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Copyright 2010, Michigan Opera Theatre
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1973-74 SEASON
ADMINISTRATIVE STAFF
General Director
Dr. David Di Chiera
Managing Director
Robert M. Heuer IT
AssisLanL Manager
William Peter Linski
Public Relations
Cindy Skalsky
Education and Development
Barry Mann
Secretary
Charlotte WaJker
EXECUTIVE COMMITTEE
Co·Chairmen
Mr. and Mrs. Lynn A. Townsend
Mr. and Mrs. Avern L. Cohn
Mr. and Mrs. John H. DeCarlo
Mr. and Mrs. Robert E. Dewar
Dr. and Mrs. David DiChiera
Mr. and Mrs. Aaron Gershenson
Mr. and Mrs Donald Graves
Hon. and Mrs. Roman S. Gribbs
Mr. and Mrs. John C. Griffin
Mr. and Mrs. Harry L. Jones
Hon. and Mrs. Wade H. McCree, Jr.
Mr. and Mrs. Harry J. Nederlander
Mr. E. Harwood Rydholm
Mr. and Mrs. Neil Snow
Mr. and Mrs. Richard Strichartz
Mr. and Mrs. Robert C. VanderKloot
Mr. and Mrs. Sam B. WilJiams
Mr. and Mrs. Theodore O. Yntema
Mr. and Mrs. Donald E. Young
Ex-Officio
Mr. and Mrs. Frank W. Donovan
Mr. and Mrs. Wilber H. Mack.
Mr. and Mrs. Charles L. Wilson
Welcome to Our third full season of opera at the Music Hall and the first under our new name, Michigan Opera Theatre. In the past, you've known us as The Overture to Opera Company, and never before have we been as proud to describe to you what's happening artistically as well as behind the scenes.
Michigan Opera Theatre offices have moved into the Music Hall and the building can truly be called our business and performing home. But even better is the fact that we are an integral part of a larger cultural picture. With the establishment of the Music Hall Center for the Performing Arts as a prime entertainment showcase for Detroit, MOT will be at the hub of the growing interest and excitement in downtown activities.
Backing us up in our optimism are youthe audiences - who have responded to this 1973- 74 season with unprecedented ticket sales and volunteer- help.
We are offering a well-balanced program of opera which includes our first effort into the realm of light opera, The Merry Widow. In seasons to come, we will experiment in other directions with contemporary and some rarely-performed works. We are currently arranging what we hope will be a momentous event in Detroit's musical history in planning a production of that Russian masterpiece, Boris Godoun ov, for 1974-75.
Michigan Opera Theatre thanks you for sharing in its season of opera in English, and we hope your evenings with us are thoroughly enjoyable.
David DiChieraCopyright 2010, Michigan Opera Theatre
MESSAGE FROM OUR GENERAL DIRECTORExtra care in engineering ... it makes a difference.
Chrysler Corporation engineers have put together a road act youll really enjoy.
TorqueFlite transmission. An engineering difference from Chrysler Corporation that sets the stage for no recommended maintenance It requires no recommended maintenance under normal driving conditions. And we sincerely believe it's the most reliable automotive transmission on the road.
TorqueFlite transmission. Just one of the engineering differences offered in every Chrysler Corporation car built in this country. Discover all the differences at your Dodge or Chrysler-Plymouth dealer's before you choose your next car.
DUE TO THE ILLNESS OF CA LVI N MA RSH
THE ROLE OF RIGOLETTO
WILL BE SUNG BY
Libretto: Francesco Maria Piave
T r ansla tion: Ruth and Thomas Martin
October 6, 10 (Matinee), 12, 13
RlGOLEf[O
All Opera in Four Acts by Giuseppe Verdi
Based on a play by Victor Hugo "Le Roi s' Amuse"
CAST
The Duke of Ma ntua John Sandor
Borsa, a courtier ....................................•...............
Wolf
Count Ceprano Garth Taylor
Coun t css Ceprano
Rigolett o a court j es t e
Marullo, a cou rtier
Hooven
Marsh
Gloff
Count Monterone John Henkel
Gilda, Rigoletto's daughter
Russell
Giovan na, her nurs e
Wolfe
B. Smith A Page
Edmund Toliver A lI e rald
Terleek yj '1addaJena Elsie Inselman
A ballroom in the Duke's palace A street near Rigoletto's hou se A sa lon in th e Duke's pala ce Spa rafu cil e's inn outside the city Music Director.
I
Byrd
Roger Melone Director
All casts subject to change without notice.
Copyright 2010, Michigan Opera Theatre
RlGOLEffO
Composed in 1851, Rigoletto was Verdi's sixteenth opera and the first in the standard repertory. Earlier, he had written mostly heroic music that made him a popular national figure with Italian patriots. (Italy was under Austrian control at the tim e ). Asked by the Teatro la Fenice for a new opera, Verdi d ecided to adapt a Victor Hugo melodrama where in a frivolous king is almost victimi zed by his hun chb ac k ed j e t e r. The police, however, fear ed that a plot showing a monarch in an unfavorable light might e ncourage demonstratio ns among the p o pulation. Verdi agreed to change the names and location - to an imaginary dukedom of Man tua.
Premiered on March 11, 1851, Rigoletto was rec eive d with cheers from th e Ven etians and h ad its American debut at the Academy of Musi c in New York on F ebruary 9, 1855.
THE STORY
Act I
At a party In his pala ce , the Duke of Mantua b o a t s of his prowess with women , aud noti ces the charms of the Co u n tess Ceprano. Rigolett o , the Du k e 's hUll c hl ,ac ke d jester, su gges ts his mas ter im pr ison th e Countess' husband. Til e angry Coun t Cep rano vo ws to kid nap a youn g girl he b eli eves is Ri goletto's mis tre ss Sudd e nly an elderly nobl e, Mo nt ero n , b ursts in to U n unce the Du ke fo r sedu cing his da ught e r. Rigoletto mocks th e old man who , as guards ta ke h im away t o p rison, a curse at the deformed jester.
Act II
pset over th e c urse, Rigoletto hurries t o the h ou se wh er e h e keep s his be· loveu da ughter , Gi lda On t h e way, he is app roac hed by Sparafu cil e wh o o ffers his servic es as a profession al assassin.
Rigoletto d ismisses him an d is then cheered b y Gilda wh o urge him to tell her about her dead mother. Ri go le Lt o repli e that the wo ma n was an angel , and that Gilda i all h e has left in the world to lov e Worri e d abo u t her safety, he warns he r n urs Tiovanna , not to let anyon e in th e ho u '.
lligoletto leavc ., and t h e Duk e - li p s rnto the garden, brib es Giovanna , a nd declares his love to Gilda t elling her he is a poor student. Th e en c ha n ted Gilda tells him to flee wh ell footsteps are heard in the street and then mu ses tenderly on hi s " na m e " Mean w h il e , Ri gole tto is slopped by co u rti e rs who , infl uenced b. Cepra n o , blindfold him and dupe him int o h elpin g th e m kidna p Gilda - leading h im t o think it i th e Countes Ce prano. After rem o ving th e blin dfo ld , h e discovers Gilda's scarf, search es her room, and realizes the anguishing truth.
Act III
Th e co u rtiers return to find th e Duke pa cing in f e ar that Gilda has been taken from him forever. When they tell him the girl is in his chamber, he rushes to th e c onquest. lligoletto appears in search of Gilda and tells th e courtiers she is hi s daughter . T hey bar his way to th e quarters and he la shes out at th e ir tr eac h ery Gilda app ears in h e r nig ht dr ess , disheveled and ashamed, but profe ss in g he r love for th e Duke. Alon e with her Lather, she tells hi m of see ing the Du ke a t Mass each week and loving him from afar. Rigoletto, how ever, swears to avenge the wrong don e to his own and Monterone's family . Gilda begs hi m to spare the Duke.
Act IV
Rigol e tto takes Gilda to th e inn wher e Sparafucil e lures his victims and forc es her to wat c h the Duke make love to the assassin's sister and accomplice, the voluptuous Maddalena. The Duk e , disguised as a s oldier, laughs all the while at the fi c kl e nes of women . Rigoletto ins tru c ts Gilda to go hom e , dr ess as a boy, and me et him in Verona AIt e r paying Spar afucil e for the de ed not-yet. done, th e j ester departs.
Gi lda though, comes back and hears Maddal e na ask her brother to spare th e hands o me "soldier" and kill Rigoletto ins t('a d Sparaf uc ile refuses at first, th e n agr(, e to the next gue s t who oo mes to t h e inn. Deciding to sacrific e her self for the Duke, Gilda kno c ks on th e d o or. When Rigoletto com es to colle c t lite Duke's body, he gloats over th e s ack but then hears the suppos e d vi ctim's voice in the distance. He op en s tIlt: sa c k to find his dying daught er who ask s his forgiveness. When she di es , Rigol e tto cries at the fulfillment of the curse.
