2022 TKUA FAN-YU TAI PORTFOLIO

2022

PORTFOLIO

FAN-YU TAI TKU Dept of ARCHITECTURE

SELF-INTRODUCTION

I’m Fan-Yu Tai, 23 years old.

I’m currently a fourth year student at Tamkang University, in the Architecture Department.

This portfolio contains projects completed during my second and third year of university.

FAN-YU TAI BIRTH:1999/04/09 CELL:0978-011-135 E-MAIL:darren5215@gmail.com

SKILL

EDUCATION TAMKANG UNIVERSITY

2019- PERSENT DEPARTMENT OF ARCHITECTURE

CHINESE CULTURE UNIVERSITY

2018-2019

CENTAL SAINT MARTINS

2018 SUMMER FASHION DESIGN PROGRAM

PUTAI SENIOR HIGHT SCHOOL

2015-2017

GONGOUAN JUNIOR HIGH SCHOOL 2013-2015

DEPARTMENT OF ARCHITECURE

MUSICALLY-GIFTED CLASS

CO-LIVING+ART

EA3-3

EA3-4

EA4-2

EA4-1

FUTURE TANSE

BICYCLE CAFE

CO -HOUSING

TESLA BUSINESS BUILDIND

ATHER WORK

EA2-1

08

LINKING CENTER

VITALITY

CODE OF NATURE IN THE ART

01

EA2-4

07 EA3-2

06 05

04 03 02

FINAL MODEL 2 FINAL MODEL 2 FINAL MODEL 2

TABLE OF CONTEXT

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TABLE OF CONTEXT 02

LCURVE / CODE OF NATURE IN THE ART Futurism / Appear quickly and disappear instantly

background After the industrialization of Europe, the urban life was convenient, the transportation was developed, and the aviation technology industry was booming. At that time, an Italian poet Filippo Tommaso Marinetti lived in Milan, Italy. At that time, it was a city where industry and Commerce gathered. It was a thing of the past to feel the brilliance of Italian classical art, and people must welcome the new era, Full of new elements such as progress, speed and machinery, futurism has developed into various fields, such as poetry, fiction, drama, sculpture, music, photography, film, printing, architecture and so on technique Futurist painters extol the kinetic energy of industry and machinery, and believe that the theory of motion of all things should be applied to the painting to show the dynamic sense of all things. Therefore, in their works, we can often see that the image of the object is broken down into blocks and lines, and the elements of speed, time, power, sound and light are drawn into the painting, such as speed, movement, urgency and lyricism. The techniques of overlap and repetition are used in their works to show the unstable legal movement, because they believe that things in the world are constantly moving, and most of the subjects are urban life, transportation, industrial society Machinery, etc.

EA.4-1 Studio : CCCLAB

Advisor : Chen Chen Cheng Key world +Futurism +Digitial Design +Fabrication

FUTURISM 04

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Abstract Model

FUTURISM 06

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FINAL MODEL 1 The base is in the park next to the Jiantan MRT station and the Taipei Art Center. This park includes the crowds of people in the night market and residents walking at night. Here, a watchtower has been set up. The overall structure and shape of the watchtower are transformed from the cover and twist of the swift painting in front.

It is shown in the form of lines, with angular, vertical, or arc changes, to present the dynamic form of the natural biological parts of the park in life, and to carry the activities of the whole park.

site 1

FUTURISM 08

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FINAL MODEL 2 The bus kiosk on Jihe road has a large number of car tides. No matter day or night, the incoming and outgoing car tides have brought changes and speeds of light here. We can't forget light.

Light is a quality of atmosphere, and its shape and volume can always be defined. For this reason, the scattered and interwoven shapes of lines represent the tracks of light and cars around the city.

site 2

FUTURISM 10

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FINAL MODEL 3 Jiantan MRT station has always been the node for tourists to come and leave. I chose to design a rain shelter by hanging between the two MRTS. Farewell often happens here. People look for a way out in chaos and shuttle through the continuous interweaving.

"Loneliness, pain and confusion at a loss." on those who stay, the vertical lines convey the weight of sadness borne by those who are left, The hanging rain cover continues the changes caused by the movement with the coming and going MRT shaking, and the slash also indicates the departure of the departing person.

site 3

FUTURISM 12

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FINAL MODEL 4 A large number of motorcycle riders are a unique living culture in Taiwan. Motorcycle riders have formed strength in the streets.

Pedestrians crossing in the fast crowd, the interweaving of the two speeds, resulting in a certain sense of tension in the chaotic journey.

Here, people experience the way they have walked in the crossing by means of land bridges, and try to show the twisted and curved force lines in the tension structure of the bridge.

site 4

FUTURISM 14

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VITALITY 17. After Venice became a big tourism era in the 18th century, most public spaces have become temporary residences for foreign tourists rather than living spaces for urban people.

