LibBib12_2008

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Deveron Arts: Socially Engaged Arts' Library Bibliography Agamben, Giorgio, The Coming Community. (Minneapolis: University of Minnesota Press, 1993). Anderson, Benedict, Imagined Communities: Reflections on the Origin and Spread of Nationalism. Rev. and extended ed. edn (London, New York: Verso, 2006). Armitage, Simon, The Twilight Readings. (Barnsley, GB: Yorkshire Sculpture Park, 2008). Barker, Emma, Contemporary Cultures of Display. (New Haven: Yale University Press, 1999). Billing, Johanna, Taking the Matter Into Common Hands: On Contemporary Art and Collaborative Practices. (London UK: Black Dog Publishing, 2007). Binns, Polly, Surfacing. Monograph. hrsg. Bury, St Edmunds Art Gallery. (Bury St. Edmunds: Bury St Edmunds Art Gallery, 2003). Bishop, Claire, Installation Art: A Critical History. (New York: Routledge, 2005). ­­­, Participation. (London ;Cambridge Mass.: Whitechapel ;;MIT Press, 2006). Bloom, Brett, und Bonnie Fortune, “Refuse, Refuse.” (zugegriffen Oktober 10, 2008,). Blyth, David, “Northern Krypt. David Blyth 2000­2002.”. Borda, Sylvia, EK Modernism: Celebrating Scotland's First New Town. (East Kilbride Scotland: East Kilbride Arts Centre, 2006). Bourdieu, Pierre, The Field of Cultural Production: Essays on Art and Literature. Repr. edn (Cambridge: Polity Press, 1993). Bourriaud, Nicolas, Postproduction ­ Culture as Screenplay: How Art Reprograms the World. Repr. with new preface. edn (New York [u.a.]: Lukas & Sternberg, 2005). ­­­, Relational Aesthetics. ([Dijon]: Les Presses du reel, 2002). ́ Bradley, Fiona, Scotland and Venice. 2003.2005.2007. (Glasgow: Scottish Arts Council, 2007). Brown, Juanita, und World Cafe Community., ́ The World Cafe: A Resource Guide for Hosting ́ Conversations that Matter. 1st ed. edn (Mill Valley CA: Whole Systems Associates, 2002). Brummelen, Lonnie van, und Siebren de Haan, “Monument of Sugar. How to Use Artistic Means to Elude Trade Barriers.”. Burnett, Charles J., Claudia Zeiske, und Duff House, Hrsg., “The Blue Chamber. 2000.”. Chunshan, Wang, Hrsg., Yu Gao. 600 edn (Beijing: Three Quarters Art Gallery, 2007). Colonel, Avoir L'Air. hrsg. Line Rosenvinge und Marita Muukkonen, 900 edn (Helsinki: NIFCA, 2002). Coulson, Sarah, Hrsg., “Brass Art: Skyscraping.”. “Creativity and Practice Research Papers,”. Dalziel, Matthew, Louise Scullion, und The Fruitmarket Gallery, Dalziel + Scullion: Home. (Edinburgh: Fruitmarket Gallery, 2001). Davidson, Peter, The Idea of North. (London: Reaktion Books Ltd , 2005). Debbaut, Jan, Monique Verhulst, und Pieternel Vermoortel, Hrsg., Out of the Studio! ­ A


