The Summer Art Sale | 17th June 2022

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THE SUMMER FINE ART SALE FRIDAY 17TH JUNE 2022 AT 11AM

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David Duggleby Summer Art Sale pages.qxp_Layout 1 25/05/2022 11:52 Page 1

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INFORMATION FOR BUYERS AT AUCTION 1, Introduction, The following notes are intended to assist bidders and buyers, particularly those that are inexperienced or new to our salerooms, All of our auctions are governed by our Conditions of Business incorporating the Terms of Consignment (primarily applicable to sellers), the Terms of Sale (primarily applicable to bidders and buyers) and any notices that are displayed in our salerooms or announced by the auctioneer at the auction, Our Conditions of Business are available for inspection at our salerooms and the Terms of Sale are printed in our auction catalogues, Our staff will be happy to help you if there is anything in our Conditions of Business that you do not fully understand.

Please make sure that you read our Terms of Sale set out in this catalogue or on our website carefully before bidding in the auction, If your bid is successful, you will be obliged to comply with our Terms of Sale.

2, Agency, As auctioneers we usually act on behalf of the seller whose identity, for reasons of confidentiality, is not normally disclosed, If you buy at auction your contract for the goods is with the seller, not with us as auctioneer.

3, Estimates, Estimates are designed to help you gauge what sort of sum might be involved for the purchase of a particular lot, Estimates may change and should not be thought of as the sale price, The lower estimate may represent the reserve price (the minimum price for which a lot may be sold) and will not be below the reserve price, Estimates do not include the buyer’s premium or VAT (where chargeable), Estimates are prepared some time before the auction and may be altered by a saleroom notice or announcement by the auctioneer before the auction of the lot, They are not definitive.

4, Buyer’s Premium, The Terms of Sale oblige you to pay a buyer’s premium at 25.2% on the hammer price of each lot purchased, In addition, VAT is included in this premium (see below).

5, VAT, Items in our catalogue may be marked in the following ways: a, (*) indicates that VAT is payable by the buyer on the hammer price as well as being an element in the buyer’s premium, VAT will be chargeable at the standard rate (presently 20%), This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK.

b, (**) indicates that the lot has been imported from outside the European Union, [These lots are liable to a reduced rate of VAT (5%) on the hammer price and buyer’s premium)], c, Lots which do not have either of the above symbols have no VAT payable on the hammer price, This is because such lots are sold using the Auctioneers’ Margin Scheme, The VAT included within the premium is not recoverable as input tax.

6, Inspection of goods by the buyer, As we act on behalf of the seller, we are dependent on information provided by the seller about their goods, We may inspect lots and will act reasonably in taking a general view about them, However, we are normally unable to carry out detailed examinations of lots to check their condition in the way a buyer would do, You will have ample opportunity to inspect the goods, You must inspect and investigate lots that you might wish to bid for, Please note carefully the exclusion of liability for the condition of lots set out in the Terms of Sale at clause 12.4.

7, Export of goods, If you intend to export goods you must find out: a, whether an export licence is needed; and b, if there is a prohibition on importing goods of that character e.g, because the goods contain prohibited materials such as ivory, 8, Bidding, Bidders will be required to register with us before the auction starts, We reserve the right to impose a deadline prior to the auction by which you must register or by which we must receive a commission bid, If you wish to bid on high value lots this deadline may be several days before the auction in order to allow us sufficient time to carry out the necessary checks, Lots will be invoiced to the name and address on the registration form, You will need to provide us with proof of your identity in a form acceptable to us and such other information as we may require, Please enquire in advance about our arrangements for telephone or online bidding, Please note that we may refuse to register you if you do not provide us with all the information and documentation that we ask for or at our discretion.

9, Commission bidding, You may leave commission bids with us indicating the maximum amount to be bid against a lot (excluding the buyers’ premium and/or any applicable VAT), We will execute commission bids as cheaply as possible having regard to the reserve (if any) and competing bids, If two

buyers submit identical commission bids, we may prefer the first bid received (where this can be reasonably ascertained) by extending this bid by one increment, Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax/email or via our website or online bidding platform, 10, Live Bidding, Please see clause 19 in Terms of Sale, a, Any lots purchased via the-saleroom.com live auction service will be subject to an additional 5% commission charge + VAT, at the current rate, imposed on the hammer price (collected by David Duggleby Ltd on behalf of the-saleroom.com). b, Any lots purchased via DD Live auction service will be subject to an additional 2% commission charge plus VAT imposed on the hammer price.

11, Methods of Payment, These are cash (for which there is an upper limit of 15,000 euros equivalent), debit card, credit card (online payments only), BACS payment or cheque (any cheques will need to be cleared before you can take the goods away), Please discuss with our office in advance of the sale if you plan to use other methods of payment.

12, Collection and storage, Lots must be paid for and collected within five days following the sale, Please note what the Terms of Sale say about collection and storage, Any delay may involve you having to pay reminder fees and storage charges.

13, Droit De Suite, Please see clause 18 in Terms of Sale.

14, Attribution of Pictures (Quarterly Picture Sales only). a, The forename(s) and the surname of the artist indicates in our opinion a work by the artist. b, The initials of the forename and the surname of the artist indicates in our opinion a work of the period of the artist which may be wholly or in part his work. c, The surname of the artist indicates in our opinion a work of the school or by one of the followers of the artist or in his style and of uncertain date. d, ‘Bears signature’ indicates in our opinion that this is not the signature of the artist. e, All other terms are self explanatory. f, Terms of Sale clause 12 also applies.

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The Summer Art Sale Artists Past & Present

Friday 17th June 2022 at 11am Bid live on our website using our bespoke bidding platform DD Live:

www.davidduggleby.com

Viewing Times: Tuesday 14th June 10am – 4.30pm Wednesday 15th June 10am – 6pm Thursday 16th June 10am – 4.30pm Friday 17th June from 9am

Buyer’s Premium 25.2% including VAT Front cover illustration: Lot 198 Back cover illustration: Lot 117

Catalogue produced by Pardy & Son (Printers) Ltd

Catalogues £10.00

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artists’ index Allingham, Helen

144

Faulkner, John

99

Parker, Constance-Anne

Anderson, David Russell

121

Fripp, George Arthur

95

Paul, Paul

186, 187, 188, 189, 190, 199

Garratt, Arthur Paine

168

Penny, William Daniel

Genin, Lucien

216

Pether, Abraham

Atkinson, John

119 204, 205 150 65, 67

Austin, Samuel

153

Georges, Paul

170

Pickering, Pollyanna

115

Bagshaw, Edwin

194

Girtin, Thomas

74

Pissarro, Paul Emile

124

Bagshawe, Joseph Richard

202

Gondouin, Emmanuel

Bailey, Peter J

56

179

Goodin, Walter

25, 26

Pottas, Richard

217

Priestman, Bertram

130

Prüssen, Clemens

36

Banks, Thomas Joseph

158

Graham, George

Banting, John

222

Graham, Josephine

58

Rameau, Claude

35

Barrett, Thomas Francis

172

Greaves, William

113

Redmore, Henry

155

131, 132, 133, 134

Baumforth, David

62, 63, 64

Griffin, William

154

Rigg, Ernest Higgins

Bennett, Godwin

120

Haddon, David W

159

Rizvi, Jacqueline

Bennett, H

147

Hall, Clifford Eric Martin

123

Roe, Robert Ernest

Heath, Adrian

221

Rogers, Charles H

Berryman, Ivan

51

Bevan-Petman, Henry Charles ‘Hal’

116

Heiron, George

Bhengu, Gerard

174

Hesso, Al

Blaquiere, Elizabeth

77

Hill, Rowland Henry

Bourne, Rev. James

75

Hopwood, Henry Silkstone

Bowen, Owen

206

Howey, Robert Leslie

Bridgman, Frederick Arthur

212

Italian School

Brooke, Anne Isabella

176, 177, 178

Buckley, Charles Frederick

96

191, 192, 193 211

106

Sangster, R H

41

School, Scottish

112

Scott, Michael

117

Shayer, William

108

Simmers, Connie

219

167

Spittle, William M

129

Jackson, Frederic William

185

Staithes Group

Jobling, Robert

198

Stannard, Alexander Molyneux

180

Jones, Robert

Burns, William

1-22

Jones, William E

Carter, Barry E

29 79, 80, 81, 82,

215

213 148, 149

30, 31, 32, 33

Bunbury, H St. Pierre

Carter, Henry Barlow

50

182, 183, 184

Kendall, Bruce

28

Stevens, Albert George

66

Stinton, James

126, 127

Kenworthy, John Dalzell

Stopford, William Henry

166

Tejero, Manuel Thompson, Edward H

83, 84, 85

Knell, Adolphus

152

Carter, Joseph Newington

86

Knight, Joseph

34, 104

Ciapelli, Giuseppi L

40

Lancaster, Percy

Continental School

57, 72

Tucker, John Wallace

197, 209 103 195, 200 114 94 38, 39 100 68

101

Tyler, Catherine

23, 59, 60 24, 55, 61

Lepine, Stanislas (Victor Edouard)

175

Tyler, Neil

Cooper, John

52

Lessore, Jules

140

Walker, Hirst

Curtis, David Jan

54

Lloyd, Thomas Ivester

109

Walker, John Dobby

203 135, 136, 137, 138, 139

D’Egville, James T Herve

141

Lloyd, Walter Stuart

Daines, Sherree Valentine

171

Lori

Dakgalawuy, Abraham

224

Maguire, Helena

165

Ward, James

De Castellane, Delphine

218

Manners, William

102

Warman, Oliver

27

142

Watson, James

196

De Crespigny, Rose Champion Di Nyama, George Lilanga Dixon, Charles Edward Dutch School

44 42

69, 71, 73, 105, 107, 128, 151, 157, 160, 161 162, 163, 169

Enness, Augustus William Evans, Bernard Walter Fall, George

223 164

Emanuel, Frank Lewis English School

43

122, 145 97 143

98 37

Marny, Paul Mason, Frank Henry

45, 46, 210

Mayor, William (Fred) Frederick McIntyre, Robert Finlay Micklethwaite, Don Miller, James Modern British Morland, George Mostyn, Thomas Edwin Paice, George

201

Walmsley, James Ulric

Watson, Ross Weatherill, George

70 53 47, 48, 49 214, 220 78 125 110, 111

White, Arthur

207, 208 76

173 87, 88, 89, 90, 91, 92, 93 146

Wilde, Matt

118

Wilson, S H

156

Wiltshire, Stephen

181

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The Summer Art Sale Friday 17th June 2022 at 11am

193 Rowland Henry Hill (Staithes Group 1873-1952): The Summer Harvest Field near Ellerby with Children in the foreground, watercolour signed and dated 1927, 23.5cm x 32.5cm DDS - Artist’s resale rights may apply to this lot

£500 - 700

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William Burns (British 1923-2010) Lots 1-22: A studio sale direct from the artist's family.

