ART AUCTIONEERS & VALUERS
ART AUCTIONEERS & VALUERS
THE ART & DESIGN AUCTION Tuesday, 1st October at 6pm
TUESDAY, 1st OCTOBER, 2013
Lot 109: Basil Ivan R谩k贸czi 1908-1979, THE SUN HORSE
35 Kildare Street, Dublin 2. Tel: 01 676 8300 info@deveres.ie www.deveres.ie
At Thomas Prior Hall, Ballsbridge, Dublin 4
Invitation to Consign… ART AUCTIONEERS & VALUERS
‘THE FERRY’ by Walter Frederick Osborne RHA, 1859-1903 Oil on canvas, 36” x 48” One of the outstanding paintings to be included in our Auction of Irish Art on November 26th Front Cover: Lot 9 THE WISHBONE CHAIR, BY HANS WEGNER Inside Front Cover: Lot 26 A FINE MAHOGANY FRAMED DINING TABLE (detail)
ENTRIES NOW INVITED Please contact John de Vere White or Rory Guthrie for further details
ART AUCTIONEERS & VALUERS
Auction:
Tuesday 1st October
Venue: Thomas Prior Hall, Ballsbridge, Dublin 4. On View: Sunday 29th September 2pm - 8pm Monday 30th September 9.30am - 8pm Tuesday 1st October 9.30am - 3pm Contact:
087 293 4439/ 087 978 7396
COLLECTION: Thomas Prior Hall Wednesday 2nd October, 9.30am -5 pm FEES: 19½% plus VAT
de Veres 35 Kildare Street, Dublin 2 01 676 8300 www.deveres.ie Live Bidding available at:
the-saleroom.com
www.facebook.com/deveresArtAuctions
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ART AUCTIONEERS & VALUERS
Thomas Prior Hall
Auctioneers: John de Vere White Rory Guthrie
John de Vere White Managing Director
Rory Guthrie Director
Aisling T贸th Associate Director
john@deveres.ie
roryguthrie@deveres.ie
info@deveres.ie
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1 A SET OF FOUR TEAK DINING CHAIRS, DANISH, 1960s, with shaped backs, on tapering legs. €400 - 600
2 A PAIR OF ROSEWOOD SQUARE TWO TIER LOW TABLES, DANISH, 1960s,the painted tops on tapering supports, 55 x 55cm. €600 - 900
3 A ROSEWOOD SIDEBOARD, DANISH, 1960s, with four central drawers, flanked by sliding cupboard doors, on tapering legs, 239cm wide x 73.5cm high x 50cm deep. €1,200 - 1,600
4 A PAIR OF TEAK FRAMED UPHOLSTERED OPEN ARMCHAIRS, BY BONDO GRAVESEN, DANISH, 1960s, bearing label. €800 - 1,200
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5 A MAHOGANY FRAMED CHAIR BACK SETTEE, DANISH, 1960s, with downswept armrests on tapering legs, 175cm wide x 72cm deep. €1,000 - 1,500
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7 A MAHOGANY AND EBONISED NEST OF TABLES, DANISH, on tapering legs, 58cm x 40cm. €400 - 600
6 THE FALCON CHAIR, BY SIGURD RESSEL, DANISH, with brown leather seat, on a splayed base. In 1958 Norwegian designer Sigurd Resell first gained notoriety when he received an award for his designs from Copenhagen Cabinetmaker’s Guild. However, it was to be his 1971 design for the impressively named Falcon chair that would define his career. Made up of a hammock like profile sitting within a pedestal style frame. This separation yet interplay of elements imbues the design with a lightness, a feature that would be repeated in his later works. With a production lifetime of over thirty years, its longevity is a testament to the effectiveness of its design.
€300 - 500
8 A PAIR OF MAHOGANY FRAMED UPHOLSTERED ARMCHAIRS, 1960s, on tapering supports.
€400 - 600
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9 THE WISHBONE CHAIR, BY HANS WEGNER (1914-2007), FOR CARL HANSEN & SON, DENMARK, A SET OF SIX, the curved back above a woven seat, on tapering legs. In 1944 Hans Wegner began a series of chairs inspired by a classical Danish painting of merchants sitting in Ming chairs. The most recognised chair from this series, and in fact from Wegner’s entire body of work, is the CH24 Wishbone chair, the chair taking its name from the distinctive shaped back. The tapering steam bent back legs join seamlessly with circular steam bent back rail; a difficult joining technique which results in a strong yet lightweight chair. Under licence with Carl Hansen & Son, the Wishbone chair has enjoyed uninterrupted production for half a century. This set of six date from circa 1970.
â‚Ź 2,000 - 4,000
label 7
10 THE LC4 CHAISE LONGUE BY LE CORBUSIER (1887-1957), FOR CASSINA, ITALY, with canvas and black leather upholstery, on a chrome base, stamped ‘CASSINA NO. 79748’. The LC4 was originally designed as a chaise lounge for the interior spaces of several of Le Corbusier's residential architectural commissions in the late 1920s and exhibited at the 1929 Salon d'Automne; production through Cassina began in 1965. Le Corbusier referred to this design as a "relaxing machine" allowing the user to adjust the cradle to assume a number of reclining positions. Over the past 80 years it has become an icon of the International Style and, along with several of the Le Corbusier, Perriand, and Jeanneret designs shown in 1929, is included in the permanent collections of numerous museums around the world. €1,400 - 1,800
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11 THE BIBENDUM CHAIR, DESIGNED BY EILEEN GRAY, the red leather tubular back, on chrome legs. €500 - 700
12 A RED PROPELLER TABLE, with smoked oval glass top, 127cm long x 71cm wide x 33cm high.
€800 - 1,200
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13 AN OAK AND GLASS LOW TABLE, BY LOUIS SOGNOT (1892-1960), FRENCH, c.1950, 91cm wide x 45cm high x 68cm deep. Sognot’s career started out in the art deco movement of the 1920’s in France. As well as being a designer he taught and later went on to become the director of the Ecole Nationale Superieure. His clients included the Maharajah of Indore, Mmme Agnes and Jean Carlu.. Among his works he designed office and apartment interiors, a cabin on the ocean liner Normandie and an aeroplane interior. Furthermore he also designed stage sets for the French playwright Henry Bernstein. Sognot was one of the leading figures of the French art deco movement and featured in the first exhibition of the Union des Artistes Modernes. His innovative fusion of materials, as demonstrated in this piece, would remain a constant feature within his pieces and ensured the longevity of his career throughout the 20th century. €800 - 1,200
14 THE SNAKE TABLE, BY KNUT HESTERSBERG FOR RONALD SCHMITT, c.1970, with circular glass top, on a shaped aluminium base, 100cm diameter x 39cm high. €800 - 1,200
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15 AN UPRIGHT CABINET, FROM A DESIGN BY PIERRE CARDIN, FRENCH, 1960s, with various cupboard compartments and a let down front, decorated extensively with vibrant Oriental pattern, 59cm wide x 135cm high x 18cm deep. â‚Ź1,000 - 1,500
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16 A PAIR OF PHILIPPE STARCK 'PRATFALL’ CHAIRS, 1985, the curved plywood backs, on tubular steel legs, with black leather seats. €1,400 - 1,800
17 THE CLOUD TABLE, BY KHO LIANG IE (1927-1975), FOR ARTIFORT, 1960s, the shaped top on a white metal base, 120cm wide x 36cm high. Kho Liang Ie came to the Netherlands in about 1949 where he trained as a designer at the Rietveld Academy. In 1958, he was appointed aesthetic consultant and designer at Artifort. His contribution shifted Artifort’s focus to the top of the international market. As an interior designer, Kho Liang Ie made his name with his design for Schiphol Airport in the nineteen-sixties. His work reflects purity, warmth and freedom. €800 - 1,200
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18 THE UBLO BAR, BY SACHA LAKIC FOR ROCHE BOBOIS, 2005, with tempered smoked glass top on a curved veneered plywood base; and two swivel bar stools with adjustable seats. Bar: 191cm wide x 100 high x 81 deep. €3,000 - 5,000
