architecture portfolio ilka demĂŠny
| 2011-2017
1
Contents
museum of 20th century art
3
proto-public spaces
17
tools of the architect
27
art fair installation
31
summer kitchen
33
the cooking factory
35
architecture library
39
rĂŠsume 41
2
museum of 20th century art Berlin, Germany
berlin wall
3
& the site
The 2015 competition for a new museum for 20th century art in Berlin has formed the base of this project. The Kulturforum became the appointed location of the new cultural hub of West-Berlin when the separation of the city became definitive at the beginning of the 1960s. Devastated during the war, the site provided a convenient tabula rasa for further development and became the showcase of architectural icons alongside the Berlin wall, demonstrating values of social democracy. The urban plan for the Kulturforum by Hans Scharoun operated with the idea of a Stadlansdchaft, which is on one hand a protest against the monumentality and gravity of the former national socialist architectural ideology. The landscape-like character is against geometrical order and as such could function as a metaphor of freedom. On the other hand the Stadtlandschaft provides a tool to cope with the lacking urban tissue, by randomly placing architectural objects within a field. The brownfield plot in the middle - the site of the new museum - is a charged space between Mies van der Rohe’s Neue Nationalgalerie and the Philharmonie by Hans Scharoun. It might not be by chance that it has been left empty for decades. On the urban scale the proposal of the new building aims for clearly defined urban typologies. It recontextualizes the church - the only sign of a formerly existing urban fabric; - a garden emerges which frames the existing view on the Neue Nationalgalerie; it provides the Potsdamer Strasse with a readable streetprofile and a smaller square is marking the main entrance of the building. The main idea behind this operation is to create a variety of public spaces which seem familiar for the city dweller and as such claim for being appropriated instead of traversed. 4
urban plan
the square
5
the entrance
the garden
sideview of the neue nationalgalerie
6
ground floor plan changing room8 m2
atelier - dusty60 m2
material and tools20 m2
office21 m2
loading bay150 m2
atelier - dust free182 m2
exhibition preparation and packing220 m2
item transfer46 m2
kitchen80 m2
storage7 m2
cafĂƒÂŠ/restaurant320 m2
office5 m2
publication storage50 m2
shop150 m2
workshop space 240 m2
office25 m2
office21 m2
office18 m2
office21 m2
media and event space400 m2
office18 m2
reception/secretary/lobby administration entrance100 m2
till/info/audioguides144 m2 tea point25 m2
storage18 m2
library90 m2
archive60 m2
copy/storage12 m2
office15 m2
meeting room 60 m2
copy/storage25 m2 cloakroom/lockers150 m2 storage educational material18 m2 media room21 m2
temporary exhibition 750 m2
exhibition space for oversized installations420 m2 store room (media trolleys, posters, info material etc.)37 m2
media room72 m2
backoffice audioguides37 m2
workshop space150 m2
M20
museum des 20. jahrhunderts
7
Besides urbanity, the project of a new public museum addresses several other layers. The public engagement of such an institution, the cultural role of the collection maintained and the formal contextualization respectively representation of such a building are the main concerns this project seeks to answer. The proposal operates with a strong division between a publicly accessible ground floor and spaces for art elevated to the first floor. The large open interior of the ground floor follows the landscape of the site. A cafĂŠ, an event space and workshop spaces for children are grouped around the church-square, bringing liveliness to these facades and spaces. Operative functions - ticket counters, cloakrooms and the bookshop - are on the level of the Potsdamer Strasse. Floor materials, changing inner heights, varying light conditions and furniture mark the territories of the different functions and render different levels of accessibility with the outspoken intention of creating soft barriers instead of definite ones. Places of concentrated work research, organization and restoration - are grouped towards the two ends of the volume, providing closed spaces, but still accessible transition zones. A series of non-hierarchical staircases lead to the rooms showcasing the permanent collection on the first floor.
