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1. Claudia Schreibe Mrs Bird Price: $289 recycled wood, feathers 63 x 30 x 4cm
2. Claudia Schreibe En Point
Price: $289 recycled wood, feathers 63 x 30 x 4cm
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Claudia Schreibe My name is Claudia but I'm known as Cloudy so that has become my artistic signature. I've been drawing and painting since I was a child and have won many poster competitions and art prizes. In the last decade my preferred medium has been sticks and driftwood. I've sold three pieces of 2D stick art in the last two years. One was a commissioned piece, one in a local cafÊ and another at an exhibition in the Shire for a book launch called Shack Life. More recently I've been making small 3D pieces of art. In August 2017 2 of my pieces sold at the aforementioned book launch. This year I exhibited with 21 other artists in a small sculpture event in Darlington called Vital Push. My sculpture titled Flamingo sold. I'm also very interested in using recycled materials and garbage to produce art. In March this year I helped clean up a beach in Bali after the mess created by onshore winds. Using the plastic collected I made an artwork titled Washed Up. It is being hung as a fixture in Made’s bar restaurant on Balangan. I'm motivated to create art using natural and recycled materials.
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3. Claudia Schreibe Don’t look back
Price: $238 recycled wood, feathers 35 x 20 x 4cm
4. Claudia Schreibe T.I.S.M (this is serious mum) Price: $238 recycled wood, feathers 52 x 30 x 4cm
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5. Claudia Schreibe Got Attitude
Price: $238 recycled wood, feathers 52 x 30 x 4cm
6. Claudia Schreibe Stepping Out
Price: $246 recycled wood, feathers 52 x 30 x 4cm
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7. Claudia Schreibe Katharina
Price: $212 recycled wood, feathers 46 x 20 x 4cm
8. Claudia Schreibe Searching
Price: $189 recycled wood, feathers 28x 30 x 4cm
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9. Claudia Schreibe What the ?
Price: $189 recycled wood, feathers 35x 26 x 4cm
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10. Barbara Wulff Death Still Price: $2,600 unique lost wax bronze and found objects, 66 x 65 x 36cm
This piece was assembled from waxes taken from a two-part mould-making workshop that I gave at Willoughby Workshops. It includes a decoy duck and a pistol, items of fruit and a favorite vase balanced by an antique toilet cistern float enclosing air and an equally fuddy- duddy fuel funnel. This piece reverses the idea of a still life and instead attempts to distill Death. It is a lighthearted Dadaistic look at form and emptiness and the possibility of reincarnation and the energy horn of plenty.
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Barbara Wulff Barbara was born to computer systems analyst/artist parents of Anglo/German cultural background. She attended Victorian College of the Arts, living in Melbourne during the 1980's where she was a member of the flourishing Punk and Neo-Geo movement. Her large-scale sculpture Rodin’s Schrinker was shown on the front steps of the Art Gallery of NSW 1991. In 1992 she travelled to Asia, Berlin and Paris with rock-climbing boyfriend Edvins Ozols as an Australia Council artist in residence. She returned to Melbourne to marry and have the first of two children. Her bronze figurines using 3D morph animation technique were shown at the Art Gallery of NSW 1993. In 1997 she qualified as a teacher, working part –time in High Schools and in special education including as an Artist in residence at Trinity Grammar School. She has shown and curated painting, graphics and sculpture at local council level. She became a Zen student in 2001 practising with Zen Open Circle and Susan Murphy Roshi and travelled to Japan and Germany 2013 with her whole family. Her latest retrospective: My Kidney and other Animals took place at Art Space on the Concourse in Chatswood, June 2015 in collaboration with Transplant Australia. She is currently employed as studio artist (maintenance) at Mme Tussauds waxwork museum at Darling Harbour and learning new skills daily.
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11. Barbara Wulff X-Ray Heart Sutra
Price: $7,400 lost wax bronze cast, 2 halves, 46 x 42 x 14cm each This is my ‘take’ on Constantin Brancusi’s ‘The Kiss’ of 1913. Based on a 1940’s Zeiss binocular microscope this piece is about analysis. How the mind can focus in on systems and tease apart the elements that they are made up of. My adolescent experience of being riven between cultures reflects much of the colonial experience. The idea for the piece arose from a unit of ceramics I gave to my then students at Model Farms High School called ‘Cutaway Machines of the Suburban Dreaming’; where we looked at Arnhem land x-ray bark painting and contrasted it with works of Fiona Hall and other cut-away diagrams of appliances and space-ships from books. More like a ‘divorce’ it seeks to remind us of the vulnerability beneath any gut wrenching decision or bifurcating pathway it uses compressed human interior anatomy to suggest a deep wounding caused by excessive focus on analytical and reasoning skills. Reality cannot be broken down into cause and effect without coming up in the space between the division where language breaks down and the consensual determinants of meaning become our bodies and shared senses. The Prajna Paramita Heart Sutra is the most profound encapsulation of Buddhist awakening. In it we are guided through five ‘skandas’ usually translated as aggregates – as in gradually accumulating piles of - body, sensation, perception, parsing, and so on to consciousness that is neither gained nor lost and that and is neither pure nor stained but allows the forgiveness of the 1001 things in the one or even the none. Undercliff Winery
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12. Alison Mortiss Iceberg Price: $750 lead crystal, float glass, wood, 55 x 48 x 19 cm
Alison has worked with glass for over 25 years using numerous techniques from leadlight, traditional stained glass and kiln worked glass, focusing on large scale outdoor sculptural work for the past 4 years. The passion for this material has resulted in many awards, works being found in both national and international collections as well as valuable study and work undertaken in Australia and Italy with internationally recognised glass artists. Inspiration is derived from personal interaction with the natural world, as well as the fascination of how light plays with the glass in its many incarnations. Inspired by trip to Antarctica in 2014 and the encounter with icebergs passing majestically by the vessel.
