Sangama 2014 - Yugadi Issue

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«µÀAiÀĸÀÆa / Table of Contents

Sl. Title No. ¸ÀA¥ÁzÀPg À À £ÀÄr ªÀiÁf CzsÀåPÀëgÀ £ÀÄrUÀ¼ÄÀ CzsåÀ PÀëgÀ £ÀÄrUÀ¼ÄÀ 2014 ¸À«Äw ¸ÀzÀ¸åÀ gÀ bÁAiÀiÁavÀæUÀ¼ÀÄ 1. ¸ÀAUÀªÀÄ »ªÀÄ»ªÀÄ - G¥ÀÄà wAzÀ ªÉÄÃ¯É 2. ¸ÀAUÀªÀÄ »ªÀÄ»ªÀÄ - UÁ½ UÉÆÃ¥ÀÄgÀ 3. ¸ÀAUÀªÀÄ »ªÀÄ»ªÀÄ - §tÚUÁw ¥ÀæPÀÈw 4. ¸ÀAUÀªÀÄ »ªÀÄ»ªÀÄ - Winter is great!

5. ¸ÀAUÀªÀÄ »ªÀÄ»ªÀÄ - ¸ÁPÀ¥ÉÆàà ¸ÁPÀÄ F »ªÀÄ 6. ¸ÀAUÀªÀÄ »ªÀÄ»ªÀÄ - ºÀÄZÀÄÑ ºÀÄqÀÄVãÀ vÀAzÀÄ 7. ¸ÀAUÀªÀÄ »ªÀÄ»ªÀÄ - The Eternal Winter 8. ºÀ®¹£À ºÀ¥Àà¼À 9. gÁªÀÄ ¨sl À ÖgÀ ªÀÄUÀ¼ÀÄ ¥ÀzÝÀ PÌÀ 10. ¤Ã£ÁzÀgÉ.. £Á 11. ªÀÄÆwð aPÀÌzÀÄ - QÃwð zÉÆqÀØzÀÄ 12. ¨Á¼À ¸ÀAeÉAiÀÄ°è 13. £ÀªÄÀ ä ªÀÄPÀ̼À §gÀªt À ÂUÉUÀ¼ÀÄ 14. ªÀÄ£É ªÀiÁgÁlQÌzÉ 15.

PÀªÀ£ÀUÀ¼ÀÄ 16. ‘§ºÀÄ£ÁªÀÄ’ «QæÃrvÀ 17.

D¥ï Q ¸ÀPÁðgï 18.

EzÀÄ £À£Àß «¢üAiÉÄ?

19. vÀÈ¦Û E®èzÀ fêÀ£À 20. AiÀÄÄUÁ¢ 21. ¥ÀzÁäªw À 22. PÁlÆð£ï – M®A¦AiÀiÁqï 23. ¸À« £É£À¥ÀÄ 24. AiÀiÁªÀÅzÀÄ ¸Àj – AiÀiÁªÀÅzÀÄ vÀ¥ÀÄà?

25. ªÀiÁqÀÄ £À£Àß GvÁÜ£À 26. UÁ½¥Àl 27. ¥ÀæPÁ±ï ºÉêÀiÁªÀw CªÀgÀ ‘M¨ÁªÀÄ’ 28. ªÀÈzÁÞ¥Àå – ªÀÈzÀÞ£ÉÆêÀð£À ºÀgÀmÉ 29. AiÀÄÄUÁ¢ ¥Àzg À ÀAUÀ 2014.1 30. ¸ÀAUÀªÀÄ - ¸ÀÄUÀªÀÄ 31.

PÁlÆð£ï - «Algï ªÀÄ»ªÉÄ 32. AiÀÄÄUÁ¢ ¥Àz§ À AzsÀ 2014 33. ¥Àz« À £ÉÆÃzÀ 34. ¸ÀAUÀªÀÄ ¸ÀjUÀªÀÄ ¸ÀA¥ÀÅl 35

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Writers/Artists ¤w£ï ªÀÄAUÀ¼ïªÉÃqsÉ gÀªÄÉ Ã±ï nÃPÁ ²æñÀ dAiÀĹÃvÁgÁA wæªÉÃt ²æäªÁ¸ï gÁªï ¸ÀĤvÁ ¨ÉîÆgï CuÁÚ¥ÀÄgï ²ªÀPÀĪÀiÁgï Meghana Mangalvedhe

²æäªÁ¸À ¨sÀlÖ C¤® zÉñÀ¥ÁAqÉ Meghana Mohan

¦. J¸ï. ªÉÄÊAiÀÄ PÀ£ÀPÀ wgÀĪÀÄ¯É qÁ|| £ÁUÀ¨Æ sÀ µÀt ªÀÄÆ°Ì CuÁÚ¥ÀÄgïÀ ²ªÀPÀĪÀiÁgï £À½¤ ªÉÄÊAiÀÄ ¹jUÀ£ÀßqÀ±Á¯ÉAiÀÄ ªÀÄPÀ̼ÄÀ ±ÁgÀzÁ ¨ÉÊAiÀÄtÚ ¤w£ï ¸ÀgÆ É ÃqÉ ¨sÄÀ ªÀ£ÉñÀéj ºÉUq À É n. ¹. gÁªÀÄPÀȵÀÚAiÀÄå C£ÀÄ¥ÀªÀiÁ ªÀÄAUÀ¼ïªÉÃqsÉ ªÁ¸ÀAw UËqÀ ®PÀë÷äuï «ÄlÆÖgï r. «. ªÁ¸ÀÄzÉêÀ CgÀÄuï ªÀÄÆwð ¸ÀĦæAiÀi ¸ÀħâgÁªï ºÉZï. PÀļÉîÃUËqÀ GµÁ PÉƯÉà ¤w£ï ¸ÀgÆ É ÃqÉ £À½¤ ªÉÄÊAiÀÄ ²æà £ÀA. ¸ÀÆAiÀÄð CuÁÚ¥ÀÄgï ²ªÀPÀĪÀiÁgï C£ÀÄ¥ÀªÀiÁ ªÀÄAUÀ¼ïªÉÃqsÉ CgÀÄuï ªÀÄÆwð ²æäªÁ¸À ¨sÀlÖ ¨sª À Á¤ ¥Àæ¸Ázï ²æêÀvÀì eÉÆò

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Sl. Title No. PÁlÆð£ï - ±ÀPÀÄÌ DAnAiÀÄ Never ending 35. adviceUÀ¼ÀÄ

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¸ÀAUÀªÀÄ WÀªÄÀ WÀªÄÀ - ¥ÁPÀªÉÊ«zsåÀ

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C° è- E°è – £À£Àß PÀ£ÀßqÀzÀ C£ÀĨsÀªÀ C° è- E°è - Here and There: Cartoon C° è- E°è - ZÀÄlÄPÀ C° è- E°è - India, a Home Away from

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Home; Pictures Travelogue – Faith & Frangipani Funny Incident

2014,

Writers/Artists ªÀiÁ£À¸Á C±Àéxï ¥ÀzÁä ²æäªÁ¸À£ï, avÁæ gÁªï, gÀÆ¥Á DZÁAiÀÄð, ¸Ë«Ä¤ gÀAUÀ¸Áé«Ä, gÁzsÁ gÁªï, ²¯Áà gÀAUÀ¸Áé«Ä, ¸ÀĦæAiÀÄ ¸ÀħâgÁªï, ¸ÀÄzsÀ²æà PÉÆÃl ²æäªÁ¸À ¨sÀlÖ «dAiÀÄ®Që÷ä D£ÀAzï «ÃuÁ ZÉÊvÀ£Àå ªÀÄvÀÆÛgÀÄ Parnika and Arnav Shandilya

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Vijaya Bhat

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Jayashree Rao Vishalu Swamy

Youth Section

Moral Stories Yashas Mattur Impacts of Pollution Suchith Madhukar The Princess and Her Crowns Rachana Krishnappa Cheetah Abhinav Bhashyam Historical Cities in India Shishir Bhatta Kids’ Problems Sathvik Kunigal Super Bowl XLVIII in my eyes Tejas Hullur A Blanket Deferred Apurva Reddy The Oldest Person I know Manasi Mangalvedhe Acrostics Meghana Mangalvedhe My Dad, My Inspiration Roshana Krishnappa My Experience with Bharatanatyam Navya Kamath Dreams from my Grandfather Nikhil Shiva PCs vs Video Game Consoles Aditya Attavane Mahathma Gandhi’s Civil Disobedience Sachin Shiva In memory of my favorite uncle: Jayantha Sharat Raju Adiga Number Riddles Yashas Mattur Namma MakkaLu – Interview with Pavan Asha Gurudutt Bapu Deepavali, Sankranthi, Winter Olympiad, Olympiad Winner Pictures Vidyaranya Kannada Kuta Financial Statement - 2013

84 105 89 90 91 91 92 92 93 93 94 94 95 96 97 98 100 102 103 104 107 121

The views and opinions expressed in the articles of this magazine are those of the respective authors and do not necessarily reflect the views of the Sangama Editors or of Vidyaranya Kannada Kuta.

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¸ÀA¥ÁzÀPÀgÀ £ÀÄr «zÁågÀtå PÀ£ÀßqÀ PÀÆlzÀ DwäÃAiÀÄ §AzsÀÄUÀ½UÉ £ÀªÄÀ ¸ÁÌgÀUÀ¼ÀÄ, J®èjUÀÆ dAiÀÄ £ÁªÀÄ ¸ÀAªÀvÀìgÀzÀ ±ÀĨsÁ±ÀAiÀÄUÀ¼ÄÀ . ¥Àæw ªÀµÀðªÀÇ AiÀÄÄUÁ¢ ºÀwÛgÀ §gÀÄwÛgÀĪÀAvÉAiÉÄ ²PÁUÉÆ ªÀ®AiÀÄzÀ PÀ£ÀßrUÀg® É è ºÀ§âzÀ ¸ÀA¨sÀæªÄÀ zÉÆA¢UÉ “bÀ½UÁ® ªÀÄÄUÉÆÝÃAiÀiïÛ!” JAzÀÄ D£ÀAzÀ ¥ÀqÄÀ ªÀÅzÀÄ ¸ÀºÀdªÁzÀg,É F ¨ÁjAiÀÄ, zÁR¯ÉU¼ À À£ÀÄß ªÀÄÄjzÀ ²²gÀzÀ ¨É£ÀߣÀÄß £ÉÆÃqÀĪÀÅzÀPÉÌ £ÀªÄÀ UÉ®èjUÀÆ «²µÀÖªÁzÀ GvÁìºÀ«zÉ JA§ÄzÀgÀ°è ¸ÀA±ÀAiÀÄ«®è. DzÀgÆ À Winter Olympiad£À°è ¨sÁUÀªÀ»¸ÀĪÀ CªÀPÁ±À EzÀÝzÀÝjAzÀ «zÁågÀtÂÚUj À UÉ G¯Áè¸À¨sÀjvÀ ¸ÀªÄÀ AiÀÄzÀ C£ÀĨsÀªÀ PÀÆqÀ DVgÀ¨ÉÃPÀÄ. ºÉÆgÀV£À ZÀlĪÀnPÉUÀ¼ÀÄ PÀrªÉÄAiÀiÁzÀgÉ ‘¸ÀAUÀªÀÄ’PÉÌ ¤ÃqÀĪÀ PÉÆqÀÄUÉUÀ½UÉ ºÉZÀÄÑ PÁ® zÉÆgÉAiÀÄÄvÀÛ®èªÉ? EzÀPÌÉ F ¨Áj £ÀªÀÄä PÀ£ÀßqÀ PÀÆlzÀ ¥ËæqsÀg® À èzÉ Q±ÉÆÃgÀ-QñÉÆÃjAiÀÄjAzÀ PÀÆqÀ ºÉaÑ£À ¸ÀASÉåAiÀÄ°è §gÀºÀU¼ À ÀÄ §A¢gÀĪÀÅzÉà ¸ÁQë! À vÉAiÉÄà £ÁªÀÅ PÉ®ªÀÅ AiÉÆÃd£ÉU¼ À À£ ÀÄß F ªÀµÀð ¸ÀAUÀªÀÄ ¸ÀAaPÉUÀ¼À°è £À«Ã£ÀvÉAiÀÄ£ÀÄß ¥ÀjZÀ¬Ä¸À¨ÉÃPÉA§ÄzÀÄ £ÀªÄÀ ä D±ÀAiÀÄ. CzÀgA ºÁQPÉÆAqÀÄ ¸ÀAPÁæAw ºÀ§âzÀ DZÀgÀuÉAiÀÄ GvÀìªÀz° À è ¸ÀAUÀªÄÀ zÀ AiÀÄÄUÁ¢ ¸ÀAaPÉAiÀÄ°è ªÀÄÆr§gÀ°gÀĪÀ ºÉƸÀ «µÀAiÀÄUÀ¼À §UÉÎ ªÀiÁ»w PÉÆnÖzÉݪÀÅ. ‘¸ÀAUÀªÄÀ »ªÀÄ»ªÀÄ’, ‘¸ÀAUÀªÀÄ WÀªÀÄWÀªÄÀ ’, ªÀÄvÀÄÛ ‘C°è-E°è’ JA§ «±ÉõÀ «µÀAiÀÄUÀ½UÉ ¸ÀA§AzsÀ¥ÀlÖ §gÀªt À ÂUÉU¼ À À£ÀÄß ¤ªÉÄä®èjAzÀ AiÀiÁa¹zÉݪÀÅ. CµÉÖà C®èzÉ, ªÀåAUÀåavÀæUÀ¼À£ÀÄß (cartoons) ¸ÀºÀ PÉÆÃjzÉݪÀÅ. ¤ªÀÄä°è ºÀ®ªÁgÀÄ ªÀÄA¢ F PÀgÉUÉ GvÀÛgÀ PÉÆnÖ¢ÝÃj. EzÀPÌÉ £ÀªÄÀ ä ¸ÀAUÀªÀÄ ¸À«Äw¬ÄAzÀ ¤ªÀÄUÉ §ºÀ¼À zsÀ£ÀåªÁzÀU¼ À ÀÄ. JA¢£ÀAvÉAiÉÄ PÀxÉ, ¥Àæ§AzsÀ, PÀªÀ£À, ZÀÄlÄPÀ, MUÀlÄ, ªÀÄÄAvÁzÀ ¯ÉÃR£ÀU¼ À À£ÀÄß ºÉÃgÀ¼ÀªÁV C¦ð¹¢ÝÃj. £ÀªÄÀ ä AiÀÄĪÀ §gÀºÀUÁgÀjUÉ CªÀgÄÀ ¥Àæz² À ð¹gÀĪÀ D¸ÀQÛUÁV «±ÉõÀ C©ü£ÀAzÀ£ÉU¼ À À£ÀÄß ¸À°è¸ÀÄvÉÛêÉ. We greatly appreciate the enthusiasm and interest exhibited by our young writers in contributing their artwork, articles, and poems. We sincerely hope that they will continue to prolifically contribute to Sangama in the future as well. CªÀjUÉ ¤ªÀÄä ¥ÉÆæÃvÁìºÀ »ÃUÉAiÉÄà ªÀÄÄAzÀĪÀjAiÀÄÄvÀÛzÉAzÀÄ £ÀªÄÀ ä £ÀA©PÉ. ‘¸ÀAUÀªÀÄ’ AiÀıÀ¹éAiÀiÁV ºÉÆgÀ§gÀĪÀÅzÀPÉÌ ¥Àæxª À ÀÄ PÁgÀt EzÀPÌÉ PÉÆqÀÄUÉU¼ À À£ÀÄß ¤ÃrzÀ ¯ÉÃRPÀgÄÀ ªÀÄvÀÄÛ PÀ¯Á«zÀgÄÀ . DzÀgÉ ¸ÀAUÀªÀÄ ªÀÄÄ¢æ¸ÄÀ ªÀ ªÉZª ÀÑ À£ÀÄß ¨sj À ¸À®Ä ¥ÁæAiÉÆÃdPÀgÄÀ E®è¢zÀÝgÉ ªÀÄÄAzÀĪÀjAiÀÄ®Ä ¸ÁzsÀåªÉ? ¸ÀAUÀªÄÀ zÀ°è eÁ»gÁvÀÄUÀ¼£ À ÀÄß ¤ÃrzÀ ªÁåªÀºÁjPÀ ¸ÀA¸ÉÜUÀ½UÉ ºÁUÀÆ «zÁågÀtÂÚUj À UÉ £ÀªÀÄä ªÀÄ£ÀB¥ÀƪÀðPÀ PÀÈvÀdÕvÉUÀ¼ÀÄ. «zÁågÀtå PÀ£ÀßqÀ PÀÆlzÀ 2014gÀ ¸Á°£À CzsåÀ PÀëgÁzÀ ²æñÀ dAiÀĹÃvÁgÁA CªÀgÀ ¥ÉÆæÃvÁìºÀ, ¨ÉA§®, ºÁUÀÆ ¸ÀºÁAiÀÄUÀ½UÉ £ÁªÀÅ §ºÀ¼À D¨sÁjAiÀiÁVzÉÝêÉ. vÀªÀÄä EvÀgÀ PÉ®¸ÀUÀ¼À ªÀÄzsÉå CªÀgÄÀ ¸ÀAUÀªÀÄzÀ ¸À®ÄªÁV ¸ÀªÄÀ AiÀÄ §¢VlÄÖ PÁ¼Àf ªÀ»¹zÀÄÝ ±ÁèWÀ¤ÃAiÀÄ. ¸ÀAUÀªÀÄzÀ ªÀÄÄR¥ÀÄlªÀ£ÀÄß «£Áå¸À ªÀiÁrzÀ dUÀ¢Ã±ï ZÀA¥ÀPÁ¥ÀÄgÀ CªÀjUÉ ºÁUÀÆ vÀªÀÄä avÀæPÀ¯ÉAiÀÄ£ÀÄß §¼À¸® À Ä C£ÀĪÀÄw ¤ÃrzÀ CgÀÄuÁ ¤w£ï CªÀjUÉ £ÀªÄÀ ä zsÀ£ÀåªÁzÀU¼ À ÀÄ. ¨ÉAUÀ¼ÀÆj£À°ègÀĪÀ dUÀ¢Ã±ï CªÀgÀ£ÀÄß £ÀªÀÄUÉ ¥ÀjZÀ¬Ä¹zÀÝPÉÌ, ºÁUÉAiÉÄà ¸ÀAUÀªÀÄ ¥ÀæPÁ±À£ÀPÉÌ ¸ÀA§AzsÀ¥ÀlÖ ¸À®ºÉ ªÀÄvÀÄÛ £Égª À ÀÅ ¤ÃrzÀÝPÌÉ , ªÁ¶AUÀÖ£ï r.¹. ¤ªÁ¹ ²æêÀvÀì eÉÆò CªÀjUÉ £ÁªÀÅ PÀÈvÀdÕvÉAiÀÄ£ÀÄß C¦ð¸ÀÄvÉÛêÉ. ¥sÁ®ÄÎt PÀ¼z É ÀÄ ZÉÊvÀæ PÁ°qÀÄwÛgÀĪÀAvÉAiÉÄà ¨ÉZ£ ÀÑ ÉAiÀÄ ºÀªÁªÀiÁ£À PÀAqÀħgÀĪÀ ¸ÀÆZÀ£É ªÀÄÆr ¤ªÉÄä®ègÀ ªÀÄ£À¹ì£® À Æè UɮĪÀÅ ºÉZÀÄw Ñ ÛgÀ¨ÉÃPÀÄ. ºÉƸÀ ªÀµÀ𠤪ÀÄUÉ®èjUÀÆ DgÉÆÃUÀå, ¸ÀAvÀ¸À, ªÀÄvÀÄÛ L±ÀéAiÀÄðªÀ£ÀÄß vÀgÀ¯ÉAzÀÄ ºÁgÉʸÀÄvÉÛêÉ. AiÀÄÄUÁ¢AiÀÄ F ¸ÀAzÀ¨sÀðzÀ°è ¨ÉêÀÅ-¨É®èzÀ «Ä±ÀætzÀAvÉ fêÀ£Àz° À è ¹»-PÀ»UÀ¼À C£ÀĨsÀªÀU¼ À À£ÀÄß ¸ÀªÀĪÁV ¤ªÀð»¸ÀĪÀ ZÉÃvÀ£À ¤ªÉÄä®ègÀ®Æè EgÀ¯ÉAzÀÄ £ÀªÄÀ ä C¥ÉÃPÉë. ¤ªÀÄä «±Áé¹. ¤w£ï ªÀÄAUÀ¼ïªÉÃqsÉ ¸ÀAUÀªÀÄ ¸À«Äw K¦æ¯ï 5, 2014 ¸ÀA¥ÀÅl 35

