ANNETTE DINIZ
ARCHITECTURE PORTFOLIO JUNIOR DESIGNER
ANNETTE DINIZ e: dinizannette@gmail.com c: 818.521.9454
SKILLS
graphics - Adobe Illustrator, Photoshop, Indesign 2D/3D - AutoCAD, Rhino, Grasshopper, Sketchup, Revit rendering - 3ds Max office - Word, Excel, Powerpoint, Access, Adobe Bridge crafting - model making, welding, woodwork, digital fabrication RELEVANT EXPERIENCE
Dahlin Group Junior Designer/Drafter I -- Dec 2012 - current
construction documents for single family and multi-family residential projects, training new teammates, graphics for preliminary design packages, coordinating code changes
Dahlin Group Internship -- June 2011-Aug. 2011
developed and managed project database for office-wide reference
John Sergio Fisher & Associates, Inc. Secretary -- May 2006-Dec. 2006
personal assistant duties, general correspondence and scheduling, drafting contracts, filing, managing shipments, and light construction administration
EDUCATION
California College of the Arts (CCA) -- BA Architecture Spring 2012 STUDENT ACTIVITES
National Organization of Minority Architects (SFNOMA) 2013 Executive Board -- Secretary
co-lectured for diversity lecture series-Asian and Native American Architects, coordinated firm crawl, graphic submission for chapter of the year, summer camp committee and volunteer
AIA East Bay Emerging Professionals
ideas for Architecture Movie Night, summer camp task force
TERRITORIES: ARTIST RESIDENCE LOCATION: MARIN HEADLANDS, CA
Marin Headlands has vast amounts of undisturbed landscape. Nature and wildlife dominate the surrounding site. The architectural form is generated by the cropping of bird migration map generated from a site visit. The design is for two artists with nature: one , a natural installation artist and the other, a poet who writes about observations. The artist residence outlets to the landscape and a large observation deck allows views of the overall landscape, including the ocean.
man vs. nature artist collaborative territories & paths outdoors with indoors man controls nature
Greater scaup
Glacious gull
Turkey vultures
trace
rotate
a person’s cone of vision cropping bird migration patterns within the cone of vision, suggesting the manipulation of nature
Territories and Paths
People
layer
crop
W. 21st St.
W. 20th St.
ELEVATED TOPOGRAPHIES
W. 19th St.
LOCATION: CHELSEA MANHATTAN, NY
elevated topographies: the highline and rooftop gardens
Rooftops provide critical open space above Manhattan’s congested city grid and sometimes allocate to serve as greenspace. Most existing greenspaces compress trees between towering buildings creating shady enclosed spaces, as well as, limited access to sunlight and views. These spaces, implanted in the voids of the city grid , are less engaging than large open spaces, like Central Park. “Nature” within Manhattan exists in measured patterns, whether it be on sidewalks with trees equally spaced along a sidewalks or tucked in between the voids in residential housing blocks. It seems wherever greenspaces limit and constrain, people are looking to revise and discover openness, freedom and retreat. In Manhattan, ground level real estate is saturated, people look up to their rooftops to find open unclaimed space and a sense of relationship to something other than buildings. Above the city, panoramic views humble bolting buildings allowing people to interact with air and the elements in a different way than they would embedded in the city. Elevated Topographies generates open space that moves throughout the building to create a feeling of openness , a feeling of relief.
ground greenspaces are surrounded by towering buildings
rooftop gardens show desire to transcend the city
the gray city
greenspace topography shifting up ground level greenspace enclosed by buildings
ground and elevated greenspaces
W. 19th St
W. 19th St MINI PARK
HOTEL ROOMS
HOTEL ROOMS HOTEL ROOMS
HOTEL ROOMS
HOTEL ROOMS OUTDOOR TERRACE
OUTDOOR TERRACE GYM
MINI BAR HOTEL ROOMS
HOTEL ROOMS
HOTEL ROOMS
HOTEL ROOMS
HOTEL ROOMS
HOTEL ROOMS
HOTEL ROOMS
HOTEL ROOMS
HOTEL ROOMS
HOTEL ROOMS
HOTEL ROOMS
OUTDOOR TERRACE OUTDOOR TERRACE HOTEL ROOMS
CONNECTION 2 HIGHLINE
GYM
HOTEL ROOMS
PUBLIC PARK HOTEL ROOMS HOTEL ROOMS HOTEL ROOMS
HOTEL ROOMS
HOTEL ROOMS
PUBLIC PARK HOTEL ROOMS LOBBY
OUTDOOR TERRACE
HOTEL ROOMS
HOTEL ROOMS
MISSION ST.
#9
FOLSOM ST.
LOCATION: SOMA SAN FRANCISCO, CA HARRISON ST.
BRYANT ST.
SITE LOCATION
Public Architecture hosted this studio to develop smallscale architecture protoypes. Although my project was fairly simple, it allowed me to experiment with prototyping, to test the project in real time, and experiment with documenting results through video work. The project was a life size frame with a variety of relationships to the body. The frame would focus on the body within the frame as well as the context beyond it. The intent was to establish playful zones of performance, which would happen in the space within the frame. This studio accelerated my focus on community building strategies within architecture. I want to continue to explore ways to create spaces that bring people together and challenge their conventional relationships to each other.
5th st.
6th st.
7th st.
8th st.
FRAMING SOCIAL SPACE
9th st.
