Architectural Portfolio Devendra Patel 2014-2022
Devendra Patel Buffalo, NY 716 907 6761 dpatel26@buffalo.edu
Education 2020-2022 Master’s of Architecture, University at Buffalo, NY
Graduate from the city of Buffalo possess the great aspiration of learning and exploring through doing experiments as the part of journey. https://www.linkedin.com/in/devendra-patel-781712116/
2014-2019 Bachelor’s in Architecture, SAL School of Architecture, India.
Work
Skills
-Design conceptualization for the residential projects and presentation for meeting with clients. -Working drawings detailing for commercial projects. -Competition projects
Rhinoceros Revit AutoCAD Photoshop Illustrator InDesign Sketchup Lumion V-ray Physcial modeling Sketching Digital media
2017 I Internhip Borderline Sutdio, Ahmedabad/New Delhi, India
2017 I Immersion Program Taliesin East, USA -Design Build project, using CLT as the technique for building a shelter made of wood as core construction material.
2019-2020 I Junior Architect Borderline Studio, Ahmedabad, India -Remaking drawings of completed projects for publishing at different international platforms. -Working on interior projects, designing and making working drawings IRU WKH ƓQDO H[HFXWLRQ -Working drawings for industrial projects and residential projects. -Design development for residential projects.
Competition 2017 Evolo, Skyscrapper Levitar I The Ant Hill tower 2018 YAC Collodiocope I The Pinocchio tales
Hands on/Teach 2019 I Design build workshop Sharda University, New Delhi, India. $VVLVWDQW LQVWUXFWRU XQGHU -DVVRQ *ULIƓWKV 8QLYHUVLW\ RI 1HEUDVND guided students of third and fourth year of architecture I 16 days.
2020 I Design build workshop Nirma University, Ahmedabad, India. $VVLVWDQW LQVWUXFWRU XQGHU -DVVRQ *ULIƓWKV 8QLYHUVLW\ RI 1HEUDVND guided students of Second and third year of architecture I 11 days.
2020 I Software workshop I Rhinoceros CEPT University, Ahmedabad, India. -Introduction to Rhinoceros as a form making and design tool I 10 days.
Content 1
Monoliths/ UB Global institute- Fall 2020
2
The Wrap/ Art Street- Spring 2021
3
7KH ZDOO WKDW UHŴHFWV WKURXJK ZRUG Fall 2020
4
TINDU/ CLT- Spring 2020
5
Immersion 17’/ Shed- Summer 2017
6
Span/ Structure III- Fall 2021
7
Nostalgia of Machine/ Machine age- Spring 2019
8
Working drawings
Monoliths UB Global institutes Prof. Brian Carter, Studio_1 2020 Fall
Site- UB South Campus
7KH DSSURDFK IRU GHƓQLQJ DQG DGRSWLQJ WKH LGHD RI ,QWHUQDWLRQDO (GXFDWLRQ studies is by bifurcating the shared spaces and the study centers. Keeping the common spaces in the center and adding mass from the side with important IXQFWLRQV 7KH GHVLJQ KDV WKH PDLQ IURQW EXLOGLQJ ZKLFK LV ŴRDWLQJ DQG FUHDWHV the covered plaza for various weather condition and space functions. The RSHQ VSDFHV KDYH PDMRU LQŴXHQFH LQ WKH LQVWLWXWLRQDO GHVLJQ ZKLFK FDWHUV WKH students and diversify the space.
solid
lifting and voids
path at levels
Site Isometric
Exploded Isometric
Environmental aspect
,(3 RIƓFHV 2. digital hub 3. studio/classroom 4. library 5. auditorium 6. studios
Library spaces has the play of volumes and creates voids for light and ventilation, with the double layers of glazing the interior players has the freedom to slide the glass for ventilation and light.
