Madelyn C. Delgado Architecture Portfolio

Page 1

MadelynDelgado PORTFOLIO 2017


IN SEARCH OF A VOICE I am searching for my design voice to create memorable places. I explore new and innovative ways to connect a person to their environment; designing with value and meaning. Many memories reside in a space. The meaning of that place speaks to a person’s body, mind, and spirit. It is important to strengthen the experience by engaging a person through their senses. To continue down this path of discovery I must: Draw - as a way of understanding, Experience - to collect knowledge, Design - as a vehicle of exploration and expression.


CONTENTS

RESEARCH AND DESIGN: COMMUNITY PARK HUMAN PERCEPTION, TOPOPHILIA, LANDSCAPE ARCHITECTURE

CONAGRA BRANDS HEADQUARTERS SIGNAGE AND WAYFINDING STRATEGY AND DESIGN

WICKER PARK RESIDENCE LUXURY RESIDENTIAL ARCHITECTURE

MASTER BATHROOM RENOVATION LUXURY INTERIOR/ RESIDENTIAL ARCHITECTURE

FREELANCE COMPANY- PEN & INK IN A BLINK AWARD WINNING, PUBLISHED, ARCHITECTURAL ILLUSTRATION

1


RESEARCH AND DESIGN: MASON, OHIO COMMUNITY PARK BODY, MEMORY AND LANDSCAPE DESIGN JUNIOR YEAR MENTOR- DR. SERGIO SANABRIA 5 MONTHS RESEARCH 6 WEEKS DESIGN



CORWIN M. NIXON PINE HILLS LAKES PARK

Awarded a grant to conduct a research and design project the summer of my junior year. My research consisted of traveling for two weeks, studying historic landscape architecture and theories related to: topophila, memory, and human perception of their environment. Through this research, I came to the conclusion that the Corwin M. Nixon Pine Hills Lakes Park was lacking the presence of: -Culture -Organization -Elements that engage the senses -Emotional connection to the natural environment

Water Pavilion

The design explores ways to solve this disconnect and improve the experience of the landscape by engaging the user emotionally, haptically, and psychologically with their environment.

Walking Bridge - West Walking Bridge- East

At the conclusion of the project, I proposed a design to the Parks and Recreation Board of the Corwin M. Nixon Pine Hills Lakes Park in Mason, Ohio.

SITE PLAN

4


VISUAL AXIS

PRIMARY CIRCULATION

SECONDARY CIRCULATION

EXISTING TRAILS

CENTRAL LAKE

EXISTING BANDSTAND AREA

5


RENDERING - WATER PAVILION

6


WATER PAVILION The pavilion interacts with the water levels as they change over time. When the water is low, people can engage with the pavilion. At high levels, water flows onto the structure. The pavilion becomes a sculptural motif of the natural lake environment. The flexible wooden structure sways with the wind and the waves of the lake.

0

5

10

20

DIAGRAMMATIC SECTION - WATER LEVELS

PLAN- NTS

SKETCH

7


WALKING BRIDGE-EAST END The walking bridge interacts with one of the main visual axis of the park. Inspired by the organization of English and Italianate gardens, circulation elements in the design constantly pull a user on and off an axis. This will entice a person by offering glimpses of what is left to discover.

PLAN - NTS

0

5

10

20

DIAGRAMMATIC SECTION A

Like the water pavilion, the walking bridge carries on the motif of the lake’s plant life.

8

A

SKETCH


RENDERING - WALKING BRIDGE EAST END

9


WALKING BRIDGE- WEST END The west end of the walking bridge expresses another quality of the natural landscape. The height of the structural columns subtly reflect the depth of the lake bed. While a person experiences the water from above, they understand the topography below the water surface.

RENDERING- WALKING BRIDGE WEST END

10


0

A

5

10

18’

BRIDGE STRATEGY AND DETAILS

Rain water is directed near the handrails and connects a person to the environment through the sense of touch.

12’

18’

12’

DIAGRAMMATIC SECTION A- Structure Reflects Lake Depth

PLAN

20

SKETCH

Roof Rain Water Collection Handrail A

B

RAIN WATER DETAILS

PLAN A HANDRAIL

SECTION B HANDRAIL

11


CONAGRA BRANDS HEADQUARTERS CHICAGO, IL WAYFINDING AND SIGNAGE STRATEGY AND DESIGN 5 MONTHS ANTHONY PRINCE AND SMITA MODI



CONAGRA BRANDS HEADQUARTERS

In 2016 Conagra brands moved all their smaller branches to the Merchandise Mart, located in Chicago, IL. They were seeking a signage, brand, and interior design that spoke to the city of Chicago and connected their employees to the rural origins of their products. We considered these qualities in the function of our wayfinding system and the form of our signage.

Northwest - NW

Center (North) - CN

300

Northeast - NE

300 WORKROOM

11

200

12

200 100

100

100

100

100

100

200

200

300

300

NORTH

Key 02

Northwest - NW

00

Center (North) - CN

01

Northeast - NE

00

Center (South) - CS

00

Southwest - SW

01

Southeast - SE

Access

DIAGRAM - WAYFINDING STRATEGY

14

Southwest - SW

Center (South) - CS

Southeast - SE


Northwest - NW

ID03 ID04 ID01 SE - 0634 SE - 0635 SE - 0636

ID06 SE - 0625 ID06 SE - 0610

ID06 SE - 0620

320

304

305 319

318

306

308 317

ID06 SE - 0626

ID06 SE - 0617.1

303

201 203 205

ID06 SE - 0613

202

103

119

102

211

WOMEN'S 309 315 SE1314

ID06 212 SE - 0631

213

211 214

OFFICE

ID10 SE - 0644

ID09 ID06 SE - 0645 SE - 0657

A

ID15

- 0664 - CN Center SE (North)