19 A SQUARE ILLUMINATED LOW TABLE, 1970s, with glass top, 50cm square x 40cm high.
20 A PAIR OF MAGAZINE RACKS, BY ALPAC (one bearing label) with brass trimmed handles. €200 - 300
€300 - 500 13
21 A PAIR OF RECTANGULAR CHROME LOW TABLES, 1960s, with smoked glass tops, 60cm wide x 43cm deep x 50cm high. €600 - 1,000
22 THE PROPELLER TABLE, BY KNUT HESTERSBERG FOR RONALD SCHMITT, c.1970, with glass top on a brushed steel propeller base, 80cm diameter. €500 - 800
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23 A PAIR OF FLOS ARA LAMPS, BY PHILIPPE STARCK, in chrome, each 56cm high. €400 - 600
24 A RECTANGULAR LACQUERED LOW COFFEE TABLE, FRENCH c.1970, BY JEAN CLAUDE MAHEY, with central drop well containing a smoked mirrored glass interior, bearing makers signature label, 175cm x 110cm. €800 - 1,200
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Italian design In the 1920s and 30s the Americans were fascinated with Art Deco design but in Italy its design ethos was firmly rooted in Rationalism, the taking of classical forms of Ancient Greece and Rome and paring it back, omitting the ornamental and retaining the form. The Bauhaus movement had a similar ethos but whereas it was moving towards the ability to mass produce, the Italians were less inclined to sacrifice the classical form for ease of manufacturing, which is why to this day Italian design is synonymous with exquisite craftsmanship. As the 20th century proceeded the Italian design became more original but the unadorned form and craftsmanship remained and with every passing decade design improved leading to its pinnacle in the 1960s and 70s. Leading Italian designers such as Gio Ponti, Ico Parisi, Paolo Buffa and Osvaldo Borsani all had a background in rationalism and so the elegant simplicity from this school of thought has prevailed.
25 A SET OF FOUR MAHOGANY FRAMED UPHOLSTERED DINING CHAIRS, ITALIAN, 1950s, ATTRIBUTED TO CARLO DI CARLI (1910-1971), the straight backs on tapering legs. â‚Ź600 - 1,000
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26 A FINE MAHOGANY FRAMED DINING TABLE, ITALIAN, 1960s, ATTRIBUTED TO OSVALDO BORSANI (1911-1985),on shaped base with brass socks, 195cm x 100cm. €2,000 - 4,000
27 A SET OF SIX BEECHWOOD DINING CHAIRS, ITALIAN, 1950s, ATTRIBUTED TO ICO PARISI (1916-1996), with open butterfly tablet backs, on tapering legs. €600 - 1,000
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28 A MAHOGANY DINING TABLE, ITALIAN, 1960s, ATTRIBUTED TO ICO PARISI (1916-1996), the rectangular plain glass top on a x-frame base, 180cm x 90cm. €1,000 - 1,500
29 A ROSEWOOD DESK, ITALIAN, 1950s, IN THE MANNER OF PAOLO BUFFA, the shaped marble top on a base with three drawers to one side, with two short drawers fitted to the kneehole, on tapering legs and brass socks, 180cm wide x 51cm deep x 72cm high. €500 - 800
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31 AN ITALIAN HANGING LIGHT, BY GINO SARFATTI, FOR ARTELUCE, c.1970, 62cm diameter. €200 - 400 32 A CHROME LOW TABLE, ITALIAN, 1960s, 79cm square. €300 - 500
30 A CHROME AND MURANO GLASS HANGING CHANDELIER, ITALIAN, 1960s, by Gaetano Sciolari, with hanging glass spheres, 115cm high. €800 - 1,200
33 A CIRCULAR DINING TABLE, ITALIAN, 1960s, the glass top on a scrolling chrome base, 120cm diameter. €600 - 1,000
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34 A ROSEWOOD AND SATINWOOD SIDE CABINET, ITALIAN, 1960s, with a let-down front above three drawers, beside two cupboard doors, on tapering legs, 140cm wide x 119cm high x 44.5cm deep. â‚Ź800 - 1,400
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35 A ROSEWOOD AND SATINWOOD SIDEBOARD EN SUITE, ITALIAN, 1960s, with four pull-out drawers beside a pair of cupboard doors, on tapering legs, 180cm wide x 84cm high x 44.5cm deep. €800 - 1,400
36 AN OVAL DINING TABLE, ITALIAN, with white flecked marble top, on a metal star base, 160cm x 110cm. €800 - 1,200
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38 A WALL MIRROR, within a stepped frame, 118cm wide x 122cm high. €800 - 1,200
37 A LACQUERED CONSUL TABLE, ITALIAN, with an ebonised stepped rectangular top and rounded corners, 180cm wide x 80cm high x 44cm deep. €800 - 1,200
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39 A SET OF SIX ‘4867’ STACKING CHAIR by Cesare ‘Joe’ Columbo (1930-1971) for Kartell Italy, bearing stamp.
40 A METAL LIGHT, ITALIAN, 1960s, BY STAGGI, 70cm high.
€400 - 600
€300 - 500
41 A WHITE ENAMEL AND CHROME SWIVEL LAMP, 1960s.
42 A COFFEE TABLE, ITALIAN, IN THE MANNER OF ICO PARISI, 100cm x 50cm.
€300 - 500
€200 - 400
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43 THE EVA CHAIR, A SET OF SIX, BY NEILS KOEFOEDS FOR KOEFOEDS HORNSLET, DANISH, 1960s, each stamped by the maker. €1,000 - 1,500
44 AN OVAL DINING TABLE, with smoked glass top on a pair of chrome splayed bases, 170cm x 109cm. €500 - 700
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45 A BURR WALNUT TABLET LOW TABLE, 1970s, 120cm x 70cm. €400 - 600
46 A SET OF SIX ROSEWOOD DINING CHAIRS, 1970s, the shaped tablet backs on rounded legs, joined by a back stretcher.
47 THE GLASS ZEN TABLE, ITALIAN, BY TONELLI, bearing label. €400 - 600
€500 - 800
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48 A PAIR OF TABLE LAMPS, BY LOUIS CHRISTIAAN KALFF FOR PHILIPS, c. 1955, with makers brass plate to each shade, 47cm high.