library
connecting bridges
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1. shop 2. atrium VKRS VKRS 3. sculpture park VFXOSWXUH SDUN VFXOSWXUH SDUN VKRS 4. plaza SOD]D SOD]D VFXOSWXUH SDUN 5. outdoor theater LQIRPDWLRQ FHQWHU LQIRPDWLRQ FHQWHU SOD]D 6. infomation OLEUDU\ OLEUDU\ center DXGLWRULXP IR\HU DXGLWRULXP IR\HU LQIRPDWLRQ FHQWHU 7. library
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OLEUDU\ 8. auditorium foyer DXGLWRULXP IR\HU
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2
3 1
1. column 2. Braces 3. shear wall
sculpture park
The Object at the edge of the Hayes Road, has dynamic role in the massing and proportions. The other important aspect of the object is, which helps the IURQW EXLOGLQJ WR ŴRDW ZLWK WKH SURSHU circualtion through the ground level and WKH ŴRRU OHYHO $GGLQJ SXEOLF VSDFHV DQG information center to it which makes the object more dominant.
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1. covered space 2. IEP entry/ramp ,(3 RIƓFHV FRYHUHG VSDFH ,(3 HQWU\ UDPS 4. digital hub ,(3 RIƓFHV 5. store GLJLWDO KXE 6. cafe FDIH 7. library/reading hall OLEUDU\ UHDGLQJ KDOO 8. auditorium
1. pavilion 2. regional study center 3. studios 4. classroom 5. workspace 6. infomation center 7. library 8. auditorium foyer
The Wrap Art district at Allen Town Prof. Annette Lecuyer, Studio_2 2021 Spring Team- Ryan Philips
Site- Allen town, Buffalo
1HLJKERUKRRG RI $OOHQ WRZQ KDV EHHQ KLVWRULFDO NQRZQ IRU LWV FXOWXUDO LQŴXHQFH and it has various art centers, brewery, restaurants etc. It is the home for very know landmarks and connects to important street of the Buffalo. Projects gives an opportunity to bring the local art and known art collection a place to exhibit and creates a community place with redeveloping the urban fabric for better public transit and street activation for various events around the settlement of Allen town and connecting to the downtown Buffalo.
Art S treet
1/The Wrap
2/Art Cellar
Dark Gallery
Moonless Gallery
Daylit gallery
Art gallery, divide into two types of spaces, dark and daylit gallery, where it serves types of art which needs different type of accomodation and WUHDWPHQW WR EH SXW RQ IRU GLVSOD\ /LJKW ƓOWUDWLRQ for the daylit gallery is through creating an exterior screen wall with angled shading device that control the light around the whole day.
Core/Services Shading device
Inner facade Pathway
The shading devices stands a huge wall which wraps around the solid form and creates a mounumental structure. The North street has welcome corner, as the exterior wall aligned to the Delaware ave.
The Wrap/ Musuem/ 1st intervention
Art Cellar/2nd intervention
Art street
Storage spaces of art collection and exhibition space on the same street, that makes easy transportation and chances to circulate art for exhibition more often, with the street to activate neighborhood involvement.
Section Perspective East - West looking South
Dela
ware a
v e.
North st.
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Art gallery has two core block which carries out all the services and also serves for the art and installation freight elevator for both the type of gallery systems. Art gallery connect ot Delaware ave and taks to the Allen street, which has Art Cellar the second proposal for storing the all types of art collection, that help to keep rotating art at the gallery easily and Cellar creates an informal space for exhibition with continuing the context of the street.
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Art Cellar It commulates winery with in the ground level of the cellar and cat walks create the secure distance to art from the visitors, though they can see it while tasting collection of wine.