Copyright 2010, Michigan Opera Theatre
CALVI lARSH, a native Pe nn yl - LOU! E R SELL is a y ull g colorava n Ian had II choi c e of athleti c and tura soprano already with a lIlu sica l s ho lnr hip. F o rtunately fo r ri ch ba ' k gr ound o f o p e ratic cr e dits Th e us , he c ho'c til lall el' Th e career of attra c tiv e Mi R u' se ll gr aduated from MOT's Ri gol >tto has be e n a so lid , teady the Stal e ' Ilivcr. ity f Iowa and ha climb t o 5 11 ce ' F r m hi s s tudi es at tudi eo in Col ognc, G rmarly and at Wcstministc r Coll ege in Ne w J e rsey and I o rLh Tex .l s State , LarilOll e Mar s h made hi s t or wh e n me ri can Th eatre Win g Aw a rd jud ges di s pe nse d, ith final C OIllp e tIti o n aft e r II a rin g '!ar h 's se mifinal p crform a nc Tn '195 4 h contra c te u \ ith the 1\ 1 tropolitan Op e ra and ov r tw e lve ycurs we n t fr o m . upp o rlin g rol es to aO'UffiC tar billing , gainin g Lh e hulk or hi s pr o Cess ional exp eri ' n ce on lh a t au gu l la ge . III 1966 , i\la rs ll ma u e hi s Europe a n de but and sall g to criti ca l acd aim ill Geneva, Cl y nd c hourllc and Muni c h - wh re his Ri go lelt o W O Il him a fourt ee n- c urtaill- ca ll ov a lion . f NL'u - IL Th e New Yo rk er Ma uaz illc ha s writt ' n : "li e i ' a Li g [H o w, with a heautil'ul , pow e rCul hi gh baritone voi ce, grea t assurance and n e no 0 [' a lin g abili l y ."
tat e h c de bute d wilh th e 'e \ Yo rk Cit y Op e r [I onl fo ul' s h o rt years ago as Mica la in Carm e n. eal' la te r s he took LLrst pri ze a l th e Inte rnational Sin gi ng Cont es t ill Ve rc IIi , haly, a nu al so won a Co rb e Lt FotllH.lali on Aw a rd Gilda was th e role for her Europ 3 11 de but in 197 0 for til StilL Or> ' ra o f tut tgart. Lat>r wa' the only Am e ri ca n in a I .a Scala ca .l of Ri uo ie /to which includ e u th e grea t Pa varo tti . In 1 97 2. Mi ss Ru sse ll app eareo with th e Philad e lphia Lyric Op e ra as l edda Lo criti ca l prai C, o p po ' ite II tl' o p o lita n pera s tar s Placido Domin go lind Sherrill Miln c She will , o on make he r d e hut Op e r a and the Vi e nna per3.
JOHN SANDOR, who will 'oon takc up duti es as II prin cipal arti st wilh t'he Vi nn a "tate Op cra , b eg an Ludyin g pi'lIlo at age e ight and singing in c hoirs in his native Fairmont, WesL Virginia He atL e nd ed Ob rlill Con s rvatory aft e r con s id erin g career plans as a ve te rinarian 0 1' pro golfe r With a rna t r ' s d gr c in voi ce and op era Er m th e Julliard Sc ho ol of Iu sic , this youn l1 te nor ha s heen a prize willn c r in ma ll Y c o mpctiti o n , in' Iu ling Ule l\1 tr polilal1 Op e ra , th e Li e rl e rkranz , th e VereeUi [nte rnationru e , a nd the I-l a arlem Philharmonja Form e rly a mu sic education admini s trator in th e 1 ew J erse y Pul)li e c hool s, Sa nd o r Lega n singi ng: profe ionally with th e Lak· Ge org ' 0p ' ra II has al 0 app eared wiLh th e San Francisco , .' anta Fe and Miami Op e ra ·ompanies Write, Op e ra ews Ma ga=ill e : "John :iIlclor has th kinu of in. tin t anu vo cal equipm nl tJlat ge n e rate greaL xcit ment in an aue! iCll ce "
Copyright 2010, Michigan Opera Theatre
Z. EDMUND TOLIVER made hi pro· ROGER l\fELONE, ollr gu t conducto r, ( ional d but last fall as Don AlIolI 0 is one of the Southwest's brightest in Michigan Opera Th a tr' Cosi Fan musical talents. Uorn in T ill a, OklaTuite. A si.x foot- en ba. so cantanle, homa, Melone studied at D -I Mar Coll ege Toliver is fTom Riverhead, Long lsJaod and Texas Chri lian Univ rsity oncurand [ c ived his hachelor' degree from rently taking private instru lion in piano, Illinois W, leyan Ulliv rsity. A finali t theory, sIring bas, and voice. In 1967, in this year's Grinnell Foundatioll cho l- already recognized as all oUl tanding arsbip comp lition, Tulivt'r i curr ntly young choral he j oined the an working on his doctorate in music<tI Antouio ymphony conducting taff to arts as a John H3 Whitney Fellow at head th e choral divi ion. Tn 1971 he the Uni er ity of Michigan. fie wa the wa- appointed A ismnl Conducto r of concerto winner in the gradua tc division the orehe tra <lnd hi. currcnt dulies at the American Mu i Camp at Illt'r- involv e preparing and coordinating all 10 II 'n and has had lading l' Ie in choTa I fo r ces for an Antonio's entire ulliversity op ratic production. con 'crt and ol' ra asons. Mione i a frequCJ1t gu l condu 'lor Mound tit Oll th west and has h ld condu ·ting work hops ill P fin ylvania, Virginia, Ok\;,homa and Te , as .
TITO SERERRINSKY is a stage direclor who L ·Ii yes that op ra hould "follow it lraditional rul , uul lIot the stiff aCLing s tyl es of fifty years ago." Born in Argentina Mr. \lr brinsky tluli en s tage direction in lh arly 1960's at the Colon TheatTe in Buenos Aires. lie then went to Europe wh ere he worked a assi tan t stag director at th G 'n va Opera 1I0us , and La ge manager at lh Nancy Opera lIou e in France. As rlirtor, his credit · includ Cosi Fan Tutte and Orphee al th Tours Municipal Thratre and DOli Pa squale at the t. Eti nne Municipal Theatre. In 1970 he b 'came personal a i tanl to Margherite Wall mann, t..1ging La Boheme, A,Ula Bolena and Malloll at th e Colon Theatre in Buenos Airc. Til 1971 he Lecame rCl'id nt stage dircctor at the Marseilles
Ope ra lIou e for its produclions of Don Giovanni, Tosca, La BeUe Helene and L'E/is;r d Amore. Michigan Opcra Theatu's producti n of Rigolell Q marks S rebrin ky s North An,crican dire10rial d but.
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BALDVVIN
· Jacques Abram· Burt Bacharach· Wilhelm Backhaus · David Bar·llian Howard and Patricia Barr · Joseph Battista· Leonard Bernstein· Berkshire Music Center Festival· Jorge Bolet Boston Symphony
Orchestra· Yury Boukoff Dave Brubeck· Chicago Symphony Orchestra· Aldo Ciccolini Cincinnati
May Festival· Cincinnati Symphony Orchestra· Aaron Copland· Jeanne Marie Darre' Antal Dorati
Jose Echaniz Ferrante and Teicher· Arthur Fiedler· Lukas Foss· Vera Franceschi· Zino Francescotti
· Errol Garner· Gold and Fizdale Boris Goldovsky Karl Haas · Roy Harris· Nicole Henriot-Schweitzer
· Loren Hollander· Hollywood Bowl· Jose Iturbi Thor Johnson· Erich Leinsdorf Theodore Lettvin
Liberache . Samuel Lipman - Los Angeles Philharmonic Orchestra· Jeffrey and Ronald Marlowe· Ozan
Marsh · The Medleys· Pierre Monteux . Charles Munch· Music Theatre of Lincoln Center· NBC Opera
· New York City Center Opera Company· Eugene Ormandy . Oscar Peterson · Philadelphia Orchestra·
Gregor Piatigorsky . Leo Padolsky . Hans Richter-Haaser . San Francisco Opera Association' Jesus Maria
Sanroma . Thomas Schippers· George Shearing· Ruth Slenczynska . Tossy Spivakovsky . Igor Stravinsky
· Joseph Szigeti . Jennie Tourel . Andre Watts . Whittmore and Lowe . Earl Wild . Tibor Yusti
Smiley Brothers It.
The qualities of piano tone and action which have earned this distinguished association will enhance your enjoyment of the Baldwin you choose Baldwin •••. the official piano of the Michigan Opera Theatre.
Copyright 2010, Michigan Opera Theatre
ACTIVITIES CHAIRMEN
Season Ticket Committee
Mrs. Donald E. Young
Souvenir Program Committee
Mrs. Lloyd H. Diehl
A Night at the Opera Committee
Mrs. R. Jamison Williams
Mrs. Sam B. Williams
Mterglow Committee
Mrs. Harvey Berman
Miss Chrystine Jones
An Evening with Sergio Franchi and Friend s Committee
Mrs. Edward N. Cole
Michigan Opera Thea tre Division
Mrs. Robert C. VanderKloot
Mrs. Donald E. Young
Production Committee
Mrs. Scott McKean
Mr. Neil Snow
TICKET COMMITTEE CAPTAINS
Coordinators
Mrs. Wade McCree, Jr.
Mrs. Donald Parsons
Mrs. John Balchan
Mrs. Julian Becker
Mrs. Harvey Berman
Mrs. James J. Bird
Mrs. Sigmund Blum
Ms. Patricia Burnett
Mrs. Edward Bush
Mrs. Edmund B. Campbell, Jr.
Mrs. Abraham Cooper
Mrs. Peter Cooper
Mrs. Ralph Curtis
Mrs. Robert Cutler
Mrs. Robert Dewar
Mrs. Jerome Fellrath
Mrs. Richard Fredericks
Mrs. Edward Frolich
Mrs. Matthew Garrisi
Mrs. Eric T. Goullaud
Mrs. John C. Griffin
Mrs. Charles Hartley
Mrs . Robin Hough
Mrs. Joseph Impastato
Mrs. Napoleon Jones
Mrs. Walton A. Lewis
Mrs. Thomas V. LoCicero
Mrs. Edwin McCollister
Mrs. Wade McCree, Jr.
