevant, a trio from Liverpool describe their sound as “basically most of the noises you can make with guitar, bass, drums and vocals”. Having only formed in 2014, they’re onto their second album already.

Consisting of Michael Edward (“Guitar/Vocals/Ego”) , Tom Shand ( “Drums/Shouting,”), and Hannah Lodge (“Bass Guitar/Hair”), the group’s upcoming album, the comically-titled “Dreamface”, is an absolute belter.

To contrast the title; the album itself is a hectic half hour. Edwards voice is an angry lament throughout a tumultuous variety of songs, which begins with their latest single…

“Open Heart Surgery”, despite it’s rather grisly name, is a frantic start to the album; an adrenaline fuelled, flamenco-tinged one if that. You’re given a quick breather, then “Nothing” begins with ghostly, howling wind, before rapidly ascending into 4 minutes of thrashing, wailing catharsis. Another spectral minute of calm, before you’re thrown back into a maelstrom of pounding drums and riffs.

“In Ourselves We Trust” intercepts the calm for a minute or two, before “Mood Manipulator” provides almost a songs worth of peace, before a turbulent end.

“Implode in Slow Motion”, in total defiance of its slightly alarming title, is rather mournful and ballad-esque , and sings of watching a loved one struggle with a drinking problem.

“Stress” lets you adjust after a melancholy low, before final track “Good Intentions”; a seven-minute storm of shouting, screaming and guitar abuse, ends the album the same as it began; frantic, noisy, and a hell of a lot of fun.

Although it may be a bit too disorderly and temperamental for some listeners, it’s good for those looking for an album that always keeps you guessing.

When it comes to the music industry I will always have huge respect for solo singer song writers. The latest person to catch my attention was Jack Savoretti, an Italian- English solo singer.

First picking up a guitar at the age of 16, it was evident that this is a guy who has a heart and gift for soulful music.

Fast forward to 2015, and at the age of 31, Savoretti recently took his music back on the road for his UK headline tour. It was therefore an absolute honour to head along to the SAGE Gateshead, when the tour had called into the North East. Before seeing him play live, he was one of these people who I knew had a great reputation, but I had never actually had much opportunity to check out his music much other than a few songs here and there.

It really was an excellent feeling to know that my first proper encounter of Jack Savoretti would be to see him live, whereby I could give him and his music my undivided attention. From the outset Jack’s music was ticking all the right boxes, with each song impressing me. With the variety of genres we cover here at Darkus, I always find acoustic artists the most refreshing.

Looking around the room, I could see that the fans were soaking up the atmosphere and having a really great time in the presence of this talented guy. His set included the likes of songs such as ‘Tie Me Down’, ‘Back To Me’ and ‘Home’ all taken from his latest release ‘Written In Scars’. For a new listener such as myself, the newer material is always a good starting point when trying to get into the music, as its what I believe shows the work of the artist at their strongest.

Having been at the show I could now fully understand why Jack Savoretti is such an excellent musician. Not only does he have a great chemistry with the crowd, ensuring he makes every effort to engage them, but his music is one of true meaning and depth. He has already started the year brilliantly, and I am confident that he will continue to go from strength to strength as the year progresses.

Model: Sophie Lycett Headpiece: Hysteria Machine

Model: Emma Fay

Darkus Magazine: It’s been a while how is life over at Kat In A Hat Photography?

Kate: Good, it’s a little slow at the moment; I took quite a bit of time off from my photography so getting back into it has been a slow process.

DM: As a photographer in the north east what do you think it takes to survive, succeed and stand out?

K: There are a lot of photographers around here these days so it’s definitely hard to survive. It’s important to be friendly, approachable and have unique ideas that will really interest other people to work with you.

DM: You are no stranger to Darkus, so when you look back at when we first met, how well do you think you have progressed?

K: It’s nice to have people around to support and encourage your work and for me that’s really pushed me to improve and progress. I still like some of the images I took back then, but I do feel like I’ve progressed a lot since then and have more skills now than I had before.

DM: We have had many adventures both music and fashion...what have been some of your favourite projects to work on?

K: That’s a tough question because I always enjoyed the work we did no matter what it was. I met some amazing people doing Darkus projects and some of my all-time favourite images came from those projects, so I don’t think I can pick any one over the others, they’ve all been awesome.

DM: We asked you to choose some images that best represent your work.

When our readers take a look, what do you think the images you have chosen say about Kat In A Hat? K: I hope they show diversity. I like my projects to be different so I have a wide range of themes, so when people see my work they know that I’m always challenging myself with projects that are new and different. I don’t like to stick to the same thing, expanding my knowledge and skill base is really important to me and I want it to show that anyone can come to me with an idea for a project and I’m willing to do what it takes to turn that idea into a reality.