Allen street s ack
ware a
v e.
e/st
ag Stor
Dela
ks stac ery/ cks n i W /sta age Stor
Massing
Cat walk
Sliding storage
Cat walk
Outer envelope
Sliders storages Winery
7KH ZDOO WKDW UHŴHFWV WKURXJK ZRUGV Research studies
Prof. Brian Carter, Studio_1 2020 Fall
Site- UB South Campus
7KH SHUVSHFWLYH LV WR FUHDWH D &DPSXV UHVHDUFK +8% ZKLFK UHŴHFWV WKH LGHRORJ\ DQG VLJQLƓFDQFH RI D VFKRODUV ZRUN WKURXJK 7KH ƓHOG RI ZRUN KDV the major role to create the space which caters for the re- searcher and public. The text and the walls are the foreground of the proposal. And taking the idea wall and text to the next level which can translate through the technology, ƓJXUHV DQG DUFKLYHV
+
people
moving walls
VSDFH LV ŴX[
archive tower
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exhibition space
courtyard 2
exhibition space archive tower
courtyard 1
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wall/1 60’x15’
wall/2 20’x20’
wall/3 15’x8’
walls 3 x Xn wall which makes spaces temporary
public entry
archive
courtyard 2
exhibitio/ ditigal archive
courtyard 1
office/ meeting/ lab
Office entry
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Walls creates abstract possiblities
archive
exhibition
courtyard 2
digital archive
public space
talks about the possibilities
public entry
reprography lab
office entry
courtyard 1 office foyer
utilitise
private space
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TINDU INDU – Timber in Indian Design University ,QVWUXFWRU -DVRQ *ULIƓWKV Site- Nirma University, Ahmedabad,India Devendra Patel, Maulik Solanki
Timber buildings are rare in India especially in the northern regions. Ahmedabad is no exception. Arid heat and sharp dry winds attack lignin and destabilize structures in short order. Good buildings push the program to the outdoors (Kahn’s IIM and Corb’s Mill Owner’s building) making concrete and masonry the overwhelming material of choice.
TINDU is a small structure built in laminated timber. It has a strong emphasis of dry joining so we looked for ways to reinforce points of connection by introducing hardwoods to the laminates where necessary. This mainly occurred at eaves and footings although it included experiments with lathed Teak for horizontal bracing. Although hardwoods are rare, contentious and expensive ZH IHOW WKDW LW ZDV ZRUWK DVNLQJ LI WKHUH DUH EHQHƓWV WKDW PLJKW RIIHU SRVLWLYH DUJXPHQWV
Immersion 17’ Taliesin East ,QVWUXFWRU -DVRQ *ULIƓWKV Site- Spring green, WI
Mayur, Moin, Barot, Will and Donna
Working through mass timber requires a transformation of accepted mindset of timber construction. The idea of the stud wall and stressed skin as a structural unit is replaced by a more monolithic arrangement where wood is used as a solid entity. The core of our project expresses this most effectively where mass under compression brings close parallels with both log cabins and (strangely) a unitized masonry system. While the lateral strength of the box is enhanced by notched corners (log cabin style) the stacking and compressive mass timber walls began to suggests a lithic tectonic system.
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Dowel Lamination
Central Time Time Zone
1
Page 1/1
1 1
3 2
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1. White Pine / Basswood in- eterlocking bards (1” thick with variable widths) 2. 5/8” Birch dowels at random angles to reduce delamination. 3. Notch spacer.
1. Broad eaves 2. Stacked walls
1. Sliding door 2. alternated notch corners
1. Sliding window 2. alternated notch corners
Section
Sliding door
Inner stepped roof
Broad eaves to support roof
Sliding window
Inner stepped roof
Roof
Span Structure Instructor- Christopher Romano- Fall 2021 Team- Sangeetha, Sindhu and Nahin
3_casting of dome
1_Case study/ Frrie Otto
WHEN ASKED TO DESCRIBE THE INSTITUTE FOR LIGHTWEIGHT STRUCTURES (IL) Frei Otto affectionately referred to it as a Spinnerzentrum, playing off the double meaning of Spinner in German: one who is crazy and one who spins connections and webs. Based at the University of Stuttgart and housed under the roof of one of his tent structures, the IL was led by Frei Otto from 1964 until 1990.