Born in Sheffield in 1923, William Burns RIBA FSAI FRSA studied at the Sheffield College of Art, before the outbreak of the Second World War during which he helped illustrate the official War Diaries for the North Africa Campaign, and was elected a member of the Armed Forces Art Society. On his return to England, he studied architecture at Sheffield University and later ran his own successful practice, being a member of the Royal Institute of British Architects. However, painting had always been his self-confessed 'first love', and in the 1970s he gave up architecture to become a full-time artist, having his first one-man exhibition in 1979.

1 William Burns (British 1923-2010): ‘Bright Day’ Bridlington Beach, oil on board signed, titled verso 49cm x 70cm £400 - 600

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All lots subject to Buyer’s Premium of 25.2% inclusive of VAT @ 20%. For Droit De Suite (DDS) charges, see Terms of Sale clause 18 on page 82

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2 William Burns (British 1923-2010): ‘Rock Pools Scarborough’, oil on canvas signed, titled verso 50cm x 60cm; exh. Campbell’s of Walton Street, London £300 - 500

3 William Burns (British 1923-2010): ‘Beach Games’ South Beach Filey, oil on board signed, titled verso 29cm x 40cm £150 - 250

www.davidduggleby.com

4 William Burns (British 1923-2010): ‘Busy Beach Scarborough’, oil on board signed 41cm x 57cm (unframed) £150 - 250

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5 William Burns (British 1923-2010): ‘Beach Scene - Late Afternoon Scarborough’, oil on board signed, titled verso 20cm x 25cm (unframed) £100 - 200

6 William Burns (British 1923-2010): ‘Late Afternoon Ride Bridlington’, oil on board signed, titled verso 18cm x 23cm (unframed) £100 - 200

7 William Burns (British 1923-2010): ‘The Paddlers Scarborough’, oil on board signed, titled verso 18cm x 23cm (unframed) £100 - 200

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8 William Burns (British 1923-2010): ‘Rockpooling’ Scarborough, oil on canvas laid on to board unsigned, titled verso 16cm x 15.5cm £100 - 200

9 William Burns (British 1923-2010): ‘The Rock Pool Scarborough’, oil on board signed, titled verso 16cm x 22cm (unframed) £100 - 200

10 William Burns (British 1923-2010): ‘The Old Mill Ravenscar N Yorks’, oil on board signed, titled verso 16cm x 20cm (unframed) £100 - 200

All lots subject to Buyer’s Premium of 25.2% inclusive of VAT @ 20%. For Droit De Suite (DDS) charges, see Terms of Sale clause 18 on page 82

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11 William Burns (British 1923-2010): ‘Family Picnic Scarborough’, oil on canvas laid on board unsigned, titled verso 25cm x 35cm (unframed) £100 - 200

12 William Burns (British 1923-2010): ‘Brancaster Staithe North Norfolk’, oil on board signed, titled verso 18cm x 23cm (unframed) £100 - 200

13 William Burns (British 1923-2010): ‘The Anvil Cloud - A Norfolk Village’, oil on board signed 32cm x 48cm (unframed) £100 - 200 www.davidduggleby.com

14 William Burns (British 1923-2010): ‘A Sunday Stroll’, oil on board signed and dated ‘82, 40cm x 61cm (unframed) £100 - 200

15 William Burns (British 1923-2010): ‘A Street Cafe Montmartre’, oil on board signed, titled verso 25cm x 34cm (unframed) £100 - 200

16 William Burns (British 1923-2010): ‘A Fair Wind’ Hornsea Mere, oil on board signed, titled verso 39cm x 59cm £200 - 400

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17 William Burns (British 1923-2010): ‘Quiet Waters’, oil on board signed 26cm x 33cm £150 - 250

20 William Burns (British 1923-2010): ‘Boats by the Sea’, oil on board signed, titled verso 18cm x 23cmcm (unframed) £100 - 200

18 William Burns (British 1923-2010): ‘Pin Mill Suffolk - High Water’, oil on board signed, titled verso 20cm x 25cm (unframed) £100 - 200

21 William Burns (British 1923-2010): ‘Burnham Overy Staithe North Norfolk’, oil on board signed, titled verso 18cm x 23cm (unframed) £100 - 200

19 William Burns (British 1923-2010): ‘Low Water Southwold Harbour’, oil on board signed, titled verso 18cm x 23cm (unframed) £100 - 200

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22 William Burns (British 1923-2010): ‘Sea and Rocks near Minehead Somerset Coast’, oil on canvas signed, titled verso 25cm x 34cm (unframed); exh. Walker Galleries Harrogate, No.19 label verso £200 - 300

All lots subject to Buyer’s Premium of 25.2% inclusive of VAT @ 20%. For Droit De Suite (DDS) charges, see Terms of Sale clause 18 on page 82

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23 Catherine Tyler (British 1949-): ‘Staithes Cliffs’, oil on canvas signed, titled verso 50cm x 60cm £300 - 400

24 Neil Tyler (British 1945-): ‘Flamborough Head North Landing’, oil on board signed, titled verso 49cm x 60cm £200 - 400

25 Walter Goodin (British 1907-1992): Cobles at North Landing Flamborough, oil on board signed and dated 1986, 55cm x 75cm DDS - Artist’s resale rights may apply to this lot

£700 - 1000

www.davidduggleby.com

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26 Walter Goodin (British 1907-1992): Bridlington Sands looking towards the Town and Flamborough Head, oil on board signed 49cm x 89cm DDS - Artist’s resale rights may apply to this lot

£500 - 700

27 Oliver Warman RBA ROI (British 1932-2017): ‘Evening’ Winter Landscape, oil on board, signed and titled verso 23cm x 29cm DDS - Artist’s resale rights may apply to this lot

£120 - 180

28 Robert Jones (British 1943-): ‘Kings Mill in the Snow - Shipley West Sussex’, oil on canvas signed and dated ‘89, titled signed and dated verso 49cm x 59cm DDS - Artist’s resale rights may apply to this lot

£200 - 400

29 Barry E Carter (Northern British Contemporary): ‘Staithes Rooftops’, oil on canvas signed, titled verso on artist’s address label 45cm x 60cm DDS - Artist’s resale rights may apply to this lot

£250 - 350

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All lots subject to Buyer’s Premium of 25.2% inclusive of VAT @ 20%. For Droit De Suite (DDS) charges, see Terms of Sale clause 18 on page 82

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30 Robert Leslie Howey (British 1900-1981): Fishing Cobles in Staithes Beck, watercolour heightened in white signed 37cm x 44cm DDS - Artist’s resale rights may apply to this lot

£400 - 600

31 Robert Leslie Howey (British 1900-1981): Fishing Cobles by the Quayside Early Morning, watercolour heightened in white signed 46cm x 56cm DDS - Artist’s resale rights may apply to this lot

£500 - 700 www.davidduggleby.com

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32 Robert Leslie Howey (British 1900-1981): Whitby from Upgang Beach, watercolour heightened in white signed 47cm x 56cm DDS - Artist’s resale rights may apply to this lot

£500 - 700

33 Robert Leslie Howey (British 1900-1981): ‘Eskdale Cumbria’, watercolour heightened in white signed 22cm x 27cm

34 Joseph Knight (British 1837-1909): ‘Mountains of Wales’, oil on panel, old title label with attribution verso 29cm x 39cm £200 - 300

DDS - Artist’s resale rights may apply to this lot

£200 - 300

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All lots subject to Buyer’s Premium of 25.2% inclusive of VAT @ 20%. For Droit De Suite (DDS) charges, see Terms of Sale clause 18 on page 82

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35 Claude Rameau (French 1876-1955): ‘Bord de Loire Pouilly’, oil on board signed, titled verso 23cm x 32cm DDS - Artist’s resale rights may apply to this lot

£200 - 300

36 Clemens Prüssen (German 1888-1966): Winter Landscape in the Eifel near Daun, oil on board signed 25cm x 30cm DDS - Artist’s resale rights may apply to this lot

£120 - 180

37 Lori (Italian 20th century): ‘Mareggiata’ on a Rocky Coastline, oil on board signed, titled on exhibition label verso 23cm x 29cm £120 - 180 www.davidduggleby.com

38 Manuel Tejero (Spanish 19th/20th century): Fishing Boats at Sunset with Campfire on the Shoreline, oil on canvas signed and dated 1937, 65cm x 85cm (unframed) £200 - 400

39 Manuel Tejero (Spanish 19th/20th century): Figures and Boats in a Rocky Cove, oil on canvas signed and dated ‘Pasajes 1935’, 65cm x 85cm (unframed) £200 - 400

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40 Giuseppi L Ciapelli (Exh.1884-1889): Cornish Fishing Boats - Early Morning, oil on canvas signed, inscribed on stretcher 20cm x 40cm Provenance: listed as living at The Lizard Cornwall in 1884 £200 - 400

43 Rose Champion de Crespigny (British 1860-1935): River Thames and Tower Bridge, watercolour signed 28cm x 48cm £200 - 400

41 R H Sangster (Late 19th century): Cornish Fishing Boats Setting out to Sea, oil on board signed and dated ‘95, 18cm x 29cm £120 - 180

42 Frank Lewis Emanuel (British 1866-1948): Fishing Boats in the Harbour Concarneau, oil on canvas signed 26cm x 40cm £150 - 250

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44 Charles Edward Dixon (British 1872-1934): The Upper Pool of London, watercolour signed and dated ‘92, 27cm x 19cm £700 - 1000

All lots subject to Buyer’s Premium of 25.2% inclusive of VAT @ 20%. For Droit De Suite (DDS) charges, see Terms of Sale clause 18 on page 82

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45 Frank Henry Mason (Staithes Group 1875-1965): ‘The Pool of London’, watercolour signed 23cm x 46cm DDS - Artist’s resale rights may apply to this lot

£1000 - 1500

46 Frank Henry Mason (Staithes Group 1875-1965): ‘The Disperse 1918’, dry point etching signed in pencil, limited edition of 100 Fine Art Trade Guild No.1, 12cm x 24cm DDS - Artist’s resale rights may apply to this lot