Louis Kalff was a pioneering industrial designer during the first half of the 20th century. With a solid background in furniture design, sculpture, ceramics and architecture, he began working with Philips in 1924 and in 1929 he started a department for the design of lighting products. He was later appointed responsible for the lighting sections of the World Exhibitions in Barcelona, Antwerp and Paris. €600 - 1,000
49 A COCKTAIL CABINET by Terence Conran, 40cm x 40cm x 148.5cm (closed).
€400 - 600
50 A PAIR OF TABLE NESTS by Terence Conran, each comprising three tables, 45cm square. €400 - 600
51 A VIBRANT SHAPED TABLE LAMP, BY MURANESI, MURANO, ITALY, bearing label, 42cm high.
52 A SHAPED SILVERED BOWL, BY MURANO, ITALY, 40cm wide bearing stamp and label.
€200 - 300
€200 - 300
53 A NEST OF THREE CIRCULAR BRUSHED METAL AND SMOKED GLASS LOW TABLES, attributed to Willy Rizzo (1928-2013), 1970s. €800 - 1,200
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54 A SET OF SIX LEATHER AND CHROME DINING CHAIRS, ITALIAN. €300 - 500 56 A STANDARD LAMP, designed by Flute Inc. Chicago, the base of corrugated paper, signed by the artist. Flute Inc. was a Chicago based Company owned by Charlotte & Jerry Garfinkle. In the Early 90s the duo had a design plant in Ireland to supply Europe. Their vases and lamps, pedestals and urns were all made of corrugated paper, so one hand is all that’s needed to lift one of them. This particular lamp comes from a limited edition range produced in 1990 that was sold in Paris, Rome and London. An edition of only 6 lamps was produced. €400 - 600 55 A STILNOVO ‘PILL’ LIGHT, ITALIAN, 1950s, designed by Gaetano Sciolari, 85cm high. €1,000 - 1,500
57 Loredano Rosin 1936-1991 FIGURE OF A LADY Glass, 47cm high, signed. Loredano Rosin came from Murano, an Italian island with a long standing heritage in the artisan tradition. He has earned a degree of international acclaim as both artist and master glass blower, enjoying both solo and group exhibitions in Europe, Japan and North America. His success is perhaps most prominent in North America where his work features in the Museum of Modern Art New in York. He is also part of the permanent collection of the Peggy Guggenheim Collection in Venice. €800 - 1,200
58 A CRYSTAL BOWL BY SEVRES, FRANCE, bearing stamp, 84cm wide. €200 - 300 59 A PAIR OF CRYSTAL CANDLESTICKS, BY ART VANNES, signed, 18cm high. €100 - 200 60 A CRYSTAL BOWL, BY ART VANNES, 51cm wide. €150 - 250
61 A SET OF FOUR SERIES 7 CHAIRS, designed by Arne Jacobsen. This set produced under license by Fritz Hansen of Denmark in 1979. €600 - 900
62 A PAIR OF SIDE TABLE LAMPS WITH CIRCULAR TOPS.
63 A ROSEWOOD TWO TIER TROLLEY, on shaped supports.
€200 - 300
€200 - 300
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64 A SET OF SIX TALL BACK DINING CHAIRS COMPRISING A PAIR OF ARMCHAIRS AND FOUR SINGLE CHAIRS, with acrylic frame and upholstered with Missoni ‘Kew’ fabric. €3,000 - 5,000
65 A 1950s FRENCH INLAID COFFEE TABLE, with black coated metal tapered legs and brass ball tip feet.
66 AN OVAL COFFEE TABLE, with smoked glass top on a shaped chrome base, 120cm x 60cm.
€200 - 300
€300 - 500
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67 AN ITALIAN 1970s PLEXI- GLASS HANGING CENTRE LIGHT. €100 - 200
68 A BLACK AND GOLD LACQUERED TIERED COFFEE TABLE, FRENCH,1970s, 140 x 90cm.
69 A PAIR OF ART DECO STYLE CHROME AND UPHOLSTERED SIDE CHAIRS.
€400 - 600
€100 - 200 70 A SET OF EIGHT PANTON CHAIRS, designed by Verner Panton in 1960. This set was produced under license by Vitra circa 2000. The Panton Chair was the first chair to be manufactured completely out of plastic in one single piece. Although first launched on the market in 1967 it is only since 1999 that it has been possible to produce the chair in accordance with its original conception out of durable, dyed-through plastic with a lustrous matt finish. €800 - 1,200
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71 A SET OF FOUR TALL BACK GREEN VELVET UPHOLSTERED SWIVEL CHAIRS, in the manner of Verner Panton. €400 - 600
72 A 1970s PERSPEX TABLE LAMP, in the style of Martinelli Luce. €100 - 200
73 A JUMO N71 BUREAU LAMP, designed by Eileen Gray, with black lacquered ribbed metal shade and base, solid brass side plates and double necked stem. €400 - 600
74 A KAISER LEUCHTEN 6885 UFO DESK LAMP, designed 1960s, with a coated metal circular shade and base and a solid polished brass long neck stem. €300 - 500
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75 A DRESSING TABLE, by Ercol, with drawers to the superstructure on tapering legs, 136cm wide x 61cm high x 45cm deep. €200 - 300
76 AN ERCOL CABINET, with two cupboard doors above three drawers, 91cm wide x 121cm high x 46cm deep. €300 - 500
77 AN ERCOL WARDROBE, with central mirrored door flanked by two cupboard doors, 152cm wide x 180cm high x 53cm deep. €300 - 500 78 A WHITE FORMICA SIDE TABLE, with polished chrome base and feet designed, by Robin Day and produced under license by Hille in the mid 1960s. €200 - 400
79 A ROSEWOOD BUFFET, by Mackintosh, 180cm wide x 80cm high x 44.5cm deep. €400 - 600
80 AN ART DECO STYLE RADIO, with mirrored face and chrome ball feet.
81 VINTAGE GLASS SCULPTURE attributed to Murano.
82 A PENDANT HANGING LIGHT, ITALIAN, BY STILNOVO, 26cm high.
€50 - 80
€300 - 500
€200 - 300
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83 A BLACK LACQUER CONSOLE TABLE, ITALIAN, 1970s, with mirror inset top and canted corners.
