ArtBeat Auction Catalogue by dedoly240691

2016

AUCTION CATALOGUE 3

ARTBEAT

We are approaching five years of war in Syria. More than eight million Syrian children are in need of humanitarian aid. NEXTGen London presents ArtBeat: a project bringing together like-minded individuals with a passion for urban arts, quality music and philanthropy. Our aim is to raise awareness for the need to guarantee safe spaces for education and the mental / emotional consequences of conflict for children affected by war through street art mural campaigns. The inaugural event on Saturday June 25th is curated by Street Art Anarchy and the music programmed by established record label Phonica Records. Featuring artists from all corners of the globe, ArtBeat offers the opportunity to purchase pieces from the latest talents in street art through an online auction with 3WallsAuction. Syria has now become one of the most dangerous places on earth to be a child. An estimated 13.5 million people are in need of urgent lifesaving assistance inside the Syrian Arab Republic. Every day, children in Syria face unspeakable violence, a lack of clean water, and increased risk of disease. Having lost homes and schools, children are more vulnerable to abuse, exploitation and separation. Combined with strong levels of poverty, socio-economic marginalisation can leave those children with desires of migration or with forms of radical behaviour, both events we unfortunately know all too well… Last year, Unicef and partners reached 7.9 million people, in 2016 there will be 12 million people to reach, over half of them are children. Unicef is also providing children with psychosocial support to help them come to terms with their experiences and look towards the future. Art therapy sessions are a vital part of the psychological process and help children express themselves and their feelings through art. The art classes also help children make friends in their new surroundings and develop routines to help them cope with the distress they have been through.Through a series of innovative events and creative collaborations, Unicef’s NEXTGen raises funds and awareness for this vital cause. Today we can help children get their childhood back. We can give them the opportunity for a brighter future by helping Unicef provide education, protection, and a positive environment where children can play. Thank you to all those involved in ArtBeat and the creative minds behind the project who believe passionately in making ideas blossom: Genevieve Curtis, Niccolo Corsini, AnneHelene d’Arenberg, Hortense Decaux, Olympia de Dietrich, Jeanne Roboh, Layla Yarjani, Irfan Vissandjee and Anne Vogt. 3

ARTBEAT

UN013172

UN013174

ARTBEAT

ARTBEAT 25TH JUNE 2016 ArtBeat: a project bringing together like-minded individuals with a passion for urban arts, quality music and philanthropy. With the proceeds raised through this charity auction, Unicef UK will be able to provide water, food, education, child protection and assistance to Syrian refugee children.

AUCTION CATALOGUE p8. MORE ON UNICEFâ&#x20AC;&#x2122;S NEXT GENERATION p56.

ARTBEAT

PROGRAM Exhibition Room LIVE AUCTION: https://3wallsauction.com/artbeat2016/ All week starting Friday June 17th & closing Saturday June 25th @ 8pm TALKS Nadim Ahmed @ 2pm “Street Art & Education” PROJECTIONS Video Room Interactive Projections & Photo Booth Camden Lock Place STREET PARTY Phonica Records STREET FOOD Wing It Juicy Kitchen

ARTBEAT

AUCTION LOTS 1 ADNATE, Can We, 2015 p8 2 ALEXANDRE KETO, Odô, 2015 p9 3 BASIK, Non Sequitur, 2015 p10 4 ICON, The Empire Strikes Back (Silver), 2016 p11 5 ASTRO, Peace (Blue), 2014 p12 6 ASTRO, Peace (Grey), 2014 p13 7 ASTRO, Peace (Red), 2014 p14 8 JEF AEROSOL, Twiggy, 2012 p15 9 ICON, Last Trip to Wonderland, 2016 p16 10 JAMES COCHRAN, Midnight Heart, 2016 p17 11 OKUDA, Kaos Star, 2016 p18 12 SEE ONE, Daytona 500, 2014 p19 13 DOT DOT DOT, Handgun, 2013 p20 14 GOLA HUNDUN, ASCESI (Blue), 2014 p21 15 GOLA HUNDUN, ASCESI (Green), 2014 p22 16 GOLA HUNDUN, ASCESI (Purple), 2014 p23 17 ALEXANDRE KETO, Xorô, 2015 p24 18 BUSTART, The Streets Are Ours, 2014 p25 19 KOUKA, Balakoï, 2015 p26 20 PATCH WHISKY, No Parking, 2014 p27 21 CLET ABRAHAM, La Cintura (The Belt) p28 22 INVADER, Rubik Boys Don’t Cry, 2009 p29 23 JASON WOODSIDE, Paris Paperworks, 2015 p30 24 SEE ONE, Mi Amor, 2013 p31 25 ALEXANDRE KETO, Nature, 2015 p32 26 BUFF MONSTER, Small Self Portrait, 2016 p33 27 ISAAC CORDAL, Angels p34 28 KASHINK, Hopefully…, 2014 p35 29 HANDIE DAN, AMO, 2013 p36 30 MARINA ZUMI, Inner Light, 2013 p37 31 MR BARLO, Enigma Sospeso p38 32 VHILS, Dissonância p39 33 A1ONE, Obstacle No.01, 2014 p40 34 COL, Untitled Delusions 1, 2016 p41 35 COL, Untitled Delusions 2, 2016 p42 36 RUSSEL KING, Smile p43 37 ICON, Countdown, 2016 p44 38 OKUDA, Kaos Star (Dark/Light), p45 39 OKUDA, Kaos Star (Light), p46 40 SEE ONE, Symphonies of Blinding Light, 2013 p47 41 MARTIN WHATSON, Cello Player, 2016 p48 42-47.RENE GAGNON, Graffiti Soup (Variant 1-6), 2016 p49- 54

ARTBEAT

LOT1

Adnate

Can We, 2015 Acrylic Ink and archival pigment print on 310gsm HahneVideo muhle archival paper Artist’s Proof - Signed 23.6 × 16.7 in. – 60 × 42.5 cm. ESTIMATE: £200 – £300

STARTING BID: £100

Adnate is an artist that realizes his portraits in spray paint. He has moved past his roots in graffiti, utilizing the medium to carry his realist style into the fine art realm. Heavily influenced by the chiaroscuro of renaissance painters like Caravaggio, Adnate embraces portraiture like the masters of the XXI Century. Elevating graffiti art above the level of letter writing, Adnate’s subject matter and their subsequent status often belies the intent of his portraits. His works are often cropped by evocative slices of vibrant colour, channelling a presence of character, much like a still life uses it’s background as a setting for detail and showing of fine brushstrokes. Adnate’s realism is highlighted by the use of what appears careless, but is frequently calculated blocks of vibrant colour.

ARTBEAT

LOT2

alexandre KETO

Odô, 2015 Acrylic on paper 11.7 × 16.5 in. – 29.7 × 41.9 cm - Signed ESTIMATE: £400 - £600

STARTING BID: £200

Born in Sao Paulo capital, A. Keto started doing graffiti in the rather traditional way. It did not take long though, until he felt the need to create drawings that resembled the people living im his neighbourhood (black-skinned people), since they were not being appreciated or represented in any other way. A. Keto put this need into action and people saw him painting in the streets, stopped to have a chat or sometimes just watched his work. But even simple looks became a means of communication and perception. They approached each other more and more, exchanged personal experiences and he started to understand more about the peoples’ feelings, desires, problems and interests. Becoming aware of this was decisive for the development of his work. It woke an ambition in him that went far beyond the aim to exhibit his works and to create pieces of art that please critics. It is much more than that: He desires to transform the peoples’ realities that make part of his own reality through artistic interventions and to create a society.