Symposium on Art in Public Space. (Limburg, Belgium: Z33 Art Centre Hasselt and the Province of Limburg, 2008). Derrida, Jacques, Of Hospitality. (Stanford California: Stanford University Press, 2000). Donachie, Jaqueline, und Darren G. Monckton, Tomorrow Belongs to Me. (Glasgow: University of Glasgow, 2006). Dunseath, Robin, Around the World in 80 Ways. (London: The Alden Press, 2004) (zugegriffen Oktober 10, 2008,). Elsner, John, The Cultures of Collecting. (London: Reaktion Books Ltd , 1994). Esson, Michael, Imagine My Heart was Yours. Drawings 1996­2005. (Multiculture Media and Trade, 2005). Felshin, Nina, But is it Art? The Spirit of Art as Activism. (Seattle: Bay Press, 1995). Fischer, Pat, Jaqueline Donachie: Somewhere to Stand. (Talbot Rice Gallery, Edinburgh, 2004). Freire, Paulo, Pedagogy of the Oppressed.. 16 edn (London: Penguin Books, 1996). Fruitmarket Gallery, Edinburgh, Heaven on Earth Forum. (London: Fruitmarket Gallery, 2002). Greenberg, Reesa, Bruce W Ferguson, und Sandy Nairne, Hrsg., Thinking About Exhibitions. (London, New York: Routledge, 1996). Harding, Anna, Hrsg., Magic Moments: Collaboration Between Artists and Young People. (London: Black Dog, 2005). Harding, David, und Pavel Buchler, Hrsg., ̈ Decadent: Public art. Contentious Term and Contested Practice. (Glasgow: Foulis Press, 1997). Hein, Hilde, Public Art: Thinking Museums Differently. (Lanham, GB: AltaMira Press, 2006). ­­­, Public Art: Thinking Museums Differently. (Lanham MD: AltaMira Press, 2006). “Here and Now. Scottish Art 1990­2001,”. Hunter, Kenny, und Strathclyde Fire Brigade, “Citizen Firefighter.”. Hunter, Kenny, und Talbot Rice Gallery, Kenny Hunter: Freestyle Monumental!. (Edinburgh: Talbot Rice Gallery, 2003). Joergensen, Elsebeth, und Sofie Thorsen, Vindueskarm. Window­Still. (Kopenhagen, 2001). Judd, Donald, Donald Judd. hrsg. Tate Modern (Gallery), Offentliche Kunstsammlung Basel, und ̈ Kunstsammlung Nordrhein­Westfalen (Germany) (New York: D.A.P., 2004). Kawamata, Tadashi, Mémoire en demeure. Memory in Progress. (2004). Kempe, Nick, und Scottish Mountaineering Trust; Scottish Natural Heritage (Agency), Hostile Habitats: Scotland's Mountain Environment. ([Edinburgh?]: Scottish Mountaineering Trust, 2006). Kester, Grant, Hrsg., Art, Activism and Oppositionality: Essays from Afterimage. (Durham [NC]: Duke University Press, 1998). Kester, Grant H., Conversation Pieces: Community and Communication in Modern Art. 1 edn (University of California Press, 2004). Kwon, Miwon, One Place After Another: Site­specific Art and Locational Identity. 1st MIT Press pbk. ed. edn (Cambridge Mass.: MIT Press, 2004). Lacy, Suzanne, Mapping the Terrain: New Genre Public Art. 2. print. edn (Seattle Wash: Bay Press,