HOWARD ST.
frame frame frame
threshold
sequence
threshold
seating
threshold cropping
cropping
cropping
cropping
4' x 8'
6' x 8'
5' x 10'
FRAMES 1/4”=1’0
FRAMING SOCIAL SPACE
6’ x 8’
8’ x 6’
4’ x 7’ 8’ x 6’
FRAME SCALE 1/4”=1’0 existing dining area stage
bike rack rest stop seating
FRAME + PROGRAM SCALE 1/4”=1’0
Exhibiting the Ordinary
Exhibiting the Ordinary Through Cropping
Spontaneous Performance
Frames are viewing a dynamic street corner. The people are both being exhibited and viewing an exhibition. The frame dedicates and focus on a space for watching.
Frames create scalar shifts and disorients circulation. Swerving around frames people interact, exchange, excuse themselves, push and shove to get to where they need to go. 1/64”=1’0
1/64”=1’0
1/64”=1’0
Frames are editing and focusing on fragments of pedestrians, offering a new perspective to a common, mundane experience.
POROUS BOUNDRY
LOCATION: SOMA SAN FRANCISCO, CA The strategy for this workspace was influenced by the convergence of city grids on this site and the conflicting adjacent territories of high-end designers and transients. The building engages a constant negotiation of space between the designers and the transients, using porousity to transition break to work. The objective being to integrate and share open studios where interested transients and designers can collaborate on creative reuse projects, or upcycling projects. The designs created become part of an accessible, non-elitist design movement. The vertical mass of the building is constrained by two freeways. An artificial topography was designed to carry out program embedded in the building’s circulation to the ground plane below the freeway. This building is about give and take. The circulation is used to regulate access, creating more porosity where co-working happens and less porosity where focus is needed.
DESIGN USER TRANSIENT USER NEUTRAL USER
INSIDE TOWER
T1
PRODUCT: CRAFT-BASED DESIGN
CONCEPT
ESIGN USER RANSIENT USER ERRITORY-NEUTRAL USER
INSIDE TOWER
D1
C1
T2
PROGRAM
CIRCULATION DESIGN USER TRANSIENT USER TERRITORY-NEUTRAL USER
Break Space
C3
D1
C1
D2
SOCIAL TERRACE Social Break Space, Active Gallery Seminar Space
FOCUS SPACE Admin, Technology Shops
C3
Focus Space
C2
C3
C2
C1
D2
C3
CO-WORKING Studios, Team Building, Creative Process Sapces
CO-WORKING
Design Co-Working: Reaserch, Ofices, Studios
D3
T4
Design Co-Working: Reaserch, Ofices, Studios
Transient Co-Working: Seminars, Workshops, Studios
CO-WORKING
A4
Transient Skill Share/ T3 Basic Craft Making
T4
B3
Transient Co-Working: Seminars, Workshops, Studios
D3 T3
Lounge /Idea Share
T2 Food Distribution
D2
Visual Acess
Collection:
T1 Cans, Metals, Scraps
$
Visual Acess
Gallery/ Material Barter
A3
Food Distribution
D1
Transient Co-Working: Seminars, Workshops, Studios
A2
T2
B2
D1
B1
Visual Acess
Lounge /Idea Share
C1
SHOPS Metal Shops, Wood Shops, Alt AMt. SHops
TRANSIENT
C1
DESIGNER
A1
C1 Shops
Collection: Cans, Metals, Scraps
Gallery/ Material Barter
T1
D2
DESIGN PROJECTS Other design work/ideas.
Metal Corset
study ofMetal soft lines with hardware Corset materials - exploration of fashion hardware
NapBox
study of portable sleep space that stows in a decrete, fashionable and compact way prototype
DESIGN PROJECTS Other design work/ideas.
River Delta: Water Chandellier
study of river delta water ow patterns, material deposits and decay within a contained environment Waterworks Exhibition @ CCA
2”
Pop-up Installation
2”
10 big screens, 10 global real-time stories to exhibit in relation to each other team coordination and design to facilitate this exhibition Global Lives Pop-up Installation @ PariSOMA
1” 2.5”
1”
13’
10’
5 4 6 3
7 2
8
1
9 10
CONSTRUCTION DETAILS From a technical drawing class.
ADVANCED TECHNICAL SYSTEMS ARCHITECT CLORINDO TESTA
1 A 3.2
2 A 3.2 BANCO DE LONDRES Y AMERICA DEL SUD
BANK OF LONDON AND SOUTH AMERICA Buenos Aires, Argentina TITLE
DETAILS
1 A 3.1
WALL SECTION
2 A 3.1
SCALE
WALL SECTION
1/2”=1’0
DRAWN BY
SIJIA SHANG ANNETTE DINIZ
DATE
02.22.11
SHEET NUMBER
A 3.1
ADVANCED TECHNICAL SYSTEMS ARCHITECT CLORINDO TESTA
BANCO DE LONDRES Y AMERICA DEL SUD
BANK OF LONDON AND SOUTH AMERICA Buenos Aires, Argentina TITLE
DETAILS
1
DETAIL OF CURTAIN WALL AND REINFORCED CONCRETE FLOOR ASSEMBLY
2
DETAIL OF COUNTER AND FLOOR SCALE
1/2”=1’0
DRAWN BY
SIJIA SHANG ANNETTE DINIZ
DATE
02.22.11
SHEET NUMBER
A 3.2