FUZZY AGGREGATE - MULTIFUNCTIONAL THEATER
course name : Advanced Studio New Mixed Use Building instructor: Georgina Huljich quarter: Fall Quarter 2019
The project intends to speculate on the American version of developer driven “MixUse”, a bastardized typology for urban density, one that has become so predictably formulaic so as to called a ‘Bento Box’ by OMA NY Principal Shohei Shigematsu, by offering a fixed and cliché notion of variety, multiplicity and fake choice that repeats adinfinitum. By looking at more risky ways of incorporating cultural institutions as well as other spaces such as co-working and educational activities in close proximity to residential programs, the studio intends to expose students to an important fact of the contemporary architectural field: that architects must have a say not only in the actual form and aesthetics of buildings but also in the distribution and composition of programs and activities that supports them. Only in this way, by absolutely and strategically marrying form and content, architects can continue to reinvigorate and re-invent the city and the realm of the urban, while pushing forward radically plausible architectural agendas.
PORTFOLIO-UNIVERSE
PORTFOLIO-UNIVERSE
In the sense of mixed-use complex, it is a type of building that blends residential, commercial, cultural, institutional, or entertainment uses into one space, where those functions are to some degree physically and functionally integrated, and that provides pedestrian connections. This project aims to explore a new approach to mix
all those functions into the residence, and the residential part then as a fluid threshold connects or bounds other functions in the building. Having the performance art spaces incorporated makes the entire complex become an artistic neighbor and create a new harmony between hospitality and art. The interior arrangement seems to imply a kind of autonomy that each part has its unique mode of living condition. People choose where the most suitable place to live, what they enjoy living with, and which space they are willing to share. The combination of diverse spaces gives potentials for collective working, information communicating, and saving of cost. So, on the inside, parts are not as distinguishable as it looked from the outside, but they are indeed the boundary of different choices of life.
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The crevice features in this project appear to be dominant on both outside and inside, bringing a unique look of juxtaposition between where parts are fully synthesized and where they still keep their identities. The scale of different crevices indicates whether those communities are close or sharing some areas. In general, the overall massing can be read as an aggregate of autonomous parcels, performing as a multi-functional medium to give more interests of life to the surrounding society.
FUZZY AGGREGATE
FUZZY AGGREGATE
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PORTFOLIO-UNIVERSE
PORTFOLIO-UNIVERSE
We Live
We Work
Work
Live
Entertain
We Entertain Work
Live
Entertain
Live
Work
Plan Study
Synthesize
Assembly
Site Plan
Program
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Plan Study
Section Study
FUZZY AGGREGATE
Ground Floor Plan
Section
FUZZY AGGREGATE
PORTFOLIO-UNIVERSE
Object
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Object
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Floor Plan
Roof Plan
FUZZY AGGREGATE
FUZZY AGGREGATE
CURVED DEWELLING HOUSE RENOVATION
course name : Advanced Studio Developing New Form instructor: Julia Koerner quarter: Fall Quarter 2017
The contradictions jumped out to me when studying the Hotel Guimard: the outside symmetry juxtaposed by the inside asymmetry of the main building, as well as the “both-and” nature of the building complex dominated by the juxtaposition of the theatre and the private building. Similarly, nothing in the main building’s facade indicates that the foyer has an elliptical shape, and its windows and doors are dictated by the facade and other rooms, and not the other way around. The last one led us to an exploration of the elliptical shapes that are an important feature of the Hotel Guimard. Defining elliptical shapes as the principal idea, two most interesting and meaningful consequences are concluded: the extrusions of elliptical shapes and the boolean of cylinders, which could always result in some floating spaces and vertical circulation spaces. Therefore, due to the lack of spatial diversity in the house, the method derived from the reduction of Hotel Guimard could be applied to House’s addition this time to make the space sequence more interesting. On the other hand, the cylindrical form is not only interesting spatially but also has a high structural performance.
