䤀匀匀唀䔀 ㌀
一䔀圀 夀伀刀䬀
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photo Yan Bleney
NEWYORK EDITION ISSUE 3 3
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NEW YORK /njuː ˈjɔːk/
A major city and port in the south-east of New York State, situated on the Atlantic coast at the mouth of the Hudson River; population 8,363,710 (est. 2008). The city is situated mainly on islands, linked by bridges, and comprises five boroughs: Manhattan, Brooklyn, the Bronx, Queens, and Staten Island. Manhattan is the economic and cultural heart of the city, containing the Stock Exchange in Wall Street and the headquarters of the United Nations. Former name (until 1664) New Amsterdam.
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photo Yan Bleney
Decompoz Team Contributors Table of Content Preface Soulful Urbanity Section Business Avant-Gardiste Section Daring Wisemen Section Subscription
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DECOMPOZ TEAM FOUNDERS Romain Dupont Rachel Machalani
CONTENT DIRECTOR Romain Dupont CREATIVE & MARKETING DIRECTOR Rachel Machalani MEDIA & ART DIRECTOR Mazda Alinia COPY EDITORS Edward Ian Cibula, Lindsay Richardson, Jordan Yeager MARKETING & WEB Decompoz Publishing MAGAZINE LAYOUT Rachel Machalani COVER ARTIST Ron English DECOMPOZ HEADQUARTERS 417 rue Saint-Nicolas, Suite 300 Montreal, Quebec, H2Y 2P4, Canada decompoz.com DISTRIBUTOR Messageries Dynamiques INQUIRIES For all ads and distribution inquiries please contact us at sales@decompoz.com. We are always looking for contributing writers, designers and photographers. For more info please contact us at ads@decompoz.com All rights reserved. The entire content is a copyright of Decompoz Magazine and cannot be reproduced without written authorization of Decompoz Publishing (9321-2884 Québec inc.) ISSN 2369-4068 (Print) ISSN 2369-4076 (Online)
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NEW YORK ISSUE TEAM PHOTOGRAPHER Yan Bleney VIDEOGRAPHER Ginga Takeshima INTERVIEWER Edward Ian Cibula MAKEUP AND HAIR STYLIST Isabella Forget VIDEO EDITOR Mazda Alinia WRITERS Chris Perrin Michael D’Alimonte Kelly Stock Jordan Yeager Edward Ian Cibula
Sara Kloepfer Andrea Kristensen Elliott Basille Aya El Zoheery Lindsay Richardson
MODELS Kira Conley (Dulcedo Model Management) Andrew Nguyen David Song A SPECIAL THANKS TO: Feldton| Andrew Nguyen, David Song ConArtist Collective| Brian Shevlin, Brandon Wisecarver, Richard Laurenzi Rialto Jean Project| Erin Feniger, Kandice Watson The Beatbox House| Ken Urban, Chris Celiz, Neil Meadows, Gene Shinozaki, Amit Bhowmick, Kaila Mullady KB Jones & The Kontraband| Daniel “KB Jones” Muñoz, Steve Gornic The Dig| David Bladwin, Erick Eiser, Mark Demiglio Tiiidal|Andrew Smith, Jordan Taylor, Nadeem Salaam, Matthew Aidekman Adam Hauck Ron English & Tarssa Yazdani Kira Conley & Karim Rekik
www.danier.com
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CONTRIBUTORS MICHAEL D’ALIMONTE
CHRIS PERRIN
Obsessed with narratives of every sort, Michael D’Alimonte is a man of words who really only wants to tell stories. Easily ensnared by anyone with a compelling tale to tell, Michael’s interests and written work are eclectic, if not too varied to categorize. What truly matters to Michael is an engaging account propelled by individuals who wish to make a difference in their own unique manner. These are the pieces of history he hopes to chronicle: the stories of regular people creating exceptional change in the world.
After assembling the most unfocused CV possible, Chris took 2 years off and went surfing around the Pacific (he played some guitar there too). Having decided to get a ‘real job,’ Chris runs the Fetishes & Fantasy philosophy blog and contributes to exiting new projects like DECOMPOZ, writing about alternative culture and sports that are more spiritual than competitive.