Soap bubble experiments
2_Analysis/ Soap bubble
ure
Karamba analysis for stress and strain study
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4_Breaking of dome
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Dome layers
Athletic ball
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32
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31
12 ” 13 .5”
Destructed piece
” 21 .5” 22
Rebar Cement Slurry
Layer 1 Layer 2
Karamba overlay on photogrammtry
Cross-sectional layer
1RVWDOJLD RI 0DFKLQH Adaptive Re-use
Instructor- Rupinder Singh
Site- Mumbai, India
The machine age change the vision of the architecture, with the second industrial revolution the major aspects of architecture turn into modern movement. This brought the grand prospects , eventually it effects the economics, morality and sociological aspects. Although the machine age JDYH WKH SRZHU WR WKH SHRSOH DQG REYLRXVO\ LW ZDV PRVW LQŴXHQWLDO ZKLFK drove the people to this age. Eventually the growth of architecture relates to the all major perception of machine culture, the material growth, aesthetics, architecture philosophy, movements, etc. Le Corbusier describes the “New Aesthetics” in his book “Aircraft”, where he compares the modern age and the aircrafts, therefore he also mentioned the play of human proportion in the ŴLJKWV ZLWK WKLV KH SRUWUD\HG WKH EHDXW\ RI DLUSODQHV $SSDUHQWO\ WKH ERRN E\ Reyner Banham, “Theory and Design in the First Machine Age”, there is vast description of the machine age with the relation of science and technology.
Can We Re-De!ne those organisation which are derivative of machine and system in Architecture? and which is form of experience or the function oriented architecture? So the machine age and the current interface would be more challenging.
Reminisce of compound Parel, Mumbai It is located in the central part of Mumbai, with religious history and strong industrial background. connects to the all three major rails routes and proposed mono rail.
5
2 4
6
1
3 1, Finlay Mill 2. India United Mills No.1
3. Lal Baugh 4. Currey Road
5. Lower Parel 6. Parel
N
Vertical Development
Now the Growing and soaring buildings.
Dilapidated Industries in the middle of city
These mills have the massive land cost, according to the government by laws, the FSI ( Floor Space Index ) is very high, so the vertical growth is essential because of the high population density.
The Spatial understanding The axis of lines creates the path of experience and it is generated from the site visit, some of the space are allowed to visit and some are not. Hence this lines creates the path of circulation.
Nodes
Connection
Transition
Circulation Pause Points
Circulation around
Point of Interaction
The connections
The Derivation of spaces The blue lines depicts the cross circulation through bridges and ramps, the geometrical form can be the form of addition or subtraction. The arc represents the slicing of the building unit that give the exposure the for looking into and through.
Conceptual evolution
Super Imposed Layers
1
2
5
3 4
1. 2. 3. 4. 5.
Ramp/Bridge View points Cut outs Observatory Plaza
Plan N
Section
AIMS Hospital Working drawing 2IƓFH %RUGHOLQH 6WXGLR 6LWH 'HOKL ,QGLD C3X11
C3Y14
C3X10
GROOVE FOR SERVICES eq
EQ 3800
eq
1800
EQ
1230
1230
eq1
900
eq1
650
FHC
1250
2400
1200
LIFT
2400
4325
S2
4400
1085
650
1625
1
ELEVATION A SCALE- 1:75
2
ELEVATION B SCALE- 1:75 C3X11
DETAIL 2
C3X10
DETAIL 3
PLAN AT C3X11-C3X9 3 SCALE- 1:75 REFER DRAWING NO. AIMS/CON/IN/1F/9.8 FOR FALSE CEILING CLADDING DETAIL
C3Y15 C1Y12
STONE CLADDING IN ELEVATION FIRE CURTAIN TOP BOX
C3Y14
C3Y16 C1Y13
FIRE CURTAIN SIDE GUIDES VERTICAL GROOVE
HORIZONTAL BUTT JOINT
4625 4400
4
S2
S2
ELEVATION C SCALE- 1:75
B.O.F.C.: (+) 3600
SUSPENSION SYSTEM
REFER DRAWING NO. AIMS/CON/IN/1F/9.8 FOR PART ELEVATION F DETAIL
A
C3X5 C2X1
SHADOW GROOVE AS/APPD
B
X11
GYPSUM
C3
F
C3X4
E
30 MM THICK STONE
D
10
PLASTER AS/PER SPEC.