84 A PAIR OF CHROME WALL SCONCES, BY GAETANO SCIOLARI, bearing label, 23cm wide x 12cm high.
€800 - 1,200 €300 - 500
85 A COLOURED GLASS AND BRASS TRIMMED TABLE LAMP, 1970s.
86 A SET OF FOUR TEAK DINING CHAIRS, DANISH, with railed backs, on tapering legs.
€400 - 600
€200 - 300
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7pm
IRISH ART AUCTION
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100 Markey Robinson 1918-1999 STILL LIFE WITH FRUIT Gouache on board, 8¾" x 9½" (22 x 24cm), signed. €400 - 600
100 Markey Robinson 1918-1999 STILL LIFE WITH JUG AND CUP Gouache on board, 5¼" x 10" (13 x 25cm), signed. €400 - 600
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102 Evie Hone HRHA RHA 1894-1955 THE LAKE AT MARLEY Gouache, 6½" x 10½" (16.5 x 26.5cm), signed; inscribed label verso. Provenance: Dawson Gallery (label verso). €1,000 - 1,500
103 Father Jack P. Hanlon 1913-1968 FARMYARD GATE Watercolour 9½" x 10½" (24cm x 26.5cm).
104 Jack Butler Yeats RHA 1871-1957 VULTURES Pencil and wash, 3¾" x 4¾" (9 x 12cm), inscribed.
Provenance: Taylor Galleries, Dublin (label verso).
Provenance: From a sketch book given by the artist to the previous owner.
€400 - 600 €800 - 1,400 39
105 William Crozier HRHA 1930-2012 CUT FIELD Oil on canvas, 16" x 20" (40.5 x 51cm), signed. Provenance: Taylor Galleries, Dublin, 2004 (label verso). €3,000 - 5,000
106 Cecil King 1921-1986 DIVIDE Oil on canvas, 30" x 30" (76 x 76cm). Provenance: Oliver Dowling label verso. €1,000 - 1,500 40
107 William Crozier HRHA 1930-2012 COLLINS’S FIELD Oil on canvas, 16" x 20" (41 x 51cm), signed; signed & inscribed verso. €3,000 - 5,000
108 Felim Egan b.1952 EASTERN RISE Oil on canvas, 30" x 30" (76cm x 76cm); signed, inscribed verso. €1,000 - 1,500 41
109 Basil Ivan Rákóczi 1908-1979 THE SUN HORSE Oil on canvas, 29" x 36" (74 x 92cm), signed & dated 74; signed, inscribed & dated 1974 verso. Born in Chelsea, London, in 1908 Rákóczi would later find his way to Dublin, as part of the White Stag Group alongside co-founder and artist Kenneth Hall. Based in 34 Lower Baggot Street his union of artists provided the basis for many public exhibitions that would later include notable Irish painters such as Evie Hone, Mainie Jellet and Nano Reid. What distinguishes Rákóczi’s works is his juxtaposition of realistic figures within a surrealist setting. This stylistic combination was the result of a keen interest in psychology. Throughout the course of his lifetime he participated in over 150 exhibitions, of which more than 60 were solo shows. References: Snoddy, Theo; Dictionary of Irish Artists, 20th Century, Wolfhound press 1996. €6,000 - 9,000
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110 Ciaran Lennon b.1947 COLOUR COLLECTION (3) Acrylic on steel, each 20" x 12" (51 x 30.5cm), signed & inscribed (labels verso). €3,000 - 5,000
111 Micheal Farrell 1940-2000 PRESSE SERIES Acrylic on canvas, 75” x 84” (191 x 214cm). €1,000 - 2,000 43
112 Kenneth Webb RWA FRSA RUA b.1927 LILY POND Oil on canvas, 40" x 30" (101.5 x 76cm), signed. €4,000 - 6,000
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113 Kenneth Webb RWA FRSA RUA b.1927 GORM-NA-LOICHE Oil on canvas, 20" x 50" (51 x 127cm), signed, inscribed verso. €5,000 - 7,000
114 Kenneth Webb RWA FRSA RUA b.1927 WATER LILIES Oil on canvas, 36" x 24" (91.5 x 61cm), signed.
€4,000 - 6,000
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115 Stephen Cullen b.1959 THE LIFFEY Oil on canvas, 30" x 42" (76 x 107cm), signed.
116 Norman J McCaig 1919-2001 POPPIES IN A FIELD Oil on canvas board, 20" x 24" (51 x 61cm), signed.
€1,000 - 2,000
€1,000 - 1,500
117 Elizabeth Cope, Contemporary VIEW OF THE LIFFEY Oil on board, 35" x 48" (89 x 122cm), signed.
118 Kenneth Webb RWA FRSA RUA b.1927 THE LUCK PENNY Oil on canvas, 16" x 24" (41 x 61cm), signed.
€1,500 - 2,000
€2,000 - 3,000
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119 Liam O’Neill b.1954 NECK AND NECK Oil on canvas, 40" x 30" (102 x 76cm), signed. €4,000 - 6,000
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120 Mark O’Neill b.1963 THE EGG COLLECTORS Oil on board, 25" x 31" (63.5 x 79cm), signed & dated 2000. €4,000 - 6,000
121 Roy Lyndsay b.1945 GUNNINGS BAR, RATHCONRATH Oil on canvas, 12" x 24" (30.5 x 61cm), signed; signed, inscribed & dated 2000 verso. €1,000 - 1,500
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122 Sean McSweeney HRHA b.1935 WICKLOW LANDSCAPE Oil on canvas, 40" x 44" (102 x 112cm), signed, inscribed verso. Provenance: Taylor Galleries, Dublin (label verso); Senator Patrick Cooney. €6,000 - 9,000
123 Michael Cullen RHA b.1946 BATHERS, LA PELOSA, SARDINIA Watercolour, 14" x 19¾" (36 x 50cm), signed & dated 2002; signed, inscribed verso. €1,000 - 1,500 49
124 Gerard Dillon RHA RUA 1916-1971 GIRL IN BLUE Oil on board, 9½" x 12" (24 x 30.5cm), signed. Provenance: Acquired from the artist by the previous owner c.1950 by whom gifted to the present owner. The subject of this work is Kathleen Joyce, who was a friend of the artist as he executed several versions of the sitter in a variety of mediums (see images). This version was exhibited in the Irish Club in a joint exhibition with George Campbell and was listed as “Girl in Blue”. The “Exhibition of Irish Art” consisted of thirty works from each artist. The sixty works was the first exhibition to be sponsored by The Club and was organized by a group of Irish expat friends of the two artists, the Boyd’s, Foley’s and the McCann’s. Opened in 1955 by the Irish Ambassador, Mr F.H. Boland, others that attended the opening were Cyril Cusack, W.R.Rogers and Benedict Kiely. Most probably executed between 1949-1952 when the artist worked on a small scale with figures in interiors. Dillon rented accomodation in Moyard, Roundstone, Letterfrack and on Inishlacken Island in preparation for his solo exhibitions with Victor Waddington in 1950 and 1953. In Belfast, March 1956, a Monotype “Kathleen” (Cat No.4) was exhibited at the artist’s solo show with the Council for the Encouragement of Music and The Arts (CEMA). In 1957, Gerard wrote a series of articles on ‘Unusual Media’ for The Artist magazine. In his article on ‘Monotypes’, he chose to illustrate “Kathleen”. He explained that once the monotype was executed, he “Lightly washed in the legs, face and hands with watercolour; The fur collar I touched lightly with Chinese white” . Dillon often incorporated pictorial devices to draw the viewer into his composition by distorting the space and presenting it from a bird’s eye view or as in this case, the viewer is drawn into the composition by the sitter’s direct gaze. In this composition the sitter is depicted half-length in a blue coat with a fur collar wearing a bonnet. In the other slightly larger version, the model appears full length in a pink dress wearing a darker coat with the cottage door open. Reviewing the exhibition in 1955 at the Irish Club, where this version was exhibited, The Studio magazine stated, “Gerard Dillon has a fresh directness in his impressions of life that recall Christoper Wood and Chagall in their simplicity of drawing and brightness of colour.”