£120 - 180

www.davidduggleby.com

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47 James Miller (British 1962-): Big Class Yachts ‘Tuiga and Mariquita duelling on the Solent - The Westward Cup 2010’, oil on canvas signed, titled verso 59cm x 89cm £600 - 800

48 James Miller (British 1962-): Big Class Yachts ‘Downwind towards the mark Tuiga and Mariquita The Westward Cup 2010’, oil on canvas signed, titled verso 49cm x 74cm £400 - 600

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All lots subject to Buyer’s Premium of 25.2% inclusive of VAT @ 20%. For Droit De Suite (DDS) charges, see Terms of Sale clause 18 on page 82

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49 James Miller (British 1962-): Big Class Yachts ‘Mariette and Eleonora - The Westward Cup 2010’, oil on canvas signed, titled verso 33cm x 43cm £200 - 400

50 George Heiron (British 1929-2001): ‘USS Missouri with HMS Edinburgh at Full Steam’ First Gulf War, oil on canvas signed and dated Aug. 1991, 49cm x 75cm DDS - Artist’s resale rights may apply to this lot

£200 - 400

51 Ivan Berryman (British 1958-): Naval Ship’s Portrait of a Dido-Class Cruiser, oil on canvas signed 39cm x 59cm Provenance: with Bosleys Military Auctioneers Marlow 1st Sept. 2010 Lot 742 DDS - Artist’s resale rights may apply to this lot

£200 - 400

52 John Cooper (British 1942-): Ship’s Portrait - HM Submarine ‘Thorn’, watercolour and gouache signed 53cm x 73cm Notes: Thorn was a ‘T’ Class boat built in 1941, sunk in 1942

by Italian Destroyer escort ‘Pegaso’.

DDS - Artist’s resale rights may apply to this lot

£300 - 500 52 www.davidduggleby.com

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53 Don Micklethwaite (British 1936-): ‘Eastleigh Locomotive Engine Works’, oil on canvas board signed 41cm x 60cm £200 - 400

54 David Jan Curtis (British 1948-): ‘Eric’s Barn Fenwick’, oil on canvas signed 24cm x 29cm Provenance: Royal Academy, Summer Exhibition 1986, label verso DDS - Artist’s resale rights may apply to this lot

£200 - 400

55 Neil Tyler (British 1945-): ‘The Kitchen Floor’ Still life of Vegetables, oil on board signed and dated ‘89, 80cm x 60cm £300 - 400

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All lots subject to Buyer’s Premium of 25.2% inclusive of VAT @ 20%. For Droit De Suite (DDS) charges, see Terms of Sale clause 18 on page 82

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56 Peter J Bailey (British 1951-): Still Life of Fruit and a Copper Pan, oil on canvas unsigned, signed with monogram and inscribed ‘To Ken’ on the frame verso 30cm x 40cm DDS - Artist’s resale rights may apply to this lot

£200 - 400

57 Continental School (Mid 20th century): Still Life of Fruit Vegetables and a Wine Bottle, oil on board unsigned 49cm x 60cm £150 - 250

58 Josephine Graham (Scottish 1930-): ‘Lobsters and Crayfish’, oil on canvas signed, titled verso 60cm x 64cm Provenance: private collection; with The Contemporary Fine Art Gallery, High Street, Eton, Berkshire, label verso DDS - Artist’s resale rights may apply to this lot

£200 - 400 www.davidduggleby.com

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59 Catherine Tyler (British 1949-): ‘Hollyhocks’, oil on board signed and dated ‘94, titled on Chelsea Art Society exhibition label 60cm x 75cm £300 - 500

60 Catherine Tyler (British 1949-): ‘Red Hollyhocks’, oil on canvas signed and dated ‘01, titled verso 49cm x 39cm £200 - 300

61 Neil Tyler (British 1945-): ‘White Roses’ - Still Life, oil on board signed 41cm x 36cm £120 - 180

62 David Baumforth (British 1945-): ‘Jug of Wallflowers’, mixed media on handmade paper signed and dated 2000, inscribed verso 28cm x 18cm DDS - Artist’s resale rights may apply to this lot

£200 - 300

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All lots subject to Buyer’s Premium of 25.2% inclusive of VAT @ 20%. For Droit De Suite (DDS) charges, see Terms of Sale clause 18 on page 82

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63 David Baumforth (British 1945-): ‘Late Summer Evening above Robin Hood’s Bay from Stoupe Brow’, mixed media on handmade paper signed titled and dated 2004, 20cm x 57cm DDS - Artist’s resale rights may apply to this lot

£300 - 500

64 David Baumforth (British 1945-): ‘Moonlight Filey Bay’, mixed media on handmade paper signed, original title label verso 47cm x 70cm DDS - Artist’s resale rights may apply to this lot

£700 - 1000

www.davidduggleby.com

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65 Circle of Abraham Pether (1756-1812): Castle and Lake by Moonlight, oil on canvas unsigned 49cm x 60cm (unframed) £200 - 300

67 Abraham Pether (British 1756-1812): Figure with a Donkey in Wooded Countryside, oil on canvas signed 18cm x 23cm £200 - 400

68 John Wallace Tucker (British 1808-1869): Fisherfolk on the Shoreline and River Gorge with Ruined Castle, pair oils on panel unsigned 25cm x 30cm (2) £300 - 500

66 William E Jones (British fl.1849-1871): Lighthouse by Moonlight with Figures building a Bonfire on the Beach, oil on canvas signed 46cm x 41cm (unframed) £200 - 300

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69 English School (Mid 19th century): Figure by the Riverside, oil on panel unsigned 14cm x 22cm £120 - 180

All lots subject to Buyer’s Premium of 25.2% inclusive of VAT @ 20%. For Droit De Suite (DDS) charges, see Terms of Sale clause 18 on page 82

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70 Robert Finlay McIntyre (British c.1846-1906): Driving Sheep through Woodland, oil on canvas signed 60cm x 45cm £500 - 700

www.davidduggleby.com

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71 English School (19th Century): Country Church, oil on canvas unsigned 32cm x 46cm £200 - 300

72 Continental School (18th century): Riverside Buildings with Cattle Grazing, oil on canvas unsigned 25cm x 38cm £200 - 300

74 Thomas Girtin (British 1775-1802): ‘Melincourt Fall Vale of Neath’ near Swansea Wales, watercolour heightened in white unsigned 33cm x 23cm Provenance: from the collection of Terence G Phillips, Danesbury House, Neath, Glamorgan £300 - 500

73 English School (19th century): River Gorge ‘Allandale’ Northumberland, oil on panel unsigned, titled verso 27cm x 34cm £120 - 180

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75 Rev. James Bourne (British 1773-1854): ‘Neath Town’ near Swansea Wales, pencil and monochrome wash unsigned 12cm x 33cm Provenance: from the collection of Terence G Phillips, Danesbury House, Neath, Glamorgan £200 - 300

76 James Ward (British 1769-1859): ‘Neath (near Swansea) Wales’, pencil titled annotated and signed with initials 15.5cm x 34.5cm Provenance: from the collection of Terence G Phillips, Danesbury House, Neath, Glamorgan £300 - 500

77 Elizabeth Blaquiere (18th/19th century): ‘Neath Abbey’ near Swansea Wales, pen ink and monochrome wash titled 15.5cm x 10cm Provenance: from the collection of Terence G Phillips, Danesbury House, Neath, Glamorgan £100 - 150

www.davidduggleby.com

78 George Morland (British 1763-1804): Figures Outside a Country Church, pencil with washed border signed 18cm x 26cm £200 - 400

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Lots 79-86: Part of a large North Yorkshire single owner life time collection of H B & J N Carter watercolours

79 * Henry Barlow Carter (British 1804-1868): Scarborough Castle, pencil heightened in white signed 37cm x 26cm £120 - 180

80 * Henry Barlow Carter (British 1804-1868): Scarborough Castle, watercolour signed and dated 1851, 11cm x 16.5cm framed together with a similar coloured engraving pub. S W Theakston Provenance: bought by Gen. C C Graham in 1902 from W Brooks & Sons, Great Queen St. London, inscribed verso £150 - 250

81 * Henry Barlow Carter (British 1804-1868): Ship in Distress at the Castle Foot Scarborough, watercolour with scratching out signed with initials 21cm x 34cm £150 - 250

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82 * Henry Barlow Carter (British 1804-1868): Fishing Boat Returning to Staithes, watercolour with scratching out unsigned 17cm x 24cm Provenance: David Duggleby Ltd. 3rd September 2012 Lot 164; with Walker Galleries, Harrogate £200 - 400

83 * Henry Barlow Carter (British 1804-1868): Fisher Folk on the Beach at Robin Hood’s Bay, watercolour signed 17cm x 24cm £200 - 300

www.davidduggleby.com

84 * Henry Barlow Carter (British 1804-1868): Fisher Smack off the Castle Rock Scarborough, watercolour signed 17cm x 24cm £120 - 180

85 * Henry Barlow Carter (British 1804-1868): Fishing Boat on the Beach at Low Tide ‘Peel Castle Isle of Man’, watercolour signed, titled verso 12cm x 16.5cm Provenance: with Abbott & Holder, Museum St., London, label verso £120 - 180

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86 * Joseph Newington Carter (British 1835-1871): Staithes, watercolour signed 16cm x 23cm £120 - 180

87 George Weatherill (British 1810-1890): Whitby Harbour and the Old Bridge, watercolour highlighted with gouache unsigned 17.5cm x 27cm Provenance: private Whitby collection; with Whitby Galleries (later Walker Galleries Harrogate) £2500 - 3500

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88 George Weatherill (British 1810-1890): Figures on the Scauer Whitby, watercolour signed 11cm x 20cm £1000 - 1500

89 George Weatherill (British 1810-1890): The Battery Whitby with Figures in the Foreground, watercolour unsigned 9cm x 13cm Provenance: private Whitby collection; with Whitby Galleries (later Walker Galleries Harrogate) £700 - 1000

90 George Weatherill (British 1810-1890): The Great Storm Whitby Feb. 4th 1861 - Lifeboat returning from the rescue of shipwrecked crews, watercolour with scratching out signed 9cm x 14cm Provenance: private Whitby collection £400 - 600 www.davidduggleby.com

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91 George Weatherill (British 1810-1890): Shipping off the Yorkshire Coast, oval vignette watercolour signed in pencil 11.5cm x 17cm Provenance: private Whitby collection £300 - 500

92 George Weatherill (British 1810-1890): North Yorkshire Moorland Crossroads, watercolour signed 11cm x 20cm £700 - 1000

