Detroit Live Magazine ONLINE

MAY 2013

RAWRADIOX DLM TRIBUTEFEST 2013 DMA ALICIA KEYS JEWEL GARBAGE BAD RELIGION YES MOVEMENT PREVIEW

POP EVILS LEIGH KAKATY TALKS WITH DL

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This Month In Dl 8 tributefest - darian counts

DMA preview PG. 14

10 benny and the jets - benny jet 11 movement preview - amber krumm 14 rawradiox.com 14 garbage review - julia sikora 18 pop evil talks with darian counts 20 detroit music awards review jordan ewart 22 alicia keys / jewel - marc nader

PG. 20

Aluna Michaels JONNY LANG & BUDDY GUY PG. 11

WHITE SHAG PG. 23

pg.18

Detroit Live Tribute Show

pg.8

23 yes - olin ezra 23 bad religion - sarah force 24 choice cuts - eric harabadian 29 revolution of rock - tiny tim cook 30 horoscope - aluna michaels ATTN: EAST SIDE BUSINESSES

PRE-LAUNCH DISCOUNT ADVERTISING OFFER Exclusively for live music venues located on Detroit’s east side.

Detroit Live is seeking new venues and partners for a series of East side events to coincide with the Launch of the upcoming Detroit Live East side.

pg.23 Contributors: Sabrina Deville, Benny Jet, Allison Martin, Eric Harabadian, Darian Counts, Aluna Michaels, Marc Nader, Tim Cook, Amber Krumm, Jordan Ewart, Sarah Force, Olin Ezera, Julia Sikora.

Graphic Design:: Granger Graphics Story Editing: Elizabeth Sinclair, Alyson Catka Photgraphers: Marc Nader(Cover), Aaron Gripe (2Eighteen Designs), T Mac Imaging, Christopher Bjornberg

CC pg.11 EH pg.22

East Side Sales - Allen Rista Publisher: Granger Publishing Editor: Darian Counts

For More info Call Allen Rista at 586-271-2291

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Copyright 2012- Granger publications. All rights reserved. No part of this publication may be reproduced without written permission of the publisher. All materials received without SASE are considered property of Granger Publications. Detroit Live is available free of charge to fans of live music everywhere...Enjoy!

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I

TRIBUT

love a tribute show. A great tribute band can blur the lines of reality. They can give you the illusion of seeing an icon band for just a few dollars. Most tribute bands are composed of experienced, talented musicians who are true fans of the bands they portray. Many times I find, given the choice of a huge band downtown for $100-200 or a great tribute band just down the street for $10 or 20…I’ll take the tribute.

I’m mean lets face it even national icon type bands get sick of performing their signature songs over and over for decades. It’s human nature to slowly modify them over time. By the time you get tickets to see your favorite band live, they are years past their prime, playing some weird version of your favorite songs in a venue that’s over crowded, the sound sucks or you couldn’t afford the seats you wanted so you’re up in the rafters.

With the tribute band, you re right there. It’s a smaller venue so you can be in the bands face and experience the show on an all together different level than you can at a venue like Comerica Park or Joe Louis Arena. And if the tribute band can visually, sonically and emotionally reproduce the show of the original you are in for a great night.

Except ARV & Triple Threat. But what I did know about ARV was that the lead guitarist Emery “ The Animal” Perez was a fantastic musician. I had witnessed Emery’s guitar skills in the past and was very confident he could do it. But I had to ask myself, “Could the band give the music that Stevie Ray feel, could they throw down some dirty Texas Blues?” Answer: Hell yes they could! Animals portrayal of Stevie Ray was made complete by the donning of the signature cowboy hat and beat up strat. Not to be neglected was the musical portion of ARV. Musically they were right on. Any fan of Stevie Ray was impressed by ARV & Triple Threat that night.

Next was the insanity of the Michigan’s own Alice Cooper. The Nightmare has been doing Alice Cooper tribute performances for years now and they have “The show” to prove it. From “Billion Dollar babies” to “Go to hell”, lead singer John Klenn captured the vibe of an Alice Cooper show complete with live reptiles, ritualistic hanging & baby kicking Now that’s good family fun!

That’s what Detroit Live Magazine did at All Around Bar on April 6th. We brought together 5 of the areas best tribute bands to show Which leads us to Tall Cool One, a tribute to Led Zeppelin and what they could do.

Robert Plant. T. Kinks Hess and his boys did a fantastic job on both the Zeppelin and the solo Plant aspects the performance.

Turnes out... they could do a lot.

From D’Yer Mak’er and Stairway to Heaven to Rockin at Midnight they touched on a variety of shades of the Zeppelin/ Plant mystique. They’re performance and their presence on the ARV & Triple Threat, Tall Cool One, The Nightmare, The Detroit bill was eclipsed only by the friendly nature of the band that, like Doors and Sins of a Madman teamed up with Detroit Live Magazine and a couple hundred of Downriver’s coolest live music most of the others stayed until the end to cheer on and enjoy all fans to create a night with the music of Stevie Ray Vaughan, Led the bands.

Zeppelin, Alice Cooper, The Doors and Ozzy Osbourne.

The Detroit Doors are just a fantastic Doors Tribute. Chizzy Most of the bands I had seen in the past either on video or live. on vocals does a great job of looking and sounding like Jim

ARV & TRIPLE THREAT

THE NIGHTMARE

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THE DETR

TE FEST AT ALL AROUND BAR TAYLOR MI

Morrison. The Band is rounded out by some of the nation’s best musicians. When these guys do a Doors song the passion of the Doors comes thru loud and clear. Chizzy and the boys truly make you feel as if you are seeing the Doors. Touch me, Break on thru and as many doors hits you can pack into a 35 minute set. performed perfectly will either remind you of how much of a Doors fan you are or convert you on the spot. Because if you’re not a Doors fan when the Detroit Doors start playing, you will be when they’re done.

D

To book one of these fantastic bands go to: www.officialdetroitdoors.com www.facebook.com/sinsofamadman www.facebook.com/kinksandthekrew www.detroitsnightmare.com www.facebook.com/ARV.and.TripleThreat

Sins of a Madman are one of the areas best tribute bands.

Stonecage is a pro at transforming into Ozzy both visually and vocally. Their Randy Rhodes era Ozzy tribute comes complete with as many crucifixes’s and props as they can fit onstage. The performance of the band combined with the incredible stage and lighting system at the All Around Bar made this feel as if you were front row at an Ozzy concert in 1980. Mike Stonecage captures the movement of Ozzy from the spasmodic hand clapping to the random “We Love You All”‘s and guitarist Dave Hicks shines as Randy Rhodes.

