Design Catalogue

ART AUCTIONEERS & VALUERS

Design Auction Tuesday 6th October at 6pm

ART AUCTIONEERS & VALUERS

Auction: Tuesday 6th October, at 6pm On View: de Veres 35 Kildare Street Dublin 2

Friday, 2nd October: Saturday, 3rd: Sunday, 4th:

Monday, 5th: Tuesday, 6th: Contact:

9.30am - 6pm 12pm-5pm 12pm-5pm 9.30am-6pm 9.30am-6pm

01 6768300

COLLECTION: Wednesday 7th and Thursday 8th, 9.30am-5.30pm FEES:

19½% plus VAT (23.985%) de Veres 35 Kildare Street, Dublin 2 01 676 8300 www.deveres.ie Live Bidding available at:

the-saleroom.com www.facebook.com/deveresArtAuctions

ART AUCTIONEERS & VALUERS

Coming soon at de Veres

Mainie Jellet A SALE OF LIMITED EDITION HAND MADE RUGS

BY CEADOGAN RUGS On View at 35 Kildare Street: Thursday 15th – 30th October

Fine Jewellery Auction Wednesday 9th December At 35 Kildare Street

ART AUCTIONEERS & VALUERS

Outstanding Irish Art Tuesday 1st December

Paul Henry 1876-1958 GABLE END COTTAGES, CONNEMARA Oil on canvas, 10 ½” x 12”

Jack Butler Yeats RHA, 1871-1957 MAN IN A TRAIN THINKING Oil on canvas, 18” x 24”

Viewing in Dublin, London and Belfast Currently accepting items

ART AUCTIONEERS & VALUERS

John de Vere White Managing Director john@deveres.ie

Rory Guthrie Director roryguthrie@deveres.ie

Aisling T贸th Associate Director aislingtoth@deveres.ie

Auctioneers: John de Vere White

Rory Guthrie

1 A HARVEY GUZZINI STYLE STANDARD LAMP, ITALIAN, 1970’s, the milk glass globe set in a perspex shade, on chrome support, 170cm high

€400 - 600

2 A BURR WALNUT LOW TABLE, 1970s, ON CHROME RAILED SUPPORTS, 130cm wide x 68cm deep x 38cm high.

€600 - 900

3 A PAIR OF MAPLE AND BRASS TRIMMED BEDSIDE CHESTS, 1970's, with two drawers, each 70cm (w) x 42cm (h) x 45cm (d) (2).

€600 - 900

4 A ROSEWOOD UPRIGHT BUREAU, DANISH, 1960s, the shelved superstructure with drawers, above a pull out slide, the base with three drawers, on tapering legs, 95cm (w) x 130cm (h) x 46cm (d).

â‚Ź1000 - 1500

5 A FINE SET OF SIX ROSEWOOD ‘MODEL 83’ DINING CHAIRS, 1960s, DANISH

BY NIELS OTTO MOLLER, FOR J.L. MOLLER, with railed backs on tapering legs, each bearing makers stamp (6).

Niels Otto Moller designed some of Denmark’s timeless classics. He completed his apprenticeship as a cabinetmaker in 1939 and then continued on to study at the Design Academy in Århus, Denmark. In 1944, he founded J.L. Møllers Møbelfabrik, which is still manufacturing today.

Taking very much from the Danish tradition of ‘Form follows Function’, Moller’s designs require the craftsman to rely on the materials, form and skill of their own hand. As seen with these chairs the rich rosewood accentuates the elegant curves of his designs.

€1500 - 2500

makers stamp

6 A ROSEWOOD SIDEBOARD, 1960s, with central drawers, flanked by cupboard doors. on square chrome legs, 260cm (w) x 46cm (d) x 73.5cm (h).

â‚Ź2500 - 3500

7 A PERSPEX AND CHROME MOUNTED TABLE LAMP, ITALIAN, IN THE STYLE OF HARVEY GUZZINI, 43cm high

€300 - 500

8 A BEDSIDE LAMP, ITALIAN, by LUMI OF MILAN, with adjustable swivel shade, on circular gilt base, bearing label, 40cm high.

€300 - 500

9 A RARE PAIR OF TEAK ‘MODEL 138’ LOUNGE CHAIRS, DANISH, 1961,

by FINN JUHL FOR FRANCE & SONS, on tapering legs, bearing makers labels (2).

While working as an architect Finn Juhl began to design furniture which was first shown at the 1937 Copenhagen Cabinetmakers Guild exhibition and in 1941, The Juhl House marked the very beginning of open plan living, with garden views from every room. The organic furniture was designed to be comfortable, using the best materials.

In the 1950s he began to export his furniture, particularly to the USA. This was the first time that Danish design was seen internationally and so it is Finn Juhl’s designs that people most associate with the Danish aesthetic.