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2014 Committees Executive Committee

Shreesha Jayaseetharam President

Rohini Udupa Vice-President

Manjunath Kunigal Secretary

Ganapathi Bhat Joint Secretary

Shabitha Raj Treasurer

Srinivasa Bhatta Joint Treasurer

Neetha Dhananjaya Cultural

Muralidhara Kaje Cultural

Bhima Rao Food

Bhaskar Pernenkil Food

Gurudutt Ramamurthy Membership Outreach

Rama Rao President-Elect 2015

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Advisory Board

Arun Murthy

Nandish Dhananjaya

Kajekar Ramachandra

Shreesha Jayaseetharam

Charitable Committee

Kaushik Bhupendra

T. A. Shridhara

Mokshagundam Jayaram

Mohan Rao

Girish Aradhya

Basavarajappa Indusekar

Cultural Committee

Muralidhara Kaje

Neetha Dhananjaya

Vidya Subramanyam

Srinivasa Acharya

Pooja Amith

Pradeep Angadi

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Dasa Day Committee

Suma Rajashankar

A.V. Satish

Radha Rao

K. Rajashankar

Chitra Rao

Jaishree Prasad

Prathibha Kote

Ishwar Varnasi

Paneesh Rao

Chandrika Gopal

Dindima Committee

Srinivasa Bhatta

Arun Murthy

Food Committee

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Bhima Rao

Bhaskar Pernenkil

Prasad Acharya

Vijaya Bhat

Sudhakar Mattu

Prashanth Seetharam

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Election Committee

Ramesh Turuvekere

Ashok Kollur

Santosh Murthy

Humanitarian Committee

Shruti Kumar

Nirmala Mohan

Suneela Harsoor

Uma Rao

Shilpa Narendra

Bhagya Nadgir

Internal Audit Committee

Jayanth Puttappa

Ramesh Teeka

Asha Gurudutt

Membership Outreach Committee

Rohini Udupa

Gurudutt Ramamurthy

Satya Shridhara

Ram Mohan

Akarsh Jain

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Saahityotsava Committee

Kanaka Tirumale

Nalini Maiya

Triveni Rao

Sangama Committee

Anupama Mangalvedhe

Nitin Mangalvedhe

Aparna Deshpande

Shriraman Aparanji

Sports Committee

Gurudutt Ramamurthy

Santosh Murthy

Narendra Babu

Rohini Attavane

Mahesh Bhoopalam

Sheshagiri Rao

Website and Communication Committee

Ashok Kowdle ¸ÀA¥ÀÅl 35

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Youth Advisors

Eshwar Pustapur

Anitha Kishore

Seema Jayanth

Youth Committee

Adithi Murthy

Aditya Attavane

Anuj Kambalyal

Chiranth Kishore

Hrishikesh Kulkarni Medha Rajashankar

Rajath Salegame

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Sachin Shiva

Aditya Deshpande

Anshu Indusekar

Amith Ashok

Diva and Riya Harsoor

Meghana Mohan

Eshwar Kishore

Prajwal Acharya

Shreya Dhananjaya Tanmayi Kadamuddi

Vaibhav Shastry 16

Prerana Jayanth

Tanvi Kapatral

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17

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Sangama 2014, Yugadi Issue

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N ¥ÀæPÀÈw ªÀiÁvÉ ¤£Àß F PÀtÂÚÃgÀÄ vÁgÀ¢gÀĪÀÅzÉà £ÀªÀÄUÀÆ PÀtÃÂÚ gÀÄ UÉÆvÀÄÛ £ÀªÄÀ UÉ ¤Ã £ÀPÌÀ gÉ £À£ÀUz À ÀÄ ¨Á¼À ¸ÀPÀÌgÉ ¤Ã PÉgÀ½zÀgÉ £Á £Àg¼ À ÀĪÉ! ¤£ÀߣÉAzÀÄ PÉtPÀ¨ÁgÀzÉA§ CjªÀÅ ¨ÉÃPÀÄ d£ÀvÉUÉ! ºÉÆÃUÀÄ vÁ¬Ä ¸ÁPÀÄ ¤£Àß F ±ÉéÃvÀzÄÀ qÀÄUÉ GlÄÖ ¨Á ¤£Àß°gÀĪÀ D §tÚzÀÄqÀÄUÉ £ÉÆÃr CzÀ£ÀÄ JµÀÄÖ PÁ®ªÁ¬ÄvÀÄ £ÉÆÃqÀĪÁ¸É EAzÉ CzÀ£ÀÄ wÃj¸ÀÄ

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20

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Sangama 2014, Yugadi Issue

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Winter is Great!

Why, oh why, some people think, Is this season even considered one of the four!?

Not that they want just three seasons, The humans like spring a little more!

Even though people think winter should be gone, Right away, I will say, do you want to mow your lawn?

Meghana Mangalvedhe Hoffman Estates, Illinois

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PÁAiÀiÁÛ E¢Ýä AiÀiÁªÁUÀ ªÀÄÄVAiÀÄÄvÉÛ F ±Àª

²æäªÁ¸À ¨sÀlÖ

§¥s¯ óÉ ÉÆ UÉÆæêï, E°£ÁAiÀiï srinivasabhatta@gmail.com

Look carefully at the snow and see if you can spot “Jabba the Hutt” from Star Wars. – Basu Hullur ¸ÀA¥ÀÅl 35

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CªÀ£À¥àÀ gÀ« §AzÁUÉ®è ¤£ÀߣÀÄ ©lÄÖ ºÀj¢ºÀ£À®è xÀ¼À xÀ¼À ªÉÄÊAiÀÄ vÉÆÃgÀÄvÀ ¤Ã£ÀÄ ªÀÄvÉÛ ¨ÉvÀÛ® ¤AvÉAiÀÄ®è EzÀÄ JAxÀ ¦æÃw ¤AzÀÄ ºÀÄZÀÄÑ ºÀÄqÀÄVãÀ vÀAzÀÄ

22

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Sangama 2014, Yugadi Issue

¸ÀAUÀªÀÄ 2014, AiÀÄÄUÁ¢ ¸ÀAaPÉ

Meghana Mohan

Naperville, Illinois

¸ÀA¥ÀÅl 35

23

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Sangama 2014, Yugadi Issue

¸ÀA¥ÀÅl 35

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24

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Sangama 2014, Yugadi Issue

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CªÀiÁäªÀæ ºÀwÛgÀ ºÉýzÀgÉ ªÀÄAUÀ¼ÁgÀwAiÀiÁUÀÄvÉÛ.

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E£ÀÆß ¸Àé®à PÁAiÀĨÉÃPÀÄ. ¥ÀgÀªÁV®è. "HjUÉ §AzÀªÀ¼ÄÀ ¤ÃjUÉ ¨ÁgÀzÉ EgÀÄvÁÛ¼Á?" CAvÀ UÁzÉ E¯Áé? ºÁUÉà ²PÁUÉÆUÉ §AzÀ ºÀ¥àÀ¼À £ÀªÄÀ ä ªÀÄ£ÉUÉ ¨ÁgÀzÉ E¢ÝÃvÉ? CAvÀ £Á£Éà ¸ÀªiÀ ÁzsÁ£À ªÀiÁrPÉÆAqÉ. E£ÀÆß PÉ®ªÀÅ ¢£ÀU¼ À ÁzÀ ªÉÄÃ¯É £Á«§âgÀÆ CªÀgÀ ªÀÄ£ÉUÉ ºÉÆÃzɪÅÀ . £À£ÀUÀAvÀÆ ¸ÀéUÀðPÉÌ ªÀÄÆgÉà UÉÃtÄ. ºÀ®¹£À ºÀ¥àÀ¼À £É£É¹PÉÆAqÀÄ gÉÆêÀiÁAZÀ£ÀªÁUÀÄwÛvÀÄÛ.

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"DzÀzÝÉ ®è M½vÉà D¬ÄvÀÄ" CAvÀ £À£ÀUÉ UÉÆvÁÛVzÀÄÝ C°èUÉ ºÉÆÃzÀ ªÉÄïÉ. nà eÉÆvÉ PÀÄgÀÄPÀ®Ä wAr CAvÀ CªÀgÄÀ PÉÆnÖzÀÄÝ K£À£ÀÄß UÉÆvÁÛ? £À£ÀUÉ ¥ÁætQÌAvÀ®Æ ¦æAiÀĪÁzÀ ºÀ®¹£À ºÀ¥àÀ¼Àª£ À ÀÄß! CªÀgÀ ªÀÄ£ÉUÉ "§wÃð«" CAvÀ ºÉý £À£ÀߣÀÄß J¼ÉzÄÀ PÉÆAqÀÄ ºÉÆÃzÀ CªÀiÁ䪣 Àæ ÀÄß ªÀÄ£À¹ì£¯ À Éèà ªÀA¢¹zÉ. ºÀ¥àÀ¼À w£ÀÄßvÁÛ CªÀiÁäªÀÅöæ "EªÀjUÉ ºÀ®¹£À ºÀ¥Àà¼À CAzÉæ vÀÄA§ EµÀÖ." CAvÀ ºÉýAiÀÄÆ ºÉýzÀgÀÄ.

CµÀÖPÉÌà ©qÀ¨ÁgÀzÉ? "£ÀªÀÄä ªÀÄ£ÉUÉ ¤ÃªÀÅ AiÀiÁªÁUÀ §gÉÆÃzÀÄ?"

CAzÀgÄÀ .

AiÀıÉÆÃzÁ¼À vÁ¬Ä, vÀAzÉ E£ÀÄß JgÀqÀÄ ªÁgÀz¯ À Éèà ¨sÁgÀvÀPÉÌ ªÁ¥À¸ÁUÀÄvÁÛgÉ CAvÀ w½zÀ vÀPÀët "ªÀÄÄA¢£À ±À¤ªÁgÀªÃÉ HlPÉÌ §¤ß" C£ÀߨÉÃPÉ? J®è £À£Àß ºÀuɧgÀºÀ!

C°è £ÉÆÃrzÀgÉ nà eÉÆvÉUÉ E£ÉßãÉÆà PÀÄgÀÄPÀ®Ä wAr PÉÆlÖgÀÄ. "¥ÀgÀªÁV®è. ªÀÄ£ÉUÉ vÀUÆ É AqÀÄ ºÉÆÃUÉÆÃPÉ ºÀ¥àÀ¼ÀzÀ PÀmÉÖà PÉÆqÀĪÁUÀ E°è PÉÆqÀ¢zÀÝgÉãÁ¬ÄvÀÄ?"

CAvÀ ¸ÀªiÀ ÁzsÁ£À ªÀiÁrPÉÆAqÉ. ªÀiÁvÀÄPÀvÉAiÀÄ°è ºÀ®¹£À ºÀ¥àÀ¼À EtÂQAiÀÄÆ EtÄPÀ°®è. AiÀiÁPÉÆà ¨ÉÃeÁgÁ¬ÄvÀÄ. ªÀiÁw£À¯Éèà £À£ÁßPÉ ªÀÄÄA¢£À wAUÀ¼ÄÀ ¨sÁgÀvÀPÉÌ ºÉÆÃUÀĪÀª¼ À ÀÄ CAvÀ «µÀAiÀÄ UÉÆvÁÛ¬ÄvÀÄ AiÀıÉÆÃzÁUÉ. £ÁªÀÅ ªÀÄ£ÉUÉ ºÉÆgÀlÄ ¤AvÁUÀ AiÀıÉÆÃzÁ MAzÀÄ ¸ÀtÚ ¥ÁåPÉmï »rzÀÄPÉÆAqÀÄ §AzÀ¼ÄÀ . ºÁÕ, EzÉÆ §AzÉà §AvÀÄ ºÀ¥àÀ¼À! CAvÀ £Á£ÀÄ ¨Á¬ÄAzÀ eÉÆ®Äè ¸ÉÆÃgÀzÀAvÉ eÁUÀævÉ ªÀ»¹ ¤AwzÉÝ. AiÀıÉÆÃzÁ D ¥ÁåPÉmï £À£ÀߪÀ¼À PÉÊAiÀÄ°è PÉÆlÄÖ, "DAn, F £À£Àß ¨Ëè¹UÉ vÉÆüÀÄ vÀÄA§ GzÀÝ EzÉ. ¤ÃªÀÅ AiÀiÁgÁzÀgÆ À mÉÊ®gï PÉÊAiÀÄ°è EzÀ£ÀÄß VqÀØ ªÀiÁr¹ vÀwÃðgÁ?" CAzÀ¼ÄÀ . £Á£ÀÄ ªÀÄÆbÉð ©Ã¼ÀĪÀÅzÉÆAzÀÄ ¨ÁQ, £ÉÆÃr. FUÀ £À£ÀߪÀ¼Æ À »í»í CAvÀ zÉñÁªÀj £ÀUÉ £ÀUÄÀ vÁÛ "DUÀ°" CAvÀ ¥ÁåPÉmï vÉUz É ÀÄPÉÆAqÀ¼ÄÀ . ºÉAUÀ¸Àg£ À ÀÄß ªÀtÂð¸ÀĪÀÅzÀPÉÌ K£ÉãÉÆà G¥ÀªÄÉ UÀ¼À£ÀÄß ºÉüÀÄvÁÛgÀ®è- gÀÆ¥ÀzÀ°è gÀw, «zÉåAiÀÄ°è ¸Àg¸ À Àéw... CAvÀ. ºÁUÉà F AiÀıÉÆÃzÁ UÀÄtzÀ°è ºÉUÎÀ t CAvÀ £À£ÀUÉ UÉÆvÁÛVzÀÄÝ DUÀ¯ÃÉ !

CªÀgÄÀ £ÀªÀÄä ªÀÄ£ÉUÉ §A¢zÀÄÝ, £Á£ÀÄ ºÀ®Äè QjzÀÄ CªÀjUÉ ¥Á£ÀPÀ ¸ÀÄjzÀÄ PÉÆnÖzÀÄÝ J®è rÃmÉÃ¯ï ºÉý ¤ªÀÄUÉ ¨ÉÆÃgï ªÀiÁqÉÆ®è.

DzÀgÉ D ¢£À £Àqz É À MAzÀÄ ªÀÄÄRåªÁzÀ «µÀAiÀÄ ªÀiÁvÀæ ºÉüÀ¯ÉèÉÃPÀÄ. AiÀıÉÆÃzÁ¼À vÁ¬Ä "¤ªÀÄä AiÀÄdªÀiÁ£ÀjUÉ ºÀ®¹£À ºÀ¥àÀ¼À CAzÉæ vÀÄA§ EµÀÖ CAvÀ ºÉýzÀæ®è. §gÀĪÀ wAUÀ¼ÄÀ £ÀªÄÀ ä ©ÃUÀgÄÀ §gÀÄvÁÛ EzÁÝgÉ CªÉÄjPÁUÉ. CªÀgÀ PÉÊAiÀÄ°è AiÀıÉÆÃzÁUÉ ºÀ¥àÀ¼À PÀ½¸ÀĪÁUÀ ¤ªÀÄUÀÆ PÀ½¹Ûä." CAzÀgA À vÉ. £À£ÀUÉ F «µÀAiÀÄ DªÉÄÃ¯É w½¬ÄvÀÄ- CªÀg® É è ªÀÄ£ÉUÉ ºÉÆÃzÀ ªÉÄïÉ. CªÀgÄÀ EzÁÝUÀ¯Éà UÉÆvÁÛVzÀÝgÉ E£ÀÆß ¸Àé®à eÁ¹Û ºÀ®Äè QjzÀÄ G¥ÀZÁgÀ ªÀiÁqÀÄwÛzÉÝ.

CªÀiÁäªÀÅöæ ¨sÁgÀvÀPÌÉ ºÉÆÃzÀ ªÉÄÃ¯É AiÀiÁPÉÆ CªÀgÀ PÁj£À°è £ÉÆÃrÛä D ¨Ëè¸ï ¥ÁåPÉmï C¯Éèà EvÀÄÛ! CªÀ¼ÀÄ PÉÆ£ÉUÆ À ¸Àé®à JZÉv Ñ ÀÄÛPÆ É ArzÁݼÁ? vÀ£Àß ¨sÉÆÃ¼É ¸Àé¨sÁªÀ ©lÄÖ £À£Àß ºÁUÉ ZÁuÁPÀëvÀ£À gÀÆrü¹PÉÆArzÁݼÁ? CxÀªÁ EzÀ£ÀÄß ¸ÀÆmï PÉù£À°è ¥ÁåPï ªÀiÁqÉÆÃPÉ ªÀÄgÉvÀĺÉÆìÄvÁ?

AiÀıÉÆÃzÁ vÀ£Àß gÀ«PÉAiÀÄ §UÉÎ «ZÁj¹ PÀ½¹zÀ EªÉÄðUÉ £À£ÁßPÉ "CAiÉÆå, D ¥ÁåPÉmï PÁgÀ¯Éèà ªÀÄgÉvÀÄ©mÉÖ." CAvÀ j¥ÉèöÊ PÀ½¹zÀÄÝ UÉÆvÁÛ¬ÄvÀÄ. ¤eÁ£Á? zÁ¸ÀgÄÀ D PÁ®zÀ¯Éèà ºÁr®èªÉ? "¸ÀvÀåªÀAvÀjVzÀÄ PÁ®ªÀ®è." CAvÀ. CA¢¤AzÀ EA¢£Àªg À ÉUÆ À d£À ºÁqÀÄvÀÛ¯Éà EzÁÝgÉ gÁUÀªÁV D ºÁqÀ£ÀÄß. CAzÀgÉ K£ÀxÀð? ±ÀvÀªiÀ Á£ÀU½ À AzÀ®Æ ¥Àj¹Üw §zÀ¯ÁV®è. ¸ÀvåÀ ºÉýzÀgÉ G½UÁ®«®è CAvÀ. £ÀªÀÄä CªÀiÁäªÀÇæ F «µÀAiÀĪÀ£ÀÄß ªÀÄ£ÀUA À rzÁÝgÉ CAzÀÄPÉƼÉÆîÃtªÁ?