PORTFOLIO-UNIVERSE
PORTFOLIO-UNIVERSE
Precedent Case Study
Precedent Case Study
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Redraw the Main Facade and Main Section
Redraw the Plans Redraw the Facade and Main Section of Theater Curved Dwelling House
Curved Dewelling House
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PORTFOLIO-UNIVERSE
Finding the underlying eliptical shapes
The proportion of area of eliptical shapes AREA PROPORTION OF EACH PLAN
What if only remain 20% of the volume ?
VOLUME PROPORTIONS
Part A
Part B
Part C
Plan First Floor Scale 1” : 10’
Plan First Floor Scale 1” : 10’
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49 HIERARCHICAL CYLINDERS
Visualizing the eliptical shapes in METHOD OF REDUCTION 3-dimensional way
Dwelling: Bedrooms
Circulation: Corridors
Original Plan of Theatre
Phase 1B: 20011 (50%=21662.5)
Extrude Ellipsis through Mass of Building
Complete Ellipsis
Phase 1A: 43325 (100%)
Phase 1C: 9162 (20%=8665)
Dwelling: Dining room
Private
Public
Remove Negative Mass => Result of Phase 1B
Shorten the height, remove public space => Result of Phase 1C
STRUCTURE: Columns
Curved Dwelling House
Curved Dewelling House
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Mass Model of Final Form
Mass Model of Final Form
Curved Dwelling House
Curved Dewelling House
FUZZY NOMADIC LIFE ON MARS
course name : Wooden Structure Construction instructor: Kais Al-Rawi/ Julia Koerner quarter: Summer Quarter 2018
The atmosphere on planet Mars is not suitable for human life. This is because the air pressure on the surface of Mars is equivalent to that on planet Earth’s atmosphere at 25 km altitude. Humans cannot survive, live and work unaided on its surface. So some techniques are required to allow astronauts to work with both complex construction materials and sophisticated machinery and at the same time keep them safe and protect them. The Viking Orbiter Infrared Thermal Mapper suggests that the warmest temperature may be 27 °C and the coldest −143 °C at the winter polar caps. Beyond the temperature difference there is also a lighter gravity and a higher solar radiation. Environmental conditions on planet Mars put forward a potential for designing innovative space capsule or a special container. The capsule which enhances human performance in outer space. Smart machinery system and interactive material which lead to super human enticement and protective capabilities. Also, because of the constantly changing evironment, the capsule might need to lead a nomadic life on Mars to collect the materials and energy existing on Mars and get rid of the probably risks from the environment.
PORTFOLIO-UNIVERSE
PORTFOLIO-UNIVERSE
Gullies
Chaos
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Crater
MAP ON MARS
Gullies
Terrain on Mars
Chaos
Mars Elevation Map, Picture of Nasa
Fuzzy Nomadic Life on Mars
Fuzzy Nomadic Life on Mars
Wadi Rum
Crater
PORTFOLIO-UNIVERSE
Gyroid Structure Core
Multiple Layers of Cell Wall
Gyroid Structure Core
Multiple Layers of Cell Wall
Cell wall is forming
Fuzzy Flagella
Cell wall is forming
Fuzzy Flagella
Other Organelles are Formed
Dynamic Skeleton
Other Organelles are Formed
Dynamic Skeleton
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Fuzzy Nomadic Life on Mars
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2
DUST PARTICLE
+
SUN SHINE
+ +
+
+
ALGAE
O2
3D PRINT SHELL
-
-
-
O2
LUCITE COATING O2
ROBOTIC FOOT
GLUCOSE
RADIATION PROTECT & FOOD SUPPLY
GENERATE ELECTRICITY STORAGE
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WORKING SPACE
3
ROBOTIC FOOT
COMMON AREA
4 FACILITIES
RUBBER SKIN
ALGUE BATH
RADIAITION PROTECT DYNAMIC FRAME INSULATION WATER PROOF ALGAE BATH
BATTERY
ROBOTIC FEET
Fuzzy Nomadic Life on Mars
MULTIPLE LAYERS
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Metallic folding/ unfolding spines In situ made wires Piezoelectric energy harvester
Fuzzy Nomadic Life on Mars
Fuzzy Nomadic Life on Mars
BILLBOARD GYM IN DOWNTOWN L. A.
