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LIST OF ILLUSTRATIONS

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2.2 ORIGIN

2.2 ORIGIN

Figure 1: Demetra Voskou, Rehabilitation Centre, 2015. Spatial interplay. Drawing Demetra Voskou

Figure 2: Christine L MacKenzie, Thea Iberall, Hand's strategy to grasp an object, 1994. The Grasping Hand (Amsterdam: North-Holland),p.340 , Scaned Image. Demetra Voskou

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Figure 3: Christine L MacKenzie, Thea Iberall, Central Nervous System, 1994. The Grasping Hand (Amsterdam: North-Holland),p. 73, Scaned Image. Demetra Voskou

Figure 4: Allan Pease, Types of Handshake, 1984. Body language: how to read others' thoughts by their gestures, 2nd edn (London: Sheldon), [Accessed 30/3/2015], http://www.iwaha.com/ebook/blbook/index22

Figure 5: Barbara Hepworth, Study of Surgeon's Hands, 1971. The Fitzwilliam Museum. Drawing, [Accessed 2/4/2015] http://www.fitzmuseum.cam.ac.uk/opac/search/cataloguedetail.html?&priref=10845&_functi on_=xslt&_limit_=50

Figure 6: Shelley D. Spray, Surgeon retracting during surgery in the operating room, 2002, Paris, Accessed 9/2/2015, http://www.corbisimages.com/photographer/shelley-d-spray

Figure 7: Charles Rennie Mackintosh, Holy Island Castle, Northumberland. 1901. Glasgow University: Mackintosh Collection. In Brian Edwards, Understanding Architecture Through Drawing, 1st edn (London: E & FN Spon, 1994), p. 5

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Figure 8: Charles Rennie Mackintosh, Sketches for a barn in Suffolk. 1901. Glasgow University: Mackintosh Collection. in Brian Edwards, Understanding Architecture Through Drawing, 1st edn (London: E & FN Spon, 1994), p. 50

Figure 9: Carlo Scarpa, Statua di Cangrande, 1961-1964. Museo di Castelvecchio, Verona. [Accessed 30/3/2015] http://www.archiviocarloscarpa.it/web/disegni_scheda.php?lingua=e&scheda=301

Figure 10: Alvar Aalto, Veputi Library, 1927-1935. Topographical reference. Studio International. [Accessed 28/2/2015] http://www.studiointernational.com/index.php/aaltoand-america

Figure 11: Demetra Voskou, Rehabilitation Centre, 2015. Entrance. Drawing. Demetra Voskou

Figure 12: Demetra Voskou, Rehabilitation Centre, 2015. Analysis through movement and sight. Drawing Demetra Voskou

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