Mrs. Scott McKean
Mrs. Walker Meldman
Mrs. Irving Pasman
Mrs. John Peabody
Mrs. Laurence Rattner
Mrs. Laurence Rooks
Mrs. Ernest J. Shave
Miss Patricia Smith
Mrs. Neil Snow
Mrs. Loren C. Spademan
Mrs. Mary Teachout
Mrs. Robert C. VanderKIoot
Mrs. Steven Victor
Mrs. George Zikakis
Copyright 2010, Michigan Opera Theatre
PRODUCTION STAFF
Technical Director
Thomas Bryant Manager
Raymond Burton Early
Box Office
Barbara Barron
William Reed
Orchestra
The Flint Symphony Orchestra
House Manager
William Peter Linski
Wardrobe Mistress
Karen McKean
Assistant to the Directors
Roman Terleckyj
Music Director
William C. Byrd
MICHIGAN QPERA THEATRE CHORUS
Chorus Master
Raynold Allvin
Sopranos
Denise Brandon
Julie Cordes
Marsha Ferguson
Lisa Gibson
Dale Hall
Nancy Hildebrandt
Randa Hooven
Altos
Rose Burnett*
Leata Dockett*
Tenors
Jim Anderson*
Jim Dutcher
lan Lyons
Jack Morris
Justin Parrott
Basses
Mike Albright*
Chorus Manager
Roman Terleckyj
Cindy Jackson*
Kellee O'Neil
Kaye Rittinger
Dorothy Santos
Patricia Beach Smith*
Louise Warnke
LeAnn Wolf*
Krisane Schroeder
Diann Wolfe*
Paul Pysarenko
Gene Wabeke*
Dan Williams Larry Wolf*
Rodney Saulsberry
Kenneth Collinson Garth Taylor*
Davis Gloff*
George Jahn*
Steven Olds
Roman Terleckyj
Frank Wall
Kenneth Young*
* Core Members of the Michigan Opera Theatre Chorus
MICHIGAN OPERA THEATRE DANCERS
Dance Coordinator
Dominic Missimi
Dancers
Cheryl Berger
Elizabeth Bolton
Gayla Gregor
Karen Mills
Martin Andrews
Stephen Charles Krause
Ballet Master
Iacob Lascu
Donna Morris
Rene Parent
Anna Marie Schary
Donna Zatorski
Michael Mears
Dennis Spaight
Robert Warren
Michigan Opera Theatre Dancers are members of the University of Detroit - Marygrove College Dance Program.
Michigan Opera Theatre wishes to express special thanks to:
The FiJiishing Touch Boutique and Gift Shop, Troy
Mildred Payne
Jack Splane of Sislin.Splane Printing, Detroit
Syd and Ethyl's Supermarket Incorporated, Detroit
Baldwin is the official piano of Michigan Opera Theatre and the Music Hall Center for the Performing Arts.
WrAJs
INTERIORS
- WILLIAM A. WIELAND A.I.D.
- ROGER L. BRACY A.I.D.
- ROBERT L. STEVENSON A.l.D.
- I R EN E HANSLOW
- WI LLiAM R CASTI LE A.I.D.
- LARRY W. WIELAND
- THOMAS F. NOTHAFT A . I.D .
- CAROLINE PAKLAIAN TORLEY A.I.D.
- MRS. F ROBERT NOONAN
You're invited to see . THE NEWEST MOST ADVANCED LOOK IN FURS
you can wear in the morning to work and in the evening to the most elegant social function. from $395
Copyright 2010, Michigan Opera Theatre
2146 Crooks Road· Troy established 1927 263 Pierce Street Birmingham. MichiganCOMPLIMENTS OF
11450 Stephens Warren , Michigan 48089 Tel (313) 536-9025
That's diesel power. For just about anything. From trucks. To construction equipment. To generator sets. Just call Peninsular Diesel 4000 Stecker Ave. Dearborn, Mich. 48126 Phone 313-584-6150.
Dearborn - Grand Rapids - Saginaw
Copyright 2010, Michigan Opera Theatre
November 2, 7 (Matinee), 9, 10
MAD\ME BUITERFLY
An Op ra in Three Acts by Giacomo Puccini
Librello: L. Illica and G. Giacosa
Translation : Jolm Gutman
CAS T
Sa e d on the hook by John L. Long and the drama by David Belasco
B. F. Pinkerton , a li e ut e nallt in the U . . avy Charles Hindsley
Coro , a marria ge brok e r Tsutomu Masuko
Suzuki, a se rvant Elsie Inselman harpl e , U Co n ul at a gasak i
Madam But te rfl y
The Cou in
The Mothe
Yakusid
Th e Alln t
Th e Imp rial Co mmi ss ioner
Th e O f ficia l Regi tr ur .
Roel Andreas Poulimenos*
Kyu do Park
Marsha Ferguson
Randa Hooven
Rotruln Ter leckyj
se Burnett
Steven Olds
Mike Albright
Th e H nz , Bulte rOy's un I ....• , to be announ ced
Prin ce Ya madori Kenneth Young
Trou hl e, Uuttc rfJ 's c hild ..... .. . .....•.. , . . . . . . . . . . . . . . . . . . . . .. Millo SuzukilKaren Suchja
Kale Pillk e rton , , . ' Jail Albright * ov ember 10 performan ce
Tim e : Early tw nti th ce ntury Pia ' e: Nagasaki
ACT I Th e gard ' il of LL Pink ' rt o ll' r e nted hou e
ACT IT An aCt m oo n and e ve nin g thr ee ears lat r, in s id e th e hOllse
A T ill The n ex t mornin g
Co ndu tor • , •.. •...... , ..••. , , , WilJianl Byrd
Dir 'c t o r , . , , Tsutomu Masuko
S e ts , , , • Courtesy of OPER A, America, iJIC.
L igl'lin g Des ig n e r Thomas Bryanl
C h oru Ma t e r • , Raynold AUvin
Co l urnes (r o m Mal a bar , Ltd. , To ron to Thi s prod u c ti o n by arran ge m en l with Belwin Mill. Publi h in g Co rp.
All ca sts s ubj ect t o change without noti ce
Copyright 2010, Michigan Opera Theatre
When Puccini's Madama Butterfly had its premiere at La Scala in 1904, the critics and public declared it a rather overwhelming disaster. Puccini and his librettists decided to withdraw the opera from performance until revisions could he made, after which a second premiere at Brescia became the first step in as uring the opera's rise to a popularity which shows no signs of diminishing.
Suzuki, llutterl]y's servilllt, help s h r int a whiL e kimono and th e newleyw d join in a moonlit gard n du t in whi h Lhe pas ionate ly in g of th'ir lov
Act II
THE STORY
Aet (
Ll. B.F. Pinkerton, US , is ins pectin g the hou e he ha lea ed from Coro, a marriage broker. Coro has arrang d for Lhree se rvan ts and a ge ish a bride, Cio· Cio- all, knowlI as Madam e Butte rfly peaking to harpl ess, th e ' S con ul in Nagll aki, Pinkerton exhiltiL 11 devil· mlly ·car e attilud' toward his pending marria ge and talk of the day wh e n h e will tak a "r ea l'" Am ri an wife. Sharpless warn s that Cio- 'io- an may cons id ' r hcr marria ge con tracl mor e serio usly . Butt rfly, s ingin g of h e r w e dding day, en ters and t e ll s Pink eton that family proLlems mad e hee g i ha life a necesity. She sho ws him h e few po se ion a nd say s tha t s he will become a Chri tian. With friend and relative s in attendance th e Imp e rial Commissi nee marri e the pair. After a loa s t, the Bonze, Butl>rny's uncle and Buddhi t pri l , en t er and c ur It r fvr r noun iJlg her ancetral reli gion Pinkertoll angrily {Ii s mi sses ev ryone and n ole It· w eepi n g brjcl
Cio- io- all has wailed Lhree years for h er return. u7;uki ancl Coro, s ur e that Pink e rton will n e ve r come back, hav e ur ged h'r to re marry Butterfly is lookin g toward til harbor wh e n Sharpless appears with a le tt e r from Pink e rton. Cor wants h e r to meet another suitor, the wealthy Prin ce Yamadon, whom Butterfly sends awa in the belief that Pinkerton ha s noL cl ese rted he r. The consul again begin' to r ea d the letter, aen tly sugges ting her hop e may be in vain Cio-Cio-San then brings out h e r c hild ancl in s i ts lhat Pinkerton will return when he know _ thaL he has a son SIl1Irpl , touch e d b BuLt rfly's faith, leaves without being able to tell h ' r about Pinkerton's re marria ge. Bull efly h e ars a cannon from th e harbor and with a spy gla spots her li e uL e nant 's hip. 111 h e r joy II, tells Suzuki L h e lp in scatterin'g flow e r p tals throughout th e hou e Clad in h e r w e ddin g kimono , he ilwaits h e r hu band s arri al.