ARTBEAT

LOT3

BASIK

Non Sequitur, 2015 Black & gold silkscreen on 100% cotton archival paper - Signed 22 × 28 in. – 55.9 × 71.1 cm. ESTIMATE: £100 – £200

STARTING BID: £50

Basik, who has been active since the beginning of the Nineties as a graffiti writer, has developed his personal style switching from spray paint to a broader range of media over the years, mixing elements of his writer’s background with inspirations from art from the middle ages onward, as well as modern and contemporary art and typography. The essential and well defined features of his works thinly remind of influences from graphic design, whilst the material approach of his latest production enlightens the need ofa more intense connection between the artist, the subject depicted and the support.His figurative works lately focus in particular on hands’ gestures and take inspiration from distinctive traits in popular culture, religious imagery and symbolism. At the end of the nineties he is awarded by the specialized magazine Aelle as one of the three most influential graffiti writers of his country. In 2007 his paintings are featured in the huge collective show Street Art Sweet Art at PAC (Contemporary Art Pavilion) in Milan, which definitely officialised the street art movement in Italy. Basik has exhibited in San Francisco, Los Angeles, London, Berlin and Milan, among other cities. He currently lives and works in Rimini, Italy.

ARTBEAT

LOT4

ICON

The Empire Strikes Back (Silver), 2016 Limited edition - Silkscreen on silver foil stock Signed, numbered and embossed 19.7 × 23.6 in. – 50 x 60 cm. ESTIMATE: £100 – £200

STARTING BID: £50

Icon is a street artist from Thamesmead in the south east of London. An area infamous for being the back drop for the cult movie classic A Clockwork Orange. Working with contrasting styles of cartoon and reality, Icon delivers messages of social commentary through his socially conscious street art. Icon’s unique mix of controvisity and humour ensures you always have a spoonful of sugar to help the medicine go down. Icon is active on the streets of London, Berlin and Los Angeles and his unique style has gained him critical acclaim for his thought provoking pieces. Icon is a purest, holding street art culture closely to his heart and believing that art can change anything. Icon’s identity remains unknown.

ARTBEAT

LOT5

ASTRO

Peace, 2014 (blue) Acrylic spray paint and silkscreen - Number x/50 Signed, numbered and dated 22 × 28 in. – 55.9 × 71.1 cm. ESTIMATE: £100 – £200

STARTING BID: £50

Hailing from the northern Parisian suburbs, French graffiti artist Astro (part of ODV crew) has started to develop quite a name for himself. Astro’s work has been constantly evolving for the past 10 years, shifting from elaborate graffiti writing, to his more current techniques of intertwining and flowing linework done solely using fat caps. Rhythmic, sinuous, and linear are some of the first words that come into the viewer’s mind when introduced to Astro’s arabesque, calligraphic murals. Although Astro has newly adopted this style for himself, one may find that he pulls inspiration from more grounded art movements like Op-Art and uses elements of ancient Islamic traditions in the decorative arts. Recently, Astro completed a large scale mural in Quinta do Mocho (near the city of Loures), Portugal for the GAP “Galerie de Arte Publica” Project.

ARTBEAT

LOT6

ASTRO

Peace, 2014 (grey) Acrylic spray paint and silkscreen - Number x/50 Signed, numbered and dated 22 × 28 in. – 55.9 × 71.1 cm. ESTIMATE: £100 – £200

STARTING BID: £50

ARTBEAT

LOT7

ASTRO

Peace, 2014 (red) Acrylic spray paint and silkscreen - Number x/50 Signed, numbered and dated 22 × 28 in. – 55.9 × 71.1 cm. ESTIMATE: £100 – £200

STARTING BID: £50

ARTBEAT

LOT8

JEF AEROSOL

Twiggy, 2012 Screen print on Arch Paper -This edition has been printed to celebrate Jef’s 30 years of career Number 17/80 - Signed, dated and numbered by the artist 31.5 × 23.6 in. – 80 × 60 cm. ESTIMATE: £600 - £800

STARTING BID: £300

Jef Aerosol is a legend of Street Art. He started stencils in 1982 in France. With other French artists like Blek Le Rat, Miss Tic, and Speedy Graphito, he has pioneered a new way of artistic expression - breaking the limits of gallery spaces and canvas format. Streets have become a free and open exhibition arena. Steadily from the ’80s to the ’10s Aerosol has cut and sprayed stunning portraits of his heroes; cultural icons who stand undiminished by the hype. They connect directly with the masses and shake public opinion with humor and provocation; Strummer, Cash, Vicious, Hendrix, Bowie, Bardot, Cobain, Lennon, Smith, Jagger – all brainy agitators and vixens cut and sprayed in stark layers of black, grey and white. Jef has painted walls in cities including Paris, London, Lisbon, Chicago, New York, Bejing, Venice, Amsterdam, Rome, Zurich, Berlin, Dublin, and Tokyo.

ARTBEAT

LOT9

ICON

Last Trip to Wonderland, 2016 Limited special edition silkscreen on 375gsm Lambeth cartridge paper Signed, numbered and embossed 19.7 × 27.6 in. – 50 × 70 cm. ESTIMATE: £200 – £400

STARTING BID: £100

ARTBEAT

LOT10

JAMES COCHRAN

Midnight Heart, 2016 Acrylic on canvas Signed 19.6 × 15.8 in. – 50 × 40 cm ESTIMATE: £500 – £1,000

STARTING BID: £250

James Cochran, aka Jimmy C, played a key role in the development of the underground graffiti movement in Australia during the early 1990’s, and after working on numerous mural commissions and community arts projects, went on to complete a Masters degree in Visual Arts at the University of South Australia with an interest in urban realist and figurative oil painting. His two interests in graffiti and oil painting converged, leading to the development of Cochran’s signature aerosol pointillist style; portraits or urban landscapes painted entirely from dots and dashes of spray paint. This technique developed into what he called the ‘drip paintings’ and the ‘scribble paintings’, composed of layers of coloured drips or energetic lines to form vibrant and poetic cityscapes and portraits. Cochran now lives in London and his canvases and walls can be viewed in cities across the world.

ARTBEAT

LOT11

OKUDA

Kaos Star, 2016 Silkscreen print on fine art paper - Signed and numbered 16.5 × 16.5 in. - 42 × 42 cm. ESTIMATE: £200 – £400

STARTING BID: £100

Okuda began his career as a street artist by painting in old factories and lost railways in 1996. Since 1997 his works have been recognized on roads and the factories in Santander. By 2009, his work hit a major point in his career. He had an opportunity to tour with IAM project doing gallery shows in New York City, Berlin, London, and Paris that helped him obtain new and more mature audiences. Okuda’s work can be classified as pop surrealism with a clear essence of street art or urban art. His artwork is composed of geometric prints and multicolored ephymeral architectures that help blend with grey bodies and organic forms. These pieces of artwork often raise contradictions about existentialism, the universe, the infinite, the meaning of life, and the false freedom of capitalism. They help ignite conversations about the clear conflict between modernity and our roots.

ARTBEAT

LOT12

SEE ONE

Daytona 500, 2014 Mixed media and acrylic on canvas - Signed 30 × 24 in. – 76 × 60 cm. ESTIMATE: £1,000 – £1,500

STARTING BID: £500

Born in New York in 1980, See One deems himself illustrator, abstract painter, comic book artist, and graffiti writer. His style can be broken up into two different focuses; one centered around his pop-appealing, graphic comic book character Miru, and the other around an abstract style of layered complexities. See One’s graffiti abstraction hybrid is based on a very simple concept, “shards;” swirling, sharp shapes that are reminiscent of broken glass. The many layers of collage, tags, and signature shards come together on canvas or mural to mirror See One’s layered past. He himself naming his style a representation of New York’s contemporary graffiti-abstraction hybrid. See One has been exhibiting works since 2007 within the United States and abroad. His many public murals can be found in the streets of New York City and Miami’s Art Basel. He has also been notably featured in the Wooster Collective 10th Anniversary Magazine.