93 George Weatherill (British 1810-1890): The Road to Castleton on the North Yorkshire Moors, watercolour signed 18cm x 24cm Provenance: private Whitby Collection £500 - 700

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94 William Henry Stopford (Irish 1842-1890): ‘Natural Arch between the Cliffs at Flamborough Head’ with Children Fishing, watercolour signed, titled verso 33cm x 49cm £120 - 180

97 Bernard Walter Evans (British 1848-1922): ‘Near Cannock Chase’ Staffordshire, watercolour signed 47cm x 67cm £200 - 300

95 George Arthur Fripp (British 1813-1896): Landscape with Cattle Sheep and Figures, watercolour heightened in white signed and dated 1842, 55cm x 91cm £300 - 500

98 Walter Stuart Lloyd (British fl.1875-1929): Kilchurn Castle - Loch Awe Scotland, watercolour signed 49cm x 74cm £200 - 300

99 John Faulkner (British 1835-1894): ‘A Ferry on the Avon’, watercolour signed and titled 46cm x 97cm £300 - 500 96 Charles Frederick Buckley (British 1812-1869): Cattle Watering on the Riverside, watercolour signed 62cm x 80cm £300 - 500

www.davidduggleby.com

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100 Edward H Thompson (British 1879-1949): ‘June - Derwentwater and Causey Pike from Broomhill Point’, watercolour signed and dated 1922, titled on artist’s studio label verso 20cm x 30cm £200 - 400

103 Alexander Molyneux Stannard (British 1878-1975): Feeding the Chickens, watercolour signed 37cm x 62cm DDS - Artist’s resale rights may apply to this lot

£120 - 180

104 Joseph Knight (British 1837-1909): ‘Conway’ Heathland, oil on panel signed, titled verso 20cm x 37cm £120 - 180 101 Percy Lancaster (British 1878-1951): River Landscape, watercolour signed 22cm x 31cm £120 - 180

102 William Manners (British 1860-1930): Country Girls on a Wooded Track, watercolour signed 24cm x 43cm £200 - 300

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105 English School (19th/20th century): ‘Summertime Surrey’ & ‘On the Common Suffolk’, pair oils on mahogany panels unsigned, titled in pencil verso 12cm x 27cm (2) £120 - 180

All lots subject to Buyer’s Premium of 25.2% inclusive of VAT @ 20%. For Droit De Suite (DDS) charges, see Terms of Sale clause 18 on page 82

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106 Charles H Rogers (British exh.1903): Stacking a Hay Rick, watercolour signed and dated ‘04, 14cm x 18.5cm Provenance: listed as a landscape painter from Abbey Wood, Croydon Rd., Annerley exh. ‘The Chalk Pit Suffolk’ at the RA 1903 £120 - 180

108 Attrib. William Shayer (British 1787-1879): Logging Team, oil on canvas signed 29cm x 39cm £300 - 400

109 Thomas Ivester Lloyd (British 1832-1942): ‘The Brook’ - the Hunt clearing a Stream, watercolour signed, original titled mount verso 21cm x 34cm £250 - 350

107 English School (Early 20th century): Shorthorn Cattle Watering, oil on panel dated 1917 and indistinctly signed 36cm x 29cm £200 - 300

www.davidduggleby.com

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110 George Paice (British 1854-1925): ‘Merryman’ Portrait of a Hunter, oil on canvas signed titled and dated ‘11, 34cm x 44cm Provenance: private collection; with David Duggleby Ltd. 26th November 2012 painted for the previous vendor’s family £200 - 400

111 George Paice (British 1854-1925): ‘Michael Scott’ Portrait of a Hunter, oil on canvas signed titled and dated ‘11, 34cm x 44cm Provenance: private collection; with David Duggleby Ltd. 26th November 2012 Lot 47 painted for the previous vendor’s family £200 - 400

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112 Scottish School (18th century): Seated Rider with Horn, oil on oak panel unsigned 23cm x 19cm £120 - 180

113 William Greaves (British 1852-1938): Farmer’s Wife Feeding a Calf in Stable setting, oil on canvas signed 39cm x 59cm £300 - 500

114 James Stinton (British 1870-1961): Pheasants and Grouse in Winter Landscapes, pair watercolours heightened in white signed 28cm x 16.5cm (2) DDS - Artist’s resale rights may apply to this lot

£300 - 400

www.davidduggleby.com

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115 Pollyanna Pickering (British 1942-2018): Panda, oil on artist’s palette signed 42cm x 52cm DDS - Artist’s resale rights may apply to this lot

£350 - 450

116 Henry Charles ‘Hal’ Bevan-Petman (Scottish 1894-1980): Portrait of a Spaniel, oil on canvas signed and dated ‘52, 37cm x 29cm DDS - Artist’s resale rights may apply to this lot

£500 - 600

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117 Michael Scott (Scottish 1946-2006): ‘Afternoon Tea’, oil on canvas signed, titled and dated 1994 verso 75cm x 60cm Provenance: private collection; with The Contemporary Fine Art Gallery, High Street, Eton, Berkshire, Cat. No.16 label verso Notes: born in Aberdeenshire Scott studied Political Science at Liverpool before doing a one year’s teacher training course in Huddersfield. After moving to Glasgow, Scott took a full-time research post at Glasgow University followed by a lecturing post at the re-named Glasgow Caledonian University. By 1997 demand for his work had become so great that he had to resign his post at the University to paint full time. Awards Include The David Cargill Senior Award, Royal Glasgow Institute. Exhibitions Include 1988~John D Kelly Gallery, Glasgow: 1994~Roger Billcliffe Fine Art, Glasgow ~Contemporary Fine Art, Eton; 1995~Portland Gallery, London; 1997~Fosse Gallery, Stowe on Trent ~Contemporary Fine Art, Eton; 1998~Portland Gallery, London; 2001~Portland Gallery, London, 2004~Portland Gallery, London; 2010~A Memorial Exhibition, Roger Billcliffe, Glasgow DDS - Artist’s resale rights may apply to this lot

£2000 - 4000 www.davidduggleby.com

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£300 - 500

DDS - Artist’s resale rights may apply to this lot

118 Matt Wilde (Northern British 1970-): ‘Urb-Bliss’ Manchester, mixed media on canvas signed, titled and dated July 2006 verso 122cm x 183cm (unframed) Notes: Since graduating from Liverpool John Moores University with a degree in Fine Art in 1998, Matt Wilde has held solo exhibitions in London, Liverpool and Manchester. He draws inspiration from urban environments and the vibrancy of the towns and cities, concerned primarily with capturing the ‘immediacy’ of those surroundings that people become immersed in. His technique of applying the paint quickly to the canvas in a sketch-like manner lends itself to the fast-paced lifestyles of today’s society and there is humour and wit in the scenes, as well as moments of human isolation in the chaos of busy town life.

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All lots subject to Buyer’s Premium of 25.2% inclusive of VAT @ 20%. For Droit De Suite (DDS) charges, see Terms of Sale clause 18 on page 82

www.davidduggleby.com

£200 - 400

DDS - Artist’s resale rights may apply to this lot

119 Constance-Anne Parker (British 1921-2016): Re-building a City Crescent, oil on canvas unsigned 100cm x 59cm Provenance: direct from the artist’s family £300 - 500

DDS - Artist’s resale rights may apply to this lot

120 Godwin Bennett (British 1888-1960): Antique Shops - The Lanes Brighton, oil on canvas signed 36cm x 46cm

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121 David Russell Anderson RSW (Scottish 1884-1976): ‘A Farm near Paris’ oil on panel signed, old title label verso 26cm x 34cm Notes: Anderson studied in Glasgow before moving to Paris in 1905, where he studied at Ecole des Beaux Arts, Paris, there he was encouraged to paint in the French impressionist style DDS - Artist’s resale rights may apply to this lot

£200 - 300

122 Augustus William Enness (British 1876-1948): ‘Martiques’ France, oil on canvas laid on board unsigned, titled verso 37cm x 49cm Provenance: private collection; with David Duggleby Ltd. 9th June 2008, Lot 101 £400 - 600 123 Clifford Eric Martin Hall (British 1904-1973): ‘Cherry Walk’, oil on canvas, signed titled and dated ‘50 on stretcher 52cm x 42cm DDS - Artist’s resale rights may apply to this lot

£300 - 500

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124 Paul Emile Pissarro (French 1884-1972): Figures in an Orchard, pastel signed 24cm x 31cm DDS - Artist’s resale rights may apply to this lot

£1200 - 1800

125 Thomas (Tom) Edwin Mostyn ROI RWA RCA (British 1864-1930): Wooded Landscape, oil on board unsigned 24cm x 34cm £400 - 600

www.davidduggleby.com

126 Bruce Kendall (British Contemporary): ‘The Beech Wood’, oil on board signed, titled verso 50cm x 70cm £200 - 300

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127 Bruce Kendall (British Contemporary): ‘The Passing Storm’, oil on canvas signed, titled verso 44cm x 60cm £200 - 300

128 English School (19th/20th century): Fishing amongst the Lily Pads, oil on canvas unsigned 59cm x 90cm £200 - 300

129 William M Spittle RBA RBSA (British 1858-1917): ‘Vicarage Walk Sompting West Sussex’, impasto oil on panel signed, titled verso 70cm by 55cm. £500 - 700

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130 Bertram Priestman RA ROI NEAC (British 1868-1951): The Maid Marian Narrowboat on the Shipley Canal, oil on canvas signed and dated ‘99, 64cm x 84cm (unframed) £700 - 1000

131 George Graham (British 1881-1949): ‘On the Ure - September 1914’, watercolour signed and dated 1914, 46cm x 57cm Provenance: private collection; with McTague of Harrogate, label verso £300 - 500 www.davidduggleby.com

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132 George Graham (British 1881-1949): Workers in the Field, watercolour with gouache highlights signed and dated 1914, 30cm x 40cm £300 - 400

133 George Graham (British 1881-1949): Windmills in Holland, watercolour signed and dated 1913, 26cm x 34cm £200 - 400

135 John Dobby Walker (British 1863-1925): Brook House near Caton, watercolour signed 23cm x 30cm £120 - 180

134 George Graham (British 1881-1949): Barden Tower Wharfedale, watercolour signed and dated 1916, 42cm x 56cm £200 - 400

136 John Dobby Walker (British 1863-1925): The Mill Weir Richmond, watercolour signed 27.5cm x 37.5cm £120 - 180

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137 John Dobby Walker (British 1863-1925): ‘The Staunch St. Ives’ Cambridgeshire, watercolour signed 18cm x 27cm £120 - 180