By the end of the night the entire crowd got to experience of some of the greatest rock and roll bands ever created. They avoided the high dollar seating and a downtown journey all while supporting the local music scene. We appreciate all the bands and hope you’ll stop in to see them whereever their shows may be. Thanks to the All Around Bar and to everyone who came out to make it a great night.

Can’t wait to do it again…

ROIT DOORS

SINS OF A MADMAN

For more images from this show go to www.seethemuzic.com

TALL COOL ONE

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Christina Chriss/Kaleido

Benny & The Jets

Benny & Alto Reed/Bob Seger band

Benny & Kid Rock I’m Kid Rock. No, I’m the guy with the white beard in the picture with Kid Rock!

KILLER FLAMINGOS

In this Facebook, Pinterest, Twitter, iPhone, world, is there any such thing, as to many photos? Not only in life, or on your phone, but in media, newspapers and magazine?

Lets put in a photo of Christina Chriss! and our caption will say. Media loves pretty girls with pink hair. Which should be great for Christina Chriss and her band Kaleido. I always believed I haven’t had a chance to ask Darian Counts the White Strips, the Romantic’s, with their red or Marc Nader - Darian runs DLM and Marc leather suites, even the mop top Beatles, opened is DL’s Senior Photographer But I think, and many doors, to fame and fortune, because they had “the look.” would guess, they’d agree.

Facebook, Twitter, and all social media has thought us 140 characters per post. People are getting more and more used to reading a headline or a caption under a photo. It is becoming harder and harder to get people to READ a column.

My friend Bob Harris, known as the Oldest Rolling Stones Fan agrees. Bob who wrote a book called “Motor City Rock and Roll of the 60’s and 70’s”, was ahead of this trend. His book has over 200 photos and captions, that tell quick little stories of the photo. Not only has this book sold nationally, It has received great reviews.

People like to see a photo, hear a little story on what is going on. Maybe learn a fact or two and move on.

Much the way, social media has changed the way bands record, sell, and distribute music.

Writers may have to change the way they write columns! More photos, more captions.

The way editors set up pages and put together magazines?

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From concerts at Lincoln Park Theater (1973) to the Palace of Auburn Hills (2013) and many stops in between. From hot air balloons at DTE, to tops of speaker columns at Cobo Hall, Alto Reed of Bob Seger’s Silver Bullet Band has truly had, and made, some rock and roll memories. Alto, not only a great guy, and great musician, probably knew, or worked with most every band mentioned in this column.

I recently met Rich the Bartender. Rich, worked many downriver bars, back in the day, including the famous Skylight Lounge. The Skylight, now CVS, on Southfield, was to Allen Park, what the Studio Lounge, was to Westland, Captain Ahab’s, to Wyandotte, or even the Side Door, to Dearborn, or the West Side Six, to Redford/Detroit. The Pier 500, Token, 24 Karat club, Bahamas Mama’s, great rock and roll clubs, that featured, great area bands. Yes, clubs with stages, dance floors, concert sound systems and light shows. Bands like, Mariah, Mariner, Sunday Funnies, Salem Witchcraft, Little Ruben, Mugsy, Strut, Toby Red, Sweet Crystal, Halloween, Teagarden and VanWinkle, Rockets, Styx and Stones, Mitch Ryder, Rational’s, Tim Tam and the Turn-on’s and even Frijid Pink.

Frigid Pink

Great rock moments on guitar, you might think of Jimmy Hendrix, screaming, Star Spangled Banner or Chuck Berry, on Johnny B Goode. On Keyboard you might think of Question Mark and the Mysterians, 96 Tears, intro. On drums maybe the Safaris, Wipe Out. On saxophone, how about Alto Reed - Bob Seger’s Turn the Page.

For more information, or contact Benny, call the hot line 313 730 1627 e-mail benejets@ aol.com. Coming soon, Benny and the Jets band, with Tommy C., and 50 Amp Fuse, to the Wyandotte Spring Fling (May 11) See Benny Solo, at Do Hickey’s in Wyandotte and Thursdays, acoustic open mic, at the Redford Moose.

HART PLAZA MAY 25-27 2013

by Amber Krumm nem is quoted in saying during a war of words with Moby: “You’re too old, let go, it’s over, nobody listens to techno.” The Movement Festival headliner is actually living proof of the contrary. Selling over 20 million albums globally, he is often argued to be one of the most influential electronic music artists to break-beat into the mainstream. Moby has also worked as co-writer, producer, or remixer while collaborating with music all-stars the likes of Metallica, The Smashing Pumpkins, David Bowie, Guns N’ Roses, and Michael Jackson.

Derrick May & Kevin Saunderson (The HiTech Soul Concept) Assumingly a DJ tag team set, both Derrick May and Kevin Saunderson are reveered as 2 of the 3 “Techno Pioneers” (The 3rd being Juan Atkins, also referred to as ‘The Originator’.) Not much is known about this Hi-Tech Soul concept; My guess is it is in reference to the words Derrick May used to describe Techno music while be the official producers of this large being interviewed in the 2006 documenscale event. This production company tary titled “Hi-Tech Soul”, directed by Gary comprised of passionate music lovers, tech-savvy sound and lighting crews, and Bredow. Regardless of the concept this musicians have kept the festival alive and set, it is sure to be an entertaining and nostaligic one that will leave the crowd thriving since the managerial switch in wanting more.

2006. In 2011, Rolling Stones Magazine deemed Movement Festival the “Best Adult. - Live Set Niche Festival”.

As the festival matures, the variety Those of you who are like “I’m not paying ensues. Each year the festival strives to`provide a little something for everyone. to go see some dude throw records on a turntable for an hour”, will love Adult.

That is because, unbeknownst to some, THIS IS A BAND. Homegrown from Detroit, NOT ALL ELECTRONIC MUSIC IS THE This male/female duo brings excitement SAME! Patrons have the benefit of free wi-fi access at Hart Plaza the entire week- with every live show. Nicola Kuperus is the hot chick singing vocals, while Adam end, helping them navigate around the 5 stages, 100+ artist line-up, Interactive Tech Lee Miller acts like a strategic madman jamming away on various machines.

Center, and on-site Art Installments.

Here are some Movement Festival sets Ben Sims you SHOULDN’T miss:

LOSE YOUR HART AT MOVEMENT FESTIVAL 2013 Every Memorial Day weekend for the past 13 years, there has been a deep rumbling of bass echoing through the streets of Downtown Detroit. For electronic music enthusiasts around the globe, it is the official war cry of Movement Festival.