ELLIOTT BASILLE Elliott is a preschool teacher and freelance writer—while that is somewhat of a dichotomy, it is also a good indicator of his life and personality as a whole. With a Bachelor’s degree in Creative Writing, he decided to start a career in a very different area, while continuing to write in whatever form possible. His writing is biting and he is unafraid to push and pry. Originally from Montreal, he has lived in New York, Maine, Los Angeles and Miami. He is a proud bohemian who loves yoga, adventures and beautiful people. He spends a good portion of each day wondering about different life questions and hopes to answer at least one before his 40th birthday.
YAN BLENEY At home all around the world - as long as he’s behind the lens - Yan Bleney is a fashion photographer whose curiosity makes his work as vivid in the street as in the studio. From high fashion shoots in Paris to chronicling life on NYC street, Yan excels when his subjects are showing emotion. With over 15 years in the industry, Yan’s work has been featured in publications such as: Figaro, Madame Figaro, Bambi, OOB, Factice and Glass Book. Yan uses his varied experiences to connect with interview subjects and get the most out a few minutes of candid conversation. He hopes that his pictures will show the best in everyone.
EDWARD IAN CIBULA E. Ian Cibula is a transplanted Montrealer. A graduate of Concordia University, he makes his living as a freelance writer so that he can pick which hours he’d like to work, and which to spend by the water. Ian’s deep interest in arts, music, culture and sport push him to see the world through many lenses. He wishes to see as much of the spectrum of local culture as possible and hopefully share what he gleans by bringing the authentic experience of different subcultures to life in his writing.
SARA KLOEPFER Sara Kloepfer is from San Francisco, California, and recently completed her undergraduate degree in English at McGill. She is drawn to contemporary art, particularly film and photography. In her writing, she focuses on individuals with innovative ideas, those who shift the cultural landscape.
ANDREA KRISTENSEN Andrea Kristensen has worked as a freelance blogger, editor and copywriter since graduating from Concordia University in Montreal with a Major in English Literature and a Minor in Professional Writing. She loves a good laugh and has a fascination with psychology. Andrea has her own blog, Awkward Journeys, and lives in the Montreal area with her family.
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LINDSAY RICHARDSON Lindsay (with an ‘a’) Richardson is a third year Journalism and Creative Writing student at Concordia. She moonlights as a writer and editor at the literary collective Le Shindig, and has previously held editorial positions at The Concordian, Soliloquies, auxjourslejour, and Naked Underground Montreal. She is working on the launch of her own blog, sentimtl, and will eventually try her hand at slam poetry. In a past life she was a published poet and public speaking champion. One day she’ll headline a burlesque troupe.
KELLY STOCK Kelly is an arts and culture writer, and photographer, who is passionate about exploring the work of creatives from around the world and sharing their stories. Originally from Australia, she has a bachelor in journalism and a master’s in publishing. Her interests include: art in all its forms, short stories, dachshunds, and capturing reality through artistic practice.
GINGA TAKESHIMA Ginga was born in Tokyo, Japan. Became an immigrant boy in Vancouver, Canada the year the Toonie was invented. After these transformative events, and many leads and misleads later, Ginga finds himself in Montreal letting curiosity run its course. The camera is his vehicle.
JORDAN YEAGER Jordan Yeager is a 22-year-old Concordia graduate who was born and raised on the west coast; while she loves the nature and relaxed lifestyle her hometown boasts, it was Montreal’s eclectic cultural scene that really drew her in. When she’s not watching embarrassing (but impressive) amounts of TV, she spends her days exploring the city, reading, and trying to find cheap sushi. She likes to write about music, culture, art, and fashion, and she’ll never turn down the opportunity to write an opinions piece.
AYA EL ZOHEERY Aya El Zoheery is a recent McGill graduate attempting to navigate this thing we call life; originally Egyptian, raised in Qatar, and now living Montreal she has developed a fascination with culture and its representations through the arts and society. When she’s not lounging around looking for new music, reading a good book, or hooked on a new TV series, she’s outdoors chasing the sun. She enjoys writing about arts, culture, politics and the absurdities of modern society.