view on the Foyer from the entrance
8
first floor plan
Ordinary words like ‘the room’ are implicitly ambiguous, because we read them on the basis of subjective experiences. In my use of the word, the room refers to that which is general; to the enclosure, to rooms in which people dwell and spend their time, and which, as such, form the smallest particle of the city. In a museum a field of rooms emerges, in which culture is presented, performed and preserved. These places have typically an infrastructural nature, facilitating a smooth flow of visitors and objects within a given framework. This infrastructural nature is one of the aspects this museum proposal is based on, aiming for a configuration which provides adaptable and diverse sequences of exhibition spaces. This adaptability is not related to the ‘plan libre’ of modernism. It is a carefully curated field of rooms, which offers a choice between many types of visits and narratives. This idea is rooted in the belief that functions are able to find their place within a specific form. 9
first floor plan scale 1:200
low, artificially lit rooms
first floor plan scale 1:200
large rooms
first floor plan scale 1:200
exceptional rooms
10
neighbouring roofs: philharmonie neue nationalgalerie akademie der kunste
Due to the already mentioned urban tissue, the formal contextualization of the building was elevated from the ground plane and engaged within a dialogue of rooftop volumes - Stadtkrone - of the city. Several ideas come together in the form of the roof: representation of the typology of the museum building, accentuating the autonomy of the rooms, by providing each of them with an individual roof and introducing the question of color into the discussion. The large spaces of the first floor have high roof volumes, embracing the complex lighting installations of museum celings filtering natural light. Covered with vibrant green copper profiles, the large roofs overhang the white, ribbed glass volume of the two floors. Falling like pleated skirts these roofs form canopies underneath them, marking the covered terrace of the cafĂŠ, and some parts of the path surrounding the building. 11
process sketches
12
closed facade structure: external cladding made of copper profiles 150 Ă— 150 mm 150 mm batt insulation rectangular steel profiles 50 Ă— 100 mm steel truss construction 120 mm gypsum block wall
facade detail
fragment details scale 1:50
13
entrance fram square
14
construction model
15
The infrastructural nature of the building becomes obvious when looking at its bare skeleton. 6 meter high vierendeel-trusses form network of the upper floor, and due to their oversized height, they are spanning large distances on the ground floor. This heavy concrete structure then becomes wrapped by a light steel layer, covering the building with refined, lightweight surfaces of copper and glass. The interior is readably a dressing of this infrastructure hiding and showing the skeleton up to different measures.
interior of the marx exhibition
2016/2017 spring/fall chair: Interiors Buildings Cities studio: Beyond the White Cube tutors: Daniel Rosbottom, Sereh Mandias, Sam de Vocht, Mauro Parravicini
16
proto-public spaces Coney Island, Brooklyn, New York
17
Our field work during our five-day visit to Coney Island, as a sutdio was the beginning of a rich knowledge base about the discourse, practiced and physical realities of the location. Working with sections, soft mappings, collages and dérives allowed us to grasp a sense of the spatial qualities, the varied cultures, economy and characters occupying the place. In the search for proto-public spaces occurring on Coney Island, we noticed that the appropriation of formally public or private space was often taking place on the sidewalk. We considered these places as scenes and activities within these scenes: tableaux. Analysing these tableaux, we noticed the elements of the street acting as props do to a stage. Considernig this, we analysed the properties of these elements further with an anthropometrical study; from this we discovered that ambiguity of the objects was key to how the actors will appropirate them or allow them and perceive them. A further analysis of the scenes was to consider the regimes of control at work in the physical environment; and the effect on a pedestrian’s [actors’s] behaviour, particularly whether they were encouraged to move, stay, and/or exchange. Different regimes of control have been described graphically with ‘heat maps’, with factors of attraction i.e. a shop window (+), or No entry sign (-); zones of projected influence of an object shown as shaded area i.e. the light shining from a street lamp or space adjacent to a parked car; and ownership i.e. state agenda (blue) or occupant agenda (red); and behaviour i.e. moving, staying or exchange (hatches). When these factors are overlayed we see how the elements in a space with diferent regimes of control can afect behaviour; the ‘hot spots’ of the maps tend to be the spaces that the protopublic spaces occur the most. We have also used this method to evaluate our interventions, meaning that we can use the physical elements of the street to affect discourse and practice; adding a form of weak control for the desired proto-public spaces to emerge. 18