€2,000 - 4,000
Karen Reihill, currrently researching Gerard Dillon & Friends
125 William Scott OBE RA 1913-1989 FRYING PAN, CUP AND EGGS ON BROWN Silkscreen print, 26½" x 35" (67.5 x 89cm), signed & dated ’73, ed. 12/250. €2,000 - 3,000
126 Aloysius O’Kelly 1853-1941 FIRESIDE SCENE WITH WOMAN AND CHILD Oil on board 16" x 19½" (40.5cm x 49.5cm), signed.
127 Louis le Brocquy HRHA 1916-2012 CHILDREN IN A WOOD II 1999 Lithograph 22" x 30" (56cm x 76cm), signed, ed. 31/75.
€3,000 - 5,000
Provenance: Taylor Galleries, Dublin (label verso). €1,000 - 2,000
128 George K. Gillespie RUA 1924-1996 FISHING ON THE RIVERBANK Oil on canvas, 24" x 36" (61 x 91.5cm), signed.
129 Eugene Conway b.1965 LANDSCAPE WITH TREES Oil on canvas, 23½" x 29½" (60cm x 75cm); signed verso.
€3,000 - 5,000 €300 - 500
130 Gerard Byrne b.1958 COCKTAIL PARTY Oil on canvas, 51½" x 51" (131cm x 130cm), signed.
131 Felim Egan b.1952 PINK Oil on board, 19" x 19" (48cm x 48cm); signed, inscribed verso.
€1,500 - 1,800 €800 - 1,200
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132 Nancy Wynne Jones HRHA 1922-2011 WHITE LICHEN 2001 Acrylic on paper, 16¼" x 23",
133 Nancy Wynne Jones HRHA 1922-2011 THE WHITE HOUSE 2003 Acrylic on paper, 16¼" x 23",
Provenance: Taylor Galleries Dublin April-May 2002 (label verso).
Provenance: Taylor Galleries Dublin Sep-Oct 2004 (label verso).
€800 - 1,200
€800 - 1,200
134 Felim Egan b.1952 BLACK Oil on board, 19" x 19" (48cm x 48cm); signed, inscribed verso.
135 Aidan Bradley, Contemporary THE SOUTH WALL Oil on board, 22" x 22" (56 x 56cm), signed & dated 07. €800 - 1,200
€800 - 1,200
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136 Gladys MacCabe HRHA ROI FRSA b.1918 PONY SALE Oil on board, 14½" x 19½" (37cm x 49.5cm), signed. €1,500 - 2,000
137 Derek Rowan (Guggi), Contemporary VESSELS Oil on canvas, 28" x 20" (71 x 51cm), signed & dated 2002.
138 Kenneth Webb RWA FRSA RUA b.1927 WATER LILIES AND GOLDEN LILIES Oil on canvas, 30"x 20" (76 x 51cm), signed, inscribed label verso.
€1,000 - 1,500
€3,000 - 5,000 54
139 Mary Therese Keown, Contemporary UNTITLED Oil on canvas, 31" x 43" (79 x 109.5cm), signed. €3,000 - 5,000
140 Arthur K Maderson b.1942 IN PARTIAL SHADOW. GANGE MARKET - MIDI, FRANCE Oil on board, 36 x 32" (91.5 x 81.5cm), signed, inscribed verso.
141 Colin Harrison, Contemporary SAM / MATISSE / ROQUEBRUNE Oil on canvas laid on board, 19¾" x 23½" (50 x 60cm), signed & dated 2004 verso.
€2,000 - 4,000
€2,000 - 3,000 55
142 Kenneth Webb RWA FRSA RUA b.1927 SHADES OF DEEPEST BLUE Oil on canvas, 20" x 30" (51 x 76cm), signed; inscribed label verso. €3,000 - 5,000
143 Pat Harris b.1953 144 David Crone b.1937 WHITEFLOWER WINDOW I Oil on canvas 23½" x 19½" (60cm x 49.5cm); Oil on canvas, 24" x 20" (61 x 51cm); signed, inscribed verso. signed, inscribed ’05 verso. €800 - 1,200
Provenence: John Martin Gallery (label verso). €600 - 900 56
145 Cian McLoughlin, Contemporary NUDE STUDY Oil on canvas, 24" x 48" (61 x 122cm), signed. €4,000 - 6,000
146 Arthur Armstrong RHA 1924-1996 HEADSTONES Mixed media on paper, 20" x 14¾" (50.5 x 37.5cm), signed.
147 Brian Bourke HRHA b.1936 APPLE TREE IN BLOSSOM & MARE, OWER Mixed media on paper, 77 x 57cm, signed, inscribed & dated 2004.
€400 - 600
Provenance: Taylor Galleries, Dublin May-June 2005 (label verso). €1,000 - 1,500 57
148 Sean McSweeney HRHA b.1935 SHORELINE LOUGHNAUN Oil on canvas, 14" x 18" (35.5cm x 46cm); signed, inscribed verso. Provenance; Taylor Galleries, Dublin (label verso). €1,400 - 1,800
149 John Shinnors b.1950 FEMALE STILL LIFE CALANDER, MAY Oil on canvas, 24" x 24" (61 x 61cm), signed. Provenance: Taylor Galleries, Dublin (label verso). €3,000 - 5,000 58
150 Mary Teresa Keown, Contemporary THE STRANGER’S SONG Oil on canvas, 21¾" x 31½" (55 x 80cm), signed; signed, inscribed & dated 19.9.2001 verso. €1,500 - 2,000
151 Martin Mooney b.1960 TEMPLE RUINS Oil on canvas, 57" x 44½" (145 x 113cm); signed verso. €3,000 - 5,000 59
152 Bernadette Kiely b.1958 FIRE XVII Oil on canvas, 20" x 24" (51 x 61cm); signed, inscribed verso. Provenance: Taylor Galleries, Dublin. €800 - 1,200
153 Micheal Healy 1873-1941 DUBLIN CHARACTER Watercolour, 6½" x 5" (16.5 x 12.75cm).
154 Micheal Healy 1873-1941 DUBLIN CHARACTER Watercolour, 6½" x 5" (16.5 x 12.75cm).
Provenance: Taylor Galleries, Dublin.
Provenance: Taylor Galleries, Dublin.