MAzÀÄ wAUÀ¼ÄÀ PÀ¼ÉzÃÉ ºÉÆìÄvÀÄ. £À£ÀUÉ PÀ£À¹£À®Æè ºÀ®¹£À ºÀ¥àÀ¼À PÁt¹PÉƼÉÆîÃPÉ ±ÀÄgÀĪÁ¬ÄvÀÄ. £Á£Éà CªÀiÁäªÀæ ºÀwÛgÀ "C®è, AiÀıÉÆÃzÁ CªÀgÀ CvÉÛ ªÀiÁªÀ F ºÉÆwÛUÉ §A¢gÀ§ºÀÄzÀÄ, C¯Áé?" CAvÀ ªÀiÁwUÉ ±ÀÄgÀÄ ªÀiÁrzÉ.

EªÀ½UÉ K£ÁzÀgÀÆ D «µÀAiÀĪÉà ªÀÄgÉvÀÄ ºÉÆÃVzÀÝgÉ K£ÀÄ UÀw? CAvÀ M¼ÀUÉƼÀUÃÉ ¸ÀAPÀlªÁUÀÄwÛvÀÄÛ. "ºËzÀÄ. ªÉÆ£Éß §AzÀgÀAvÉ. AiÀıÉÆÃzÁ ¥sÆ óÉ Ã£ï ªÀiÁrzÀݼÀÄ. ¸Àé®à ¸ÀÄzsÁj¹PÉƼÀî°.

DªÉÄÃ¯É ªÀiÁvÁr¹PÉÆAqÀÄ §gÉÆÃPÉ ºÉÆÃUÉÆÃt." CAzÀ¼ÄÀ .

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29

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30

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Sangama 2014, Yugadi Issue

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r«µÀ£ï£À°è ªÀÄ£É PÉÆAqïPÉÆèÉÃPÀÄ CAvÀ D¸É EgÉÆà E«ßUÉ JgÀqÀÄ ¸Àwð ¤gÁ¸É DVgÉÆà «µÀå £ÀªÄÉ Î UÉÆwÛzïAiÀÄ®è CAvÀ ¨É¯É PÀqÉä ªÀiÁqÉÆ̼ÉÆîÃPï DUÉÆ®è CAzÉ' CAzÀÄ.æ

E£ÀÆß PÉ®ªÀÅöæ ‘You are so organized, you should start some classes to teach how to organize’ CAzÀÄ.æ DUÀ ªÀÄ£À¸ï£À¯Éèà £Á£ÀÄ `EzÀ£É߯Áè ºÉüÉÆÃzÀæ §zÀÄè £ÀªiÀ ï ªÀÄ£ÉãÀ PÉÆAqïPÉÆAqÉæ vÀÄA¨Á ¸ÀºÁAiÀÄ DUÀÄvÉÛ' CAzÉÆÌAqÉ. ¸ÀéAvÀªÁV ªÀÄ£ÉãÀ ªÀiÁjÛÃgÁ CA¢zÀÝ CzÉà vÉ®ÄUÀÄ ¥sÁå«Ä° ªÀiÁZïð£À°è ¥ÀÄ£ÀB D qÁPÀÖgïUÉ ªÀiÁwÃð« CAvÀ ºÉýzÀÝ ¨É¯U É É M¦à PÁAmÁæ÷åPïÖ ¸ÉÊ£ï ªÀiÁrzÀÄ.æ EAlgɸïÖ gÉÃlÄ vÀÄA§ PÀqÉä EzÀÆæ£ÀÆ E£ÀÆß PÀqÉä DUÀÄvÉÛ CAvÀ ªÉÆzÉèà ¦æ C¥ÀÆ檯 À ï ¯ÉÆãïUÉ Cfð ºÁPÁÝUÀ EzÀÝ EAlgɸïÖ gÉÃmï£À ¯ÁPï ªÀiÁqÉÝ GzÁ¹Ã£À ªÀiÁrzÀÄæ CAvÀ PÁtÄvÉÛ. dÆ£ï wAUÀ¼° À è ªÀÄ£É PÉÆèÃ¸ï ªÀiÁqÉÆÃPï ªÀÄÄAZÉ ¨ÁåAPïUÉ ¯ÉÆÃ£ï §UÉÎ ¥sÉÆÃ£ï ªÀiÁqÉÆà ºÉÆvÉÎ EAlgɸïÖ gÉÃmï eÁ¹Û DV ºÀ¼ÃÉ gÉÃmïUÉ ¯ÉÆãï PÉÆqÉÆ®è CAvÀ UÉÆvÁÛzÁUÀ ºÉƸÀ gÉÃmï ¥ÀæPÁgÀ ªÀiÁmïðUÉÃeï ¥ÉêÉÄAmï eÁ¹Û ºÉZÁÑUÀÄvÉÛ CAvÀ `FUÀ £ÁªÀÅ ªÀÄ£É PÉÆAqïPÉÆüÉÆîÃPï DUÉÆâ®è' CAvÀ £ÀªÄÉ Î PÁ¯ï ªÀiÁqïzÁUÀ CªÀæ ªÀÄÆRðvÀ£ÀPÌÉ C¼ÉâÃPÉÆà £ÀUâÉÃPÉÆà CAvÀ UÉÆvÁÛVè®è.

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CªÀÅöî C«ßUÉ ¥sÉÆÃ£ï ªÀiÁrzÉæ `£Á£ÀÄ CªÀæ ªÀÄ£É ¨ÁUï°UÉ ºÉÆÃV ªÀÄ£É ¨É¯É PÀqÉä ªÀiÁqÉÆÌ CAvÀ PÉýzÉæ PÉÆqÉÆÃPÁUÉÆ®è CA¢zÀÝPÉÌ £À£ÉÎ CªÀªiÀ Á£À DVzÉ, £Á£ÀÄ D ªÀÄ£É PÉÆAqïPÉƼÉÆ®è CAvÀ wêÀiÁð£À ªÀiÁrânÖ¢Ýä' CAvÀ CªÀÅöß ºÉüÀÝ CAvÀ UÉÆvÁÛzÁUÀ `EªÀÅöß ¨ÁåPï D¥sï ªÀiÁqÉÆÃPÉ K£ÉÆà ¨ÉÃgÉ PÁgÀt E¨ÉÃðPÀÄ' CAzÉÆÌAqï«. `ºÉÆÃzÀå ¦±Áa ¨ÁUï®°è CAzÉæ §AzÉ UÀªÁQëð' CAvÀ ¥ÀÄ£ÀB DgÀA¨sÀ DAiÀÄÄÛ £À£ï PÀªÀÄðPÁAqÀ. ªÀiÁPÉðmïUÉ ªÀÄ£ÉãÀ JgÀqÉßà ¸Àwð ºÁQzï ¢£Á£Éà PÉƼÉÆîà VgÁQUÀ¼À zÀAqÀÄ §gÉÆÃPÉ ¥ÁægÀA¨sÀ DV ªÀÄÆgÉßà ¢£À JgÀqÀÄ UÀAqï ªÀÄPÀ̼À eÉÆvÉ ºÉÊzÀgÁ¨Á¢£À vÉ®ÄUÀÄ ¥sÁå«Ä° M¨ïgÀÄ §AzÀÄ vÀÄA¨Á D¸ÀQÛ vÉÆÃj¹zÀÆæ D¥sg À ï ªÀiÁvÀæ ªÀiÁqï°®è.

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“K£ÀÄ ®Që÷ä ¨É¼À¨½ É UÉÎ PÁè¸ÀΣÀ¸ÄÀ ¥ÁægÀA¨sÀªÁVzÉAiÉÆÔ JAzÉ. ¥ÀæwQæAiÉĬĮè. ¥ÀPÀÌz° À è PÀĽvÀ ºÀÄqÀÄV ¸Àg¸ À Àéw ¨Á¬ÄâlÖ¼ÀÄ. “¤£É߬ÄAzÀ ®Që÷ä ºÉ¸g À ÀÄ §zÀ¯Á¬Ä¹PÉÆArzÁÝ¼É «Ä¸ï. FUÀ CªÀ¼ÀÄ ®Që÷ä JAzÀgÉ N C£ÀÄߪÀAvÉ E®è”. “ºÉƸÀ ºÉ¸ÀgÄÀ K£ÀAvÉ?”

“L±ÀéAiÀÄð ¹¢Þ ¥ÀÇ¥Àæ¸ÁzÀ ®Që÷ä” ¥ÀÇwð JgÀqÀÄ ¤«ÄµÀUÀÆr ºÉýzÀ¼ÀÄ. ®Që÷äAiÀÄ §ÄPïì, £ÉÆÃmïì J¯Áè PÀqÉ §zÀ¯ÁzÀ ºÉ¸g À ÀÄ PÉvÀÛ¯ÁVvÀÄÛ. ®PÀëtªÁVzÀÝ÷®Që÷äUÉ EµÉÖ®è PÁ®Ä ¨Á® ºÀaÑ £ÁªÀiÁAvÀj¹zÉÝÃPÉAzÀÄ PÉüÀ¯ÁV ºÉ¸g À ÀÄ §zÀ¯ÁªÀuÉAiÉÄA§ ºÉƸÀ ªÀåªÀºÁgÀªÉÇAzÀgÀ ¸ÀĽªÀÅ ¹QÌvÀÄ.

ªÀÄ£ÉUÉ §AzÁUÀ ªÀÄvÉÆÛAzÀÄ GvÁàvÀ PÁ¢vÀÄÛ. ªÀÄUÀ¼À j¥ÉÇÃmïð PÁqïð §A¢vÀÄÛ. £À£ÀUÉ vÉÆÃj¸ÀzÉà C¥Àà¤UÉ ¥Àǹ ºÉÆqÉzÀÄ ¸À» ºÁQ¹PÉÆAqÁVvÀÄÛ. PÉÆr°è j¥ÉÇÃgïÖ PÁqïð JAzÉÆqÀ£Éà ªÀÄUÀ¼ÄÀ JUÀj ©zÀݼÀÄ. “£À£ÀUÉ D¨sÁ CAvÀ ºÉ¸j À qÀ®Ä ºÉýzÀÄÝ AiÀiÁgÀÄ”? JAzÀÄ ºÀÆAPÀj¹zÀ¼ÀÄ. £À£ÀUÀÆ vÀ¯É ©¹AiÀiÁVvÀÄÛ. ¥Àæw dUÀ¼ÀzÀ zsÁnAiÀÄ°è “¤£ÀߥÀà” JAzÉ. ªÀÄUÀ¼ÄÀ ¸ÀªÄÀ gÀ¸À£ÀßzÉÞAiÀiÁVAiÉÄà §A¢zÀݼÀÄ. “PÀj C¥Àà£À£ÀÄß.. ¤«Ää§âgÀ JzÀÄgÉà £À£Àß ºÉ¸g À ÀÄ §zÀ¯Á¬Ä¸À¨ÃÉ PÀÄ. £À¤ßà C¤µÀÖ ºÉ¸g À ÀÄ ºÉÆÃUÀĪÀ vÀ£ÀPÀ ¤ªÀÄä PÁl, ºÉÆêÀÄéPïð PÁl vÀ¦àzÀÝ®è” JAzÀ¼ÄÀ .

£ÀUg À ÀzÀ ¸ÁÖgï ºÉÆÃmÉ°è£À°è ªÁgÀ PÁ® ªÁ¸ÀÛªÀå ºÀÆrzÀÝ £ÁªÀÄ ¥ÀArvÀgÆ É §âgÀÄ Erà £ÀUg À Àzª À ÀgÀ ºÉ¸g À ÀÄ §zÀ¯Á¬Ä¹PÉÆlÄÖ CzÀȵÀÖ RįÁ¬Ä¹PÉÆAqÀÄ ¤ªÀÄä PÀµÀÖ E£ÀÄß PÀ¼É ÄvÀÄ J£ÀÄßwÛzÁÝgÉ. ¥ÉÃ¥ÀgÄÀ , n«UÀ¼À°è ``¤ªÀÄä vÉÆAzÀgU É À½UÉ ªÀÄÆ® ¤ªÀÄä zÉÆõÀ¥ÇÀ jvÀ ºÉ¸g À ÉÃ. §¤ß £ÀªÄÀ ä°èUÉ, ¤ªÀÄUÉ CzÀȵÀÖ vÀgÄÀ ªÀ ºÉ¸g À ÀÄ ¤ÃqÀÄvÉÛêɔ JAzÉ®è ¥ÀæZÁgÀ £ÀqɹzÁÝgÀAvÉ. D £ÁªÀÄvÀdÕgÀ ¸À®ºÉAiÀÄ ¥ÀæPÁgÀªÉà ®Që÷ä vÀ£Àß ºÉ¸g À ÀÄ §zÀ¯Á¬Ä¹PÉÆArzÀݼÀÄ. EzÀjAzÁUÀĪÀ ¯Á¨sª À ÉãÀÄ JA§ ¥Àæ±ßÉ UÉ §AzÀ GvÀÛgÀ £À£Àß ¨Á¬Ä ªÀÄÄaѹvÀÄ.

£ÁªÀÄ ¥ÀArvÀgÄÀ £À£ÀUÉ UÉÆwÛ®èzÉ, £ÀªÄÀ ä ªÀÄ£ÉAiÉƼÀUÃÉ ¥ÀæªÃÉ ±À ªÀiÁrzÀÄÝ ¸ÀàµÀÖªÁV vÉÆÃgÀÄwÛvÀÄÛ.

“AiÀiÁgÀÄ ºÉýzÀÄÝ ¤£ÀUÉ C¤µÀÖ ºÉ¸g À ÉAzÀÄ? D¨sÁ JµÉÆÖ¼Éî ºÉ¸g À ÀÄ ¤£ÀßzÀÄ.. DºÁ! JAzÀÄ ºÉýzÀAvÁUÀÄvÀÛzÉ”

“£Á£ÀÄ ¥Àæw¸À®ªÀÇ £ÀÆgÀÄ ªÀiÁPÀÄð §gÀ¨ÉÃPÉAzÀÄ ¥ÀæAiÀÄvÀß ¥ÀnÖgÀÄvÉÛãÉ. DzÀgÉ ¹UÀĪÀÅzÀÄ ªÀÄƪÀvÉÛöÊzÀÄ ªÀiÁvÀæ. ¸ÀRvï ¸ÀA¥ÀÅl 35

41

¸ÀAaPÉ 1

Sangama 2014, Yugadi Edition

¸ÀAUÀªÀÄ 2014, AiÀÄÄUÁ¢ ¸ÀAaPÉ “PÉÆqÀÄvÉÛÃ£É ¸Áé«Ä, ¥ÀwæPÉAiÉÆAzÀÄ ºÀvÀÄÛ gÀÆ¥Á¬Ä ¸ÀA¨sÁªÀ£É ¤ÃrzÉ. CzÀ£ÀÄß E°èqÀÄvÉÛãÉ. ºÉƸÀ ºÉ¸ÀgÄÀ ¤Ãr” J£ÀÄßvÁÛ aÃnAiÀÄ°è §gÉzÀ vÀ£Àß £ÁªÀÄzsÉÃAiÀĪÀ£ÀÄß PÀtU ÂÚ ÉÆwÛPÆ É ¼ÀÄîvÁÛ ¤UÀð«Ä¹zÀ D PÉÆgÀªÀÄ.

£À£Àß ¸ÀªÀÄeÁ¬Ä² ªÀÄUÀ½UÉ ¨ÉÃQgÀ°®è. “£À£Àß ¥sA Éæ r£À CªÀÄä CzÁågÉÆà £ÀÆåªÀÄgÁ®f¸ïÖ ºÀwÛgÀ ºÉÆÃVzÀæAvÉ. £À£Àß ºÉ¸g À ÀÄ §gÉzÄÀ PÀ½¹zÉÝ. CªÀ¼ÀªÄÀ ä £À£Àß ºÁUÀÆ ¦AQAiÀÄ ºÉ¸g À ÀÄ §zÀ¯Á¬Ä¹PÉÆAqÀÄ §A¢zÁÝgÉ” JAzÀ¼ÄÀ . ºÉƸÀ CAV vÀA¢zÁÝgÉ JAzÀÄ ºÉýzÀµÉÖà ¸À°Ã¸ÁV ºÉƸÀ ºÉ¸g À ÀÄ vÀA¢zÁÝgÉ JAzÀÄ ºÉüÀÄwÛzÁݼÉ. ¦AQ E£ÀÄß ªÀÄÄAzÉ ‘²ææAQ ¹Üw’AiÀÄAvÉ. EªÀ¼À ºÉ¸g À ÀÄ ‘D¨sÁUÀå«zsÁvÉ’ JA§ÄzÁV §zÀ¯Á¬Ä¸À¯ÁVzÉAiÀÄAvÉ, J£ÀÄßvÁÛ £À£ÀߣÀÄß ºÀ®è°è, PÀtÚ°è w«zÀ¼ÄÀ ªÀÄUÀ¼ÀÄ. F £ÁªÀiÁAvÀgt À zÀ vÀ¯É£ÉÆêÀ£ÀÄß EªÀ¼À¥àÀ£À vÀ¯ÉUÉà PÀlÄÖªÀÅzÀÄ ¸ÀÆPÀ۪ɤ¹ “¤£ÀߥÀà£Àß PÀj” JAzÀÄ CnÖzÉ. JzÀÄÝ §gÀĪÁUÀ D¸Á«Ä ¨ÁAiÀÄ°è K£ÉÆà ªÀÄt ªÀÄt £Àq¹ É zÀAwvÀÄÛ. zÀæ, ªÀÄ,æ ZÀæ, PÀæ JAzÉãÉÆà Czsð À ZÀAzÀæ ¥ÀoÀt ªÀiÁqÀÄvÁÛ “ºÁ! gÁºÀÄ ªÀÄzsÀå §AvÀÄ. ±ÉÃgÀÄ¥ÉÃmÉ qsÀªÀiÁgÉ£ßÀ zÉ E£ÉßãÀÄ” JAzÀÄ £À£ÀߣÉßà PÉýzÀgÀÄ.

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PÉÊUÀqÀ vÉUÉzÀÄPÉÆAqÀªg À ɯÁè ¥ÀjZÀAiÀÄ E®èzÀªg À ÀAvÉ NqÁqÀÄwÛzÁÝgÉ. PÁè¹£À°è J®ègÀ CmÉAqÉ£ïì PÀgÉzÄÀ ªÀÄÄV¸ÀĪÁUÀ ¤ÃgÀÄ PÀÄrAiÀĨÉÃPɤ߸ÀÄvÀÛzÉ. J¯Áè «zÁåyðUÀ¼ÄÀ £ÀÆgÀPÉÌ £ÀÆgÀÄ ªÀiÁPÀÄð PÉÆr JAzÀÄ ¨Ézj À ¸ÀÄwÛzÁÝgÉ. £ÀUÄÀ ªÀÄÄRUÀ¼ÃÉ PÁtzÉ PÀAUÉnÖzÉÝãÉ..”

C¼ÀÄ«¤AzÁV ªÀÄÄAzÉ ºÉüÀ¨ÉÃPÁzÀÄzÀ£É߯Áè ºÉüÀ¯ÁUÀ°®è.

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“ºÉ¸g À ÉãÀÄ” JAzÀÄ §AvÀÄ ¥Àæ±Éß. ºÉýzÉ. PÀtÄäaÑ zsÁ夹zÀ £ÁªÀÄvÀdÕgÀÄ ‘±Àé’ ±Éåà ±Áé£ÀzsÁå£À C¸ÀqÁؼÀ MvÀÛPëÀgÀ. ‘±Àéj’AiÀįÉèà Cj £É¯É¹zÁÝ£É. ¨sÆ À UÁvÀæzÀ PÀµÀÖ. (¨sÄÀ ), £É.. £ÉÃw JAzÀÄ ¤qÀĸÀÄAiÀÄÝgÀÄ.