elements
street elements
P
mapping
P
P P
P
B
P
P
P
P
B P
P
B P
19
P
P P
dérive recordings Boyer Dash Fish Palace
Russian Supermarket
30/04/2015 15.14 Participants: The police and people of Coney In a quite corner leading to an apparent dead end, festooned with traffic signs, a Russisan supermarket attracts the local community. Whilst women shop, husbands sit in cars wary of traffic wardens outside. Across the street, a tired McDonald’s serves drive-thru Big Macs to New York’s finest. An adjacent church is having a church sale, doing a strong trade in ivory, passports and weaponry. -
W8th St - NY Aquarium Station
B
29/04/2015 14.34 Participants: The Fish Lady, Sarah, Ilka, John and Ali In the fishmonger’s, the Fish Lady is serving an intermittent stream of customers in between watching the news of Kardashians and race riots. Having bought a late lunch, Ilka and Sarah are sitting on the pavement eating grasy fish and chips. John, a homeless man from Kentucky, comes and sits down and regails them with stories of homlessness, society and dancing. His friend Ali arrives with cold beer and they depart to drink it in private.
30/04/2015 15.14 Participants: Ben & the people of Coney Outside the New York State Department of Motor Vehicles residents from the Luna Park Co-operative Housing Estate are cautiously negotiating the traffic and lines of illegally pareked cars to reach the shops. Some are tempted by a dry pretze from a streetseller on the way. Young men hand out flyers for local gym and Ben has an argument with the shopper. Inside the secular church of police and traffic wardens, the congregation awaits their number to be electronically called so they may financially repent for their devient parking.
B
P
P
P P
P P
P
B
P
P
P P
B
B
B
P P
28/04/2015 13.54 Participants: The people of Coney Lurking beneath the raised subway, a back entrance to the West 8th St. station is hiding. Local residents pass through locked gates between their compounds and the narrow path which connects Coney Island and Brighton beach. A dead bird lyes on the ground; a former resident of the steel arches which dominate the space. At the furthest end of the road, police cars await the next crime to occur. B
New York State Department of Motor Vehicles
B
P
P
B P
P
Empty plots Nail bars Laundromat Homes Cars Houses Closed shop s Emergen cy stairs Front gard ens Houses Gardens Cars Trees Houses Fences Closed shop s Emergen cy stairs Front gard ens Houses Gardens Cars Trees Houses Fences Trees Houses Fences Trees Houses Fences Trees Houses Fences Trees Houses Fences Trees Houses Fences Houses Fences Trees Houses Fences Trees Houses Fences Trees Houses Fences Trees Houses Fences Trees Houses es Fenc Trees
Fences
Fences Trees Towers
Nail Bar Church
Park Pidgeons Benches
es Train nois erpass Dark und Subway
Streetseller ds McDonla
Cars Pharmacy Empty plot s Food shop Blacnk wall
nts Tax accounta Bank Fast food
s Car park Churches Pharmacy
Barber shop Empty plot store Discount ket Mini mar We buy gold
B
Trees Fences Library Fences
element mapping
human- and element densities
Density and Activites of Persons per block Move Stay Exchange
facade & street analysis Closed Facades Open Facades Car Parking Fences
facade
& element collage
20
stories
& monlogues
I’ve got warriors here on Coney! Many Warriors You’ll see the Wonderwheel - Everything Gotta hang a right. I’m not young anymore Always leanin’, squatin’ You wanna smoke a cigarette? My knees hurt. Back in Kentucky, at my Momma’s house. Ive been here for 12 years! I’m a special head! eeeuughhhh. You like my do-rag? I found it on the train. I don’t have a shelter, most of us have a place to stay down there though. One bedroom each, a long corridor and a shared kitched and bathroom. My shelter every night is on the train, that’s where I go. Hi Mommy! ueeeoouuu They don’t like me. You know what I hate? My Eyes! The’re so beautiful, euuugh, make me wanna gag myself. But I need a Sugar Momma.