A large number of tourists bring the illusion of vitality. After the development of excessive tourism, people who used to live here have to shuttle through the narrow gap between tourists every day. Living space is constantly restricted, which also affects the basic living space.

After excessive commercialization and use, Venice began to face problems such as ground subsidence and river pollution. The city seems to have broken its hands and feet and needs to rely on large artificial limbs to maintain its life and operation. In 2022, Venice was in the age of heavy machinery, and began to build industrial mechanical objects around the city to make up for past mistakes.

EA.4-2 Studio : V-Studio Advisor : lssac Haung Key world +Novel +Muchine +Bionic +Repair

MECHANICAL & BIONIC

In a state of emergency, scientists began to improve the design of machinery for the first time. They found that the large amount of water brought by subtropical humid climate may become a way to extract water. In order to meet the narrow and tortuous space of urban alleys, they chose an independent way for people to take water alone, forming a frame with retractable and movable umbrella shaped supports, on which hung a small mesh pipe, surrounded by a pump and a water pump motor to capture and store fog. Then it was improved and formed, and began mass production. It was sent to the city to provide temporary domestic water for people

VITALITY 16

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VITALITY&NEW CANNAL In April 2035, after several years of struggle, people in Venice gradually developed a new form, a kind of worship based on water. In order to commemorate the day when water was lost, the city began to carry out water sacrifice on April 9 every year.

In the past 11 years, under the protection of machinery, people began to leave the room and gather on the long deserted River to regain public life. After meeting people's safety and physical needs, natural machinery also symbolized the beginning of a new life. Returning to life, "osasis construction of a new canal project" gradually began to sprout from the river.

People who have been rebuilt here are living with a new attitude. They can touch nature and feel the natural life. The footpath is hung above the city along the texture of the old river bank, and only a small part of it touches the ground. The semi outdoor indoor is a new walking world for people, enjoying the window of nature. The whole river is hung in the air, maintaining the vitality of the bottom with the least disturbance and intervention, The people gathered here also maintained a gentle relationship with the lower class. The people of Venice walked, stayed, talked and enjoyed the fun of returning to life as before.

VITALITY 18

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FINAL MODEL People grow their own crops here to live in a self-sufficient way. You can see that the brackets on both sides are 4-foot-long organizations that can swing back and forth. They are tentacles for fog replenishment.

People call them "feathers". They control the fog replenishing net above to extract water from the fog and control the light in and out.

The places just now are symbiotic systems of fish and vegetables, and the used water will return to the soil below.

Under the protection of machinery, new opportunities have been obtained, and the relationship with water has been recovered under the natural growth.

In the harvest season, with the breeze blowing, we all think that water is the real essence. Secondly, it is a medium.

We do not lose hope because losing water does not mean losing life. Venice in 2050 has reached a certain balance between machinery, life and nature.

VITALITY 20

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At first, we read the development of Dadaocheng from the perspective of history.

The development of culture is that the activities of the river bank affect the activities between Dadaocheng. But after the core shifts outward, it slowly declines. I hope to produce in the cultural and creative center with an obvious axis to carry all activities. I hope to break the boundary between them and continue the mobility in the streets, and try to be more close to and merge with the surrounding or the interior of the cultural and creative center, so as to generate more connections in the relationship.

LINKING CENTER

With the development of "cultural tourism" in Taiwan, historical districts across Taiwan began to recover their vitality in the early years. The difference is that emerging industries related to cultural creativity began to enter these old districts and led to the second spring of the old districts. The same is true of the famous Dadaocheng block in Taipei. From the early foreign tea houses, traditional Chinese medicine, imported goods, and northsouth goods, the center of gravity of Taipei urban area has shifted, resulting in the decline of Dadaocheng block.

Therefore, this design takes "creating Dadaocheng" as the title to design the creation center of Dadaocheng.

Provide a large public space for designers in the cultural and creative industries to communicate, publish, produce and study EA.3-4

PROGRAM&CONCEPT

In Dadaocheng, where art and culture are gradually rising, office space, classrooms, factories and other configurations are placed in the art and culture center, as well as the space with exhibitions and performances, trying to return to the excitement through cultural and creative activities. A large number of vendor spaces are also set up here to continue the characteristics of the whole Dadaocheng business culture.

In order to make the exhibition hall and theater space open to the outside world and continue the street life, I chose to break the restrictions of spatial stratification through folding, as well as the continuation of street culture.

In order not to achieve the flexibility of space in a restricted state, list the space with a high number of users in the allocation, and analyze the frequency of space use. This is my table of space usage times in 7 days Opening up is the most important thing here. In terms of configuration planning, first configure the whole space layer with the usability ratio.

As can be seen in the above figure, I connect the shops, theater space, exhibition hall, these external spaces that are not often used with high flow, and usually become the elastic space of the whole building, which can be used as a rest place, visit the moving line, and can be used both internally and externally without interruption. Classrooms, offices, etc. are surrounded by me.