ARTBEAT

LOT13

DOT DOT DOT

Handgun, 2013 Mixed media and silkscreen on paper 1/1 - Signed 25.6 × 25.6 in. – 65 x 65 cm. ESTIMATE: £2,000 – £3,000

STARTING BID: £1,000

DOT DOT DOT was born in Oslo, Norway. He first started as a graffiti artist in 1997. Operating under several different pseudonyms over the following years, he decided to step into a more figurative and conceptual mode of art. Around 2007, he started to do stencil art whilst continuing to do graffiti. He participated at LandArt in October 2012, curated by Norwegian artists Mari Meen Halsøy and Kine Lillestrøm, in Romerike/Gjerdrum, just outside Oslo. In October 2012, DOT DOT DOT together with ARD (All Rights Destroyed) arranged an exhibition in Oslo called “the ARD*POP-UP Festival”, inviting national and international artists to paint walls in Oslo. His paintings have 1970s pop art references refreshed through modern street art aesthetics.

ARTBEAT

LOT14

Gola Hundun

ASCESI, 2014 (blue), Silkscreen on fabriano rosaspina paper - Number 6/23 Signed and numbered 23.6 × 15.7 in. - 60 × 40 cm. ESTIMATE: £100 – £200

STARTING: £50

Italian born artist Gola Hundun AKA Göla lives and works between Spain and Italy. Interested in art from an early age, Göla started traditional graffiti style lettering at the age of 12, later becoming inspired by creations seen on street walls in Barcelona. His sculptural public installation works are a true mix of medias, incorporating paint, fibres, organic plant life, electronics, live performance, etc. Being influenced by vegetarianism in his teenage years, Göla’s present day works echo that with the use of tones in animal ideologies; showing different aspects between relationships of the biosphere and human beings. To the viewer his work takes on a role of mysticism; showcasing pulling and pushing energies in zoology with a hint of something oddly psychedelic. Göla has exhibited works all over the world, most recently in Bari, Amsterdam, and Moscow.

ARTBEAT

LOT 15

Gola Hundun

ASCESI, 2014 (green) Silkscreen on fabriano rosaspina paper - Number 6/23 Signed and numbered 23.6 × 15.7 in. – 60 × 40 cm. ESTIMATE: £100 – £200

STARTING: £50

ARTBEAT

LOT16

Gola Hundun

ASCESI, 2014 (purple) Silkscreen on fabriano rosaspina paper -Number 6/23 Signed and numbered 23.6 × 15.7 in. – 60 × 40 cm. ESTIMATE: £100 – £200

STARTING: £50

ARTBEAT

LOT17

alexandre KETO

Xorô, 2015 Acrylic on paper 11.7 × 16.5 in. – 29.7 × 41.9 cm. ESTIMATE: £400 – £600

STARTING BID: £200

ARTBEAT

LOT18

BUSTART

The Streets Are Ours, 2014 Collaboration by Bustart and Zaira Hand-painted multiple (50 layers of hand-drawn and cut stencils) with acrylic spray paint on paper - Edition of 3, each one slightly different and unique Signed by both artists and dated 19.7 × 27.6 in. – 50 × 70 cm. ESTIMATE: £400 – £600

STARTING BID: £200

Creating surroundings based on inner imaginations and dreams is everyone’s responsibility according to Swiss born street artist Bustart. He believes that with the right motive, no matter where you are in the world, you can in fact make a positive contribution to better humanity. For Bustart, there is no limit to art making. His work contains many layers built upon one another; done freehand with stencils, markers, or paints. He deems his style as versatile, but considers that he is probably most well known for his stencil works, which are done using comic book style creatures featuring bold outlines. Pulling inspiration from Pop Art, his pieces are exquisitely colorful and harmonious with their designs.

ARTBEAT

LOT19

KOUKA

Balakoï, 2015 Mixed media monotype - Hand finished in oil and resin - Signed 44.5 × 28.7 in. - 113 × 73 cm. ESTIMATE: £1,000 – £1,500

STARTING BID: £500

Kouka is an artist born in Paris in 1981. Franco-African grandson of expressionist painter Francis Gruber, he graduated from the Fine Arts School in Avignon in 2000. He ceaselessly questions his origins, through his paintings and street art. Kouka develops his themes through various forms of portraiture around identity and the essence of human nature. His work is characterised by expression and spontaneity of gesture, revealing imperfections and drips. His painting plays with the language of graffiti to explore the meaning of the image. Since his famous “Guerriers Bantus” [Bantu Warriors] which is his first urban work, he never fails to remind us that the public space, like the world, belongs to no-one and that while it may be possible to seize territory, you cannot appropriate a culture.

ARTBEAT

LOT20

PATCH WHISKY

No Parking, 2014 Acrylic on aluminium street sign - Signed 12 x 18 in. – 30.6 x 45.8 cm. ESTIMATE: £600 – £800

STARTING BID: £300

Fine Art graduate from the Art Institute of Pittsburgh, Patch Whisky now works as a large scale muralist/painter based in Charleston, South Carolina. Primarily working with the mediums of aerosol and acrylic paint, his vibrant and illustrative creative style can be seen on numerous buildings across the east coast and midwestern United States. Whisky’s bold, in your face color palette immediately confronts the viewer with his belief of “magical emotions”; the idea of bringing life into things that never before existed. By truly losing himself within his characters, Whisky often finds himself covered head to toe in paint. Patch Whisky has had his works featured in galleries and many art publications within the US and abroad, including, The New York Times, the Museum of Sex in NY, and Paris, France. His commercial clients include names such as, Warner Brothers Motion Pictures, Absolute Vodka, and Mellow Mushroom.

ARTBEAT

LOT21

Clet Abraham

La Cintura (The Belt) Decal on Italian “No Parking” street sign 2/17 - Signed Diameter: 23.6 in. – 60 cm. ESTIMATE: £2,000 – £3,000

STARTING BID: £1,000

Following his studies l’école des Beaux-Arts in Rennes and having exhibited in various French galleries, Clet Abraham moved to Rome where he exercised as a restorer of antique furniture. He exhibited in numerous galleries in Rome and Paris (Galleria Studio 99 Gallery Le Marais in Paris, Galerie Armel in Nantes) and in different cultural institutions. In 2005, he moved to Florence where he still resides today. His works are experiencing a notable success with private collectors in Paris, Monte Carlo, New York. Many private entities, such as Banca Popolare dell’Etruria e del Lazio, the Istituto Tommaso Crudeli of Udine and the Castello di Poppi have commissioned him for prestigious works. He participated in three editions of the company Fuori Luogo organized by the collective exhibition Chiessi e Fedi in 2008 at Palazzo Strozzi, 2009 at the Teatro della Pergola and in 2010 at the Galleria delle Carrozze the Palazzo Medici-Riccardi.

ARTBEAT

LOT22

INVADER

Rubik Boys Don’t Cry, 2009 8 colors silkscreen - Number 7 / 40 Signed, numbered and dated 27.6 × 27.6 in. – 70 x 70 cm. Estimate: £1,000 – £1,500

STARTING BID: £500

Born in 1969, the well-known French urban artist grew up playing video games and though many kids of today can relate, the games of the time had a “slightly” different visual form. Made with 8-bit graphics that was common of the era, the games influenced the artist to portray the characters present in them in the suitable form of mosaics, representing each pixel with a tile. More than just the subject of his work, the artist’s pseudonym derives from one such game titled Space Invaders, and the artist often goes as far as to state in interviews that he attended a tiling school on Mars (he, in fact, is a graduate of the École des Beaux-Arts in Paris). Placing his works across the streets from Hong Kong to New York, he refers to these postings as “invasions” as he installs various 8-bit characters in publicly visible places.