ID06

OPEN OFFICE

ID18 SE - 0633

209 SE - 0544

SE - 0543

117 107

116

108

312 311

313

115109

114110

210

SE1315

307 ID06

314 ID06

SE - 0658

ID07 209 SE - 0640

208

215

306

ID06

SE - 0659205 217 207 216 206

ID06 SE - 0650

112112ID06

110114

218 204

203Number 202 Room (Typical)

a/

Are

o tC

ran

ad

Qu

om

Ro

Room Numbers break down by: PHONE PHONE 1. Area/QuadrantSE1321 Code SE1320 2. Room Count 3. Sub-Room/Workstation Count

t

un

Co

ID14 SE - 0684

SE- 216 116 106 105 107

102

104

103

ID18 SE - 0673

ID06 SE - 0672

ID07 SE - 0539

SE1331

ID06 SE - 0535

ID07 SE - 0540

OFFICE

ID06 SE - 0536

SE1328

Key

SE1330

ID07 SE - 0541

a/

Are

02

Northwest - NW

00

Center (North) - CN

01

Northeast - NE

00

Center SE - 0546(South) - CS

00

Southwest - SW

01

Southeast - SE

OFFICE SE1329

ID15 SE - 0686

ID14 SE - 0687

ra

ad

Qu

e om

Ro

ID06 SE - 0558

/

t

un

Co

m oo n b R atio Su orkst W unt Co

ID06 SE - 05

ID06 SE - 0579

ID06 SE - 0585 ID06 SE - 0580

ID18 SE - 0566

ID14 SE - 0570

ID06 SE - 0475

ID18 SE - 0474

ID18 SE - 0484

ID06 SE - 0466

ID06 SE - 0463

ID07 SE - 0471

ID06 SE - 0458

ID06 SE - 0499

OFFICE SE1356

OFFICE SE1357

ID06 SE - 0495

ID07 SE - 0473

ID06 SE - 0480

OPEN HUDDLE

ID06 SE - 0459 ID06 SE - 0469

ID06 SE - 0465 ID18 SE - 0470

ID05 SE - 0472

ID06 SE - 0478

ID18 SE - 0483

SE1359

ID07 SE - 0513

ID06 SE - 0497

ID07 SE - 0514

ID06 SE - 0507 ID06 SE - 0501

ID06 SE - 0498

ID18 SE - 0493

ID06 SE - 0492

ID18 SE - 0503

ID06 SE - 0508

ID17 SE - 0518

OFFICE

ID06 SE - 0502

ID06 SE - 0482

SE1358

ID18 SE - 0594

SE1360

OFFICE

ID06 SE - 0500

ID06 SE - 0487 ID06 SE - 0488

ID05 SE - 0517

HUDDLE

ID06 SE - 0509

ID06 SE - 0506

ID06 SE - 0491

ID06 SE - 0481

ID05 SE - 0515

ID18 SE - 0582

ID06 SE - 0490

ID06 SE - 0486

ID06 SE - 0477

ID18 SE - 0504

ID06 SE - 0496

ID06 SE - 0479

ID06 SE - 0468

ID06 SE - 0456

ID18 SE - 0460

ID18 SE - 0494

ID06 SE - 0505

ID06 SE - 0476

ID06 SE - 0464

ID06 SE - 0452

ID06 SE - 0489

ID06 SE - 0485

ID06 SE - 0467

ID06 SE - 0455

ID06 SE - 0451

ID15 SE - 0569

ID06 SE - 0510

ID18 SE - 0512

ID06 SE - 0511

SE1362

HUDDLE

ID17 SE - 0519

SE1361

ID15 ID15 ID14 SE - 0516.3 SE - 0516.2 SE - 0516.1 ID14 SE - 0516.4

ID05 SE - 0516

B

ID06 SE - 0462

ID18 SE - 0461

B

BA

ID18 SE - 0554

A B

A

ID06 SE - 0457

ID06 SE - 0581

A

ID15 SE - 0568

I SE

ID06 SE - 0587

ID06 SE - 0577

ID14 SE - 0567

I SE

ID06 SE - 0586

ID06 SE - 0564

ID18 SE - 0454

ID06 SE - 05

ID06 SE - 0575

ID06 SE - 0576

ID06 SE - 0565

ID06 SE - 05

ID06 SE - 05

Wayfinding & Signage - Room Numbering / March 09, 2016 / 6

ID06 SE - 0553

ID05 SE - 0689

ID06 SE - 0574

ID06 SE - 0559

ID06 SE - 0549

ID18 SE - 0583

ID06 SE - 0578

ID06 SE - 0563

ID06 SE - 0552

ID05 SE - 0688

ID06 SE - 0584

ID06 SE - 0573

od

C nt

SE

SE1324

ID06 SE - 0551

ID06 SE - 0547

ID06 SE - 0548

ID06 SE - 0562

ID06 SE - 0557

ID07 SE - 0542

ID15 SE - 0685

ID05 SE - 0683

SUPPLIES

ID18 SE - 0571

SE-209A

ID06

Access

ID05 SE - 0682

ID17 SE - 06

This numbering system is very flexible, and allows for future updates to the amount of rooms or workstations.

101

Room Number (With Sub Room Alpha) ID06 SE - 0561

NORTH

ID18 SE - 0678

SE1323

ID06 SE - 0572

ID06 SE - 0550

OFFICE

SUPPLIES

ID06 SE - 0677

201

ID06 106 SE - 0545

OFFICE

ID05 SE - 0681

ID06 SE - 0676

de

ID18 SE - 0663

108

PHONE

ID06 SE - 0671

ID06 SE - 0654

109115

ID05 SE - 0680

The numbering system HUDDLE breaks up the rooms in to rows that SE1319 increment by 100.