In retrospect; DJ and producer Carl Craig is the creative force mainly responsible for the conception of the festival. Originally called the Detroit Electronic Music Festival or D.E.M.F(2000-2002), The first year launch was a SURPRISING success! Attendance was over 1 million patrons, and there were no reports of increased crime.

The Visitors and Convention Bureau even reported the event brought in over $90 million dollars into Detroit’s local economy in only it’s SECOND year.

Due to legal conflicts between the curators of the festival, the directorial roles of the festival shifted. The new name for the festival was “Movement” from 2003-2004 while being managed by “The Innovator” of Techno music, Derrick May. In 2005, “The Elevator” Kevin Saunderson took control of the festival, re-naming it “FuseIn”. Attendance rates dropped being as the event was no longer free, and the economy overall was beginning to suffer.

The festival was feared to be lost forever around 2004-2005 due to financial concerns.

The city of Detroit most recently sanctioned Paxahau Event Productions to

This UK DJ and Producer does NOT play around. Talk about taking your Techno seriously; this guy is the real deal. Sims has contributed to over 50 releases over the last 20 years. He also keeps the inspiration alive through his co-founding of a club-night in London called “Machine”, which is primarily driven to shine a spotlight on up-and-coming artists and unreleased acts.

Daniel Bell Moby DJ set I find it amusing that Detroit rapper Emi-

When discussing the numerous DJs who Cont on 22

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DL MAG WOULD LIKE TO ALL THE BANDS THAT PARTICIPATED IN THE BLOW UP MY BAND CONTEST. JOIN US MAY 11TH @ CRIMSON LOUNGE IN RIVERVIEW FOR THE FINALS TO SEE WHO TAKES IT ALL!!!

BLOW UP MY BAND 2013 MADE POSSIBLE BY

RODGERS CHEVROLET

WOODHAVEN MI

TAYLOR MI

BULLETPROOF SNOW

LIGHTSPEED

DEAD CAT ALLEY

HAZARDHEAD

CRADLE THE FALL CHASE ENGEL BAND

THE SOCIAL BANDITS

THE FINALE

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MINDROUGHT

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HOT NEW UNDERGROUND INTERNET RADIO STATION LAUNCHES IN DETROIT Photo by Chris Bjornberg

GARBAGE IN DETROIT Review by Julia Sikora Photo Marc Nader

The Motor City’s music scene just got hotter with the launch of RawRadioX, playing some of Detroit’s most buzz worthy rock bands, showcasing artists and beyond. Rikki Roxx and Lori Hildebrandt (White Dogg Detroit), made a decision back in October of 2012 that they wanted to do their own thing, build their own studio and follow their hearts. And like a lot of musicians in Detroit, the two decided it was time for a change from the past and wanted to move forward with their dream.

The stations formal launch party was at the Token Lounge in Westland, MI and hosted by long time friend of the pair, John Anton. RawRadioX had an epic turnout with such bands on the bill as, Citizen Zero, Ghosts of August, Pistol Day Parade, Bloodline Riot, Six Months Gone and My Perfect Nightmare. We were shocked at the people that showed up to support the bands and the new station. We knew we had something that was finally real after months of hard work building the new studio.

Both Rikki and Lori have been in the Detroit music scene for a combined total of 30 plus years and the pair felt it was time to start a new venture.

We wanted to create a place for us and others that had an “open door policy” where everyone was welcome and there was a sense of peace and harmony among everyone involved. We wanted to increase awareness about all struggling artists and musicians on the broadest scale possible. We felt that through opening channels with bands inside as well as outside of Detroit, we could increase awareness about the incredible talent that is out there. And to be honest, we wanted a place to call home with all of our friends as well.

So far, the station has gotten interest from around the U.S. as well as far as Finland, Japan and the UK in just the first two months of the launch. We are so pleased with our traffic and audience. In shock really, we didn’t expect this kind of response so soon. We have been playing a lot of great new music, have some really motivated and talented people on the network and we couldn’t be more honored to have the folk with us that are on the network as well as the bands and artists.

Check out RawRadioX.com for show hosts, schedules and upcoming events.

If you would like to contact RawRadioX: please send all music in .mp3 format and send all Their tagline: Real. Raw. Radio. - Make Your inquiries to RawRadioX@yahoo.com Own Rules. We believe that everyone at the staions should have the chance to give input and Photo by Chris Bjornberg have someone listen, a chance to shine on their own and an opportunity for a new outlet. Whether they be a musician, show host, DJ or artist , stated Rikki.

The only place in life where there are no rules is in art and music. I guess that’s why I’ve loved it for all of my life. So, here at RawRadioX, you make your own rules which is truly art in all it’s honesty. Just because one person may not like another’s art or music doesn’t mean that it’s not relevant to another, stated Lori.

Everyone is welcome, just pick up your beer cans, Lori laughed. Yes... we’ve had some parties here and look forward to more to come.

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Saturday night at the Majestic Theater in Detroit, Garbage took the stage and launched into “Automatic Systematic Habit,” the addictive first track off their 2012 release Not Your Kind of People. What followed was a flawless show that proves some bands only get better with age. The tastefully ostentatious Shirley Manson commanded our unwavering attention from the moment she let out the first low tones of “Push It” until she graced our ears with the always-haunting “You Look So Fine.” Guitarists Steve Marker and Duke Erikson ripped through each song with an energy and passion that could barely be kept on stage while Butch Vig and recent addition, Eric Avery, held down the fort on drums and bass.

The night’s set list mixed old loves like “Only Happy When It Rains,” “Milk” and “#1 Crush” with new tracks, such as “Blood for Poppies” and my personal favorite off the new album, “Control.” For me, though, the most memorable song of the night was a touching rendition of “Cup of Coffee,” performed only after the ever-dedicated Manson was satisfied with the volume. Asking for the levels to be adjusted, she reminded us that sometimes things are better the second time around. She did not disappoint.

Between songs, Manson took time to thank her fans and share just how excited the band is to be touring and making music again. The concert also included the engagement of longtime Garbage fans, Scott and Domenick, whom Manson brought up on stage halfway through the show.

As a lifelong lover of Garbage finally old enough to rush to the front of the stage and rock out in the pit, it was a show beyond words. If this performance is any indication of what the future holds for Garbage, then we should expect great things.