ARTBEAT

LOT23

JASON WOODSIDE

Paris Paperworks, 2015 Acrylic spray paint on paper Signed 39.3 × 27.6 in. – 100 x 70 cm. ESTIMATE: £600 – £800

STARTING BID: £300

Originally born in Miami, Florida, Jason Woodside briefly attended the School of Visual Arts, NYC and is now living and working in New York, NY. Woodside’s signature style of linear mismatching patterns in hues of optimistic colors attracts both the New York passerby and private collectors alike. Using mostly aerosols and paints, Woodside walks a tight line of bridging “post-graffiti street art” and commerce without selling out. His clean, modern aesthetic has helped define and push the boundaries of traditional street art. Most recently, Woodside has collaborated with noteworthy brands like Obey; combining his bold palette with Shepard Fairey’s iconic imagery.

ARTBEAT

lot 24

SEE ONE

Mi Amor, 2013 Mixed media, ink and acrylic on canvas - Signed 3.5 × 5 ft. – 106.7 × 152.4 cm. ESTIMATE: £4,000 – £5,000

STARTING BID: £2,000

ARTBEAT

LOT25

alexandre KETO

Nature, 2015 Acrylic on paper - Signed 11.7 × 16.5 in. – 29.7 × 41.9 cm. ESTIMATE: £400 – £600

STARTING BID: £200

Born in Sao Paulo capital, I started doing graffiti in the rather traditional way. It did not take long though, until I felt the need to create drawings that resembled the people living in my neighbourhood (black-skinned people), since they were not being appreciated or represented in any other way. I put this need into action and people saw me painting in the streets, stopped to have a chat or sometimes just watched my work. But even simple looks became a means of communication and perception. We approached each other more and more, exchanged personal experiences and I started to understand more about the peoples’ feelings, desires, problems and interests. Becoming aware of this was decisive for the development of my work. It woke an ambition in me that went far beyond the aim to exhibit my works and to create pieces of art that please critics. It is much more than that: I desire to transform the peoples’ realities that make part of my own reality through artistic interventions and to create a society.

ARTBEAT

LOT26

BUFF MONSTER

Small Self Portrait #7, 2016 Acrylic on cradled wood panel 12 × 12 in. – 30.5 × 30.5 cm. ESTIMATE: £2,000 – £3,000

STARTING BID: £1,000

The color pink, a symbol of confidence, individuality and happiness, is present in everything Buff Monster creates. Originally known as a street artist, over the last fifteen years, he’s worked on an impressive variety of projects. His meticulously executed paintings have been shown in galleries around the world; one painting hangs in the Bristol City Museum as part of their permanent collection. He’s also created a variety of limited edition collectibles including vinyl and resin toys, prints, shirts, stickers and two series of his ambitious trading cards/stickers called The Melty Misfits. He’s worked with some of the most recognizable brands such as Disney, Converse, Hello Kitty, Samsung, Coca-Cola and others. Along the way, he’s cultivated an impressive following on social media. And whether he’s at home in New York City, or being flown around the world, he still enjoys painting large colorful murals. Most recently, Jeffrey Deitch asked him to participate in a mural project in Coney Island. He was also featured in Banksy’s Oscar-nominated documentary: Exit Through the Gift Shop. He’s a tireless worker, often citing heavy metal music, ice cream, Pop art, Japanese Culture and graffiti as major influences.

ARTBEAT

LOT27

ISAAC CORDAL

Angels Hand-painted sculpture, resine polyurethane Size: 11.8 × 6.3 × 3.1 in. – 30 × 16 × 8 cm. ESTIMATE: £400 – £600

STARTING BID: £200

Isaac Cordal first began making cement sculptures in 2002 and first placed them out in the streets in 2006 in the Spanish city of Vigo. The cement figurines are tiny and so easy to miss if you are not on the look out but you will feel rewarded when you see your first. Isaac Cordal is best known for his Cement Eclipses, a group of projects in which he has been engaged since 2006, consisting of miniature cement sculptures photographed in urban space. Standing only about 25cm tall, his human figurines are modeled in clay or plasticine and then reproduced in cement using silicone moulds. After sculptures are ready, the artist puts them in his backpack and goes in search of interesting spaces for his artworks. With the simple act of reducing a size and thoughtful placement, Isaac Cordal incredibly expands the imagination of passers-by who find his sculptures on the street. The pieces serve for Cordal as a metaphor to reflect on themes such as politics, bureaucracy, human misery, climate change, and power.

ARTBEAT

LOT28

KASHINK

Hopefully…, 2014 Acrylic on paper (vintage French newspaper from 1935), mounted on wood 17.7 × 23 in. – 45 × 58.5 cm. ESTIMATE: £600 - £800

STARTING BID: £300

KASHINK is one of the few very active female artists in the French graffiti/street art scene. She lives in Paris, France, and has travelled a lot throughout the world, getting inspiration from many different cultures. She paints huge four eyed characters, with thick lines, vivid colors, in a very distinctive style. Artistically speaking, her big inspirations are very diverse, such as Gilbert and George, Keith Haring, Frida Kahlo or Charles Burns. Her work has been shown in galleries in many European countries (France, Switzerland, UK, Italy) and also in Canada and California. The themes she’s been treating in her shows are meaningful: the absurdity of social interactions through the theme of masks, the taboo subject of death and the various ways to deal with it especially in the latino culture.

ARTBEAT

LOT29

HANDIE DAN

AMO, 2013 Giglée print on 315 gsm Innova Smooth Cotton Natural paper Artist’s Proof, Number 2/4 Signed and numbered 16.5 × 19.8 in. – 42 × 50 cm. ESTIMATE: £1,000 – £1,500

STARTING BID: £500

Handie Dan‘s artistic universe revolves around some leading visual motifs and yet it amazes thanks to its complexity, both in terms of formal composition and in terms of the technique she uses for making them. These two aspects together determine the irresistible charm of her art. With a background in photographic design (graduated), illustration and graphic design (self taught), Handiedan started working as a mixed media collage artist in 2007.

ARTBEAT

LOT30

Marina Zumi

Inner Light, 2013 Screen-print on paper, with hand sewn gold threads Edition 20 of 100 - Signed and numbered 26.8 × 18.9 in. – 68 × 48 cm. ESTIMATE: £200 – £300

STARTING BID: £100

Argentinian born artist Marina Zumi came into the street art scene early on, becoming one of the original formative members of Expression Sessions in Buenos Aires. Working mainly with aerosols, Zumi’s exquisite and delicate palette of pastel colors provides serenity amongst the busy urban streets where she paints. Using her past background in the field of fashion design, her unique style blends femininity and nature; she seeks to bring an oasis of purity and peace to crumbling concrete walls. Zumi works both independently and collaboratively in galleries and streets across the globe. Her craft is an ever continuous personal journey of development and self-teaching.

ARTBEAT

LOT31

MR BARLO

Enigma Sospeso Acrylic and emulsion on canvas 29.5 × 35.4 in. – 75 × 90 cm. ESTIMATE: £1,000 – £1,500

STARTING BID: £500

Barlo is an Italian painter and designer based in Hong Kong. He has always been drawing and started painting on the wall at the age of 15. Growing up he kept exploring different creative approaches including graphic design and digital media. At the age of 20 he left Italy and moved to the UK to further continue his studies, then Hong Kong where he works as a artist and graphic designer. Since then he has chosen “Barlo” as pseudonym, referring to his home town Barletta, and has established a more mature aesthetic mixing bits from both western and eastern cultures. Strongly influenced by metaphysics and expressionism, his work focuses on mythological creatures, natural elements and a more generic feeling of nostalgia.