316

ID06 SE - 0653

111113

ID05 SE - 0679

ID06 SE - 0675

SE - 0560

ID06 SE - 0556

ID12 NE - 0384

ID06 SE - 0670

ID06 SE - 0662 ID06 SE - 0668

315

ID06 SE - 0674.1

WAYFINDING STRATEGY The MerchandiseSE1317 Mart SE1318 floor plate is organized by four main quadrants and a central spine. As one experiences the space, you are able to orient yourself based on the cardinal directions.

ID06 SE - 0667

301

ID18 SE - 0674

PHONE

ID06 SE - 0661

302

303

ID06 SE - 0660

ID18 SE - 0655

113 111

Access

304

308

ID06 SE - 0669

SE - 0665

SE - 0652

ID18 SE - 0555

SE1364

104 118

ID06 311 312 SE - 0648

ID18 SE - 0666

ID14 Center (South) - CS

ID06 SE - 0651

310 313

ID06 SE - 0632

ID06 208 - 0628 SE121

B

Southeast - SE

ID1800 SE - 0656

305 309

OFFICE

SE1316

ID06 SE - 0622

ID18 105 SE - 0623 ID18

ID09 SE - 0643

310

ID06 SE - 0649

215 214207

120 ID05 101 SE - 0538

213210 212

ID06 SE - 0621

216

ID06 SE - 0618

206

204

ID18 SE - 0646

314

ID07 SE - 0639

ID06 SE - 0627

217

ID06 SE - 0612

ID08 SE - 0642

B

A

316 307

ID06 SE - 0630

323301 322 321302 ID06 SE - 0617

ID09 ID06 SE - 0641 SE - 0647

00

ID06 SE - 0619

ID06 SE - 0611

ID03 SE - 0638

A

ID06 SE - 0629

Southwest - SW

01

B

ID18 SE - 0624

ID04 SE - 0637

Northeast - NE

00

AB

ID18 SE - 0615

B

South East Numbering

ID06 SE - 0616

A

ROOM NUMBERING

01

SIGNAGE LOCATION PLAN - REVIT

I converted my teams original documentation/production process into Revit. This resulted in a more efficient and accurate workflow for the team.

15


SIGNAGE DESIGN The design of the signage compliments the materiality of the interior space. The design stays true to the material through the fabrication. The materials relate to both the city and rural qualities. Metal is used for its strength and sharp lines. Wood is cut and dyed to show its natural form and textural quality. Acrylic is used for the transparency and flexibility. All the materials contrast visually but compliment each other in their function and form. MEETING ROOM/OFFICE SIGN PLACED ON SITE 1/2"

1/2"

1/4" 3/4"

5 1/2" 1/2"

1/2"

11 1/2"

1/4" 3/4"

5 1/2"

01

Plan View

3"

5 1/2"

5 1/2" 11 1/2"

Scale: 3" = 1'-0"

61"

NW-30 NW-306A

11 1/2"

Plan View

1/8"

5 1/2" 1/2"

11 1/2"

1/8"

EQ. 1/2"

31/83"/8"

3 7/8"

3 3/8"

3 7/8"

5/8"

EQ. 3 /8" 5/8" 3/8" 1/4"

1/4"

NW-306A

NW-306A

1/8" 3/4"

1/8"

3/8" 3/8"

1/8"

1/8"

EQ.

Front Front ViewView

02 02

Scale: = Scale: 3" = 3" 1'-0"

1'-0"

MEETING ROOM/OFFICE SIGN - LAYOUT

16

1/4" 3/8"

1/4" 3/8"

Conference Room

Conference Room

Conference Room

NW-306A

3/4"

5 1/2" 1/2"

NW-306A NW-306A EQ.

NW-306A

1/2"

5 1/2" 1/8"

61"

5 1/2"

3 7/8"

Scale: 3" = 1'-0"

3 7/8"

01

03

Side View Scale: 3" = 1'-0"

03

Side View Scale: 3" = 1'-0"

04

Context Elevation Scale: 3/8" = 1'-0"

ELEVATION

04

Context Elevation Scale: 3/8" = 1'-0"


PHOTOGRAPH - MEETING ROOM

RENDERING - OFFICE

17


FIRE EQUIPMENT BLADE SIGN The fire equipment blade displays the unique detailing of the form. Sign faces are separated with a reveal, the screws and bolts are hidden in the brackets that attach to the wall. These details lead to a clean and beautiful sign form.

1 3/4"

1/4"

96"

8 1/8"

01

Plan View Scale: 3" = 1'-0" 8 1/8" 7 5/8" CL

1/8"

1/8"

1/8"

1 3/4"

1/4"

3 1/4"

CL

7 3/4"

7 1/4"

7 3/4"

EQ.

1/8"

EQ.

02

Front View Scale: 3" = 1'-0"

FIRE EQUIPMENT BLADE - LAYOUT

18

03

Side View

04

Scale: 3" = 1'-0" FIRE EQUIPMENT BLADE - MODEL PHOTOS

Context Elevation Scale: 1/2" = 1'-0"


RECEPTION BRAND SIGN The conagra logo greets employees, clients, and visitors at the front desk. This sign is composed of individual wood pieces that are dyed in the various conagra colors. The dye is transparent and exaggerates the veining of the wood.

4'-5 1/2"

The wood is sanded smooth and contrasts nicely with the reclaimed wood wall that it is mounted to.