The Model 138, which highlights Juhls signature ‘floating’ seat and backrest was designed in 1961 and manufactured in Denmark by France & Sons. Founded in 1950 by a British businessman Charles France and his Danish partner Inger Daverkosen, France and Son was the first Danish design company to have its own factory. They made furniture of the highest calibre and Charles France, the company’s founder, refused to join the Association for Quality in Denmark after its creation, saying that their standards would never match those of his factory. The company came to epitomise the Danish modern aesthetic, working with the major designers of the day including Arne Vodder, Grete Jalk, Peter Hvidt and Finn Juhl.

€2000 - 3000

10 A FINE ROSEWOOD SIDE CABINET, DANISH, 1960’s with three sliding doors revealing a fitted interior, comprising a central cocktail cabinet, with illuminated mirror interior containing three drawers, flanked by a pair of shelved cupboards, raised on forked legs, 190cm (w) x 118cm (h) x 43.5cm (d).

€2000 - 3000

11 A GILT AND CHROME COFFEE TABLE, FRENCH, 1970s, with a smoked glass rectangular top, 95cm (w) x 75cm (l).

€400 - 600

12 A PAIR OF CYLINDRICAL TABLE UPLIGHTERS, 1970s, with slatted bodies and an amber adjustable shade, each 27.5cm high.

€200 - 300

13 A DANISH THREE PIECE SUITE, 1960s, with railed backs, shaped arms and tapering supports, comprising: a pair of armchairs, each 69cm (w) x 70cm (d) x 69cm (h) a three seat settee, 180cm (w) x 70cm (d) x 69cm (h).

â‚Ź1500 - 2500

14 A BRASS FRAMED WALL MIRROR, 1970s, 88.5 x 60.5cm

€200 - 400

15 A GILT TWO TIER LOW TABLE, FRENCH, 1970s, IN THE STYLE OF WILLY RIZZO, with smoked glass, on angular supports, 120cm (w) x 60cm (d) x 40cm (h).

€400 - 600

16 A ROSEWOOD TWO TIER TROLLEY, DANISH 1960’s, on angular tapering supports, 76cm (w) x 48cm (d) x 56cm (h).

€300 - 500

17 A BURR WALNUT SQUARE COFFEE TABLE, FRENCH, 1970’s on blocked supports, 110cm square.

€600 - 900

18 A ROSEWOOD DRESSING TABLE, DANISH, 1960’s, the lipped top above one deep and one short drawer, with shaped handles, on tapering legs, 100cm (w) x 39cm (d) x 122cm (h), incl mirror.

€600 - 900

19 A ROSEWOOD CORNER CABINET, DANISH, 1960s, the top section with double doors revealing a mirrored fitted interior with shelves, the bottom section with four drawers with shaped handles, on tapering legs, 89cm (w) x 135cm (h) x 56cm (d).

â‚Ź400 - 600

20 A PAIR OF CHROME UPRIGHT SHELVES, FRENCH, 1970s, of waisted form, each with 5 shaped glass shelves, each 91cm (w) x 175cm (h) x 31.5cm (d).

€800 - 1200

21 A PAIR OF UPHOLSTERED PROGETTI OPEN ARMCHAIRS, ITALIAN, BY GIORGETTI, with rounded.arms, on tapering outsplayed legs (2).

Giorgetti was established in 1898 in the heart of Brianza, just outside Milan. With its extremely elegant line, The Progetti collection is a series of armchairs and sofas born from the idea of Carlo Giorgetti, who took the cue from an elegant handle of an antique walking stick, to give life to the particular armrest that distinguishes it.

€800 - 1200

22 A PAIR OF CHERRYWOOD UPHOLSTERED ARMCHAIRS, ITALIAN,1950’s, in the manner of Paulo Buffa.

€800 - 1200

23 A SUPERB ROSEWOOD CIRCULAR CENTRE TABLE, ITALIAN, 1960’s, the top raised on a tapering column support and polished bronze mounted quadripartite base, 116cm diameter.

€1500 - 2500

24 A SET OF SIX BENTWOOD CHAIRS, 1960s, with bentwood curved backs, on tapering legs.

â‚Ź800 - 1200

25 Vivienne Roche, Contemporary SAILBOAT Steel, 100cm (h) x 84cm (w).

â‚Ź600 - 1000

26 THE COSTES CHAIR BY PHILIPPE STARCK, FOR DRIADE ALEPH, A SET OF SIX, with bent ply backs, on leather seats and tubular legs, signed (6).

Philippe Starck’s breakthrough came in 1982 when then President Francois Mitterrand asked him to redesign the private apartments of the Elysée Palace (the French president’s official private residence). He followed it two years later with the interior design of the trendy Café Costes in Paris. Located on rue St-Honoré, Café Costes was the place in Paris at this time.

The unique Costes Chair is one of Starck’s most recognized classics.

The practical reason behind the three-legged construction of the Costes Chair was to ease waiter’s movement while working in the café. The padded cushion creates comfortable seating, while the curved backrest and tripod base create the artistic visual profile of the chair and its fashionable appeal.

