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devyani some work 2022

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self-identity

self-identity

This speculative architectural project — explored imagery as a medium for temporal visual narratives illuminating an anecdotal approach to architecture i.e. architecture building up to a short story. Hypothetical narratives showcasing LGBT users of space have been presented. These narratives are either based upon facts, or inspired by film and media or are an amalgamation of factual data and cinematic characters.

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After nearly two years of the pandemic, new and more holistic understanding of health and wellness have emerged. The need to protect our physical health came first but we soon came to appreciate all aspects of mind, body, and spirit wellness.

Words are extraordinarily powerful, they can motivate and encourage people and when used negatively, they can be weapons of conflict.

Words That Have Helped Me (And Might Help You) While Feeling Not So Good embraces design as a form of a therapeutic outlet for my thoughts and emotions regarding my personal mental health journey to create an intimate, tactile message that people can resonate with. My ideas revolved around documenting the positive affirmations that helped me into a tangible piece of design that might be useful to someone someday.

contact devyanidasgupta2022@gmail.com

0416 976 829 education

Diploma of Graphic Design 2021-2022

TAFE SA, Australia

Master of Architecture 2017-2019

University of South Australia, Australia

Bachelor of Architecture 2011-2016

CSPA , India work experience

Graphic Design Intern Aug 2022-Dec 2022

Studio Veld, Adelaide

Graduate of Architecture Aug 2020-Apr 2021

Mantra Building Services, Adelaide

Graduate of Architecture Jul 2019-Aug 2020

GHDWoodhead, Adelaide

Graduate of Architecture May 2019- Jul 2019

Alexander Brown Architects, Adelaide softwares

Adobe Illustrator

Adobe Photoshop

Adobe InDesign

Devyani Dasgupta (she • her) is a graphic designer and visual storyteller based on Kaurna Land in South Australia.

Her practice explores the effects of cross-pollination of various cultural impresses on her Indian identity and her craft acts as a visual extension for these shared narratives.

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