portfolio

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ANNETTE DINIZ

ARCHITECTURE PORTFOLIO JUNIOR DESIGNER


ANNETTE DINIZ e: dinizannette@gmail.com c: 818.521.9454


SKILLS

graphics - Adobe Illustrator, Photoshop, Indesign 2D/3D - AutoCAD, Rhino, Grasshopper, Sketchup, Revit rendering - 3ds Max office - Word, Excel, Powerpoint, Access, Adobe Bridge crafting - model making, welding, woodwork, digital fabrication RELEVANT EXPERIENCE

Dahlin Group Junior Designer/Drafter I -- Dec 2012 - current

construction documents for single family and multi-family residential projects, training new teammates, graphics for preliminary design packages, coordinating code changes

Dahlin Group Internship -- June 2011-Aug. 2011

developed and managed project database for office-wide reference

John Sergio Fisher & Associates, Inc. Secretary -- May 2006-Dec. 2006

personal assistant duties, general correspondence and scheduling, drafting contracts, filing, managing shipments, and light construction administration

EDUCATION

California College of the Arts (CCA) -- BA Architecture Spring 2012 STUDENT ACTIVITES

National Organization of Minority Architects (SFNOMA) 2013 Executive Board -- Secretary

co-lectured for diversity lecture series-Asian and Native American Architects, coordinated firm crawl, graphic submission for chapter of the year, summer camp committee and volunteer

AIA East Bay Emerging Professionals

ideas for Architecture Movie Night, summer camp task force


TERRITORIES: ARTIST RESIDENCE LOCATION: MARIN HEADLANDS, CA

Marin Headlands has vast amounts of undisturbed landscape. Nature and wildlife dominate the surrounding site. The architectural form is generated by the cropping of bird migration map generated from a site visit. The design is for two artists with nature: one , a natural installation artist and the other, a poet who writes about observations. The artist residence outlets to the landscape and a large observation deck allows views of the overall landscape, including the ocean.

man vs. nature artist collaborative territories & paths outdoors with indoors man controls nature


Greater scaup

Glacious gull

Turkey vultures

trace

rotate

a person’s cone of vision cropping bird migration patterns within the cone of vision, suggesting the manipulation of nature

Territories and Paths

People

layer

crop


W. 21st St.

W. 20th St.

ELEVATED TOPOGRAPHIES

W. 19th St.

LOCATION: CHELSEA MANHATTAN, NY

elevated topographies: the highline and rooftop gardens

Rooftops provide critical open space above Manhattan’s congested city grid and sometimes allocate to serve as greenspace. Most existing greenspaces compress trees between towering buildings creating shady enclosed spaces, as well as, limited access to sunlight and views. These spaces, implanted in the voids of the city grid , are less engaging than large open spaces, like Central Park. “Nature” within Manhattan exists in measured patterns, whether it be on sidewalks with trees equally spaced along a sidewalks or tucked in between the voids in residential housing blocks. It seems wherever greenspaces limit and constrain, people are looking to revise and discover openness, freedom and retreat. In Manhattan, ground level real estate is saturated, people look up to their rooftops to find open unclaimed space and a sense of relationship to something other than buildings. Above the city, panoramic views humble bolting buildings allowing people to interact with air and the elements in a different way than they would embedded in the city. Elevated Topographies generates open space that moves throughout the building to create a feeling of openness , a feeling of relief.


ground greenspaces are surrounded by towering buildings

rooftop gardens show desire to transcend the city

the gray city

greenspace topography shifting up ground level greenspace enclosed by buildings

ground and elevated greenspaces

W. 19th St

W. 19th St MINI PARK

HOTEL ROOMS

HOTEL ROOMS HOTEL ROOMS

HOTEL ROOMS

HOTEL ROOMS OUTDOOR TERRACE

OUTDOOR TERRACE GYM

MINI BAR HOTEL ROOMS

HOTEL ROOMS

HOTEL ROOMS

HOTEL ROOMS

HOTEL ROOMS

HOTEL ROOMS

HOTEL ROOMS

HOTEL ROOMS

HOTEL ROOMS

HOTEL ROOMS

HOTEL ROOMS

OUTDOOR TERRACE OUTDOOR TERRACE HOTEL ROOMS

CONNECTION 2 HIGHLINE

GYM

HOTEL ROOMS

PUBLIC PARK HOTEL ROOMS HOTEL ROOMS HOTEL ROOMS

HOTEL ROOMS

HOTEL ROOMS

PUBLIC PARK HOTEL ROOMS LOBBY

OUTDOOR TERRACE

HOTEL ROOMS

HOTEL ROOMS


MISSION ST.

#9

FOLSOM ST.

LOCATION: SOMA SAN FRANCISCO, CA HARRISON ST.

BRYANT ST.

SITE LOCATION

Public Architecture hosted this studio to develop smallscale architecture protoypes. Although my project was fairly simple, it allowed me to experiment with prototyping, to test the project in real time, and experiment with documenting results through video work. The project was a life size frame with a variety of relationships to the body. The frame would focus on the body within the frame as well as the context beyond it. The intent was to establish playful zones of performance, which would happen in the space within the frame. This studio accelerated my focus on community building strategies within architecture. I want to continue to explore ways to create spaces that bring people together and challenge their conventional relationships to each other.

5th st.

6th st.

7th st.

8th st.

FRAMING SOCIAL SPACE

9th st.