€1500 - 2500

Cafe Costes, Paris

27 A PAIR OF COSTES PRATFALL CHAIRS, BY PHILLIPE STARCK, FOR DRIADE ALEPH, in black, the bent ply backs on tubular legs, one bearing makers label (2).

€1000 - 1500

28 A ROSEWOOD DESK, DANISH, the rectangular top above two pedestals each with three drawers to one side and a central shelf to the other, on tapering legs, 130cm (w) x 70cm (d) x 71cm (h).

€600 - 900

29 A PAIR OF LEATHER AND ROSEWOOD FRAMED ARMCHAIRS, ITALIAN, 1960s, in the manner of Cinova (2).

€1200 - 1800

30 A ROSEWOOD SIDE CABINET, DANISH, 1960s, with two sliding cupboard doors, on chrome supports, 114.5cm wide x 43cm deep x 85cm high.

€600 - 900

31 A ROSEWOOD SQUARE LOW TABLE, ITALIAN, 1960s, by CASSINA, MILAN, on square supports, bearing label, 76cm square x 38cm (h).

€400 - 600

32 A 1960s EXECUTIVE LAMP, CONTINENTAL, the adjustable head with a chrome tubular support, on a circular swivel base, 46cm high.

€300 - 500

33 A MURANO STYLE GLASS TABLE LAMP, ITALIAN, of ovoid form, 40cm (w) x 20cm (h).

€200 - 300

34 A RARE LEATHER ELEPHANT FOOTSTOOL,

by Dimitri Omersa, c. 1960 50cm (h) x 55cm (w).

€700 - 1000

35 A GILT BRASS TABLE LAMP, ITALIAN, 1970s, with adjustable shade for reading, 100cm high.

€300 - 500

36 THE EMENTHAL TABLE,

BY PATRICK O’REILLY, carved ash, unique, 153cm x 109cm x 46cm, signed.

€1500 - 2000

37 THE PLUMB-BOB TABLE, BY PATRICK O’REILLY, ash and steel, unique, 196.5 (w) x 93.5cm (h) x 42.6cm (d).

€3000 - 5000

38 THE FOREST TABLE, BY PATRICK O’REILLY, mixed media and bronze, unique, 170cm (w) x 93cm (h) x 46cm (d).

€1500 - 2500

39 A BRONZE SIDE TABLE,

BY Patrick O’Reilly the central columns in the form of stacked bags, 30cm (w) x 30cm (d) x 54cm (h), signed and dated.

€1500 - 2000

40 A BRONZE SIDE TABLE,

BY Patrick O’Reilly the central columns in the form of stacked bags, 30cm (w) x 30cm (d) x 54cm (h), signed and dated.

€1500 - 2000

41 THE PUPPY STOOL,

BY EERO AARNIO FOR MAGIS (stamped), 80cm (h) x 100 cm (w).

€300 - 500

42 Patrick Scott HRHA, 1921-2014 DEVICE Aubusson Tapestry, by Tabard Freres et Soeurs, no.1858, 152cm (h) x 123cm (w), signed and inscribed label verso.

Pat Scott was a largely self-taught artist. He studied architecture and worked in the architectural practice of Michael Scott for fifteen years.

Dorothy Walker noted in 1981 ‘…there is no doubt that his painting has a deeply architectural base; as a painter he has an architectural turn of mind, reflected in the structure and constructivist themes of his work, and in its intellectual discipline and order’.

Device is a series of works in which the artist registered his dismay at the testing of H-bombs by painting abstract ‘explosions’ of diffused and dripped colour to symbolise the terrifying beauty of such destruction.

See Dictionary of Living Artists by Robert O’Byrne

€8000 - 12000

43 Patrick Scott HRHA, 1921-2014 UNTITLED Carborundum print with gold leaf (98 x 49cm), signed and dated 2006, ed. 31/75.

â‚Ź2000 - 3000

44 Michael Farrell 1924-2000 SANDYCOVE SERIES Acrylic on canvas, 24” x 48” (61 x 122cm), signed, inscribed and dated Dublin 1969 verso.

Returning to Ireland in 1967 from a teaching sojurn in New York, Michael and his young family initially rented a large and decrepit house in Killiney which proved unsuitable for either living or painting. Bouyed by considerable commercial success both as an artist and backdrop scene painter for a number of movies then being shot in Ireland he went on to acquire No 3, Bayswater Terrace, Sandycove which would inspire the eponymous series beginning in 1968.

As identified by Gerry Walker, Farrell took ‘the sun’s rays playing on the tips of waves and the seagulls as they swept in from the sea to alight on the beach’ as the compositional point of reference for Celtic motifs updated and manifest in a hard edged late 20th century style.

The receding, elongated triangles (described as resembling a ‘skein of geece‘ by Marianne Hartigan in Farrell’s obituary, The Sunday Tribune, 18th June 2000) that distinguish much of this series looked beyond Ireland to the Pop Art movement in America and more specifically the work of Frank Stella.

The Sandycove Series proved to be shortlived, overtaken by the Troubles in Northern Ireland and sending his art into the more politically accented Pressé Series.