It’s big money Tony - you know what that stands for? Top. Of. New. York. Hahaha It’s true Okay well, i need 50,000, what’s it gonna cost me? Just get it done. A lot of people working for me It’s important to relax, so I come down here. Get a beer, Look over whatever some architect has sent me. You know they have no clue about the realities. What’s your name? Let me tell you something... Beautiful dayisn’t it though. A lot of responsibility. You want a beer? Let me get you kids a beer. You need a ride? I took her down atlantic for an engine check. They know what theyre doing down there. I go to Harolds, have done for twenty years. His son helps him too. Dinner time Hey honey, i’m back soon, give me thirty minutes. You know what you need to do!? Hello, Tony speaking? Yeah speaking. Good You tell him to get it done and the report final, by Thursday. -Haha-
dedededede Why is that man sat there? He has a loud voice. Can we get donuts today, pleeeease. But they do! He is like a... Pirate! Oh, my friends are in there, see. Can I go and play? He’s got a blue scooter. WHY WHY? Can I play! Mine is silver. Mom, why dont we go live in one of these towers?! They got a park to play in.Look DAISIES! 1,2,3,4,5 and and, Dandelions, 1,2,3,4,5,...6,...,...,...7 Dande-lions. RAAAAWWWWRRRRR hahaha Oh yellow. Can I take some for Aunt Dee!? What’s for dinner? Yes. Awww, the lady’s dog is cute. He likes it when you go like this and scratch here on his ear.
I still got it! I’m a Sugar Daddy! Might be a little old, but I still got it!
Mmm caramel latte? the queue ain’t bad, and that girl will be working on Tuesdays. Hey gorgeous, I’ll have the usual thanks. Yeah, great. You have a great day now.
Tony
paths
21
Time for a break Come in... Officer.... Sam! Officer James! Lunch time. Come to the drive thru. Tuesday is vanilla milkshake day! Sluuuurp. Oh Hey I should ask Harold to see to the truck, I think it’s the clutch again. The breaks were checked three months Ago. I ain’t looking under the hood. Carlos! Is that you!? Did you go to the appointment today? Okay, I want you to buy some groceries. Here’s $10 get us some dinner. Hahaa Oh man You always going supersize man! Your wife have something to say about that stomach you’re growing hahaaha? Look it’s that funny guy again! Where is he going everyday. Looks like he’s walking better now. Nah you’re being disrespectful! I saw him down the boardwalk last weekend you know, I don’t give a fuck he was playing in a little street band. Get outta my face! Hahaaha Come on old lady Come Why are you even talking to me!? Check out this you tube video. Damn Wait for it.... Hahhahah... You see that!? What ta gonna call the police!? Sir, read the sign, please. Like they’re gonna say anything to me. Please... Yeah you can’t park your vehicle here. Alright alright. You gotta move on okay or I’ll have to issue you one of these. My uncle, he never leaves his apartment . Okay, goodbye now. He has a thing with his heart and his legs. Dumbass Yeah but mom says he got a girlfriend now. Haha yeah right. Ma’am can I see you ID. Yeah Mom, fine! What’s your name? Okay! You live around here? I said okay!! So what are you doing here today? Who are you waiting for? I’ll fix it. Why you always staying late anyway? Poor girl. Can Tommy come over tonight? He got a new game for the Xbox. Glad I didn’t have a daughter. I don’t like coney, but you know I grew up here. Bet she wished she went to school now. Hey sweetie! That’s life huh. Where you going today? Hey! Sweetie! Hi baby! Hey what’s you number! We should chill!! How are you doing? Yeah I’m gonna go to California. Okay, you take care. I’m living up one of the blocks. It’s gonna rain tonight. It’s not so friendly if you know what I mean. Those kids, they’re gonna be smart I know it. Can I get a cool aid. The boys are at the ticket hall. One of my teachers said I can do what I want so that’s where I wanna go.I do t wanna see Harry today. Hmm maybe he’s not on duty today. Yup Just have a peek and drive by. See you tomorrow Manhattan Ahh what did mom want? Wait end.