Act III
It is dawn and uzuki insds tbilt Butlerfly re t Sh e arries h r hilcl to another room, humming a lull a by Shilrpless, Pinkerton and Kale, hjs n e w wife , e nt r. Comprehending lh e ituation, 'uzuki s that iL is hop e i 'ss and agrees to help break th e n e ws to Bu lt e rfly. 0 tal g ie , Pink e rt n d I (lrt , and Cio-Cio- all e nl e rs, ex p ect in g to Gnd him. But he meet s Kate in t 'a d, whom she qui kly r ecog ni ze a' Pink erton's wife. The shak en Butte rOy promises Lo give Ul e c hild to hi fath r if be will come for him Dismi in g th e m all, Cio Cio - an tak e her bther s s ui cide dagger ancl rai c. lit Glade. SU7;uki se nd s in the ch ild and with a t ea rrul emL ra e , his mOLher tell him to go play in til gar d e n. Behind an o rnam 11tal sereell, she stabs h 1'8 If and t pples forward a Pink rton calls It er name in th e di tanc
CHARLE HI DS LEY is a LClIor hailing from 0 laware wh o tudi e d at tlt e Peabody n erva tory alld th J uiJIiard chool of Music. While a tudent, he audiLioned for th e I w Y rk Cit)' Op ra and was immcdiat Iy igned t ' in g th e lea d tenor role in A Midsummer Night's Dream.. 0 n w om'r to Mi 'higan, Hindsl y sang in th e 1 ad ow Br k Festival production of Aida and la s t season e lectrtfi ed 0 troit audiences a Cavaradossi in Mi 'h igan Opera Theatre's Tos ea As Lhis cason 's Lt. Pinkerton , Hind ley co me r commended b Lli go vernor of Delaware wbo , aft r h ea ring the tenor sing Llle role in Philadelphia asked for space in the next day' newpaper to join in th e critical acclaim
ELSIE INSELMAN i a m emlJ r of th e KYU DO PARK is a youn g sopran
ANDREAS POULIMENOS , a fir s t-pla ce v iee fa c ult y at ay n e Stat e Univ e r si ty and oll e of lla fill es t m z z o- o pr a n o ill th e Gr a t Lak es regi on h c reee i ed h e r ma t r o f m us ic d egree from tJ1 e Ea s tm a n h o I o f Mu ic in Ro c h e t e r , .Y_ aft e r g raduation (rom !\'Iinn esota 5 Co n co rdi a Coll ege She wa s a F ulbri ght c h o lar in F rankfurt , Ge rmany and wa twi c e a di tri t winner in the Me tropolit a n Op ra auditi o n. T he De troit Grand p ra so c iation a wa rd ' cl h ' r th e Eliz a bet h Ho d ges uno an Sc ho larhip. Are id ent o r S L Clair h o r 5 , Mi :s lnse lman ha s app eare d many tim es wilh Mi c hi gan Op ra Th ea lre a nd la t se ason mad e h (:1' d e but with til De tr it Symphony in th e ir c one rt op era p e rforman ce f La Vida Bre ve
\ inn r in th e w En gland Regional l\'l e tropoliLan Op e ra Audition and a 196 9 Fulbri ght cholar in R o me, allernat ' inlh e r Ie o( Sharpl es _ Poulim 'n os h as a ma s t e r of mu ic d egr e from hi s h o m town 's Boston Cons e rvatory of Mu ie , as we ll a a vari e ty of mu i al e xp eri e n ce includin g t elevi sion , per a and co n e rl p rforman ces I I san g a t th e N w York W rill s Pair and has app enr d with Arthur Fi e dl e r and th e Bos toll Po ps Or h e: tra , the Ne w En gla nd Op ra Compan , the F e tival p era Company of Ne w York , and :\s EI Gallo in the Th alr e Compan y of Rom 's p£oduetion of Th e Fantastiks [I s.1ng tJl e ro le o f Ga paro in MOT 's Rita_ Copyright 2010, Michigan Opera Theatre
from Kor a wiLh a voi e that has b e n d e c rib e d a " rn au ica l and lu c ious. ' As a m mJ, e r o f th e Am e ri can p ra Ce nter in N e w York, sh e h as a p peare d as Fi ordiligi in Mo z art 's Co si Fan Tutt e and a s Mimi in La Boh e m e und e r tli direction of 1i c ha e l Cac oyalllli s h ha be en a o lo i t witll the Dartmouth S mphony r c ll tnl , th e Mu sica Act e rn e Orch es tra and a t th c T e mpl e Mu ic F es tival. he will mak h e r pro f s io naJ d but a s Cio -Cio- <HI ill 1i e hi gan Op c ra Th eatre s pro du c tion o f Madam e Butt e rfly.
CHARLES ROE, who also will b se e n W(LLJAM BYRD i mu s ie director and as harple ss , is n strong baritone whose conductor of the Flint Symphony and ymphony solo performance have de- artistic dir c tor of the Mu i al P -rformlighted audiences in Flint , Toledo, ing Arts Association of Flint. Born in Detroit, and Cleveland. Tn 1966 , Roe Ohio Ma e tro Byrd tudi e d mu ic at an was runner-up in the ational inger f early age and compo d many works the Y ar co mp e tition in Wa hingtol1, while stiJI in high s hool. FollowinlT a D.C. He joined th e (a c wt of Ea tern scholarship to the College of li ch iga n University in 1968 and s in ce Cincinnati, he rec iv d a grant to tud th a t tim ha s fr equ e ntly app ea r d in ifl Europe with conductor Dr Nicolai Michigan Opera Th ea tre production. MaIko. Byrd was tIl conductor of the La t sea on, Ro e wa hcard a Gugli Imo first concert in Denma rk of all Am eri ca n in M T Cos; Fan. TuIt e , Angelotli in mu s ic and has bee n invit ed back to To sea, and Ben in Th e Tel ephon e Roe Copen ha g n many time. He is a is a popular s umm er st c k and r ec ita] fr qu ' nl guest conductor with th e I3BC pcrformer and r cenLly audition d for in London and Norw egia n Radio in th e e w ork City Op fll. Hc will Oslo. cvc ral y ears ago at Meadow soon perform in co nc e rt with the Brook chool of MIL ic, By rd wa voted Philad ' \phia ymphony Orch tra. the mo s t o utstandin g young ollductor wlul working with ixt e n Ehrling. Byrd wa s music dir ec tor and conductor for all 1972-73 produ c tion s of Michigan p e ra Tit atr
TSUTOMU MASUKO i a versatile in ge r and ta ge direc tor wh o put hi s Lal nts to th e for in lOT 's Madame Butterfly as Goro, th e marria ge broker , and as th e p ra's dir ec tor. Currently dir ec tor of th e Opera Theatre at Ball tat e niv e rsity in Indiana , Mr. Ma uko ha s p rformed ill op ra from To ky to Cincinnati, and has b e n a so loi s t with s mphon y or c h e tras in Lo Angeles, Chi cag , aka and K yo to . He is th e winn er o f num rou s award among th e m th e Oliv e r Dit on Award , tlte n1inois and lidw e t Fed ration of Music Club Competition, and in L970 was Japan ' cantlidate in the T c ltaikow sky Co mp etition. He has serve d as ta ge director with the Chicag Lyric Opera and the an Di go Opera.
Copyright 2010, Michigan Opera TheatrePROGRAM NOTICE
Baron Ze ta
Valencienne, his wife
Count Danilo ..........................
Anna Glawari
Camille de Rosillon
Vicomte Cascada
Jan Rube s
Mary Wakefield
John Reardon/Charles Roe*
Catherine Christensen
Edward Kingins
Nicholas Smith
Raoul de St. Brioche , Gene Wabeke
Bogdanowitsch .........................
Sylviane, his wife
John Raleeh
Joan Tallman
Kromow Davis Gloff
Olga, his wife ........................
Pritschitsch ..........................
Praskowia, his wife ...................
Njegus, embassy secretary
Jan Albright
Dick Santos
Helga Abela
Michael Burden
Understudy for the role of Anna Glawari is Dorothy Berry
Additions to the Michigan Opera Theatre Chorus are: Terry Hanks, Irene Jordan, AlonaMoon and Jerome Tomaszycki
*Mr. Roe will perform on Jan. 20 and 23 only. Michigan Opera Theatre is pleased to make known that Mr. Roe, who has performed regularly with this company for the past several years, was recently signed by the New York City Opera for a lead role in its production of Der Fledermaus next season.
CAST NOTE: Jan Rubes (Baron Zeta) is a seasoned opera star who was the youngest basso at the Prague Opera House in his native Czechoslovakia. Rubes is now a leading member of the Canadian Opera Company in his adopted country. An established favorite across the border, Mr. Rubes is known for his appearances in CBC Opera Productions, his radio program, "Songs of My People," and his own television series, "Guess What." He has sung lead roles with such companies as· the Pittsburgh, Chicago, Washington, Seattle, Frankfurt and the New York City Opera. He is as much in demand for COncert tours as for musical comedy. Mr. Rubes lives in Toronto with his actresswife, Susan Douglas, who produces the city's successful Young People's Theatre.
PRODuc'rrON NOTES:
Rehearsal Pianist: Beverly LaButa
Wardrobe: Karen McKean, Sue Shank, Barbara Masanick
Properties: Cathy Blaser, Karen DiChiera, Elizabeth Gram
Make-up and Coiffures: Cathy Christensen, Kathy DuRoss
Special thanks to: The Detroit Athletic Club, Marygrove College, Valente's Men's"Formal Wear, Inc., Detroit and Wigs 'n' Things, Bloomfield Hills
The Michigan Opera Theatre production of The Merry Widow will be broadcast on public radio WDET-FM, 101.9 on your dial, on March 3 at 2:00 p.m.
Copyright 2010, Michigan Opera Theatre
We want you to drive what you like and like what you drive.
General Motors builds a lot of things with wheels. Small and intermediate cars, some 53 of them 31 different station wagons in all shapes and sizes. 14 personal cars, including America's only production sports car and front-wheel drives. And a number of vehicles for recreational use , like our new motor home. All in all , GM builds 139 separate car model,s you can choose from
Small ones, mid-size models, big ones. But we don't feel a large selection is enough We also want you to like what you drive. So GM cars have the most up-to-date styling. Innovative engineering. The widest selection of options and accessories in the business. The way we see it, anybody can build a car, At GM, we want you to drive what you like and like what you drive.