C3X
ANODIZED ALUMINIUM 100 MM SKIRTING
9A C3X C3X3
FFL
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KEY PLAN SCALE- 1:200
9 C3X
13
C3Y 12
C3Y
C3Y15 C1Y12
C3Y16 C1Y13
7
STONE CLADDING DETAIL SCALE- 1:5
2
C3X9A
C3X9
PLASTER AS/SPEC. 4790 C T T G T C T T G T C T T G T C T T G T C T T G T
A T A T C T T A T A T C T T A T A T C T T A T A T C T T A T A T C T T
C T T G T A T A T C T T C T T G T A T A T C T T C T T C T T C T T C T T C T T C T T C T T
S2
G T A G T A G T A G T A G T A G T A G T A
T T G T T G T T G T T G C T T G C T T G C T T G C C C C
2100 X 2100 FD1
T T T T T T T
A A A A A A A
T T T T T T T
C T T C T T C T T C T T C T T C T T C T T
T A T A T C T T A T A T C T T A T A T C T T A T A T C T T A T A T C T T A T A T C T T A T A T C T
C T T G T C T T G T C T T G T C T T G T C T T G T C T T G T
T T T T T T T
A T A T C T T A T A T C T T A T A T C T T A T A T C T T A T A T C T T A T A T C T T
T A T C T T G T A T A T C T T T A T C T T G T A T A T C T T T A T C T T G T A T A T C T T T A T C T T A T C T T A T C T T A T C T
A T A T C A T A T C A T A T C A T A T C
T T T T
SS BEND PLATE
T T T T
T A T C T T G T A T A T C T T T A T C T T G T A T A T C T T
T A T C T T G T A T A T C T T T A T C T T G T A T A T C T T T A T C T T G T A T A T C T T T A T C T T A T C T T A T C T T A T C T
T G T T G T T G T T G T
A T A T C A T A T C A T A T C A T A T C T A T C T T G T A T A T C T A T C T T G T A T A T C T A T C T T G T A T A T C
4 MM GROOVE FILLED WITH SEALANT AND BACKER ROD
FIRE CURTAIN SIDE GUIDES
T A T C T T G T A T A T C T T T A T C T T G T A T A T C T T
CORRIDOR
T T T T
P2 PAINT FINISH
T T T T
30 MM THICK STONE
T T T T T T
T A T C T T G T A T A T C T T T A T C T T G T A T A T C T T T A T C T T G T A T A T C T T T A T C T T G T A T A T C T T T A T C T T G T A T A T C T T T A T C T T G T A T A T C T T
DETAIL 1- CNC STONE CUTTING
C3X9A
T G T T G T T G T T G T
4400
2100
REFER DRAWING NO. AIMS/CON/IN/1F/9.8 FOR PART ELEVATION
11
STONE CLADDING GROOVE SCALE- 1:2
C3X9
DETAIL 4
C3Y15 C2Y12
C3X3
TEXTURED PAINT FINISH MATCHING THE WALL PANELLING
S2
5
3600
4625
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D4
ELEVATION D SCALE- 1:75
6
ELEVATION E SCALE- 1:75
PLASTER AS/SPEC. ANGLE CLEAT. SS BEND PLATE 30 MM THICK STONE
4 MM GROOVE FILLED WITH SEALANT AND BACKER ROD
8
DETAIL 2 SCALE- 1:5
30 MM THICK STONE
30 MM THICK STONE
30 MM THICK STONE
9
DETAIL 3 SCALE- 1:5
30 MM THICK STONE
10
DETAIL 4 SCALE- 1:5
RX6
1
2
1
1
SLOPE
SLOPE
3
1
1
1