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13. Alison Mortiss
Iceberg IV
Price: $360 lead crystal, 20 x 30 x 10 cm
14. Alison Mortiss Glacier
Price: $690 lead crystal, 10 x 39 x 20cm
15. Alison Mortiss Drygalski Fjord
Price: $480 fused glass, 26 x 53 x 16cm
Glass fused in kiln representing the landscape experienced in Drygalski Fjord
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16. Alison Mortiss Porthole
Price: $420 glass, steel, 48 x 55 x 19cm
Inspired by a sea voyage of 3 weeks to visit Antarctica
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17. Leesa Knights Eco Earthlings
Price: $1,250 wood, leather, paper, seeds, 67 x 110 x 4cm
Leesa is a British born artist based in Sydney, Australia who has engaged with natural and man-made found objects for over a decade to create abstract and representational artworks in assemblage, sculpture, installatons and public art. Inspired by the beauty of nature and the afterlife of objects she continues to explore the art of salvage on a sustainable path of creative reuse. Leesa's art practice serves to highlight the stark reality of consurmerism and the overwhelming impact that waste has on this land called earth.
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18. Barbara Wulff Squidlad
Price: $2,500 cast lead crystal unique counter - relief , 31 x 22 x 3cm I have a niece and nephew living in Bonn, Germany. After the loss of a relative to suicide I had to think of a way to communicate my grief to them in a way that would be understood by toddlers. I wrote a letter - the germ of an idea about living under the sea and how mer-people see Life/Death. ‘The Swishytail Letters.’ A work in progress with my son it explores idea of cycles of action and reaction and the possibility of reincarnation is strongly evoked. Spring passes Migrating birds cry out a tear in the eye of a fish - Bassho Haiku Using lead crystal and casting a beautiful face looking seductively over her shoulder gives the impression of a mermaid looking through water. She has immeasurable treasures of wisdom in her oyster eyes: ‘Full Fathom Five thy father lies...Those are pearls that were his eyes’ – Shakespeare, The Tempest.
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19. Adrienne Hmelnitsky Fatal Invitations
Price: $1,100 red mahogany, brass rod, recycled rosewood, recycled steel tools, driftwoods, feral cat, fox and rabbit hides, echidna quills.
Fatal Invitations makes comment on the arrival and impact of the introduced species in our environment.
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20. Rhonda Castle Pigeon Small & Medium painted zinc anneal, timber, Price: $120, 30 x 9 x 9cm $140 , 29 x 27 x 9cm
Drawing on the myths, traditions and cultures of the world birds have captured our imagination and entwined their colourful tales and superstitions throughout history. There is much to learn about the cultural aspects of our feathered friends — and how they inspire us and shape our views of the world. With such diversity of birdlife and human imagination they have touched our lives with their behaviour and appearance through the Arts, entertainment and our belief systems.
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21. Timothy Douglas McLean Father and Child series
Price: $420 each or $2,000 for the set terracotta, metal oxides Photo: courtesy of the artist
Born in Sydney, N.S.W, 1983. During 2002-04, I studied Ceramics, Sculpture, Printmaking and Painting at the National Art School - achieved a Bachelor of Fine Arts with 6 Credits and 3 Distinctions followed by a Dipolma in Community Services and 2 Cert IV in Mental Health/Peer Work. Personal and social issues come to the fore in this work, which addresses limited representations of caring fathers in art, hence the works are a response to the discrimination and stigma towards masculinity in society and fathers with a history of mental illness and/or substance abuse. The work of figurative ceramic sculptures tells a personal story of the love and care I have for my baby girl while reflecting a more universal sentiment. My work shows how a strong masculine father can be just as caring and loving as the mother while recognising, the importance of caring fathers play in the development of their children. I used my previous art school training in classical fine art techniques to give the work a more classical feel over contemporary, while still keeping the tactility of my mark making. My daughter is truly a blessing and continues to be my artistic inspiration.
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22. Jennifer Chua Paper queen in paper wonderland Price: POA glass, cardboard, acrylic mirrors, 60 x 50 x 150cm
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23. Eddie Milan The Wind up
Price: $1,200 timber, 20 x 30 x 20 cm
24. Eddie Milan Runner Up
Price: $900 timber, 20 x 30 x 20 cm
25. Eddie Milan Seven Seas
Price: $1,200 timber, 20 x 30 x 20 cm
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26. David Doyle Iconic Sydney P rice: $120
steel, 30cm
27. Victoria Monk Birdwoman
Price: $3,000 mild steel, 165 x 53 x 48cm
The bird has symbolic significance to many cultures and religions as the link between heaven and earth. It is said to be communicator with the gods ascending into heaven. Birdwoman draws the analogy between the bird as messenger and the woman as communicator. Victoria Monk was awarded 1st prize for sculpture in art prizes including Northern Beaches 2018, Bowral 2017, 2018, Hunters Hill 2016, Amnesty International Sydney 2001. Her works have been selected for exhibition in North Sydney, Blake Prize, Ravenswood Women’s Art Prize, Canberra Grammar School and others. Works have been sold to private collectors. Her work is inspired by people, place and the world in which we live. Undercliff Winery
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28. Janine Clark Water’s Journey
Price: $950 paper, maps, copper, 30 x 26 x 30cm
Clark is influenced by environment and investigates the idea of transformation. Particularly the mundane everyday and life-cycle anthropomorphic similarities between human and object. She attempts to give voice to that which is overlooked. She also explores the idea of belonging and notions of home. Water’s Journey examines the life-cycle of water. Contrasting the effect rain has on fertile rural soil against falling on the concrete and tar of an urban of an urban environment. City maps create the drip-like water shapes and manmade copper pipes attempt to control its pathways. Imagine a moment in time as drops of water fall and transform into a torrent before they disappear down drains and eventually to rivers and seas. In our paved cities, rainwater has little chance of sustaining the subterranean world and little environmental impact. Whereas the countryside is restored as rain seeps into the ground and fills dams and rivers. Clark is a Melbourne emerging artist whose practice incorporates sculpture, installation, video and performance. She graduated Bachelor of Visual Arts (2014) from The University of Sydney, SCA. Clark has exhibited since 2010 in NSW and more recently in Victoria and is held in private collections in these states. Undercliff Winery
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Lindsay Hatchwell I am a third generation artist, hailing from New Zealand originally and am now very at home in Australia. My arts practise returns again and again to my pre-school years of observing my father (primarily a woodcarver) creating his works with ingenuity and flair. His ability to fashion something out of all sorts of odds and ends, often by necessity was inspiring. His practises were broad and varied, I am the same. Sculpture for me is an extension of those observations and I find myself seeing something creative in the most unusual and mundane objects that often have been discarded by others or are meant for a totally different purpose. I also enjoy humour in my work and at times a political statement. I am an eclectic artist, driven to perfect my skills in new mediums and genres across the disciplines of Painting, Printmaking, Sculpture and Photography. I have studied at The Sydney Gallery School (Diploma of Fine Art), The Julian Ashton School of Art and taken part in a multitude of short art courses, along with having been creative in one way or another since I can remember.