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TEETZEL CO.
403 FISHER ROAD
GROSSE POINTE, MICHIGAN 48230
TELEPHONE: (313) 889-0220
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Copyright 2010, Michigan Opera Theatre
DESIGNERS JAMES R TEETZEL • E H HEATON· JUDITH GOODNOW PRUS GAYLE SHAW CAMDEN· ELIZABETH BJORK· KASEY WERNER , A 1. D • MARSHA SEWELLPATRONS
Mr. and Mrs. Aaron H. Gershenson
The Gossett Fund
Mr. and Mrs. Donald C. Graves
Mr. and Mrs. John C. Griffin
Dr. and Mrs. William E. Johnston
Mr. and Mrs. Ray W. Macdonald
E. Harwood Rydholm
Mr. and Mrs. Neil Snow
Mr. and Mrs. Lynn A. Townsend
Mr. and Mrs. Robert C. VanderKloot
Mr. and Mrs. Edward S. Wellock
Mr. and Mrs. Sam B. Williams
Mr. and Mrs. Theodore O. Yntema
SUSTAINERS
Mr. and Mrs. Avern Cohn
Dr. and Mrs. Edward Dolan
Mr. and Mrs Frank W. Donovan
Mr. and Mrs. Edward P. Frohlich
Mr. and Mrs. William T. Gossett
Mr. and Mrs. H. James Gram
Mr. and Mrs. George Mott
Harry J. Nederlander Family
Northville Area
Overture to Opera Committee
Mr. and Mrs. John J. Riccardo
Mr. and Mrs. Ross Roy
Mr. and Mrs. Robert B. Semple
The Honorable and Mrs
G. Mennen Williams
Mr. and Mrs. Don E. Ahrens
Mr. and Mrs. Gordon E. Areen
Dr. and Mrs. Harry E. August
Mr. and Mrs. Carl O. Barton
Mr. and Mrs. Bernard T. Brodsky
Mr. and Mrs. Eugene A. Cafiero
Mr. and Mrs. Emil A. Capano
Mr. and Mrs. Roy D. Chapin, Jr.
Mr. and Mrs. Grant C. Chave
Mr. and Mrs. Walker Cisler
Mrs. Abraham Cooper
Dr. and Mrs. Ralph R. Cooper
Mr. and Mrs.
Kenneth W. Cunningham, Jr.
Mr. and Mrs. Robert E. Dewar
W. Hawkins Ferry
Mr. and Mrs. Charles T. Fisher, III
Mr. and Mrs. Max M. Fisher
Mr. and Mrs. Anthony C. FortWlski
Philip Fox, II
Mr. and Mrs. Stuart M. Frey
David J. Gloede
Dr. and Mrs. Edward T. Glowacki
The Goad Foundation
Mr. and Mrs. Henry C. Johnson
Mr. and Mrs. Harry L. Jones
Mr. and Mrs. Martin Kellman
Dr. and Mrs. Ned N. Kuehn
Mrs. Roger M. Kyes
Mr. and Mrs. John D. Leighton
Mr. and Mrs. Mark D. Littler
Mr. and Mrs. Alan Loofbourrow
Mr. and Mrs. Wilber H. Mack
Mr. and Mrs Anthony Maiullo
Mr. and Mrsl John C. McCabe
Mr. and Mrs. Paul McKenney
Mr. and Mrs. Thomas F. Morrow
Charles Stewart Mott Foundation
Mr. and Mrs. Russell E. Palmer
Mr. and Mrs. James H. Quello
Mr. and Mrs. Paul A. Reger
Mr. and Mrs. Hans Rogind
Mrs. George Roumell
Ivan C. Schatten, M. D.
Alan and Marianne
Schwartz FOWldation
N. L. SmokIer
Mr. and Mrs. J. H. Steward
Mr. and Mrs. Joseph A. Vance, Jr.
Mr. and Mrs. C. Theron VanDusen
Mr. and Mrs. Harold G. Warner
Palmer Watling
Wayne State University
Mr. and Mrs. Jervis Webb
Mr. and Mrs. R. Jamison Williams
Mr. and Mrs. Donald E. Young
CONTRIBUTORS
Mr. and Mrs. William J. Adams
Mr s Morris Adler
Raphael Altman, M.D
Mr s John K, Bagby
Mr. and Mr s J. Merria m Barn es
Dr. and Mrs. Robert A. Barron
Eric and Doris BiIles
Dr. and Mrs. Leonard Birndorf
Th e Boel Company
Mr. and Mrs. Henry S. Booth
Dr. and Mrs. Arnold Brown
Mr and Mrs. J. Lawrence Buell , Jr.
Roy E. and lIse Calcagno
Mr. and Mrs. James L. Cameron
Mr. and Mrs . Gordon T. Ford
Mrs. Arnold E. Frank
Mr. and Mrs Mar shall M. Fredericks
Dr. and Mrs. Donald Freedlander
Mr. and Mrs. Marvin A. Frenkel
Mary Ann Fulton, Attorney
Mrs. Harold A. Furlong
Mr. and Mr s Maxwell T. Gail
Mrs. Loui s Ga sparott
Mrs. William Gibson
Robert Gold
Dr. and Mrs. Herbert Goldstein
Ralph L. Gregory
Mr. and Mrs David Handleman
Mr. and Mrs. W.A H endri c kson
James Hugh Henry
Mr. and Mrs. Gerald W. Hepp
Mr. and Mrs. Thomas Hewlett
Frederick G. Huetw e ll
Mrs. Roger W. Hull
Mr. and Mrs. Ray Johnson
Mr. and Mrs. Edmund B. Campbell, Jr. Miss Chrystine W. Jones
Mr. and Mrs. R.W. Chambers Mrs. W.E. Judy
The Honorable and Mrs. Ferdinand Cinelli
Mr. and Mrs. Thomas Cleven
Mr. and Mr s. Frederick K Cody
Mr. and Mrs. Francis Cogsdill
Kenneth Collinson
Charles F. Colman
Janet B. Cooper
Mr. and Mrs. Peter Cooper
Miss Ella Mae Crossley
Mr. and Mrs. Charles Dalglei sh, Jr.
Mr s. Charles A. Darling
Mr and Mrs. Thomas E. Darnton
Mr. and Mrs. Sherwin Davidson
Mr . and Mrs. John H. DeCarlo
Loren A. Deer
Marjorie A DeVlieg
R.C. Dickenman, M D.
Mr and Mrs. Sixten Ehrling
Laurel S. Eno, M.D.
Mrs. Jerome J. Fellrath
AJbert Ferrari
Elizabeth B. Fisher
Mr. and Mrs. Thomas K. Fisher
Mr. and Mrs. Harold A. Fitzgerald
Carl H. Kindl
Richard Kokochak
Dr. and Mrs Alfred M Kreindler
Mr. and Mrs. Bernard Krieger
Mr. and Mr s. Henry Ledyard
Mr. and Mrs. Edward H. Lerchen
Leonard H. Lerner, M.D.
Dr. and Mrs. Kim K. Lie
James L. Limbacher
Mrs. H.W . Link
Mr. and Mrs. Thomas V. LoCicero
Dr. and Mr s. Carl W. Lohmann
Dr. and Mrs. David Lowy
Dan P Lutzeier
Robert B. MacKay
Charles March
Dr. and Mrs. Paul E. Mattman
Mr. and Mrs. Scott H. McKean
The Rev. and Mrs. F.R. Meyers
Mr. and Mrs. Albert A. Miller
Mr. and Mrs. John P. Miller
F.W. Misch
Mr. and Mrs. Philip M. Mistretta
Judge and Mrs. Arthur E. Moore
Dr. and Mrs. Robert Niccolini
Mr. and Mrs. W.S. Nussbaum
Mr. and Mrs. Donald D. O'Dowd
A.J. Palosaari
Mr. and Mrs. W. Calvin Patterson
Mr. and Mrs. Elfried F. Pennekamp
Mrs. Arthur R. Pfannenschmidt
Dr. L. Piccone
Henry H. Pixley
Mrs. R.S. Plexico
Mrs. H.A. Powell
Mr . and Mrs. Mel Ravitz
James Renfrew
Mr and Mrs Joseph J. Rice, Jr.
Mrs. Sanford Ross
Mr and Mrs. H.P. Sattler
Mr. and Mrs. Saul S. Saulson
Dr. and Mrs Herman Scarney
Mrs. Robert P. Scherer, Jr.
L. J ames Schneider
Mr. and Mrs. Arthur R. Seder, Jr.
Mr and Mrs. Robert H. Shafer
Max Sheldon
John R. Simpson, M.D.
Mrs. Gerard R. Slattery
Amy R Smith
Snow Nuyen Kurtz & Co.
Mr. and Mrs. Sidney R. Solomon
Mr. and Mrs. Loren C. Spademan, Jr.
Mrs. Loujse Sper
Mr. and Mrs. Lionel E. Spoon
R. Gary Stauffer
Mr. and Mrs. Mark C. Stevens
George J. Stra schnov, M.D.
Dr. and Mrs. David Susser
Mrs. Henry Tarnow
Jane R. Taylor
Guido Tenaglia
Mr. and Mrs. William B. TenEyck
Dr. and Mrs. Garfield Tourney
Mr. and Mrs. Macon C. Trabue, Jr.