€200 - 400
€200 - 400 60
155 Bernadette Kiely b.1958 DAYBREAK SEPTEMBER Oil on canvas 23" x 23" (58.5 x 58.5cm); signed, inscribed verso. €800 - 1,200
156 Markey Robinson 1918-1999 STILL LIFE Gouache on board, 20" x 16" (51 x 41cm), signed.
157 John Coen, Contemporary THE MISSING OAR Bronze, 12" high. €1,400 - 1,800
Provenance: Ex-Collection of Charles Haughey. 61
158 James Sinton Sleator PRHA 1885-1950 FARM BUILDINGS IN WOODED LANDSCAPE Oil on board, 16½" x 27½" (42 x 70cm).
159 Trevor Geoghegan b.1946 WINTER SCENE Oil on board, 18" x 18" (46 x46cm).
€1,000 - 1,500
€500 - 700
160 Piet Sluis b.1929 TABLE WITH SUNFLOWERS Oil on canvas, 19¼" x 14" (49 x 35.5cm), signed.
161 Piet Sluis b.1929 COMPOSITION WITH BOUQUET AND VIOLIN Oil on canvas, 23½" x 19¼" (60 x 49cm), signed.
Provenance: Oisin Gallery, Dublin.
Provenance: Oisin Gallery.
€600 - 900
€800 - 1,200 62
162 Clifford Collie b.1960 HOLLOWED Mixed media on canvas, 14½" x 18" (37 x 46cm); signed, inscribed verso.
163 Charles Harper RHA b.1943 DELEGATE 1 Mixed media,18" x 22½" (46 x 57cm), signed, inscribed. Provenance: The Tom Caldwell Gallery.
Provenance: Solomon Gallery, Dublin.
€200 - 400
€400 - 600
164 Gerard Dillon RHA RUA 1916-1971 FEMALE NUDE Pencil, 22" x 11" (56 x 28cm), signed.
165 Markey Robinson 1918-1999 CLOWN Gouache on board, 29" x 18½" (74 x 47cm), signed.
166 Daniel O’Neill 1920-1974 NUDE STUDY Pen and Wash 18" x 7½" (46 x 19cm), signed.
€800 - 1,200 €600 - 900
€600 - 900 63
168 James S Brohan, Contemporary COLIEMORE HARBOUR, DALKEY Oil on canvas, 18" x 24" (46 x 61cm), signed.
167 Mark O’Neill b.1963 FLOWERS Oil on board, 25¾" x 31" (65.5 x 79cm), signed, inscribed ’98.
€1,500 - 2,000 €3,000 - 5,000
169 Markey Robinson 1918-1999 SEASCAPE WITH BOATS Gouache on board 12" x 19½" (30 x 50 cm), signed.
170 Markey Robinson 1918-1999 REGATTA Gouache on board, 12" x 19½" (30 x 50 cm).
€400 - 600
€400 - 600
64
171 Colin Middleton RHA RUA 1910-1983 THE ARTIST’S FAMILY – FRENCH LANDSCAPE Crayon, 11" x 13" (28 x 33cm), signed with monogram and inscribed.
172 Basil Rakoczi 1908-1979 ABSTRACT COMPOSITION WITH FIGURES Watercolour 16" x 12" (40 x 29cm), signed. €800 - 1,200
€1,000 - 1,500
173 Markey Robinson 1918-1999 TWO FIGURES BESIDE COTTAGES Gouache on board, 4½" x 10¾" (11.5 x 27.5cm), signed.
174 Markey Robinson 1918-1999 SNOW IN SPAIN Gouache, 9" x 15½" (23 x 39.5cm), signed, inscribed.
€400 - 600 €400 - 600
65
175 John Schwatschke, Contemporary LA SONNAMBULA Oil on canvas, 21" x 40" (53 x 102cm), signed & inscribed verso. €1,000 – 1,500
176 Willie Evesson, Contemporary COAST PORTMARNACK II Oil on canvas, 27½" x 27½" (70 x 70cm), signed; signed & inscribed verso.
177 Eddie Kennedy, Contemporary ONCE AGAIN Oil on linen, 34" x 40¾" (87 x 104cm), signed; signed, inscribed verso.
€600 - 900
Provenance: Hillsboro Fine Art, Dublin. €500 - 700
66
178 Niccolo Caracciolo RHA 1941-1989 RICARDO Oil on board, 67" x 39" (170 x 99cm). Provenance: the artist’s estate. €3,000 - 5,000 67
179 John Doherty b.1949 PARK VIEW, SYDNEY Oil on board, 21½" x 29½" (54.5 x 75cm). Provenance: acquired directly from the artist. €3,000 - 5,000
180 Séan McSweeney HRHA b.1935 ROCKS AND THE SEA, SLIGO Oil on canvas, 24" x 30" (61 x 76cm), signed. Provenance: The Dawson Gallery where acquired by Howard Robinson (label verso). €2,000 - 4,000 68
181 Cecil Maguire RHA RUA b.1930 ERVALLAGH EARLY ONE MORNING, ROUNDSTONE Oil on board 16¾" x 23" (42.5 x 58.5cm), signed; signed inscribed verso. €3,000 - 5,000
182 James Humbert Craig RHA RUA 1877-1944 DUNCLOE DONEGAL Oil on board, 13½" x 18¼" (34 x 46.5cm), signed. Provenance; Oisin Art Gallery. €2,000 - 3,000 69
183 Patrick Collins HRHA 1911-1984 LANDSCROLL (1989) Oil on canvas, 32" x 36" (81.5 x 91.5cm), irregular, signed & dated 1989. Provenance: Tom Caldwell Galleries (label verso). €2,000 - 3,000
184 John Behan RHA b.1938 CHILDREN OF LIR Bronze, 17¼" high (44 cm).
185 Tony O’Malley HRHA, 1913-2003 THE BULL Oil on paper, 16" x 11" (41 x 28cm), signed, inscribed & dated 2/8/85.
€2,000 - 3,000 €1,400 - 1,800 70
186 Ivan Sutton, Contemporary Homage to ‘The Haute École Act’ - Jack B. Yeats in his Studio Oil on canvas, 19½" x 29" (49.5 x 74cm), signed; signed & inscribed verso. €1,500 - 2,000
187 Elizabeth Taggart b. 1943 THE CHOICE Oil on canvas, 30" x 30" (76 x 76cm), signed; signed, inscribed & dated 2002 verso. €2,000 - 3,000 71
188 Ivan Sutton, Contemporary TURF BOATS, GALWAY HOOKERS, CARRAROE PIER, CO.GALWAY Oil on board 20" x 30" (51 x 76cm), signed; signed, inscribed verso. €1,500 - 2,000
189 Michael Mulcahy b.1952 ISLAND SERIES Oil on canvas, 64" x 90" (162.5 x 228.5cm). Provenance: Taylor Galleries, Dublin (label verso). €1,000 - 1,500 72
190 Stella Frost 1890-1962 GLENDALOUGH LANDSCAPE Watercolour, 13½" x 19" (34cm x 48cm).
191 Robert Ballagh b.1943 LIBERTY AT THE BARRICADES Print, 18½" x 23¾" (47 x 60cm), signed, inscribed ’73, artist’s proof.