29. Lindsay Hatchwell Rustic RabbitÂ
Price: $280 wire, hessian, bonding agent, acrylic exterior emulsion
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30. Lindsay Hatchwell Buns of SteelÂ
Price: $220 steel wire, acrylic exterior emulsion
31. Lindsay Hatchwell Ned StandsÂ
Price: $140 wood, wire, papier mache, acrylic paint, sealer
32. Lindsay Hatchwell Mini Bun
Price: $26 metallic wire Goldilocks, Magenta and Grape
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33. Rhonda Castle Kingfishers/Reeds and Pond Price: $1,400 painted zinc anneal, steel, zinc anneal base, mirrored perspex, 80 x 35 x 40cm
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34. Timothy Douglas McLean Father and Son
Price: $1,800 each $3,000 both terracotta, metal oxides Photo: courtesy of the artist
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35. Andrew Whitehead Border Collie
Price: $5,500 found scrap metal artefacts, 40 x 25 x 75cm
Border Collies are great sheep dogs. They bluff sheep many times their weight and size into submission by the use of a signature stance and a stare called eye. This combination allows them to control large mobs of sheep and carry out the farmer's commands. Each dog is made from welded steel found artefacts. Scrap metal artist Andrew Whitehead is best known for creating dramatic figurative public artworks across Australia for small rural towns and community organisations. These artworks are site specific and record historical events, people, wildlife and cultural practices. These two Border Collie dog sculptures record another way that our pets and animals contribute to the fabric of our lives .
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Jeramie Scahill My passion to explore all mediums and learn the skills required to use them has led me into being a full-time sculptor. Starting off designing and making Jewellery I soon fell in love with Silver so honed my skills as a silver smith. Starting my career as a sculptor soon adventured into timber, bronze and stone, Stainless steel and anything else that presents itself. To this day I try to keep to this agenda although as an artist I think the environment and how we treat it and live in it is a worthy cause to make a statement in this time and age. I work full time as an artist dreaming of ideas at night and manufacturing by day. I still live in Rural Australia and I find it a challenge to be on the forefront of the Australian art scene and getting my work in front of the wider public but as a pathological optimist I value the space to work with a lot of natural mediums and space to work and adventure. I just make the coolest things I can think of and do my best to show you. Hope you enjoy my work
36. Jeramie Scahill Mother
Price: $800 white cedar, stone, hardwood, balancing rock,
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37. Leesa Knights Pop in the Pink
Price: $575 mixed waste, 33 x 45 x 4cm
38. Leesa Knights Finding Red and Yellow Price: $576 mixed waste, 33 x 45 x 4cm
39. Leesa Knights The Butterfly Kiss Price: $1,000 vintage paper, plant roots, 75 x 94 x 4cm Undercliff Winery
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40. Jenny Little Infinitely light I, II, II, IV Price: $3,400 or $850 each 4 rotating light boxes, drafting paper, negatives, ink, 37 x 30 x 30 cm
These light sculptures reflect ongoing themes in my work, including, light, quantum physics and mathematics . I work with various media using light, moving images, installation and animations to explore our perceptions and understanding of reality.
41. Barbara Wulff Wait and Sea
Price: $3,200 cast lead crystal unique counter - relief, 33 x 26 x 8cm
Patience, Patience, Patience in the Blue…. I am a child of the Pacific and travelled from the Sydney Heads by ship on the S.S. Australis to Rotterdam at the tender age of 9. I saw the world and especially the oceans during a month at Sea.
‘Wait and Sea’ emerged over a 7-year period. The prototype was based on a drawing of a model in a Yoga pose that strongly suggested the energy of waves. I repeated the figurine in a translucent aqua resin and then also in bronze. I placed them on a reflecting surface to emphasise this wave quality of repetition and self-similarity. Undercliff Winery
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42. Mary Boland Up and Coming
Price: $300 wood, acrylic paint, 57 x 41 x 25cm
Mary has completed a Diploma in Fine Art at the See St Gallery School, Meadowbank TAFE. Committed to recycling, she works in discarded material and found objects. This year she is working predominantly in wood. Her work focuses on the notion that things are rarely as they seem.
43. Mary Boland
44. Mary Boland
Price: $300 wood, acrylic paint, ink, 67 x 36 x 19cm
Price: $300 wood, found metal and rubber objects, acrylic paint, shellac, 57 x 26 x 16cm
Had Enough?
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45. Bronwyn Tuohy Caterpillar
Price: $150 found objects, 92 x 16 x 17 cm
46. Elke Wohlfahrt In-cup-acitated 1 Price: $650 bronze, 15 x 6 x 4.5cm
Elke Wohlfahrt is a German-born Australian visual artist with a BVA (hons) Degree in Sculpture, Performance, Installation from Sydney University - Sydney College of the Arts and Advanced Diploma degrees in painting and sculpture from Meadowbank Tafe (Sydney Gallery School). I scrunched polystyrene cups and created small sculptures, which were turned into bronzes via lost-wax casting. Polystyrene and bronze are both materials, which will outlast our time; however one has the lesser impact on our environment.