LINKED CENTER 22

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The chart on the left can see that the folded space covering the atrium space sense between the buildings, carrying the activities of the internal space, continues all the way from the bottom to the top, providing a higher urban vision and reaction environment.

The following figure shows the connection between the store street and the art and culture center. The direction facing the street connects directly to the street through the folded plate opening in response to the activities of the store street on the ground floor of Daocheng, which becomes a kind of vertical street and adds new nodes and relay stations to the street The whole system operates in the form of folding and takes advantage of the advantages of folding. The unidirectional characteristic of the folding plate connects other spaces on the extended surface, and the space with low demand should be configured at the other end of the folding to realize a vertically independent moving line system, so that the internal space can achieve the function of continuous space and the pipeline of coarse structure expands the space scale, and effectively simplifies the theater space that needs a large distance, The state of no column net also makes the space more open and free.

floodind

flooding structure

floor

floor structure

In the part of the plan, it can be seen that the space is not closed or fragmented. All the spaces surround the atrium. The corridor of the green community is also created on the ground floor by the vertical moving line, which also extends the activities of the shop Street on the first floor to the upper floor. The building here is like a street and becomes a space for people to walk.

LINKED CENTER 24

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CO-LIVING 26

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CO-LIVING 28

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TESLA BUSINESS BUILDING 30

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The whole building takes the corresponding nature as the starting point to reflect the wind direction and sunshine. The driveway is also placed in the building to provide charging and parking services.

The building is designed with solar panels and sun visor structure, letting people be in a comfortable and green energy space.

N

W

N

W

E

E S

S

N

W

W

E

E S

N

S

TESLA BUSINESS BUILDING 32

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PROGRAM&CONCEPT

CO-HOUSING What kind of form should houses in the city present, what kind of living space do people in today's society need, how do people communicate and live together?

3F

3F

切入動線與道路垂直 水平排列

朝動線方向轉向增加切入面向

切入動線與道路垂直 水平排列

地景配合量體增加穿越

朝動線方向轉向增加切入面向

R E S D R I E N S T D I I N A T L I M A

2F 2F

OFF

ICE

OFFI

CE

WC

L M

WC

RESI RESI D DENT ENTIA LL IAL L

RE

1F1F

RE SID SIDE EN TIA NT IA L LM M

RE

SIDERE NTSI IAD LEM NT IA

ADM

RESI

AIN DM IST INRA ISTTIV RAET

RESIDENT DEN IAL TIA S L S

R E S D I N T I A L S

IVE

LOBB

WC

RESI

RESI

DENT

IAL

DENT

L

IAL

L

RESI

DENT IA

L S

CW

R E S D I N T I A L S

R E S D I N T I A L S

WC OFFI

OFF

RESI DE

KITCHEN BALCONY

KITCHEN

KITCHEN

BALCONY DINING ROOM

DINING ROOM

BALCONY

DINING ROOM

NTIA

L S

ICW

BY

1F PLAN

R E S D I N T I A L S

LM

Y

LOB

1F PLAN

R E S D I N T I A L S

R E S D I N T I A L S

地景配合量體增加穿越

2F PLAN

2F PLAN

3F PLAN

3F PLAN

Yongkang Street has a strong housing culture. From rural areas to apartments in the Japanese occupation period to larger apartment buildings. Yongkang street’s function is now shopping street combined with housing, forming an interesting alley culture.

While people like to move freely in this kind of alley space, my concept is to use alleys to create more communication in the residence and continue the existed characteristics of the alley.

CO-HOUSING 34

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ENTRANCE

Resdintial Unit

RESIDENTIAL

RESIDENTIAL

PERSONAL

LOBBY

BATHROOM

STORAGE PARKING AREA

WC

ADMINISTRATIVE OFFICE

BED ROOM

PUBLIC DINING ROOM

KITCHEN

BALCONY

MEETING ROOM OFFICE

WC

CO-HOUSING 36

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BICYCLE CAFE The base is located in the zone at Keelung River's second cut-off. With the change, the embankment was erected, which also prompted the development and planning of the riverside park outside the industrial and commercial area. The space differs due to river changes, and there is also a variation in the spatial road network.

The interior and exterior of the riverside are separated by the edge of the embankments, creating the sense of boundary. Also the distance between them creates a virtual and real change in the space division.

SITE ANALAYSIS&PLAN

SITE PLAN

BICYCLE CAFE 38

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CONCEPT&PROGRAM

Referring to the plan, the design is placed between the bicycle lane and the sidewalk, providing a space for people passing by to rest and communicate.

The three degrees of transparency creates the changes of scale from public to private. The technique is achieved by a double-layered skin.

The organic and fluid geometric shapes on the form match the feeling of the base and improve the fluidity of the space.

Also, the exterior wall with light strip-shaped glass to enhance the fluidity at night.

BICYCLE CAFE 40

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FETURE TENSE 42

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