“vÁªÀÅ ¸Á»wUÀ¼ÉÆÃ? K£ÀÄ vÀªÀÄä ¸ÀªÄÀ ¸Éå?”

fêÀ£Àz° À è PÀµÀÖPÉÌ CAdzÀªÀgÀÄAmÉÃ? “K£ÀÄ ¥ÀjºÁgÀ” ¸ÀzåÀ PÉÌ £ÀÆgÀÄ gÀÆ¥Á¬Ä (£Á«Ä£À¯ï ZÁeïð) ºÉƸÀ £ÁªÀÄPÀgt À ªÁUÀ¨ÃÉ PÀÄ.

“PÀµÀÖ, PÀqÄÀ PÀµÀÖ.. ºÉ¸j À ®è QÃwð¬Ä®è, ¥Àæ±¹ À ÛAiÀÄ ªÀÄÆgÀ£ÉAiÀÄ ¥ÀnÖAiÀÄ®Æè £À£Àß ºÉ¸Àj®è. §zÀÄPÀÄ §gÀqÀÄ ¸Á»vÀåzÀAvÁVzÉ.

PÁgÀt ºÉý ¸Áé«Ä”

gÉPÁqÀÄð wzÀÄݪÀÅzÀÄ PÀµÀÖ. ¥ÀzÃÉ ¥ÀzÃÉ ºÉ¸g À ÀÄ §zÀ¯Á¬Ä¸À®Ä PÉÆÃnðUÉ ºÉÆÃUÀĪÀÅzÀÄ PÀµÀÖ. £ÀªÄÀ ÆägÀ PÉÆÃmïð UÀÄqÀØzÀ ªÉÄðzÉ. ºÀvÀÄÛªÀÅzÉà PÀµÀÖ. gÀÆrü£ÁªÀÄ ªÀiÁvÀæ §zÀ¯Á¬Ä¹zÀgÉ D¢ÃvÉà JAzÀÄ ¥Àæ²ß¹zÉ. £ÀªÄÀ ÆägÀ°è M§â ‘w¥Éàò’ JA§ ºÉ¸g À À£ÀÄß C¢üPÀÈvÀªÁV ‘vÀ¥À¸ÀÄ̪iÀ Ágï’ JAzÀÄ §zÀ¯Á¬Ä¹PÉƼÀÄîªÁUÀ DzÀ UÉÆÃd®Ä £É£À¦vÀÄÛ.

“¤ªÀÄä ºÉ¸j À £À zÉÆõÀ PÁqÀÄwÛzÉ. PÉÃvÀÄ PÉgÀ½zÁÝ£É, gÁºÀÄ ºÀÆAPÀj¸ÀÄwÛzÁÝ£É. ¤ÃªÀÅ EµÀÄÖ ªÀµð À §zÀÄQzÉÝà ºÉZÀÄÑ” “CAiÉÆåà ºÁUÉ£ßÀ ¨ÉÃr ¸Áé«Ä.. fêÀ£Àz° À è MAzÁzÀgÆ À ¥ÀvÉÛÃzÁj PÀÈw §gÉAiÀĨÉÃPÉA§ D¸É £Égª À ÉÃgÀzÉ ¸ÁAiÀįÁgÉ. ¥ÀjºÁgÀ ºÉý ¸Áé«Ä”

“¥Àgª À ÁV®è. PÀgÉAiÀÄĪÀ ºÉ¸g À ÀÄ gÉPÁqïð wzÀÝzÉà §zÀ¯Á¬Ä¹PÉÆAqÀgÀÆ CzsÀð PÀµÀÖ ¥ÀjºÁgÀªÁzÀAvÉÔ JAzÀgÄÀ £ÁªÀÄ ¥ÀArvÀgÀÄ. £À£ÀUÉÆà ºÉƸÀ ºÉ¸j À £À PÀÄvÀƺÀ®. EµÉÖà PÀ¼ÉzÀÄPÉÆAqÀªÀ½UÉ £ÀÆgÀÄ gÀÆ¥Á¬Ä ºÉZÁÑ¢ÃvÉÃ..? ¥Àzv À À®zÀ°èmÉÖ. ºÉƸÀ £ÁªÀÄ ¥ÀæzÁ£À ªÀiÁrzÀgÄÀ .

“GAlÄ.. PÀªÀįÁPÀë JA§ ¤ªÀÄä ºÉ¸g À À£ÀÄß ‘§ºÀÄ ¨sÁæAw ¦ÃrvÀ PÀ« PÀÄ®®¯ÁªÀÄ’ (PÉÆgÀªÄÀ ) JAzÀÄ §zÀ¯Á¬Ä¸À¨ÃÉ PÀÄ. DzÀgÉ CzÀPÉÌ vÀU® À ĪÀ ¦üøÀÄ PÉÆqÀĪÀ vÁPÀwÛzÉAiÉÄà ¤ªÀÄUÉ?”

¸ÀA¥ÀÅl 35

42

¸ÀAaPÉ 1

Sangama 2014, Yugadi Edition

¸ÀAUÀªÀÄ 2014, AiÀÄÄUÁ¢ ¸ÀAaPÉ

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44

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48

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Sangama 2014, Yugadi Edition

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EvÀÛ, ±ÀAPÀgÀ£À JA.©.©.J¸ï. ªÀÄÄVzÀÄ CªÀ¤UÉ ªÀÄzÀÄªÉ ¸ÀºÀ ¤±ÀÑAiÀĪÁ¬ÄvÀÄ. ºÀÄqÀÄV qÁ|| GªÀiÁ, ªÀÄ£ÉÆÃgÉÆÃUÀ vÀeÕÉ. ²æäªÁ¸À£ÀÆ ¸ÀºÀ ©.E. ªÀÄÄV¹ ¥Àæ¹zÀÞ PÀA¥À¤AiÉÆAzÀg° À è ªÀÄÄRå EAf¤AiÀÄgï DV ¸ÉÃjzÀÝjAzÀ, ¸ÀIJîªÀÄä ¥ÀzÄÀ ݪÀ£ÀÄß vÀAzÀÄPÉƼÀÄîªÀ «ZÁgÀªÀ£Àß ¸ÀA¥ÀÅl 35

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49

¸ÀAaPÉ 1

Sangama 2014, Yugadi Edition

¸ÀAUÀªÀÄ 2014, AiÀÄÄUÁ¢ ¸ÀAaPÉ

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CzÀg° À è, ªÀÄPÀ̼ÀÄ vÀAzÉvÁ¬ÄAiÀÄgÀ£Àß gÀQë¸À¯ÉèÉÃPÉAzÀÄ PÀqÁØAiÀÄ ªÀiÁqÀ¯ÁVzÉ.

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EAvÀºÀªg À ɯÁè F ªÁPÀåªÀ£Àß ¥Àp¹ PÉƼÀÄîwÛgÀ¨ÉÃPÀÄ: "£Á£ÀÄ aAw¹zÀAvÉ ªÀÄÄzÀÄPÀ". CzÀQÌAvÀ M¼ÉîAiÀÄzÀÄ. "£Á£ÀÄ ¸ÀA¥ÀÅl 35

58

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E®èªÉÇ w½AiÀÄzÀÄ. K£Éà DUÀ° ¤ªÀÄä M¼ÉîAiÀÄzÀPÉÌ ¤ÃªÀÅ PÉ®ªÀÅ ¤AiÀĪÀÄUÀ¼À£Àß ¥Á°¸À¨ÉÃPÀÄ. ¤ªÀÄä fêÀ£Àz° À è ¤ÃªÀÅ K£ÉãÉÆ PÀArgÀ§ºÀÄzÀÄ, PÀ°wgÀ§ºÀÄzÀÄ. ªÀÈzÁÞ¥Àå fêÀ£Àz° À è ºÉÃUÉ £Àqz É ÀÄPÉƼÀî¨ÉÃPÉAzÀÄ ¸ÀºÀ ¤ÃªÉà ¤zsÀðj¹gÀ¨ÉÃPÀÄ. ¤ªÀÄä DyðPÀ ¥Àj¹Üw ¤ªÀÄä£ÀÄß ¥ÉÆö¸ÀĪÀªj À UÉ (CAzÀgÉ ªÀÄPÀ̽UÉ) vÉÆAzÀgÉ DUÀzÀAvÉ ¤ÃªÀÅ ªÀåªÀ¸ÜÉ ªÀiÁrPÉÆArgÀ¨ÃÉ PÀÄ. ¤ªÀÄä DyðPÀ ¥Àj¹ÜwAiÀĵÉÖà CxÀªÁ CzÀQÌAvÀ®Æ ºÉaÑ£À ªÀÄÄRå «µÀAiÀĪÉAzÀgÉ ¤ªÀÄä DgÉÆÃUÀå. CzÀPÁÌV ¤ÃªÀÅ PÉ®ªÀÅ ¤AiÀĪÀÄUÀ¼À£Àß PÀqÁØAiÀĪÁV ¥Á°¸À¨ÃÉ PÀÄ. ªÀÄÄRå ¤AiÀĪÀÄUÀ¼À°è EªÉgÀqÄÀ : ¸ÀgÀ¼À fêÀ£À, «ÄvÀ ¨sÆ É Ãd£À.

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ಪದರಂಗವನ್ನು ಬಿಡಿಸಿ, E-mail ashivakumar@yahoo.com ಅಥವ Tel: 847-680-0458 ಮೂಲಕವಾಗಲಿ, “ನಾನ್ನ ಬಿಡಿಸಿದೆ” ಎಂದನ ತಿಳಿಸಿದರೆ ಸಾಕನ, ನಿಮಮ ಹೆಸರನ್ನು ಮನಂದಿನ್ ಸಂಚಿಕೆಯಲಿ​ಿ ಪರಕಟಿಸನತೆತೇವೆ. ದಿೇಪಾವಳಿ ಪದರಂಗಕೆ​ೆ ಸರಿಯನತ್ತರ ಕಳಿಸಿದವರನ:

ಶಾರದಾ ಬೆೈಯಣ್ಣ ಅನ್ನಪಮಾ ಮಂಗಳವೆೇಢೆ

¸ÀAaPÉ 1

Sangama 2014, Yugadi Issue

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Sangama 2014, Yugadi Issue

¸ÀAUÀªÀÄ 2014, AiÀÄÄUÁ¢ ¸ÀAaPÉ

¸ÀAUÀªÄÀ -¸ÀÄUÀªÀÄ C£ÀÄ¥ÀªÀiÁ ªÀÄAUÀ¼ïªÉÃqsÉ

ಶೇರ್ಷಿಕೆಯೇ ಸೂಚಿಸನವಂತೆ ಈ ಸನಳಿವುಗಳು ಬಹಳ ಸನಲಭವಾಗಿವೆ. ಇವಕೆ​ೆ ಉತ್ತರಿಸಿದರೆ ನಿಮಮ ಕನ್ುಡ ಕೂಟದ ಪೆರೇಮವನ್ನು ಪರಿೇಕ್ಷಿಸಿದಂತೆಯ.

1)

ರಾಮನ್ನ ಮರೆಯಲಿ​ಿ ನಿಂತ್ನ ಕೊಂದ ಈ ವಾನ್ರ ನೆಟಟಗೆ ಇದಿ​ಿದಿರೆ ಸಾಯನತಿತರಲಿಲಿವೆೇನೊೇ!

2)

ಈ ಊರನ ಬೊಂಬೆಗಳಿಗೆ ಪರಸಿದಿ​ಿಯಾಗಿದೆ

3)

ಒಲಂಪಿಯಾಡಿನ್ ಈ ಪಂದಯದಲಿ​ಿ ಸೊೇತ್ ಮಾತ್ರಕೆ​ೆ ವನ್ವಾಸವಿಲಿ!

4)

ಈ ಮಸಾಲೆ ಖಾರದ ಅಡನಗೆಗಳಲಿ​ಿ ಘಮಘಮಿಸನವುದನ ಮಾತ್ರವಲಿದೆ ಅಮೇರಿಕಾದ ಸಿಹಿತಿಂಡಿಗಳಲೂಿ ಜನ್ಪಿರಯ

5)

ಕರಿಗಡನಬಿನ್ ಊಟ ಈ ಹಬಬಕೆ​ೆ ಖಾಯಂ!

6)

ಕನ್ುಡ ಕೂಟದ ಕಾಯಿಕರಮಗಳಲಿ​ಿ ಪರತಿಯೊಬಬರೂ ಇದನ್ನು ಸವಿಯನತಾತರೆ

7)

ಕನ್ುಡ ಕೂಟದ ಸದಸಯರ ಶನಲೆದ ಮೇಲೆ ಇವರಿಗೆ ಅತಿ ಹೆಚಿ​ಿನ್ ರಿಯಾಯಿತಿ ದೊರೆಯನತ್ತದೆ.

8)

ರಾಮ ವನ್ವಾಸಕೆ​ೆ ಹೊೇದದನಿ ಈ ಕಾಡಿಗೆ

9)

ಬಸವಣ್ಣನ್ವರ ಸಮಾಧಿ ಅಥವಾ ಐಕಯ ಮಂಟಪ ಇರನವುದನ ಇಲಿ​ಿಯೇ

ಸದಸಯರತಲಲರ ಸ್ತೇರಿ ಹಿೇಗತ ಘ ೇಷಿಸ್ತ ೇಣ, ಬನಿನ! ಸೂಚನೆ: ಮೇಲೆ ಬಣ್ಣದ ಚೌಕಗಳಲಿ​ಿ ಇರನವ ಅಕ್ಷರಗಳನ್ನು ಬಳಸಿರಿ

“ವಿದಾಯರಣ್ಯ ಕನ್ುಡ ಕೂಟಕೆ​ೆ ಜಯವಾಗಲಿ” GvÀg Û U À ¼ À ÀÄ:1)ವಾಲಿ, 2)ಚನ್ುಪಟಟಣ್, 3)ಪಗಡೆ ಆಟ, 4)ಚಕೆ​ೆ, 5)ವಿನಾಯಕ ಚತ್ನರ್ಥಿ, 6)ಭೊೇಜನ್, 7)ವಿದಾಯರ್ಥಿ, 8)ದಂಡಕಾರಣ್ಯ, 9)ಕೂಡಲ ಸಂಗಮ

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Sangama 2014, Yugadi Issue

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CgÀÄuï ªÀÄÆwð, £ÉÃ¥À«ð¯ï, E°£ÁAiÀiï. a_murthy@yahoo.com

MUÀlÄUÀ¼ÀÄ – ©r¸À§°ègÁ?

(©eÁ¥ÀÄgÀzÀ ZÀAzÀU æ ËqÀ PÀÄ®PÀtÂð CªÀgÀ ‘MUÀlÄ ©r¸ÉÆà eÁt’ ¥ÀĸÀÛPÀ¢AzÀ DAiÀÄÝzÀÄÝ)

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CPÀëgÀ ªÀÄÆgÀÄ ¸ÉÃjzÀgÉÆAzÀÄ ±À§ÝªÀÅ gÀÆ¥À vÁ¼ÀvÉÊw!

UËgÀª¢ À AzÀ ¨Á¼ÀĪÀ ªÀÄ£ÀÄd JAzÀÄ CxÀðªÀ ºÉüÀvÉÊw! ªÉÆzÀ°£À CPÀëgÀ JgÀqÀ£ÉAiÀÄ CPÀëgÀ ¸ÉÃgÀ®Ä UËgÀªÀ PÉÆqÀvÉÊw!

PÉÆ£ÉAiÉÄgÀqPÀ ëÀgÀ ¸ÉÃjzÀgÁUÀ ºÉƸÀºÉƸÀvÉÆAzÀÄ £ÀÄrvÉÊw ªÉÆzÀ°UÉ PÉÆ£ÉAiÀÄ CPÀëgÀ ¸ÉÃgÀ®Ä CªÀé£À vÀªÀÄä£À PÀjvÉÊw! ªÀÄPÀ̼À PÉý CxÀðªÀ ºÉý ±À§Ý AiÀiÁªÀÅzÀÄ UÉÆvÉÛöÊw!

GvÀg Û ÀUÀ¼ÀÄ: ¸ÀªÀigÀ, ªÀiÁ£ÀªÀ

AiÀÄÄzÀÞ JA§ CxÀð PÉÆqÀĪÀ ¥Àzª À ÀÅ E°èzÉ ªÀÄÆgÀPÀëgÀ ¸ÉÃjzÁUÀ gÀÆ¥ÀÄ vÁ½zÉ MAzÀÄ JgÀqÀÄ ¸ÉÃjzÁUÀ »ÃUÉ £ÀÄr¢zÉ ºÉZÀÄÑ PÀrªÉÄ E®è JA§ CxÀð ¥Àq¢ É zÉ PÉÆ£ÉAiÀÄ JgÀqÀÄ ¸ÉÃj zÉÆqÀØ VqÀªÅÀ DVzÉ MAzÀÄ ªÀÄÆgÀÄ ¸ÉÃj PÉÆgÀ¼À ºÁgÀ DVzÉ AiÀiÁªÀ ±À§Ý JAzÀÄ ¤ÃªÀÅ ºÉüÀ§°ègÁ! ¤ªÀÄä eÁuÉä vÉÆÃj MUÀl ©r¸À§°ègÁ!