ARTBEAT

LOT32

VHILS

Dissonância Acrylic ink, quink ink, bleach, acid and silkscreen on 300gr paper Artist’s Proof - Signed 32.7 × 24 in. – 83 × 61 cm. ESTIMATE: £600 - £800

STARTING BID: £300

Vhils grew up in Seixal, an industrialised suburb across the river from Lisbon, the capital of Portugal, and was deeply influenced by the transformations brought on by the intensive urban development the country underwent in the 1980s and 1990s. He was particularly inspired by the way city walls absorb the social and historical changes that take place around them. Applying his original methods of creative destruction, Vhils digs into the surface layers of our material culture like a contemporary urban archaeologist, exposing what lies beyond the superficiality of things, restoring meaning and beauty to the discarded dimensions buried beneath. His unique approach and artwork have been garnering critical acclaim around the world.

ARTBEAT

LOT33

A1ONE

Obstacle No.01, 2014 Spray paint and acrylic on canvas Signed in the back. Accompanied by a Certificate of Authenticity issued by the artist. 39.4 × 27.6 in. – 100 × 70 cm. ESTIMATE: £2,500 - £3.500

STARTING BID: £1,250

Born in: Iran, Teheran ,1981 Having been Kidnapped by the Iranian plainclothes Intelligence service guards and interrogated for a couple of days, A1one had no other choice rather than resorting to a life in exile. Presently residing in Europe and deprived of his once-own atelier in Iran and parted from his family, he continues his art activities in a confined space! He is the one who was once counted as the person who introduced graffiti to the Middle east. Now he is still pushing the boundaries and trying to stay away from the current authority-backed Urban fine art Muralism waves which are marginalizing the real Graffiti and totally substituting it. A1one has started to do his first spray scribble on the walls of Tehran in 1995 but it was not until 2003 when he chose Street Art as his true means of communication on the walls of Tehran.He always experiment versatile artistic worlds ranging from stencils to calligraphic-based pieces as well as a series of characters, titled Urban Primitives. besides the pieces in his motherland , A1one has also left his marks in many other countries like India, Australia, Italy, Germany, France, Czech, Cuba to name some.

ARTBEAT

LOT34

COL

Untitled Delusions 1, 2016 Mixed media on wood 24 × 48 in. – 61 × 122 cm. ESTIMATE: £800 – £1,200

STARTING BID: £400

Influenced by the intense emotions and movements of Abstract Expressionism, Col Wallnuts pieces mix 3-Dimensional silhouettes with an energetic graphical palette, however, more recently, his pieces have begun to explore the dynamism of linear minimalism. By using a variety of mediums including open acrylics, spray paints, oils, papers, and mixed media, Wallnut’s work provides energy to the structures that have been painted on. The constant forces of push and pull, heavy brushstroke, and negative space within Wallnut’s work help to guide the viewer to a new found interpretation of color, life, and form. Col Wallnuts has exhibited works around the United States and abroad, such as Art Basel Miami, Art Basel Hong Kong, Seattle, Portland, Germany, and Switzerland.

ARTBEAT

LOT35

COL

Untitled Delusions 2, 2016 Mixed media on wood 24 × 48 in. – 61 × 122 cm. ESTIMATE: £800 – £1,200

STARTING BID: £400

ARTBEAT

LOT36

RUSSEL KING

Smile Mixed Media on Wood 30 × 30 in. – 76 × 76 cm. ESTIMATE: £2,000 – £3,000

STARTING BID: £1,000

Influenced by the imagery of his formative years as well as his experience as a New Yorkbased street artist, Russell employs a variety of disciplines in his work. Through screen printing, mixed media, and installations, Russell seeks to present familiar and nostalgic images and ideas in alternate settings than their original intent, allowing the viewer to experience them with a different perspective. As media becomes an even more powerful and overwhelming part of our daily lives it is often difficult to see its effects until we have a chance to reflect on the faded and disjointed memories that become part of who we are. Russell has appeared in a number of publications including the New York Times, Business Insider, Conde Nast Fingerprints, New York Magazine, as well as a featured artist in Outdoor Gallery New York.

ARTBEAT

LOT37

ICON

Countdown, 2016 Acrylic spray-paint on cartridge paper Signed and embossed 23.2 × 33.1 in. – 59 × 84 cm. ESTIMATE: £300 – £500

STARTING BID: £150

ARTBEAT

LOT38

OKUDA

Kaos Star (Dark) Limited Edition Skateboard Deck Number 12/111 - Signed and numbered 32.11 × 8 in. – 81.6 × 20.3 cm. ESTIMATE: £100 – £200

STARTING BID: £50

ARTBEAT

LOT39

OKUDA

Kaos Star (Light) Limited Edition Skateboard Deck Number 12/111 - Signed and numbered 32.11 × 8 in. – 81.6 × 20.3 cm. ESTIMATE: £100 – £200

STARTING BID: £50

ARTBEAT

LOT40

SEE ONE

Symphonies of Blinding Light, 2013 Mixed media, ink and acrylic on canvas - Signed 50 × 40 in. – 127 × 101.6 cm. ESTIMATE: £3,500 – £4,500

STARTING BID: £ 1,750

ARTBEAT

LOT41

MARTIN WHATSON

Cello Player, 2016 Acrylic ink, spray-paint and silkscreen on paper -Artist’s Proof - Signed and dated 25.1 × 25.1 in. – 64 × 64 cm. ESTIMATE: £800 – £1,200

STARTING BID: £400

Martin Whatson is a Norwegian stencil artist, born in 1984. He studied Art and Graphic Design in Oslo, at the Westerdals School of Communication. There he started to develop an interest in the art of graffiti and stencil. Since 2004, he started producing his own works, and has participated in many exhibitions. He also collaborated with many other urban artists. A street art follower since the nineties decade, it wasn’t until he discovered Banksy when he decided to try with the stencil. This is why his work combines these two elements in a unique way and it is characterized by grey monochromatic images done with stencils and decorated with graffiti of vibrant colors. Martin Whatson is inspired by people, posters or other graffiti and has a weakness for urban spaces that are decayed and abandoned. political or social criticism but he likes to leave a subtle message on which anyone can reflect and draw his or her own conclusions.

ARTBEAT

LOT42

RENE GAGNON

Graffiti Soup (Variant 1), 2016 4 color silkscreen on 300gsm paper - Signed, numbered, dated and blind stamped. Accompanied by a Certificate of Authenticity issued by the artist. 23 × 20 in. – 58.4 x 50.8 cm. ESTIMATE: £100 – £200

STARTING BID: £50

Gagnon’s art is personal, intimate and yet universal in its metaphorical power of transferring ideas. Everything he makes is a product of personal beliefs and formed opinions on various political, socioeconomic and cultural issues. Finding his place between classical graffiti art and advanced painting, he uses every one of his pieces as a token of self-exploration and a utility to discharge his emotions. He uses pop culture references such as classic Hollywood stars and motives from the Star Wars franchise and even takes his turn on an urban version of Picasso. Sticking to the mantra that in order to be successful one must do what he loves, Gagnon found his inner voice in painting, abstract art, and in making his personal statements visible in his unique fusion of postgraffiti urban expressionism.