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MIKE CAREY MUSIC 1673 FORT STREET WYANDOTTE MI 48192 734-283-4550

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NOW ACCEPTING NEW STUDENTS

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POP EVIL’S LEIGH KAKATY TALKS WITH DARIAN COUNTS

Since its inception the band Pop Evil has been on an upward climb. Through record label and member changes they’ve continued their positive momentum. The bands upcoming release “Onyx” , which is due out May 14th, is a testament to that. Touring, lineup changes and life in general have contributed to the different approach the band took to writing this album. I spoke with Pop Evil Vocalist Leigh Kakaty last month to discuss the writing of the new album as well as the bands current tour.

Darian Counts: Onyx will hit the streets on May 14th. With the growth you guys have experienced over the last few years how is this album different from the previous one?

Leigh Kakaty: One of the biggest things that have changed on this album was the way we approached being in the studio. In the past we’d have 10-12 songs pretty much done. Then we’d go in the studio and try to create the best possible recordings of the songs. With Onyx we were asked to go into the studio with less time and less money and create the biggest album of our lifetimes.

Darian Counts: How did this affect your writing style?

Leigh Kakaty: It had a major effect. On previous albums if we wrote 10-12 songs they all had to go on the album. We didn’t have a budget to say otherwise. So if a song didn’t really sound like Pop Evil it didn’t matter it was going on the record. But with this album we were able to pick songs that we felt really told the story of Onyx.

Darian Counts: What is the message or Story of Onyx?

Leigh Kakaty: Well it’s different for everyone but if you look at the gem Onyx, it’s not the most precious. It’s not the most sought after like a Diamond or Ruby. Yet it’s always been valuable. Its like Michigan, were not the diamond or Ruby like New York or L.A. but if you mention to people all over the country that your from Michigan they almost always reply with “ Cool…Michigan is the real deal” and that how we feel.

It’s about the Michigan way. It’s about persistence and giving 100% every day. There are a lot of people in Michigan who have experienced hard times, yet they don’t complain. They get up and work hard everyday. That’s what we do. I mean as far as Michigan rock and roll goes there are many greats that came before us Bob Seger, Kid rock, Eminem. We want to earn our spot among them and let people know that Rock and Roll is alive and well in the great state of Michigan.

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Darian Counts: So how much of Onyx did you write in the Studio?

AVAILABLE MAY 14TH

Leigh Kakaty: Probably about half of it. I think we had about 7 songs written going in and wrote another 7 or 8 in the studio.

Then began to narrow it down to the ones that made the album. If we didn’t feel the song fit in we could just replace it with another. Writing in the studio gave us freedom and flexibility to create an album that truly reflects where the band is at this point and time. It also allows us to write an album with our live show in mind. I mean that’s a big reason we got involved in music was to perform live and having a library of music to choose from allowed us to do that.

helped reshape the band and he’s an incredible writer with fantastic riffs. I mean all the guys in the band are incredibly talented at their craft but more importantly we are like brothers. Fans tend to forget, playing music is about 10% performing about 90% being around each other. I think its key to long term success is having the right group of guys.

night trashing my voice. In today’s world things are much more viral. You need to interact with your fans and give them their money’s worth when they come to your show. You have a responsibility to your fans, band mates and all the people that believed in you to help you get where you are.

Darian Counts: Well Leigh it looks like your hard Darian Counts: What is one thing you could share work is paying off. We’re all excited about the with readers that life on the road has taught you? New CD Onyx and can’t wait to see Pop Evil when you come back through town. Thanks for talking Leigh Kakaty: Well, probably the first thing that with us. comes to mind is responsibility. I mean we all grew wanting to be rock stars. We wanted that Leigh Kakaty: Thank you Darian and thanks to life on the road with thousands of people singing Detroit Live Magazine and all of our fans for all your songs every night. But there is a lot more the support. to it than just writing great songs. I mean it’s important to me to not be out partying every

www.popevil.com

Darian Counts: You guys have been on the road for a while and the band has experienced recent member changes. Can you tell me about that?

Leigh: We’ll we’ve pretty much been on the road since ’97 when we went national and haven’t really been home since. I mean I lost my dad in that time period and the rest of the guys have had their trials and tribulations as well, but you‘ve got to want it and be willing to put the sacrifices in, if not then you have to go home. I mean this is a tough career but I’m glad to have the opportunity. But make no mistake, its hard work. I compare it to a sports team.

I mean you might be a great ball player but that doesn’t mean you can play in the NFL or NBA. You have to do it all and have the right work ethic and be able to get along with your team mates. Some of the previous band members had to make decisions that were right for them, I mean there is no bad blood. Pop Evil is not about any one member, it’s about the team and the music.

Darian Counts: Can you tell me about some of the new members?

Leigh Kakaty: Chachi Riot was living in Grand Rapids and was opening for us with his previous band. When Dylan went down, Chachi stepped up and really settled in and it just ended up being magical for us. Then when Tony Greve went down Nick Fuelling stepped up. At first it was supposed to be a temporary thing but when we got to the studio we were able to see his writing skills. He’s DETROITLIVEMAGAZINE.COM - LIVE 19

Photo’s And Editorial By Jordan Ewart Sweet Crystal

Insane Clown Posse took the stage to award “Best Live Performance” to The Ruiners, who’s lead singer Rick Ruiner accepted in his own graceful fashion by doing the splits.

The Ruiners

Doors opened at 6pm at the Fillmore.

Crowds were lined up well past the city block when I arrived and came pouring in past the red carpet and into the lobby.

On all levels, booths, tv crews, and news stations were set up waiting to interview nominees and important figures of the Detroit music scene. This event only happens once a year, and we were all excitedly anticipating the live performances we were about to see.

It didn’t take long for the Fillmore to reach capacity. While attendees were getting acquainted and chatting with local celebrities, backstage the band Sweet Crystal was preparing to rock the house with keyboard and guitar-driven rock and roll.

Marq Speck, the bands lead singer, won both “Outstanding Gospel/Christian Vocalist” and “Outstanding Gospel/Christian Songwriter.” Sweet Crystal as a band won both “Outstanding Gospel/Christian Act” and “Outstanding Gospel/Christian Recording” for the song ”Nothing Here (For You To Fear)” – From the motion picture sound track “War Flowers.”

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Ife Mora

Ife Mora is a Detroit born artist who can sing, shred the guitar, and get everyone’s attention. She wrote “Detroit Blues,” a song about not being able to tear the girl from Detroit. This was her first performance in Detroit after being away for six years (she currently lives in New York) but certainly won’t be her last.

