David Bransfield by Davidbrans

David Bransfield M. Arch 1 Applicant Fall 2016

DAVID BRANSFIELD Master of Architecture I Applicant 2016 242 Fendale Street, Franklin Square, NY bransfield.david@gmail.com (516) 644-8524

WEBSITE

EDUCATION NEW YORK UNIVERSITY

September 2011 - August 2015 I New York, NY Double Major: Studio Art & Urban Design GPA: 3.7/4.0 Dean's List Scholar Honors Recipient BFA Student Excellence Recipient

EXPERIENCE

www.davidbransfield.com

Inson Dubois Wood Architecture & Interiors LLC

Intern/Design Assistant I May - June 2015 I New York, NY

As an intern and personal assistant for Inson Wood I assisted in a range of tasks such as daily client interaction, site visits, meetings, inventory management, social media, and clerical needs. This position gave me invaluable insight into the daily endeavors of an architect as well as the clarity and cohesiveness needed between all employees in order to operate a successful firm.

SKILLS Painting

Stebich Ridder International

Art Handler I 2012-2015 & Current I New York, NY & Clifton, NJ

Sketching

SRI is a leader in international art storage and transportation. My position has enabled me to handle and install all types of projects from large exhibitions to museum collections, as well as assist conservators and collectors in various projects.

Microsoft Office

New York University Wood & Metal Fabrication Shop Monitor I 2013-2015

Photography

I New York, NY

While studying at NYU I maintained a work-study position at the NYU wood and metal shop. My position consisted of the monitoring of all heavy machinery to ensure proper use and prevent injuries. I also assisted in daily construction and maintenance around the shop and art building.

Adobe Photoshop Adobe Illustrator

New York University Villa La Pietra Art Gallery

Woodworking

Having studied in Florence during my junior year, I continued my work-study position as a tour guide for the NYU art gallery and garden at Villa La Pietra. The collection houses over 3,000 paintings, sculptures, and tapestreies, dating as far back as the 14th century. I also assisted with clerical functions in the textile preservation lab and served as art handler when necessary.

Tour Guide/Gallery Assistant I Fall 2013

Drafting

I Florence, Italy

New York University Palladium Gymnasium

Adobe Indesign

Rock Wall Monitor I 2011-2013

I New York, NY

My first work-study position at NYU was at the primary gymnasium of the University. As a rock wall belayer and attendee, my main tasks were ensuring the safety of all climbing patrons, teaching indivudals how to properly climb, and maintaining the equipment and rock wall.

Autodesk Autocad Google Sketchup

Bortolami Gallery Intern I 2012

I New York, NY

Bortolami Gallery is an international art gallery with a roster of renowned conceptual and minimalist artists. During my time at Bortolami I assited with exhibition installations and executed daily tasks such as clerical needs and packing/transporting artwork.

Rhinoceros

INTERESTS

RECENT EXHIBITIONS FEELS LIKE HOME

Solo Painting Exhibition I Summer 2015

I New York, NY

My first independent exhibition was held at the NYU Broadway Windows Gallery located on 10th Street and Broadway, viewable from the street 24/7 from August - November.

Rock Climbing

ABOUT

Painting

Photography

Travelling

I have lived, studied, and worked in New York for my entire life, so many of my current aspirations come from my urban upbringing. I am interested in the social culture and history of urban neighborhoods, and the artistic and intellectual growth which has thrived (both on the street and in private galleries) from them. This is the theme which drives my current artwork. As an architect I hope to further examine urban space with the goal of maintaining public authenticity and civic power while creating architecture that is sustainable, powerful, engaging, and original.

-SCAPES

Senior Thesis Exhibition I May 2015

STILL

I New York, NY

Senior Honors Exhibition I February 2015

I New York, NY

The first NYU Senior Honors Studio Exhibitions, featuring the works of myself and fellow BFA graduate Emma Strebel, curated by IFA curator Ksenia Soboleva.

NEW SIGHTS, NEW NOISE

Senior Honors Exhibition I Sept - Dec 2015

I New York, NY

Curated by and featuring works from musican and artist Michael Stipe, this exhibition lasted the length of one full semester and comprised of a think-tank environment where artists exposed their motivations, inspirations, and processes behind their art through video and image projections.

