portfolio
dhruv patel 1
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School for Symphony PROGRAM BRIEF : Program basically focused into two major sections, Performing arts and Music lab. Further its divided into four different courses including, Kids, Juniour, Professional and Foundation. Each level will have 3 modules, each module is for 3 months amd at the last 1 week of rehearsal before final performance. The overall school will be teaching 5 various types of genre of the instruments. Percussions, Strings, Wood winds, Keyboards and Brass need to taught throughout the course. And three topics will be covered in the journey. 1. Evolution of Indian Music 2. Classifiation of Music 3. Focusing on Pitch, Range and Scale.
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Adaptive Re-use SITE BRIEF : Lal bungalow is a residential space located on c.g. road, Ahmedabad. It is a prominent landmark and is in the midst of one of the most busy streets in Ahmedabad. The location is appropriate to design the school of music. Construction completed : 1945 Total built area : 14000 sq ft. approx. Total compound area : 36000 sq ft. approx. PROJECT BRIEF : The studio mainly focused upon the concept of Adaptive-Reuse and the project is to designed and incorporate the functions of a school of music into the existing built form by using the surrounding as a context.
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School of Music
Opening to the double hieght.
Front Elevation of the Door.
Reception desk and Waiting Area.
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1
3
5
Section AA
School of Music
Secluded space for rehearsals.
Section BB
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1
3
Studio for the Santoor lessons.
Dining area and Pantry.
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School of Music
Recording studio for production.
Double Hieght space.
Jamming room for practice.
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8
1
3
5
Section EE
School of Music
Seating facing the Jarukha.
Section DD
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1
3
Studio for Sitar lessons
Outdoor Performance Space.
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School of Music
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2
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4 1. Listening Library 2. Learning Studio 3. Reception Porch 4. Vocal Area. 5. Admin Area 6. Washrooms and Corridor. 7. Cafeteria 8. Storage Room
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School of Music
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9. Foyer/Lobby 10. Jamming Area 11. Learning Studios 12. Recording Studio 13. Pantry Area 14. Discussion Area 15. Reherasal Room 16. Terrace Theory Area
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Dhruv patel ui13 1014 lal bunglow Design Montage School of music
MUJI Retail BRAND INTRODUCTION : Muji originally founded in Japan in 1980 offers a wide variety of good quality items to furniture as well as apparels. “MUJIRUSHI RYOHIN” MUI in Japanese, translates as `no-brand quality good’. MUJI is based on three core principles, which remain unchanged to this day. 1. Selection of material 2. Streaming of process 3. Simplification of Packages
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Branding Studio PROJECT BRIEF : The primary focus of the studio is to build, design approach for brand building through spatial design. In the age of mass media and social media dominance, brand building helps to cut through the chaos. BRAND MOTTO : Introducing MUJI as a diversifying furniture brand and designing a retail space for its “no-brand� strategy in Ahmedabad. SITE : Hyundai Showroom, Sindhu Bhavan Road, Ahmedabad. 15000 sq ft
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MUJI Retail
MUJI comes to Ahmedabad as a diversifying into furniture brand. This plan is showing the final exploration of the furniture layout in the MUJI retail store.
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MUJI Retail
Every space in the plan is further expand visually by conceptual sketches for creating a proper brand environment and it also shows the placements of visual merchandise.
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MUJI Retail
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1. Diorama showing the f 2. Conceptual sketch of th in the retail outlet. 3. One of the exploration 4. An Abstract visual for t
MUJI Retail
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furniture of MUJI he furniture displayed
n for the Facade. the brand itself.
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MUJI Retail
Section AA
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Ground Floor Plan
MUJI Retail
Views from model - scale 1:100
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MUJI Retail
Section BB
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Mezanine Floor Plan
MUJI Retail
Views from the model - Scale 1:100
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MUJI Retail
Renders of the final designed retail for MUJI. 24
MUJI Retail
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DELIBERATE PURSUIT OF THE PURE AND THE 26
MUJI
E ORDINARY 27
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Who is it anyway?
“WHO IS IT ANYWAY?” Natakbaazi 2017 “Who is it anyway?” an Adaption of The Real Inspector Hound by Tom Stoppard. The plot reveals a murder mystery in a theme of play within a play, with a little gist of farcical parody, absurdism and satire comedy. 30
Who is it anyway?
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We don’t think they noticed.
“WE DON’T THINK THEY NOTICED”.
A farcical comedy about a performance that can’t go wrong, but does go wrong by CEPT Theatre Group/Natakbaazi. Based on an original concept by Henri Lewis,Jonathan Sayer and Henry Shields “The Play That Goes Wrong”. 32
We don’t think they noticed.
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The Rabbit Hole
“THE RABBIT HOLE”.