WHATISADAM - ‘MAPLE SIZZURP’ DRUM
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DON’T MISS OUT ON OUR EXCLUSIVE
NEW YORK CITY VIDEO INTERVIEWS
photo Yan Bleney
decompoz.com/videos/newyork
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SOULFUL URBANITY FASHION 22
Feldton Rialto Jean Project 40 Calle Del Mar 44 Kira Conley 30
PEOPLE 48
Faces of New York
MUSIC 52
The Beatbox House The Dig 62 Tiiidal 58
PHOTOGRAPHY 66
Martha Cooper
ART
Ron English 82 Li-Hill 92 Jamie Martinez 96 Artist Spread 70
BUSINESS AVANT-GARDISTE ART 148 Con Artist Collective VIDEO GAMES 154 Babycastles
MUSIC 158 KB Jones & The Kontraband
FASHION 162 Jeff Staple
LITERATURE 164 Molasses Books STREET ART 166 The L.I.S.A. Project
DARING WISEMEN SKATEBOARD 172 The Harold Hunter Foundation
BMX 178 Adam Hauck
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ISSUE
NEW YORK
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PREFACE
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photo Yan Bleney
New York City is more than a melting pot metropolis; it’s more than than the most populous city on the East coast, New York is a Mecca in its own right. This city that is the closest thing to sacred ground to up and coming and established artists alike. It’s a city where revolutionaries can become sell outs only to revolt again - it’s a place where art is as vivid and alive as anywhere on the planet. Naturally, the tumult of ever changing (and competing) cultural communities drew the Decompoz team to New York. Making it in New York might be difficult but one can only take on that challenge if they make it to the city. With six people packed into a (poorly ventilated) minivan we set out on a 15 hour trek that included, much to the chagrin of the backseat passengers, a gasoline incident, a slightly hassled border crossing and a lot of rearranged luggage. The authentic experience wasn’t very far once we reached the city. From the struggle to find a proper place to sleep to the search for a viable workspace, we were thrown into the maelstrom from day one.
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SOULFUL URBANITY 18
In a constantly evolving world, the Soulful Urbanity section of the magazine is all about portraying the soul of every city we feature. “Urbanity” refers to the personality traits associated with cities and urban areas, and we aim to capture and expose those personality traits by featuring upand-coming artists, musicians, and designers, and giving them a chance to share their driving purposes. Decompoz wants to unveil the citified people with soul, who work hard every day in order to distort the conventional and evoke and inspire moods and ideas. The mission is to emphasize the essence of the communities, breaking down borders and segmentation to create a perfect blend of our universe’s values, rhythms and trends.
credit_MARQUIS MONTES
SOULFUL URBANITY
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fashion
feldton
words Kelly Stock photos Yan Bleney
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Left to right: PR director Andrew Nguyen & Founder David Song
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EAST MEETS WEST: MENSWEAR FUSION watch their exclusive video online at decompoz.com
Feldton’s head offices are a small floor to ceiling display of what happens when complementary forces get productive. David’s understated demeanour fills in the gaps perfectly in the moments where Andrew’s booming voice isn’t resonating in a room beautifully set up to show off the garments both these men are so proud of. The idea of East meets West is one that has always intrigued artists and creators. From a design perspective, the merging of these distinctly different aesthetics is something that can create striking results. NYC-based menswear label, Feldton, is one such brand that merges these two divergent traditions by blending innovative Japanese fabric techniques with rustic American work wear. David Song, the label’s design brain and its VP of creative services, founded Feldton a little over a year ago, and in this short time the company has experienced immense success. Previously, he held design positions at Andrew Marc and London Fog/Herman Kay, working specifically in men’s outerwear. Within Feldton’s first year of operations, it has received funding from investor, Leeward International. Feldton has even managed to fill an order for American behemoth and NYC institution, Barneys New York. Song and his sales and PR director, Andrew Nguyen, say the moment they filled their car with the first Barneys delivery was one of their proudest. Nguyen also comes from a fashion background having worked as a buyer for many years, as well as teaching at the Parsons School of Design. Together the duo constructed Feldton from the ground up, building on the idea of designing clothes for the modern worker. They aim to create pieces that stand the test of time. Since starting the company, Andrew has remained involved in the physical creation of his products – he hand-dyes the garments himself. As he