Katie Grace

Singer and songwriter Katie Grace was born in Detroit and has played her very own style of alt-country and bluegrass music in a number of bands before branching out on her own. She is notoriously dubbed as a model Catholic school girl by day and a bad girl by night. Although she played guitar at the Award show she got her start as a bass player for the bands Doop & Inside Outlaws as well as Shotgun Wedding. Grace was awarded a total of four awards in the country category. One of them was for her album “Best Bad Girl” released by Detroit’s very own Static Records.

As I approached to the stage I was warned by security to be careful. When I asked why, they told me “Fire will be used on stage for Cybertribe’s performance.” OK... now I was getting really excited. The room grew exceptionally dark as two fire dancers emerged spinning flames, the anticipation continued to grow as pulsing lights and smoke filled the stage. Sean Moore and the band took the stage and provided a performance that seemed to underscore their win of the “Outstanding Electronic/Dance Artist/Group” award and the “Outstanding Electronic/Dance Recording” award for their remix of “Kitty Get Your Gun”, later that evening.

Cybertribe

After Passalacqua’s lively act, Kem gave his soulful performance and brief speech about his involvement with the community. Kem Owens Album II sold over half a million copies and featured Stevie Wonder. In August of last year .KEM played a free event and food drive in Cass Park to help those in need and benefit the homeless.

Kem still makes Detroit his home and is actively involved in foundations like Mack & Third. R&B singer KEM and Mack & Third Records received Special Achievement Awards at the ceremony.

More on Pg 28

Passalacqua

The Embarco Team

KEM

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Alicia Keys

Set The World On Fire Tour Review and Photos Marc Nader

Jewel Unplugged

Review

and

photos

by

Marc

Nader

A small round table garnished by a bouquet of flowers and four guitars perched in their stands was the setting for Jewels Greatest Hits Tour at The Motor City Casino Sound Board Sunday night. From the minute Jewel stepped foot on stage she won the hearts of her fans.

Playing a selection of her many hits as well as taking a few requests; Jewel but on personal performance that was nothing less then stellar.

Whether it’s pop, folk, rock or country Jewel can step in and perform from her heart. Her music is meaningful as well as powerful; to have the ability to express your self through music is a gift, it’s one the multi talented Jewel has been graced with.

Alicia Keys came to Detroit Wednesday night with her “Set The World On Fire” tour at the Joe Louis Arena. Although attendance was low, Alicia gave a soulful performance as only she knows how. Opening the show with ‘Karma” from her 03 album, “The Diary of Alicia Keys”, and then flawlessly performing nearly an hour and a half of her hits as well as some covers that included Marvin Gaye’s “Your All I Need to Get By”.

Alicia Keys is in a class of her own, her music and voice soothes the soul and touches the heart. Alicia is a diverse talent, she is a multi Grammy recipient and has had nominations for her acting roles, and she has set standards in the R&B world. She is one artist that has what it takes to stand the test of time.

Even though playing in a large venue like the Joe seem to swallow her performance at times, Alicia still made it big when she took the crowd home with “Girl on Fire”. When it comes to the great female singers of all time, Alicia Keys will have her name engraved on that list forever!

movement cont. resided in Detroit during the “Rave Wave” of the early 90’s, Dan Bell (or DBX) is one of the artists whom I feel deserve more stake in the conversation. If you ever come across a DJ that contributed music featured on Detroit’s local broadcast show called “The New Dance Show”, you know the DJ is legit. His creation of the track “Losing Control” in 1994 proved to be a diehard fan favorite around the world.

Ritchie Hawtin Hawtin is no stranger to Detroit’s annual Movement festival, even playing at the very first “DEMF” in 2000. Born in Windsor, he refers to Detroit as his stomping grounds. He began his career in small venues like The Shelter, and is known for being a key developer in the Minimal/Electro House genre. A rare treat is to catch one his mind-blowing concerts that he performs under the alias Plastikman, which he performed at the Movement Festival back in 2010.

Movement Festival 2013 is May 25th-27th at Hart Plaza in Downtown Detroit, MI Information, Tickets, and VIP Passes are available for sale online at Movement.us - Electroness 22 LIVE - DETROITLIVEMAGAZINE.COM

Jon Davison Yes’s New Voice

by Olin Ezra

Recently Detroit’s own Olin Ezra sat down with and Yes’s new front man, Jon Davison. Jon’s done quite a bit in his career and we talked about that, as well as some personal details I wasn’t sure if he’d share or not. To Jon’s credit, not only did he open up to us, but we got an awesome interview that would make any YES fan scream, well….. YES! Olin: Thanks Jon for taking some time with Detroit Live Magazine and myself.

opportunity to spend time together, but we do keep in regular contact.

jon: Thank you.

Olin: According to the website “Yesworld.com” Your earliest involvement with music began when you sang in a church choir led by your mother, how did this influence the start of your music career?

Olin: Chris Squire (YES Bass) recalls, “ My friend, Taylor Hawkins (Foo Fighters), had been telling me for years: ‘If you ever need a replacement (singer), I know exactly the guy.’”

Did you ever think that this would be a reality for you?

Jon: Throughout the period that David Benoit was fronting YES, I was too busy with Roundabout and Glass Hammer to give it any thought.

Olin: Now I know you were childhood friends with Taylor Hawkins from the Foo Fighters, do you still maintain your relationship?

Jon: We usually don’t have much of an

Photos Marc Nader

,Jon: Singing in my mother’s choir gave me my first taste of being on stage in front of an audience.

It’s through her influence that I was first exposed to music.

Olin: You had mentioned earlier that for a while, you were in a YES tribute group called Roundabout, how did that get you discovered by Glass Hammer?

Jon: Fred Schendel and Steve Babb saw a YouTube video of Roundabout performing. This was a few years back – 2009, I think. I was then

invited to co-write for and sing on the next Glass Hammer album. At the time, I had never heard of them. Discovering their music was an inspiring experience and I remember feeling really grateful for the opportunity to compose with such talented musicians.

Cont on pg. 29

engineered to create an unmatchable vibe, a feeling you would only get seeing a band with as much experience and passion as BR. Singer Greg Graffin had a witty intro for almost every song. He even made mention of a show they played at St. Andrews 25 years ago that was only 40 people strong. I am pretty sure by the cheers almost all 40 were among the sold out crowd.

BAD RELIGION

Photos by Marc Nader

PUNK ROCK NEVER DIES

Some people say that punk rock is dead but Tuesday night at St. Andrews Hall in Detroit they came close to breaking fire codes with the amount punk fans that filled the place.