01 WOOD DYE QUALITY - RED, BLUE, AND GREEN

Front View Scale: 1/2" = 1'-0"

RECEPTION DESK SIGN - LAYOUT

19


WICKER PARK RESIDENCE CHICAGO, IL

RESIDENTIAL ARCHITECTURE - MIKE SHIVELY ARCHITECTURE 9 MONTHS MIKE SHIVELY AND LUCAS GOLDBACH



2'-9"

F

5'-5 1/2"

PP

F

F

G

3 1/8"

6"

3'-2"

3'-0"

UP

25'-9"

25'-1"

DW

12'-0 3/8"

22'-10 5/8"

3'-5 1/2"

12'-5 3/4"

FAMILY ROOM 112

18'-8 1/2"

21'-9 7/8"

KITCHEN 108

NEW WIDE PLANK HARDWOOD FLOORS

10'-8 3/8"

12 TRASH

13'-2 1/4"

8'-1"

3 1/2"

MICRO

2'-1 1/4"

3 1/2"

ICE

7 1/8"

5'-6"

5'-6"

106.2

2"

3'-2"

3'-0"

3'-0"

8'-6 1/4"

2'-11 3/8"

COFFEE REF.DWR BELOW

BUTLER PANTRY/HALL 106

J

2'-4 1/2"

U

2"

1'-2"

3 1/8"

8"

1'-2"

1'-10"

100.2

REFRIG.

2 3/8"

6 1/4"

2'-0 3/4"

2'-1"

1'-11 3/4"

1'-6 1/8"

1'-2 1/8"

8 1/8"

FREEZER

2'-9 1/8"

2 OVENS +WARMING

2'-1 1/4"

WINE

3 1/2"

J

NEW WIDE PLANK HARDWOOD FLOORS

2'-4 1/2"

DOWN

T

5 3/4"

2'-6"

2'-6"

6'-7 7/8"

2'-6" 6'-7 7/8"

4'-0 1/2"

K

2'-8 1/8"

3'-9 3/4"

1'-6 7/8"

16 1'-3 5/8"

1'-9"

4'-7 1/8"

5'-1 7/8"

9'-2 3/8"

6'-10 3/4"

105.1

4'-0"

1'-3 1/4"

2'-2 1/4"

2'-2 1/4"

2'-1"

1'-6 1/2"

UP

FOYER 100

DINING ROOM 105

4'-8 3/4"

4'-8 3/4"

K

3'-7 1/8"

UP

18'-4"

NEW WIDE PLANK HARDWOOD FLOORS

13'-6 3/4"

8'-2 1/2"

8'-2 1/2"

14'-10 1/4"

NEW WIDE PLANK HARDWOOD FLOORS

4'-0 1/2"

2'-3"

2'-3"

3 1/8"

2'-11 7/8"

1'-6 1/2"

4'-0"

11'-4 1/4"

6'-10 1/4"

6'-10 1/4"

4'-6"

4'-0 1/2"

2'-10"

2'-8 1/8"

1'-3 1/8"

4'-0 1/2"

6'-4 1/4"

6'-7 1/2"

S

6"

8 1/8"

3'-5 7/8"

CLOSET

101.1

CLOSET

2'-2 1/8"

K

2'-5 1/8"

2'-5 1/8"

2'-5 1/8"

BUILT-IN

11 1/2"

2'-3"

2'-3"

2'-2"

3"

12'-6 7/8"

103.1 5'-3 3/4"

7'-6 1/8"

4'-2 7/8"

4'-2 7/8"

3'-9 3/8"

RESTORE TILE

5'-6"

3 5/8"

2 5/8"

2 5/8"

2 5/8"

4 1/4"

5"

5"

8"

11'-0 1/4"

1'-8 1/8"

2'-4"

3'-4 1/8"

PANELED JAMB AND HEAD

2'-10"

2'-10"

ANTE ROOM 103

2'-8"

NEW WIDE PLANK HARDWOOD FLOORS

TILE

2'-8"

2'-8"

POWDER ROOM 104

5'-3 3/4" 104.2

4'-0"

5'-3 3/4"

1'-11 5/8"

6"

2'-6"

4'-6 3/8"

18'-3 1/4"

KEYPAD GATE

GAS

RESTORED EXISTING WOOD DOORS

4'-3 1/2" 16'-5"

LOUNGE 101

7 1/2"

12'-3 7/8"

101.1

NEW WIDE PLANK HARDWOOD FLOORS

4'-2"

4'-2"

NEW WIDE PLANK HARDWOOD FLOORS

COGNAC STUDY 102

GAS

5'-7 1/2"

2'-8"

UP

11'-9 3/8"

6'-9 3/8"

REPAINT/REPAIR CEILING OF PORCH (TO MATCH EXISTING) 10"

3'-9"

5'-9 7/8"

5'-9 7/8"

5'-0 1/4"

M

5 3/4"

L

4'-7"

4'-7"

9"

SUMP

2'-6"

DOWN

RESTORE STONE

2'-10 1/4"

2'-10 1/4"

R Q

3'-2 1/2"

3'-2 1/2"

6'-1 7/8"

2'-9

7/8"

3/4"

2'-9

5'-4 1/4"

L

M

M L

EXISTING STAIR 7 RISERS @ 7"

5/8"

7/8"

2'-9

NEW IRON RAILINGS @ 34"

5'-9 5/8"

2'-9

"

2 3/8"

3 3/4"

1'-6 7/8

GAS COOKTOP

C.B. PANTRY SHELVING

PANTRY 107

4'-7 1/4"