course name : Advanced Studio Structure And Plan instructor: Jimenez Lai quarter: Winter Quarter 2017
“The close relationship between mental and physical training suggests a similar affinity between sports structures and clubs. The new society desires a strong generation, for strength is equated with optimism and the joy of living. This explains why “physculture” enjoys equal rank with other elements that make up the totality called “social culture.” In our society so-called sports records are irrelevant. Physculture, i.e., the culture of the body, is important.” El Lissitzky, Sports, Russia: An Architecture for World Revolution, 1920s The object of study is a building type well suited to engaging the intersection of organization and structure: the sports club. However ubiquitous such facilities may be, there still is a strangeness to a building that simultaneously houses a variety of athletic activity regardless of their respective requirements and origins. The sports club brings such disparate and often competing activities together within a larger unifying whole, problematizing relations between program, space, and form. The organizational logic of a sports club must manage the contested spaces of these activities carefully. Moreover, it is an opportunity to re-envision gyms, fitness centers, health clubs, and related facilities toward the design of a sports club for today.
PORTFOLIO-UNIVERSE
PORTFOLIO-UNIVERSE
DIGITAL BILLBOARD CORNER SUPPORT STRUCTURE SAMPLE CONNECTION STEEL I-BEAM I-BEAM TO I-BEAM CONNECTION STEEL I-BEAM
WILSHERE BLVD
SOLID ANGLE TO I-BEAM CONNECTION
3680 WILSHERE BLVD
SERRANO AVE
SOLID ANGLE STEEL BEAM
DIGITAL BILLBOARD SUPPORT STRUCTURE SAMPLE SYSTEM STEEL I-BEAM I-BEAM TO I-BEAM CONNECTION STEEL I-BEAM
SOLID ANGLE TO I-BEAM CONNECTION SOLID ANGLE STEEL BEAM
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ACCESSORY STRUCTURE TO THE MAIN BUILDING SAMPLE CONNECTION STEEL I-BEAM ATTACHMENT I-BEAM TO I-COLUMN CONNECTION STEEL COLUMN MAIN BUILDING I-BEAM CONNECTION
CONCRETE COLUMN
OPEN BANK HOURS: 9AM-5PM GOOGLE MAPS REVIEW:
The modern urban architecture is characterized by the abundance of new buildings and architectural decisions. At the same time, the modern cities, especially such large ones as London and Las Vegas, architecture is characterized by the presence of various informative constructions, such as billboards. However, billboards traditionally provoke numerous discussions concerning their wide use, especially in central part of such cities as London and Las Vegas, which are traditionally quite attracting to tourists
WAVE HOURS: 9AM-6PM GOOGLE MAPS REVIEW:
STARBUCKS HOURS: 5:30AM-9:30PM GOOGLE MAPS REVIEW:
Billboard GYM
ADVERTISEMENT SIGNS SAMPLE CONNECTION STEEL I-BEAM TO STEEL COLUMN CONNECTION STEEL COLUMN
CONNECTION OF SIGNAGE SIGNAGE
Billboard GYM
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PORTFOLIO-UNIVERSE
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POOR WORLD
Billboard GYM
RICH WORLD
Billboard GYM
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PORTFOLIO-UNIVERSE
STUDIO