47. Elke Wohlfahrt Jiri
Price: $1,150 bronze, 14 x 14 x 9.5cm Undercliff Winery
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48. Lindsay Hatchwell Pastel rainbow bunny and Regal rabbits Price: $140 ea PVC coated wire, pink and lilac
49. Alethea Deane Seatedwoman
Price: $750 polyurethane, concrete, acrylic paint, 29 x 19 x 15cm
50. Victoria Monk Angel at My Table
Price: $900 bronze, mild steel, 18 x 11 x 22cm
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51. Tony Bruck The Hug Price: $150 stainless steel spoons 39 x 15 x 15 cm
52. Tony Bruck Odette Price: $150 stainless steel spoons 34 x 10 x 10 cm
I have recently started to design and create sculptures that promote awareness of various subjects. We can enjoy flowers all year round - even in times like of severe drought, but we should remember that many parts of NSW now do not enjoyable at all due to the drought.I enjoy sculpting with steel, 3D printed materials and producing cement moulded objects.
53. Bronwyn Tuohy Owl Price: $300 iron bark 29 x 20 x 35 cm Undercliff Winery
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54. Rhonda Castle Wedge Tailed Eagle Price: $980 painted zinc anneal, 110 x 130 x 120cm
55. David Doyle Hunter Valley
Price: $120 ea blue, 2 x silver, 30 - 50cm
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56. Tobias Bennett Much like life
Price: $150 ea red, green, blue, yellow painted stee & rusty 20 x 30 x 30 cm sold separately
Much like life the universe and everything there is no beginning and no end, continuously connected in time and space.
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57. Barbara Wulff 21st Century Vidiots Price: $7,400.00 plywood and found objects assembled 1992 restored in jesmonite and repainted, 2018 131 x 160 x 25cm
This piece was made during a stint at ‘Caravan Studios’ in Richmond, Melbourne, a shared studio that still exists to this day. It is pure ‘Neo Geo’ in that the forms are hard-edged and the aesthetic Punk. I was angry at a failed love affair with a very immature gen. Y boy. I channeled a lot of angst and anger into more ‘dying slave’ imagery, their superficiality is shown by the unsubtle palette and tendency to turn into Lego mini-figures. Originally I planned to cast bronze marsupials and trees caught up in the cycle of destruction. The rainbow serpent in the middle wheel has moth wings and represents wisdom, however even she is spitting venom. Ladders complete the game theory theme.
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58. Liz Bradshaw
You make me feel mighty real Price: $350 ea or set $1,200 unfired waxed clay, 75 x 30 x 30cm
Inspired by a visit to Casa Buonarotti in Florence this work is a series based in the historical nude, complicated by the symbolic and actual violence to which the female form is subjected.
59. Rhonda Castle Soaring
Price: $1,260 painted zinc anneal, corten steel base, 240 x 160 x 40cm
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60. Elke Wohlfahrt The Dancer Price: $950 welded metal
61. Hurlstone Agricultural High School White Rabbit
Price: NFS Hebel aerated concrete block
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62. Nicole de Mestre - 16 Pods Price: $45, $65, $95 found materials, reclaimed wire, metal, rope, fly screen, artificial fur, wood
For thousands of years, baskets have been woven from materials at hand, reflecting the character of the place in which they are made. These pods, too, are woven from locally-sourced materials in plentiful supply, and comment on society's attitudes towards disposal and reuse. Seed pods are an iconic symbol of renewal, and so it is fitting that these works are by-products of our highly industrialised, materialistic culture. Nicole can be found either in her overcrowded shed or out on local streets rifling through kerbside pick-up piles searching for inspiration. Her art reflects a curious attachment to discarded materials, an increasing frustration with the prolific waste of modern society and a healthy obsession with rusty metal and old rope. She creates an eclectic range of artistic works, inspired by environmental concerns and linked through the use of recycled materials and found objects. After completing a Visual Arts degree, Nicole continued fine arts studies at TAFE. She regularly exhibits, and has been a finalist in both North Sydney and Gosford Art Prizes. Over the years she has exhibited in many sculpture prizes, including Sculpture at Sawmillers and Sculpture at Scenic World. Undercliff Winery
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63. Nicole de Mestre Which Banksia?
Price: $350 ea flyscreen, tin, wire, polyester, thread, reclaimed copper wire
64. Tony Bruck Large Tulip & Small Tulip Price: $200, $150 stainless steel 75 x 15 x 20 cm & 54 x 10 x 10 cm Undercliff Winery
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65. Adrienne Hmelnitsky Now you see me Price: $800 ea 3 for $2,200 6 for $4,200 Marine ply, mirrored stainless steel, feral cat hide 40 x 40 x 20 cm
It is estimated that there are over 31million feral cats in Australia, each is estimated to kill five native birds/animals daily. Now You See Me... focuses on just one of the many native animals that are threatened by feral cats, the Potoroo. Undercliff Winery
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66. Barbara Wulff Aquagirl Price: $2,500 lost wax bronze on charred wooden plinth 120 x 25 x 28cm
67. Kylie Beynon Pod Man Price: $1,900 seed pods, wire, natural raffia, steel, concrete, inflorescence Photo: Timothy Douglas McLean
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68. Kylie Beynon Rocket Man
Price: $1,900 wire, found objects, casuarina, cortex steel, inflorescence, 200 x 80 x 80cm Photo: Timothy Douglas McLean
Kylie is a mixed artist who integrates wire, sea-glass, timber and found objects into her works. Trusting in her feelings and instincts, she finds that nature itself is her biggest influence, being constantly drawn to organic lines, patterns and colours. A love of collecting seed pods, natural plant materials collected on walks on the beach particularly tumbled washed up sea glass help to create unique pieces. Shadows also play an important role in her works, giving different perspectives and dimensions to her works. In 2017 Kylie participated in the 5 Lands Sculpture Walk at Avoca Beach and was a finalist in the Gosford Art Prize, exhibited in Sculpture in the Vineyards at Wollombi. In 2018 she participated again in the 5 Lands Sculpture Walk and received the Artists Choice Encouragement Award and exhibited in the Connections Art exhibition at Avoca Beach Surf Club.