€200 - 300
Provenance: acquired directly from the artist. €600 - 900
192 Gerald Davis b.1938 THE HALF REMEMBERED MEN Oil on board 14" x 19" (35.5 x 48cm), signed, dated ’74; signed, inscribed, dated ’74 verso.
193 Piet Sluis b.1929 MUSICIANS Oil on canvas, 44" X 40" (112cm x 101.5cm), signed.
€400 - 600
€2,000 – 3,000
73
194 Felim Egan b. 1952 NOVEMBER DAYS (B) Watercolour, image size 10" x 10" (25.5 x 25.5cm), signed.
195 Felim Egan b. 1952 ABSTRACT COMPOSITION Watercolour, image size 9½" x 9½" (24 x 24cm), signed.
€300 - 500
€300 - 500
196 Jill Dennis b.1957 BLOW HOLE, DUN AN OIR Oil on board 16¾" x 13½" (42.5 x 34cm); signed, inscribed verso.
197 Gerard Dillon 1916-1971 HARVEST Mixed media 15" x 11" (38 x 28cm), signed. €300 - 500
Provenance: Taylor Galleries. €400 - 600 74
198 Michael Hanrahan, Contemporary PUFFIN ISLAND, CO. KERRY Oil on board, 15" x 23" (38 x 58.5cm).
198A Michael Hanrahan, Contemporary BLESSINGTON LAKES, CO. WICKLOW Oil on board 11½" x 15½" (29 x 39.5cm).
€1,000 – 1,500
€600 - 800
199 Felim Egan b.1952 GREY ABSTRACT Acrylic mixed media on board, 19" x 19" (48cm x 48cm); signed verso.
200 Ronan Walsh DAWN AT CLONTARF 1982 Watercolour and charcoal 21" x 29" (53.5 x 73.75cm), signed. Provenance: Taylor Galleries, Dublin.
€800 - 1,200 €300 - 500
75
201 Tony Klitz 1917-2000 VIEW OF DUN LAOGHAIRE Oil on canvas 13¾" x 24" (35 x 61cm), signed. €500 - 700
202 Fergus O’Ryan RHA 1911-1989 NORA BARNACLE Oil on board 19¼" x 13½" (49 x 34.5), signed; inscribed verso. €400 - 600
203 Michael Mulcahy b.1952 FARMER Mixed media on paper, 22½" x 29½" (57 x 75cm), inscribed, signed & dated ’82. €300 - 500
203A Michael Warren COUNTER MOVEMENTS Bronze, sculpture, 21"wide. Maquette for the sculpture at Trinity College, Dublin. €1,400 - 1,800
76
204 Larry Burke, Contemporary DOWNTOWN DRIFT Oil on board, 19½" x 15½" (49.5 x39.5cm), signed.
205 Larry Burke, Contemporary AGRIDCULTURE Oil on canvas, 12” x 23½" (30.5 x 59.75cm), signed.
€200 - 300
€300 - 500
206 John Minihan (b.1946) SAMUEL BECKET, RIVERSIDE STUDIO, LONDON DIRECTS WAITING FOR GODOT 1984. Black and white photograph, 15¾" x 10½" (40 x 27cm), signed & inscribed.
207 John Kelly CLOWN Watercolour, 27" x 20" (68.5 x 51cm), signed & dated 69.
208 Dale Pringle MacSweeney, Contemporary BRINGING HOME THE BACON Oil on canvas, 19" x 24" (48 x 61cm), signed & dated 99. Provenance: Jorgensen Fine Art (label verso).
€800 - 1,200 €400 - 600
€200 - 400
77
Standard Conditions of Business 1. Definitions
8. Retention of Title
In these Conditions, de Veres Art Auctions, who act as auctioneers and agents for the vendor, are called ‘the auctioneers’ (which expression shall be deemed to include their servants and agents) and the representative of de Veres conducting the auction is called ‘The Auctioneer’.
All goods remain the property of the vendor until paid for in full. The Auctioneers will not assume liability to discharge nett proceeds arising from the sale of goods until those goods have been paid for in full.
2. Third Party Liability Every person at or on the ‘Auctioneers’ premises or at any premises being used by the Auctioneer at any time shall be deemed to be there entirely at his/her own risk and shall have no claim whatsoever against the Auctioneers or their servants or agents in respect of any accident or incident which may occur nor any injury, damage or loss howsoever arising and whether or not same is the subject of any allegation of negligence. 3. General Whilst the Auctioneers make every effort to ensure the accuracy of their catalogue and the description of any lot: (a) Each lot as set out in the catalogue or as divided or combined with any other lots or lots is sold by the vendor with all faults, imperfections and errors of description. (b) Any claim under any Statute must be received in writing by the Auctioneers within three months of the sale. (c) The Auctioneers shall not be liable for consequential or resultant loss or damage whether sustained by a Vendor or a Purchaser or the owner of any item or their respective servants and agents arising in any circumstances whatsoever and irrespective of any claim made by any party as to negligence or lack of care of the Auctioneers or any part acting on their behalf. 4. The Auction (a) The Auctioneer has absolute discretion to divide any lot, to combine any two or more lots or to withdraw any lot or lots from the sale, to refuse bids, regulate bidding or cancel the sale without in any case giving any reason or previous notice. He may bid on behalf of the vendor for all goods which are being offered subject to reserve or at the Auctioneer’s discretion. (b) The highest bidder shall be the buyer except in the case of a dispute. If during the auction the Auctioneer considers that a dispute had arisen. He has absolute discretion to settle it or to re-offer the lot. The Auctioneer may at his sole discretion determine the advance or bidding or refuse a bid. (c) Each lot is put up for sale subject to any reserve price placed by the vendor. Whether or not there is a reserve price the seller has the right to bid either personally or by any one person (who may be the Auctioneer). (d) All conditions, notices, descriptions, statements and other matters in the catalogue and elsewhere concerning any lot are subject to any statements modifying or affecting the same made by the Auctioneer from the rostrum prior to any bid being accepted for the lot. 5. Recession Notwithstanding any other terms of these Conditions, if within 12 months after the sale, the Auctioneers have received from the buyer any notice in writing that in his view the lot is a deliberate forgery and within twenty-one days after such notification the buyer returns the same to the Auctioneers in the same condition as at the time of sale and by producing evidence, the burden of proof to be upon the buyer satisfies the Auctioneers that considered in the light of the entry in the catalogue the lot is a deliberate forgery, then the sale of the lot will be rescinded and the purchase price of the sale refunded. In the event of a dispute then the matter shall be settled by the President of the Institution of Chartered Surveyors in the Republic of Ireland. Both the buyer and the vendor agree to be bound by the decision . 6. Default The Auctioneers disclaim responsibility for default by - either the buyer or the vendor because they act as Agents for the vendor only and therefore do not pay out to the vendor until payment is received from the buyer. Instructions given by telephone are accepted at the sender’s risk and must be confirmed in writing forthwith. 7. In the event of a sale by private treaty both the vendor and the buyer agree to be found by these and any Special Conditions of Sale.