BASKETBALL
CLIMBING
INDIVIDUAL
PROGRAMS AS SIGNAGES
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BILLBOARDS FOR THE PROLETARIATS MEMBERSHIP IS AN ANTAGONISM
Billboard GYM
SAUNA
JACUZZI
SPINNING
Billboard GYM
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POOL
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A
B 75’
PORTFOLIO-UNIVERSE
C 75’
D 75’
A
E
B 75’
75’
C
D
75’
E
75’
75’
Hope St. Entrance
1
75’
75’
1
Sauna &Spa
2
Basketball Court
Steaming Room
75’
75’
2
Climbing Wall
Steaming Room
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3
3
Corridor Elevator
75’
75’
Garden
Weight Lifting Area
Spinning Room
Locker Room
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4
Weight Lifting Area
Locker Room
75’
75’
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Corridor
5
5
Track Floor Plan—1/16”=1’
Billboard GYM
1st Floor Plan—1/16”=1’
Billboard GYM
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A
B
PORTFOLIO-UNIVERSE
C
75’
D
75’
A
E
75’
B
C
75’
75’
D
75’
E
75’
75’
POOL JACUZZI
1
AQUA SPINNING
Office
80’ 72’
75’
Meeting Room 48’
Massage
RUNNING TRACK
Office 24’
2 Office 0’ XSIZE YSIZE
XSIZE YSIZE
YSIZE XSIZE YSIZE XSIZE
YSIZE XSIZE
YSIZE XSIZE
75’
YSIZE XSIZE
Jacuzzi
Office
YSIZE XSIZE
YSIZE XSIZE
YSIZE XSIZE
YSIZE XSIZE
YSIZE XSIZE
YSIZE XSIZE
YSIZE XSIZE
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Cafe
3
Lounge
Aqua Spinning
Main Section—1/16”=1’
75’
Indibidual Excercise
Swimming Pool
Group Studio
75’
4
YSIZE XSIZE
YSIZE XSIZE
Jacuzzi
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YSIZE XSIZE
YSIZE XSIZE
5
2nd Floor Plan—1/16”=1’
Billboard GYM
Billboard GYM
KOSHIRAKURA BUS STATION
course name : Wooden Structure Construction instructor: Shin Egashira quarter: Summer Quarter 2018
In 1996 Shin held the first architectural summer workshop in Koshirakura village, Japan. This soon became an annual event in the local calendar and coincided with Koshirakura’s traditional Maple Cutting Festival. Our wish has been to contribute to changes in this community through the application of architectural knowledge and by making buildings as a continuous form of communication. Koshirakura village lies in Niigata Prefecture some 200 km north of Tokyo and is one of 13 villages scattered along complex terrains carved out by the Shibumi River. A rural, mountainous region still recovering from a powerful earthquake in 2004, it is distinguished by overgrown forests and abundant rice fields. Koshirakura has less than 100 inhabitants (a third of its total population in 1980) and the average age is over 60. This time, it is a very exciting year since we are planning to renew the local Bus Stop that was first built by us in 1997 for the community. We will demolish the existing bus stop and keep part of it for our new design and handmake each piece of wooden structrual element.
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PORTFOLIO-UNIVERSE
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existing bus stop
casting concrete foundation
frame work
structure enforcement
move the previous roof
install the windows