Contents

01 Form as Function: Units of Aggregation and Partition

Columbia University Introduction to Architecture program comprised of: A) Material Study: Interpreting the Unit B) St. John the Divine Cathedral: Developing the Unit

Urban Design for Public Health

Redesigning Macri Triangle Park: a public park and World War II memorial in Brooklyn, NY

Independent Projects

A) Ingrained Beauty: Advanced Projects in Sculpture Final B) Commissioned Works

17 Feels Like Home

An independent painting exhibition at the New York University Broadway Windows Gallery

Form as Function

Introduction to Architecture at Columbia University, Summer 2015 Material Study: Interpreting the Unit My first assignment at Columbia was to choose two common materials that could yield interesting spatial and structural results. I chose wooden tongue depressors and string, and focused on creating a variable or unit with these materials that could build upon one another to create a dynamic and functional model. My objective was to take a standard shape and, through combinations and aggregations, create an original design.

Individual tongue depressors are oriented and tied perpendicular to one another to form the cross-joint.

The cross-joint is then tied to two more individual pieces hinged at a 45 degree angle to increase dimensionality between units. These 4 individual pieces form one unit.

Each piece must be cross-tied to ensure structural integrity when combining units. Holes are punctured in both ends of the parallel pieces and tied from unit to unit to increase the strength of the whole structure. Units can then be combined to create countless variances.

Form as Function

The final model is a dense, flexible and dynamic structure that has no orientation and can incorporate movement without losing its overall shape.

A closeup of joint-to-joint interaction shows the possibilities of connection.

Form as Function

Projective illustrations help identify structural characteristics not immediately apparent in design. This plan view projection identifies the aggregation of units along the periphery as well as the creation of substructures within the larger structure.

Form as Function

St. John the Divine Cathedral: Developing the Unit

After completing material studies I continued to analyze units of aggregation and partition in the final project: the creation of a civic center next to the Cathedral of Saint John the Divine in New York City. Spatial observations and tactics were to be translated from material study to final site plan, focusing on the exterior of the site and the transition between site spaces. I began by experimenting with new unit forms and investigating spatial opportunities within the current site. My objective was not to solve site problems, but instead to incoporate the negative space of the Church within my own site as an opportunity for an uncanny public space.

The current site contains units of its own, as the periphery of St. John the Divine Cathedral creates unique and engaging negative spaces. The site reaches peak elevation at the center, making this the ideal apex point of the site. I decided to create a civic center resembling the height and length of the Cathedral, but consisting of sharp and dramatic structures and spaces to contrast the adjacent tall walls and arches.

Form as Function

Analyzing Space: Unit Prototypes and Drawings

The first step to transition from a material study project to a final site plan was to choose a favorable structural unit and study possible aggregations. The triangle proved to be a rewarding unit because the multiplication of triangular units is possible in almost any direction or angle, and because these combinations can yield irregular relationships and negative spaces. Before constructing my final model, I created several prototype studies to observe the spatial effects of the triangular unit and note the combinations most desirable for my site. My civic center pairs spaces that would not normally be found together. These pairs include a protest plaza and a banquet hall, a board room and a library, and a gallery on top of an auditorium. By mixing civic and political spaces directly next to a monumental religious structure, the open and interactive design scheme would create uncanny relationships between each space.

Form as Function

Banquet Hall

Green Room

Auditorium Board Room Meeting Rooms

Classrooms

Protest Plaza

2nd Floor Gallery

Research Library

Bathroom

Form as Function

The auditorium and gallery in the center of the site feature clear triangular units. In the spirit of civic design, the civic center illustrates a sense of community and openness through large visible spaces and several circulation options. Auditorium processions can be viewed from outside or inside the auditorium, and the second floor gallery provides a 360 degree view of the entire site.

Site elevation

Form as Function

Visitors are given the option of exterior or interior circulation. Individuals can travel around or through the site infastructure, with the aggregation of triangular units creating engaging exterior partitions.

Partial section: site entrance and banquet hall

Site elevaton cut showing individual spaces

Form as Function

Urban Design for Public Health: Macri Triangle Park Urban Design and Health Final, Spring 2015

Macri Triangle Park is a small urban park and World War II memorial situated directly next to the Brooklyn-Queens Expressway in Wlliamsburg, Brooklyn. The space has extreme potential to positively affect local urban health, but has fallen victim to poor planning and little maintenance. My site seeks to remedy these problems by altering the current park plan and further incorporating aspects of nature and community in order to enhance urban health. To meet the needs of the community the site must consist of several separate sections all linked by central and exterior paths. Most importantly, my plan introduces a new World War II memorial and park installation that would would bring a new vibrancy to the community. The memorial also introduces the benefits of renewable energy (through solar power) to a community which could thrive from this power source.