speaks, he motions with indigo-stained hands. He says, “ Our game plan is built on integrity and durability. Without these two elements, it’s no longer our brand. So we have to keep the principles of what we believe in, combined with the long-lasting quality of our product.” These two core elements – durability and integrity – are reflected in Feldton’s choice of materials and in its manufacturing techniques. Even its choice of logo portrays a double diamond, which symbolizes the ultimate meeting of two strong substances reinforcing one another. The company uses enduring fabrics, and the highest-grade, handcrafted leather, to ensure the longevity of its pieces. The clothing has a recognizable all-American style, with a touch of the Southwest. This is seen in the choice of Wabash stripes, denim, and Native American inspired prints, which together evoke a mix of raw masculinity in the more sharp edges, while also maintaining an elegant softness. The current Feldton collection features: jeans, flannel shirts, vests, cargo pants, capes, sweater coats and Henley shirts. The designers use expertly manufactured Japanese wool, along with more traditional American materials, when carefully crafting their lasting pieces. Each item possesses an originality that can be hard to find in today’s retail environment, which is saturated by fast fashion. Both directors embody the characteristics of the workers for whom they design,so much so that they feature as models in their own lookbooks and act as the“faces” of the brand. However, it was a worker, a nurse, who inspired the company’s name. A nurse named “Feldton” saved Song’s life when he was a child and it was in her honor that he named the company – he says he felt a spiritual responsibility to do so. Now, as workers themselves, the designers have their hands on all parts of the creation process. Everything is designed, and manufactured in NYC, with both the creative studio and the
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factory based in the city’s garment district. In fact, the two buildings are only separated by one block, so if there’s an issue at the factory, they can just walk over to discuss any changes. This attention to detail, and focus on quality, is something that permeates all levels of Feldton’s creation process. Ultimately, though, the designers want their attention to detail to lead to more than just beautiful clothes for today; they want their work to translate into lasting value. Nguyen says, “We want those who buy our products to still have them 100 years from now, like an old pair of Levi’s. We want them to feel like it’s a treasure, a timeless piece.” As a brand so embedded in New York, both directors say they draw a lot of inspiration from the city itself. Andrew in particular says he’s very drawn to the history of New York, and how the Empire State was constructed. Adding, “To be in New York and feed off that energy – it’s the energy that
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people come here for. You come to New region. Already, they’ve had interest and York and you’re like, ‘Wow, this is Manhat- support from industry tastemakers like Attan.’ This is where everything happens.” sushi Matshushima of Clutch Japan Magazine, Takashi Okabe of Clutch/Men’s File However, the flip side of this coin is the ex- Magazine , and Nick Clements of Men’s File pense of manufacturing in NYC. One of the Magazine . toughest challenges Feldton faces is ensuring that they can keep production in NYC However, at the moment, the pair is focuswhile still keeping costs under control. One ing on creation, and the promotion and sale way they do this is by involving themselves of their Spring 2016 collection. And it’s this in all aspects of production, so they can creation of quality, durable products that manage the whole process and respond to gives Feldton’s designers the most satisfacany issues as they may arise. Staying hands tion. Song says, “I compare designing these on is both a core value and a safeguard for clothes to cooking things. I’m a chef in the Feldton’s directors. kitchen. I just cook and then give it to the customers. If they like it and they enjoy it, Discussing what the future holds for the then I’m happy.” brand, the duo says they would like to penetrate the notoriously tough Japanese market, and show that their New York _ City fusion is fashionable the world over. Given that part of the Feldton aesthetic Website: www.feldton.com is derived from Japanese ideals, it’s easy Instagram: @feldton to see how they could be successful inthe
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fashion
RIALTO JEAN PROJECT words
Ian Cibula
photos
Yan Bleney
hair & makeup Isabella Forget
model
Kira Conley -Dulcedo Models
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“Denim. Doing. Good.” Founder Erin Feniger
photo Pieter Henket 30
CLOTHING AS CANVAS: VINTAGE FASHION WITH A PURPOSE watch her exclusive video online at decompoz.com