69. Kylie Beynon Banksia King
Price: $1,500 Wire, mesh, found objects, gum leaves, king protea, inflorescence, banksia leaves, protea leaves seed pods
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70. Bronwyn Tuohy Foreign 1
Price: $250 fox fur mask on wood block, 30 x 20 x 37cm
71. Bronwyn Tuohy Foreign 2
Price: $250 rabbit fur and wood block, 30 x 24 x 24cm
72. Bronwyn Tuohy Splintered
Price: $300 wood, violin case ($400 with harp table), Photo: Timothy Douglas McLean
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73. Bronwyn Tuohy Repose
Price: $400 limestone, 70 x 24 x 24cm - Photo: Timothy Douglas McLean
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74. Rosemary Reynolds
The midden within Price: $950 bronze, timber, 100 x 60 x 60 m
The idea of the gift is explored in its ultimate form when one’s body, after life, is donated to medical science for further knowledge and understanding. The midden within suggests and reflects body fragments suggestive of shells, holding value with appreciation and beauty. The surrounding matter reflects the cycle of our environment in which we live and gives value to these body fragments. Materials explore both connection and absence of our body within its surroundings. Bronze reflects a continued existence and respect while timber has been chosen to hold the fragments and represents the framework of knowledge and existence. Rosemary Reynolds completed a BFA (Hons 1) at Newcastle University in 2017, receiving a faculty medal. Her work has been exhibited in the galleries of Acrux, Contemporary North, Timeless Textiles, The University Gallery, Watt Space, Godfrey Tanner Bar and Anatomy Laboratory, University of Newcastle.
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75. Pamela Lee Brenner I go out walking
Price: $200 /pair POA for 5, found objects, polyurethane, sand
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76. Rhonda Castle A little bird told me Price: $920 painted zinc anneal, corten steel base, 150 x 70 x 80cm
77. Rhonda Castle Genesse Flock Price: $1,300, $1,700 painted zinc anneal, corten steel base, small 175 x 50 x 75cm large 205 x 85 x 90cm
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78. Tony Bruck 1. Drought tree 2. After the Drought 3. Raindrop Price: $1,500, $1,500, $80 steel 3D printed PET G, 350 x 200 x 200 cm *artists proceeds will go to rural aid Australia Undercliff Winery
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Interactive SOUND work
79. Graeme Pattison Media MegaStream Overload
Price: $3,000 loudspeakers, electronics (MP3 players and PIR movement sensors, wiring, power adapter)
Media saturation and information overload. Tweets, texts, posts, emails, messages, pop-up adds and banners, TV, streaming radio and podcasts. We are surrounding ourselves with unending and overflowing media. But can we listen to it all, can we choose what we receive, can we converse back to whoever sent it? Do we even know who they are? Or is it just a manipulating muddle? Sydney artist and design engineer. Exhibited three times at Bondi Sculpture by the Sea in 2012, 2008 and 2006 plus at SXS Cottesloe in 2012. Also Harbour Sculpture (Woolwich) 2017, Sculpture in the Vineyards (Wollombi) 2016 and 2015, Hidden Sculpture Walk (Rookwood Cemetery) 2017, 2016 and 2015 and Sculpture at Scenic World (Katoomba) 2016. Group exhibitions at ATVP and ESP Galleries. Finalist in Australian Design Awards 2010.
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80. Hurlstone Agricultural High School Eternity
Price: NFS Eartenware clay, glaze and decals - Photo: Timothy Douglas McLean
Installed at ground level, Eternity is nearly hidden. The circular form of the sculpture references the notion of eternity. The male and female bodies lack individuality and as such, act as a universal symbol for all loved ones that have been lost: their perfect forms echoing idealised memories. The roses that seem to grow over the bodies allude to both hope and regeneration. Roses are a symbol of love and the yellow rose is associated with memory and optimism. It is the rose of familiar and mature love. The high gloss finish of the work references spiritual reflection, as the natural surrounds, the sky and even the audience is reflected on the surface. It reflects on eternal love, hope, remembrance and reflection. Hurlstone Agricultural High School is a selective, agricultural day and boarding school. The Visual Arts department is interested in engaging the students in authentic tasks for broad audiences. The students have successfully exhibited in a number of public exhibitions, including Hidden, Harbour Sculpture and Sculpture in the Vineyards. The students were awarded first place in the 2015, 2016 and 2017 Royal Agricultural Society Produce Display competitions and have successfully competed in the Archibald Prize from 2010 to 2018. Undercliff Winery
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81. Akira Kamada and Kerry Laws What goes around, comes around Price: NFS found object, dimensions variable Photo: Timothy Douglas McLean
A reflection on the number of women in Australia who have been violently killed by their partners just this year, and on how it will only continue to spiral until we change the way we educate our boys, our police, our politicians and our courts. We need social awareness, cultural change and support systems.
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Outdoor: Undercliff Winery
82. Andrew Whitehead Freedom Run
Price: $36,000 found object, steel, life-sized Photo: courtesy of the artist
This artwork was inspired by the story of the Australian World War One horses 'Walers' that we left behind at the end of hostilities. This decision, not to bring them home after serving us so well was based on economics and disease control measures and was to cause much suffering to both horse and Australian Light Horse veterans.
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Outdoor: Undercliff Winery
83. Pamela Lee Brenner & Johannes Muljana Re-evolution Price: $3000 PVC, PET, recycled bicycle wheels, sisal rope, paint, LED lights, 240 x 400 x 250 cm
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Outdoor: Undercliff Winery
84. Alison Mortiss Bloomin’ Hope
Price: $350 ea 6 for $1,800 cast glass, dimension variable, Photo: Timothy Douglas McLean
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Outdoor: Undercliff Winery
85. Devine Panic Effervescent
Price: $1,500 Resin and pigment colours, dimensions variable , Photo: Timothy Douglas McLean
Tiny things become more interesting when magnified. Our artwork is based on a series of cell structures, particularly focusing on how the sugar within the wine cells create a kaleidoscope of colours when placed under a microscope. We have endeavoured to capture the rainbow of colours and the way that the individual particles have formed an array of shapes and patterns. Exploring the material properties of resin has resulted in the magnification of hidden realms, allowing the audience to engage with a spectrum of colours that can’t be seen by the naked eye. Devine Panic is the collaboration of two teachers from Western Sydney. Having come from an installation background, both artists draw upon their wealth of teaching experience to create artworks that push both the material and conceptual boundaries of visual arts. Through connecting with the community, Devine Panic seeks to inspire students to see the value in creating art and ‘practicing what you teach’.