P N

BRICK WALL

MIKE

SHIVELY

910 W VAN BUREN #205 Ch ic a g o , I L 6 0 6 0 7 7 7 3 2 7 2 0 0 2 2 m i k e s h i v e l y . c o m I hereby certify that these drawings were prepared in my office, under my direct supervision, and to the best of my knowledge conform with th e co d e s a n d o rd in a n ce s o f C h i c a g o , I l l i n o i s

IL Licensed Architect 001.020210 Expires 11.30.18

NEW FRAME WALL (INTERIOR OR EXTERIOR)

EXISTING WALL CONSTRUCTION

07.17.17

07.17.17

2 0 2 4 W P I E R C E A V E C H I C A G O , I L X X X X Project Number: 1629

B I G F E L L A R E S I D E N C E

Revisions: 1. PERMIT SUBMIT 2. 3. 4. 5. 6. 7. 8. 9. Plot Date:

c 2018 MIKE SHIVELY ARCHITECTURE LTD

1/4" = 1'-0"

3'-6"

16'-2 1/2"

4'-0 1/2"

WIC 110

3'-3 5/8"

DOWN

7 1/8"

3 1/2"

SLIDING GLASS/METAL DOORS

7 1/8"

1'-1 1/4"

T/ 1st FIN. FLR. + 0'-0"

2'-0 1/4"

NEW STAIR 23 RISERS @ 7"

N

G

5"

7 1/8"

3'-0"

2'-9 1/8"

"

UP

2'-9"

QQ

106.2

7 1/8"

H

1'-6 7/8

G

5"

6'-5 1/8"

3 1/2"

TILE

MUDROOM 109

10'-9 1/2" 2'-7 1/2"

CLERESTORY WINDOWS

A2.0

T/ BSMT SLAB - 10'-2"

T C T D T C B/ BSMT. CLG. - 1'-2"

Q L N L

3'-10"

R M P M

8'-8 3/4"

AA Y

UP

2'-9"

12'-4 5/8"

4-SEASONS 111

CONSERVATORY ROOF

TILE

2'-9"

6'-3 3/4"

2'-9 1/2"

SHOE CABINETS

H

N

"

G

5"

5"

G

MENT FLOOR PLAN

2'-9"

7'-4 3/8"

6"

RR

BENCH

1'-6"

"

PROPOSED SOUTH ELEVATION

FIRST FLOOR PLAN- FRONT

NEW CLAD WINDOWS WITH BRICK MOULD

NEW IRON RAILING " 1'-6 3/4

RESTORE EXISTING WOOD DOORS 5'-4 1/4" 1'-6 3/4

2'-3 1/8" 12'-7 3/4"

RESTORE EXISTING IRON WORK GG 2'-10 1/2"

Y

CC 6'-8 1/2"

B/ 1st FLR. CLG. + 10'-5" 2'-1 5/8" 7'-4 1/2" 2'-3 5/8" 1'-7 1/2" 12'-7 3/4" 1'-3"

F

CC 5"

7'-6 1/8"

1'-1"

CLEAN MASONRY, TUCKPOINT AS REQ'D 6 3/8" 5'-2" 11 3/4" 1'-5 7/8" 12'-6 1/8"

T/ 2nd FIN. FLR. + 11'-7 1/2"

12'-1 1/8"

HH

3'-3 1/4"

9'-6 7/8"

4 7/8" 1'-0 1/8"

DD 6"

2'-1 1/4"

Z 3'-6 1/2" 2'-6" 3'-6 1/2"

BB 6 1/4"

Z 14'-4 1/4"

B/ 2nd FLR. CLG. + 21'-6 1/2" 8 3/4"

5'-9 1/4" 15'-4 1/2"

100.1 11'-9 3/4"

1'-4"

2'-6" 4'-7 1/4"

DD 1'-1" 104.1 6'-1 1/4"

2'-10 1/2"

5'-2" 11 3/8" 2'-10 1/8" 5'-11 1/2" 3'-0 1/8"

5/8"10 3/8" 12'-9 1/8"

6 3/8"

5'-6 3/4"

5'-11 1/2" 2'-10 1/2" 15'-6 1/4"

EXISTING COPPER GUTTERS FOR REUSE JJ JJ REPAIR/REPAINT EXISTING TRIM

KK KK 5'-0 1/4"

KK 4'-9 1/4" 4 5/8"

KK 4 5/8" 4'-8 1/8"

JJ JJ T/ 3rd FINISHED FLOOR + 22'-8 1/2"

3'-8" 2'-11 1/2"

NEW 30-YEAR ARCHITECTURAL ASPHALT SHINGLES EXISTING STAIR 18 RISTERS @ 7.5" VIF

4'-5 1/4"

EXISTING STONE FACADE, REPAIR/TUCKPOINT AS REQUIRED WITH MATCHING MORTAR (PROVIDE SAMPLES)

3'-3 3/4" 4'-9 1/4" 10 1/8" 3'-2" 1'-8 7/8"

12 19'-7 1/4" 10'-6 1/8" 2'-8"

10'-7 1/4"

20'-1 7/8"

3'-0 1/4" 16'-2 1/2"

2'-4 1/8"

2'-0"

6'-0 1/4" 2'-11 3/4" 106.1

5 3/8" 2'-8" 2'-4 1/8"

T/ATTIC FIN. FLOOR + 33'-10 1/2" B/3rd FLR CLG + 32'-8 1/2" 3'-11 7/8"

6 3/8"

7'-5 1/8"

8"

3'-3 7/8"

16 26'-3 1/2"

1'-5"

3'-5"

3"

3'-5"

3"

3'-5"

3'-3 3/4"

5 3/4"

6'-0 1/4"

3'-10 3/4"