Sold out was the word of the day as fans tried to get in to see Bad Religion. The moment this band stepped out on the oak there was no denying how alive Punk Rock is.

As the house lights dimmed, the crowd erupted and Bad Religion started rocking

Review By Sarah Force /

with the same mind-blowing energy as they had 34 years ago. In support of, and off of their sixteenth album “True North”, they opened the night with “Past Is Dead” and then grabbed everyone’s attention with “We’re only gonna die” from their first studio album “How Could Hell Be Any Worse.” It was nothing but a punk fest from there. For the next two hours,Bad Religion spanned their entire historic spectrum one song at a time. The extensive set list was carefully

As the show continued, song after song, the explosive energy between the band and the crowd showed no signs of slowing down. As they left the stage after playing “Sorrow” the level of ovation that roared through the hall was a giant clue that this show wasn’t meant to be over. Bad Religion returned to the stage to perform four more songs that night, one of which was “Infected” from “Stranger Than Fiction” and ended with “Dept of False Hope”.

The sound that Bad Religion has refined since they formed in 1979, is quite possibly the absolute best that west coast punk has to offer. Many musicians and bands have listed Bad Religion as a serious influence in their music and lives. There is no doubt that they have helped punk rock evolve into what it is today, and will continue to influence many generations to come.

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Eric Harabadian’s

choice cuts Choice Cuts—May 2013 10cc, 10cc: In Concert (DVD, MVD Visual MVD5645D):

Back in the ‘70s and early ‘80s there was a British hit machine known as 10cc. The original group consisted of Graham Gouldman, Eric Stewart, Lol Crème and Kevin Godley. “The Things We Do for Love,” “ I’m Not in Love, “ “The Wall Street Shuffle” and “Life is a Minestrone” were cleverly constructed and quirky little nuggets of progressive pop and rock that stood out amid a lot of other mainstream fare of the day.

Fast forward 2012 where Gouldman and a newly formed version of the group got together in London for a concert at Shepherds Bush Empire. It was the first appearance of the band live in over a decade and, even with a majority of new members, they proved they still have the magic. All their classics are here including a “60’s set” that features many of the hits Gouldman wrote for the Hollies, Herman’s Hermits and the Yardbirds like “Bus Stop,” “Look Through Any Window,” “No Milk Today” and “For Your Love.” Kevin Godley does guest vocals on a couple songs, and there are plenty of cool extras by Gouldman, who discusses the history of the band, as well as legendary graphic artist Storm Thorgerson who designed their album packages. This is a film for fans and general music lovers alike.

ShockWave, ShockWave EP (www.shockwavedetroit.com ):

This is the debut disc that started everything for this amazing Detroit area teen rock trio in 2012. This five song EP captures the energy and enthusiasm that infuses a typical ShockWave show. Recorded at the legendary studio The Loft by Andy and Tim Patalan, lead vocalist and drummer Angelo Coppola 24 LIVE - DETROITLIVEMAGAZINE.COM

dives into numbers such as “Bullet Train” and “Hello L.A.”with a vengeance. His vocals pack a powerful punch ala Vince Neil while the drumming is rhythmically dense and propulsive. “She Likes To” is, perhaps one of the strongest tracks here, with superb harmonies and searing guitar work from bassist/backing vocalist Dylan Frankel and guitarist David Frankel, respectively. “One More Chance” closes the disc in a semi-acoustic contemporary light that recalls Shinedown and latter Alice in Chains. It is darker and a bit of a departure from the metalized hysteria that informs the majority of the material here. Onward and upward for these young lions from the Motor City!

Soft Machine Legacy, Burden of Proof (Moonjune Records MJR052):

The original Soft Machine emerged in the mid ‘60s as a psychedelic rock trio that gained fame by touring Europe with Jimi Hendrix. As the years progressed so did the band by expanding their personnel and sound to include horns and more jazz type elements. This latest effort is an off-shoot from the original band that features ‘70s era charter members John Marshall (drums) and Roy Babbington (bass) along with long-time collaborators John Etheridge (guitar) and Theo Travis (sax, flute, electric piano). It is an interesting disc that maintains a straightahead improvisational approach but strays into the back alleys and thoroughfares of avant garde song structures and spacey rock.

The title track sets the stage by showcasing the band as a collective whole. Everyone solos within somewhat of a traditional framework.

But after that all bets are off! “Voyage Beyond Seven” features a lot of harmonic and angular twists and turns. Etheridge’s composition “Pie Chart” is kind of a bluesy ballad that spotlight’s the guitarist’s Mike Stern-like fusion licks. “Kings and Queens” is another notable track for its ambient and ethereal qualities. The guitar and flute really blend well here. In addition, two other numbers that stand out are Travis’ robust sax workout “ Fallout” and Etheridge’s daring electric shred fest “Pump Room.” Long live the Softs!

Jimmy Vivino & The Black Italians, 13 Live (Blind Pig Records BPCD 5153):

Jimmy Vivino is the bandleader and musical director for Conan O’Brien’s Basic Cable Band appearing nightly on TBS. He is also a helluva soulful vocalist and guitarist that is at the helm of this fine nice piece ensemble known as The Black Italians. The group was born 20 years ago out of a weekly impromptu gig that took place at a downtown New York City nightclub where some of the cream of the city’s crop would show up to jam. Amidst his busy schedule on television and as an in-demand session and sideman, Vivino reunited some of his jamming buddies in November of 2012 for a

concert at the late Levon Helm’s barn studio in Woodstock, New York. This was, indeed, a magical night as this group of A-list R&B cats and kittens performed a truly inspired and wonderful collection of original and classic compositions. Some highlights include Catherine Russell’s fiery vocals on “Soulful Dress” along with the funky guitar rhythms that saturate Johnny Winter’s “Fast Life Rider.” Vivino’s boogie-fueled “Heaven in a Pontiac” is pretty cool and the band’s take on Traffic’s “Light Up or Leave Me Alone” is, as the kids say, off the hook! However they leave the best for last, with a sweet dedication to the man himself called “Song for Levon” and a brilliant cover of The Band’s “Shape I’m In.” Remembering Little Walter, Various Artists (Blind Pig Records BPCD 5154):

What you have here is a harmonica summit showcasing some of the best living blues musicians out there today. Charlie Musslewhite, Billy Boy Arnold, Mark Hummel, Sugar Ray Norcia and James Harman perform in a tribute to one of the greatest blues harp players there ever was, Little Walter Jacobs. The Rock and Roll Hall of Famer is ceremoniously given his due as each artist takes his turn doing their take on Little Walter classics. Recorded live at the Anthology venue in San Diego, California, these five masters, backed by a world class band, cover Little Walter gems like “I Got to Go,” “Just a Feeling,” “You’re So Fine” and “Can’t Hold Out Much Longer” with tender loving care. Little Walter was one of the innovators of the instrument; introducing amplification and a horn-like approach to his technique. Not to be missed is the grand finale that features each soloist taking a chorus or two on the blues standard “My Babe.” Little Walter’s effect on modern blues and rock is indelible as evidenced by the liner note praise from Eric Clapton, Keith Richards and many others. A must-have for blues and classic rock fans!