63

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AiÀÄÄUÁ¢ ¥ÀzÀ§AzsÀ - 2014 gÀZÀ£É: ²æäªÁ¸À ¨sl À Ö - §¥sɯÉÆà UÉÆÃæ ªï

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Sangama 2014, Yugadi Issue

¸ÀAUÀªÀÄ 2014, AiÀÄÄUÁ¢ ¸ÀAaPÉ

ಎಡದಿಂದ ಬಲಕತೆ:

ಮೇಲಿನಿಂದ ಕತಳಗತ:

1

ದೊಡಡ ಹೊಟ್ೆಟಯನಳಳ, ಪರಥಮ ಪೂಜಿತ್ ದೆೇವ(4)

1

ಭರಷ್ಟ; ರನಷ್ನವತ್ನತ ಪಡೆಯನವವ(4)

3

ಸಮ ಆಗಮ ಕೂಡಿದರೆ ಸಂಯೊೇಗ, ಭೆೇಟಿ, ಸೆೇರಿಕೆ(4)

2

ಹಿತ್ವಾದನದನ; ಮಾವಿನ್ ಹಣ್ಣಣನ್ ಪಾಯಸಕೂೆ ಈ ಹೆಸರಿದೆ(4)

5

ಒಳಭಾಗ, ಬಹಿರಂಗದ ವಿರನದಿ ಪದ(4)

3

ಮಾಸಿದ, ಸವಕಾಲದ - ದನಡನಡ, ಲೊೇಹದ ಬಿಲೆಿ(5)

7

ಇದರ ಒಗಗರಣೆ ಇಲಿದೆ ಅಡನಗೆ ರನಚಿಯಾದಿೇತೆೇ?(3)

4

ಅನ್ನಕಂಪ, ಕನಿಕರ ಹನಟನಟ(5)

8

ಜವಾಬನ ಕೊಟಟ ಮನಸಲಾಮನ್ ದೊರೆ(3)

5

‘ರೆಬೆಲ್ ಸಾಟರ್’ ಖಾಯತಿಯ ಈ ನ್ಟನ್ ಮೊದಲ ಚಿತ್ರ ‘ನಾಗರ ಹಾವು’(4)

9 11

ಮಜಾ ಮಾಡನವ ದಿವಸ(4) ಮದನವೆ ಮನಂತಾದ ಶನಭ ಸಮಾರಂಭಗಳಲಿ​ಿ ಕೆೇಳಿ ಬರನವ

6

ಸಮಯ ತೊೇರಿಸನವಂಥದನಿ, ಗಡಿಯಾಚೆ ಯಿಂದ ಬಂದದೆಿೇ?(4)

10

ಜನ್ಕನ್ ಮಗಳು (3)

ವಾದಯ, ಓಲಗ(4) 12

ಆಯನಧಗಳನ್ನು ಇಡನವ ಸಥಳ, ಆಯನಧಾಗಾರ(4)

13

ಕತೆತ, ರಾಸಭ(3)

14

ಉತ್ತರ ಕನಾಿಟಕದ ಶೆೈಲಿಯಲಿ​ಿ ಜಾಣ್, ಬನದಿ​ಿವಂತ್(2)

14

ಬಾಲೆ ಪಾಠ ಕಲಿಯಲನ ಹೊೇಗನವ ಸಥಳ(2)

15

ತಿರನಗನ ಮನರನಗಾದ ಪಾಲನದಾರ, ಹಕನೆದಾರ(2)

16

ಭಾರತಿಯ ತ್ೂಕವೆಷ್ನಟ?(2)

17

ತ್.ರಾ.ಸನ ಕಾದಂಬರಿ ಆಧಾರಿತ್ ಅನ್ಂತ್ನಾಗ್, ಲಕ್ಷಿ​ಿ

17

ಸಹಾಯಕ, ಜತೆಗಾರ, ನೆರವಿಗೆ ಬರನವವನ್ನ(4)

18

ಶರೇ ಕೃಷ್ಣನ್ ಸಹೊೇದರ(4)

ಅಭಿನ್ಯದ ಚಲನ್ಚಿತ್ರ(5) 19

ಕಾವಯ-ಕಲೆಗಳಿಂದ ದೊರೆಯನವ ಆನ್ಂದ, ತ್ೃಪಿತ; ರಸಾಸಾ​ಾದ(5)

22

ಆನೆಯಂತೆ ಮಂದವಾದ ನ್ಡಿಗೆ ಉಳಳವಳು(5)

20

ಪೃರ್ಥಿರಾಜ್ ಕಪೂರ್ ಅಭಿನ್ಯದ, ಪುಟಟಣ್ಣ ಕಣ್ಗಾಲ್ ಅವರ ಚಿತ್ರ(4)

25

ಬೆೇರೆಯ ಕಾರಣ್, ನೆಪಕಾೆಗಿ(5)

21

ಮದನವೆಯ ಹೆಣ್ನಣ-ಗಂಡನ(4)

27

ತಿವಿ, ಇರಿ - ಹಿಂದನ ಮನಂದಾಗಿದೆ(2)

23

‘ಅಭಿನ್ಯ ಶಾರದೆ’ ಬಿರನದನಳಳ ಕನ್ುಡದ ಖಾಯತ್ ಚಲನ್ಚಿತ್ರ ನ್ಟಿ(3)

24

ನ್ಂಬಿಕೆ, ವಿಶಾ​ಾಸ, ಭರವಸೆಯಿಡನ(2)

29

‘ಉದಯವಾಗಲಿ ನ್ಮಮ ಚೆಲನವ ಕನ್ುಡ _ _’ - ಇದನ ಕವಿ ನ್ನಡಿ(2)

30

ಚರಿತೆರ, ಹಿಂದಿನ್ ಕಥೆ(4)

25

ತ್ಲಕಾಡಿನ್ ಒಳಗೆ ಅಡವಿ ಅಡಗಿದೆಯೇ?(2)

32

ಭಯಂಕರವಾದ ಸಪಿ ಎಂಬಥಿ ಕೊಡನವ ಈ ಪದ,

26

ಗಾಳಿ, ವಾಯನ, ಅನಿಲ - ತಿರನಗಿದೆ(3)

ಡಾ||ವಿಷ್ನಣವಧಿನ್ ಅವರ ಚಿತ್ರದ ಹೆಸರೂ ಕೂಡ(4) 33

ಮಾನ್ದ ಬಗೆಗ ಅನ್ನದಿನ್ವೂ ಸಂದೆೇಹವೆೇ?(4)

28

ಚೂಟಿ, ಚಾಲಾಕನತ್ನ್, ಬನದಿ​ಿವಂತಿಕೆ(5)

35

ಜ್ಞಾನ್ಪಿೇಠ ಪರಶಸಿತ ಪುರಸೃತ್ ‘ಕಡಲತಿೇರದ ಭಾಗಿವ’(3)

29

ಗಿರಿೇಶ್ ಕಾನಾಿಡ್ ನಾಟಕ ಆಧಾರಿತ್, ನಾಗಾಭರಣ್ ಅವರ ಚಿತ್ರ; ಕರಾವಳಿ ಜಿಲೆಿಗಳಲಿ​ಿ ನ್ಡೆಯನವ ವಿಶಷ್ಟ ಸಪಾಿರಾಧನೆಯ ಸಂಪರದಾಯವೂ ಹೌದನ(5)

36 37 38

ಡೊೇಲನ, ಢಕೆ​ೆ ಯಂತೆಯೇ ಇನೊುಂದನ ಚಮಿ ವಾದಯ(3)

30

ಪರಿಮಿತಿ, ವಾಯಿದೆ, ನಿಬಂಧನೆ(4)

ತಿೇರಕೆ​ೆ ಸಾರ ಸೆೇರಿದರೆ ಇದೆಂತ್ಹ ತಾತಾ​ಾರ, ಅವಹೆೇಳನ್(4)

31

ಅಧಿಕಾರ, ಆಡಳಿತ್, ಆಳಿಾಕೆ(4)

‘ಋರ್ಷಮೂಲ, _ _ _ _ಇದನೆುಲಿ ಕೆದಕಬಾರದನ’ ಎನ್ನುವುದನ

33

ಇಷ್ಟ, ಆಸಕ್ತತ, ಒಲವು(4)

34

ಹೊಸ ಬಗೆಯ ಪದಯ, ಕಾವಯ ರಚಿಸನವವ(4)

ಅನ್ನಭವದ ನ್ನಡಿ(4) 39

ಅಶಾತಾಥಮ, ಬಲಿ, ವಾಯಸ, ಹನ್ನಮಂತ್, ವಿಭಿೇಷ್ಣ್, ಕೃಪ, ಪರಶನರಾಮ - ಇವರನ ಸಪತ _ _ _ _ ಗಳು(4)

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65

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ಭಾ ಳು ಗಾ ಶ ಹ ಯು ದ ಶು ಯ ಬಬ ಗ ದಿ ಗಾಳತ ರು ಮುಂ ಮ ಲ ಚಿ ನ ತಿ ಚ ಡಿ ಗಂ ಗು ಧ್ ದ

ಯಸ ರ ಳತೇ ಹತ ಶವ ಲಲ ವು ಬತ ಬತೇ ಸ ತಿ ಮಾ ಚತೈ ನು ಲು ಜತೇ ಹಾ ರು ಪಪ ಗತೇ ಸ್ತ ಸಂ ರಿ ಕತ ೇ ಬ ರ ನ ವ ಸಂ ತ ನ ತಸ ಗ ಲ ಮ ಡ ಸಂ ಕ ತ ಗು ಣಿ ಕಾ

ಕನ್ುಡ ಭಗವದಿಗೇತೆ: “ಹೊಸ ಚಿಗನರನ ಹಳೆಬೆೇರನ ಕೂಡಿರಲನ ಮರಸೊಬಗನ”

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66

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srivathsajoshi@yahoo.com

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2. ¥Àæ«Ãt UÉÆÃqÀTAr, ªÀÄUÀ£À ºÉ¸ÀgÀÄ µÀqÀÓ. 3. ¦.PÁ½AUÀ gÁªï. 4. ²æÃ¥Àw ¥ÀArvÁgÁzsÀå 5. RgÀºÀgÀ¦æAiÀÄ. CzÉÆAzÉà ¸À¥ÀÛ¸ÀégÀUÀ½gÀĪÀ ¸ÀA¥ÀÆtð gÁUÀ. «ÄPÉÌ®èªÀÇ ¥ÀAZÀ¸éÀgÀUÀ¼À gÁUÀUÀ¼ÀÄ. 6. WÀ®ÄèWÀ¯Éè£ÀÄvÁ UÉeÉÓ WÀ®Äè vÁ¢ü«ÄvÁ... 7. ¥ÀArvï ©üêÀÄ ¸ÉãÀ eÉÆò.

8. ºÀA¸À¯ÉÃR. 9. ±ÁåªÀįÁ f. ¨sÁªÉ. 10. ªÀĺÀw. 11. Dgï. PÉ. ²æÃPÀAoÀ£ï. 12. ªÉÄʸÀÆgÀÄ.

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67

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Sangama 2014, Yugadi Issue

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manu09ashu@gmail.com

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71

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Sangama 2013, Yugadi Edition

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ಧಾರವಾಡ ಪತೇಢ

¥ÀzÁxÀðUÀ¼ÀÄ: 1 stick unsalted butter (1/2 cup), 2 cups - milk powder; 1x13.4 oz. can of Dulce de leche condensed milk

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r_sowmini@ yahoo.com

Red Quinoa ವಾಂಗಿೇಭಾತ್

¥ÀzÁxÀðUÀ¼ÀÄ: 1 cup ¨Ëæ£ï CQÌ; 1 cup PÉA¥ÀÄ quinoa; ½ cup ºÉaz Ñ À §zÀ£ÉPÁ¬Ä; ½ cup §mÁtÂ; ªÁAVèsÁvï ¥ÀÄr; ¼ cup ªÁ¯ï£Àmï; 2 tbls D°ªï JuÉÚ; 2 tbls PÉ£ÉÆïÁ JuÉÚ ªÀiÁqÀĪÀ «zsÁ£À: ¨Ëæ£ï CQÌAiÀÄ£ÀÄß CzsÀð WÀAmÉ ¤Ãj£À°è ºÁQ £É£É Er. £ÀAvÀgÀ D ¤ÃgÀ£ÀÄß ZÉ°è, quinoa ºÁQ 4 PÀ¥ï ¤Ãj£ÉÆA¢UÉ PÀÄPÀÌgï £À°è ¨ÉìĹj. ¨Át¯ÉAiÀÄ°è ¸Á¹ªÉ, G¢Ý£À¨ÃÉ ¼É, ªÁ¯ï£Àmï ºÁUÀÄ Cj¹£ÀzÀ MUÀÎgÀuÉ ªÀiÁrPÉÆAqÀÄ vÀgPÀ ÁjUÀ¼À£ÀÄß ºÁQ, G¥ÀÄà ºÁQ ªÀÄÄZÀѼÀ ªÀÄÄaÑ gÁzsÁ gÁªï £ÉÃ¥À«ð¯ï, E°£ÁAiÀiï ¸Àé®à ºÉÆvÀÄÛ ¨ÉìĹj. ªÁAVèsÁvï ¥ÀÄrAiÀÄ£ÀÆß ºÁUÀÄ D°ªï JuÉÚAiÀÄ£ÀÄß ºÁQ PÀ°¹j. ¨ÉìĹgÀĪÀ ºÁUÀÄ ¨Ëæ£ï CQÌAiÀÄ£ÀÆß ¨Égɹ ZÉ£ÁßV PÀ°¹zÀg,É DgÉÆÃUÀåPÀgÀªÁzÀ ªÁAVèsÁvï gÉr! radhisrao@ yahoo.com ¸ÀA¥ÀÅl 35

72

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Sangama 2013, Yugadi Edition

¸ÀAUÀªÀÄ 2013, ಯನUÁ¢ ¸ÀAaPÉ

ಹಸರು ಸ್ತೇಬಿನ ಉಪ್ಪಪನಕಾಯಿ

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shilpa_shekar@ yahoo.com

ಪ್ಪಸ್ಾೆ ಕುಲಿ​ಿ

¥ÀzÁxÀðUÀ¼ÀÄ: 6 Ounce Cool Whip; 1 can condensed Milk; 1 can evaporated Milk; 8,9 vÉÆnÖ£ÀµÀÄÖ ºÀ¹gÀÄ §tÚ; 1 PÀ¥ï ¥ÀÄr ªÀiÁrzÀ Pistachios; 1 PÀ¥ï ¥ÀÄr ªÀiÁrzÀ ¨ÁzÁ«Ä ªÀiÁqÀĪÀ «zsÁ£À: MAzÀÄ ¥ÁvÉæAiÀÄ°è 6 ounce cool whip ºÁUÀÄ condensed milk ªÀÄvÀÄÛ evaporated milk J¯Áè ¸ÉÃj¹ ZÉ£ÁßV ¨Égɹ. £ÀAvÀgÀ 8-9 vÉÆnÖ£ÀµÀÄÖ ºÀ¹gÀÄ §tÚªÀ£ÀÄß ºÁQ ¨Égɹ. ¥ÁvÉæ¬ÄAzÀ MAzÀÄ UÁf£À ¥ÁvÉæUÉ (¦üæÃgÀhÄ£Àð°è EqÀ§ºÀÄzÁzÀ) ¸ÀÄjzÀÄPÉƽî. EzÀgÀ ªÉÄÃ¯É ¥ÀÄrAiÀiÁzÀ ¨ÁzÁ«Ä ºÁUÀÄ ¦¸ÁÖ²AiÉÆÃUÀ¼£ À ÀÄß GzÀÄj¹ £ÀAvÀgÀ ¦üæÃgÀhÄ£Àð°è Er. ¦üæÃgÀhĤðAzÀ vÉUz É À £ÀAvÀgÀ ¨ÉÃPÁzÀ DPÁgÀPÉÌ PÀvÀÛj¹r. FUÀ ¦¸ÁÖ²AiÉÆà PÀÄ°á w£Àß®Ä ¹zÀÞ.

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73

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¸ÀAUÀªÀÄ 2013, ಯನUÁ¢ ¸ÀAaPÉ

ಅನಾನಸ್ ರವಾ ಲಡು​ು

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Here and There

Art: Parnika Shandilya and Arnav Shandilya Naperville, Illinois Text: Editors

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India: A Home Away from Home Vijaya Bhat

Hinsdale, Illinois pediaam@aol.com I remember the excitement and anxiety I felt during my first visit back home to India. I had been living in the U.S. for three years. It was the mid ‘70s when my main communication with my parents was through weekly letters and a telegram in an emergency. The telephone and a fridge were luxury items in my mom’s house. The idea of SKYPE or Face Time unimaginable. While after living in America I had adapted to wearing pants, when visiting India I always wore salwar suits or sarees. I felt it was too modern to wear pants in my home town where people would gaze at you for your odd appearance. On my first visit back to India, when I got off the plane my amma saw me and said I looked very tired and weak with dark circles around my eyes. I told her it was my eye shadow! My sister asked me if I was putting Vaseline on my lips because they were dry; I told her that it was lip gloss! Ha! So much for my sophisticated look!

price of one. Rechargeable flash lights, small radiocum-tape-recorder were much desired among our relatives in the remote villages where there was no electricity at that time. After a few trips to India, I once again became accustomed to life there. I grew more tolerant in general and began to enjoy our stay.

I would tune myself to the Indian way of thinking and lifestyle the minute we landed in India and back to the American way after returning home. Pushing and pulling in the crowded streets of India became a survival game!

During these visits, I noticed some changes but the biggest changes began in the mid-80s as India got swept up with the booming IT (information technology) industry and the mobile phone and television. Who would not remember the time when people there, even the servant girl, stopped her work and sat in the living room as the Ramayana serial came on TV? Soon more coffee shops, supermarkets, restaurants, mega shopping malls with food courts and western goods and foods were popping up everywhere in India. Fast food chains such as KFC and McDonalds (complete with an Indian twist) all became very popular among youths. I realized there was no point on insisting my teenage daughter wear salwar suits during our India trips!! Even the middle-aged aunties had started wearing jeans and tunic-style tops. My daughter would be the only one observing more traditional garb. Slowly, I saw women taking more interest in western beauty practices—hair removal, hair styling, etc. Even professional hair coloring for women and men became available.

Having lived for three years in America with organization and neatness, I was accustomed to life here. During my first visit to India I noticed little had changed—everything around me looked dirtier, dingier, and more chaotic than I remembered. Most of the people looked thin and malnourished.

Unconsciously I had begun to compare things between India and America. The streets that once had gone unnoticed, I now noticed as narrow and congested.

The houses with faded walls and moldy roof tiles due to harsh rains seemed unattractive. The wet bathroom and Indian style toilet that I had grown up with now seemed unappealing. Everyone noticed us wherever we went; they must have guessed we were from America. While these things bothered me then, my time with my parents and family was wonderful.

On our most recent trip to India, my husband returned from the barber shop and told me the barber asked him if he wanted him to color my husband’s hair as well.

Only in India can you choose to have your hair colored and walk out to wash it in your own house or you can take your own hair dye and opt to use it. I even got my hair colored, washed, blow dried, arms waxed, eyebrows threaded, and hair trimmed all for 800 rupees. Wow!!! What a deal. It seems such a meager

My visits to India every two to three years mostly occurred during the summer vacations with my children. I would plan my trips well in advance and continued to lug those extra-large suitcases bursting with gift items and chocolates to give our loved ones.

I would shop in Chicago’s favorite Devon Street for Japan silk sarees on bargain sales with three for the

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price compared to what I pay at Mario Tricocci or Zazu for the same services.

Dining out has become more accessible and commonplace to the mass population. Where once dining out for dinner was a luxury, today modern families pick up take-out, go out for dinner, and feed ready-made foods to their children too. The norms of the upper class have become norms for the lower classes, too, in India. It is hard to differentiate who is the owner of the house and who is the servant worker.

Everyone looks the same. The other day the young servant girl I hired for my house work (looks like a college student) asked me if I have a long stick mop to clean the floor instead of bending and mopping. I told her I was mopping by the old way and I would buy it next time I went shopping. Good servants are hard to come by!

Now, I am just one among the hundreds and thousands visiting from US. Every household has someone in their close family living in a foreign country. No one looks at you or cares what you wear; everyone is busy shopping in the mall and dining out or meeting friends.

People are also more conscious of exercise and diet, too, these days. Going for regular walks, yoga classes, laughing classes, and to the gym are all popular activities. Even Bollywood dance studios have popped up in small towns and city centers. My husband, who walks daily for health, returned home after a three mile walk to share that he saw all kinds of walkers—chaddi walk with sneakers, dress pants with chappal walk, saree walk and not to mention house-coat walk!!!

The material comforts have increased, the technology is up to date, but the never ending dust, the crowd and growing population can be difficult to get accustomed to. Yet the country is charming in its own way for the appreciation of simplicity and the focus on family relationships. The attraction and the magnetic pull to go back to visit is still there for many of us. Whether it is family, the warm weather or wedding shopping, or all of it, we who came from India and made our homes here in America continue to go back to our roots, the place we call back home.

I now travel to India every three to six months on average. There is always a reason: weddings, upanayanas, gruhapraveshas, or just to spend time with my mom! I travel light—one suitcase and one purse. My tickets are purchased impromptu while packing starts a day before and ends at the last minute.