ARTBEAT

LOT43

RENE GAGNON

Graffiti Soup (Variant 2), 2016 4 color silkscreen on 300gsm paper -Signed, numbered, dated and blind stamped. Accompanied by a Certificate of Authenticity issued by the artist. 23 × 20 in. – 58.4 x 50.8 cm. ESTIMATE: £100 – £200

STARTING BID: £50

ARTBEAT

LOT44

RENE GAGNON

Graffiti Soup (Variant 3), 2016 4 color silkscreen on 300gsm paper -Signed, numbered, dated and blind stamped. Accompanied by a Certificate of Authenticity issued by the artist. 23 × 20 in. – 58.4 x 50.8 cm. ESTIMATE: £100 – £200

STARTING BID: £50

ARTBEAT

LOT45

RENE GAGNON

Graffiti Soup (Variant 4), 2016 4 color silkscreen on 300gsm paper -Signed, numbered, dated and blind stamped. Accompanied by a Certificate of Authenticity issued by the artist. 23 × 20 in. – 58.4 x 50.8 cm. ESTIMATE: £100 – £200

STARTING BID: £50

ARTBEAT

LOT46

RENE GAGNON

Graffiti Soup (Variant 5), 2016 4 color silkscreen on 300gsm paper -Signed, numbered, dated and blind stamped. Accompanied by a Certificate of Authenticity issued by the artist. 23 × 20 in. – 58.4 x 50.8 cm. ESTIMATE: £100 – £200

STARTING BID: £50

ARTBEAT

LOT47

RENE GAGNON

Graffiti Soup (Variant 6), 2016 4 color silkscreen on 300gsm paper -Signed, numbered, dated and blind stamped. Accompanied by a Certificate of Authenticity issued by the artist. 23 × 20 in. – 58.4 x 50.8 cm. ESTIMATE: £100 – £200

STARTING BID: £50

ARTBEAT

MORE ON UNICEF WHAT WE DO Syrians are now facing the largest humanitarian crisis in the world. An estimated 13.5 million people are in need of urgent lifesaving assistance inside the Syrian Arab Republic, including 8 million children. Unicef and partners reached 7.9 million people in 2015, there are 12 million people to reach in 2016, over half of them are children.

LAST YEAR UNICEF: Supported the construction of 162 groundwater wells servicing more than 2.7 million people and provided water trucking for 750,000 people and improved water sanitation services for 7.3 million people. Launched Unicefâ&#x20AC;&#x2122;s Back-to-Learning campaign in September 2015, reached 578,000 children, and rehabilitated 105 schools. Completed successive polio campaigns and immunized close to 3 million children under 5

ARTBEAT

MORE ON UNICEF NEXT GEN Unicef NextGen is a global movement led by passionate and diverse young professionals, aged 21 to 40, who are committed to helping transform the lives of the world’s most vulnerable children. Through a series of innovative events and creative collaborations, this group of advocates works together to raise vital awareness and donations for Unicef’s work of providing health care, clean water and sanitation, nutrition, education, emergency relief and more. Since our first event in July 2014, we have raised over £500,000 in aid of Unicef for the children of Syria.

OUR OBJECTIVES INCLUDE: Raising funds for Unicef by hosting panel discussions, benefits, film screenings and challenge events. Engaging young professionals with content about humanitarian crises via digital channels to create awareness. Contributing services to Unicef with the diverse skill-set of our community. Advocating for Unicef and its causes by engaging with experts in an open dialogue about global challenges and issues.

ARTBEAT

MEET THE TEAM

ANNE-HELENE Dâ&#x20AC;&#x2122;ARENBERG NEXTGen Committee Member Business Executive at Nestle

HORTENSE DECAUX NEXTGen co-Chair Social Entrepreneur

LAYLA YARJANI NEXTGen Founding Chair Digital Strategy Manager at Accenture

IRFAN VISSANDJEE Associate at Societe Generale

NICCOLO CORSINI Physicist & Entrepreneur

GENEVIEVE CURTIS Tax Associate at Kirkland & Ellis

ANNE VOGT Estee Lauder

OLYMPIA DE DIETRICH Graphic Designer

ARTBEAT

THANK YOU Unicef NextGen London would like to thank the following for their support of Art Beat - Thank you to all those involved and the creative minds behind the projects. Your vision and talent elevates, inspires and brings much needed beauty to the world. ARTISTS:

A1ONE, CLET ABRAHAM, ADNATE, JEF AEROSOL, ASTRO, MR BARLO, BASIK, BUSTART, JAMES COCHRAN, COL, ISAAC CORDAL, HANDIE DAN, DOT DOT DOT, RENE GAGNON, GOLA HUNDUN, ICON, INVADER, KASHINK, ALEXANDRE KETO, RUSSEL KING, KOUKA, BUFF MONSTER, OKUDA, SEE ONE, VHILS, MARTIN WHATSON, PATCH WHISKY, JASON WOODSIDE, MARINA ZUMI

MUSIC

TALKS

Nadim Ahmed, Goldsmiths & artist Fabio Monesi [WILSON RECORDS] Alex, Kenny & Callum [PHONICA] Beringei [MOSSA] Mads & Jeanne [ARTBEAT]

VIDEOS

Andrew & William Laubie, and all the 3WallsAuction developpers

Robbie Lockie & Andor Merks

VENUE

Anna Boglione & Marie Stewart Clemens Kageneck, Mac Mcdermott & the security team

THANKS TO OUR FOOD AND BEVERAGE VENDORS

Wing It - Juicy Kitchen - Solomun Yard

ARTBEAT

Special thank you to our live performer:

Marina Zumi

ARTBEAT BID FORM

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ABSENTEE (Written) BID

Please bid on my behalf for the following lot(s) up to the net price(s) (excluding Buyer’s premium, taxes and other costs) mentioned below purchasing as much below my indicated limit(s) as possible. I hereby agree and acknowledge that 3 Walls Auction, INC is not responsible for failing to execute such bids or for any errors or omissions in connection therewith. I have read, understand and agree to be bound by the Conditions of Sale and Important Notices contained in the catalogue for this sale are incorporated by reference herein. I hereby agree and acknowledge that I am obligated to purchase and shall have no right to revoke acceptance of any and all lots for which I am the highest bidder. I hereby authorize 3 Walls Auction to charge my credit card for this invoice in the event it remains unpaid for twenty-five (25) days following sale. Please refer to the “Shipping & Insurance” section on the terms and conditions page on www.3wallsauction.com . Please note 3 Walls Auction, INC is not responsible for shipping. Our shipping department will assist you in choosing a third party crating service.

LOT N°

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For credit limits above $ 20,000, first time bidders are required to submit the credit reference information in relation with the amount they bid for. While we take care to execute all written bids as submitted by our clients, we regret that we cannot accept responsibility for errors, omissions or late arriving bids. THIS DOCUMENT CAN BE FAXED to (1)646-349-1764. For online interactive bidding or online absentee bids please register online at www.3wallsauction.com

ARTBEAT

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ARTBEAT

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ARTBEAT

Payment

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Lots won will be shipped in a commercially reasonable time after payment in good funds for the merchandise and the shipping fees is received or credit extended, except when third-party shipment occurs.