€2000 - 3000

45 Jean Lurcat 1892-1966 COQ PAILLE Aubusson Tapestry by Tabard Frere et Soeurs, 60”x 52” (152cm x 132xm), signed; inscribed label verso.

Jean Lurcat, one of France’s finest exponents of tapestry design and was a major influence on Louis Le Brocquy’s introduction to this medium. Le Brocquy, writing for Ark Magazine Royal College of Art, London 1956 stated: “Lurcat’s method of designing, already widely practised in France, has given new life to French tapestry, now more joyous and frank, more durable and economic than at any time since the end of the 16th century, when resistance to Renaissance idiom finally collapsed. His reconstituted technique imposes no particular style on the designer, as may be seen by comparing the quantity of stylistically varied work recently produced at Aubusson. It is essentially a return to medieval ways.

In one form or another it represents the only practical and economic way of producing ‘a very large work of woven and coloured wools’: a tapestry. For any designer who has made a cartoon by this direct method of Lurcat and by the indirect, copy-a-painting method of, shall we say, Boucher, there can be no remaining doubt in eye or in mind as to the superiority of the former when comparing the two resultant tapestries. Only those can remain obdurate who insist on the virtue of cleverly and laboriously translating paint scumbles into weft”.

Louis Le Brocquy, Ark Magazine, Royal College of Art, London 1956 €3000 - 5000

46 Nevill Johnson 1911-1989 MYCYCLE Hand printed Irish Linen, 45”x 50” (114cm x 127cm), signed and inscribed Mycylce by Nevill Johnson, handprinted Irish Linen made in Northern Ireland, John Mcguire of Dublin, Ireland.

€600 - 900

47 Louis le Brocquy HRHA 1916-2012 OCHAIN CONCHOBOR’S SHIELD – THE EAR OF BEAUTY (PURPLE) Lithographic brush drawing from the Tain, ed. 15/70, 15” x 11” (38 x 53.2cm), signed and dated 1969.

€500 - 700

48 Louis le Brocquy HRHA 1916-2012 CELTCHAR’S COMLA CATHA – THE DOOR OF BATTLE (BROWN) Lithographic brush drawing from the Tain, ed. 24/70, 15” x 11” (38 x 53.2cm), signed and dated 1969.

49 Louis le Brocquy HRHA 1916-2012 SENCHA’S RESONANT SHIELD – SCIATARGLAN (YELLOW) Lithographic brush drawing from the Tain, ed. 15/70, 15” x 11” (38 x 53.2cm), signed and dated 1969.

€500 - 700

€500 - 700

50 Japanese School, 1970s MOVEMENT Acrylic on canvas, triptych, each canvas 60” x 40” (152cm x 102cm), signed and dated 1974.

€1000 - 2000

51 Dick Joynt, 20th Century A CARVED STONE PIECE, DEPICTING A MAN AND WOMAN EMBRACING, 50cm high.

52 Contemporary School HEAD Carved stone, 51cm high, signed.

€300 - 500

53 Selma McCormack, Contemporary BRONZE, “SEATED FEMALE”

€800 - 1200

€300 - 500

54 Leo Byrne, Contemporary RINGLEADERS, EAST WALL, 2014 Photograph, 50 x 70cm, signed, ed. 1/10.

€500 - 700

Leo Byrne is a Dublin based photographer who in 2014 won the Curtin O’Donoghue Emerging Photography Award at The RHA Annual Exhibition. Other achievements include the Kinsale Shark Silver Award and the ICAD Advertising silver award.

55 Leo Byrne, Contemporary LOVE LETTERS Photograph, 42 x 59cm, signed, ed. 1/10. â‚Ź500 - 700

56 Rachel Ballagh, Contemporary UNTITLED Photograph on mdf, 91cm diameter.

€150 - 250

57 A HAND TURNED ASH GLOBULAR VASE, BY LIAM FLYNN, CONTEMPORARY, signed and dated 1996, 19cm (h) x 27cm (d).

58 A HAND TURNED ASH GLOBULAR VASE, BY LIAM FLYNN, CONTEMPORARY, signed, 21cm (h) x 22cm (d).

€300 - 500

€300 - 500

59 AN ART DECO CUT CRYSTAL VASE, by VAL SAINT LAMBERT, c 1930, of triform shape, signed, 28cm high.

€400 - 600

60 A CUT GLASS FLARED VASE, FRENCH, with lobed decoration, signed Art Vannes - France, 33.5cm high.

€100 - 200

61 A DANISH ROSEWOOD VASE, by Jens Quistgaard of hexagonal form, 50cm (h).

€600 - 900

62 Hans Stangle, Continental, 20th Century FORM I Bronze, 40.5cm high.

63 Hans Stangle, Continental, 20th Century FORM II Bronze, 40.5cm high.

€400 - 600

€400 - 600

64 A SET OF TEN UPHOLSTERED DINING CHAIRS BY KAI KRISTIANSEN FOR KORUP STOLEFABRIK, c.1960, bearing stamp.

€1000 - 1500

65 A ROSEWOOD EXTENDING DINING TABLE, DANISH, 1960’s, the rounded ends on square tapering legs, 115cm diameter, extending to 170cm and fully to 215cm long.