VENDOR’S CONDITIONS 9. Instructions All goods delivered to the Auctioneers’ premises will be deemed to be delivered for sale by auction and will be catalogued and sold at the discretion of the Auctioneer and accepted by them subject to all the Sale Conditions. By delivering the goods to the Auctioneers for inclusion in their auction sales the vendor acknowledges that he or she has accepted and agreed to be bound by all these Conditions. 10. Collection and Deliveries The Auctioneers do not normally undertake the packing, collection or delivery of goods but will if requested use their best endeavors as Agent of the Owner to arrange for an independent contractor on the owner’s behalf to deal with packing, collection and/or delivery. The Auctioneer will not in any event arrange insurance of the goods and will accordingly not be liable for any loss or damage to goods howsoever arising including breakages or for any damage to premises, fixtures or fittings therein caused by such contractor or otherwise and the owner is responsive for all arrangements to verify that any such contractor and the goods is/are appropriately insured. Unless instructions are received to the contrary, charges (including VAT) for such services will be charged to the vendor’s account or discharged through the Auctioneers by the purchaser as the case may be. The Auctioneers’ liability (if any) will rise only where they themselves carry out packing and collection/delivery and only in the case of breakage or loss caused through deliberate negligence of their employees and in any event in one single contract and the Auctioneers’ liability will not exceed £500. Provided further than the Auctioneers will not be liable for consequential loss in any circumstances whatsoever. 11. Loss or Damage and Storage The Auctioneers reserve the right to store or arrange for the storage of goods held by them or delivered to them either on their own premises or elsewhere at their sole discretion and entirely at the owner’s risk. The Auctioneers shall not be liable for any loss (including consequential loss) howsoever caused of damage to goods of any kind including breakages, or for unauthorised removal of goods. Should the owner of goods so wish it will be his/her goods while they are in the possession of the Auctioneers. 12. Right to Re-sell The Auctioneer reserves the right to re-sell any item which has not been collected within thirty days of purchase. 13. 3% commission due to saleroom.com for lots purchased using Live Bidding. 14. P ayment: Cash, bankers draft or cheque. With the exception of American Express, Credit cards are also accepted, subject to a charge 0f 1.5% on the invoice total. Debit and Laser cards are also accepted, at no charge, but are subject to daily limits as determined by your bank. TERMS Purchaser 1. 19½%+ VAT will be added to the hammer price for each lot. 2. All accounts must be discharged by certified cheque, bank draft or cash. 3. The responsibility for items purchased passes to the purchaser on the fall of the hammer. 4. The Auctioneers reserve the right to look for 25% deposit on all goods.
VAT Regulations: All lots are sold within the auctioneers VAT margin scheme. Revenue Regulations require that the buyers’ premium must be invoiced at a rate which is inclusive of VAT. This VAT is not recoverable by any VAT registered buyers.
ART AUCTIONEERS & VALUERS
BID FORM All pre-auctions bids should be registered by 12pm on Auction Day in order to ensure accuracy of submission into our system. Please bid on my behalf for the undermentioned lots up to the prices shown which do not include the buyer’s commission. These bids are to be executed as cheaply as is permitted by other bids or reserve, if any, and subject to the Conditions of Sale printed in this catalogue
PLEASE NOTE that we cannot always guarantee the order of the bidding thus the pictures may be sold in the room for the same amount as your pre-auction bid and we therefore advise you to indicate if you wish to allow us discretion with your bid.
(Note: buyer’s premium 19.5% + VAT). Signed:.............................................................................................................................................................................................. Name (please print):.......................................................................................................................................................................... Address:............................................................................................................................................................................................ ......................................................................................................................................................................................................... Telephone No. (Daytime)...................................................................................................................................................................
Lot No
Description
Limites excl. Comm & VAT
A Armstrong, A. B Ballagh, R. Behan, J. Bourke, B. Bradley, A. Brohan, J. S. Burke, L. Byrne, G. C Caracciolo, N. Coen, J. Collie, C. Collins, P. Conway, E. Cope, E. Craig, J.H. Crone, D. Crozier, W. Cullen, M. Cullen, S. D Davis, G. Dennis, J. Dillon, G. Doherty, J. E Egan, F. Evesson, W.
146
191 184 147 135 168 204, 205 130
178 157 162 183 129 117 182 144 105,107 123 115
192 196 124,164,197 179
131,134,194,195,199,108 176
F Farrell, M.
111
G Geoghegan, T. Gillespie, G.
159 128
K Kelly, J. Kennedy, E. Keown, M. T. Kiely, B. King, C. Klitz, T. L Le Brocquy, L. Lennon, C. Lyndsay, R. M MacCabe, G. MacSweeney, D. Maderson, A. Maguire, C. McCraig, N.J. McLoughlin, C. McSweeney, S. Middleton, C. Minihan, J. Mooney, M. Mulcahy, M. O O’Kelly, A. O’Malley, T. O’Neill, D. O’Neill, L. O’Neill, M. O’Ryan, F. R Rakoczi, B. Robinson, M. Rowan, D. S Schwatschke, J. Scott, W. Shinnors, J. Sleator, J.S. Sluis, P. Sutton, I. T Taggart, E.
H Hanlon, J. Hanrahan, M. Harper, C. Harris, P. Harrison, C. Healy, M. Hone, E.
103 198,198A 163 143 141 153,154 102
W Walsh, R. Webb, K. Wynne Jones, N. Y Yeats, J.B.
207 177 139,150 152,155 106 201 127 110 121 136 208 140 181 116 145 122,148,180 171 206 151 189, 203 126 185 166 119 120, 167 202 109,172 100,101,156,165,169,170,173,174 137 175 125 149 158 160, 161, 193 186,188 187 200 112,113,114,118,138,142 132,133 104
Invitation to Consign… ART AUCTIONEERS & VALUERS
‘THE FERRY’ by Walter Frederick Osborne RHA, 1859-1903 Oil on canvas, 36” x 48” One of the outstanding paintings to be included in our Auction of Irish Art on November 26th Front Cover: Lot 9 THE WISHBONE CHAIR, BY HANS WEGNER Inside Front Cover: Lot 26 A FINE MAHOGANY FRAMED DINING TABLE (detail)
ENTRIES NOW INVITED Please contact John de Vere White or Rory Guthrie for further details
ART AUCTIONEERS & VALUERS
ART AUCTIONEERS & VALUERS
THE ART & DESIGN AUCTION Tuesday, 1st October at 6pm
TUESDAY, 1st OCTOBER, 2013
Lot 109: Basil Ivan R谩k贸czi 1908-1979, THE SUN HORSE
35 Kildare Street, Dublin 2. Tel: 01 676 8300 info@deveres.ie www.deveres.ie
At Thomas Prior Hall, Ballsbridge, Dublin 4