Lights, Canopies, Action - the Feria de Seville

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FEATURES |

SEVILLE

FEATURES |

SEVILLE

A week of flamenco, feasting and horses MAKES Seville’s April Fair the most spectacular festival in Spain

Lights, canopies, action Derek Workman

The clock strikes midnight on a Monday late in April, and the crowd assembled in the Real de la Fería in Seville roars with delight. The portada, the enormous fairground entrance, bursts into gaudy light, and one by one the 15 streets fill with the light of 22,000 bulbs encased in farolillos, small colourful paper lanterns. It’s lunes del alumbaro, Monday of Light, the opening night of the Feria de Abril, Seville’s biggest and most boisterous fiesta. The next six days will be devoted to flamenco, horses, food, drink and late-night partying, finishing the following Sunday with a spectacular fireworks display. The Feria, Seville’s Spring Fair, dates back to 1846, when José María Ybarra, first Count of Ybarra, and Narciso Bonaplata held a livestock market. A year later, a three-day fair was officially inaugurated, with prizes given for the best bulls, oxen,

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Paul Webb

rams and horses. Within a couple of years, there were 93 taverns, 34 sweet stalls and 15 doughnut stands applying for licences. Gradually small marquees were set up, the famous casetas, where the wives and families who accompanied the farmers began to entertain themselves by holding dances and general festivities. By 1910, the fair was declared a Fiesta Mayor by the city council, mainly as a way to encourage visitors, and so the Feria de Abril was born. These days it’s held two weeks after Holy Week (the lateness of Easter means that this year’s fair will begin in May for the first time in living memory) and it has become the city’s most iconic cultural and festive event, the centre of social life, and an excellent excuse for Sevillanos to enjoy a week of partying with family and friends. The streets of the tented village, said to be the biggest of its kind in the world,

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Lights, Canopies, Action - the Feria de Seville by Derek Workman - Issuu