€1400 - 1800

66 A PAIR OF ROSEWOOD UPRIGHT BOOKCASES, DANISH, each with shelves and cupboard doors, on a plinth base. One with let-down front revealing a fitted stationery compartment; the other with sliding doors revealing shelves, each 87cm (w) x 170cm (h) x 42cm (d).

â‚Ź800 - 1200

67 A SET OF FOUR TUB CHAIRS, FRENCH, 1970s BY PIERRE PAULIN, upholstered in leather. (4)

€600 - 900

68 A ROSEWOOD RECTANGULAR DINING TABLE, 1970s, on chrome angular supports, 200cm x 100cm.

€800 - 1200

69 A ROSEWOOD CABINET, DANISH, 1960s, with a single lockable drawer above a deep drawer, on angular chrome supports, 55cm (w) x 55cm (d) x 59cm (h).

€400 - 600

70 A 1960s DESK LAMP, with adjustable head, on a brass tubular support, circular base, 37cm high.

€200 - 400

71 A DANISH BUREAU, c.1970, the fitted superstructure above three drawers with shaped handles, raised on tapering legs, 90cm (w) x 113cm (h) x 46cm (d).

â‚Ź400 - 600

72 A LEATHER LIBRARY CHAIR, IN THE STYLE OF INGMAR RELLING, NORWAY, on a flat bentwood frame.

€300 - 500

73 A LEATHER UPHOLSTERED ‘EURO CHAIR’ SUITE, 1970s comprising a pair of armchairs and three single chairs forming a settee, on chrome legs, bearing labels (5).

€600 - 900

74 A TEAK PENDANT LIGHT, DANISH, 1960s, with perspex globular shades.

€200 - 400

75 A ROSEWOOD SIDEBOARD, 1960s, with four cupboard doors revealing a fitted interior, on square tapering legs, 232cm (w) x 45cm (d) x 88cm (h).

€2500 - 3500

76 A CHROME HANGING CENTRE LIGHT, ITALIAN, 1960s, with globular stepped shades.

€200 - 300

77 THE MIMI CABINET, BY KNOWLES & CHRISTOU OF LONDON, CONTEMPORARY, in oak and glass, with twin panelled doors revealing a shelved interior, on shaped legs, 72cm (w) x 45cm (d) x 124cm (h).

€1500 - 2000

78 THE MIMI MIRROR, BY KNOWLES & CHRISTOU OF LONDON, CONTEMPORARY, the 15 sided bevelled edge in a walnut frame, 120cm diameter.

€1200 - 1600

79 AN OVAL CUT GLASS LOW TABLE with winding stepped column support, on a circular base, 118cm (w) x 65cm (d) x 40cm (h).

€300 - 500

80 A CUT GLASS CIRCULAR OCCASIONAL TABLE, EN SUITE, with winding stepped column support, on a circular base, 60cm (diameter) x 50cm (h).

€300 - 500

81 A SET OF 6 UPHOLSTERED DINING CHAIRS, ITALIAN, 1970s, by Saporiti Italia, on chrome tubular supports.

€600 - 900

82 A ROSEWOOD TWO TIER DRINKS TROLLEY, ITALIAN, 1960’s, on angular supports, 80cm (w) x 48cm (d).

€400 - 600

83 THE JUNIOR LAMP, BY LOUIS KALFF, FOR PHILLIPS OF EINDHOVEN, c.1956, in black and anodized grey, brass and metal, bearing Phillips label, 40cm (h).

€400 - 600

84 A ROSEWOOD TWO TIER LOW TABLE, DANISH, 1960s, on castors, 75cm square.

€300 - 500

The following 15 carpets/rugs are as new, having been kept in storage since purchase.