Mr and Mrs. Emmet E. Tracy
Mr. and Mrs E.H. Valentine
Mr. and Mrs. Hillaire VanHollebek e
Robert Van Walleghem
Miss Katherine Wasserfallen
Bernard Weinstock
Kirk Worrell
Copyright 2010, Michigan Opera Theatre
Mrs. H. Gray Muzzy
We are proud to announce that we now have the entire
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January IS, 23 (Matinee), 25, 26
A Musical Play in Three Acts by Franz
Lehar CA TTrans latio n: Christop h er Hassall BMon Z la , Pontev e driall
Ori ginal hook and lyr ics by Victor Leon and Leo Stein
Pont
Prits hits II, Po nt ' edrian Consul
kowi a , hi wi (r
egu , a n e mba y se ere lar y
Tim e : Turn of th e ce nlury Pla ce: Paris
ACT [ Grand aloll 01 the POlltcv edrian Emha y in Pari s ACT [J Thc gard e n of Anna C[awar i 's man sion ACT III Th e livin g room of nlla's man ion
Condll ·tor •....
Direc t o r and Cil r cograph er
ts d es ig ne d and built by
pro du c Lioll by an' an O'c ment with Tams Witrna{k Mu sic LibraTY , Inc.
All cas l ' s ubj c l Lo chan ge witll o ut not ice
Copyright 2010, Michigan Opera Theatre
Bewley
1HE MERro' WIQJN
Franz Lehar's three -act musical play The Merry Widow, was first performed in Vienna in 1905 and in New York in 1907. Its popularity and record of producLions j staggering . Its weH-knowTl waltz old hundreds of thou and of copie of sheet music and changed dancing from a regimented series of steps to a more intimate and appealing style of dance. At the tum of the century, designers copied and made fashionable the huge ostrich -feat11ered hat and wa p-waisted gown of Ule heroine. Born in AusLria, Franz Lehar tudied under Dvorak and began composing at the age of six. His attempt at serious opera wer a failure, but after turning to light opera, he became world famous. The Merry Widow ha been well served on tage and in films with presentations in at least twentyfour languages
THE STORY
Aet I
Act III
At an o th er party in Alin a hOll e, U Co ni t ed to simula t th e [ ,WI O U restauranL Ma xim 's, Da llil o ur ges Alina n o t to ma rr th e Fren chma n - fo r th e sak e o f he r cOll n tr y . Sh e agree s lh ell expl a in - th e truth ab o ut Lh e (an . Da nil o b li e e h r but till d e no t lee lare na tiv e co un try a nd Ze ta ( 'a rs th e wOrl; l hi O WII f clin gs, no t wi hi ng to b for his tin y n a tion - ha nkru p tcy He th o ugh t o f as a f orlun c hunt er. Wh cn trie t o con vin ce Count Da nil o t marry Ann a a nn ou n ce sh e d oe lI ' t have he r Anna, hUl ye ar s he fo r , wh n sh e was a f o rlull e , Danilo ru s h es to p ro po ' c ' h e poo r pea a nt his fath cr thwart d th c m acc e pts , th e n ex pl a in s that h ' r mo n ey and Danil o i n o t di po 'eel t o tr y aga in. goe Lo he r ne w hu ba lld wh e n . h e Anna en ters and su btly f lirt s with rC01 a rri e . Th e sto ry e nds with Z ' Ia a nd Danilo, wh o wa rm s to tIl e silu ll Lioll, but Val en c ie nn e sec ure in th e ir ma rria ge , th e (ign indi(( re ll ce M <lflwhil e , Ze La ' mo n ey safe in Po nl ve ori a, a lld Ann a youn a wife l oses th e fa n up o n whi c h h er and Da nil o unit d t o Lh e s tra ins o f, " Fre nch admir er , Ca mill e , h a WOOl all 8 l oo mu c h [ or a ma n. ' " love y o u. "
At a part y in Lh e Po nteve drian lega tion eel Lr a lin g th e birth J ay o f th eir rul er til Po nt e eclrian AmLas ad o r, Ba ron Ze t a , is in a t] ua ndry as to how to ass ur e that Anna Gl a wari , a wealthy Po ntev edr ian wid o w , will n o t marr y a for igne r. He r f o rtun e wOllld th e n be 10 t t o th eir
Act II
[n the gard e n o f Anna s res id en ce in Par i, h e sillgs so ngs o f POll teve dria for her part)' gu ests , parti c ul arly Danilo who is till pr e te ndin g al oo (n " Bul Z ' t ll has founu th e tell -tal e fall and ass igns Danil o to und o ut the o wn er. T ha l ' v nill g, Z La '8 wife, Va ll' n ie n n , i lur ed int o a s ma ll s umm er ho use by Ca mi ll , li n d ju 1 as th ey li r e ab ou t to be di scovc: r d by the j a l us amh ass auor , Ann a cha nges pl aces wiLh Va le ncienn anrl a to ni sh eve r, o n by a nn o un in g her n O"age m ' nt to th Fr n c hm a n, Ca mill e A1Lil o u oh sh e h as do n e thi s o ill y t o sp Mc' mb al"Ca III lit to Val ' ncie nn e , Lh e ll e WS thro \ Da n il o int o li e pa il', fo r h e n o w r ali I', s Lh e d e pth s o f hi s I )v
CATHERINE CHRISTEl SEN madr lI ' r EDWARD KING! has IJ een a I ading JOHN REARDON was ntised in a mu siop rali c d bUL in 1964 wilh th Salila tenor wilh Mi hi gaJl Opera ,[heatre for a l «lmily an<.I maj red in Illu -ic at Fe Op ra in Carmel! and hu appeared many y ars, app 'aring ill sce n e s [rom La Florida's R lIin liege. In L954 h e Ie qu nlly with th e nation s le adin g Boheme and Faust. li e rec ived hi first :ang with the e IV York ity Opera companies in c itie s n ch an Franci 'co, Ull ation at th e Am ri ean Con 'rva l o r y and II ruy wa ingin g I ad roles, u h So ton , Fort WorLh and I e w York City. of '1u sic, He id e lb e rg College and Wayne as the Count in Marriag e of Figaro. His She tll(li d at Am ri Ci ll 1 Conserva - tat e Univer ity Th e D et roit rc id e ul Opera d hut took place in tory of lvlu i in hi cago and join ed the r ece iv ed th e Baird Rockefeller 1965 and he c r ea t d th role of Orin in M tropolitan Opera Studio in 1 65 and Award, e nabling lIim to tudy wilh Boris the world premier of Levy' Moumillg ha s perform d in con ert with the Lo Goldov ky, He ha ung with the De Becomes Electra. He has appeared on Anrreles Philharmonic, th e Isra Ii Phil - Moines ivic pera , the Buffalo Philhar- lET produ tion and i a Crequent harmonic , the New York Ch ambe r monic Orcllestra, the Detroit S mphon gtle "t on the ehildren's program, Mister · r e hc , tra and Ul e Pari , Cllarnb'r r hes lra and has mad e numl:r u con- rog rs Neig1luorhood. Much in dOland rchestra 'hri t e n se n ca m e to cert and musical co medy appearances. as a gue t artist wilh lh nalion 's the rities' attention will. her r 'cen t leadin g opera co mpanies, R ea rdon has r eco rdin g of Bianca in 1aming of th e introdue ed more than thirty ne w role , hr ew he appeared as NedlJa in all many of whi ch w e r writt n for him Tn pera film pro lu e d by Ro bert Saud k, L972 he was nam rl Artistic Direc tor 0 f and has ung with Iloward Kee l in til Wolf Trap Company at Wolf Trap Most JTappy Fella. f1 e r p e rformance s Farm Park, th first naLional park d a Lh e Widow have cap tivated audience . vot d to the prrformin g arts . Reardon on lh Ea t oa t. (amous for hi portrayal a Count Tomsk in Queen of Spades, PapalTe no in Tire Manic Flute and Danilo in The Merry Widow.
Copyright 2010, Michigan Opera Theatre
M RY WAKEFlELn as Va len c ienne , is qually at home on lhe grand p ra s lag , as th musical p lay ' tage. he has tudicd al thc Univ r ity f igan , lndjmlu Iliv rsity , and in Munich, Germany he has performed in Massachuselts , Nor iJ. Carolina, I ew Hamp hire and ilichigan in su h op ras as La Boheme , Die F ledernuJlts, and Martha. A form r v icc tea It'r at Indiana Dniv ' rsity, Miss Wak f i Id has studied und r Richard Fre deri k, and Juli us Be r ge r in w York She ha a l o Uttg in productions of Carousel and How to Succeed in Business Without Really Trying.
LOI BEWLEY, the dire tor and chore · ograph'r of 10T' Merry Widow ha _ b en a dan cer with lhe Ballet Ru se Mont Carlo, l he Amer ican .Ballet Theatre , l ite J e rom e Itohb ins Ball e L A. , and the New York ity Ballet. She has al 0 been a principal dancer al tire Spo le to Festival in Ita ly Mi Be wley served as choreographer for the Tyrone GUlhrie Theatr/!, the I30ston Arts Fes t ival , the t. Paul Op ra and the Harkne Ba Hel. A Fulbri ght recipient , sIte ass isled ballet compan ie in lran and Turkey and appear d on [urop an l leVISIon. Miss Bewl y djrecl d choreographed, de igned tit costurn and danced in Ule prerujere of lI'laskarade b Carl Nei l Jl for l he St. Pau l Opera Association resulti ng in a 11 wspaper description of her as a ' Ollewoman wonde r ." She has app ared on Broadway and on su h te l vision prgrams as lhe Bell Telephone flour CBS Workshop and the Today Show.