Stepping out of the intense sunlight of a hot seaport district day, the RJP flagship store is as welcoming as it is refreshing. Greeted by Erin Feniger, we take in the trendy pastel decor and warm lighting as well as racks and racks of hand-painted vintage clothes before getting an exclusive look at the second floor workspace where she creates her exclusive and highly-sought-after touch on art as fashion. For an outsider looking in, the fashion industry can seem like a revolving door. Styles change often, and aficionados are always on the lookout for the next game-changing trend. There are very few things that have truly classic staying power, but one of those things is, undoubtedly, a perfect pair of jeans. From work wear to the edges of high fashion, denim has nearly
universal appeal. Founder of Rialto Jean Project Erin Feniger sees more than classic comfort when she looks at a pair of jeans; she sees a transformative canvas with the potential to make the world a happier place. Born out of an enlightening experience with art therapy and encouraged by a philanthropic upbringing, Rialto Jean Project is Feniger’s way of producing beautiful, wearable art while doing good for children in need. Upon being diagnosed with a chronic pain disorder, Feniger realized that one key to feeling better both in body and spirit was the painting she was taking up; her thoughts then turned to how she could make this positive experience possible for children in hospitals, many of whom have to spend long periods of time undergoing treatment. With a background in helping manage
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Sara Kloepfer Nikki Krecicki Franklin Headen Hannah Gantt - Wilhelmina NY
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FROM SURF TO STREE T 34
Studying Fashion Design at Pratt was a logical next step for the budding entrepreneur. Ziegler’s graduating thesis collection was purchased by two stores straight from the runway: Manhattan’s In Support Of and Solange Knowles’ New Orleans boutique Exodus Goods. Calle Del Mar, literally “street by the sea” in Spanish, was named for the street where Ziegler spent her weekends and summers growing up in Stinson Beach. Her fond memories of hiking in the mountains and surfing inspired her line’s easy silhouettes, sun-bleached colour palette, and witty fabrication with nods to adventure. Similarly, Ziegler’s tomboy-princess aesthetic comes from childhood sensibilities. “Sometimes I’d style my girly clothes with my brother’s hand-me-down board shorts and a pair of high top sneakers,” said Ziegler. Her proclivity for pairing a party dress with sneakers is evident in her debut collection, with models walking the runway in sequined tube socks and Vans.
Perfect for the city girl dreaming of an endless summer, designer Aza Ziegler’s line, Calle Del Mar, effortlessly combines sporty silhouettes with feminine textiles. The California native and Brooklyn-based young designer launched her first collection upon graduating The Pratt Institute last spring. Featuring embellished tennis skirts, organza lettermen jackets, and a show-stopping cerulean sweater emblazoned with a sequined “C,” it’s no surprise that Calle Del Mar has built an instant cult following. Ziegler grew up in a family of artists — from thrift shopping with her mother to sewing dresses with her grandmother, Ziegler spent her youth honing her design skills. At age twelve, she sold her own line of skirts at a local Mill Valley boutique, landing her a feature in Women’s Wear Daily. At sixteen, Ziegler started a line made entirely of repurposed materials called Left Over Green Beans, which made it onto the runway in New York and appeared in Elle.
From her collection of vintage athletic uniforms and Beach Boys records to her fascination with David Hockney, 70’s Venice beach culture, and vintage surfer magazines, Ziegler draws from a wide range of influences. Upon moving to New York City, Ziegler incorporated her new surroundings in her aesthetic, referencing her West Coast lifestyle in the practical utility of her designs, with a nod to her urban education through her specialty street style and textile heavy influence. Calle Del Mar’s Autumn/Winter collection of towel-lined denim varsity jackets, towel-lined wetsuit skirts, and rubber coated knits perfectly embodies Ziegler’s ethos: “I make California clothes for the New York girl.” Ziegler’s use of unexpected textiles are a by-product of her playful approach — building texture both on the surface of the fabric and from within, she utilizes embellishment, embroidery, or novel techniques such as laser cutting her own plexiglass sequins or encasing confetti between organza. Her production process is not only unique, but ethical as well, promising clothing