138 John Dobby Walker (British 1863-1925): ‘Monte de Segaria Denia Spain’, watercolour signed and titled 18cm x 26.5cm £120 - 180

139 John Dobby Walker (British 1863-1925): The Grote Kerk Dordrecht Netherlands, watercolour signed 37cm x 27cm £120 - 180

140 Jules Lessore (French 1849-1892): Paris Canal looking towards Abbey St. Denis, watercolour signed and dated ‘73, 21cm x 31cm £200 - 300

www.davidduggleby.com

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141 James T Herve D’Egville (British 1806-1880): Working Gondola in a Side Canal Venice, watercolour signed with monogram and dated 1873, 27cm x 52cm £200 - 300

142 Paul Marny (French/British 1829-1914): Continental Town Market Day Scenes, two watercolours one signed 32cm x 48cm & 22cm x 41cm (2) £400 - 600

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143 George Fall (British 1845-1925): Lendal Bridge Tower York, watercolour signed 18cm x 23cm £200 - 300

144 Helen Allingham (British 1848-1926): ‘Awaiting the Return’ Lynmouth Devon, watercolour signed 20cm x 17cm Provenance: with Abbott and Holder, Museum Street, London; collection of Mrs Arthur Paterson, label verso £600 - 800

www.davidduggleby.com

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145 Augustus William Enness (British 1876-1948): Henrietta Street East Cliff Whitby and Driving Sheep on a North Yorks Moorland Track, pair oils on canvas one signed the other signed with initials 24cm x 34cm (2) £800 - 1200

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146 Arthur White (St. Ives Group 1865-1953): Whitby Harbour, oil on board signed 47cm x 36cm DDS - Artist’s resale rights may apply to this lot

147 H Bennett (British exh.1880): ‘Scarborough Fish Pontoon’, oil on panel signed, titled signed and dated August 1889, 26cm x 21cm £120 - 180

£300 - 500

148 Robert Ernest Roe (British 1852-c1921): Unloading on the Beach at Whitby, watercolour signed 17cm x 24cm £200 - 300

www.davidduggleby.com

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149 Robert Ernest Roe (British 1852-c1921): Paddle Steamer and Sailing Boats outside Scarborough Harbour, watercolour with scratching out signed 25cm x 37cm £200 - 300

150 William Daniel Penny (British 1834-1924): Whitby Harbour by Moonlight, oil on canvas signed and dated ‘99, 22cm x 32cm Notes: Penny was born in Caistor Lincolnshire but was listed in the Hull directories from 1869 as a Marine artist living in the City until the turn of the century when he became publican of the ‘Artist’s Rest’ in Cross St., Aldborough, East Yorkshire £300 - 500

151 English School (20th century): 18th century Men o’ War in Stormy Seas, oil on canvas unsigned 39cm x 50cm £120 - 180

152 Adolphus Knell (British 1860-1890): Sailing Vessels Close to Shore by Moonlight with Mooring Buoy in the foreground, oil on board signed 23cm x 38cm £300 - 500

153 Samuel Austin OWS (British 1796-1834): Fishing Port at Low Tide, watercolour signed and dated ‘22 on the hull of the boat 24cm x 43cm £300 - 500

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History & Memories including Hull & Yorkshire Lots 154 & 156 are part of the impressive lifetime collection featured in the upcoming auction, History & Memories including Hull & Yorkshire on Friday 24th June, which features even more interesting local maritime scenes.

154 William Griffin of Hull (British fl.1837-1883): ‘Whaling Ships Jane and Harmony off the Port of Hull with Holy Trinity Church in the distance’, oil on panel signed and indistinctly dated 1837 l.l., labelled verso with history of ships 50cm x 79cm.

Provenance: private collection purchased Christies 26th May 2004 Lot 603; with Colin Denny Ltd. Specialists in marine works of Art, Chelsea Green, London; probably painted to celebrate the end of the Jane’s whaling career and the survival of both vessels from the severe conditions of the 1836 season where the ‘Middleton’ was wrecked, the ‘Jane’ was known as a Bethel ship having frequent religious services on board conducted the mate/preacher Stephen Wilson. Illustrated in Marine Painting in Hull Through Three Centuries’ by Arthur Credland pub. Hull City Museums 1993, pp. 168 £2000 - 3000

www.davidduggleby.com

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155 Henry Redmore of Hull (British 1820-1887): Sailing Vessels in a Calm Estuary, oil on canvas signed and dated 1864, 29cm x 49cm £1200 - 1800

156 S H Wilson of Hull (British fl.1855-1880): ‘S S Queen Victoria’ in full steam and sail leaving the Port of Hull with Holy Trinity Church in the distance, watercolour signed 52cm x 77cm Notes: although little is known about the artist’s life, Wilson exhibited a depiction of H M S Monarch at the Royal Academy in 1870 and produced several important documentary pictures of Hull Shipping and the Port £400 - 600

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157 English School (Mid 19th century): ‘Capt. Mark Weighill of the Brig Aid of Whitby’ half length portrait holding a telescope, oil on canvas unsigned, original title label verso dated ‘Sept. 1844 aged 32’, 59cm x 46cm Notes: the 181 ton Brig ‘Aid’ was built by Pickersgill & Miller of Sunderland but not until 1856. The vessel was initially owned

by Gideon Smales of Whitby & later became owned by Isaac Seymour of Runswick near Whitby £400 - 600

158 Thomas Joseph Banks (British 1828-1896): Sea Captain and his Wife - half length portraits, pair oils on canvas signed and one dated 1860, 90cm x 70cm Notes: the ensign flying above the Captain’s head appears to read Endaunted but may refer to the famous ‘Undaunted’ which was broken up in 1860 £1200 - 1800 www.davidduggleby.com

159 David W Haddon (British fl.1884-1914): The Old Fisherman, oil on canvas signed 34cm x 24cm £300 - 500

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160 English School (Early 19th century): Husband and Wife, pair oval gouache half length portraits unsigned, family history verso 18cm x 14cm (2) £120 - 180

161 English School (18th century): Full length Portrait of a Lady in Blue Dress, oil on canvas unsigned 127cm x 102cm (unframed) £200 - 300

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162 English School (18th century): Half length Portrait of a Lady, oil on canvas unsigned 74cm x 61cm (unframed - no stretcher) £200 - 300

All lots subject to Buyer’s Premium of 25.2% inclusive of VAT @ 20%. For Droit De Suite (DDS) charges, see Terms of Sale clause 18 on page 82

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163 English School (17th/18th century): Half length Portrait of a Lady, oil on canvas unsigned 88cm x 71cm (unframed) £200 - 300

164 Dutch School (18th/19th century): Family Interior Scene, oil on canvas unsigned 55cm x 51cm £200 - 300

165 Helena Maguire (British 1860-1909): Girl at the Garden Gate with Two Dogs, watercolour signed 28cm x 21cm £200 - 300

166 John Dalzell Kenworthy ARCA (British 1858-1954): Young Girl Collecting Water, oil on canvas signed 35cm x 24cm DDS - Artist’s resale rights may apply to this lot

£500 - 700 www.davidduggleby.com

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167 Italian School (19th century): Girl Sewing, oil on canvas board indistinctly signed with monogram and dated ‘Capri ‘79’, 31cm x 23.5cm £200 - 300

169 English School (19th century): Bust Portrait of a Young Woman, oil on canvas unsigned 29cm x 24cm £120 - 180

168 Arthur Paine Garratt (British 1873-1955): Bust Portrait Study, oil on canvas signed and dated Gaslight Studio April 1898, further portrait verso 56cm x 41cm (unframed)

170 Paul Georges (USA 1923-2002): Portrait of a Seated Lady, oil on canvas signed 55cm x 45cm

DDS - Artist’s resale rights may apply to this lot

£700 - 900

DDS - Artist’s resale rights may apply to this lot

£200 - 300

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171 Sherree Valentine Daines (British 1959-): The Dancers, mixed media signed with initials 29cm x 19.5cm DDS - Artist’s resale rights may apply to this lot

£200 - 300

172 Thomas Francis Barrett AMC FRSA (British 20th century): ‘Faith’, oil on canvas signed and dated 1966, titled verso with artist’s addresses 106cm x 71cm in Pre-Raphaelite style hand-tooled gilt gesso frame Provenance: Royal Academy Exhibition 1968, label verso DDS - Artist’s resale rights may apply to this lot

£300 - 500

173 Ross Watson (Australian 1962-): Soldier’s Contemplation on the Cliff Top, acrylic on board signed 44cm x 51cm DDS - Artist’s resale rights may apply to this lot

£500 - 700 www.davidduggleby.com

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174 Gerard Bhengu (South African 1910-1990): Portrait of a Smiling Man, watercolour signed 30cm x 23cm DDS - Artist’s resale rights may apply to this lot

£300 - 400

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175 Stanislas (Victor Edouard) Lepine (1835-1892): Bust Portrait Studies of a Lady and Gentleman, pencil with artist’s studio stamp 24cm x 16cm £150 - 250

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176 Anne Isabella Brooke (British 1916-2002): Female Nude Life Study, pencil signed and dated July 11th, 48cm x 33cm Notes: painter and teacher born at South Crosland, Yorkshire principally known for her landscape oils. She attended Chelsea School of Art 1937-39, Huddersfield School of Art 1939-41 and London University. Lived in Harrogate DDS - Artist’s resale rights may apply to this lot

£200 - 300

All lots subject to Buyer’s Premium of 25.2% inclusive of VAT @ 20%. For Droit De Suite (DDS) charges, see Terms of Sale clause 18 on page 82

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177 Anne Isabella Brooke (British 1916-2002): Female Nude Life Study, pen and ink dated 5th Feb. ‘94, 49cm x 36cm Notes: painter and teacher born at South Crosland, Yorkshire principally known for her landscape oils. She attended Chelsea School of Art 1937-39, Huddersfield School of Art 1939-41 and London University. Lived in Harrogate DDS - Artist’s resale rights may apply to this lot

£200 - 300

178 Anne Isabella Brooke (British 1916-2002): Female Nude Life Study, pencil dated April 22nd ‘77, 35cm x 20cm Notes: painter and teacher born at South Crosland, Yorkshire principally known for her landscape oils. She attended Chelsea School of Art 1937-39, Huddersfield School of Art 1939-41 and London University. Lived in Harrogate DDS - Artist’s resale rights may apply to this lot

£200 - 300

www.davidduggleby.com

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179 Emmanuel Gondouin (French 1883-1934): Study of a Horse, pencil with artist’s studio stamp 24cm x 32cm £200 - 300

180 H St. Pierre Bunbury (British c.1883-1916): ‘Street Performance’, pen and ink signed with initials and dated 1902, 19cm x 28cm £120 - 180

181 Stephen Wiltshire (British 1974-): ‘Sacre Coeur’ Paris, pen and ink sketch signed titled and dated October 1988, personalised dedication verso 29cm x 19cm Notes: Wiltshire is a renowned autistic savant who can produce detailed architectural drawings from memory after viewing a scene just once. He has been compared to the character of Raymond Babbitt in the 1988 film Rain Man, which the artist considers one of his favourite films; coincidentally, the present picture was drawn by Stephen in the same year, when he was aged just fourteen. The following year, he appeared on the cover of You magazine with actor Dustin Hoffman, who portrayed Babbitt. In 2006, he was awarded an MBE and opened a permanent gallery on the Royal Opera Arcade in London.