I no longer carry gifts except for some chocolates.

Amma says “don’t bring anything, everything is available here.” I am amazed at the advanced gadgets that people have there. My nephew has the most current, top-quality phone, note pad, and camera and his car fully loaded with audio and video player, etc.

I have shed off my old thoughts and moved on with current trends without any hang-ups and will continue to go to India for the single reason that it is my home country, the place where I was born, and where my mother and family continue to live. I love my home in America—my two children and three darling grandchildren all live, work, and attend school here.

Our lives remain here. But my travels to India continue as I enjoy the best things that India has to offer me. I plan to spend severe cold winter months with my husband in my newly-built vacation home “Sangama” enjoying the tropical weather, beaches, travelling to see relatives, daily walks in the gudda (hill), cooking and eating. I look forward to enjoying my morning cup of tea on the verandah as I look at the creeping fragrant jasmine and bougainvillea vines in my garden and the people passing by.

While everything is available in India, the quality of the materials and goods obtained in India is not always comparable to the quality from the United States. The materials ruin easily especially in the coastal area where I came from. The new malls in India are very posh with upscale shops, east and western restaurants serving full-course meals, and convenient food courts with different Indian states represented. The restrooms are quite clean. Malls are desired hangouts for young people. I like both individual shops, boutiques in gullies of the city and the convenient all-in-one mall.

My favorite is “Shoppers Stop”, “Ethnicity”, trendy “Life Style”, “Fab India”, and “Good Earth”. In fact I buy my skinny jeans and Indian/western look tops in India; they seem to fit my body type better. My hubby finds nice slim-fitting cotton shirts that make him look young and trim. On our last visit, we stopped at the Starbucks in the mall and as I was enjoying the tasty coffee and biscotti and making use of free Wi-Fi; I wondered whether I was really in India!!!

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The life in India is quite different, what works here does not always work there and vice versa. But I have learned to appreciate the differences and celebrate the challenges both in India and in America. I can have it all—a home here with my children and grandchildren and a home in India near my mother and siblings and their families. I reflect on my last memory of my most

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recent trip—I woke up in my own house in India and got ready to make hot coffee. Alas, no milk! I sent my husband out to the corner Nandini shop owned by a neighbor and there, he purchased our milk packet for the morning’s coffee and tea. He came home, we boiled the milk, I brewed the hot coffee and we

enjoyed a steaming mug on our terrace together. Back home, my children shoveled snow and raced to the corner gas station for a gallon of milk. The journeys are the same but the experiences are different. I am glad for those differences and enjoy my life in India and America.

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Travelogue

Faith & Frangipani Jayashree Rao Plainfield, Illinois

jayashree_p@hotmail.com “There's a crack in everyone and that's how the light of God gets in.”

- Elizabeth Gilbert, Eat, Pray and Love

fill you with himself. Souls of prayer are souls of great silence.

Sipping my morning cup of coffee by the fireplace and listening to Arjith Singh’s soulful renditions, I reason with HIM about what is good or bad, right or wrong.

"You have given me everything in life in abundance, but still there is a sense of restlessness within me, an unseen fear inside me and the feeling is so unsettling— why?” I question HIM.

I wasn't really looking for a path to self- discovery; nor was I hoping to meet my Javier Bardem like Julia Roberts did in the movie "Eat, Pray and Love" but Bali definitely fascinated me because of its culture and spiritual roots. I wanted to experience the green landscapes, the art, the food, the people and the overall sense of serenity that Ubud exudes.

What follows here is a collection of my thoughts, stories and prayers from my trip. ~~~~~~~~~~~~~~~~~ Out of the many pictures I clicked during my trip, this one has touched me the most for many reasons. After clicking this picture, I sat by the street-side and silently gazed at this frame of faith, knowledge, and wisdom for a very long time. It was an affirmation of my belief in the saying "One cannot find God in noise and agitation but in the silence of the heart, God speaks".

The year 2013 was a very hectic one for me, by far one of the fastest paced ones. I was running away from the real world, from everyone and everything. I partied hard and I didn't know exactly what I wanted from life, or why I was doing all this. But by the end of the year, I could tell. I wanted to slow down and find answers to my own questions. I knew I wanted to stop and smell the roses, rediscover parts of me, nurse my ignored heart and mind, enjoy the simple pleasures of life and continue my search for peace....... peace that begins with a smile.

~~~~~~~~~~~~~~~~~ Trust me folks, the silence in the wee hours is beautiful and in this silence of the heart, I speak to my God. Waking up at 4 AM or sooner has become my way of life for a few years now. The world calls it "Insomnia" and I call it "The sound of silence". It's only when you realize your nothingness, your emptiness, that god can

Well, on a lighter note, how many of you remember the scene in the movie ‘Dilwale Dulhaniya Le Jayenge’ where Kajol asks her screen dad Amrish Puri to give her a month's time to travel and experience

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the world before she marries and settles down. Though Bali was a family trip, during my 10 days of stay in Ubud, I requested my husband to give me a couple of days alone to explore the interiors, meet the locals and capture the essence of the town through my lens.

As I was riding my scooter by the lush green paddy fields of Ubud, I saw frangipanis in full bloom. They waved at me and I waved back, they smiled at me and I smiled back at them. These tropical blossoms cast a spell on me with their sweet scent and sheer beauty, thus urging me to share my travel snippets "Faith & Frangipani" with the world.

With some directions from a local guide, a cell phone, my laptop and camera bag in hand, I rented a scooter for two days and experienced magic. Driving around busy Hanuman street in Ubud in my scooter, I took coffee and margarita breaks, continued exploring by soaking in the beauty of antiques, haggling for masks and silver, mingling with the locals, walking into their homes to click pics, stopping at a lovely art galleryturned-restaurant for lunch, and finally visiting the famous Uluwatu temple to experience the most beautiful evening of my life.... the cult "Kecak dance".

As the sun was about to set, the tourists gathered around the main grounds of the Uluwatu temple to experience a beautiful Balinese dance drama called "Kecak" depicting scenes from the Hindu epic Ramayana. The head priest lit the lamp and a group of 150 or more Balinese men gathered around in circles and started a trance ritual called "Kecak". It is also known as the "Ramayana monkey chant" because the "kecak" sound resembles the sound made by a monkey.

~~~~~~~~~~~~~~~~~ Islam is the predominant religion in Indonesia, but more than 93% of the population in Bali has adhered to Balinese Hinduism. Balinese spiritual culture has its roots in Hinduism, Buddhism, and ancient animist beliefs. Balinese people are hugely influenced by the Ramayana and the Mahabharata and they worship many Hindu gods – mainly Shiva, Vishnu, Ganesha, and Saraswathi.

Anything that is done with complete trust or complete confidence in someone or something is faith; your belief in God based on spiritual apprehensions rather than proof is also faith. Balinese people make offerings to God three times a day and it's an important part of their daily routine. Their simple offerings are done with utmost faith and devotion – a small basket made out of coconut or palm leaves and holding a small amount of rice, fish, meat, and flowers. I have also seen people offering cookies, candies, and coffee decoction and it reminded me of a line from the Bhagwad Gita that I have painted on the wall of my pooja room: “Whatever I am offered in devotion with a pure heart - a leaf, a flower, fruit, or water - I accept with joy.”

~~~~~~~~~~~~~~~~~

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The offerings are placed at the entrance of homes, on the statues of the deities, at store entrances and on street sides for good fortune and to ward off evil.

entering the temple. The decorations are mainly made out of tender palm or coconut leaves and colored paper. Majority of the statues one gets to see in Bali are of Hindu gods and spirits and they are made of cement, sandstone, lava, lime, or green stone.

The rituals for the offerings are normally short and are done with the intention of plain thankfulness and to hold the energy of the blessing. Around sunset, along with the offerings, lamps and incense sticks are lit everywhere, be it in a house, restaurant, hotel, or a store. I have seen waiters in restaurants stop everything and make time to light lamps and place the offerings.