made in the U.S. with fair wages. In addition to the US locations and online store, Calle Del Mar is now available in Japan, with more partnerships with international specialty stores to come. Ziegler is already hard at work on new projects, launching a line of unisex towel sweatshirts and working on a series of interviews with artists, photographers, and musicians who wear Calle Del Mar. “This past year and a half I’ve met and formed relationships with so many people I admire who have supported me with their excitement,” says Ziegler. “I am so grateful for the energy and enthusiasm revolving my brand.” Eventually, she hopes to move to Los Angeles and open a flagship Calle Del Mar store. In the meantime, customers can look forward to her cozy and sparkly Holiday collection, as well as a pool house collection in the spring — in Ziegler’s words, “Stay tuned to stay dry!” _ Website: www.calledelmar.us Instagram: @calledelmar 35
fashion
IN PLAIN SIGHT words
Ian Cibula
photos
Yan Bleney
hair & makeup Isabella Forget
model
Kira Conley -Dulcedo Models 36
KIRA CONLEY 37
DOMINATING THE WORLD WITH THEIR MOUTH watch their exclusive video online at decompoz.com
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Music is undeniably one of the most powerful forms of human communication. The Beatbox House members see and feel this on a daily basis. Friendships where you finish each other’s beats and grooves can’t be fronted. We stepped into a world where the music doesn’t depend on any single instrument. We got to see a group of future stars on the verge of making a professional leap in order to give their art form the recognition it deserves. A typical first reaction to Beatbox House is one of amazement: how are they making those noises? Sharp drumbeats, driving basslines, and shrill trumpeting intermix to form complex, layered songs, all created by the performers’ mouths. They whistle, click, and hum,
bodies swaying along with the beat of an expertly crafted groove. By the time they finish, all preconceptions are out the window, replaced by an awe-inspired respect for what the group dubs “mouth music.” Composed of Amit Bhowmick, Chris Celiz, Neil Meadows (performing as NaPoM), Kaila Mullady, Gene Shinozaki, and Kenny Urban, the New York City based collective has palpable chemistry. Listening to the group talk and joke around their kitchen table, they sound strangely harmonious, completing each other’s sentences just as they fill in one another’s beats. Beatbox House aims to inspire others by pushing the boundaries of vocal performance, developing what they call “the human instrument.”
As an art form, beatboxing is relatively new, claiming roots in 1980s hip-hop, but the act of using vocal percussion dates back to traditional African music. Beatbox House’s music reflects a variety of vocal techniques, ranging from singing and rapping, to scatting, to Tuvan throat singing. The collective also cites a diverse range of musical influences, from pop to classical to hip-hop and rap and even metal. Each collective member discovered beatboxing in different ways, whether learning from a friend, stumbling across online videos, or growing up making noises that they eventually identified as beatboxing. When Mullady and Urban attended the American Beatbox Championships three years ago, both were inspired to pursue competition, which led them to Beatbox House.
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music
TIIID
T BREAKING THROUGH THE RIPPLE EFFECT watch their exclusive video online at decompoz.com
Presently, it is clear that Tiiidal is focused on gelling even further and working on their craft. They have no illusions of taking off and going on tour tomorrow morning and are fully committed to writing more songs and delivering a first album in the near future. Until then, keep an ear open for any new material they decide to drop as this young group’s stock and music catalog continues to grow.
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DAL
words Elliott Basille photos Yan Bleney
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art
RON E NG LI S H words Ian Cibula photos Yan Bleney
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art 44
LI-HILL
words Kelly Stock photos Li-Hill 45
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words Edward Ian Cibula Lindsay Richardson Jordan Yeager
ARTIST SPREAD
artist spread
Content Brolga 98 Icy & Sot 102 Bradley Theodore 106 Hanksy 110 Rubin415 114 Erik Jones 118 How & Nosm 122 L.Mylott Manning 126 Olek 130 Dain 134 Stephen Powers 136 John Paul O’Grodnick 138 Daze 140 Nicolas Holiber 142 Dean Millien 144 Lady Pink 145
New York City has few comparable peers as far as cultural capitals go. Art seeps out of cracked sidewalks, graffiti-tagged alleyways, commissioned murals and upscale galleries alike. New York’s art scene is vitally connected to its streets. From aerosol to oil to sculpture, everything made in New York is influenced by the vibrant, pulsating energy that keeps the city from falling dormant or stagnating. Snapshots of every living moment— every aspect of human emotion— end up captured in the work of the artists willing to dedicate themselves to working in a city that is as punishing and uncompromising as it is rewarding.