DDS - Artist’s resale rights may apply to this lot

£200 - 300

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All lots subject to Buyer’s Premium of 25.2% inclusive of VAT @ 20%. For Droit De Suite (DDS) charges, see Terms of Sale clause 18 on page 82

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182 Ernest Higgins Rigg (Staithes Group 1868-1947): Winter View from the Artist’s Garden at Low Row Swaledale, oil on canvas unsigned 28cm x 38cm Provenance: private collection; with Simon Wood, Brockfield Hall York; direct from the artist’s family £500 - 800

183 Ernest Higgins Rigg (Staithes Group 1868-1947): Evening Summer View from the Artist’s Garden at Low Row Swaledale, oil on canvas unsigned 23cm x 36cm Provenance: private collection; with Simon Wood, Brockfield Hall York; direct from the artist’s family £500 - 800

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184 Ernest Higgins Rigg (Staithes Group 1868-1947): Evening Sunset, oil on canvas signed 30cm x 46cm Provenance: private collection; with Simon Wood, Brockfield Hall York; direct from the artist’s family £400 - 600

185 Frederic William Jackson (Staithes Group 1859-1918): Cattle Grazing, oil on board signed with initials 28cm x 34cm £500 - 700

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All lots subject to Buyer’s Premium of 25.2% inclusive of VAT @ 20%. For Droit De Suite (DDS) charges, see Terms of Sale clause 18 on page 82

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186 John Atkinson (Staithes Group 1863-1924): ‘The Late Foal’, watercolour signed and dated 1901, 30cm x 44cm £300 - 500

187 John Atkinson (Staithes Group 1863-1924): Working Horses and Girls in the Field, watercolour signed 28cm x 36cm £400 - 600

188 John Atkinson (Staithes Group 1863-1924): Girls Working in the Field, watercolour heightened in white signed 28cm x 36cm £300 - 500

189 John Atkinson (Staithes Group 1863-1924): Horses in Stable Stalls, watercolour signed and dated 1896, 23cm x 37cm £500 - 700

190 John Atkinson (Staithes Group 1863-1924): Study of Mounted Huntsmen, watercolour postcard signed, inscribed ‘With all good wishes for the New Year from Mr & Mrs J Atkinson 1911’ beneath the mount 7.5cm x 11.5cm £120 - 180

191 Rowland Henry Hill (Staithes Group 1873-1952): The Meet of the Goathland Hounds at Lythe, watercolour and gouache signed and dated 1932, 26.5cm x 35cm Notes: this is a very similar work to Lot 113 25th March 2022 which was titled DDS - Artist’s resale rights may apply to this lot

£300 - 500 www.davidduggleby.com

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192 Rowland Henry Hill (Staithes Group 1873-1952): Horse Drawn Carts on North Yorkshire Moorland Tracks, pair watercolours signed and dated 1930, 27cm x 38cm (2) DDS - Artist’s resale rights may apply to this lot

£800 - 1200

193 Rowland Henry Hill (Staithes Group 1873-1952): The Summer Harvest Field near Ellerby with Children in the foreground, watercolour signed and dated 1927, 23.5cm x 32.5cm DDS - Artist’s resale rights may apply to this lot

£500 - 700

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All lots subject to Buyer’s Premium of 25.2% inclusive of VAT @ 20%. For Droit De Suite (DDS) charges, see Terms of Sale clause 18 on page 82

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194 Edwin Bagshaw (British exh.1891-1927): Wash Day above Runswick Bay, watercolour signed and dated 1903, 30cm x 48cm Notes: a much larger oil of the same view by Bagshaw was sold in these rooms 09/06/2014 Lot 12 £200 - 400

196 James Watson (Staithes Group 1851-1936): Largo Cottage Runswick Bay, oil on canvas unsigned 68cm x 51cm £300 - 500

195 Albert George Stevens (Staithes Group 1863-1925): Arguments Yard Whitby, watercolour signed 35cm x 25cm £200 - 400 197 Staithes Group (19th/20th century): Runswick Bay, oil on canvas unsigned 60cm x 45cm £200 - 300 www.davidduggleby.com

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198 Robert Jobling (Staithes Group 1841-1923): ‘Going Out on the Tide - The Beck Staithes’, oil on canvas signed, titled on canvas with artist’s address verso, also with Laing Art Gallery Newcastle exhibition labels 90cm x 70cm £3000 - 5000

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All lots subject to Buyer’s Premium of 25.2% inclusive of VAT @ 20%. For Droit De Suite (DDS) charges, see Terms of Sale clause 18 on page 82

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199 John Atkinson (Staithes Group 1863-1924): ‘Wet Day - North Shields Fish Quay’, oil on panel signed, titled signed and dated 1907 verso 25cm x 34cm £400 - 600

200 Albert George Stevens (Staithes Group 1863-1925): Fishing Boats in Dock End Whitby Harbour, watercolour signed 24cm x 35cm £500 - 700

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201 William (Fred) Frederick Mayor (Staithes Group 1866-1916): Fishing Boats on the Shoreline, watercolour unsigned, inscribed verso 26cm x 36cm £200 - 300

202 Joseph Richard Bagshawe (Staithes Group 1870-1909): ‘North Wind’, watercolour signed 15cm x 21cm Provenance: private Whitby collection; with Walker Galleries, Harrogate £120 - 180

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203 Hirst Walker (Staithes Group 1868-1957): ‘The Hills of Gay Gordon’, watercolour signed 52cm x 74cm Provenance: from the estate of Ian Hirst Walker, the artist’s great nephew. £200 - 400

204 Paul Paul (Staithes Group 1865-1937): Castle with Cattle Grazing by the River, oil on mahogany panel signed, artist’s studio stamp verso 22cm x 30cm Provenance: from the artist’s studio collection. £150 - 250

All lots subject to Buyer’s Premium of 25.2% inclusive of VAT @ 20%. For Droit De Suite (DDS) charges, see Terms of Sale clause 18 on page 82

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205 Paul Paul (Staithes Group 1865-1937): Feeding Chickens outside a Cottage, oil on board signed 24cm x 42cm Provenance: from the artist’s studio collection. £200 - 400

207 James Ulric Walmsley (British 1860-1954): The Landing and Seawall Robin Hoods Bay, oil on canvas laid on board signed 25cm x 34cm DDS - Artist’s resale rights may apply to this lot

£300 - 400

208 James Ulric Walmsley (British 1860-1954): Moorland above Robin Hoods Bay, oil on board signed 25cm x 35cm DDS - Artist’s resale rights may apply to this lot

206 Owen Bowen (Staithes Group 1873-1967): New Road Robin Hood’s Bay, oil sketch on canvas board unsigned 34cm x 29cm

£120 - 180

DDS - Artist’s resale rights may apply to this lot

£200 - 300

www.davidduggleby.com

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209 Staithes Group (Early 20th Century): Wooded Landscapes, double sided oil on board unsigned 24cm x 33cm £120 - 180.

210 Frank Henry Mason (Staithes Group 1875-1965): Sailing Boats off the Coast, watercolour signed and dated ‘02, 23cm x 34cm DDS - Artist’s resale rights may apply to this lot

£200 - 400

211 Henry Silkstone Hopwood RSW RBC (Staithes Group 1860-1914): Figures in a North African Passageway, watercolour signed and dated 1906, 27cm x 21cm £200 - 300

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All lots subject to Buyer’s Premium of 25.2% inclusive of VAT @ 20%. For Droit De Suite (DDS) charges, see Terms of Sale clause 18 on page 82

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212 Frederick Arthur Bridgman (USA 1847-1928): ‘Four Colossal Statues of Ramesses II’, graphite and watercolour heightened in white annotated and dated 10th Feb.1874 authenticated with 1954 studio stamp 9.5cm x 15cm Provenance: with Agnew’s, Old Bond St., London, Stock No. DB5678, label verso £700 - 1000

213 Jacqueline Rizvi NEAC (British 1944-): ‘Study for a Three-Fold Screen, Leaves to Birds’, watercolour and bodycolour on cream toned paper signed with initials and dated ‘05, 27cm x 42cm Provenance: exh. Alpha House Gallery, Sherborne, Dorset; with The New Academy of Arts Gallery, London, labels verso

214 Modern British (Mid 20th century): ‘Design for Student’s Common Room 1946’, gouache unsigned, titled and dated 1946 verso 19cm x 33cm £200 - 400

DDS - Artist’s resale rights may apply to this lot

£120 - 180

www.davidduggleby.com

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217 Richard Pottas (Northern British Contemporary): ‘A Study in Green’, watercolour signed and dated ‘95, 51cm x 66cm DDS - Artist’s resale rights may apply to this lot

£120 - 180

215 Al Hesso (Swedish Contemporary): The Stairway Gamla Stan, oil on canvas signed, titled and dated 2010 verso 40cm x 32cm £150 - 250

216 Lucien Genin (French 1894-1958): Banks of the Seine, watercolour and gouache signed 15cm x 16cm

218 Delphine de Castellane (French 1962-): Cattle Grazing, watercolour signed with initials, numbered S26 and dated 2006 verso 22cm x 28cm Notes: Delphine born in Uccle and grew up in Brussels and Provence. Her father, a descendant of the Toulouse-Lautrec family, painted, and Delphine often drew as a child, later going to art school in Brussels. She married and moved to Scotland in 1995, most of her work is painted directly en plein air or from her car

DDS - Artist’s resale rights may apply to this lot

DDS - Artist’s resale rights may apply to this lot

£200 - 400

£120 - 180

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All lots subject to Buyer’s Premium of 25.2% inclusive of VAT @ 20%. For Droit De Suite (DDS) charges, see Terms of Sale clause 18 on page 82

