d+a Issue 116

Page 78

/ DI N E /

LUSH DECADENCE THE DYNAMISM OF CHINESE CULTURE IS ON FULL DISPLAY AT MOTT 32 SINGAPORE, DESIGNED BY JOYCE WANG STUDIO. WORDS LOW S HI PING

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/ P H OTOGRAPHY EDMON LEONG, JOYCE WANG STUDIO

1. The entrance of Mott 32 is done up with its classic bank bar gold gates. / OPPOSITE. The main dining area of Mott 32 has pendant lights with embroidered linen shades.

76

T

located in Marina Bay Sands, throws up a

Mott 32 is visually stimulating, with so many details to take in and be distracted by. Why did you choose this stylistic direction?

smorgasbord of rich, luxurious detailing and

We wanted to celebrate the botanical theme

story-telling that spans time, culture and

without reservation, and ensure it extended

geographical boundaries.

to every surface in order to grant diners an

he lights are turned down so it might be hard to appreciate, but closer inspection of Mott 32 Singapore,

Conceptualised by Joyce Wang Studio,

all-immersive experience. Details have been

the modern Chinese restaurant is rife with

imagined with colonial influence, nods to

references

the Aesthetic Movement and of course, the

from

Chinese

imperialism,

the country’s colonial era, its traditional shophouse

architecture,

greenery,

Garden City.

the

Aesthetic Movement and Hong Kong, where Mott 32 first originated.

How similar is Mott 32 Singapore to the other outlets around the world?

The eponymous designer of the Studio

All Mott 32 projects (Singapore, Hong

offers her take on how she designed the

Kong, Vancouver and Las Vegas) share in

space, and her thought processes around the

the rigour to defy expectation and deliver

selection of materials.

something visionary. At the same time,


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