Stone Blind Valentine, Burn Like a Field (www.stoneblindvalentine. com ): Chicagoans Emily Hurd, Colby Maddox and Gregg Ostrom comprise this vibrant and engaging country/bluegrass group. As lead vocalist, Hurd has all the grace and panache of an Emmylou Harris or Alison Krause. Her lyrical delivery is sublime; rife with emotion, poignancy and spirit. For instance, the album’s second track “Vintage Heart” shares a beautiful self-effacing sentiment that Hurd distills to its essence. “Promised Land” features wonderful mandolin from Maddox and nimble Dobro flourishes from Ostrom.

“Gold Fever” is another standout that is energetic and upbeat, with a strong rhythmic pulse. The 12 track album concludes with, perhaps, one of Hurd’s most direct and honest statements. “Think What You Will” is the tale of a relationship in disarray as she sings: “Think what you will of me honey. If looks could kill you’d have gunned me down.

There was a time when I knew you, but I don’t mind if I lose you now.” Bravo! ###

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Suzy Quatro Suzy Quatro was given the spotlight to close out the 2013 Detroit Music Awards and was presented a lifetime achievement award.

Her captivating finale of four-songs generated more media buzz than anything I’ve ever experienced. Her performance here was the first in nearly two decades. Quatro’s career began in the mid 1960′s with the band Pleasure Seekers and Cradle, where she played bass and became an idol for female rockers. Her music took off in Europe and Australia during the late 60′s and she eventually moved to London in 1971. Quatro took the stage backed by the Motor City Horns during her performance and opened with the cover of Neil Young’s “Rockin’ in the Free World.” She played her hits to a standing audience for “Can the Can,” “Stumblin’ In” and “Sweet Little Rock ‘N’ Roller.”

By Jordan Ewaert

Revolution of Rock

By Tiny Tim Cook Lots of cool stuff to write about this month, so let’s get to it. An awesome trend that has been brewing the last couple years around Detroit is the emergence of tribute bands. Some of the first I remember were Banned From E.A.R.T.H., an Ozzy-era Black Sabbath tribute and Powerslave, an Iron Maiden tribute. Like every other band they go through changes. First, original BFE singer Michael Dickinson later started his own Ozzy tribute band called Sins of a Madman.

Second, Powerslave has since broke up but guitarist Keith Holstein later started another kick-ass tribute band called The Holy Divers, a Ronnie James Dio tribute. The band also features Ray Street Park vocalist Rick Stafford, RSP drummer Darrell Robertson, and Keith’s bandmate in the cover project Bloody Mary; bassist Sly Valentini. All amazing bands but just the beginning. Quommi of Banned From E.A.R.T.H. also started his own Dio-era Sabbath tribute called Banned From H.E.L.L. which features Brian Thomas and Rachel May. A newer tribute band that is hitting the scene is Chains, an Alice in Chains tribute. Wow are they good. They recently played a show at Simons After Dark in Allen Park and they recreated the incredible atmosphere of the AIC Unplugged set, candles and all. Some other bad-ass tributes are Rock City Voodoo, ARV, and Triple Threat, both Stevie Ray Vaughan tributes. The Nightmare shows tribute to the amazing Alice Cooper. A Tall Cool One pays respect to Led Zeppelin.

Lookin’ Back is a Bob Segar tribute and Bloodstone pays homage to the almighty metal

gods; Judas Priest. Check them out, you will not be disappointed.

Also noticing another trend around Detroit and that is the emergence of out-of-town bands. I’m talking from Flint and beyond and out-of-state bands. 6 Prong Paw from Hastings has a couple of shows lined up at Simons in Allen Park and they have a great old-school meets new metal sound. Shallow Side from Cullman, Alabama, has an awesome radio-friendly sound that I guarantee will get them to a major label sooner than later.

They play regularly around the eastside when in town. Some awesome bluegrass and rockabilly bands not from Detroit have great followings in the area. The Goddamn Gallows are from Lansing and play at Double D’s in Rockwood on a regular basis plus P.J.’s Lager House in Detroit. So does Pittsburgh’s Jayke Orvis and The Broken Band. Lastly from Flint, It Lies Within, will be hitting the summer festival circuit playing A2 Fest in Ann Arbor, Rockapalooza in Jackson, and DirtFest in Birch Run. You can also hear these bands regularly on The Tiny & Plankman Show every Sunday night from 9pm to midnight on www.tapdetroit.com.

Lastly, I’ve got some great shows lined up in May for you folks at Simons After Dark in Allen Park. Nuke and The Hellriders return on Saturday May 11th, Friday May 17th is a “HELP THE BAND FUNDRAISER SHOW” with Meet Me At The Skyline, Primitive Tongue, Red Tape Riot, The Scenery, The Porcelain Doll Collection and more. May 18th is The HandGrenades with Go, Tiger, Go (!), Native Signal and Electric Corpse. May 24th is an old-school punk/hardcore show with Busby Death Chair, John Deere Tractor Beam, Mr. Clit & The Pink Cigarettes, and Dolly Rocker Ragdoll.

Just a few for you. I love booking local bands, contact me on Facebook at facebook. com/tinytimrocks to get a show.

6 PRONG PAW

Jon Davison

Continued

Olin: Are you still in Glass Hammer?

Jon: I plan to continue working with them despite the fact that YES will be quite busy in the times ahead.

Olin: You have had a lot of previous touring experience with Glass Hammer as well as Sky Cries Mary, how different is it now preparing to tour with YES? Jon: Self-study is and has always been a big part of my preparation regardless of which band I happen to be active with. The other members of YES equally emphasize the importance of rehearsing.

Olin: Has adjusting to YES been difficult?