~~~~~~~~~~~~~~~~~ "Om Swasthiyastu" is a famous Balinese chant which means "peace and greetings" from God. It is commonly used by the locals to greet each other or the tourists. Chanting "Om Swastiyastu," I smile for the camera along with the Barong dancers. Wandering around the quaint streets of the town Ubud in Bali, I made several stops to chant "Om Swasthiyastu" with the locals, haggled for masks and silver, made several drink stops, clicked pictures to my heart's content, and lived a day the way I want to – totally nonpretentious!! I don't live for others, I live life for myself.” It was just two days, being myself and doing what I like to do in life was quite a liberating experience for me and today, after almost a year, I am reminiscing and reliving those moments.

~~~~~~~~~~~~~~~~~ Religion and prayer are a part of everyday life in Bali and one cannot miss the locals praying at the temple or placing offerings on the street-side. Men sit with their legs crossed and women kneel. This is an act of devotion and one can see the locals with grains of rice stuck on their forehead or throat. It signifies a blessing that is received from the priest at the temple.

Out of the many temples I visited during my stay in Bali, the "Pura Besakih" or “the mother temple of Besakih” fascinated me the most. Located on the slope of Mount Agung, it's the largest and the holiest of all temples and while I was there, I was fortunate enough to capture an important ceremony which is a major part of Balinese culture and lifestyle. The whole of the Besakih temple was decorated to celebrate an annual festival. As a token of respect, all men and women are required to wear a sarong (a lehenga-like cloth) before

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Though I have travelled a lot in the past 16 years, this particular trip had a huge impact on me and it changed me as a person, slowly but surely...

[Note: This is an abridged version of the detailed blog post by Jayashree Rao, which you can access and get to see with some more beautiful pictures, at sageandslingback.blogspot.com -Ed.]

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Moral Stories Yashas Mattur

Hoffman Estates, Illinois

The Sleeping Dog

The Wolf and the Sheep Herder

Once Upon a time, there was a dog sleeping in a very quiet forest. It was very happy most of the time and it was the first dog on earth.

It was a beautiful, warm, sunny day in the forest, when a sly wolf was strolling around. He was really bored.

He walked deeper into the forest, trying to think of something to take up before nightfall. Then he got an idea!! So he ran to the closest city from the forest, hopped into a car, left on the road and drove quickly to the mall. You could tell he was really excited just by the look on his face. Soon he reached the mall. He ran quickly and quietly through the mall (he only did that because he lived on the stealth). So he found a dress-up costume, which was a child-size sheep costume. The wolf tried he costume on. It fit perfectly.

“Ha ha ha,” snickered the wicked wolf.

At the same forest, there was a naughty, troublesome monkey who saw the sleeping dog.

It had never seen a dog before and neither had any other animal. The monkey got really curious. The monkey decided to ask which animal knew about the dog. So he brought a tortoise, an okapi, and an elephant. The elephant said that the dog was not an elephant. That was all the elephant said. The okapi ran away, so it was the tortoise’s turn. The tortoise knew everything you could know about the dog. But he said, “Be very careful!” “Why?” asked the monkey. The tortoise was silent. When the tortoise did not speak up, the monkey got restless and shouted, “WHAT IS THIS CREATURE!!!???”

The wolf hopped back into the car and drove to the village. By the time the mischievous wolf got to the village, it was sunset. Usually it would be foggy, but the fog had cleared up, so the wolf could see clearly.

The wolf put on his costume. He cackled wickedly like a witch or an evil person. Then he went into the farm like any ordinary sheep. “Baaaaa…baaaa,” the wolf said, as he pretended to eat grass. He knew it would taste awful if he ate it for real!! The sheep herder looked at the wolf. The sheep herder thought the wolf was a normal sheep, so he went into the barn to milk the cow.

Slowly the dog woke up. “GRRRRRRRRR … Who woke me up?!” it growled. Then it opened its mouth and showed all its sharp, gleaming teeth. The animals got scared and ran away.

Even now, people are quiet when they see a stray dog sleeping somewhere.

The wolf bit a poor sheep. “Baaaaaaaa…!” it cried out in pain. The sheep herder raced out of the cow’s barn and found the wolf biting the sheep harshly. The sheep herder shoed the wicked wolf out of his farm.

Moral: Never wake up a stray dog.

The sheep herder learnt a new lesson: Look twice before you trust someone or something.

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Impacts of Pollution Suchith Madhukar Champaign, Illinois

Have you seen those filthy bodies of water? Have you seen how many people/animals/plants/trees die in those droughts, wildfires, and natural disasters? This is all because of pollution. Pollution is a great threat to the world. Its effects can vary from not so severe to extremely severe. You will now learn about some of the effects of pollution. There are many effects, but I am going to tell you about only some of them.

some more junk. Don’t you see that if we pollute the bodies of water, we won’t get any water? And without water there is only one effect: death. Everyone, everything needs hydration or else you will suffocate to death. Water is the most precious resource to all living things and we are polluting it. Water pollution is the cause of industrial waste, so let us first stop industrial wastage to prevent water pollution.

The first effect I am going to tell you about is that animals, plants/trees, and even humans die. These creatures, these plants/trees, these people die because of air pollution and land pollution. All this happens because of us, humans. We don’t care about anything, not even about Mother Nature who is providing us with everything. We don’t care about anything except for ourselves. When we do this—when we pollute, when we don’t care—these poor creatures, these poor plants/trees, these poor people die.

The fourth effect is that the forests die out and the animals lose their dearest homes. Pollution starts off with greed and wanting and, when we build these factories for our own good, these forests die out leaving the animals devastated with no home. It is okay if you want to invent stuff and build stuff, but you have to be mindful of Mother Nature who is all around you. You have to be mindful of the creatures around you since so many of the animals are dying because of the pollution we have created. Believe in God or not, but help these forests and animals who are dying. They are helplessly dying because of the illusional war we have created. I may be wrong or I may be right, but for goodness sake please help Mother Nature.

The second effect is that wildfires and natural disasters happen. This is because of the heat and litter which causes these trees and plants to catch on fire. Natural disasters happen because of the heat from the pollution, which makes the seal level rise. This leads to floods, tsunamis, tornados, and even hurricanes.

All these effects start off with pollution. To prevent this we must recycle, we must not waste, we must not create smog and smoke, we must not dirty the water with garbage, and we must help these poor animals.

Pollution’s effects are very severe and we have to accept that we are the cause of all destruction.

PLEASE HELP THE SOCIETY PREVENT POLLUTION!

The third effect is that the bodies of waters get all filthy and nasty. This is because of littering and pollution. Littering is one of the major causes of pollution. Again and again I will repeat myself that we humans don’t care about anything except ourselves.

We are polluting our oceans with garbage, oil, and

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The Princess and Her Crowns Rachana Krishnappa Naperville, Illinois

Once upon a time there lived a princess. Her name was Melissa. Melissa had a pink sparkly crown, a green sparkly crown, and a blue sparkly crown. The crowns were special because they all had magical powers. The pink crown was for protection – if she or anybody wore it and put their mind to some kind of heat the heat would appear somewhere. Now the green one – when anybody wore that crown they would automatically be in a meadow. Last but not least, the blue crown – this one was extra special because only Melissa and her mother could use the crown. It could shoot out ice to anything or anybody, hurting them. All of her crowns were also special to her because her mother gave them to her the day before she died.

about using her crown because she thought that the pear was poisonous. She was going to use the pink crown but the lady took her crown off her head before she got a chance. Melissa went home and threw the pear away. She talked to her grandma to see if she could help her find the crown. Her grandma took the pear out of the garbage can and examined if it was poisonous. Yes, it was!!!

Melissa and her grandma used the green crown and they landed in the meadow where the old woman's cottage was. They knocked on the door and the old woman shot out fire as soon as she saw Melissa.

Melissa quickly took her blue crown out of satchel bag and shot out ice to turn off the fire. She ran inside and got her pink crown. Then Melissa and her grandma used all the crowns together and created a release spell.

Out of magic, her mom appeared and she was alive!

Melissa and her grandma were very happy and they hugged each other and went home and lived happily ever after.

A couple months after Melissa's mom died Melissa went in to the town. She was wearing her pink crown.

She saw an old lady and went to her to see if she needed any assistance. Melissa asked the lady if she needed help with anything. The lady said, "No, thank you" and gave her a pear. Melissa had really thought

Cheetah Abhinav Bhashyam Schaumburg, Illinois

Do you want to know all about the cheetah? If you want to know more about this interesting animal, keep reading.

The cheetah is the fastest land animal and can go from 0 to 62 mph in 3 seconds, with a top speed of 70-75 mph. The cheetah is a carnivore and eats gazelles and antelopes. Cheetahs use their sharp retractable claws for catching prey and also to run away from predators like lions.

First, I am going to tell you how the cheetah looks and about its physical characteristics. A cheetah’s fur looks like the animal has a full yellow body with a lot of round black spots on it. The cheetah’s tail has black stripes. Cheetahs have small stripes under their eyes called tear stripes. The tear stripes help to spot prey as they absorb all the glare during daytime hunting.

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Cheetahs are endangered, with only 7,000 to 10,000 left in the world. Cheetahs are mainly found in Africa.If you want to know more about this amazing animal, you can read a non-fiction magazine.

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Historical Cities in India Shishir Bhatta

Buffalo Grove, Illinois

Another historical and religious city is Udupi. Udupi is well known for the Krishna Matha Temple. Udupi is a center of pilgrimage in Karnataka. One event that happened in Udupi that makes this place historical is Kanakana Kindi. One day a saint named Kanaka Dasa went into the Krishna Matha Temple. There, nobody let him in. He started praying to Krishna through a small window but could only see the back of the Lord.

Lord Krishna was so pleased that he turned towards Kanaka Dasa. This is just one of the events that happened. Another thing that makes this place special is the festival of Paryaya. The founder of the Krishna Matha Temple, Shri Madhvacharya, had eight disciples. They all formed eight Mathas now called the Ashta Mathas. Each Matha gets to worship Lord Krishna for two years on a rotation basis.

India has a huge history. Many historical events have happened before. There are many historical cities in Karnataka also.

Mysore is one of those historical cities in India.

Mysore might be small but its history makes up for its size. In Mysore there are many palaces: a zoo, many temples, and much more. Mysore has contributed a lot of history for Karnataka. Mysore used to be the biggest city in Karnataka before Bangalore was formed and was the capital of the Mysore Princely Kingdom.

Mysore was named after the word “Mahishuru,” which means “abode of Mahisha.” For six centuries, Mysore was a proud city. The kingdom was ruled by the Wodeyar dynasty. The last prince of Mysore was Srikantadatta Wodeyar. Nowadays Mysore is the center of tourism in Karnataka, especially during Dasara.

I have also visited Udupi and seen the Krishna Temple a few times.

I myself have visited Mysore plenty of times. I think Mysore is a beautiful city and should be able to retain its history and charm.

I have told you about two historical cities but don’t think that is all there is. There are more cities out there in India that are older and with more history.

Kids’ Problems Sathvik Kunigal

Woodridge, Illinois Lately kids have been forced to play video games Because they get too bored but it’s not natural But it’s happening I’m getting weird I don’t know what’s happening to this era But I’m not happy with what’s happening in this era Anyways it’s been a good time talking with you But I’m sorry I’m done with you people right now Now scram oh it’s time to start a new situation So by the way so many people are bullies Blah blah blah blah blah blah blah blah ok bye

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Super Bowl XLVIII in My Eyes Tejas Hullur

Bloomingdale, Illinois

February 2, 2014, the date of Super Bowl XLVIII (48), is a day I think I will remember forever. This Super Bowl was different than any other Super Bowl I have seen before. That is because this Super Bowl was the worst Super Bowl I have ever seen.

I always thought the Super Bowl heaped pressure not just on the players but on the audience as well. In other Super Bowls, by the fourth quarter I was usually sweating adrenaline! This game was really boring, too.

By halftime, Seahawks were almost three touchdowns ahead! The only good part of this game was to rub the victory in my dad’s face (my dad is a Broncos fan). I thought this game was so one-sided that I felt like it was rigged! Other Super Bowls should not be like this one. Even the advertisements weren’t that good this year! This might have an effect on the Super Bowl’s reputation. Not many people may watch it next year.

In conclusion, I really did not like this game. I was very excited for this game but by the end of it I was asleep. I hope next year’s Super Bowl will be better.

Hopefully the Chicago Bears will be in it! Until then, I will be excited as ever for Super Bowl XLIX (49).

“Ready, Set... (football snapped) Wait, wait! Oh no!” shouted Peyton Manning. This miscommunication resulted in some points to the Seattle Seahawks, the opposing team. Peyton Manning snapped the ball but did not catch it—the ball went flying backwards into their touchdown zone. Seahawks’ defense caved in and tackled Broncos’ Knowshon Moreno, who had the ball tucked under him safely but was in their touchdown zone. Since the ball was in the Broncos’ end zone, Seahawks got two points. This play was only the beginning. Seahawks then scored touchdowns, intercepted the ball, forced fumbles, and overall did not let the Broncos score! The Denver Broncos were defeated, 43-8!

A Blanket Deferred Apurva Reddy

Naperville, Illinois What happens to a blanket deferred?

Does it rot away, Like an expired orange?

Or sit like a lazy cat?

And then disappear?

Does it retire like an old man?

Or does it get lost, Like that glove you took off, just for a second?

Maybe it just blasts away like a rocket Or does it just have to wait?

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The Oldest Person I Know Manasi Mangalvedhe Hoffman Estates, Illinois

The oldest person I know is my grandpa's sister, Meenakshi. She is still alive! Meenakshi is 92 years old. She has a tiny house. Meenakshi is very old and she looks like it too.

Meenakshi is partly deaf, which means she cannot hear if someone speaks normally. People have to speak loudly when they are talking to her. Meenakshi has a cane and she always needs it. When walking without a cane, she limps. She does not have millions of clothes.

She has a very wrinkled face and her eyes are always squinted! Meenakshi's hair is gray. It is very skinny.

She has a hunched back.

Her house has only one and a half rooms! Meenakshi has one tiny room with her bed in one corner, a small table with 3 small plates, a few fruits, and one bathroom. Her house does not have an upper floor or a basement.

When I went to her house, I was so surprised that Meenakshi had such a small house and looked so old.

But Meenakshi is still a kind woman.

Acrostics Meghana Mangalvedhe Hoffman Estates, Illinois

Depart from the real world Rules don’t exist in this land Every child has dreams that seem impossible A world where anything can happen Many things to imagine Sometimes, dreams do come true

DREAMS

Reading horror books under the covers with a flashlight Elephants to fairies to pollution- the topics vary All you need is a book for entertainment Doing this makes me free of worries I would do this all day Nothing will stop me from keeping a book at all times Great thing to do when you are feeling melancholy

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Sangama 2014, Yugadi Issue

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My Dad, My Inspiration Roshana Krishnappa Naperville, Illinois

“Your Perspiration is my Inspiration!” was the sign I made when my dad was running in the Bank of America Chicago Marathon. I know, super cheesy, but it was true. All the work he put into achieving his goal truly inspired me to strive for my own goals and dreams. My dad has had an impact on me because he shared with me a passion for running and has taught me important lessons that I will always remember.

Today, I will be sharing with you why my dad is so important to me.

of America Chicago Marathon, I had no doubt that I wanted to run, right there with him, only to be disappointed by the fact that I had to be at least sixteen to participate. But I watched, as he trained restlessly, hoping to achieve his goal. Short runs every week, but long runs twice a month. But he would only train for up to twenty miles, hoping to accomplish the last six miles of the race on will-power alone which I was amazed by. It is very difficult to push yourself to run six miles, after already having run the long distance before. But he did it, and through this, he taught me that through hard work and dedication, you can achieve almost anything. What once seemed impossible could now be in your grasp.

Up until around sixth grade, I thought that people who ran were crazy and had nothing better to do with their life. I mean, who would want to go through all the effort and hard work? Whenever spring and fall came around, I would dread doing the mile in gym. In fact, I would hate doing anything that involved running. I always placed my dad into the crazy runner category in my head because he ran, almost every single day!

Then one day, he dragged me along on one of his late afternoon runs in the fall. It was horrible! From then, I decided that I hated running even more, but my dad would still drag me along with him whenever he went for a shorter 2-3 mile run. Pretty soon, it was our routine, early morning summer runs, late afternoon spring and fall runs, and my favorite, winter runs in the super cold temperatures. And surprisingly, over time, I actually began to enjoy running with him. I am so thankful to my dad for making me run with him. He introduced me to something new, something that I love doing. Running is our common bond that I will always enjoy doing with my dad. Now, here I am, on the Central Cross Country team, one of those crazy people that have nothing better to do with their lives, all thanks to my dad.

Not only did my dad inspire me through running, he also showed compassion. While training for the race, he raised money for an organization that builds schools and provides education opportunities for children that live in underdeveloped areas. Together with our family and friends, he raised about $2,400 to send to the organization. He always tells me that through my education, I can do anything that I want to and be anything that I want to. I imagine that he wants these children to also have the same opportunities. He told me that raising money for things like this made him truly happy, even more than actually finishing the marathon. With this, he taught me that doing something for others can actually be more rewarding than things that you do for yourself. He helped many children receive the education that they deserve and need to lead a successful life.

My dad inspires, motivates, teaches, and pushes me.

He is someone that I truly look up to because I respect everything that he does. I am thankful for and I follow everything that he has taught me. Next time, when he is running that marathon, I will be running too, right there next to him.

I always knew that my dad loved to run, but I never thought that he would want to run a marathon. After all, it was a major step up from our usual six mile runs.

When I found out that he would be running in the Bank

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My Experience with Bharata Natyam Navya Kamath

Libertyville, Illinois such performances that we possibly can, I was exposed to these artists’ commitment to excellence and drive in spreading their zeal for the art. These incredible women serve as role models and sources of inspiration in my life.

I suspect that when my parents enrolled me in Bharata Natyam classes with Smt. Hema Rajagopalan at the age of six, neither they nor I had any idea of how large a part of my life dance would eventually become. In placing me in dance classes, their focus was on instilling an enduring connection with my roots, and as a child who had always been captivated by the tales of the Ramayana and the Mahabharata, I was more than willing to join. I vividly recall learning how to do a simple namaskaram in Hema Auntie’s basement and later naïvely boasting to my parents that learning dance would be easy.

Dance students in Chicago also have plenty of opportunities to perform, and I am grateful to the community members of organizations such as VKK, the HTGC and Balaji Temples, and Chinmaya Mission for their support and for providing many of these opportunities. Together, these experiences motivated me to continue dancing through the years, and after several years of training, I completed my arangetram in 2010.

As I soon discovered, dance is decidedly not easy. Like all art forms, however, it is exceptionally rewarding. The challenges of building the stamina to sit in aramandi and in deciphering complex sollukattus are trivial in the face of the joy that one feels after finally producing a subtle nuance in a facial expression after weeks or months of practice. Hema Auntie’s exacting standards and immense dedication in ensuring that her students perform to the best of their abilities were essential in helping me push through all the stumbling blocks and in shaping an understanding of the value of dance, and art as a whole, in one’s life.

The prevailing perception that the performance of the arangetram is a graduation from dance is a natural but an incorrect assumption. In reality, the arangetram is intended to be a mere stepping stone to further study. From a practical standpoint, this may be difficult for many students to attain; after all, there are remarkably few chances for a student, especially one who grows up outside of India, to continue seriously studying dance after completing the arangetram.

Fortunately for me, Hema Auntie has a thriving dance company composed of post-arangetram students that regularly performs around the Chicagoland area and throughout the nation. This rare opportunity was ultimately a major factor in my decision to attend college in Chicago.

Since joining the company, I have been able to perform at Pritzker Pavillion, Harold Washington Library, the St. Louis “Spring to Dance” Festival, and the Harris Theater for the Arts. Balancing coursework and dance is by no means an easy task, but watching older students successfully pursue dance as they attend graduate and professional schools shows me that the task is indeed possible if one puts forth the effort. My ongoing process of discovering that balance is one of my most valued lessons in life. This discovery was only made possible by my parents, upon whose support and encouragement (not the least of which included making two-hour trips to semiweekly classes) I relied as I juggled these equally important commitments in my life.

Over the years, my experience in dance has gradually shifted from simply being a way of understanding my culture to a love for the art itself. All dance forms are beautiful and complex in their own right. Bharata Natyam, however, is utterly unique in its sheer breadth of scope. It masterfully combines precise, rhythmic footwork and a distinctive style of storytelling to create a proud dance form that holds its own in inevitable comparisons to western dance styles such as ballet and jazz. It is at once abstract and defined; it is graceful, yet brisk. Above all, I fell in love with the universality of the art form. The beauty of dance is its power to capture what words cannot describe; thus, it is an ideal medium for the expression of the innermost emotions of the soul that rarely surface in our daily life. Though the mudras are highly stylized and the language is foreign, every human being is capable of experiencing the rasa, or the aesthetics that a dance performance evokes.

Much of the credit for this love for dance goes to the unique experiences that I have had in growing up in Chicago. One of the benefits of living in a large, metropolitan city with a substantial Indian community is that eminent Bharata Natyam artists, including Dr. Padma Subrahmanyam, Priyadarshini Govind, Alarmel Valli, and Leela Samson, perform in the city during their tours of the U.S. Because Hema Auntie places a strong emphasis on attending any

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As I move forward in my life after college, I intend to continue studying with Hema Auntie and dancing, in both solo performances and in the company, to the best of my ability. Although I do not yet know where my path will take me, I know that dance will always play a large part in my life and am safe in the knowledge that my journey in dance does not end here.

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Dreams from My Grandfather Nikhil Shiva

Clarendon Hills, Illinois

My grandfather was born to a farming family in a small village in India. The farm still exists today and is now being run by his brothers. During my grandfather’s youth, he had to walk through dense forest to be able to attend school. I saw the route he had to take, and it took us almost 30 minutes to travel the distance by car. When he was in high school, he was unable to afford the examination fee for medical school. The school headmaster, recognizing my grandfather’s potential, paid the fee himself, enabling him to become a doctor.

in a rural town with illiterate parents, he was able to become a Member of the Royal College of Physicians.

He later returned to India with his family and opened cardiac units in a city close to the village. My grandfather has continued practicing medicine even into his seventies.

My grandfather has been a significant influence throughout my life. His drive to succeed and his perseverance in attaining his dreams amidst adversity has been a great inspiration to me. It has made me grateful for all the opportunities and resources that I have been given and showed me that hard work and dedication does pay off. His commitment to selflessly serve his community has had a large impact on me as well. Though I may not be able to fill his shoes, I know that my grandfather has lived a full life and set a great example for me to follow.

After completing medical school, my grandfather worked in a hospital for a few years. He then received an invitation to work in Ireland. During some of the most turbulent times in Ireland, he worked in one of the first mobile cardiac units in the world, which was featured in Time magazine. From humble beginnings

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PCs vs. Video Game Consoles Aditya Attavane

Bolingbrook, Illinois

Let me ask you something. What type of processor is in your computer? More importantly, why do you prefer it over a different manufacturer? What it all comes down to is that you either own AMD or Intel CPUs, and both have their pros and cons. Intel processors generally consume less power and are stronger at single-threaded computations and the flagship Intel CPU (the most powerful on the market) beats out AMD’s flagship processor. However, Intel processors are overly expensive and one is usually paying for more than what they are actually worth.

AMD processors take more power, are much cheaper, and provide a much more powerful multi-threaded performance for the price. Take a look at the Intel i33220 and the AMD FX 6300. They are both around $110-120, but the i3 has two cores while the FX Vishera has six. You are paying the same amount while getting triple the number of processing cores; that’s a fine deal! Needless to say, this i3 is overpriced and is a terrible option at this price point. Regardless of sales and stigma against AMD, Intel still produces weaker processors in the lower and medium segment of the market and still manages to sell. Don’t fall for this trap. If you are building a new PC and don’t want to spend more than $200 on the processor, AMD is the way to go.

feel to owning a video game console and creates nostalgia for the owner. When playing games on a high-end PC, it is as if this classic feel to video games was stripped from it altogether, and the installation made the user feel very disparate than with a console player.

But now, everyone feels this way, and it is all for the money of Sony and Microsoft. In fact, Microsoft initially had some very greedy business practices planned out for the initial release of the Xbox One. They have been repealed and today it serves its purpose. But initially, these policies were a quick cash grab and a flat out rip-off to the buyer and retail stores.

First of all, once the game was installed, you cannot use the disc to install on another Xbox One. This eliminates any implementation of “used games” that GameStop or any other retailer would have in mind.