85 A CONTEMPORARY MULTI PATTERNED HAND TUFTED RUG, 232cm x 162cm.

â‚Ź200 - 400

86 A LIBERTY COLLECTION YELLOW BLOOM HAND TUFTED RUG, 203cm x 297cm.

€800 - 1200

RRP €4350

87 A LIBERTY COLLECTION DECO RUG, with floral pattern, hand spun wool, 247cm x 171cm.

€400 - 600

RRP €2000

88 A HAND TUFTED LAKESIDE COLLECTION RUG, in blue/grey tone, 221cm x 168cm.

€300 - 500

RRP €2000

89 A HAND TUFTED LAKESIDE COLLECTION RUG, in orange/grey tone, 221cm x 168cm.

€300 - 500

RRP €2000

90 THE CAMILLA RUG, BY CALVIN KLEIN, 100% wool, in black (bearing label), 226cm x 168cm.

€300 - 500

91 A LUMINANCE HAND TUFTED RUG, with lunar pattern, 230cm x 160cm.

€400 - 600

92 A LIBERTY COLLECTION RUG, IN FLORAL CHOCOLATE PATTERN, hand spun wool, 310cm x 204cm.

€800 - 1200

RRP €4350

93 A HAND TUFTED PATCHWORK RED RUG, 305cm x 305cm.

€800 - 1200

RRP €4000

94 A HAND TUFTED CONTEMPORARY FLOOR RUG, with striped pattern, 175cm x 125cm.

95 A CONTEMPORARY MULTI PATTERNED HAND TUFTED RUG, 232cm x 162cm.

€200 - 400

€200 - 400

96 A GOOCH AMBER HAND TUFTED RUG, 170cm x 240cm.

€150 - 250

97 AN URBAN SAFARI HAND TUFTED RUG, 230cm x 170cm.

€300 - 500

RRP €1500

98 A GABBEH 100% WOOL FLOOR RUNNER, with striped pattern, 240cm x 82cm.

€200 - 400

99 A GOOCH BARLETTA HAND TUFTED RUG, 240cm x 172cm.

€150 - 250

100 A GILT METAL STANDARD LAMP, ITALIAN, 1970s, with moulded glass shade, on a circular base, 160cm high. €300 - 500

101 A PAIR OF CRYSTAL BOOKENDS, FRENCH,

BY DAUM, FRANCE, of shaped triangular form, each 13cm high, signed.

102 A CUTGLASS CENTREPIECE, FRENCH, with handle, signed Art Vannes - France. €100 - 200

€200 - 300

103 A FLARED GLASS VASE, FRENCH, with tapering body, signed Art Vannes - France, 34cm high. €100 - 200

104 A MOULDED GLASS CENTREPIECE, FRENCH, of lobed form, 62.5cm (w).

105 A SHAPED GLASS CENTREPIECE, FRENCH, 55cm (w).

€100 - 200

€100 - 150

106 A SHAPED PINK GLASS CENTREPIECE, ITALIAN, 58cm (w) x 24,5cm (h). €100 - 200

108 Irish School, Contemporary ANGLE Marble, 72 x 59cm. €300 - 500

107 A BRASS TWIN ARM LAMP, ITALIAN, 1960s. €600 - 1000

109 Tom Fitzgerald, Contemporary FIGURE Marble, 13½” high, signed & dated 1984. €200 - 400

110 A PAIR OF GLASS CANDLE HOLDERS, FRENCH, of circular lobed form. €100 - 150

111 A CUT CRYSTAL SALT AND PEPPER

by Daum, signed (sold with original box). €100 - 200

112 A RECTANGULAR WALL MIRROR, OF TABLET FORM, with inset centre, 150cm x 80cm. €300 - 500

113 CHATEAU PETRUS, 1994, POMEROL, one bottle. €300 - 500

114 A DANISH TEAK MOBILE BAR, 1960s, on castors, opening to reveal a shelved interior. €300 - 500

115 Patrick O’Reilly RED LINE Oil on canvas, 150 x 100cm. €1000 - 2000

116 Patrick O’Reilly RED LINE (2007) Oil on canvas, 91 x 91cm, signed, inscribed and dated 2007 verso. €800 - 1200

117 Felim Egan b.1952 NORTHLING Acrylic/mixed media on canvas, 160cm x 140cm, signed and dated 1997 verso.

Provenance: Kerlin Gallery, Dublin (label verso). â‚Ź4000 - 6000

118 John Shinnors b.1950 INTERIOR, WORKMANS CLUB, LIMERICK Oil on paper, 12” x 12” (30.5 x 30.5cm), signed.

Acquired directly from the Artist by the present owner. €2000 - 3000

119 John Shinnors b.1950 INTERIOR, WORKMANS CLUB, LIMERICK Oil on paper, 12½” x 16” (32 x 40.5cm), signed.

Acquired directly from the Artist by the present owner. €2000 - 3000

120 Cormac O’Leary NORTH SLIGO II Oil on paper, 16”x 20” (41cm x 51cm) signed, inscribed verso. €400 - 600

121 Cormac O’Leary NORTH SLIGO III Oil on paper, 16”x 20” (41cm x 51cm) signed, inscribed verso. €400 - 600

122 Selma McCormack, Contemporary ABSTRACT LANDSCAPE Oil on paper, 19½” x 23½” (49.5cm x 59.5cm), signed. €600 - 900

123 Selma McCormack, Contemporary BLUE ABSTRACT Oil on paper, 10” x 12” (25.5cm x 30.5cm) signed. €300 - 500

124 William McKeown, Contemporary SEA DRAWING NO. 1, SEA DRAWING NO. II , SEA DRAWING NO. III Watercolour, (42 x 38.5cm), signed, inscribed & dated 1999 verso.