Copyright 2010, Michigan Opera Theatre
The river. The Liolls. Mother Waddles. Cobo Hall. The Bob- Lo boats. AI Kaline.
Kennedy Square. Cold Ducks. The Big Stove. The Big Tire.
The Tigers.
Fat Bob.
Hudson's parade. The symphony.
The zoo.
The Art Museum.
The other museums.
Wayne State.
Mr. Belvedere. Vernor's.
Joe Louis.
Joe Gentile. Joe Muer's.
Jos. Campau. Northboulld Southfield.
The Gold Cup. Red Pop. Washington Blvd.
UFo
JP.
The Crunch bird.
Mort Neff.
Miss Torchy. The Fisher.
The Wings.
Zug Island.
Mini buses.
The Lone Ranger.
SOME OF THE THINGS SOME OF THE PEOPLE LIKE ABOUT DETROIT:
Sonny Eliot.
Miss DSR.
Willie Hortoll. Milo's.
Bill Kellnedy. The tunnel.
Lafayette Coney. The east side.
The west side.
The John Lodge.
John R.
Eastern Market.
The Kern Block. Msgr. Clement Kern. Kresge Court.
Old St. Mary's. Stroh's.
Detroit Dragway.
Carmel Hall.
Ambassador Bridge.
World's largest flag. The balld concerts. The bleachers.
Ollie Fretter.
The Red Garter. 'The Pistons.
Harmonie Park. Orchestra Hall. Greg Landry. Gratiot.
ABX.
AMC. Sanders' sundaes. Charlevoix.
Livernois.
The DAC.
UofD. Belle Isle.
Sindbad's. Adler SchlIee. Billy Martin. Cass Tech WE 2-1212. Dirty Helen's. Free light bulbs. The Freedom Festival. Waterworks Park. Mischa Mischakoff.
Joyce Carol Oates.
Karl Haas. The MURC index. Baker's.
The Fifth Estate. Capuchin Kitchen. Lindell AC. The News. The Free Press. Jack Brokensha. Alex Karras. Greektown. Hamtramck.
Fireman's Field Day. Broadway Market. Channel 56. Bob Talbert. Charley Manos. The Green Hornet. Outer Drive. Six Mile. Freighters. Mexican Village. Aretha Franklin.
Lou & Jackie. Grand River. Grand Boulevard. Grand Circus Park.
Farmer Jack. Peaches Bartkowicz. Martha Jean. Tonto. Manoogian Mansion. Amos Jacobs. Seven Mile. The Supremes. George Pierrot. Cardinal Dearden. Jimmy Hoffa. Frank Ditto. The Edsel Ford. Chrysler. Jacoby's.
Sir Graves Ghastly. Jim's Garage. DIT.
DDD.
Fr .Vaughn Quinn, O.M.1. Kercheval. Gordie Howe. Graham Steenhoven. The Artist's Market. Butcher's Inn. Joe Falls. Ernie Swan. Buddy & Jimmy's. The Shiek. Bill Bonds. Bud Guest. Eight Mile. GM. Lawrence Tech. Ford.
Awrey's. The Jolly Green Giant. The fireworks.
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Copyright 2010, Michigan Opera Theatre
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Mr. and Mrs. Edward E. Potter
Mr. and Mrs. Milton L Prag
Dr. and Mrs. A.I Ragins
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Dr. and Mrs. Nathan P. Segel
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Mr. and Mrs. William J. Shertzer
Mr. Lloyd M. Shoemaker
Mrs. Lillian E. Shore
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Ronald John Slabey
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Dr. and Mrs. Sheldon D. Stern
Daniel J. Stevens
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Dr. and Mrs. Harry H. Szmant
Mrs. Marilyn W. Taylor
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Dr. and Mrs. Vollrad J. vonBerg
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James W. Whitney
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MEMORIAL CONRIBUTIONS
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CORPORATE
SPONSORS
CORPORATE SUSTAINERS
American Motors Corporation
Arthur Andersen & Company
BASF Wyandotte Corporation
Batten, Barton, Durstine & Osborn, Inc.
The Bendix Corporation
Detroit Bank & Trust
First Federal Savings & Loan Association of Detroit
Honigman, Miller, Schwartz and Cohn
Price Waterhouse & Company
Hiram Walker Corporation
CORPORATE PATRONS
Advance Glove Manufacturing Company
The Budd Company
Campbell-Ewald Company
City National Bank
Consumers Power Company
The Detroit Edison Company
Federal-Mogul Corporation
First Independence National Bank of Detroit
John E. Green Plumbing & Heating Company, Inc.
The J. L. Hudson Company
IBM Corporation
Kuhlman Corporation
McCord Corporation
Michigan Bell Telephone Company
Michigan Consolidated Gas Company
Burroughs Corporation
Chrysler Corporation Fund Company Fund
General Motors Corporation
S. S. Kresge Company
National Bank of Detroit
Syd and Ethyl's Supermarket Incorporated
Touche Ross & Company
Copyright 2010, Michigan Opera Theatre
Smith , Hinchman & GryUs
AssOciates, Inc.
Jervis B. Webb Company Inc.
Young & ' Rubicam Interna tioQill, Inc.
We gratefully acknowledge all contributions which arrived too late for inclusion in this program book.
1974 MERCURY COUGARXR-1
In size, this new breed of Cougar is like Grand Prix and Monte Carlo. In every other way, it's like nobody else's car.
You're looking at the all new Cougar for 74. It's more than a new car. It's moved up one whole class. In fact Cougar is the only new choice amongthe mid-size personal luxury cars. There's new styling, inside and out. New dash with tachometer and hooded gauges mounted in deeply padded vinyl. Elegant new opera window. Distinctive new Landau roof. Steel-belted radials. All standard. There's power steering And front disc brakes, automatic floor shift and bucket seats , also standard. Plus the
same type suspension system as LincolnMercury's most expensive luxury car. Other features shown are optional. And along with Cougar's new size class comes a whole new class of comfort for you. Because we felt this much luxury deserved a little more room.
TURNING POWER INT0la HESS DTHEWOHLD
Dana systems for the transmission and control of power are recognized around the world Every phase of the transportation industry is served with essential components for both original equipment manufacturers and the aftermarket by such well-known Dana Corporation brand names as Spicer, Perfect Circle and Victor.
Baron Ze ta
Valencienne, his wife
Count Danilo ..........................
- Anna Glawari
Camille de Rosillon ...................
Vicomte Cascada
Raoul de St. Brioche
Bogdanowitsch .........................
Sylviane, his wife
Kromow
Olga, his wife
Pritschitsch ..........................
Praskowia, his wife ...................
Njegus, embassy secretary .............
Jan Rube s
Mary Wakefield
John Reardon/Charles Roe*
Catherine Christensen
Edward Kingins
Nicholas Smith
Gene Wabeke
John Raleeh
Joan Tallman
Davis Gloff
Jan Albright
Dick Santos
Helga Abela
Michael Burden
Understudy for the role of Anna Glawari is Dorothy Berry
Additions to the Michigan Opera Theatre Chorus are: Terry Hanks, Irene Jordan, Alona Moon and Jerome Tomaszycki
*Mr. Roe will perform on Jan. 20 and 23 only. Michigan Opera Theatre is pleased to make known that Mr. Roe, who has performed regularly with this company for the past several years, was recently signed by the New York City Opera for a lead role in its production of Der Fledermaus next season.
CAST NOTE: Jan Rubes (Baron Zeta) is a seasoned opera star who was the youngest basso at the Prague Opera House in his native Czechoslovakia. Rubes is now a leading member of the Canadian Opera Company in his adopted country. An established favorite across the bor-der, Mr. Rubes is known for his appearances in CBC Opera Productions, his radio program, "Songs of My People," and his own television series, "Guess What." He has sung lead roles with such companies as the Pittsburgh, Chicago, Washington, Seattle, Frankfurt and the New York City Opera. He is as much in demand for concert tours as for musical comedy. Mr. Rubes lives in Toronto with his actresswife, Susan Douglas, who produces the city's successful Young People's Theatre.
PRODUCTION NOTES:
Rehearsal Pianist: Beverly LaButa
Wardrobe: Karen McKean, Sue Shank, Barbara Masanick
Properties: Cathy Blaser, Karen DiChiera, Elizabeth Gram
Make-up and Coiffures: Cathy Christensen, Kathy DuRoss
Special thanks to: The Detroit Athletic Club, Marygrove College, Valente's Men's'Formal Wear, Inc., Detroit and Wigs 'n' Things, Bloomfield Hills
The Michigan Opera Theatre production of The Merry Widow will be broadcast on public radio WDET-FM, 101.9 on your dial, on March 3 at 2:00 p.m.
Copyright 2010, Michigan Opera Theatre
Copyright 2010, Michigan Opera Theatre
DlREOORS NOTES
It's wilh gr ea l plca s ur that we offe r you a lI ew, resplellllenl 5ea.O Il 0[' op e ra at tll e I\us ic Iiall Cfmtcr, CO ll ce iv e d alld produ d Ulld e r our lI e w name, Michi gan Opera Th ea tr e .
Michigan Opera la a been known lo yo u ill pa.'t as th e Overture to Opera Company Fo r I ven y'ars we prese n t e d, lind r th · a u pices of our par e n t group, the D e tro it Grand Opera Association, operatic scenes as we ll a fu ll produ c ti ns
Now , after two f ull s asons of opera a t the Music Hall alld Ilum e r u performances around the state, we've adopted a n a m e th a t id e n t ifies wha t we' ve trul b eco me: 1ichigan's Opera Thea Lre
Our] 973 -74 se ason d esc rib ed her e is a delib e rate ly d mandin g one. We are takin g on two of th e gr eat es t trad i tional work s, Rigo le tto and .Madame Butterfly , and go in g at th e m in a mann e r wh ich weJ., li eve i o ri g in a land satis fyin g to you .