John
Tell all of the people on the internet about me, I can dance I go down on the boardwalk and danceCarlos Jo You don’t know how I boogie woogie!
Dee
characters
scenes, tableaux
paper models/movie scenery
22
act2 the barber shop
28/04/2015 11.33 Outside the barber shop wives are waiting for their husbands, thier children are climbing the frames around the trees. In between customers the barber sits outside in the coolth of the shade and watches those who past. People pause to talk to him and in so doing lean against the parking meters and their cars. Around the corner the homeless wait for lunch next to the Laundromat, joking and begging with passers-by.
control
state agenda occupant agenda
+ + + ++- - - + -
attraction
objects object zone of influence & object ambiguity
using spaces movement exchange staying
heat maps
P
P
+ +
+ +
+ + +
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23
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- - +- - +- -+ - +-- -- - - ---
-
conclusion: catalysts for lived spaces
minimum of 5-6 objects balance between state agenda and occupant agenda penetrated walls
+ + + + + + + ++ + + + ++ + + + + + + + + ++ + + + + + + + + + + +++ ++ + + + + ++ + + + ++ + + + + + + + + ++ + + + + + + + + + ++ +
+ + + + + + + ++ + + + ++ + + + + ++ + ++ + ++ +++ + + +++ + + + + + + + +++ + + + + + ++ + + + + + ++ + + + + + + + + + ++ + +
objects with a strong zone of influence/ambiguity level (trees, chairs, banches, boxes, stairs) relative visual enclosure: open/closed relation: 35/65 objects with high attraction level (changes throughout the day, eg.: lamp posts)
varied uses a relatively narrow transition zone
exchange & stay move exchange & stay
spaces for sitting and alternative uses
24
Scene 7
proposed scenes scene 7
coney island station
Scene 6
scene
6
Luna Estate Tower Lobby Node type: Major Existing features: Housing, park landscape Intervention level: High Focus: Exchange
w
12th st.
Scene 5
Luna Estate, W8th St. entrance
5
Node type: Minor Existing features: Pavement, road, housing Intervention level: Low Focus: Orientation
scene
w 8th st.
W8th St. Carpark Node type: Intermediate Existing features: Car park, shops, housing Intervention level: Medium Focus: Stay
scene
Scene 4
w 8th st./ ny aquarium station
4
W8th St. NY Aquarum Station
scene
3
Node type: Major Existing features: Station, through route, housing, viaduct Intervention level: High Focus: Stay & growth
Scene 3
w 5th st.
West Brighton Ave. / W5nd St. West Node type: Minor Existing features: Bus stop, housing, viaduct
Intervention level: Low Scene 2 Focus: Orientation
scene
2 ocean parkway station West Brighton Ave. / W5nd St. East
scene
1
Scene 1
Node type: Intermediate Existing features: Bus stop, housing, viaduct Intervention level: Medium Focus: Stay