ARTBEAT

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Due to the nature of some items sold, it shall be the responsibility for the successful Bidder to arrange pick-up and shipping through third-parties; as to such items 3 WALLS AUCTION shall have no liability. Failure to pick-up or arrange shipping in a timely fashion (within thirty days) shall subject Lots to storage and moving charges, including $100 administration fee plus $10 daily storage for larger items and $5 daily for smaller items (storage fee per item) after 35 days. In the event the Lot is not removed within ninety days, the Lot may be offered for sale to recover any past due storage or moving fees, including a 10% Seller’s Commission. 36. The laws of various countries regulate the import or export of certain plant and animal properties, including (but not limited to) items made of (or including) ivory, whalebone, turtle shell, coral, crocodile, or other wildlife. Transport of such lots may require special licenses for export, import, or both. Bidder is responsible for: 1) obtaining all information on such restricted items for both export and import; 2) obtaining all such licenses and/or permits. Delay or failure to obtain any such license or permit does not relieve the buyer of timely compliance with standard payment terms. 37. Any request for shipping verification for undelivered packages must be made within 30 days of shipment by 3 WALLS AUCTION. Cataloging, Warranties, and Disclaimers 38. NO WARRANTY, WHETHER EXPRESSED OR IMPLIED, IS MADE WITH RESPECT TO ANY DESCRIPTION CONTAINED IN THIS AUCTION OR ANY SECOND OPINE. Any description of the items or second opine contained in this Auction is for the sole purpose of identifying the items for those Bidders who do not have the opportunity to view the lots prior to bidding, and no description of items has been made part of the basis of the bargain or has created any express warranty that the goods would conform to any description made by 3 WALLS AUCTION. Color variations can be expected in any electronic or printed images, and are not grounds for the return of any lot. NOTE: 3 WALLS AUCTION, in specified auction venues, for example, Fine Art, may have express written warranties and you are referred to those specific terms and conditions. 39. 3 WALLS AUCTION is selling only such right or title to the items being sold as 3 WALLS AUCTION may have by virtue of consignment agreements on the date of auction and disclaims any warranty of title to the Property. 3 WALLS AUCTION disclaims any warranty of merchantability or fitness for any particular purposes. All images, descriptions, sales data, and archival records are the exclusive property of 3 WALLS AUCTION, and may be used by 3 WALLS AUCTION for advertising, promotion, archival records, and any other uses deemed appropriate. 40. Translations of foreign language documents may be provided as a convenience to interested parties. 3 WALLS AUCTION makes no representation as to the accuracy of those translations and will not be held responsible for errors in bidding arising from inaccuracies in translation. 41. 3 WALLS AUCTION disclaims all liability for damages, consequential or otherwise, arising out of or in connection with the sale of any Property by 3 WALLS AUCTION to Bidder. No third party may rely on any benefit of these Terms and Conditions and any rights, if any, established hereunder are personal to the Bidder and may not be assigned. Any statement made by 3 WALLS AUCTION is an opinion and does not constitute a warranty or representation. No employee of 3 WALLS AUCTION may alter these Terms and Conditions, and, unless signed by a principal of 3 WALLS AUCTION, any such alteration is null and void. 42. 3 WALLS AUCTION shall not be liable for breakage of glass or damage to frames (patent or latent); such defects, in any event, shall not be a basic for any claim for return or reduction in purchase price. Release 43. In consideration of participation in the Auction and the placing of a bid, Bidder expressly released 3 WALLS AUCTION, its officers, directors, and employees, its affiliates, and its outside experts that provide second opines, from any and all claims, cause of action, chose of action, whether at law or equity or any arbitration or mediation rights existing under the rules of any professional society or affiliation based upon the assigned description, or a derivative theory, breach of warranty express or implied, representation or other matter set forth within these Terms and Conditions or otherwise. In the event of a claim, Bidder agrees that such rights and privileges conferred therein are strictly construed as specifically declared herein; e.g., authenticity, typographical error, etc. and are the exclusive remedy. Bidder, by non-compliance to these express terms of a granted remedy, shall waive any claim against 3 WALLS AUCTION .

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44. Notice: Some Property sold by 3 WALLS AUCTION are inherently dangerous e.g. sharp edge antiques, and small items that may be swallowed or ingested or may have latent defects all of which may cause harm to a person. Purchaser accepts all risk of loss or damage from its purchase of these items and 3 WALLS AUCTION disclaims any liability whether under contract or tort for damages and losses, direct or inconsequential, and expressly disclaims any warranty as to safety or usage of any lot sold.

Dispute Resolution and Arbitration Provision

45. By placing a bid or otherwise participating in the auction, Bidder accepts these Terms and Conditions, and specifically agrees to the dispute resolution provided herein. Consumer disputes shall be resolved through arbitration before court litigation, with an exclusive New York, New York venue clause and jury waiver. Non-consumer disputes shall be determined in binding arbitration which arbitration replaces the right to go to court, including the right to a jury trial. 46. 3 WALLS AUCTION in no event shall be responsible for consequential damages, incidental damages, compensatory damages, or any other damages arising or claimed to be arising from the auction of any lot. In the event that 3 WALLS AUCTION cannot deliver the lot or subsequently it is established that the lot lacks title, or other transfer of condition issue is claimed, in such cases the sole remedy shall be limited to rescission of sale and refund of the amount paid by Bidder; in no case shall 3 WALLS AUCTION’s maximum liability exceed the high bid on that lot, which bid shall be deemed for all purposes the value of the lot. After one year has elapses, 3 WALLS AUCTION’s maximum liability shall be limited to any commissions and fees 3 WALLS AUCTION earned on that lot. 47. In the event of an attribution error, 3 WALLS AUCTION may at its sole discretion, correct the error on the Internet, or, if discovered at a later date, to refund the buyer’s purchase price without further obligation. 48. Dispute Resolution for Consumers and Non-Consumers: Any claim, dispute, or controversy in connection with, relating to and/or arising out of the Auction, participation in the Auction, award of lots, damages of claims to lots, descriptions, condition reports, provenance, estimates, return and warranty rights, any interpretation of these Terms and Conditions, any alleged verbal modification of these Terms and Conditions and/or any purported settlement whether asserted in contract, tort, under Federal or State statute or regulation shall or any other matter: a) if presented by a consumer be exclusively heard by, and the parties consent to, exclusive in personam jurisdiction in the State District Courts of New York County, New York. THE PARTIES EXPRESSLY WAIVE ANY RIGHT TO TRIAL BY JURY. Any appeals shall be solely pursued in the appellate courts of the State of New York or b) for any claimant other than a consumer, the claim shall be presented in confidential binding arbitration before a single arbitrator, that the parties may agree upon, selected from the mediator list of New York. The case is not to be administrated by mediators; however, if the parties cannot agree on an arbitrator, then mediators shall appoint the arbitrator and it shall be conducted under mediator’s rules. The locale shall be New York, New York. The arbitrator’s award may be enforced in any court of competent jurisdiction. Any claim must be brought within one (1) year of the alleged breach, default or misrepresentation or the claim is waived. This agreement and any claims shall be determined and construed under New York law. The prevailing party (party that is awarded substantial) and material relief on its claim or defense) may be awarded its reasonable attorneys’ fees and costs. 49. No claims of any kind can be considered after the settlements have been made with the consignors. Any dispute after the settlement date is strictly between the Bidder and consignor without involvement or responsibility of 3 WALLS AUCTION. 50. In consideration of their participation in or application for the Auction, a person or entity (whether the successful Bidder, a Bidder, a purchaser and/or other Auction participant or registrant) agrees that all disputes in any way relating to, arising under, connected with, or incidental to these Terms and Conditions and purchases, or default in payment hereof, shall be arbitrated pursuant to the arbitration provision. In the event that any matter including actions to compel arbitration, construe the agreement, actions in aid or arbitration or otherwise needs to be litigated, such litigation shall be exclusively in the Courts of the State of New York, in New York County, New York, and if necessary the corresponding appellate courts. For such actions, the successful Bidder, purchaser, or Auction participant also expressly submits himself to the personal jurisdiction of the State of New York. 51. These Terms & Conditions provide specific remedies for occurrences in the auction and delivery process. Where such remedies are afforded, they shall be interpreted strictly. Bidder agrees that any claim shall utilize such remedies; Bidder making a claim in excess of those remedies provided in these Terms and Conditions agrees that in no case whatsoever shall 3 WALLS AUCTION’s maximum liability exceed the high bid on that lot, which bid shall be deemed for all purposes the value of the lot. Miscellaneous 52. Agreements between Bidders and consignors to effectuate a non-sale of an item at Auction, inhibit bidding on a consigned item to enter into a private sale agreement for said item, or to utilize 3 WALLS AUCTION’s Auction to obtain sales for non-selling consigned items subsequent to the Auction, are strictly prohibited. If a subsequent sale of a previously consigned item occurs in violation of this provision, 3 WALLS AUCTION reserves the right to charge the Bidder the applicable Buyer’s Premium and consignor a Seller’s Commission as determined for each auction venue and by the terms of the Seller’s agreement.