We've asse mb le d a gifted cast for Rigo le tt o, whi h will provide an I ctr ic even in g of drama that is vo 'a lly s ublim e Our Butt erfly promi ses bea uty and authenticity. The d e li cat' an d profound e thos of th e Orient will com e aliv throu g h Miss Kyu Do Par k and Mr. Tsutomu Ma uko , -tar and direc tor of Michigall Ope ra Th ea tr e's se ond production .
We mov e (or the fir s t lim e into th e r ea lm of lig ht opera fOT ou r se a son f inale . Th e Merry Widow is a pirit ed , lavi sh , whirl of a s h o w in which w e j !!lve you two of ope ra s mo s t 13 autiCul Peop le Cat h rine Christen e ll a lld ohn Reardon. In ollr opinion, it's a s ure hit .
Tw m OT thin gs we want y u to know before se lecti ng your ti c k e t s :
F irs t., Michigan Opera Thea tr e will r e tain th nam e O ve rtur e to Op era to designaL il in-school , eel u ' ationa l activities. We b Ii ve that inLrouu c ill g youn g audiences 10 opera, answering th e ir que tions and exc itin g th ei r int r 's t is a vital pa rt of our wo rk
. econd ly, Mic hi ga n p enl T h ea tr plans to repeat i is wildly s llcc ess ful benefit party of la t year , "1-\ Ni ght al th e pera . " It ' s a za n y eve nin g , fill ed with sk iLS, mu ie , chia nti, p r ona lit y , pa. ta, fun and surp ri . e . Hold ept mber 24 open [or this wllik -any thing·el e party at th e Latin Quar t e r
Michigan Ope ra Theatre wel comes you t o ope ra in English at the Mu si c Hall Cente r, and w, thank you for joining u
David DiChi era , General Dir ctorCopyright 2010, Michigan Opera Theatre
RIGOLETTO
By Gius 'ppc V 'rdiCondu tor: Roger Melolle
RlGOLEffO
o -lober 6, lO'*, L2, 13 *MaLinec
eaSOIl after seasoll allu iell ·e. r ' pond deeply to Vcrdi' tra gic, Lor), of th e deformed j e l r who e arc ro'lum ' u wiLh LrrilJle iron thr ouu h th e ptlw('r r a nolJlcmall'5 c urse . The brilliallt 'Go re will be brought to life lty a cas t of thrillill g p rformer. The sp lrnr/iu tal nt o( vrl'rall Calvin Mm , h' Rigolet lo will ue mhelli h ed by Loui Rli. s 'lI's ilda . praisetl a' radiant and ecsta ti c . Young .lollll Sandor i th e devil-may- are Duke. This is II Rigol'Llo you won t wallt to mi ss.
Inl 'rnational award winller Louise Russell. . . innal e grare .. . her Gilda ppo it c-: the great PavHroui IVOII the critic' harts . . .
Calvin pow erful. int lIi gen t.
Lhe New York er wrote: " . .. greaL and no end of aClillg ability ... " J\ i\1 l v ·tt'ran who take no inL rpr talioll [or grant ed, hi s Rigol ·tto thrill . ..
John Sandor as th e devil -may-care Duk e . . ... e x ·iling. . . a fireball of lal en L \ ho
I SOO Il to join th e Vienna l ale ( pera a a leading lenor
As parafucile, Z Edmund Toliv r. Grinnell Award finalist. . . inten se yOllllg basso .. . now takin g Ph.D. in Voice at University of lichigan .. .
I, clt 10 righ t:
Calvin Marsh
Louis e Russ ell
f oh ll anrior
Z_ Edmond Tolliver
Copyright 2010, Michigan Opera Theatre
MADAME BUITERFIY
MAD ME B TTERFLY
By Giacomo PucciniDirector: TSlItomll Masuko
Conductor: William Byrd
November 2, 7*, 9, 10 *Malin ee
Beautiful, moving, melodiou · . \ 'licitigan ( pl:ra
!. ealr i de li g ht cd l o present th e cvcr -n w, ever· touchi ll g Lory of io· io· all, tarri ng a d e li 'a t e and nl at,ricalJ tal ent d prano from Korea. l\li Kyu Do Park leads a fine upporlin g ra -t o f r egional sin g r s, illcluding Claarles Roe and E I ie In Im an. A spec ia l tr ea t is thc re turn of Cla ar lLs Hilldsley as Pink c rt on, wh last ea. on thrill e! Detroit au di nces a " Cava rad o s i. Directi ng and singin g th ' role of Co ro is Mr . Tsulomu Ma uk o, who perform d thi dual accompli hm e nt with the • an Dicgo p ra la s t yea r . This authentic produ c ti on is ure to strike the m t n itiv e mu ' cal cho rd in your heart.
A Butl rfl y of touching realism . . . Kyu do Park, from th e Ame ri can Centcr Ca oyanni s directed h e r as "M imi ' . . . loist at Temp le Mus ie Fes tiv al anti with Mu ica A t er n e Orchc tra
Copyright 2010, Michigan Opera Theatre
As Pink e rton , Clwrle Hind ley . . . drama ti c pre ence a tenor of body and brillian ce win s hi aud ien ce .. . Detro it ador d him in Ta sca harpl ss , th American onsul, i Charles Ro e . .. ri ch bariton e an EMU profe or vivid portrayal s in o ur Tasca and The Telephone la t sea. on
Left to right: Charles llindsl ey E lsi e Inselmall Cha rl es Roe Kyu Do ParkTIlE MERR Y WIDOW
By Franz Leha rOil' ctor:
Cond uctor :
January 18, 23*, 25, 26
*l\1atinee
Lois Bewl y William Byrd
L hal' . jubilanl, IlIU iea l ma.lcrpi ece of no lulgia and ga iet . Paris at the turn of th ' I: ntury' ill hin in all ilS plum eI, high-kicking g lory wh 11 Mi hi ga n pel'a Tit alrc rai se th e curlain o n this favor i te of li ght op t:'ra·. T h e ravi hin O" Ca tlH'rin e hrU 'nsc n will glill I' a. lhe w e,lllhy ,idow . Ami wh an think of a more da s llill <T Danilo lhan opera up John R a rdQII , alteruat in g wilh o ur own h a r! Ro. An elegant e ven in g of fun . , tunnin g s ltow -s loppin g Cat h e rin , hrisle llS n a 'le rry Widow whose xp ' ri e nce with , ' a ll Franc i co and e w Yo rk City Ope ra spe ll s s uccess . . .
The John Rea rd on a Danil ... the 'le t' I udin g bariton versa til outspoken. Tim e MOlY(lzille s tal es: . Ac ,lets s up erbly . .. It is a rnu 11 a triumph of brain a of voi e "
Ca mill e is Ed ward King in s . . . leadi n l1 area t e nor . .. Rock efe ll e r Award Winner . . . ludi ed with Go ld ovsky ...
Loi Bewle .. . one- wo man dy nam . . . d ir ec t 'd American pr mi e r e of Ne i.Is cn' " .ia karadc ' . . . dance soloi t with Ball e t Ru s and Am e ri ca n Ballet
Theatr o r eobTt'a ph 'r for llarkll e Ball , t and Tyro n uthri e T h eat r app ea ran s on t elevis ion and Broadway ... s h e' directin g o ur M err y Widow.
Lcft to rig ht:
fohn R ea rdon
Lois B ew ley
Edward Kingins
Catherine C hri stense n
Copyright 2010, Michigan Opera Theatre
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Can't make an ev ni ng show'? Tli 11 spend a aft rnooll uownlown with Michigan Op'ra Til atre lit a performance of Ri"oieIlO, Madame BLLtterfl , or The Merry Widow.
i\IOT schedules one matinee of each season production for YHlr cO llveni ence and plf'a urI'. And sin(" the matinee begin at 2::30 p.m., you and friends have plr:nty of time for a leisure l Illn II at your [av rit, downtown I' stau rallt latin! offer several bOllu es. F'irst , ou'll sit ill the choi c ol'chestl'a s(!ats for on ly 5.
econd, li rhigan Opera Theall' '5 popular and ngaging G neral Oil' etoL' , Dr David DiChicl'<l, will giv lin informativ e and entel'tainillg introduction prior to eacb malinee performance.
;vlatin e. dal('.' are 0 Lober 10 for Rigofetlo ' 0 ember 7 for Madnme Butl.erfly. and Jnnuar 23 for The Merr.y Widow.
rdel' ' bur matillee tiekcts 011 th e r egll iar order form. F'or club group am! sludent rales, ple,lse phonc tllc :\Iic:lligan Opera Thea lr e oi'Gce at 963-3717 .
Copyright 2010, Michigan Opera Theatre
ANIGHfAT 1HEOpERA
OUf seeo nd foray int o Marx Brothers and mayh e m , Aida and antipasto. Guest star , good foo d, mu iea l morsels an d your best (riends A (un -r a j r fund-rais r wh ere eve rybody bene fi ts.
easo n ki k -o£f Italian buffet with Wln _
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ptember 24, 6: 30 p .m . at T h e L ll lin Quarter , Grand Boulevard ju s t ea t of Woodward. To ree iv e a n in vit ation please ch ec k th e app r op ri ate Lox on the ti ket o rd er form.
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Copyright 2010, Michigan Opera Theatre
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Copyright 2010, Michigan Opera Theatre