7'-11 1/4"

9 1/4"

1'-6 1/4"

1'-3 5/8"

16

The clients were interested in restoring the windows, front entry and any weathered stone work in the facade. 5 3/8"

1'-10 5/8" 13'-9 7/8"

110.1

12 107.1

10'-1 1/8" 1'-10 1/8"

MID.PT. OF EXIST. ROOF + 42'-10" 6'-11 3/4"

9'-10"

11 7/8"

9'-10"

1'-3 7/8"

16 2'-8"

2'-4 1/8"

2'-3 3/8"

7'-3 1/2" 2'-8"

2'-4 1/8"

1'-8 1/4"

3'-2" 7'-3 1/2"

2'-5 1/8"

2'-0"

FRONT FACADE

12 111.1

This 8.000 sqft. house, located in the heart of Wicker Park, is one of the oldest buildings on the block. The owners requested a full luxury renovation of their three story plus basement home. The historic elements of this house were carefully restored in an effort to bring the house back to its original glory. I was involved in site visits, as built drawings, design process, building code research and construction documentation. 12'-5 1/2"

EXISTING FINIALS TO BE REUSED

WICKER PARK RESIDENCE

1'-4 1/2" 3'-0" 2'-7"

2'-9 1/2"

S @ 7"

"

FLOOR PLAN

7'-10 1/4"

2 22

6'-6 1/4" 1'-4"


21'-7 1/4"

21'-7 1/4"

21'-7 1/4"

2 CAR GARAGE (2)

2 CAR GARAGE

REAR FACADE

30-YEAR ARCHITECTURAL ASPHALT SHINGLE ROOF

3'-2 1/2"

3'-8 3/4"

2'-4 3/4"

1'-2"

3'-4 1/2"

3'-2 1/2"

8 1/2"

3'-2 1/2"

9 1/2"

9 1/2"

3'-2 1/2"

3'-5"

9 1/2"

12

12

16

16

12

3'-2 1/2"

9 1/2"

TT

3'-2 1/2"

TT

7'-9 3/4"

3 1/8"

TT

3'-2"

1'-2"

TT

TT

MID.PT. OF EXIST. ROOF + 40'-4"

TT

The back of the house is a wood frame and siding addition. A second entry stairwell was created to meet fire code for the rental units located on the third floor and basement. New dormers in the attic provided additional rooms for the tenant spaces. A sun room with a conservatory roof on the first floor brings light into the family room and kitchen of the house.

TUCKPOINT EXISTING CHIMNEY AS REQ'D

16

G G

5" 2'-9" F

F

F

G

N

UP

4'-0 1/2" 3'-5 1/2" 8'-1"

DOWN 6 3/8"

7'-5 1/8"

U

5 3/4"

6'-0 1/4"

3 1/8"

3'-11 7/8" 8" 1'-10"

100.2

REFRIG.

FREEZER

2'-11 3/4"

6'-0 1/4"

10'-7 1/4"

T

2'-8 1/8"

DOWN

19'-7 1/4"

3'-9 3/4"

10'-6 1/8"

1'-2 1/8"

2'-0"

2'-9 1/8"

2 3/8"

2 OVENS +WARMING

2'-1 1/4"

5 3/8"

2'-8"

6'-10 3/4"

105.1

4'-0"

EXISTING STAIR 18 RISTERS @ 7.5" VIF

UP

FOYER 100

18'-4"

2'-10"

NEW WIDE PLANK HARDWOOD FLOORS

8'-2 1/2"

2'-8 1/8"

14'-10 1/4"

8'-2 1/2"

13'-6 3/4"

NEW WIDE PLANK HARDWOOD FLOORS

DINING ROOM 105

2'-11 7/8"

3'-7 1/8"

K

G

8"

3'-2"

3'-10 3/4"

7'-11 1/4"

K

G

25'-9"

25'-1"

12'-5 3/4"

3'-0"

9 1/4"

WINE

3 1/2"

1'-3 5/8"

G

NEW STAIR 23 RISERS @ 7"

6"

3'-2"

FAMILY ROOM 112

NEW WIDE PLANK HARDWOOD FLOORS

7 1/8"

1'-6 1/4"

2"

6 1/4"

G

5'-5 1/2"

PP

3 1/8"

N

UP

2'-9"

3 1/2"

3'-0"

8'-6 1/4"

J

2'-8" 106.1

2'-4 1/8"

3'-3 7/8"

106.2

2"

NEW WIDE PLANK HARDWOOD FLOORS

2'-4 1/2" 2'-4 1/8"

MICRO

3 1/2"

COFFEE REF.DWR BELOW

2'-11 3/8"

F

1'-5"

TRASH

2'-1 1/4"

ICE

BUTLER PANTRY/HALL 106

J

F

3'-5"

2'-0" 5 3/8"

2'-4 1/2"

F

5"

KITCHEN 108

21'-9 7/8"

2 3/8"

2'-8"

EXTERIOR METAL EGRESS STAIR

RR 4'-0"

T/ 1st FIN. FLR. + 0'-0"

3"

DW

10'-8 3/8"

GAS COOKTOP

2'-3 3/8"

107.1 3 3/4"

B/ 1st FLR. CLG. + 10'-5"

C.B. PANTRY SHELVING

PANTRY 107

4'-7 1/4"

7'-3 1/2" 2'-8"

2'-4 1/8"

LOW SLOPE TPO ROOF

5

3'-5"

WIC 110

3'-3 5/8"

12

2'-9"

1'-8 1/4"

3"

SLIDING GLASS/METAL DOORS

3'-2" 7'-3 1/2"

3'-5"

26'-3 1/2"