1996). Lippard, Lucy, Six Years: The Dematerialization of the Art Object from 1966 to 1972 .... (Berkeley: University of California Press, 1997). Liu, Yue, Absolute Zero. (Shanghai, Beijing: Ofoto Gallery, 2008). Luo, Yongjin, Districts Dreamlands Desires. (He Xiangning: He Xiangning Art Museum). MacGee, Anderson, Jack Mottram, und Alexander Kennedy, Anderson MacGee. 75 edn (Hong Kong: Limousine Bull Artists' Collective Aberdeen). MacLean, Diane, “Lovely Weather. Diane MacLean” hg. v Judith Nashby. Maclean, Will, Driftworks. (Dundee: Dundee Contemporary Arts, 2002). Manlove, Colin, From Alice to Harry Potter: Children's Fantasy in England. (Christchurch N.Z.: Cybereditions, 2003). ­­­, Scottish Fantasy Literature: A Critical Survey. (Edinburgh: Canongate Academic, 1994). McLaren, Duncan, The Strangled Cry of the Writer­in­Residence. ([Windermere]: Grizedale Books, 2002). McMullan, Shauna, Travelling the Distance. (2007). Merz, Eva, Get A Fucking Job: The Truth About Begging. hrsg. New Social Art School (Organization) (Keith, GB: New Social Art School, 2006). ­­­, “Portraetter 1996­1998.”. ­­­, Tillydrone. (Keith, GB: Peacock Visual Arts, 2007). Möntmann, Nina, und Yilmaz Dziewior, Mapping a City. Hamburg­Kartierung. 1 edn (Hatje Cantz Verlag, 2004). Morris, Frances, Tate Modern: The Handbook. [Rev. and updated ed.] / edn (London: Tate Pub., 2006). Mulholland, Hugh, The Nature of Things: Artists from Northern Ireland. ([s.l.: British Council, 2005). Niven, Robert, Epithetic. 3/20 edn (2003). O'Doherty, Brian, Inside the White Cube: The Ideology of the Gallery Space. 1st book ed. edn (Santa Monica: Lapis Press, 1986). O'Neill, Paul, Hrsg., Curating Subjects. (London: Open Editions, 2007). Orta, Lucy, und Jorge Orta, Collective Space: 70 x 7 Connective Strategies for Urban Locations. (Birmingham: ARTicle Press, Ixia PA Ltd., 2006). Peakock Visual Arts, und Aberdeen Art Gallery, Hrsg., “Some Distance From the Sun. Dalziel and Scullion.”. Rackham, Oliver, Woodlands. (London: Collins, 2006). Reiss, Julie, From Margin to Center: The Spaces of Installation Art. (Cambridge MA: MIT Press, 1999). Ross, Maureen, Day Month. Poems. (Koo Press, 2006) (zugegriffen Oktober 13, 2008,). Sacramento, Nuno, Shadow Curating. (Dundee, 2006). Scherübl, Wilhelm, Visible Growth. (Munderfing: Aumayer Druck und Verlag, 2004).


Shen, Qibin, “Intrude ART&LIFE 366.” Zendai MoMA, 2008. Shepheard, Paul, The Cultivated Wilderness, or What is Landscape?. (London: MIT Press, 1997). Sinclair, Ross, Ross Sinclair: If North was South and East was West. (Karlsruhe: Badischer Kunstverein, 2004). SKOR Kunstprojecten, Kunst en Ruimtelijke (Ont)ordening. SKOR Kunstprojecten 1­4., 1­4. Sotheby's, The Whitechapel Auction. (1987). “The Blue Chamber. 2000,”. Tyndall, Kate, The Producers: Alchemists of the Impossible. hrsg. Arts Council England und Jerwood Charitable Foundation (London: Allander, 2007). Vuijsje, Herman, Marijke van Grafhorst, Paul van Oosten, Nico van der Perk, und Colin Huizing, De Samaritaan Barmhartigheid nu. (Amsterdam: Stichting Kunstprojecten De Samaritaan/SKOR, 2008). Wallinger, Mark, Art for all? Their Policies and Our Culture. (London: PEER, 2000). Ward, Ossian, The Artist's Yearbook 2006: All the Information and Advice You Need to Get Ahead in the UK Art World. (London: Thames & Hudson, 2005). Warwick, Rhona, Hrsg., Arcade: Artists and Place­Making. (London: Black Dog, 2006). Wolfson, Rutger, Hrsg., This is the Flow: The Museum as a Space for Ideas. (Amsterdam: Valiz). Xingyu, Chen, Francesca Tarocco, und Jin Vigy, Hrsg., BizArt: failed art centre. 500 edn (ShanDong, 2004). Yong, Cheng, Obstacle: Cheng Yong Solo Exhibition. (Shanghai: Shanghai Zendai Museum of Modern Art). Yorkshire Sculpture Park, Kenny Hunter: Natural Selection.. (West Yorkshire: Yorkshire Sculpture Park, 2006). Zijlmans, Kitty, und Wilfried van Damme, Hrsg., World Art Studies. Exploring Concepts and Approaches. (Amsterdam: Valiz, 2008). Zwang, Wei, Zhang Wei 1997­2007.


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