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artist spread
ICY & SOT The strongest artistic statements are sometimes delivered in minimalist mediums; Iranian-born, NYC-based art duo ICY and SOT demonstrate this daily. Brothers by birth but collaborators by choice, ICY and SOT bring socially conscious messages to walls and galleries the world over. Often using children, military images or both in their work, ICY and SOT clearly have an interest in starting conversations about how societies perceive violence and the future. The stark black and white or black and grey images often contain a touch of irony or humour. Playing on familiar scenes in the public conscience or pop culture images ICY and SOT create pieces that are easily digestible at first glance but that also leave a lasting effect on their audience.
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artist spread
It’s been said that imitation is the greatest form of flattery. If this is true, Banksy should be proud. His work and mysterious persona as a street artist has inspired many and even spawned the work of Hanksy - a parody artist known for mashing up street art and pop culture to create memes that are far more real than just pictures circulating on the internet. From his rise to street art fame through images going viral on the web up until the present day, Hanksy’s work is characterized by a lowbrow approach that fascinates some and infuriates others. Either way his work is generally drawing strong reactions from those willing to stop and consider anthropomorphic figures spliced with celebrities. While hiding behind the veil of anonymity is Hanksy’s MO, he certainly isn’t all about art in the shadows. Recently, he helped organize and curate a large east village collaboration bringing attention to many noteworthy street artists. Even if he plans on staying behind the mask, we can expect Hanksy to bring more attention to worthy artists as he continues to play with ideas, puns and memes in his own singular way.
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artist spread
ERIK JONES New York galleries are among the most respected in the world and they consistently draw the best artists. Like many others, Erik Jones made the trek to follow artistic dreams. His risk is paying off as his paintings are garnering serious attention. It’s not surprising; With vivid geometric patterns sharing space with beautiful female figures Jones’ work is not lacking in visual appeal. Jones’ figures are at home sharing canvas space with the bright and colourful shapes that flank, dress and envelop them. While a lot of modern art looks to marry bright colours and shapes with the human figure, there is little doubt that Erik Jones is one of the most successful artists to bring the two together.
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music A home doubling as music studio with a view of a basketball court and the train tracks: this is how NYC music is made. With instruments in every room in the house, we can see at first glance these guys live for their passion, even if they have to hold down day jobs for now. Hospitality comes easy to KB and crew; from audio setup to pictures to recommendations for where to get a drink, these guys know what’s happening.
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words Kelly Stock photos David Tindall
KB JONES & THE KONTRABAND
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bmx
ADAM HAUCK
words Chris Perrin photos Yan Bleney 56
Pulling up to an empty skatepark at noon on one of the hottest days of the summer is how you separate the boys from the men. Characterized by an an adaptible but undeniably powerful riding style and thought-provoking honesty, Adam Hauck makes it look easy to mix passion and profession. He showed up and put on a show.
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EAST COAST ANGER watch his exclusive video online at decompoz.com
Focus, determination, and imagination go a long way when carving out a name in a scene. Sometimes, a little anger helps too. For New Jersey BMX and Mountain Bike (MTB) rider Adam Hauck, East Coast grit has not only made him someone to watch, it has also made him an integral part of the trick-riding universe, on almost any bike. There’s a lot that can be said about the West Coast, particularly in the MTB scene. They’ve got mountains, sun, and plenty of talent. But it isn’t the only place you can find awesome trick riding.
“The East Coast is where it’s at,” Hauck says of his home turf. “We just have more to offer.” And there is a lot on tap in and around NYC – “in a half hour, I can be in the woods, the middle of the city, or the beach,” making it the perfect “middle ground.” Then again, geography isn’t everything. “The East Coast is gritty… the winter makes people angry,” and it’s that injection of anger and grit that gives riding in the East an edge. Hauck came to MTB through BMX, and he still considers himself a BMXer at heart. Having been the first MTB rider in the world to throw down a “wall-ride to tail-whip” at the age of 16, Hauck’s BMX roots and influences are still evident in his riding today. When you live this close to NYC, though, your influences run deeper, and Hauck credits the art, and the vibe of the city, to the development of East Coast riding in general. It’s a chaotic place, and that chaos brings a creative side to his riding in impressive ways. Even though the MTB scene in NYC isn’t the biggest, riders still have the chance to cut their teeth in a variety of ways. With street-style, skatepark, and BMX in general being so influential, it was no wonder that Hauck jumped on a mountain bike that a friend offered him and started shredding, just killing time while try58
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