Provenance: Fenderesky Gallery, Belfast. €800 - 1200

125 Bernadette Kiely FLOOD Oil on canvas, 16” x 20” (41 x 51cm), signed and inscribed verso.

126 Dorothy Cross, Contemporary RUGBY BALL Cibachrome print, 20” x 16”, signed and inscribed verso.

€600 - 900

€100 - 200 Rugby Ball is part of a series of works featuring cow hides and udders by Irish artist Dorothy Cross. Exploring notions of history and philosophy, and the complicated interaction between genders, this edition was created to coincide with her 2005 major retrospective at IMMA.

127 Mairead O’Neill-Laher, Contemporary CLIFFTOP, BALLYBUNION Oil on canvas, 35½” x 35½” (90 x 90cm), signed, inscribed and dated 2002 verso. €600 - 900

128 Mairead O’Neill-Laher, Contemporary BULWARK, ANTIBES Oil on canvas, 24” x 24” (61 x 61cm), signed, inscribed and dated 2014 verso.

129 Mairead O’Neill-Laher, Contemporary SUBMERGED, BATTERED ROCKS, ANTIBES Oil on canvas, 24” x 24” (61 x 61cm), signed, inscribed and dated 2014 verso.

€400 - 600

€400 - 600

130 Cecily Brennan, Contemporary FLOWER COVERED ARCHWAY Oil on canvas, 77¼” x 59½” (196 x 150cm), signed and dated 1984 verso.

Provenance: Taylor Galleries, Dublin (label verso). €1000 - 1500

131 Martin Mooney b.1960 HEAD AND MUSICAL INSTRUMENTS Oil on canvas, 57” x 44” (145 x 112.5cm), signed and dated 1989 verso.

Provenance: The Solomon Gallery (label verso). €2000 - 3000

132 John Noel Smith b.1952 MAD HEADS AND NOBLEMEN (1988) Oil on canvas, 24 pieces, 80⅔” x 204¾” (205 x 520cm). €5000 - 7000

133 T. Carroll THE BLUE POT Oil on canvas, 39”x 29½” (99cm x 75cm) signed. €400 - 600

134 Patrick O’Reilly b. 1957 CIRCUS HORSE Bronze, 20½” high x 44” wide (52cm high x 112cm wide), signed and dated 2002, bearing foundry stamp deGour. Unique. €2000 - 3000

135 Felim Egan b. 1952 UNTITLED Carborundum, 30” x 34” (76 x 86.5cm), signed and inscribed PP 1/2.

136 Tony O’Malley HRHA 1913-2003 ISLA DE CRACIOSA Carborundum print 25/50. 21” x 24” (53.5cm x 61cm).

Published Graphic Studio 1992.

€300 - 500

€400 - 600

137 Tony O’Malley HRHA 1913-2003 TINAJO Carborundum print 21”x 24” (53.5cm x 61cm) 43/50. €300 - 500

138 Cheung Eun Mo, 20th Century ABSTRACT Oil on canvas, 100 x 82cm, signed. €200-400

139 Micheal Farrell 1940-2000 MAN IN A GLASS Etching, 24" x 23" (61 x 58.5cm) (Image size), signed inscribed and dated '86. Ea X/X. €500 - 700

140 Micheal Farrell 1940-2000 MAN IN A GLASS Etching, 23" x 23" (58.5 x 58.5cm) (Image size), signed inscribed and dated 80. Ea X/III. €500 - 700

141 Louis le Brocquy HRHA 1916-2012 EIGHT IRISH PORTRAITS IN WORDS AND WATERCOLOUR, 1990 Lithographic prints, presented in a black linen folding case with matching slipcase, each 21 x 25cm, signed and numbered, ed. 99/1000. €400-600

Standard Conditions of Business 1. Definitions In these Conditions, de Veres Art Auctions, who act as auctioneers and agents for the vendor, are called ‘the auctioneers’ (which expression shall be deemed to include their servants and agents) and the representative of de Veres conducting the auction is called ‘The Auctioneer’.

2. Third Party Liability Every person at or on the ‘Auctioneers’ premises or at any premises being used by the Auctioneer at any time shall be deemed to be there entirely at his/her own risk and shall have no claim whatsoever against the Auctioneers or their servants or agents in respect of any accident or incident which may occur nor any injury, damage or loss howsoever arising and whether or not same is the subject of any allegation of negligence.

3. General Whilst the Auctioneers make every effort to ensure the accuracy of their catalogue and the description of any lot: (a) Each lot as set out in the catalogue or as divided or combined with any other lots or lots is sold by the vendor with all faults, imperfections and errors of description. (b) Any claim under any Statute must be received in writing by the Auctioneers within three months of the sale. (c) The Auctioneers shall not be liable for consequential or resultant loss or damage whether sustained by a Vendor or a Purchaser or the owner of any item or their respective servants and agents arising in any circumstances whatsoever and irrespective of any claim made by any party as to negligence or lack of care of the Auctioneers or any part acting on their behalf.

4. The Auction (a) The Auctioneer has absolute discretion to divide any lot, to combine any two or more lots or to withdraw any lot or lots from the sale, to refuse bids, regulate bidding or cancel the sale without in any case giving any reason or previous notice. He may bid on behalf of the vendor for all goods which are being offered subject to reserve or at the Auctioneer’s discretion. (b) The highest bidder shall be the buyer except in the case of a dispute.