Jon: The commitment I have toward singing with YES requires a lot of discipline in order to keep myself in proper form, physically, mentally, and spiritually. In order to perform at my best, night after night, I need to daily follow a strict diet and vocal warm-up routine. I also practice meditation regularly. This necessary balance continues to be the most challenging aspect in my adjustment to singing with YES. Olin: What’s your favorite YES track to perform?

Jon: I don’t have a favorite. Each song is unique yet equally gratifying to sing. I enjoy the constant diversity of the material.

Olin: What’s your favorite part about performing and do you recall any favorite performances in Detroit?

Jon: My favorite part of performing is having the opportunity to be in contact with the music I love, sharing it with the other band members and with each audience. I’ve actually never performed in Detroit, though I recall being in Grand Rapids at one point with Sky Cries Mary.

Olin: I read you met your wife, Maewe in a meditation circle, what brought you guys to that point in time and how did it affect your music career?

Jon: Spirituality has always been a prominent characteristic in both our personalities. This common drive is what brought us to the wonderful point of our meeting in this life, Well, I’m out folks, we shall our falling in love, and ultimately, our united meet again next month. Until resolve to seek truth. Maewe is also a musician then always remember Earth, and shares my love of music. Her talents as a Soul, Rock n Roll and Life classically trained pianist and her well-defined Rules. Follow me on Twitter at ear have had a big influence on me. @tinytimrocks.

Olin: Thanks Jon for your time, and insight!

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SPIRITUAL HOROSCOPE May 2013 by Aluna Michaels, M.A.

Taurus (April 20 – May 20) – Happy birthday Taurus! May gets off to a slow start, but hang in there for exciting surprises! Mars and Saturn might make you frustrated and feel like things aren’t going your way – or that people are blocking your success. Meditate each day to channel your tension and forgive circumstances, so you’ll be open to receive upcoming blessings.

By mid-month, you’ll connect with people easier and needs will be fulfilled. You could also get extra money unexpectedly!

Gemini (May 21 – June 20) – You can start an amazing new relationship, or a current one will feel renewed and revitalized. You’ll also have appreciation for yourself – because you’re pretty awesome and life will reflect that to you!

Prepare for these wonderful feelings by clearing your heart of old disappointments – especially meditate on how you pick on yourself. Ask the Universe for help to break your negativity addiction!

Cancer (June 21 – July 22) – Pay close attention to dreams, since you can receive guidance on how to be more fulfilled. In meditation, visualize situations that make you happy. This creative energy has the power to materialize. You might also re-connect with an old love, or even get involved with a forgotten hobby that makes you feel youthful and joyous.

Remind yourself that you deserve to have fun. Make playtime a priority and a spiritual discipline!

Leo (July 23 – Aug. 22) – You’re about to draw fulfilling people and activities into your life. Meditation and clearing out memories of old challenges makes room for the most “good stuff” possible. You have the power to confront your personality defects that keep you from being truly happy. Write about problems and patterns – then rip up the paper, or burn it to symbolize your freedom. Even if family members are stuck in old “stuff”, you don’t have to inherit their “issues”!

Virgo (Aug. 23 – Sept. 22) – Be patient and quiet at work early this month. You could be frustrated about certain approaches or principles of supervisors or colleagues. Mid-May things clear up and you’ll have breakthroughs with job, salary and how you’re perceived. Problematic people will be exposed and you won’t be involved. Use this same idea with family issues.

Just meditate and visualize light on everyone concerned without getting embroiled in their drama!

have faith that solutions will come mid-month!

You’ll be able to trust again, and be relaxed in significant relationships. It’ll be clear the Universe is on your side and cares about your happiness!

Scorpio (Oct. 23 – Nov. 21) – Any difficult circumstances in relationships are showing up so you can heal trust issues. Don’t react emotionally, but go within, meditate and journal about your intense feelings. After your inner process, visualize your hurts and doubts consumed in a forgiving fire that is purifying you heart. Mid-May will bring a flood of experiences that are safe, loving and enriching. You could even get unexpected finances!

Sagittarius (Nov. 22 – Dec. 21) – Relationships are taking a huge step forward!

You could meet someone wonderful if single, or have massive improvements in a current connection. But, in order to get the most healing and happiness, meditate on letting go of petty irritations that make you less warm and receptive. Whether about yourself, family, work or life in general, focus on gratitude and tolerance! You’ll attract the best possible outcomes!

Capricorn (Dec. 22 – Jan. 19) – Watch for negative thinking when struggling in relationships. You have more in common with your partner than your able to see right now. If single, there are lots of interesting people out there! Meditate on abundance so you see things more positively.

Use affirmations. Also, eat well so your moods aren’t low from bad foods.

Mid-month your attitude lifts and life will seem amazingly better!

Aquarius (Jan. 20 – Feb. 18) – You’re about to break through dysfunctional patterns learned in childhood that hold you back from truly enjoying life to the fullest!

You’re a fixed sign, and not a free-minded as you’d like to think – but the energies this month make you feel safer to step outside your box. You’ll be able to bond more deeply, feel a fuller sense of joy without cynicism. You’ll be more in your heart and less in your head. Still super smart – but also fully present and gentle without awkwardness.

Libra (Sept. 23 – Oct. 22) – If you feel tension in romantic or financial partnerships, take a breath and make sure to meditate. Arguing, Pisces (Feb. pleading your case or worrying won’t be helpful.

19 – March 20) – If you Focus on letting go of past issues that are making you feel panicky. Be as serene as possible, and

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feel your spiritual practice is stale, try changing things up. Fresh avenues to your intuition open if you put something new in the meditation area of your house. Or try a different area altogether.

You might have your quiet time outside – or experiment with a new yoga class. Try meditating with close family members, friends or your spouse. By the end of the month you’ll feel reignited in this area!

Aries (March 21 – April 19) – The first half of May, take care of any lingering financial issues. Also meditate and see if you have resentments that are causing lack of trust or cynicism. Clear away these concerns that are draining you on a subtle, yet powerful level.

Mid-month new energy comes in that will bring cheerful people and attitudes. But you need to be fully cleansed of tension to fully enjoy the blessings ahead!

Aluna Michaels is a second-generation astrologer and Soul Evolutionist practitioner.

She also holds a Masters in Spiritual Counseling and has been teaching and consulting for more than two decades. Her book “Spiritual Gifts of the 12 Astrological Signs” is now on Amazon in Kindle version. Ms. Michaels is available for appointments in her home or by phone. Call (248) 583-1663 or visit www.alunamichaels.com

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