Natakbaazi 2019 Presented “THE RABBIT HOLE”. An original stage play, by CEPT Theatre Group/ Natakbaazi. A mysterious Sci-fi way to get out of your daily monotonous routine. 34
The Rabbit Hole
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SPACE - NARRATION THROUGH
TH
WES AND
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NS, STORY-TELLING
HE
FILMS
DERSON
OF 37
Thesis INTRODUCTION
Aim : The research aims at interpreting the role of space narrations, color and ligting in the films of Wes Anderson.
Objective :
Enquiry for the role of planning and visual language in designing interior spaces in films of Wes Anderson. Analysing the use of elements and techniques for complimenting the spatial narratives in three different movies and their transformation of interiors in every movie. Defining different type of interiors which can create scenes with meticulous detail through dramatic play of colors, which can create identities of cross-culture and refernces from Various different design movements.
- How Wes Anderson achieves balance order and chaos through narrations in his films.
The shortlisted movies are: 1. The Grand Budaest Hotel 2. Darjeeling Limited 3. The Royal Tenenbaums
- Study of making designed film sets to compliment the storyline.
The following movies exhibit a different and unique way of using color and mood ligthing. An authentic way to portrait every character in every frame from director’s point of view.
- Analyzing the set design with respect to the composition of characters.
Scope & Limitation : - To understand how all the spaces making interior elements, will come together through the juxtaposition of colors, textures and overall frame composition in the selected scenes.
The following dissertation establishes a concept of looking at the interiors from a cinematic perspective. These three movies will be interconnected through aspects of interior design as they are directed by Wes Anderson. He deals with every little aspects of interiors and artifacts of space used in the frame of composition which can compliment the character and narrative of the film. It creates different meanings through juxtaposition of colors and texters in film interiors.
- It will only focus upon the narratives with a storyline and the characteristics of an actor in a particular sequence of the scene. And it will focus on one director for its language and comparitive The Royal Tenenbaums analysis. 38
The Darjeeling Limited
Grand Budapest Hotel
Thesis
METHODOLOGY NARRATIVE
EMOTIONAL VARIABLES
SPATIAL TOOLS
SPACE COMPOSITION
Calmness Bored Less-Interest Anxiety Questionable Curiousity Clueless Thinking D e l ig h t f u l Serene
Happy Joyful Sad Sinful Mournful Cunningness Anxiety
Cheerful Disguise Dillema Busy Surprise
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Thesis
The Grand
BUDAPEST Hotel 2014
Drama / Crime
Act : 1/5 Scene : 2/8 “RED� in the background is very bold color to choose for the any scene,but in this shot Red color is used in such a way that highlights each of the characters in the frame. The overall mood of the scene is sad because the main two characters sitting on the side are having a conversation and the lady grabbing the shoulder of the Gustave H while leaving from the hotel. This particular scene is shot in the Lift which might not get noticed at the first glance but when focused on the posture of the lift man standing and controlling it has prominent expressions on the face. There is an order in which Anderson placed his characters in the place which is clearly shown in this shot.
Symmetry and Axis 40
Placement of the character
Space making elements
Thesis
Now this scene was taken place in one of the temple in Jodhpur, Rajasthan, India. The main character who is introducing the sacred place to his brothers is in the main focus and the rest of the audience standing and worshiping around the temple is in the background. In here the background plays very important role as the whole spiritual feeling is distinctively coming out through the flashing colors. This shot is captured in symmetry with making the character in the front side of the frame and the axis is created through the three bells is the background. In this frame sense of depthness is coming out well through multiple columns in the background and Anderson wisely shot this frame from the middle of the shrine cutting through the columns.
The DARJEELING Limited 2007 Drama / Indie Act : 3/7 Scene : 3/7
Symmetry and Axis
Character in the frame
Space making elements 41
Thesis
This scene is again introductory of all the character in their present life. Here the female character Margot Tenenbaum sitting in the bathroom and leisurely with all the equipment connected in the bathroom. The other character in the frame which is partially shown through the door is the husband of her, This position conveyed that the relationship between two of them were not going properly. The overall placement of the both the character in on the side of the frame and overall color palette of the space is melodown to the pastels which gives very subtle meaning to the scene.
The Royal TENENBAUMS 2001 Drama / Indie Act : 2/6 Scene : 2/6 Symmetry and Axis 42
Character in the frame Space making elements
Thesis
The
Budapest
Cafe
EPILOGUE Biasol, Melbourne based studio, combined various marble surfaces including geometric facades and elevations, pastel hues as a style of Wes Anderson’s movie The Grand Budapest Hotel, In this Cafe situated in Chengdu, China. This Cafe The Grand Budapest is located in the chengdu, China. As the owner of the cafe intetionally chose a firm design studio base onAustralia to recreate the similar environment that would definitely attracts more International Audience in the Cafe.