3 1/2"

7 1/8"

110.1

2'-4 1/8"

T/ 2nd FIN. FLR. + 11'-7 1/2"

3'-3 3/4"

7 1/8"

1'-1 1/4"

LAMINATE GLASS CONSERVATORY ROOF BY OTHERS

X

1'-3 5/8"

9'-10"

3'-0"

3'-0"

2'-9 1/8"

X

BASEMENT FLOOR PLAN

G

5"

7 1/8"

11 7/8"

106.2

7 1/8"

H

X

1/4" = 1'-0"

2'-9"

QQ

3 1/2"

TILE

MUDROOM 109

10'-9 1/2" 2'-7 1/2"

9'-10"

111.1

ALUMINUM CLAD WINDOWS, TYP. UNLESS NOTED "EX"

X

G

CLERESTORY WINDOWS

1'-3 7/8"

6'-11 3/4"

2'-5 1/8"

DECORATIVE METAL RAILING X

CONSERVATORY ROOF

4-SEASONS 111

6'-5 1/8"

6'-3 3/4"

2'-9 1/2"

12'-5 1/2"

B/ 2nd FLR. CLG. + 21'-6 1/2"

X

G

TILE

12'-4 5/8"

1'-4 1/2"

H

T/ 3rd FINISHED FLOOR + 22'-8 1/2"

ALUMINUM CLAD WINDOWS, TYP. UNLESS NOTED "EX"

G

G

2'-9"

3'-0"

SHOE CABINETS

W ALUMINUM CLAD WINDOWS, TYP. UNLESS NOTED "EX"

2'-9"

5"

5"

6"

RR

W

W

BENCH

W

2'-9"

5"

2'-9 1/2"

6'-6 1/4"

1'-6"

W

2'-9"

G

7'-10 1/4" 1'-4"

2'-7"

W

5"

7'-4 3/8"

COMPOSITE TRIM FOR PAINT (INCL. BUILT UP CROWN, FASCIAS AND SOFFITS

LOW SLOPE TPO ROOF

2'-9"

G

7 RISERS @ 7"

COMPOSITE TRIM FOR PAINT

UP

FIRST FLOOR PLAN

1/4" = 1'-0"

K-STYLE GUTTERS AND ROUND SMOOTH DOWNSPOUTS, TYP.

1

2

T/ATTIC FIN. FLOOR + 33'-10 1/2" B/3rd FLR CLG + 32'-8 1/2"

1'-4"

2'-2"

2'-10 1/8"

103.1

11 3/8"

11'-9 3/4"

5'-2"

6

8 3/4"

100.1

3'-9 3/8"

RESTORE TILE

5'-6"

3 5/8"

PANELED JAMB AND HEAD

2'-10"

2'-10" 1'-1"

3'-4 1/8"

2'-4"

1'-8 1/8"

1'-5 7/8"

S

5'-11 1/2"

3'-5 7/8"

CLOSET

3'-0 1/8"

5"

12'-6 1/8"

5/8"10 3/8"

2'-10 1/2"

101.1

3"

5'-3 3/4"

5"

NEW PANELED DOOR

CLOSET

ANTE ROOM 103

2'-8"

NEW WIDE PLANK HARDWOOD FLOORS

104.1

5'-11 1/2"

2 5/8"

2 5/8"

6'-1 1/4"

5'-6 3/4" 2'-2 1/8"

2'-5 1/8"

BUILT-IN

2'-8"

POWDER ROOM 104

TILE

2'-8" 2 5/8"

4 1/4"

STONE CLAD EXTERIOR STAIRS TO GRADE

3'-3 1/4"

5'-3 3/4"

4'-0"

104.2

5'-3 3/4"

BRICK WING WALL

2'-5 1/8"

2'-5 1/8"

K

A

12'-9 1/8" 2'-10 1/2"

11 1/2"

STONE BASE TO MATCH EXISTING

15'-6 1/4"

4'-6"

1'-3 1/8"

B/ BSMT. CLG. - 1'-2"

6'-8 1/2" 11 3/4"

6 3/8"

5'-2"

5" 8" 6"

1'-1"

KEYPAD GATE

GAS

101.1

RESTORED EXISTING WOOD DOORS

4'-3 1/2"

16'-5"

LOUNGE 101

NEW WIDE PLANK HARDWOOD FLOORS

4'-2"

4'-2"

7 1/2"

12'-3 7/8"

10"

T/ BSMT SLAB - 10'-2"

NEW WIDE PLANK HARDWOOD FLOORS

COGNAC STUDY 102

GAS

5'-7 1/2"

ALUMINUM CLAD WINDOWS, TYP. UNLESS NOTED "EX"

BATTERED STONE BASE TO MATCH EXISTING

L

1'-7 1/2"

7'-4 1/2"

2'-1 5/8"

DOWN

2'-10 1/4"

2'-10 1/4"

RESTORE STONE

2'-3 5/8"

9"

12'-7 3/4"

M

1'-3"

3'-9"

FIRST FLOOR PLAN- REAR

5'-9 7/8"

"

M

M L

EXISTING STAIR 7 RISERS @ 7"

5/8"

L

5'-4 1/4"

NEW IRON RAILINGS @ 34"

2'-9

7/8" "

23

R

Q

5'-9 5/8"

2'-9 1'-6 3/4

1'-6 7/8

1/4" = 1'-0"

5'-9 7/8"

PROPOSED NORTH ELEVATION

5'-0 1/4"

1

P

N


MASTER BATH RENOVATION CHICAGO, IL

RESIDENTIAL ARCHITECTURE - MIKE SHIVELY ARCHITECTURE 9 MONTHS MIKE SHIVELY



MASTER BATH RENOVATION

During my time at MSA, I also worked on an interior renovation of a master bathroom. The client’s existing bathroom had unusable space, small closets, small windows, and outdated fixtures and finishes. By removing the partition walls, we were able to create a large master closet and a spacious and sunny master bath. Framing the toilet and shower area is a metal and glass partition that provides a dramatic backdrop for the soaking tub.