West Brighton Ave. / W2nd St. Node type: Major Existing features: Park, school, viaduct, shops Intervention level: High Focus: Growth
25
Scene 8
scene
8
luna park estate node type: major
existing features: housing, park landscape, play park intervention level: medium focus: exchange
Luna Park Estate
Node type: Major Existing features: Housing, park landscape, play park Intervention level: Medium Focus: Exchange
Our encounters taught us that ‘proto-public space’ was a term yet to be defined, giving us the opportunity to expolre and expand the way we approach our fieldwork, analysis and importantly, our design [or lack thereof]. The proposal for interventions here concerns some basic street elements of state agenda (lamp post, parking meter, et cetera) and occupant agenda (cars, chairs, boxes, et cetera). We use these elements to develop a rhythm of liveable spaces along the axis of the peninsula, between Coney Island and Brighton Beach; in between which, there is the Luna-Park Co-op housing estate and surrounding neighbourhood (the ‘five zones’) - identified in our research as an area with low levels of practiced ‘stay’ and ‘exchange’. These zones are fragmented with contrasting physical urban grain and practiced labyrinth-like paths through; lending itself to the disorientation and severe separation between the two ends. The nodes [scenes] of the interventions are designed to either orientate, to encourage actors to stays, or to encourage growth. With this we have compared the desired affect to the existing situation so that we know the scale of inetrvention needed. A minor intervention would changing the side of the road that cars should park, intermediate might be installing street lamps for orientation, or major might be a ‘super element’; an ambiguous street component that uses existing infrastructure to create places to stay and to grow. For example, a pull down shelter under the viaduct. 2014/2015 spring chair: Methods & Analasys studio: Transdisciplinary Encounters tutors: Tom Avermaete, Hans Teerds team: Sarah Revill, Wyn Jones, Ilka Demény
26
tools of the architect reflective excercises
La Lira Theatre, Ripoll, Spain Architects: RCR Arquitectes, PUIGCORBÉ arquitectes Project year: 2011
27
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4,5
5,2
2,1
1,6 ,3 1,5 1 2,2
1,8 1,9 1,6 1,1
1,7
2,81,7
3,2
1,5 1,5
,1 12,2
1,1 1,3 3,3
2,1
5,8
0,9
1,7 1,8 1,5 1
1,2 1,10,9 1,6
4 1, 1,4
1,6
2,2
1,1
1,3
1,3 1,6
5,6
0,6
1,7
1,3
3,1
1,3
1,5
2,1
2,1
2,8
1,3
9,6
1,3
1,9
1
2,7 1,7 2,6
1,2 1,31,3 2,6 2,4
1,1
2,8 2,1 2,92,7 1,8 1,8 2,7
1,7
2,1 0,6
1,8 1,4
4,5
1,5
1,5
2,7
1,4 2,6 1,3 2,8 1,1
0,7 1,3 2,6 1,4
1,3 1,6
1,6
2,9
2,6
1,5
5,4
2,2
2,5
1,2
1,3
1,2
3,9
0,6