Model: Kookie Katana

Models: Lauren Johnston & Emily Jade Headpieces: Silver Lining Creations

DM: Are there any particular genres of photography you would say your most strongest?

K: I’d say fashion and portraiture are probably my strongest. I’m not much of a fashionista myself (anyone who’s met me will surely know that my fashion sense is nothing to be desired) but I love fashion photography. The team work that you get on a fashion project to make an image perfect is just fantastic; I love it when everything in an image just works because everyone involved has tried their best to show off what they can do.

DM: I know you took time out recently to focus on other things. How valuable was that time?

DM: In your eyes, for a shoot to be successful, what needs to happen?

K: That’s easy, it’s gotta be meeting Ville Valo! I don’t think I’ll ever really be over that meeting; I’ve loved HIM for years so it was literally like a dream come true. At a close second will always be meeting FACT and Jerry Horton saying he liked my Docs. I have so many great memories with Darkus though; it’s pretty hard to pick my favourites.

K: As much as I love photography I think it was a K: There needs to be plenty of communication bemuch needed break, I left to focus on fitness since fore and during a shoot, everyone has their own it’s something I’ve been interested in for years and ideas of how they want a shoot to go or an image to it’s been really beneficial to make it a priority. At this look, so to incorporate everyone’s ideas there point though I think it’s a good point to integrate my should always be a discussion about ideas. That way photography back into my life and I’m excited to do everyone gets what they want out of the shoot. But that. I’ve had a lot of projects gathering dust in the most importantly I think everyone should be reDM: Like any profession we are always evolving. Do back of my mind which I’d like to start this year, it’s laxed, if there’s a lot of tension then the shoot won’t you have any ideas where you would like to take Kat an exciting time for me. work out well and it causes discomfort, so I always In A Hat Photography to next? like to get along with whoever I’m working with and DM: Other than Facebook and obviously published keep the shoot professional but friendly.

K: Not really if I’m honest. At the moment I’m work in Darkus and other magazines, what are the focusing on working with as many teams as possible other ways you promote your work?

DM: I sometimes joke about some of the funny and just making some awesome images. I’d love to things that happen to us over the past couple years. kick off a professional career but I want more skills K: Facebook is the main place I promote my work, There was our trip to Le Beau Ideal Launch...Roger and experience under my belt before I jump in head other than that I just have a couple of profiles on from Less Than Jake Commenting on your footwear first. Like we said before, it is hard to thrive in a different websites like Instagram, DeviantART, and of course your newfound friendship with Bipo- place with so many photographers so as long as I get Viewbug and the like. lar Sunshine. For you what was your favourite to meet new people and learn new things I’m happy moment? the way things are going for now.

Model: Hélène Lambert Maher HMUA: Emma Louise HMUA

Darkus Magazine: Thank you for speaking to Darkus, Amy! When did your journey as a photographer begin?

Amy: It began in the summer holidays after the first year of my foundation degree, believe it or not! I was studying general design and for one of my briefs, I wanted to go with a photographic theme. I borrowed my partner's Nikon D3100 and fell in love with it, so I bought my own and never stopped taking photos! I had taken a photography enrichment class many years before that at Ryburn Valley sixth form, however it didn't flip my switches as much as it did at Leeds Metropolitan (Now Leeds Beckett University).

DM: Relatively new to the area, how does the North East scene compare to where you originally come from?

A: Well, there is no lack of models for one!

I feel as though there are a lot more opportunities, such as working with you, and y'know, I feel like I'm welcomed a lot more up here! As Halifax is such a small town with a fair few photographers, there was a lot more competition concentrated in such a small area and it got unpleasant at times.

It's a lot freer up here in Newcastle.

DM: When people see your work - what do you expect them to see?

A: I like to tell stories with my photographs. I was originally a fine art specialist and that reflects in my photos. I prefer them to look arty rather than clean and clinical. I also like them to look a bit darker, I definitely think that I see the beauty in the darkness.

DM: Tell us about the images you chose to submit to Darkus?

A: The first is something I wanted to try for a while. I really love to shoot models in long, elegant dresses and I love to shoot at the beach, too! The model is Gemma Flanagan, she's disabled and can't walk without crutches, but clearly that never stopped her being an incredible model!

The second one is a Rapunzel theme.

You may have noticed that I like my fairytale and mystical themes! I was thinking, "what fairytales are there that haven't been done to death?" and I mindmapped and came up with the idea! The model is Kimberley Knowles.