86. Hurlstone Agricultural High School Armistice
Price: NFS Earthenware Clay, acrylic paint
In remembrance of the centenary of Armistice, this work reflects on World War 1 and more specifically the cessation of hostilities on November 11th, 1918. 32 slip cast helmets align with the 32 countries who fought in WW1. The hand built poppies symbolise the blood spilt on the battlefields and allude to notions of regeneration and hope.
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Outdoor: Undercliff Winery
87. Pamela Lee Brenner The way I see it
Price: $4,200 PVC pipe, steel, 180 x 150 x 150cm
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Outdoor: Undercliff Winery
88. Kes Harper Instruments of Responsibility Price: $100 ea, installation, $1,500 timber, found objects, dimensions variable
We all know the idiom “a poor workman blames his tools”. It has been around a while - a 13th-century French proverb observes 'mauveés ovriers ne trovera ja bon hostill - ‘bad workmen will never find a good tool’. Meaning, someone performs a task poorly or unsuccessfully and lays blame on the quality of their equipment, or other external factors, rather than take responsibility for their own failure. There is a phenomenon in society where we do not (need to) take responsibility any more. We, instead, blame others. CEO's blame directors, directors blame management, management blames workers (but I believe the blame game dilutes as it travels down through the 'ranks'). People are the 'tools' of a corporate society. And the people...the 'tools' will eventually break under the blame strain (as tools would if you forced them to work under pressure). In 'Instruments of Responsibility' I want to show tools not suitable for certain tasks, even though they may resemble the familiar. By placing unexpected components together, I want to highlight the futility of blame and the necessity to take responsibility. Imagine that!
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Outdoor: Undercliff Winery
89. Nathan Sawczak Fever Price: $550 ea recycled stainless plate, recycled car parts, automotive paint and pigments, 100 x 50 x 100cm
The stingray to me is one of the most mesmerising beauties as they glide with grace and precision with the water they inhabit. Stingrays are known to swim together in large groups forming what is a Fever to migrate. Coupled with the, refracting light shimmering off the stingrays curvaceous body as they glide throughout the water is what I have tried to capture. I felt that recycled stainless steel was the perfect medium to resemble this effect. I have a desire to take something that was once practical and possibly not noticed or taken for granted, recycle, reuse, rethink, re-purpose and remake...
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Outdoor: Undercliff Winery
90. Liz Bradshaw Inheritance
Price: $8000 timber, aluminium, 180 x 180 x 180cm Photo: Courtesy of the artist
Made with reference to an Australian pastoral vernacular, this work is a meditation on the destruction that accompanies colonisation. It reflects on the cultural meanings of the landscape and its form draws parallels between colonial expansion and the history of modernism.
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Outdoor: Undercliff Winery
91. Greg Kett
Baby Gloria, Mama G, Rhonda Rhino Price: $8,000, $16,000 $8,000, Copper Photo: Timothy Douglas McLean
Undercliff Winery
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Outdoor: Undercliff Winery
92. Kate Dorrough Grotto
Price: $12,000 mixed media, Photo: Timothy Douglas McLean
This installation references the historical garden tradition of the grotto. Originating from antiquity, the artificial temple or folly, appears in rusticated gardens of fantasy. The grotto is a source of water, bestowal of life, offering shade from the heat where mythological river gods, ferns and sculptural heads adorn the work. This work is a contemporary hybrid, with the introduction of bright synthetic colours; it becomes a fusion of the natural and the unnatural. Kate has held fourteen solo exhibitions in Galleries; Art House Gallery and Access Contemporary Art Gallery, Sydney, Beaver Art Galleries, Canberra, Catherine Asquith Gallery, Melbourne and Edwina Corlette Gallery, Brisbane. Selected for numerous group exhibitions, including the Woollahra Small Sculpture Prize, the Australian Ceramics Association Biennial Exhibition, Manly Art Gallery & Museum, and the 29th Gold Coast Ceramic Art Award, Hidden, Rookwood Sculpture Walk. Kate is represented by Art House Gallery in Sydney Undercliff Winery
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Outdoor: Undercliff Winery
93. David Doyle Under the Southern Cross Price: $1,250 ea steel, stainless steel, 150 x 80cm
Undercliff Winery
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Outdoor: Undercliff Winery
Stonehurst Cedar Creek Wines Undercliff Winery
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1. Rita Orsini Orsini Light (Tubular) Price:$640 50 x 9cm
Orsini Light (Box) Price: $720 20 x 25cm
Osso Buco Bracelets
Osso Buco Bracelets
Price: $95 wide
Price: $75 narrow
DΊME Price: $390 resin, LED lights and electronics
Undercliff Winery
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Indoor: Stonehurst Cedar Creek Wines
2. Margo Gabsi Figures Price: $300 ea ceramic and bronze, dimensions various
3. Sharon Taylor Blue Mountains
Price: $85 ea set $1,350 ceramic, dimensions variable
These pieces are inspired by the Australian landscape/ environment, reinterpreting the shapes, forms, colours and textures. Clay is my medium of choice because of its versatility and the tactile processes of forming and making the works. Undercliff Winery
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Indoor: Stonehurst Cedar Creek Wines
4. Rhonda Castle Plumage
Price: $760 steel ribbon and base
5. Alison Mortiss Iceberg III
Price: $270 lead crystal, 18 x 16 x 16cm
Undercliff Winery
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Indoor: Stonehurst Cedar Creek Wines
6. Alison Mortiss Iceberg II
Price: $360 lead crystal, 19 x 28 x 20cm
7. Alison Mortiss Portal 1
Price: $375 float glass, wood, 40 x 37 x 24cm
8. Alison Mortiss Guardian
Price: $480 lead crystal, recycled wood, 34 x 64 x 19cm
Undercliff Winery
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Indoor: Stonehurst Cedar Creek Wines
