DISPLACED In a city that is exposed to a continuum of development and re-development, the subject of displacement renders its spaces its margins and its people, in constant flux under an imposed system of order, of regularity, of certainty and of uniformity, where intangible boundaries and margins are also in constant mutation and formation. The stone quarries in this body of work are a metaphor for the concept of displacement. Thesystem that is imposed; the grid that is a symbol of modernity dressed onto the mountain, cutting it into fragments like Lego pieces, systematically ordered, and patiently waiting in line for their assembly. This is what we are left with, then, a negative space that by itself is a geometric ensemble of grids, layers and fragments. A symbol of a fabricated reality that artificially structures and holds its own determination and potentiality. A symbol of the alien inserted into the familiar landscape—flattened, geometricized, ordered, anti-natural, anti-mimetic, anti-real.
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‘What’s Left I’ 76 x 53 CM Monotype on acid free paper Framed between two glass panels with light white-washed wood frame, size above without frame.
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no. 19
‘What’s left II’ 76 x 53 CM Monotype on acid free paper Framed between two glass panels with light white-washed wood frame, size above without frame.
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no. 20
‘What’s Left III’ 76 x 53 CM Monotype on acid free paper Framed between two glass panels with light white-washed wood frame, size above without frame.
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no. 29
‘Abyss I’ 105 X 80 CM Wood Lithography, Mokulito on acid free Paper 2019 Framed between two glass panels, with light white-washed wood frame, size above without frame. 6
no. 21
‘Weaving slabs I’ 76 X 50 CM Dry point, monotype on acid free paper Framed with matting and with light white-washed wood frame, size above without frame.
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no. 22
‘Weaving slabs II’ 76 X 50 CM Dry point, monotype on acid free paper Framed with matting and with light white-washed wood frame, size above without frame.
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no. 23
‘Weaving slabs III’ 76 X 50 CM Dry point, monotype on acid free paper Framed with matting and with light white-washed wood frame, size above without frame.
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no. 23
‘Weaving slabs ’ Ehibition View
76 X 50 CM Dry point, monotype on acid free paper Framed with matting and with light white-washed wood frame, size above without frame.
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no. 27
‘Abyss II’ 98 X 66 CM Wood Lithography, Mokulito on handmade Kozo Washi Paper Framed between two panels of glass with light white-washed wood frame, size above without frame.
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SOLD
no.28
‘Abyss III’ 98 X 66 CM Wood Lithography, Mokulito on handmade Kozo Washi Paper Framed between two panels of glass with light white-washed wood frame, size above without frame.
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no. 30
‘Omission I’ 127 X 80 CM Wood Lithography, Mokulito on handmade Kozo Washi Paper 2019 Framed between two glass panels, with light white-washed wood frame, size above without frame. 13
no. 31
‘Omission II’ 127 X 80 CM Wood Lithography, Mokulito on handmade Kozo Washi Paper 2019 Framed between two glass panels, with light white-washed wood frame, size above without frame. 14
no. 32
‘Omission III’ 127 X 80 CM Wood Lithography, Mokulito on handmade Kozo Washi Paper 2019 Framed between two glass panels, with light white-washed wood frame, size above without frame. 15
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‘Omission’ Exhibition view 127 X 80 CM each Wood Lithography, Mokulito on handmade Kozo Washi Paper 2019 Framed between two glass panels, with light white-washed wood frame, size above without frame.
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no. 35
‘Imagined Residues IV’ 70 X 50 CM Dry point, monotype and colllagraph on acid free paper 2019 Framed with mattting around and light white-washed wood frame, size above without frame.
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‘Imagined Residues V ‘ 70 X 50 CM Dry point, monotype and colllagraph on acid free paper 2019 Framed with mattting around and light white-washed wood frame, size above without frame.
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no. 37
‘LEGO I’ 105 X 80 CM Dry point, monotype and colllagraph on acid free paper 2019 Framed between two glass panels, with light white-washed wood frame, size above without frame. 19
SOLD
no. 45
‘LEGO II’ 105 X 80 CM Dry point, monotype and colllagraph on acid free paper 2019 Framed between two glass panels, with light white-washed wood frame, size above without frame. 20
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‘Constructed fragments’ I,II 29 x 21 CM Monotype collage on paper 2019 Framed with matting around and a light-white washed wood frame, size above without frame. 21
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no.41
‘Constructed fragments’ III,IV 29 x 21 CM Monotype collage on paper 2019 Framed with matting around and a light-white washed wood frame, size above without frame. 22
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‘Constructed fragments’ V, VI 29 x 21 CM Monotype collage on paper 2019 Framed with matting around and a light-white washed wood frame, size above without frame. 23
no. 23
‘Constructed Fragments ’ Ehibition View
76 X 50 CM Monotype Colage on paper Framed with matting and with light white-washed wood frame, size above without frame.
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no. 44
‘Pouring Emptiness’ 105 X 80 CM Dry point, monotype and colllagraph on acid free paper 2019 Framed between two glass panels, with light white-washed wood frame, size above without frame. 25
no. 46
‘Omissions IV’ 120 X 80 CM Wood Lithography, Mokulito on acid free Paper 2019 Framed between two glass panels, with light white-washed wood frame, size above without frame. 26
no.27
‘Imagined Residues I’ 95 X 80 CM Dry point, monotype and colllagraph on acid free paper 2019 Framed between two panels of glass with light white-washed wood frame, size above without frame. 27
no. 48
‘Imagined Residues III’ 95 X 80 CM Dry point, monotype and colllagraph on acid free paper 2019 Framed between two panels of glass with light white-washed wood frame, size above without frame. 28
no. 49
‘Imagined Residues II’ 95 X 80 CM Dry point, monotype and colllagraph on acid free paper 2019 Framed between two panels of glass with light white-washed wood frame, size above without frame. 29
Exhibition view
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no. 50
‘Displaced II’ 160 X 105 CM Dry point, monotype and collagraph on acid free paper 2019 Framed between two glass panels, with light white-washed wood frame, size above without frame. 31
SOLD
no. 51
‘Displaced III’
SOLD
160 X 105 CM Dry point, monotype and collagraph on acid free paper 2019 Framed between two glass panels, with light white-washed wood frame, size above without frame. 32
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no. 34
‘Ethereal Mountains I,II’ 36 x 22 CM Ink on paper Framed with matting around and a light wood frame, size above without frame.
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no. 52
no. 53
‘Ethereal Mountains III,IV’ 36 x 22 CM Ink on paper Framed with matting around and a light wood frame, size above without frame.
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