Peripheral Seating

Unused Bocce Court

Park Gate

Brooklyn-Queens Expressway

Oversized Sidewalk

Unused Walking Space

Urban Design for Public Health

Memorial

Project Proposal

My park re-design begins by extending the outer fence, opening the park by several feet on each side. Lines of trees and peripheral seating lie directly behind the outer fence, creating a sense of encolsement and quieting the sounds of the city. The North and South sides of the park feature communal gardens, where local citizens interested in farming and health can volunteer and learn valuable farming skills. The food grown would be given back to the community and used in local soup kitchens. A dog park (currently main usage of the park) occupies the East side, and the West consists of green space. The trees within this green space would feature circular tree seating, a design which saves space while creating relaxing and shady seating. At the center of the park lies the war memorial, with seating both around and in the memorial space. Visitors are given the option to pass directly through the space or travel along the outer path.

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Entrance Gate

S een

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Dog Park

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Cir

S ree rT

Park Lamps

Entrance Gate

Outer Path

Sidewalk

Urban Design for Public Health

Community Garden

The Heart of Macri Triangle Composed of 6 outward increasing square roofing units, the World War II memorial at Macri Triangle Park features a series of tinted glass solar panels. These roofing units provide convenient shade during the day, and each individual solar panel illuminates in the shape of a military star (visible from underneath each roof). The structure is composed of 4,325 units - one for each 10 New York citizens killed in action during World War II. The memorial would also provide electricity to the rest of the park, creating a self-sufficient environment.

The memorial site contains the solar roofing and accompanying structural components, as well as steps which can also serve as seating. At the center of the structure lies the physical memorial: a large illuminated glass box lifted several feet off of the ground. The glass memorial is inscribed with the names of each Brooklyn citizen lost during World War II.

Urban Design for Public Health

Ingrained beauty

CNC-carved and handcut wooden and glass table Advanced Projects in Sculpture Final, Spring 2015 Inspired by the geometry and monumentality of the ancient Mayan pyramids, my objective for Ingrained Beauty was to create a functional piece of art which appeared so articulate that users would be hesitant to place objects on it. The inside of the tabletop is carved and overlayed with glass, hiding the true beauty of the table within the intrinsic design. Having no prior experience in 3D-modelling, I used my available resources at New York University to 3D-carve a tabletop using our new CNC router. I then constructed the base by hand. Users are unaware of the tableâ&#x20AC;&#x2122;s true beauty until they interact with it, resulting in a suprising design aspect that draws unanticipated interest.

Elevation showing glass, top, & base

Exploded illustration of table top

Ingrained Beauty

Commissioned Works, 2014-2015

Seafood Market: Acrylic on Canvas, 24 x 18 inches. 2014.

Lower East Side: Acrylic on Canvas, 36 x 24 inches. 2014.

Commissioned Works

Connections: Pencil and watercolor pencil on bristol board, 70 x 54 inches. 2013.

Urban Evolution: Watercolor on paper, 50 x 36 inches. 2015.

Commissioned Works

Feels Like Home

An independent painting exhibition at the New York University Broadway Windows Gallery, June-November 2015 Feels Like Home was my first independent art exhibition, held at the New York University Broadway Windows graduate gallery on 10th Street and Broadway in New York City from August 20th to November 1st, 2015. The exhibition was on view 24/7 from both 10th Street and Broadway. Artist Statement: As a native New Yorker I have always had an interest in exploring authentic neighborhoods and the different cultures that created each urban scene around the city. The steady transformation of many of these neighborhoods due to gentrification has inspired my recent work of documenting and celebrating remaining culturally vibrant spaces. I am intrigued by the communal urban structure that ensues in these insular and somewhat disordered spaces such as Chinatown and the Lower East Side, and the original characteristics that result within each. The scenes I choose to paint symbolize a vanishing cultural authenticity and artistic freedom. My hope as an artist is that my work revives a memory or sparks a conversation with the viewer; one that does not necessarily correlate with my own but is special to the individual experiencing it.

Feels Like Home

Give & Take: Oil on Canvas, 100 x 67 inches. 2015.

Feels Like Home

Take & Give: Oil on Canvas, 105 x 64 inches. 2015.

Feels Like Home

Urban Respite: Oil on Canvas, 92 x 66 inches. 2015.

Feels Like Home

Grand Opening: Acrylic on glass installed in lightbox, 38 x 26 x 7 inches. 2015.

Feels Like Home

Wash, Dry & Fold: Oil on Canvas, 38 x 30 inches. 2015.

Feels Like Home

Coffee Shop: Oil on Canvas, 50 x 38 inches. 2015.

Feels Like Home