3,2
1,7
1,9
1,7
1,4
1,5
2,7
2,2 3,6
1,8
2,9
3,4
1,2
1 2,7
1,2 5,5
2,51,3 5,9
0,8
2,1
1,4
2,6 1,7
2,4 1,3
4,4
1,6
0,7 0,4
1,31,3
1,9
1,8
2,3
2,7
100,2
1,9
1,7
1,3 2
1,8
2,3
1,5
1,5
0,7
1,1
0,7
0,40,4 0,7
1,6
0,30,7 0,4
1,1 0,8
0,9
2,71,7 1,7
1,5 1,7 0,9
1,1 0,9
2,5
2,4
1,1 1,1
1,8
1,7
1,5
1
0,8 0,4 1,1 0,5
,8 0,9 1
2,2
0,9 0,4 1,2 0,5 1,1
0,9
0,8 1
1
1,4
1,3
1,5
2,3
1
1,2 0,81
3
0,8
2,3 2,3
0,5 0,9 1
1,3
1,4 2,5 1,8 1,3 1,9 1,8
2,9
3,4 1,9
3,1 2,9
1,4
1,2
2,8
7 0,9 1,3 0,
2,8
1,4
1
,9 1,2 1 1
2,2
0,8
1,3 1,1 0,8
7,6
2,4
1,2
1,3
3
1,2
32 1,5 2,
1,8
1,1
2,8 0,8 0,6 ,3 2 2,1
1,8 3,1 2,3
1,9 3,3
3,3
1
3
2,3
5,6
2,9
1,3
1,5
1,8 2,3
2,4 1,9
1,7
1,4
0,7
0,4 2,1
1,5
2,5
2,7
1
1,5 1,6 1,8
1,3 1,4 1,2
1,1
0,8
1,9 2,4
0,8
1,5
1,3
2,6
3,5 2,5
1 1,7
1,4
1,5
1,5 1,7
1,9
1,6
1,5
1,8 3,3
1,3
1,3
1,3 1,8 1,3
1,4
1,3
1,9 3,1
1,6
2,8
1,3
23, ,14
4,8
3,7
0,7 0,8
1,2 3 21,7 1,9 1,
1,4 2,11,8
1,1 1,8
1,3
1,8
1,2
1,8 3,1
2,3
131,4
139,7
138,7
2,1
1,8
0,8 0,8 1 0,9
6,4
9 31,
4
125,6
141,7 143,2
139,4
140,7 140,7 140,8
119
124,1
139,7
71,9
1,9
1,4
2,1 5,9
1,1
1,3 2,6
1 2,1
2,8
2,1
1
2
2,8
1
1,2
19,5
0,6
25
,8
0,4 16,2 16,5 16,6 16,8
0,5 0,9 0,6
17,7 17,9 18 17,9 17,7 17,7
the drawing: fetishized annotations
59,9
2 1,6 2
1,7
1,5 1,4
1,2
1 2,1
1,1 1,5
1,6
2,3
1,1
1,2
2
1,8
1,1
1,1 1,2
2
2
2,3 1,2
2
6,3 5,1
2,7
4,9
1,9
1 2,4
2,2
1,6 20,6 1,2
1,5
1,4
1,5 0,5 1,9
1,6 0,8
0,9
0,8 0,7 0,8 1,2
1,6
3,4
1,2 2,1
4,6
2,2 1,8
2,5
1,7
1,6 1,7 1
1,7
0,7
2,5 6,3 1,1
6,7
,1 1,7 11
0,7 0,7 0,8
1,2
2,3
1 1,6 0,9
1,2 1,1 1,6
1,21,2
0,7 1,6 0,8
2,1 1,8
1,2
1,7
1,7
0,7
1,2
1,3 0,9
0,8 0,7 0,8
1,2 0,8
0,3 5,5
2 0,3 0,9 6 0,9 8,6
5,1
0,9
3,2
1,72 0,6 1,5
1,1 0,4 1,5 1,3 0,7 0,8 1,1 1,2
1,6 1,2
0,4 0,9 0,8 0,9 0,91,4
0,9 0,4 0,8 1,4 0,9
12,1 ,9 1,2
2,1 1,2
1,11,5 1,5 1,2 0,7
4
0,4
2 1
1,4
0,9
0,8 1,9
2 0,9
22,9
0,7
2,5
2,7
0,9
0,9
0,9
0,9
1 0,9
2,1 1
0,9 0,7
1,2 1,6 1,4 2,5
2,1
0,5
1 1,6
1,1
0,4
1,1 1,2 0,5
0,6 1,7
0,9 1
1,9 2,9
1,6
1,6
1,72,9
1
0,8 2 1,8 1,8
1,1 0,8
1,3,3 1 1,2
1
0,7 2
1,1 2 1,2
1,2 ,2 1
1,7
0,8
1,4
1,7 1,7
0,7 15,9 16,7 2,8 1,7 0,5 6,9 133,7
24
,7
25
,5
28
#section
#lightrays
#doodle
#masses&voids
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2014/2015 spring chair: Methods & Analasys seminar: Tools of Architecture tutors: Robert Gorny, Leonardo Zuccaro Marchi individual work
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art fair installation temporary design for uneven ground
31
modular structure, easy to (re)assemble
regularly rising roof structure clever joints uneven ground
different uses
2014 spring/summer office: Hello Wood Ltd.
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summer kitchen Csรณrompuszta, Hungary
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2014 spring/summer office: Hello Wood Ltd.