install the doors
cladding
Sections Kaushirakura Bus Stop
Kaushirakura Bus Stop
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PORTFOLIO-UNIVERSE
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/X Chair Designed by Zihao for Kaushirakura
/X Chair Designed by Zihao for Kaushirakura
Curved Dwelling House
Curved Dewelling House
PROFESSIONAL INTERNSHIP :
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PORTFOLIO-UNIVERSE
KILROY OFFICE BUILDING _ WHOLE SD PHASE AND PART OF CD PHASE RD VA AR H
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FO R
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PR
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PAR K
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PROJECT SITE
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LDI BUI
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EXIS
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PAR K
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HS
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PEN
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TRE
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1 MATERIAL: BRICK 2 MATERIAL: BLACKED METAL 3 WINDOWS 4 ROOF DECKS 5 PV PANELS 6 METAL FRAME BRIDGE 7 PUBLIC ART
SITE SURVEY
E
A AV
1
26T
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REVIT MODEL MAKING
PORTFOLIO-UNIVERSE
PORTFOLIO-UNIVERSE
NOT FOR CONSTRUCTION 1
1
A400
A401
01.AUG.2019 DRP
06 PARAPET 212' - 0" 05 ROOF 208' - 6" 05 PARAPET 197'04 - 9ROOF 5/16" 194' - 11 5/16"
04 FOURTH FLOOR 195' - 6"
54' BLDG HEIGHT
03 THIRD FLOOR 182' - 6"
03 THIRD FLOOR 181' - 5 5/16"
02 SECOND FLOOR 169' - 6"
02 SECOND FLOOR 168' - 9 5/16"
01 GROUND FLOOR 156' - 6"
01 00 GROUND PARKINGFLOOR LEVEL 156' -155' 1 5/16" - 0"
01.5 ANG 154' - 4 1/2"
belzberg architects
2321 MAIN STREET SANTA MONICA, CA 90405 310.453.9611 www.belzbergarchitects.com
617 S. Olive Street, Suite 1110 Los Angeles, CA 90014 213.673.4400
www.RELMstudio.com
ELEVATION - BLDG A & C NORTH SCALE: 1/16" = 1'-0"
3 #
DESCRIPTION
DATE
1 A402
219.92
06 PARAPET 212' - 0" 05 ROOF 208' - 6"
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26TH STREET OFFICES
04 FOURTH FLOOR 195' - 6"
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1633 26TH STREET SANTA MONICA CA 90405
03 THIRD FLOOR 182' - 6" 02 SECOND FLOOR 169' - 6" 01 GROUND FLOOR 156' - 6"
ELEVATION - BLDG A & B EAST SCALE: 1/16" = 1'-0"
1
1
A401
A400
2
06 PARAPET 212' - 0" 05 ROOF 208' - 6" 04 FOURTH FLOOR 195' - 6"
54' HEIGHT
EXTERIOR ELEVATIONS
02 SECOND FLOOR 169' - 6"
PROJECT NUMBER: 18039
01 GROUND FLOOR 156' - 6" 00 T.O. CURB 155' - 0" 01.5 ANG 154' - 4 1/2"
ELEVATION - BLDG B & C SOUTH SCALE: 1/16" = 1'-0"
Rendering - Street Corner
Building Facade Design
1
A301
8/1/2019 5:58:21 PM
03 THIRD FLOOR 182' - 6"
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Photo Montage of the Facade
Photo Montage of the Facade
PORTFOLIO-UNIVERSE
PORTFOLIO-UNIVERSE
GORES GROUP HEADQUARTERS _ Construction Drawings and Diagrams
GLAZING FACADE SECTION DETAIL
LIMESTONE FACADE DETAIL - AXON
INTERIOR FIXED STOREFRONT SYSTEM