MIKE

SHIVELY

910 W VAN BUREN STREET 2NE C h ic a g o , I L 6 0 6 0 7 7 7 3 5 7 8 9 4 9 6 m i k e s h i v e l y . c o m I hereby certify that these drawings were prepared in my office, under my direct supervision, and to the best of my knowledge conform with th e c o d e s a n d o rd in a n ce s o f C h i c a g o , I l l i n o i s

IL Licensed Architect 001.02021 0 Expires 11.30.1 8

REMOVE CASED OPENING

centerline 1st floor windows

CENTERLINE OF FIRST FLOOR WINDOWS

REMOVE EXISTING FOR NEW WINDOW OPENING

CARPET NEW

2'4"X 3'-3" THERMOSTATIC VALVE AND SHOWER HEAD

REMOVE EXISTING FOR NEW WINDOW OPENING

REMOVE CLOSET DOORS

REMOVE WINDOW

NEW

NEW

2'4"X 3'-3"

2'4"X 3'-3"

ANN SACKS DOLOMITE CORNIA 4" X 4"

LINEAR DRAIN

WIC (HERS) 7'-6"X 9'-4"

REMOVE CABINETRY

REMOVE TUB/TUB DECK REMOVE ALL PLUMBING FIXTURES

SHOWER 4'-4"X 7'-2"

3' NICHE W/STONE

REMOVE FLOOR FINISH

STONE

TALL CABINET

"WET" WALL

DOOR 2'-0"

TOILET 4'-4"X 7'-3"

ANN SACKS DOLOMITE CORNIA 16" X 16"X 3/8"

CABINET

REMOVE INTERIOR PARTITION WALLS

DOOR 2'-0"

CARPET

WIC (HIS) 7'6"X 8'-0"

CARPET

DOOR 2'-10"

EXITING MASTER BEDROOM (NO WORK)

1

DEMO PLAN - MASTER BATH RENOVATION

26

MASTER BATH DEMO PLAN 3/8" = 1'-0"

N

1

PROPOSED MASTER BATH FLOOR PLAN DESIGN PLAN - MASTER BATH RENOVATION 3/8" = 1'-0"

TYPICAL WAL

STONE

REMOVE INTERIOR PARTITION WALLS

BATH 7'-10"X 15'-0"

NEW F EXTER

EXISTIN

KREB RESIDENCE

CUSTOM CLOSET CABINETRY CUSTOM VANITY

NEW C

1 1 0 3 W L I N C O L N S T Mt Prospect, IL 60056 Project Number: 1701

Revisions: 1. 2. 3. 4. 5. 6. 7. 8. 9. Plot Date:

N

03.16.17

c 2018 MIKE SHIVELY ARCHITECTURE, LTD.


INTERIOR FINISHES

The interior finish palette consists of light whites, greys, and a bold cobalt blue. Ann Sacks Dolomite Corina Floor tiles, Waterworks Architectonic tiles, and custom built cabinetry add to the atmosphere and personality of the space. Clean lines, simple details, and a dramatic layout gives this master bath a modern and sophisticated design.

STONE JAMB

WALL FOR PAINT

CUSTOM GLASS AND METAL DOORS FROSTED PANELS WATERWORKS ARCHITECTONICS TILE PATTERN 6"x12" & 4"x12" DOVE GLOSSY SOLID TILE LINER 1"x6" ARCHITECTONICS INGOT LINER ARLNG1 DOVE GLOSSY SOLID

VICTORIA & ALBERT BARCELON SOAKING TUB

4 1/4" X4 1/4 " ARCHITECTONICS COVE BASE ARCB01 DOVE GLOSSY SOLID

4

4" STONE THRESHOLD AND 2CM JAMBS

WEST ELEVATION

BATH ELEVATION - METAL AND GLASS WALL

3/4" = 1'-0"

WALL FOR PAINT

ROBERN MEDICINE CABINET #DC2440D6RMGLE70

ICEBERG (MGSI) CABINET FOR PAINT

2

EAST ELEVATION

VANITY ELEVATION

3/4" = 1'-0"

CUSTOM CABINET

5

WEST ELEVATION - TOILET

WASHROOM ELEVATION

3/4" = 1'-0"

27


SMALL BUSINESS: PEN AND INK IN A BLINK PEN AND INK ARCHITECTURAL ILLUSTRATION CO-OWNER AWARD WINNING, PUBLISHED BUSINESS PARTNER- SOPHIA DELGADO



PEN AND INK IN A BLINK

Our illustration business began after winning “The Great Seal Book Contest” offered by Miami University. The contest provided us with the opportunity to create twelve drawings of iconic buildings on Miami University’s main campus to be published in Miami’s Great Seal Book. This book is on permanent display inside the Great Seal located in the new Armstrong Student Center. Images are transformed into personalized and original pen and ink drawings and note cards. Prints and stationary are available online and at the University bookstore.

ALUMNI HALL, MIAMI UNIVERSITY

HALL AUDITORIUM, MIAMI UNIVERSITY

30


KUMLER CHAPEL, MIAMI UNIVERSITY

STODDARD HALL, MIAMI UNIVERSITY

NOTE CARDS

NOTE CARD SETS

31


Turn static files into dynamic content formats.

Create a flipbook
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.