HOWARD ST.


frame frame frame

threshold

sequence

threshold

seating

threshold cropping

cropping

cropping

cropping

4' x 8'

6' x 8'

5' x 10'

FRAMES 1/4”=1’0

FRAMING SOCIAL SPACE

6’ x 8’

8’ x 6’

4’ x 7’ 8’ x 6’

FRAME SCALE 1/4”=1’0 existing dining area stage

bike rack rest stop seating

FRAME + PROGRAM SCALE 1/4”=1’0

Exhibiting the Ordinary

Exhibiting the Ordinary Through Cropping

Spontaneous Performance

Frames are viewing a dynamic street corner. The people are both being exhibited and viewing an exhibition. The frame dedicates and focus on a space for watching.

Frames create scalar shifts and disorients circulation. Swerving around frames people interact, exchange, excuse themselves, push and shove to get to where they need to go. 1/64”=1’0

1/64”=1’0

1/64”=1’0

Frames are editing and focusing on fragments of pedestrians, offering a new perspective to a common, mundane experience.


POROUS BOUNDRY

LOCATION: SOMA SAN FRANCISCO, CA The strategy for this workspace was influenced by the convergence of city grids on this site and the conflicting adjacent territories of high-end designers and transients. The building engages a constant negotiation of space between the designers and the transients, using porousity to transition break to work. The objective being to integrate and share open studios where interested transients and designers can collaborate on creative reuse projects, or upcycling projects. The designs created become part of an accessible, non-elitist design movement. The vertical mass of the building is constrained by two freeways. An artificial topography was designed to carry out program embedded in the building’s circulation to the ground plane below the freeway. This building is about give and take. The circulation is used to regulate access, creating more porosity where co-working happens and less porosity where focus is needed.

DESIGN USER TRANSIENT USER NEUTRAL USER

INSIDE TOWER


T1

PRODUCT: CRAFT-BASED DESIGN

CONCEPT

ESIGN USER RANSIENT USER ERRITORY-NEUTRAL USER

INSIDE TOWER

D1

C1

T2

PROGRAM

CIRCULATION DESIGN USER TRANSIENT USER TERRITORY-NEUTRAL USER

Break Space

C3

D1

C1

D2

SOCIAL TERRACE Social Break Space, Active Gallery Seminar Space

FOCUS SPACE Admin, Technology Shops

C3

Focus Space

C2

C3

C2

C1

D2

C3

CO-WORKING Studios, Team Building, Creative Process Sapces

CO-WORKING

Design Co-Working: Reaserch, Ofices, Studios

D3

T4

Design Co-Working: Reaserch, Ofices, Studios

Transient Co-Working: Seminars, Workshops, Studios

CO-WORKING

A4

Transient Skill Share/ T3 Basic Craft Making

T4

B3

Transient Co-Working: Seminars, Workshops, Studios

D3 T3

Lounge /Idea Share

T2 Food Distribution

D2

Visual Acess

Collection:

T1 Cans, Metals, Scraps

$

Visual Acess

Gallery/ Material Barter

A3

Food Distribution

D1

Transient Co-Working: Seminars, Workshops, Studios

A2

T2

B2

D1

B1

Visual Acess

Lounge /Idea Share

C1

SHOPS Metal Shops, Wood Shops, Alt AMt. SHops

TRANSIENT

C1

DESIGNER

A1

C1 Shops

Collection: Cans, Metals, Scraps

Gallery/ Material Barter

T1

D2


DESIGN PROJECTS Other design work/ideas.

Metal Corset

study ofMetal soft lines with hardware Corset materials - exploration of fashion hardware

NapBox

study of portable sleep space that stows in a decrete, fashionable and compact way prototype



DESIGN PROJECTS Other design work/ideas.

River Delta: Water Chandellier

study of river delta water ow patterns, material deposits and decay within a contained environment Waterworks Exhibition @ CCA


2”

Pop-up Installation

2”

10 big screens, 10 global real-time stories to exhibit in relation to each other team coordination and design to facilitate this exhibition Global Lives Pop-up Installation @ PariSOMA

1” 2.5”

1”

13’

10’

5 4 6 3

7 2

8

1

9 10


CONSTRUCTION DETAILS From a technical drawing class.

ADVANCED TECHNICAL SYSTEMS ARCHITECT CLORINDO TESTA

1 A 3.2

2 A 3.2 BANCO DE LONDRES Y AMERICA DEL SUD

BANK OF LONDON AND SOUTH AMERICA Buenos Aires, Argentina TITLE

DETAILS

1 A 3.1

WALL SECTION

2 A 3.1

SCALE

WALL SECTION

1/2”=1’0

DRAWN BY

SIJIA SHANG ANNETTE DINIZ

DATE

02.22.11

SHEET NUMBER

A 3.1


ADVANCED TECHNICAL SYSTEMS ARCHITECT CLORINDO TESTA

BANCO DE LONDRES Y AMERICA DEL SUD

BANK OF LONDON AND SOUTH AMERICA Buenos Aires, Argentina TITLE

DETAILS

1

DETAIL OF CURTAIN WALL AND REINFORCED CONCRETE FLOOR ASSEMBLY

2

DETAIL OF COUNTER AND FLOOR SCALE

1/2”=1’0

DRAWN BY

SIJIA SHANG ANNETTE DINIZ

DATE

02.22.11

SHEET NUMBER

A 3.2


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