1
SLOPE TOILET (M)
SLOPE
LIFT 2550X3000 L13
LIFT 2550X3000 L12
3
SLOPE
L12
TOILET (F)
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SLOPE
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1OMM DROP IN FLOOR
START TILE
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1
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F.F.L. LVL - (+)4500
CALCIUM SILICATE / METAL TILE FALSE CEILING
REM
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REM
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FIXTURE 12 AS/APPD SAMPLE F.F.L LVL - (-)1500
FIXTURE 2 AS/APPD SAMPLE
FIXTURE 7AS/APPD F.F.L. LVL - (-)1500
MODULAR WC PARTITIONS AS/APPD SAMPLE
FLOOR TILE 600 X 600
3
SECTION-1 SCALE - (1:75)
REM
MODESTY PANEL AS/APPD
1200
MIRROR AS / APPD SAMPLE
REM
B.O.F.C LVL - (+)1500
4
SECTION-2 SCALE - (1:75)
REM
STONE CLADDING
B.O.F.C LVL - (+)1500
METAL TILE GRID METAL TILE SIZE: 600 X 600
RX6
DOOR WINDOW SCHEDULE NAME WIDTH HEIGHT
C3Y15 C1Y12
W10
LINTEL
CILL
750
1675
2200
525
D1
900
2100
2100
NA
D3
1200
2100
NA
D3a
1200
2100
2100 2100
FIXTURE LEGEND SNO. 5 X 4 METAL TILE GRID METAL TILE SIZE: 600 X 600
START TILE TOILET (M)
TOILET (F)
MOISTURE RESISTANT CALCIUM SILICATE
LIFT 0X3000 3 START TILE
START TILE
JC
KIT. STAFF TOILET
FIXTURE NAME
FIXTURE DETAIL
1
WATER CLOSET (WC)
AS/ CLIENT APPROVAL
2
WASH BASIN (WB)
AS/ CLIENT APPROVAL
3
BASIN MIXER
AS/ CLIENT APPROVAL
4
FLUSH
AS/ CLIENT APPROVAL
5
HEALTH FAUCET (HF)
AS/ CLIENT APPROVAL
6
TISSUE HOLDER (TH)
AS/ CLIENT APPROVAL
7
URINAL
AS/ CLIENT APPROVAL
9
HAND DRYER (HD)
AS/ CLIENT APPROVAL
10
SOAP DISPENSER (SD)
AS/ CLIENT APPROVAL
11
SHOWER POINT
AS/ CLIENT APPROVAL
12
MIXER
AS/ CLIENT APPROVAL
13
SPOUT
AS/ CLIENT APPROVAL
14
HAND TISSUE HOLDER
AS/ CLIENT APPROVAL
DRINKING WATER
D/A TOILET METAL TILE SIZE: 600 X 600
METAL TILE SIZE: 600 X 600
5)
C3Y15 C1Y12
RX6
F.F.L LVL - (+)4500
CALCIUM SILICATE / METAL TILE FALSE CEILING
CALCIUM SILICATE / METAL TILE FALSE CEILING
STONE CLADDING
B.O.F.C LVL - (+)1500 REM
MODESTY PANEL AS/APPD FIXTURE 7 AS/APPD
FIXTURE 2 AS/APPD SAMPLE
F.F.L. LVL - (-)1500
REM
MIRROR AS/ APPR
FLOOR TILE 600 X 600
5
SECTION-3 SCALE - (1:75)
FIXTURE 2 AS/APPD SAMPLE
FLOOR TILE 600 X 600
FIXTURE 1 AS/APPD SAMPLE FIXTURE 3 AS/APPD SAMPLE
WALL TILE 600 X 1200 ALIGNED WITH TOP OF DOOR FRAME
MIRROR AS/ APPR
REM
MIRROR AS / APPD SAMPLE
REM
REM
REM
1980
WALL TILE 600 X 1200 ALIGNED WITH TOP OF DOOR FRAME
FIXTURE 3 AS/APPD SAMPLE
NA
devendra patel dpatel26@buffalo.edu