STAINLESS STEEL CAP TO MATCH CURTAIN WALL SYSTEM
EXISTING TRUSS WITH FIRE PROOFING
SLUMPED GLASS CURTAIN WALL GLAZING
INTERIOR FURRING STUD WALL
LIMESTONE CLADDING
LIGHT FIXTURE ACCESS PANELS LED LIGHTING
FLAT LIMESTONE CAP RADIUSED LIMESTONE CLADDING 3D-MILLED LIMESTONE CLADDING MECHANICALLY FASTENED
EXISTING SLAB EDGE ON STEEL ANGLE
THINSET LIMESTONE ON (E) MASONRY WALL
EXISTING OPEN WEB TRUSS JOISTS EXTERIOR STUD WALL, WITH 1/2” DENS SHIELD SUBSTRATE WATERPROOFING MEMBRANE STUCCO FINISH
2 1/4” x 7” T-500 ARCADIA CURTAIN WALL SYSTEM
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ROLLER SHADE FLUSH WITH DROPPED CEILING SYSTEM LIGHT FIXTURE ACCESS PANELS EVERY 16’ APPROXIMATELY
2 1/2”x 2 1/2” x 3/16” 6061 T6 ALUM. CLIPS S/S DOWELS & SELF-DRILLING SCREW ON 12 GAUGE STEEL STUDS
THINSET LIMESTONE ON (E) MASONRY WALL 3D-MILLED LIMESTONE CLADDING MECHANICALLY FASTENED SLUMPED GLASS CURTAIN WALL GLAZING
STAINLESS STEEL CAP TO MATCH CURTAIN WALL SYSTEM UNDULATING PLANTER WALL CLAD WITH 2” STONE CAP SELF-ADHERED, RUBBERIZED ASPHALT WATERPROOFING MEMBRANE DRIP IRRIGATION SYSTEM LIGHTWEIGHT GROWING MEDIUM HYDRODUCT GEOCOMPOSITE DRAINAGE PONY WALL SUPPORTING CURTAIN WALL CLAD WITH STONE
LIGHTING FIXTURE LIMESTONE CALDDING UNDULATING LIMESTONE PLANTER WALL WITH 2” STONE CAP
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PORTFOLIO-UNIVERSE ENTRANCE SOFFIT DETAIL
PORTFOLIO-UNIVERSE
ENTRANCE SOFFIT DETAIL
STOREFRONT GLAZING SYSTEM CAULK JOINT STONE CLADDING SELF-ADHERED, RUBBERIZED ASPHALT WATERPROOFING MEMBRANE DENSGLAS SUBSTRATE STOREFRONT GLAZING SYSTEM EXISTING TRUSS JOISTS CAULK JOINT STONE CLADDING SELF-ADHERED, RUBBERIZED ASPHALT WATERPROOFING MEMBRANE
MAIN STAIR HANDRAIL DETAIL
42” TALL GUARDRAIL
NEW CONCRETE MOMENT FRAME DENSGLAS SUBSTRATE UNDULATING WOOD SLAT CEILING WITH COMPRESSION RODS EXISTING TRUSS JOISTS AND SEISMIC BRACING
STEEL STAND-OFF WITH CUSTOM WOOD HANDRAIL
NEW CONCRETE MOMENT FRAME UNDULATING WOOD SLAT CEILING WITH COMPRESSION RODS AND SEISMIC BRACING
CUSTOM FORMED STEEL STRAP GUARDRAIL SUPPORT FABRICATED IN COMPLETE LOOP FOR RIGIDITY, BOLTED TO TUBE STEEL STRINGER CURVED FIRE RETARDANT TREATED SOLID ASHWOOD SLATS
BRIDGE SECTION DETAIL
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70 LIMESTONE-CLAD RISERS ARCADIA STOREFRONT GLAZING CONTINUES AS 42” GUARDRAIL
LED TAPE LIGHTING FIXTURE
S/S FLASHING & COUNTERFLASHING LAPPED WITH SELF-ADHERED RUBBERIZED WATERPROOFING MEMBRANE
STONE CAP BEYOND
FIBER-C OKO SKIN ON PEDESTAL PAVER SYSTEM OVER PVC ROOF MEMBRANE
STONE SLAB ON GROUT BED
STEEL PAN STAIR STRUCTURE
STEEL BRACKETS TO SUPPORT STOREFRONT WELDED TO STEEL BEAM CUSTOME SPANDREL GLASS FRAMED CEILING ALIGNED WITH STOREFRONT MULLIONS
STEEL STRINGER + TUBE STEEL FIRE-RETARDANT, MILLED FOAM TEMPLATE LATH + VENETIAN PLASTER FINISH PLATE STEEL GUARDRAIL SUPPORT WELDED TO TUBE STEEL LED TAPE LIGHTING FIXTURE MILLED FOAM PENCIL ROD SUPPORTING LATH & PLASTER FINISH
CUSTOM ANNODIZED BRAKE METAL TO MATCH STOREFRONT STEEL BRACKETS TO SUPPORT STOREFRONT WELDED TO STEEL BEAM ARCADIA STOREFRONT GLAZING WRAPS UNDERSIDE OF BRIDGE