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53. Acceptance of these Terms and Conditions qualifies Bidders as a client who has consented to be contacted by 3 WALLS AUCTION in the future. In conformity with â&#x20AC;&#x153;do-not-callâ&#x20AC;? regulations promulgated by the Federal or State regulatory agencies, participation by the Bidder is affirmative consent to being contact at the phone number shown in his application shall remain in effect until it is revoked in writing. 3 WALLS AUCTION may from time to time contact Bidder concerning sale, purchase, and auction opportunities available through 3 WALLS AUCTION and its affiliates and subsidiaries. 54. Rules of Construction: 3 WALLS AUCTION presents properties in a number of collectible fields, and as such, specific venues have promulgated supplemental Terms and Condition by these additional rules and shall be construed to give force and effect to the rules in their entirety. Fine and Decorative Arts Term A: Limited Warranty 3 WALLS AUCTION warrants authorship period or culture of each lot sold in this catalog as set out in the BOLD face type heading in the catalog description of the lot, with the following exclusions. This warranty does not apply to: 1. authorship of any paintings, drawings, or sculpture created prior to 1870, unless the lot is determined to be a counterfeit which has a value at the date of the claim for rescission which is materially less than the purchase price paid for the lot; or 2. any catalog description where it was specifically mentioned that there is a conflict of specialist opinion on the authorship of a lot; or 3. authorship which on the date of sale was in accordance with the then generally accepted opinion of scholars and specialists, despite the subsequent discovery of new information, whether historical or physical, concerning the artist or craftsman, his students, school, workshop or followers; or 4. the identification of periods or dates of execution which may be proven inaccurate by means of scientific processes not generally accepted for use until after publication of the catalog, or which were unreasonably expensive or impractical to use at the time of publication of the catalog. The term counterfeit is defined as a modern fake or forgery, made less than fifty years ago with the intent to deceive. The authenticity of signatures, monograms, initials or other similar indications of authorship is expressly excluded as a controlling factor in determining whether a work is a counterfeit under the meaning of these Terms and Conditions. Fine and Decorative Arts Term B: Glossary of Terms Terms used in this catalog have the following meanings. Please note that all statements in this catalog, excluding those in BOLD-face type, regarding authorship, attribution, origin, date, age, provenance, and condition are statements of opinion and are not treated as a statement of fact.

1. BANKSY In our opinion, the work is by the artist.

2. ATTRIBUTED TO BANKSY In our opinion, the work is of the period of the artist which may be whole or in part the work of the artist.

4. SCHOOL OF BANKSY In our opinion, the work is by a pupil or a follower of the artist.

5. MANNER OF BANKSY In our opinion, the work is in the style of the artist is of a later period.

6. AFTER TO BANKSY In our opinion, this work is a copy of the artist.

7. ASCRIBED TO BANKSY In our opinion, this work is not by the artist, however, previous scholarship has noted this to be a work by the artist.

3. STUDIO, (CIRCLE OR WORKSHOP) OF BANKSY In our opinion, the work is of the period and closely relates to his style.

8. SIGNED (OR DATED) The work has a signature (or date) which is in our opinion genuine.

9. BEARS SIGNATURE (OR DATE) The work has a signature (or date) which in our opinion is not authentic.

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Fine and Decorative Arts Term C: Presentment The warranty as to authorship is provided for a period of one (1) year from the date of the auction and is only for the benefit of the original purchaser or record and is not transferable. Fine and Decorative Arts Term D The Auction is not on approval. Under extremely limited circumstances (e.g. gross cataloguing error), not including attributions in BOLD-face type, which are addressed in Term F below, a purchaser who did not bid online or from the floor may request 3 WALLS AUCTION to evaluate voiding a sale; such request must be made in writing detailing the alleged gross error, and submission of the lot to 3 WALLS AUCTION must be preapproved by 3 WALLS AUCTION. A non-floor or non-online bidder must notify 3 WALLS AUCTION in writing of the purchaser’s request within three (3) days of the bidder’s receipt of the lot. Any lot that is to be evaluated for return must be received in our offices within 35 days after Auction. AFTER THAT 35-DAY PERIOD, NO LOT MAY BE RETURNED FOR ANY REASON. Lots returned must be in the same condition as when sold and must include any Certificate of Authenticity. No lots purchased by floor or online bidders (including those bidders acting as agents for others) may be returned. Late remittance for purchases may be considered just cause to revoke all return privileges. Fine and Decorative Arts Term E The catalog descriptions are provided for identification purposes only. Bidders who intend to challenge a BOLD-face provision in the description of a lot must notify 3 WALLS AUCTION in writing within thirty-five (35) days of the Auction’s conclusion. IN the event 3 WALLS AUCTION cannot deliver the lot or subsequently it is established that the lot lacks title or the BOLD-face section of description is incorrect, or other transfer or condition issue is claimed, 3 WALLS AUCTION’s liability shall be limited to rescission of sale and refund of purchase price. In no case shall 3 WALLS AUCTION’s maximum liability exceed the successful bid on that lot, which bid shall be deemed for all purposes the value of the lot. After one year has elapsed from the close of the Auction, 3 WALLS AUCTION’s maximum liability shall be limited to any commissions and fees 3 WALLS AUCTION earned on that lot. Fine and Decorative Arts Term F Any claim as to authorship, provenance, authenticity, or other matter under the remedies provided in the Fine Arts Terms and Conditions or otherwise must be first transmitted to 3 WALLS AUCTION by credible and definitive evidence within the applicable claim period. 3 WALLS AUCTION, in processing the written claim, may require the Purchaser to obtain the written opinion of two recognized experts in the field who are mutually accepted by 3 WALLS AUCTION and Purchaser. Upon receipt of the two opinions, 3 WALLS AUCTION shall determine whether to rescind the sale. The Purchaser’s claim must be presented in accord with the remedies provided herein and is subject to the limitations and restrictions provided (including within the described time limitations). Regardless of Purchaser’s submissions there is no assurance after such presentment that 3 WALLS AUCTION will validate the claim. Authentication is not an exact science and contrary opinions may not be recognized by 3 WALLS AUCTION. Even if 3 WALLS AUCTION agrees with the contrary opinion of such authentication and provides a remedy within these Terms and Conditions or otherwise, our liability for reimbursement for bidder’s third party opines shall not exceed $500. The right of rescission, return, or any other remedy provided in these Terms and Conditions, or any other applicable law, does not extend to authorship of any lot which at the date of Auction was in accordance with the then generally accepted opinion of scholars and specialists, despite the subsequent discovery of new information, whether historical or physical, concerning the artist, his students, school, workshop or followers. Purchaser by placing a bid expressly waives any claim or damage based on such subsequent information as described herein. It is specifically understood that any refund agreed to by 3 WALLS AUCTION would be limited to the purchase price. Fine and Decorative Arts Term G Provenance and authenticity, excluding attributions in BOLD-face type, are guaranteed by neither the consignor nor 3 WALLS AUCTION. While every effort is made to determined provenance and authenticity, it is the responsibility of the Bidder to arrive at their own conclusion prior to bidding. Fine and Decorative Arts Term H On the close of 3 WALLS AUCTION’s item auction, Buyers of Fine Arts and Decorative Arts lots assume full risk and responsibility for lot, including shipment by common carrier or third-party shipper, and must provide their own insurance coverage for shipments. Fine and Decorative Arts Term I 3 WALLS AUCTION strongly encourages in-person inspections of lots by the Bidder when possible. While 3 WALLS AUCTION is not obligated to provide a condition report of each lot, Bidders may feel free to contact 3 WALLS AUCTION who will attempt to furnish one, but shall not be liable for failing to do so. Condition is often detailed online, but is not included in our catalogues. The Bidder should review online descriptions as the descriptions supersede catalog descriptions and those condition reports otherwise provided. Statements by 3 WALLS AUCTION regarding the condition of objects are for guidance only and should not be relied upon as statements of fact, and do not constitute a representation, warranty, or assumption of liability by 3 WALLS AUCTION. All lots offered regardless of condition report are sold “AS IS”.

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Auction Catalogue | ArtBeat | Curated by Street Anarchy for Unicef’s Next Generation | 25th June 2016 First published in June 2016 for Unicef’s NextGen London Catalogue design | Olympia de Dietrich