Third we have an Alice in Wonderland theme. This theme is extremely popular amongst photographers and always has been, and I feel like I captured the whole trippiness of the theme quite well! The model is Kitty Misfit.

The fourth one is inspired by an image I saw on Pinterest. We took lots of apples, a corset, a wenches blouse and the model even made some bloomers! It's very "Snow White" like, and I think the involvement of food catches people's eye! The model is Laura Miss Porter.

DM: I understand that you're at Newcastle College also studying photography. How valuable has the support of your peers and tutors been to your personal progression?

The fifth one is an image I produced to promote the makeup artist. The MUA is Rhiannon Crowther of Once Upon a Time Makeup Artistry. The aim was to provide a very mystical look and I thought that my style fit it perfectly. The model is Sophia Appleby

A: One of my tutors in particular is also a photographer and she is the most encouraging person at college!

She will sometimes pop in and out when I'm in the studio, asking questions and giving me a few tips, even offering help with setting up every now and again, and it's a shame I will be leaving after only a single year at the college. I will most likely remain in the North East, however, I'm only leaving after such a short time because this is just a top-up course!

However, my biggest support has been that of my partner who was also a photographer once. He encourages me when I hit blocks and helps me through a lot of stuff. I suffer from depression and sometimes it's really hard to get motivated, but he pushes me through the blocks and is just an incredible influence.

And last but not least the final image is something else I've done with Kitty Misfit. We wanted to create a winter beach look but keep it alternative, so I dug out my purple wig and she dug out her knitwear, and we went to Tynemouth. I wanted to use the castle there as a backdrop but unfortunately it was closed! The beach and the sea was still a great backdrop, though!

DM: If you had to pick what would you choose - studio or a location?

A: It depends on the location! If it's a beach like Tynemouth, then I'll never pass that one up. Anywhere else, and I prefer studio.

DM: What would be the main ambitions for your photography in 2015?

A: I want to set up a business. Photography is my passion and it would be incredible to be able to make money off it. You know what they say, find a job you love and you'll never have to work again!

DOT PHOTOGRAPHY & ART DIRECTION

DM: Is there any particular niche you love more?

A: Definitely alternative photography.

As someone who's a bit 'metal' myself, alternative people, in my opinion, are the easiest to get along with, and if the images are a little dark, I tend to get more of a feeling of pride and accomplishment from seeing the finished results.

DM: You have a shoot arranged - 1. what would you expect? 2. How would you rate whether or not it had been successful or not?

A: I would expect the model to bring a chaperone, firstly! Chaperones are an important resource, they can help hold things such as reflectors and bags, and they make the model feel safer and more at home, too! A more comfortable model makes for better photos - you can always see tension in the images. A chatty and friendly model is always a plus, if I can get along with them well then the photos always turn out a lot better. A change of clothes is always handy, too! If I can get over 10 final images in different poses and, if on location, different backdrops that I really love, then I'll deem it successful .

DM: What does it take to be successful in this industry?

A: You have to be strong, believe in yourself, never give up when you're on a roll, take constructive criticism well and please, never allow yourself to become a doormat!

Who Is Rouge De Ville?

My modelling name 'Rouge DeVille' came about when I was trying to get a Glam Rock band together.

It was more of an alter ego than anything else and when I started taking modelling seriously, it just seemed to stick.

I first started modelling in 2013 but after a couple of bad experiences, I took a long break and it wasn’t until a friend needed a model for her photography course that I gained enough confidence to try again and I’ve never looked back.

I’ve met so many new friends and fabulous photographers through modelling that I have never looked back.

Currently I specialize in Alternative modelling due to my Rock Chick attitude gained from playing bass in bands but I’m trying to get into Cosplay shoots, Themed shoots and maybe a Latex shoot if its possible. I also promote for a company called Geisha Wigs, who supply amazing wigs for cosplays, fashion and models. I try to incorporate my love for music and wigs in all of my shoots.

I started playing bass when i was 16 after a friend taught me how to play in school. I've been in and out of bands and Im not a stranger to being on stage. I’m not currently in a band as modelling and a full time job have taken over my life but I would like to return to it some day.

My modelling heroes includes Dani Divine and Annalee Belle. Their styles are amazing and they just seem to rock every shoot they do.

One day I would like to model merch for small businesses and eventually Attitude Clothing and Geisha Wigs - which would be a big dream for me as these are some of my favourite online stores.

I was so happy that Dee chose me to be featured in Darkus Magazine and I cant wait to do more shoots with him and his team.

MODEL: CLAIRE MOEREN - MAKE UP ARTIST: PAIGE RICHARDS - PHOTOS BY DOT PHOTOGRAPHY