December 2009 Issue of Digital Paint Magazine

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EXTREME December 2009

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December 2009

Interview with Richard Ramsey starts on page 4

A STATE OF CHANGE FOR DIGITAL PAINT MAGAZINE As I have mentioned in a few of my email posts to subscribers, we are in the midst of change. This issue is part of the transition. We are short on time and content this month but will make it up in the coming months. Hello everyone! I think perhaps we are

crosses over. Basic design principles, color

finally getting on track for digital painting

harmony, composition, brush work and creating

magazine. Much has changed in the last few

a piece of art with poetry and music are all part

months. Corel Painter changed directions with

of being an artist. Those principles we will still

their online magazine which left a big gap in the

be spending time on.

resource material for digital painters coming

The process is what is somewhat different

from a photographic background. We have

for us as digital artists. Using a myriad of

decided to step up and produce a monthly

software we create our images, usually a

magazine created with photographers in mind.

combination of software and plugins. So we

Most of our articles and tutorials will be coming

need instructional education on using the

from the perspective of using photo reference.

software and plugin tools as well as the design

With that in mind though we will still be

principles. That is what we are going to try and

hammering home traditional media principles

provide.

and techniques.

You will notice we have a less colorful and

As artist’s our goals are to continue to

design centric issue. That is because the guru,

improve our skill-set. As a digital artist that skill-

John, is currently making a new video series at

set is somewhat different then a traditional

Lynda.com. We will be back on track with a

media artist however, there is much that still

sharper layout in the March issue.

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Angels in December This is the perfect issue to have a few angel paintings. Angels in the magazine are painted by Tim ONeill.


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