Space Composition in the films of Wes Anderson is the most obvious part of his methodology and it is the best thing which tie everything in the frame. Each of the characters has distinguishing connection with the objects in the every frame of his movies it takes the mind of the audience to another level of imagination just because of the distinctive style of placing characters in that particular shot. He has very good skill to bring balance between what to show and what he choose not to show in the movies. To make sure of everything is in the frame it has visually engaging no matter what the genre because film is a visual medium and composition of the space walks hand in hand with the Cinematography which includes movement of the camera, lens types but also identifying all the options in term of shots and angles.
The Darjeeling Limited
The Royal Tenebaums
The Grand Budapest Hotel
Hotel Chavelier
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VIVAREA Residential Luxurious Duplex Mahalaxmi, Mumbai, India Training Project - 1 Salil Ranadive Architects
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Vivarea
A. Living Room
B. Kitchen
36th Floor Plan 46
C. Powder Toilet
G
Vivarea
D. Bedroom
E. Staircase
F. Master Toilet
G. Dining Area 47
Vivarea
A. Living Room
B. Reading Room
37th Floor Plan 48
C. Master Bedroom
G
Vivarea
D. Bedroom 2
E. Powder Toilet
F. Kids Bedroom
G. Master Toilet 49
BOMBAY INTERNA Institution for students of Kindergarten Location : Churgegate, Mumbai, India Training Project - 2 Salil Ranadive Architects 50
ATIONAL SCHOOL
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27489 [90'-2"]
Wall Unit for Teachers
Wall Unit for Teachers
Trough Hand Basin
Wall Unit for Teachers
2499 [8'-2"]
Wall Unit for Teachers
Wall Unit for Teachers
3913 [12'-10"]
WC Cubicle
(Boys)
Toilet
D3
D3
3080 [10'-1"]
(Girls)
Toilet
Trough Hand Basin
Vinyl Graphics
Corkboard Panels
Classroom 1A
7299 [23'-11"]
Drop-down Screen
Drop-down Screen
Classroom 1B
Corkboard Panels
Corkboard Panels
Classroom 2A
7099 [23'-4"]
Drop-down Screen
Drop-down Screen
7099 [23'-4"]
Classroom 2B
D2a
Storage
Corkboard Panels
Drop-down Screen
Classroom 5A
Lift
1473 [4'-10"]
D2b
Dn
sliding
D1b door
Up
D1a
Dn
D2b
D2a
D2a
Capping cover over staircase void with ply partitions & Polycarbonate Cover
Panelling for sliding door
2763 [9'-1"]
Head II
Storage for 3A
D2a
Glass Partition
Admin I
Head I (PYP)
D6d
Storage for 4B
3897 [12'-9"]
Entrance Portal Finished in Z-Brown Granite
Water Dispenser
Seating
Water Dispenser
Entrance Portal Finished in Z-Brown Granite
Single Polish Kota Stone with Cut-in Serrations & Anti-skid Tape
Corkboard Panels
D2a
Storage for 1A
Storage for 1B
D2a
D2a
Storage for 2A
Storage for 2B
D2a
D2a
Medical Room
Balcony
D12
Vertical Louvers
3111 [10'-2"]
5131 [16'-10"] 3908 [12'-10"] 3761 [12'-4"] 3685 [12'-1"] 3569 [11'-8"]
Charging station
1525 [5']
Admin II (IT)
D7
D2a
Storage for 3B
4774 [15'-8"]
D6d
1080 [3'-6"] 1148 [3'-9"] 1770 [5'-10"]
Storage
Corkboard Panels
Drop-down Screen
Classroom 5B
Corkboard Panels
Corkboard Panels
Classroom 3A
4700 [15'-5"]
Existing door refurnished and repainted
Wall Unit for Teachers
Wall Unit for Teachers 1833 [6']
D6c
D6b
Existing door refurnished and repainted
D6b
D6c
Wall Unit for Teachers
1833 [6']
Wall Unit for Teachers
Corkboard Panels
Classroom 4A
Drop-down Screen
Drop-down Screen
Classroom 3B
Corkboard Panels
Drop-down Screen
D2a
D6d 4700 [15'-5"]
Drop-down Screen
Classroom 4B
D2a
Storage
Back Painted Glass Top table
D6a
D6a
Vertical Louvers
Vertical Louvers
2. Classrooms
4826 [15'-10"]
1615 [5'-4"]
1465 [4'-10"] 1465 [4'-10"]
5131 [16'-10"] 3477 [11'-5"]
52 3901 [12'-10"]
1. Entrance Lobby
4826 [15'-10"]
A
B
Bombay International School
3. Library
4th Floor Plan
D6e
D6e
(Boys)
Toilet
Trough Hand Basin
D6g
D6f
Backstage
1859 [6'-1"]
D4
D10
D8
D8
D8
(Girls)
D3
2140 [7']
Toilet
Trough Hand Basin
D3
Trough Hand Basin
Hand Wash
Pot Wash
Pantry
Prep Counter
Food Serving Counter
(Green / Music)
MIRROR
D6e
Storage
Storage