9. Jennifer Little Quantumscape
Price: 1 panel $400 2 panels $750 steel, glass and light included
10. Bronwyn Tuohy The Hunter
Price: $250 photograph, 58 x 43cm
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Indoor: Stonehurst Cedar Creek Wines
11. Barbara Wulff Ricarda Seated
Price: $2,500 lost wax bronze 35 x 21 x 9cm
This lost wax bronze figurine is a portrait of a strong German woman who models for life-drawing groups since the 1990’s. She is one of a pair of identical twins who play a big part in the social scene of the Inner West. The drawing this portrait is based on beautifully exaggerated the weight in the base of the figure. All the stylization and exaggeration owes much to European primitivism such as Cubism and Expressionism. Undercliff Winery
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Indoor: Stonehurst Cedar Creek Wines
Oh Falada Song Cycle This piece is a memorial about male youth suicide that affected my family. It also invokes the tragic history of the Jews in Europe. Growing up as a teenager in Germany in the 1970’s the division and annexation of the East was not overtly discussed but ever present under the surface. My German homegroup teacher, Fritz Werf, a satirical poet and admirer of Bert Brecht fostered our creativity that then emerged in our drama group where we performed home made puppet and other theatre. The motif of a horse is chosen from a long lineage of literary and lyrical greats (Dostoyevsky - Nick Cave) to show the suffering and subjugation of the working class. The commonality of the experience of suffering is carried by the surgical tubing that links the horses together showing stages of acceptance, submission and re-emergence. The dominant paradigm of virility and control are also turned upside-down like an anti - Ferrari badge or to prick the sides of male bombast such as the very common sight of emperors on horseback that you see on the Brandenburg gate and other monuments throughout Europe. Through meditation in the Zen tradition I was able to be present and channel the energy of suicide. The cycle never ends but in this case the spirit emerges golden and victorious in the shadow of the mother.
12. Barbara Wulff Firm ground sludge
Price: $3,600 bronze, surgical tubing 26 x 25 x 21cm
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Indoor: Stonehurst Cedar Creek Wines
13. Barbara Wulff The Nag named Sorrow
Price: $3,600 bronze, copper, marble 30 x 16 x 30cm  Â
14. Barbara Wulff
Ten Minutes later only my Bones lay in the Gutter Price: $4,400 bronze, resin, surgical tubing, steel 50 x 55 x 20cm
Undercliff Winery
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Indoor: Stonehurst Cedar Creek Wines
15. Barbara Wulff What is Rice actually?
Price: $3,600 bronze, copper, rice, stand 48 x 50 x 30cm
16. Barbara Wulff Upwardly Mobile Man
Price: $2500 unique lost wax bronze 64 x 28 x 22cm Around the time this piece was modeled in wax, mobile phones were just taking off as a business tool. They still had aerials and seemed to be used by anonymous people in suits. ‘Yuppies’ was becoming a derogatory term for aspirational obsessives. This one has two left feet and is struggling with his bonds. It is a parody of Michelangelo’s late works of ‘bound and dying slaves’ that itself derives from the Hellenistic (200 B.C.) marble ‘Laocoon and his Sons’ who struggle with a Python. The base derives from Constantin Brancusi’s ‘Endless Column’ – further emphasizing the aspirational quality of the piece.
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Indoor: Stonehurst Cedar Creek Wines
17. Jeramie Scahill
Leaf mobile Price: $700 bronze, rosewood
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Indoor: Stonehurst Cedar Creek Wines
18. Will Maguire Foreign Connections m3 Price: $4,900 forged steel, Australian turpentine and ironbark, 170 x 40 x 40cm
This work is a part of a series of sculpture exploring the tension between the earthy presence of natural Australian timbers and the might of industrially forged steel and mechanical connections. The steel has been forged and the timber cut before superficially burning the steel into the timber, similar to a farrier setting a hot shoe into a horse’s hoof. These material combinations are in some way analogous to the unresolved tensions between contemporary notions of progress and respectful relations with the natural world. This work intends to express a form of beauty without glazing over contradiction and the need for critical thought.
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Outdoor: Stonehurst Cedar Creek Wines
19. Barbara Wulff i-Muse
Price: $3,200 perspex, clear polyester resin 28 x 72 x 40cm
Photo: Timothy Douglas McLean
I am fascinated with how quickly we have become dependent on our phones. I particularly like the moment when I put my own flat shiny screen to my ear and have meditated on feeling this moment as a kind of ‘kiss’. I love watching peoples’ fingers hovering over their phones as they search with a concentrated look on their faces. Sometimes I may glimpse from my car a man on a bike leaning back and with that gesture of holding a phone to the side of his head. Or it may be a man and a woman standing on a street corner oblivious to one another and texting… glimpsed when driving past. I have named this phenomenon ‘The Flat Ear Society’. The design process involved a series of paintings where a ‘Sleeping Muse’ is listening to the sea through a phone resting on a shell. Just like when we tuned in to the sound of the sea by holding a shell to our ear in childhood. Brancusi’s ‘Sleeping Muse’ is the springboard for this post-modern head. In his piece the head is simplified to the point where the ears disappear altogether and the unconscious sleeper becomes a shiny cosmic egg of pure potential. In i-muse the ear has turned inside out emphasizing receptivity.
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Outdoor: Stonehurst Cedar Creek Wines
20. Sharon Taylor Gathering
Price: $125 ea ceramic, up to 70cm
21. Sharon Taylor Cluster
Price: $120 ea ceramic, up to 70cm
These pieces are inspired by my love of the trees in the Australian landscape, reinterpreting the shapes from different perspectives. I have imagined the trees as viewed from laying on the forest floor looking up. Clay is my medium of choice because of its versatility and the tactile processes of forming and making the works.