If during the auction the Auctioneer considers that a dispute had arisen. He has absolute discretion to settle it or to re-offer the lot. The Auctioneer may at his sole discretion determine the advance or bidding or refuse a bid. (c) Each lot is put up for sale subject to any reserve price placed by the vendor. Whether or not there is a reserve price the seller has the right to bid either personally or by any one person (who may be the Auctioneer). (d) All conditions, notices, descriptions, statements and other matters in the catalogue and elsewhere concerning any lot are subject to any statements modifying or affecting the same made by the Auctioneer from the rostrum prior to any bid being accepted for the lot.

5. Recession Notwithstanding any other terms of these Conditions, if within 12 months after the sale, the Auctioneers have received from the buyer any notice in writing that in his view the lot is a deliberate forgery and within twenty-one days after such notification the buyer returns the same to the Auctioneers in the same condition as at the time of sale and by producing evidence, the burden of proof to be upon the buyer satisfies the Auctioneers that considered in the light of the entry in the catalogue the lot is a deliberate forgery, then the sale of the lot will be rescinded and the purchase price of the sale refunded. In the event of a dispute then the matter shall be settled by the President of the Institution of Chartered Surveyors in the Republic of Ireland.

Both the buyer and the vendor agree to be bound by the decision .

6. Default The Auctioneers disclaim responsibility for default by - either the buyer or the vendor because they act as Agents for the vendor only and therefore do not pay out to the vendor until payment is received from the buyer. Instructions given by telephone are accepted at the sender’s risk and must be confirmed in writing forthwith.

7. In the event of a sale by private treaty both the vendor and the buyer agree to be found by these and any Special Conditions of Sale.

8. Retention of Title All goods remain the property of the vendor until paid for in full. The Auctioneers will not assume liability to discharge nett proceeds arising from the sale of goods until those goods have been paid for in full.

VENDOR’S CONDITIONS 9. Instructions All goods delivered to the Auctioneers’ premises will be deemed to be delivered for sale by auction and will be catalogued and sold at the discretion of the Auctioneer and accepted by them subject to all the Sale Conditions. By delivering the goods to the Auctioneers for inclusion in their auction sales the vendor acknowledges that he or she has accepted and agreed to be bound by all these Conditions.

10. Collection and Deliveries The Auctioneers do not normally undertake the packing, collection or delivery of goods but will if requested use their best endeavors as Agent of the Owner to arrange for an independent contractor on the owner’s behalf to deal with packing, collection and/or delivery. The Auctioneer will not in any event arrange insurance of the goods and will accordingly not be liable for any loss or damage to goods howsoever arising including breakages or for any damage to premises, fixtures or fittings therein caused by such contractor or otherwise and the owner is responsive for all arrangements to verify that any such contractor and the goods is/are appropriately insured.

Unless instructions are received to the contrary, charges (including VAT) for such services will be charged to the vendor’s account or discharged through the Auctioneers by the purchaser as the case may be. The Auctioneers’ liability (if any) will rise only where they themselves carry out packing and collection/delivery and only in the case of breakage or loss caused through deliberate negligence of their employees and in any event in one single contract and the Auctioneers’ liability will not exceed £500. Provided further than the Auctioneers will not be liable for consequential loss in any circumstances whatsoever.

11. Loss or Damage and Storage The Auctioneers reserve the right to store or arrange for the storage of goods held by them or delivered to them either on their own premises or elsewhere at their sole discretion and entirely at the owner’s risk. The Auctioneers shall not be liable for any loss (including consequential loss) howsoever caused of damage to goods of any kind including breakages, or for unauthorised removal of goods.

Should the owner of goods so wish it will be his/her goods while they are in the possession of the Auctioneers.

12. Right to Re-sell The Auctioneer reserves the right to re-sell any item which has not been collected within thirty days of purchase.

13. 3% commission due to saleroom.com for lots purchased using Live Bidding.

14.

Payment: Cash, bankers draft or cheque. With the exception of American Express, Credit cards are also accepted, subject to a charge 0f 1.5% on the invoice total. Debit and Laser cards are also accepted, at no charge, but are subject to daily limits as determined by your bank.

TERMS Purchaser 1. 19½%+ VAT will be added to the hammer price for each lot.

2. All accounts must be discharged by certified cheque, bank draft or cash.

3. The responsibility for items purchased passes to the purchaser on the fall of the hammer.

4. The Auctioneers reserve the right to look for 25% deposit on all goods.

VAT Regulations: All lots are sold within the auctioneers VAT margin scheme. Revenue Regulations require that the buyers’ premium must be invoiced at a rate which is inclusive of VAT. This VAT is not recoverable by any VAT registered buyers.

35 Kildare Street, Dublin 2. Tel: 01 676 8300 info@deveres.ie www.deveres.ie