34
the cooking factory
refurbishment of a warehouse in one of the old ports of Rotterdam
learning garden
cooking school
cafĂŠ shop
food-bank rotterdam
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the warehouse
routes
no windows
reused rails as leading paths
light/transparency
inner landscape
greeneries
cafĂŠ: wooden ship flooring shop: concrete
the building opens up both literally and figuratively
kitchen: polyurethane
variety
final design
hanging herb gardens blurred borders between inside and outside
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greeneries: - provide light and transparency - herbs for cooking - a unique surrounding for meals
the twisted brick walls: - seats created alongside the facade - a directional view from inside - are used as interior dividing walls
cooking islands with tables on reused rails: after cooking the company can roll away for eating
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2012-2013 fall BSc diploma project tutors: Suzana Milinovic, Koen Mulder
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architecture library facade design
39
1
1
grind baanvormige dakbedekking minerale wol 130 mm dampremmende laag constructieve druklaag 60 mm kanaalplaatvloer 200 mm
8 Dak
aluminium afdekprofiel
11400
triplex plaat 10 mm
180
50
130
60
7 Dak serre 9700
200
stalen T-profiel basalt gevelsteen spouw 40 mm beplating, 5mm (waterwerend) minerale wol 150 mm dampremmende laag binnenbeplating 10 mm profiel, Allface F2-10
6 Mezzanine 7900
40
60 110
150
10
bewerkte stalen T-profiel basalt gevelsteen aluminium goot voor regenwaterafvoer waterkerende laag beplating, 5mm (waterwerend) houten binnenspouwblad 150 mm dampremmende laag binnenbeplating 10 mm aluminium kozijn HR++ dubbelglas
5200
150
G 4 Begane grond +0 1200
20
9
5 Verdieping +1
90
70
basalt gevelsteen 275 Ă— 100 Ă— 60 mm spouw 40 mm beplating, 5mm (waterwerend) minerale wol 150 mm (houten binnenspouwblad) dampremmende laag binnenbeplating 10 mm 300
10
275 110
1
3 Maaiveld 99.7912
190
0 300
2011-2012 spring tutors: Maarten Korpershoek, Bart Knuvers team: L. Luken (architect) E. Sloten (construction), Ilka DemĂŠny (facade), J. Wijsman and M. de Haan (interior)
40
rĂŠsume
Name: Address: Date of Birth: Nationality: Mobile Number: e-mail:
41
Ilka DemĂŠny Nootdorpstraat 37, 3037BM Rotterdam, the Netherlands 7th December, 1986 Hungarian +31 612650876 dem_ilka@hotmail.com
Education:
Internships:
Workshops: Competitions:
Master of Architecture, Technical University, Delft, the Netherlands Bachelor of Architecture, Technical University, Delft, the Netherlands MA History of Art, Eötvös Loránd University, Budapest, Hungary Erasmus scholarship, Albert Ludwigs Universität, Freiburg, Germany
2013-2017
ZECC Architecten, Utrecht, the Netherlands - design and construction of cast iron doll’s house, preliminary design for refurbishment of Utrecht Library Hello Wood Ltd, Budapest, Hungary - design and construction of temporary architecture, managing orders, construction management MH interieur en architectuur, Rotterdam, the Netherlands - facade transformation design, interior design and technical detailing of a hotel lobby. Hungarian Architecture Museum - research, cataloguing the architect Károly Kós’s written bequest
02-08, 2014
Porto Academy, workshop with Cecilia Puga Hello Wood design workshop and summer camp
20-27 07 2016 15-21 07 2013
Shortlisted on BAI competition ‘Maak jouw Theater”
2013, summer
Skills
Rhinoceros, V-ray, Revit Architecture, Autocad, Google Sketchup, Adobe Photoshop, Adobe Indesign, Adobe Illustrator.
Other work experience
Student assistant, TU Delft, chair Interiors Buildings Cities Hopper Coffee, Rotterdam, cook In the keuken van Floris, restaurant in Rotterdam, kitchen assistant Volunteer at the Architecture Film Festival Rotterdam Showroom Szidónia Szép, fashion design shop in Budapest, shop assistant
Languages
Hungarian Dutch English German Romanian
2010-2013 2005-2010 2008, spring
02-05, 2013 09-12 2009
2016-2017 2014 - 2016 2011 - 2013 10-13 10 2013 2008-2010 native fluent fluent moderate moderate
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