This work consists of abstracted tree trunk shapes and is also inspired by the straight sapplings growing in the Australian bush. Patterning and textures mimic those found in nature. The pieces stand tall reaching for the sun. Clay is my medium of choice because of its versatility and the tactile processes of forming and making the works.
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Outdoor: Stonehurst Cedar Creek Wines
22. Jeramie Scahill Cocoon
Price: $300 barbed wire woven
23. Jeramie Scahill Tree Jewellery
Price: $1,200 sandstone cement, chain
Photo: Timothy Douglas McLean
24. Jeramie Scahill Totem 1
Price: $1,500 oregon timber, 7 x stone, jute, hard wood Photo: Timothy Douglas McLean Undercliff Winery
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Outdoor: Stonehurst Cedar Creek Wines
25. Jeramie Scahill Flow
Price: $1,800 white cedar, 3 x stones, hard wood
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Outdoor: Stonehurst Cedar Creek Wines
26. Adrienne Hmelnitsky Place and Time In Spirit
Price: $12,000 recycled hardwood doors, mirrored stainless steel, mild steel 180 x 600 x 120cm
At first the figures speak of relationship between gender, between the anima and animus and between the individual and their idea of a spirit guide. A multiplicity occurs when the reflective surfaces are observed in conjunction with the spaces through and around the forms, along with the additional figurative shapes formed by the cast light and shadows, immediately bringing the onlooker into a dialogue with the piece, allowing for a playful interaction with the work. The discovery of repeated figures throughout the work adds a sense growth and community.
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Outdoor: Stonehurst Cedar Creek Wines
27. David Doyle Stags
Price: $6,500 set or large $2,500 small $2,250 Oxy-cut steel 150 x 900cm
28. David Doyle Cockatoos on Perch Price: $180 ea steel
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Outdoor: Stonehurst Cedar Creek Wines
29. David Doyle Seagulls
Price: $70 ea Seagulls (seven, and one yellow bird), steel 1.5m to 1.7m high
30. David Doyle
Sailing under the southern cross Price: $350
31. David Doyle
Southern Cross with two pointer stars Price: $370
32. David Doyle
Southern Cross with two pointer stars Price: $450
33. David Doyle
Southern Cross on cross bar Price: $270
34. David Doyle
Southen Cross pattern in steel Price: $270
35. David Doyle
Southern Cross in stainless steel spheres Price: $450
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Outdoor: Stonehurst Cedar Creek Wines
36. Tobias Bennett Metal Flowers
Price: $40 ea steel. 150cm
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Photo: Timothy Douglas McLean
Outdoor: Stonehurst Cedar Creek Wines
37. Geoffery Graig Aoelian harp Price: $5,000 wood, harp strings, steel tuning pins Photo John Harrison
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38. Barbara Wulff Snail Vapour
Price: $1,200 found abalone, polyclay and epoxy repair cement on cardboard pendant 15 x 39 x 22cm
I made this as a companion piece to my roof scape paintings of Inner West skylines including ‘Plane Disappear’ – that was about the mystery of the disappearance of the Malaysian Airlines flight 370. The vapour trails of my longing criss-cross the sky like the crazy nacre dance of snails detected by their pearly traces on the footpath next morning
I used a shell to show the pearlescent nacre of the sky over Japan that I experienced on a world trip in 2013. The abalone is a lonely customer – abalone alone could make me less lonely – is how I think of its sound. The seashell is also a concentrating device for hearing the rushing if the sea (or the rushing of your own blood as amplified by a shell) depending on the canniness of the adults who first introduced you to this meme. There are also naturally occurring ‘portholes’ on every abalone shell. They used to be common and used as ashtrays during my childhood but in recent years have become rare due to overfishing. My longing for faraway places and lost relatives is encapsulated in it.
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Outdoor: Stonehurst Cedar Creek Wines
1. Jeramie Scahill Totem 2
Price: $1,800 cedar, stone, hard wood plinth
Noyce Brothers Wine Undercliff Winery
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Indoor: Noyce Brothers Wine
2. Jeramie Scahill Womb
Price: $800 silky oak, stone, hard wood plinth
3. Rhonda Castle Peacock and Perch Price: $950 painted zinc anneal, steel, 150 x 30 x 90cm
4. Rhonda Castle Black Swan Price: $325 enamel painted zinc anneal, granite, 28 x 38 x 28cm
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Indoor: Noyce Brothers Wine
5. Rhonda Castle Echoes
Price: $3,300 epoxy enamel painted zinc anneal
Undercliff Winery
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Outdoor: Noyce Brothers Wine
6. Barbara Wulff Sea Goat Price: $19,600 bronze, resin, wooden plinth , 75 x 90 x 56cm
Beyond the black stump where the Queen’s word holds no sway, Sea Goat keeps a watchful ear and eye out for the cries of refugees. The myth of Capricorn is about a sea god who tries to prevent his sentient and wise sea children from beaching themselves and evolving into dumb and lusty goats. He uses his ability to reverse time to prevent this from happening. However, frustratingly the cycle repeats aeon after aeon until he flees to the stars resigned to the fact that you can never prevent your kids from growing up! In Arabic some of his star names refer to times when goats may be sacrificed. The planet Saturn sharing this sign is said to be a stern tester of vocation and spirituality. This piece has been many years in the making and provided many such lessons and 'snackrifices'.
In my interpretation his armour plating shows vulnerability and the tendrils in his ears show the deep vein of suffering that runs through all living beings that share this sphere of breath. New stars are being formed in this part of the galaxy and this constellation’s vaguely horn shape sparks the idea of his broken horn as the horn of plenty, spilling out all harvest goodness. The tropic of Capricorn marks the southernmost latitude where the Sun may be observed directly overhead. The texture on the neck of Sea Goat may also be seen in the new Weedy Sea Dragon tank thanks to the artist’s job at Sydney Aquarium.
Undercliff Winery
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Outdoor: Noyce Brothers Wine
Undercliff Winery
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Outdoor: Noyce Brothers Wine