5384 [17'-8"]
27489 [90'-2"]
3721 [12'-3"]
3448 [11'-4"]
(Staff /
)
Toilet
1360 [4'-6"]
D3
Vinyl Graphics
Lift
D2b
Water Cooler Station
D2a
Storage
Single Polish Kota Stone with Cut-in Serrations & Anti-skid Tape
Up
Dn
Storage
D10
D4
Corkboard Panels
D2a
Backstage
3987 [13'-1"]
(Green / Music)
Admin Staff (3 nos)
Repro-Station
Corkboard Panels
Art Room
D8
D8
D8
D6d
A
6325 [20'-9"]
(8 Faculty + 5 Interns + 1 Counseller)
Academic Staff
D2a
D2a
Sub-Strcuture in steel
Lunch (120 nos), Parent Orientation, Assembly, Gym, Audi-Functions for Events, Etc (Double Height Space)
Multi-Purpose Hall
17139 [56'-3"]
Storage under the stage. Shutters in curve
(Stage, Dance, Etc ) (Double Height Space)
Trap Door
Balcony
Back Painted Glass Top table
D6g
D6f
D6e
D6e
D6e
Storage
Storage
5. Staff room and Meeting Room
4648 [15'-3"]
D6d
2948 [9'-8"]
1704 [5'-7"]
4. Entrance porch for Auditorium
4826 [15'-10"]
21000
B
Bombay International School
6. Auditorium
Balcony
5h Floor Plan 53
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CEEJAY HOUSE Corporate Office Client : Bobby Parekh Associates Location : Worli, Mumbai, India Training Project - 3
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Ceejay House
1. Reception Model
2. Terrace Cafe Model
3. Wo Storage
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Cabin 6 8 sqmt 86 sqmt
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5
9
4
8 sqmt
Printer Station
3
8
5
9
4
Work Space 110 sqmt 1184 sqft
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15
17
14
1000 [3'-3"]
10
11
2
Cabin 4 7 sqmt 75 sqft
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10
8
9
3
193 sqft 18 sqmt Cabin 2
Cabin 1 16 sqmt 172 sqft
ROW - C
2 5 sqmt
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2
12
1
53 sqft
ROW - A
8.3 sqmt 89.3 sqft
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Library 10 sqmt 107 sqft
Cabin 9 11.2 sqmt 120 sqft
Library
1
ROW - B Printer Station Access control
Wall Mural
Passage
Meeting Room 2 15 sqmt
Access control
28 sqmt 301 sqft
Meeting Room 1
32 sqmt 344 sqft
161 sqft
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3
Cabin 3 8 sqmt 86 sqft
ROW - D
T.V.
Server Room
10
86 sqft
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1500 [4'-11"]
1000 [3'-3"]
Cabin 8
Cabin 5 7.7 sqmt 82 sqft
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7
6
7
Cabin 7 8 sqmt 86 sqmt
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4
5
1500 [4'-11"]
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Proposed water inlet & drainage for mini pantry (Dishwasher, SS Sink, Overhead cabinets). Tapping to be taken from existing connections or gents toilets.
Storage
Ceejay House
Workstations in the Office
4. Reception
5. Terrace Cafe
6. Terrace Cafe 57
Digital Artworks
Blue Mosque - Istanbul
Casa Mila - Barcelona
National Theatre - London 58
Mysore Palace - Karnataka
Digital Artworks
Brunel University - london
Ferrera Cathedral - Italy
Opera Garnier - Paris
Cathedral of Santa Maria del Fiore - Italy
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Watercolor Sketches
Natarani Theatre - Ahmedabad
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The Bombay Haveli - Mumbai
Zeitz MOCAA - Cape Town
Theatre of Franfurt - Germany
Watercolor Sketches
Diwan-E-Khas - Fatehpur Sikri
Balmoral Castle & Estate - Scotland
Somnath Temple - Gujarat
City Palace - Udaipur
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Micron-Pen Live Sketches
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Vikram Mahal - Gwalior Fort - Gwalior
Mansingh Palace - Gwalior Fort - Gwalior
Datia Palace - Datia
Hiranandani Gardens - Mumbai
Micron-Pen Live Sketches
Western Railway Head Quaters - Mumbai
Hundarman Village - Kargil
Pizza by the Bay - Mumbai
Chattrapati Shivaji Terminus - Mumbai
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Charcoal Live Sketches
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Charcoal Live Sketches
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dhruv.patel081997@gmail.com | +91 9924110036 66