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220 Modern British (Mid 20th century): House in Landscape, watercolour mixed media unsigned 26cm x 43cm £200 - 300 219 Connie Simmers (Scottish 1941-): ‘The Grass is Always Greener on the Other Side of the Fence’, oil on board signed, titled and dated 1988 verso 34cm x 36cm Provenance: with Flying Colours Gallery, Edinburgh, exhibition label verso DDS - Artist’s resale rights may apply to this lot

£200 - 300

221 Adrian Heath (British 1920-1992): Untitled Abstract, oil on canvas board signed, initialled and dated ‘61 verso 19cm x 29cm DDS - Artist’s resale rights may apply to this lot

£1200 - 1800

www.davidduggleby.com

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222 Attrib. John Banting (British 1902-1972): Vase and Plant, oil over pencil on canvas signed with initials 24cm x 34cm £200 - 400 223 George Lilanga di Nyama (Tanzanian 1934-2005): ‘Njoo Tutwange Maindi’, oil on board signed, dated 1999 verso with authentication certificate 61cm x 61cm £300 - 500

224 Abraham Dakgalawuy (Arnhem Land Australia 1975-): Aboriginal Abstract Kangaroo, gouache, with polaroid of the artist holding the work verso 35cm x 54cm Notes: Abraham is the son of the eminent Aboriginal artist Lofty Bardayal Nadjamerrek (1926-2009) DDS - Artist’s resale rights may apply to this lot

£200 - 400

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All lots subject to Buyer’s Premium of 25.2% inclusive of VAT @ 20%. For Droit De Suite (DDS) charges, see Terms of Sale clause 18 on page 82

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TERMS OF SALE be the Buyer at the Hammer Price. Any dispute about a bid will be settled at our discretion. We may reoffer the Lot during the auction or may settle the dispute in another way. We will act reasonably when deciding how to settle the dispute.

Both the sale of goods at our auctions and your relationship with us are governed by the Terms of Consignment (primarily applicable to sellers) the Terms of Sale (primarily applicable to bidders and buyers) and any notices displayed in the saleroom or announced by us at the auction (collectively, the “Conditions of Business”). The Terms of Consignment and Terms of Sale are available at our saleroom on request.

payable by a defaulting buyer under these Terms of Sale;

Please read these Terms of Sale carefully.

Please note that if you register to bid and/or bid at auction this signifies that you agree to and will comply with these Terms of Sale.

“Website”means our website available at https://www.davidduggleby.com

3.6 We may bid on Lots on behalf of the Seller up to one bid below the Reserve.

In these Terms of Sale the words ‘you’, ‘yours’, etc. refer to you as the Buyer.

The words “we”, “us”, etc. refer to the Auctioneer. Any reference to a ‘Clause’ is to a clause of these Terms of Sale unless stated otherwise.

3.7 We may refuse to accept any bid if it is reasonable for us to do so.

Please note that these Terms of Sale relate to auctions held at our premises only. We have separate terms for online only auctions.

“Trader”means a Seller who is acting for purposes relating to that Seller’s trade, business, craft or profession, whether acting personally or through another person acting in the trader’s name or on the trader’s behalf; “VAT”means Value Added Tax or any equivalent sales tax; and

3.5 Bidders will be deemed to act as principals, even if the Bidder is acting as an agent for a third party.

3.8 Bidding increments will be at our sole discretion (but will be in line with standard auction practice).

1 DEFINITIONS AND INTERPRETATION

2 INFORMATION THAT WE ARE REQUIRED TO GIVE TO CONSUMERS

1.1 To make these Terms of Sale easier to read, we have given the following words a specific meaning:

2.1 A description of the main characteristics of each Lot as contained in the auction catalogue.

“Auctioneer”means David Duggleby Auctioneers and Valuers, a partnership or company registered in England and Wales with registration number 4434386 and whose registered office is located at The Saleroom, Vine Street, Scarborough, North Yorkshire, YO11 1XN or its authorised auctioneer, as appropriate;

2.2 Our name, address and contact details as set out herein, in our auction catalogues and/or on our Website.

b. a premium of 21% of the Hammer Price;

2.3 The price of the Goods and arrangements for payment as described in Clauses 4, 5, 7 and 8.

c. any internet premiums payable on the sale of the Lot;

2.4 The arrangements for collection of the Goods as set out in Clauses 8 and 9.

“Bidder” means a person participating in bidding at the auction;

d. any artist’s resale right royalty payable on the sale of the Lot; and

2.5 Your right to return a Lot and receive a refund if the Lot is a Deliberate Forgery as set out in Clause 13.

e. any VAT due.

“Buyer”means the person who makes the highest bid for a Lot accepted by the Auctioneer; “Deliberate Forgery” means: (a) an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source; (b) which is described in the catalogue as being the work of a particular creator without qualification; and (c) which at the date of the auction had a value materially less than it would have had if it had been as described; “Hammer Price” means the level of the highest bid for a Lot accepted by the Auctioneer by the fall of the hammer; “Lot(s)” means the goods that we offer for sale at our auctions; “Premium”means the premium that we will charge you on your purchase of a Lot to be calculated as set out in Clause 4; “Reserve”means the minimum hammer price at which a Lot may be sold; “Sale Proceeds”means the net amount due to the Seller; “Seller”means the persons who consign Lots for sale at our auctions; “Terms of Consignment” means the terms on which we agree to offer Lots for sale in our auctions as agent on behalf of Sellers; “Terms of Sale” means these terms of sale, as amended or updated from time to time; “Total Amount Due” means the Hammer Price for a Lot, the Premium, any applicable artist’s resale right royalty, any VAT due and any additional charges

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2.6 We and Trader Sellers have a legal duty to supply any Lots to you in accordance with these Terms of Sale.

2.7 If you have any complaints, please send them to us directly at the address set out on our Website.

3 BIDDING PROCEDURES AND THE BUYER 3.1 You must register your details with us before bidding and provide us with any requested proof of identity and billing information, in a form acceptable to us.

You must also satisfy any security arrangements we have in place before entering the auction room to view or bid.

3.2 We strongly recommend that you attend the auction in person. You are responsible for your decision to bid for a particular Lot. If you bid on a Lot, including by telephone and online bidding, or by placing a commission bid, we assume that you have carefully inspected the Lot and satisfied yourself regarding its condition.

3.3 If you instruct us in writing, we may execute commission bids on your behalf. Neither we nor our employees or agents will be responsible for any failure to execute your commission bid, unless our failure to do so is unreasonable. Where two or more commission bids at the same level are recorded we have the right to prefer the first bid made (where this can be reasonably ascertained) by extending this bid by one increment.

3.4 The Bidder placing the highest bid for a Lot accepted by the Auctioneer will

4 THE PURCHASE PRICE As Buyer, you will pay: a. the Hammer Price;

5 VAT 5.1 You shall be liable for the payment of any VAT applicable on the Hammer Price and premium due for a Lot. Please see the symbols used in the auction catalogue for that Lot and the “Information for Buyers” in our auction catalogue for further information.

5.2 We will charge VAT at the current rate at the date of the auction.

6 THE CONTRACT BETWEEN YOU AND THE SELLER 6.1 The contract for the purchase of the Lot between you and the Seller will be formed when the hammer falls accepting the highest bid for the Lot at the auction.

6.2 You may directly enforce any terms in the Terms of Consignment against a Seller to the extent that you suffer damages and/or loss as a result of the Seller’s breach of the Terms of Consignment.

6.3 If you breach these Terms of Sale, you may be responsible for damages and/or losses suffered by a Seller or us. If we are contacted by a Seller who wishes to bring a claim against you, we may in our discretion provide the Seller with information or assistance in relation to that claim.

6.4 We normally act as an agent only and will not have any responsibility for default by you or the Seller (unless we are the Seller of the Lot).

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7 PAYMENT 7.1 Immediately following your successful bid on a Lot you will: 7.1.1 give to us, if not already provided to our satisfaction, proof of identity in a form acceptable to us (and any other information that we require in order to comply with our anti-money laundering obligations); and 7.1.2 pay to us the Total Amount Due in cash (for which there is an upper limit of 15,000 euros equivalent) or in any other way that we agree to accept payment.

7.2 If you owe us any money, we may use any payment made by you to repay these debts.

8 TITLE AND COLLECTION OF PURCHASES 8.1 Once you have paid us in full the Total Amount Due for any Lot, ownership of that Lot will transfer to you.

You may not claim or collect a Lot until you have paid for it.

8.2 You will (at your own expense) collect any Lots that you have purchased and paid for either: 8.2.1 not later than five business days following the day of the auction; or 8.2.2 not later than five business days following the date that we have received payment of the Total Amount Due in cleared funds, if later.

8.3 If you do not collect the Lot within this time period, you will be responsible for any reasonable removal, storage and insurance charges in relation to that Lot. 8.4 Risk of loss or damage to the Lot will pass to you when you (or your agents) take physical possession of the Lot. 8.5 If you do not collect the Lot that you have paid for within ninety days after the auction, we may sell the Lot. We will pay the proceeds of any such sale to you, but will deduct any storage charges or other sums that we have incurred in the storage and sale of the Lot. We reserve the right to charge you a selling commission at our standard rates on any such resale of the Lot. 9 REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES 9.1 Please do not bid on a Lot if you do not intend to buy it. If your bid is successful, these Terms of Sale will apply to you. This means that you will have to carry out your obligations set out in these Terms of Sale. If you do not comply with these Terms of Sale we may (acting on behalf of the Seller and ourselves) pursue one or more of the following measures: 9.1.1 take action against you for damages for breach of contract; 9.1.2 reverse the sale of the Lot to you and/or any other Lots sold by us to you; 9.1.3 resell the Lot by auction or private treaty (in which case you will have to pay any difference between the price you should have paid for the Lot and the price we sell it for as well as the charges outlined in Clause 8.5). Please note that if we sell the Lot for a higher amount than your winning bid, the extra money will belong to the Seller; 9.1.4 remove, store and insure the Lot at your expense;

9.1.5 if you do not pay us within five business days of your successful bid, we may charge interest at a rate not exceeding 1.5% per month on the total amount due; 9.1.6 keep that Lot or any other Lot sold to you until you pay the Total Amount Due; 9.1.7 reject or ignore bids from you or your agent at future auctions or impose conditions before we accept bids from you; and/or 9.1.8 if we sell any Lots for you, use the money made on these Lots to repay any amount you owe us.