This means that once a game is bought, it can never be re-sold for less, meaning the only price a consumer could pay to obtain it was the full one. So that was the initial spark which enraged customers as more and more saw the greed that was Microsoft in the making of the Xbox One. The second initial policy was that players would have to be connected to internet 24/7, and without that, one could not even play single player games offline. This is ludicrous. As a final nail in the coffin, Microsoft made it clear that if a person loses connection with the Internet, he/she only has one hour to play offline before the console itself shuts down until you are reconnected. Needless to say, this second point eliminated any single-player gameplay for those who can’t afford Internet connectivity or has a mediocre service provider. That’s right. The ability to play games offline at all was impossible, unless all you want is one hour to play.

It’s already been covered that despite AMD’s powerful, cheap processors, Intel is higher up in CPU sales. However, AMD has been expanding their market past computers and onto video game consoles, tablets, smartphones, and plenty of other mobile devices. A furious debate still thrives today regarding the stunning similarities between next-generation video gaming consoles and high-end PCs. Both now require the buyer to install all the games onto the system by using the CD, but consoles were not always this way. Whether this is good or bad, it is certain that nearly all video gamers from the last generation were more satisfied with the old system of playing console games, where one would simply insert the disc and play the game the very next moment. It is this plugand-play style of console games that created a classic

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Now for the specifications of these consoles versus what a professionally built PC is capable of for around the same budget. Once again keep in mind that the policies mentioned in the previous paragraph have been reversed and now it is fully operable as Microsoft’s new console. However, many still feel it

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unwise to invest in an Xbox One as opposed to a PlayStation 4 from Sony. First of all, the specifications of the PlayStation 4 are superior. It has a more powerful graphics processing unit, a higher RAM data rate, and is overall smoother in terms of gameplay in heavier titles such as Battlefield 4. In addition, its original retail price is $100 cheaper than that of Xbox One while still being more powerful—that is cheaper AND stronger. Some even say select games will be exclusively available on the PlayStation 4 not simply because the developers want it to be, but because the hardware specifications of the Xbox One might not even be able to handle them.

demanding. A good rule of thumb is that a $140-160 graphics card will last 3-4 years, if not longer. The biggest and most irritating of all assumptions is that you need about $2000 or more to get a good gaming PC. This is where the bare facts are revealed and it all comes down to one’s knowledge of price-toperformance ratio and components that mean value.

Take a look at this list of PC parts:  CPU: AMD FX 6300 ($110)  GPU: MSI R7 260X OC Edition ($130)  RAM: 4 GB ADATA XPG DDR3 1600($35)  PSU: ULTRA LSP 550 Watt 80+ Bronze Certified ($35)  Chassis: ULTRA XBlaster Mid-Tower ATX Black Steel ($30)  Motherboard: ASUS M5A78L-M LX PLUS ($60)  Hard Drive: 500 GB WD 7200RPM 16 MB Cache ($55)  DVD: Lite-On iHAS124-04 24X DVD Player ($18) All of these add up to $473. It can easily play Battlefield 4 and Call of Duty Ghosts on ultra setting without any problem, and costs less than the retail Xbox One. That is extremely impressive considering that PC graphics at ultra setting look better than console graphics ever will, as optimization is higher for more powerful graphics cards. So in terms of price/performance, the PC does an excellent job of keeping up, as long as you are careful when building it and understand which software to load. As for games, the PC nails it again. The sales which appear on Steam during the holidays and in the summer are incredible, many AAA blockbuster titles are available for $30 or less, which are generally $60 on consoles.

Older games often go for $15 or less, and are an absolute steal for the money.

Many will ask, why would Microsoft charge more for a weaker system? Well, the direct and logical answer is the inclusion of Kinect with the purchase of the Xbox One. The Kinect needs no introduction; it was evidently created using the previous generation’s Xbox 360 as a fundamental base. Is it really as amazing as Microsoft claims it to be? Is it worth it to pay more for Microsoft’s package over the PlayStation 4? Well here is what it all comes down to: Kinect games are really hit-or-miss. Some of them are perfectly responsive and are great to play with friends and family. Others are simply unresponsive and frustrating to get working. Whether this is because of a large number of defective consoles or because the games were badly programmed, it is still a colossal issue that needs to be fixed if Microsoft wants more appreciation for the Kinect. In addition, it is no wonder that they don’t sell Kinect and the Xbox One separately; the money is all theirs and $100 more just to get either is more money to Microsoft.

Now let us compare these consoles with PCs. As many are beginning to realize, the hardware specifications of new graphics cards from AMD and NVidia are soaring faster than the modern generation of graphicallyheavy games actually require them. This means that older and cheaper graphics cards are still more than enough to play modern games at medium or higher settings. A common misconception of PC games is that they only are worth playing at ultra settings, or the maximum amount of eye-candy a game can provide.

However, for most games that are present on both consoles on PC, the low settings on PC looks just as good as it does on the consoles, if not better! Another misconception is that any PC video gamer will constantly have to upgrade graphics cards and processors since games will become more and more

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So there you have it. There are pros and cons to each, but with the right skill and knowledge, building a custom PC is better in the long run for graphics and game sales. Just one more thing: many console gamers argue that the PC loses the feel of a video game since you can’t use a controller. This has been solved for a long time now: simply plugging in an Xbox 360 controller or other USB gamepad will allow you to play with it on PC. So both PCs and consoles are valid options, except that one of them has plenty of games for less than $10, is more visually pulchritudinous, can function as a regular computer, and will last much longer. Just saying.

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Mahatma Gandhi’s Civil Disobedience Sachin Shiva

Clarendon Hills, Illinois

Mohandas Karamchand Gandhi, popularly known as Mahatma Gandhi, used the power of civil disobedience to help liberate India from the British and achieve racial equality. Civil disobedience is peacefully breaking a law to demonstrate that it is immoral, and it has revolutionized the world. Henry David Thoreau’s essay “Civil Disobedience” explains that if a certain law does not support what we believe in as an individual, we must nonviolently protest against the policy.

of Indians in South Africa through hundreds of various protests. He called this mass-protesting Satyagraha, which means devotion to truth, and this truth-force had significant effects. Thousands of people were beaten, jailed, and even killed as a result of nonviolently protesting. In the end, Gandhi and his followers were able make Hindu marriages valid, compromise on the crisis of Indian registration, and end indentured servitude. After staying in South Africa for over 20 years, Mahatma Gandhi finally returned home to India, where even more problems were arising.

Gandhi was born on October 2, 1869 in Porbandar, India, which is a coastal town near Mumbai. He was of a wealthy family and growing up, he learned many of the principles of Hinduism like nonviolence, fasting, vegetarianism, and respect for other religions and beliefs; Gandhi was also a very shy student who studied hard. His parents arranged a marriage for Gandhi to Kasturba Kapadia when they were both 13.

After completing his schooling in India, he traveled to London, England where he trained as a lawyer. In London, he experienced racism daily, but he remained stubborn, driven by his goal to become a lawyer. When he returned to India after receiving his law degree, he had a major difficulty in his career due to his shyness.

After two years of being unsuccessful as a lawyer, he went to South Africa and accepted a job as an office clerk for an Indian business.

“Long live, Gandhiji! Long live, Gandhiji!” shouted hundreds of thousands of Gandhi’s followers in India.

In India, Gandhi lived in voluntary poverty and told people to be self-reliant by making their own clothes and boycotting British merchandise; he hoped for Indians to achieve economic independence. By 1920, Mahatma Gandhi was the leader for the Indian independence movement. Always nonviolent, he asserted the unity of all people under one God and preached Christian and Muslim ethics along with his Hindu teachings. He was jailed many times, but he was always released due to the impact of his protests.

In April 1930, Gandhi led the infamous Salt March, which was a major protest that harnessed the power and potential of civil disobedience. The British had a monopoly on the salt production in India and many laws were put into place that banned Indians from manufacturing/selling salt independently. As a result, Indians were required to buy expensive salt that was frequently imported. Salt is a staple in the Indian diet and since this affected most of the Indian population, many people went hungry. Gandhi decided to lead a massive demonstration against the salt tax/laws by marching from his religious retreat in Sabarmati to the village of Dandi on March 12. After each day’s march the group stopped in a different village along the route, where increasingly larger crowds would gather to hear Gandhi rail against the unfairness of the tax on poor people. On April 5, Gandhi and his crew of thousands of followers reached Dandi, after a journey of

The experiences Gandhi had in South Africa utterly transformed him. When he was traveling via coach through the country, a white man demanded that he move from the first class seat to a third class one, where the Blacks and Indians were supposed to be seated. Gandhi refused and he was thrown off the train, literally, and he spent some time thinking about racial prejudice. From a young, ambitious, selfish man, he had turned over a new leaf and became concerned, kind, and aware of the hardships of Indians and Blacks. After witnessing first-hand Indians not being able to go into certain hotels and restaurants, he decided to take action. Using the principles of nonviolence, Gandhi worked hard to change the lives

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approximately 240 miles. The next morning they picked up handfuls of salt along the shore, consequently breaking the law by “producing” salt.

For the next two months, thousands of Indians broke the salt laws. 2,500 peaceful marchers were attacked and beaten by police. By the end of the year, some 60,000 people were in jail.

Gandhi, Satyagraha was a way of life based on love and compassion, and this way of life came from the essence of truth itself. In his protests, he always ensured that his disobedience to the British was truly civil because if one uses violence instead, nothing is achieved but chaos. The Indian people gave him the title “Father of the Nation” because he took civil disobedience to the next level. He used it to unite the people for a just cause, to achieve love and compassion, and to send the British army fleeing by a weapon known as Satyagraha. For Gandhi, civil disobedience was a way of life, and his mark on the world will be everlasting because you can’t destroy the truth.

The Bible proclaims, “The truth will set you free,” and in 1947 India gained its independence from Britain.

Gandhi’s nonviolent mass-protests called Satyagraha channeled the power of truth and since there would be no freedom for Indians without independence, the truth set them free from the British. For Mahatma

In Memory of My favorite Uncle: Jayantha Adiga Sharat Raju

Venice, California

shart@sharatraju.com

We usually arrived in the dark. The giant, government-run Indian Airlines plane was parked on the runway, far away from the airport. We emerged from the plane’s bowels after what always seemed like a week-long flight of never-ending night onto the tarmac, the lights from the airport’s giant picture windows in the distance.

along the wall. Be alert to spot our bags, my parents would warn us, lest someone grabs one and makes a break for it.

With bags safely on a rickety cart, we emerged to a throng of hands – seemingly hundreds of disembodied hands – all grasping at our bags, our shoulders, our arms, accompanied by shouted offers in Kannada or broken English for a ride to the city.

Tiny silhouettes shuffled in those windows, pressed up against the glass awaiting friends and family to arrive. One of them would be waiting for us, every time. It was always my uncle Jayantha.

Between the swarming hands we searched about, a sort of unspoken competition – who would find him first?

Someone (usually my father) would shout out “Jayantha!”

And then we’d all see him – mustachioed, fit, and wellgroomed. And always, always, a smile to greet us – elbowing his way to the front of the mayhem. After the crowd saw we had an ally amongst them, we were all but ignored. Jayantha would load up his Maruti van and drive us away as day broke and while Bangalore woke up, away to our family home on the other side of the world.

Why do they park the plane so far away? I would wonder.

We walked through the predawn darkness lit by orange sodium-vapor lights, the jet-fuel exhaust and a hint of humidity creating an appropriately otherworldly approach to this place light years away from the suburbs of Chicago.

This was the arrival to Bangalore of the recent past, of the many trips there during my childhood. Before the roaring Tiger of India’s 21st Century liberalized economy. Before Bangalore became the Silicon Valley of India. And before the Garden City could boast an international airport.

Some version of this happened more than a dozen times during the last 30 years we’ve been coming to India. But it will never happen that way again.

Jayantha, my mother’s younger brother, died in 2010. He was only 56.

We trudged across dingy yellowing linoleum and past black-tiled walls of the old regional hub to wait alongside the herd for our luggage. A handful of quick-eyed men lurked as wolves among us, eager to assist weary travelers with their bags for a small (negotiable) fee. The conveyor belt screamed in protest as it creaked to life and snaked

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[Sharat Raju is the grandson of noted Kannada poet Gopalakrishna Adiga and the son of Krishna Raju, the first editor of Sangama. –Ed.]

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Number Riddles Yashas Mattur

Hoffman Estates, Illinois

Alphabet-Number riddles: Solve them in 20 seconds Instructions: There are some numbers, which holds a coded word. You have to guess the word that is coded in numbers. You have one and only clue, “SUBJECT”.

We represent a number to an alphabet. That is, A=1, B=2, ….Z=26. However, sometime we represent a different logic to derive the numbers associated with these alphabets.

Example: Let’s say: A=12, B=24, C=36, D=48, E=60, F=72, G=84, H=96, I=108, J=120, K=132, L=144, M=156, N=168, O=180, P=192, Q=204, R=216, S=228, T=240, U=252, V=264, w=276, x=288, y=300, Z=312.

L

E

A

R

N

144

60

12

216

168

4) Rule = ? Subject : MATHS

357

56

182

126

196

30

6

6

10

189

105

294

420

612

34

306

476

68

510

782

6) Rule = ? Subject : NATURE

80

224

352

144

288

240

224

208

80

224

320

703

555

111

296

333

8) Rule = ? Subject : GEOGRAPHY 280

210

-

196

448

2) Rule = ? Subject : SPORTS

38

420

7) Rule = ? Subject : GEOGRAPHY

1) Rule = ? Subject : SPORTS

14

315

5) Rule = ? Subject : NATURE

How did I do this? I divided each number by 12. This becomes the RULE for each letter to get my coded answer.

28

441

160

736

-

128

160

384

256

288

150

360

9) Rule = ? Subject : ASTRONOMY 36

325

125

450

75

525

450

625

10)

Rule = ? Subject : ASTRONOMY

3) Rule = ? Subject : MATHS

138

414

23

69

460

207

345

322

437

30

570

600

150

540

450

270

120

-

60

600

Badminton (%by 14), Soccer (% by 2), Fractions (% by 23), Quotient (% by 21), Rainbow (% by 16), Environment (% by 16), Sochi (% by 37), New-Delhi (% by 32), Mercury (% by 25), Asteroid-Belt (% by 30)

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Namma Makkalu—Interview with Pavan Bapu Asha Gurudutt

Hanover Park, Illinois

ashabn@rocketmail.com “Namma Makkalu” series has been created with a vision to identify and share the hidden talents within Vidyaranya Kannada Koota (VKK) Youth members.

medical discipline. How did you manage to get your parents support in the less traversed path?

Pavan: In the beginning it was not easy. As one can imagine, my parents were not happy with my choice.

In this series, I would like to introduce the young and innovative entrepreneur Pavan Bapu who is the son of Smt. Rajamani and Sri. Ananthaswamy Bapu. Born in the city of Evanston, IL, Pavan did his schooling in Skokie. After getting a college degree from University of Illinois at Chicago, Pavan currently resides in downtown Chicago and is the proud founder of Gramovox.

I always wanted to do something extraordinary and was passionately involved in audio and visual ideas. In my junior year of college, I produced a 15 minute documentary titled ‘Sound underground’ depicting the downtown subway artists. I had worked with city officials and CTA officials to get the needed permission and approval. All my efforts were justified with the overwhelming support I received. The press loved it and the documentary was aired on PBSWTTW channel. This also helped me to get selected as the university keynote speaker.

Please join me in getting to know more about Pavan Bapu’s amazing achievements and interesting experiences along with the best advices that he has for us.

What was your major subject in college? Looking back, share with us what your interests were in school and college years.

Pavan: My college days have been very interesting.

In the first year, I studied ‘Art and Design’. Later I shifted to ‘English major’. This discipline helped me to think critically and enhanced my cohesive writing skills. The concept of literary criticism, deconstructing the idea from fictional literature and having one’s own point of view has always been an interesting topic.

Mastering the language came out naturally to me and I enjoyed it.

.

All these individual appreciations made my parents proud; I loved the idea of execution and it boosted my confidence in Production.

I have always been a creative and curious child interested in recording videos using camcorder. In 7th grade, we had to do a book report through video, audio or using paper. I chose to make a film on a fictional piece and shared with the class. The class loved it and seeing their reaction gave me goosebumps.

I have always liked expressing myself to people. Thus, language and art stuck with me from early years.

This is interesting. What did you do after college?

Pavan: After college, it was the real world and had to work for money. I did some freelance work in the beginning. Later worked for Channel 11 for some time and landed as an internship in ‘Oprah Winfrey show’.

This enabled me to learn a lot about content and production. However, there was limited opportunity for me to show and execute my own ideas.

Typically, (Indian) parents and their kids pursue professional paths in Engineering, Accounting, Bio

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Later, I worked for few advertising and production agencies. When I was working in these agencies, I

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started in Production and moved to Creative department. I liked both these areas and was very quickly humbled to see the knowledge and ideas shared my other co-workers. It gave me solid foundation to understand the reality and to think critically.

Later, indexed manufactures list and sourced people both nationally and internationally.

The actual realization of the idea from concept to Production took 9 months. The key success came when we launched the product through ‘Kickstarter’ which is a crowd funding platform for creating projects. We achieved our goal well before the end date and were able to exceed our expectations by more than 200%.

How did you get the courage to quit an existing job and take the risk in pursuing a completely new concept?

Pavan: Yes. I was very much interested in creating new medium for clients and always was known to propose new ‘off the wall’ concepts. But gradually without much challenges I was getting bored. Even though I was very well compensated, had jumped 2 jobs within 6 months. I was looking for the appropriate outlet to get my creativity and ideas out.

Such a good story, Pavan! How did you feel? What happened next?

Pavan: It really felt very good and all our sincere efforts were validated. The marketing video through which we pitched our product was amazing. The campaign went well and the overall experience was very rewarding. We got our funding on first week of Jan 2014.

Later in the month, we got invited for the 56th Annual Grammy Awards ceremony to debut this product. We got the opportunity to showcase our product to all the artists and celebrities from an exclusive Lounge.

Again, it was an awesome feeling to meet the actual Grammy Award winners such as Lorde, Steven Tyler, Macklamore and Ryan Lewis and to get positive feedback directly from them.

We were also reviewed in Engadgets, SunTimes and few other technical blogs.

Take us through the origin of ‘Gramovox’ idea.

Pavan: About a year ago, my friend and I were walking through and saw an old gramophone displayed in an Antique store. Upon requesting, the store owner gave us a demo of the same. We were very impressed with the vintage organic sound.

Last month we were selected by Technori pitch! They do a monthly showcase of Chicago's most innovative startups, pitching their latest technologies. Our product was once again well received. We got an opportunity to pitch our product and vision for gathered investors and entrepreneurs. It has helped us to get leads and contacts to scale the business.

Immediately, we challenged ourselves as to how we can modernize the gramophone sound quality and make it accessible to larger audience.

The result was the ‘Gramovox’ concept where vintage meets modern aesthetics. We came up with a productionalizable idea, marketing strategy along with a financial plan to achieve the goal.

Do you have any mentor(s) to guide you? What is your motivation mantra?

Pavan: As I said, I am always curious. I believe in living each day to the fullest. I am not restricted to a single medium. I am a serious entrepreneur in my mindset. Gramovox is not the end. I am always working on new ideas. We cannot get stuck on an idea for a long time. We need to quickly change and accommodate new options.

Briefly share with us on how you made your ‘idea’ come to reality. How did you succeed?

Pavan: One of my key strength is that I am a resourceful person. I am good at getting the information that I don’t know. As one of my professor used to say, a good way to answer a question is through another question. Thus, after identifying the main parts that I needed for my product, we did lot of prototypes.

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Steve Jobs is my hero. He was an awesome Marketer, technologist and respected his intuition. I completely admire his passion and energy.

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How do you explain your parents’ contribution to your success?

Pavan: My parents have been very instrumental for my successful career. Even though it sounds odd, their lack of support, pushback and criticism in the initial years gave me motivation to really succeed.

inside and outside. She is helping me a lot and balancing my personal life. I feel complete now and we complement each other very well.

What few words of advice would you like to share with my young readers?

Pavan: I would advocate, ‘have no regrets’! There will always be obstacles. We are on earth for a finite number of years. Don’t settle. Genuinely follow your passion and put in complete effort. It should be 100% or more. 99% is definitely less.

They quickly turned and have supported my ventures.

They trust me and provide great moral support. They have taught some of the valuable lessons in life – how to treat people, how to control ego and believe in oneself. My work is truly a reflection of their effort.

I would like to share this paradigm with youngsters.

Parents can be seen as investors. One cannot approach an investor with just an idea and convince to make a lot of money out of it. You cannot go to them without having metrics of success. It is the same analogy with parents. Parents are familiar and have seen traction of success in professional paths such as Engineering and medicine. You will have to show and prove them the path to success. Turn the pushback and challenges into positive energy and prove them wrong by following through your heart. Creativity is limitless!

How have your friends perceived your pursuit?

Pavan: My core friends have always been supportive of my ideas. They know that I am interested in expressing myself. Certainly in the beginning I was envious about my other friends who chose the professional paths. I adhered to my goal and wanted to make more money than the typical jobs. Now, they envy me because I chose to do what I wanted to do. I believe in the concept of reality distortion field!

We are happy to see that you are a busy man outside working hours too. Tell us more about your fiancée.

Pavan: Oh! I am very lucky. In my journey, I did not have much time for dating and all. But Rohini is a very generous, selfless, cultured girl who is beautiful both

Thanks a lot for your time, Pavan. We all wish you the best and sincerely look forward to seeing you as one of the youngest successful entrepreneurs of all times from Chicagoland area.

Funny Incident Vishalu Swamy Streamwood, IL

In the year 2005, my husband and I went to Bangalore for a visit. A few days later my mother-in-law got very sick. Immediately my sister-in-law took her to Wockhardt hospital. Since she was in a hurry, she packed a few clothes, a tooth brush, tooth paste etc., of my mother-in-law. She was admitted in the ICU on the same day. I was waiting in the waiting area. After the doctor treated her, she was transferred to a special ward. My sister-in-law had to go to work that day. I stayed in the hospital with my mother-in-law at night.

She watched her favorite shows and went to bed. Next morning, she woke up and asked me for her bag. When I opened the bag, inside I found men’s clothes like a white large under-shirt, striped large underwear with an inside name-tag of Paliniyappan, X-ray film, and home address. I guess when I was sitting in the waiting area I must have grabbed a similar color bag which was next to me. I really felt very sad thinking about

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Mr. Paliniyappan’s belongings. Right away I went to the receptionist desk and returned Mr. Paliniyappan’s bag. I asked for my mother-in-law’s bag and gave the right bag to her. Then she brushed her teeth and changed her clothes.

Two days later her condition was critical and she had to be taken to the Kidney Foundation Center in Padmanabha Nagara. My husband requested the hospital for an ambulance. It took 7 hours to transport her to the Kidney Foundation. She was in ICU. Before they took her to ICU, I did French-braid her hair. She was looking very pretty without her dentures. She looked at her braided her and showed it to the staff and started laughing hard.

I made her laugh in the final moments. The same night she passed away. We miss her very much.

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Deepavali 2013

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Sankranthi 2014

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Winter Olympiad Winners 2014

Santosh Murthy Winner Carrom Singles- Men

Rohini Attavane Winner Carrom SinglesWomen

Prashanth Prahalad Runner Up Carrom SinglesMen

Chandrika Shanbhag Runner Up Carrom SinglesWomen

Mahesh Bhoopalam Winner Table Tennis Singles- Men

Veena Hullur Santosh Murthy & Sarvesh Rao Winner Winners Table Tennis SinglesTable Tennis Doubles Women

Sarvesh Rao Runner Up Table Tennis SinglesMen

Ramya Santosh Mahesh Bhoopalam & Rajesh Kagathi Runner Up Runners Up Table Tennis SinglesTable Tennis Doubles Women

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Dinesh Kadamuddi & Srinivas Rao Winners Carrom Doubles

Rajesh Krishnaiah & Vinesh Ambekar Runners Up Carrom Doubles

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Vijay Radhakrishna Winner Badminton SinglesMen

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Sahana Pandit Winner Badminton SinglesWomen

Sarvesh Rao Winner Chess

Kanaka Tirumale Winner Pagade

Lakshmi Kunigal Winner Chowka Bara

Sushma Kollur Runner Up Badminton Singles- Women

Bharatesh Nagareshwar Runner Up Chess

Lakku Iyer Runner Up Pagade

Leela Hegde Runner Up Chowka Bara

Priya Dhananjaya Winner Carrom Kids

Prarthana Prashanth Winner Chess Kids

Anshu Indusekar Winner Chess Youth

Ishan Iyer Winner TableTennis Kids

Akarsh Mattu Winner Badminton Kids

Apsara Attavane Runner Up Carrom Kids

Yashas Mattur Runner Up Chess Kids

Suraj Rao Runner Up Chess Youth

Rohan Meda Runner Up TableTennis Kids

Rohan Meda Runner Up Badminton Kids

Deepak Sunderrajan Runner Up Badminton Singles- Men

Special thanks to all of our VKK Olympiad hosts & families

Anupama and Nitin Mangalvedhe Asha & Gurudutt Chitra & Rama Rao Lakshmi & Manjunath Kunigal Radha & Srinivas Rao Ramya & Santosh Murthy Rohini & Ravindra Attavane Seema & Jayanth Puttappa

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Sheela & Prashanth Seetharam Shruti & Anoop Kumar Suma & Ramesh Teeka Suma & Rajashankar Supriya & Shreesha Jayaseetharam Ramya & Santosh Murthy Swetha & Sunil Rao Vidya & Ramesh Rangappa

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