9.2 We will act reasonably when exercising our rights under Clause 9.1.

We will contact you before exercising these rights and try to work with you to correct any non-compliance by you with these Terms of Sale.

10 HEALTH AND SAFETY Although we take reasonable precautions regarding health and safety, you are on our premises at your own risk. Please note the lay-out of the premises and security arrangements.

Neither we nor our employees or agents are responsible for the safety of you or your property when you visit our premises, unless you suffer any injury to your person or damage to your property as a result of our, our employees’ or our agents’ negligence.

11 WARRANTIES 11.1 The Seller warrants to us and to you that: 11.1.1 the Seller is the true owner of the Lot for sale or is authorised by the true owner to offer and sell the lot at auction; 11.1.2 the Seller is able to transfer good and marketable title to the Lot to you free from any third party rights or claims; and 11.1.3 as far as the Seller is aware, the main characteristics of the Lot set out in the auction catalogue (as amended by any notice displayed in the saleroom or announced by the Auctioneer at the auction) are correct.

11.2 If, after you have placed a successful bid and paid for a Lot, any of the warranties above are found not to be true, please notify us in writing. Neither we nor the Seller will be liable to pay you any sums over and above the Total Amount Due and we will not be responsible for any inaccuracies in the information provided by the Seller except as set out below.

11.3 Please note that many of the Lots that you may bid on at our auction are second-hand.

11.4 If a Lot is not second-hand and you purchase the Lot as a Consumer from a Seller that is a Trader, a number of additional terms may be implied by law in addition to the Seller’s warranties set out at Clause 11.1 (in particular under the Consumer Rights Act 2015). These Terms of Sale do not seek to exclude your rights under law as they relate to the sale of these Lots.

11.5 Save as expressly set out above, all other warranties, conditions or other terms which might have effect between the Seller and you, or us and you, or be

implied or incorporated by statue, common law or otherwise are excluded.

12 DESCRIPTIONS AND CONDITION 12.1 Our descriptions of the Lot will be based on: (a) information provided to us by the Seller of the Lot (for which we are not liable); and (ii) our opinion (although it is likely that we will not be able to carry out a detailed inspection of each Lot).

12.2 We will give you a number of opportunities to view and inspect the Lots before the auction. You (and any independent consultants acting on your behalf) must satisfy yourself about the accuracy of any description of a Lot. We shall not be responsible for any failure by you or your consultants to properly inspect a Lot. 12.3 Representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion will be honestly and reasonably held and accept liability for opinions given negligently or fraudulently.

12.4 Please note that Lots (in particular second-hand Lots) are unlikely to be in perfect condition. Lots are sold “as is” (i.e. as you see them at the time of the auction). Neither we nor the Seller accept any liability for the condition of second-hand Lots or for any condition issues affecting a Lot if such issues are included in the description of a Lot in the auction catalogue (or in any saleroom notice) and/ or which the inspection of a Lot by the Buyer ought to have revealed.

13 DELIBERATE FORGERIES 13.1 You may return any Lot which is found to be a Deliberate Forgery to us within 14 days of the auction provided that you return the Lot to us in the same condition as when it was released to you, accompanied by a written statement identifying the Lot from the relevant catalogue description and a written statement of defects.

13.2 If we are reasonably satisfied that the Lot is a Deliberate Forgery we will refund the money paid by you for the Lot (including any Premium and applicable VAT) provided that if: 13.2.1 the catalogue description reflected the accepted view of experts as at the date of the auction; or 13.2.2 you personally are not able to transfer good and marketable title in the Lot to us, you will have no right to a refund under this Clause 13.2.

13.3 If you have sold the Lot to another person, we will only be liable to refund the price that you paid for the Lot. We will not be responsible for repaying any additional money you may have made from selling the Lot. 13.4 Your right to return a Lot that is a Deliberate Forgery does not affect your legal rights and is in addition to any

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other right or remedy provided by law or by these Terms of Sale.

14 OUR LIABILITY TO YOU 14.1 We will not be liable for any loss of opportunity or disappointment suffered as a result of participating in our auction.

14.2 In addition to the above, neither we nor the Seller shall be responsible to you and you shall not be responsible to the Seller or us for any other loss or damage that any of us suffer that is not a foreseeable result of any of us not complying with the Conditions of Business. Loss or damage is foreseeable if it is obvious that it will happen or if at the time of the sale of the Lot, we, you and the Seller knew it might happen.

14.3 Subject to Clause 14.4, if we are found to be liable to you for any reason (including, amongst others, if we are found to be negligent, in breach of contract or to have made a misrepresentation), our liability will be limited to the total purchase price paid by you to us for any Lot. 14.4 Notwithstanding the above, nothing in these Terms of Sale shall limit our liability (or that of our employees or agents) for: 14.4.1 death or personal injury resulting from negligence (as defined in the Unfair Contract Terms Act 1977); 14.4.2 fraudulent misrepresentation; or 14.4.3 any liability which cannot be excluded by law.

15 NOTICES 15.1 All notices between you and us regarding these Terms of Sale must be in writing and signed by or on behalf of the party giving it.

15.2 Any notice referred in Clause 15.1 may be given: 15.2.1 by delivering it by hand; 15.2.2 by first class pre-paid post or Recorded Delivery; or 15.2.3 by email, provided that a copy is also sent by pre-paid post or Recorded Delivery.

15.3 Notices must be sent: 15.3.1 by hand or registered post: a. to us, at our address set out in these Terms of Sale or at our registered office address appearing on our Website; and b. to you, at the last postal address that you have given to us as your contact address in writing; or 15.3.2 by email: a. to us, by sending the notice to both the following email addresses: William.duggleby@davidduggleby.com Auctions@davidduggleby.com b. to you, by sending the notice to any email address that you have given to us as your contact email address in writing.

15.4 Notices will be deemed to have been received: 15.4.1 if delivered by hand, on the day of delivery; 15.4.2 if sent by first class pre-paid post or Recorded Delivery, two business days after posting, exclusive of the day of posting; or 15.4.3 if sent by email, at the time of

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transmission unless sent after 17.00 in the place of receipt in which case they will be deemed to have been received on the next business day in the place of receipt (provided that a copy has also been sent by pre-paid post or Recorded Delivery as set out in Clause 15.2.3.

15.5 Any notice or communication given under these Terms of Sale will not be validly given if sent by fax, email, any form of messaging via social media or text message.

16 DATA PROTECTION We will holddata in relation to you in accordance with our current privacy policy, a copy of which is available on our Website or on request.

17 GENERAL 17.1 We may, acting reasonably, refuse admission to our premises or attendance at our auctions by any person.

17.2 We act as an agent for our Sellers.

The rights we have to claim against you for breach of these Terms of Sale may be used by either us, our employees or agents, or the Seller, its employees or agents, as appropriate. Other than as set out in this Clause, these Terms of Sale are between you and us and no other person will have any rights to enforce any of these Terms of Sale.

17.3 We may use special terms in the catalogue descriptions of particular Lots.

You must read these terms carefully along with any glossary provided in our auction catalogues.

17.4 Each of the clauses of these Terms of Sale operates separately. If any court or relevant authority decides that any of them are unlawful, the remaining clauses will remain in full force and effect.

17.5 We may change these Terms of Sale from time to time, without notice to you. Please read these Terms of Sale carefully, as they may be different from the last time you read them.

17.6 Except as otherwise stated in these Terms of Sale, each of our rights and remedies are: (a) are in addition to and not exclusive of any other rights or remedies under these Terms of Sale or general law; and (b) may be waived only in writing and specifically. Delay in exercising or non-exercise of any right under these Terms of Sale is not a waiver of that or any other right. Partial exercise of any right under these Terms of Sale will not preclude any further or other exercise of that right or any other right under these Terms of Sale. Waiver of a breach of any term of these Terms of Sale will not operate as a waiver of breach of any other term or any subsequent breach of that term.

17.7 These Terms of Sale and any dispute or claim arising out of or in connection with them (including any noncontractual claims or disputes) shall be governed by and construed in accordance with the laws of England and the parties irrevocably submit to the exclusive jurisdiction of the English courts.

18 DROIT DE SUITE ROYAL CHARGES From 14th February 2006 all UK art market professionals (which includes but is not limited to auctioneers, dealers, galleries, agents and other intermediaries) are required to collect a royalty payment for all works of art that have been produced by living artists or artists who have died within the last 70 years. This payment is only calculated on qualifying works of art which are sold for a hammer price more than the UK sterling equivalent of EURO 1,000- the UK sterling equivalent will fluctuate in line with prevailing exchange rates. It is entirely the responsibility of the buyer to acquaint himself with the precise EURO to UK sterling exchange rate on the day of the sale in this regard and the auctioneer accepts no responsibility whatsoever if the qualifying rate is different to the rate indicated. All items in this catalogue that are marked with DDS are potentially qualifying items and the royalty charge will be applied if the hammer price achieved is more than the UK sterling equivalent of EURO 1,000.

The royalty charge will be added to all the relevant buyers’ invoices and must be paid before items can be cleared. All royalty charges are passed on to the Design and Artists Copyright Society (‘DACS’) no handling costs or additional fees with respect to these charges will be retained by the auctioneers.

Please note that the royalty charge is calculated in euros and applies to lots with hammer value over €1000 as follows: 0 to €50,000 - 4% €50,000.01 to €200,000 - 3% €200,000.01 to €350,000 - 1% €350,000.01 to €500,000 - 0.5% Exceeding €500,000 - 0.25% ARR is capped at €12,500. There is no VAT payable on this royalty charge.

19 ONLINE BIDDING 19.1 David Duggleby Ltd may offer an online bidding service via a third party for bidders who cannot attend the sale. Any lots purchased via DD Live auction service will be subject to an additional 2% commission charge plus VAT imposed on the hammer price.

In completing the bidder registration on the third party website and providing your payment card details and unless alternative arrangements are agreed with David Duggleby Ltd you: a) Authorise David Duggleby Ltd, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via the third party, and b) Confirm that you are authorised to provide these payment card details to David Duggleby Ltd through the third party and agree that David Duggleby Ltd are entitled to ship the goods to the card holder name and card holder address provided in fulfilment of the sale.

Please note that any lots purchased via the-saleroom.com live auction service will be subject to an additional 5% commission charge + VAT, at the current rate, imposed on the hammer price.

Our Conditions of Business are based upon recommended terms of sale by SOFAA

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THE SUMMER FINE ART SALE FRIDAY 17TH JUNE 2022 AT 11AM